:00:00. > :00:07.Tonight he's back in his home town of Dunblane, part of a tour
:00:08. > :00:21.Hello and welcome to the One Show with Matt Baker...
:00:22. > :00:25.Today has seen one of the most emotional moments in
:00:26. > :00:30.The families of the 96 victims of the Hillsborough disaster have
:00:31. > :00:32.finally heard the verdict they've been fighting for,
:00:33. > :00:35.since their loved ones died at the football ground in 1989.
:00:36. > :00:39.That the victims were unlawfully killed, due, in part,
:00:40. > :00:44.And, equally important, there was no misbehaviour
:00:45. > :00:48.by the fans that contributed to the deaths.
:00:49. > :00:51.Huge news for the families and the city as a whole.
:00:52. > :00:55.We have spent the last few days with the brother of one of those who died
:00:56. > :00:58.and we'll hear from him soon. a focal point for Liverpudlians,
:00:59. > :01:07.aren't you, Matt? Yes we're in St George's plateau in
:01:08. > :01:12.front of St George's hall, this has been a focal point for this epic
:01:13. > :01:16.struggle, this fight for justice for the 96 victims of the Hillsborough
:01:17. > :01:19.disaster. Here, there have been vigils, there have been
:01:20. > :01:26.demonstrations and there have been many tears over the last 27 years.
:01:27. > :01:29.Steve Kellie lost his brother Michael that day at Hillsborough. We
:01:30. > :01:35.spent the last couple of days with him finding out exactly what this
:01:36. > :01:41.verdict means. It's the morning of the verdict.
:01:42. > :01:48.Feeling very nervous, anxious. I'm just hoping for the truth to come
:01:49. > :01:56.out. Enormity of it now is kicking in. This is history in the making
:01:57. > :02:00.and we're part of it. I was the younger brother by two-and-a-half
:02:01. > :02:05.years. I always looked up to him. Always tried to be him as you do
:02:06. > :02:16.with your older brother. He always looked after me. I missed that.
:02:17. > :02:21.Football was the great thing in his life. He loved going to the football
:02:22. > :02:24.match. He loved Liverpool. He was a season ticket holder. He had booked
:02:25. > :02:36.the coach. He was looking forward to the game. Through the video footage
:02:37. > :02:39.we had to see ourselves, I mean I identified Michael coming through
:02:40. > :02:43.the tunnel. It's difficult to watch, because every time I look at it, I
:02:44. > :02:50.think the same thing - he's only got minutes to go. It's as though,
:02:51. > :03:00.you're watching him die all the time.
:03:01. > :03:09.The most difficult thing for me was hearing the match commander admit in
:03:10. > :03:13.court that he'd lied. I was looking around the courtroom, I couldn't
:03:14. > :03:18.believe, I was looking at other people, seeing their reactions and I
:03:19. > :03:24.just remember looking at him and thinking, "You've just been a
:03:25. > :03:28.coward. You could have pear us this. -- spared us this." The reason we
:03:29. > :03:38.didn't give up was love. We loved our family. That's why we fought for
:03:39. > :03:46.so long to clear their names. Since Hillsborough, we've lost our mum, my
:03:47. > :03:53.sister, Joan, I lost my youngest son five years ago. I had to do that on
:03:54. > :03:58.my own. My brother, I know, would have stood shoulder to shoulder with
:03:59. > :04:02.me and supported me through these things and that's what I miss about
:04:03. > :04:08.him most. The jury of nine, after two years of
:04:09. > :04:13.evidence have concluded that the 96 football fans, who lost their lives,
:04:14. > :04:17.were unlawfully killed. At least we know now Michael was just a fan who
:04:18. > :04:20.got caught up in the wrong thing at the wrong time. It's a bitter sweet
:04:21. > :04:26.moment. We should have had this 27 years ago to spare the families.
:04:27. > :04:27.# You'll never walk alone #
:04:28. > :04:39.CHEERING I'm pleased to say that Steve joins
:04:40. > :04:44.us now. It's clear what you might have started doing for Michael, for
:04:45. > :04:48.your brother, you now do for a larger group of people. It's not
:04:49. > :04:52.just for Michael. It's for 95 other people who were sadly killed at
:04:53. > :04:57.Hillsborough. The thousands that went over there that day and the
:04:58. > :05:02.city as a whole, we were all maligned by the lies that came out.
:05:03. > :05:07.We've struggled all these years to get the message out that, you know,
:05:08. > :05:12.you were right that day to carry on this fight. I'm glad we've done it.
:05:13. > :05:15.We've been proven today that we were justified and yeah, I'm really
:05:16. > :05:20.proud. How many times during the last 27 years due think that you'd
:05:21. > :05:25.never get this far, that the message would just never get out? Well, up
:05:26. > :05:29.until this morning, I never thought we'd get this far. I was still
:05:30. > :05:37.worrying this morning. We've been so close so many times. You know, we've
:05:38. > :05:40.failed. But this particular time, thanks to the Hillsborough
:05:41. > :05:43.Independent Panel report and the great legal team that we've had,
:05:44. > :05:48.with the fresh evidence that was given to the court, there was only
:05:49. > :05:52.ever going to be one outcome today. Thankfully it came true. It is just
:05:53. > :05:56.another step, though. It's a big step. What do you feel still needs
:05:57. > :06:00.to be done? There needs to be accountability. There were 14 points
:06:01. > :06:05.given to the jury to decide on today. Them 14 points were proven in
:06:06. > :06:11.our favour. There was many people proved to be failing for what
:06:12. > :06:15.happened on April 15, 1989. Further down the road, it will be for
:06:16. > :06:18.greater legal minds than mine to sort this out. Somewhere along the
:06:19. > :06:21.line there's got to be accountability. We have one of those
:06:22. > :06:27.legal minds with us now. You've been representing a lot of the families
:06:28. > :06:30.of the victims of Hillsborough. Does an unlawful killing verdict
:06:31. > :06:33.naturally mean there will be prosecutions, is that what follows
:06:34. > :06:36.next? It's difficult to say that at this moment. I don't want to
:06:37. > :06:40.prejudice further investigations. What we would say is that action
:06:41. > :06:44.definitely needs to be taken not only to the unlawful killing verdict
:06:45. > :06:48.but also in relation to the cover up. Steve has explained the amount
:06:49. > :06:53.of time and effort the families have put into that. They should not have
:06:54. > :06:57.been here 27 years later. That falls back to the cover up. You have spent
:06:58. > :07:02.so much time with these families. What is the feeling now? To move on
:07:03. > :07:08.and take further action, is that what they want? There's 96 different
:07:09. > :07:12.families involved here. We have 96 different opinions on that. But as a
:07:13. > :07:18.majority, I'd say further action needs to be taken, yeah. In relation
:07:19. > :07:23.to the unlawful killing and in relation to the cover-ups. Thank you
:07:24. > :07:30.so much. It is a step, it's a big step, but it's not the end for these
:07:31. > :07:35.families, talking to people we've met around here today, this has
:07:36. > :07:38.exonerated the fans that were there, exonerate the victims and go some
:07:39. > :07:45.way to erase what was a stain on the good name of the city of Liverpool.
:07:46. > :07:49.It's a stain that's perpetuated by dison I and deceit and we wouldn't
:07:50. > :07:52.have got this far without the hard work, determination and faith of the
:07:53. > :07:56.victims' families. Thank you Matt. A verdict that
:07:57. > :07:58.should have been heard 27 years ago. Thanks to Steve as well for sharing
:07:59. > :08:01.his story. Listening to that with us tonight
:08:02. > :08:04.is a man from Sheffield, where He also happens to be
:08:05. > :08:07.a Bafta-winning actor. You were born in Sheffield,
:08:08. > :08:17.you've visited the ground as a child and your family were in the city
:08:18. > :08:26.on that sad day. What do you remember, though,
:08:27. > :08:32.because you had already moved away? I was away at college in Dublin by
:08:33. > :08:38.that point. I was 19. So I don't have memories of that day, so much.
:08:39. > :08:44.But I remember much more, you know, remembers when the tenth anniversary
:08:45. > :08:48.came round and the 20th anniversary and thinking, why does it take this
:08:49. > :08:56.long for what was really Sheffield's darkest day, I think, in its whole
:08:57. > :09:01.history, that it took so long to, for the truth to come out and for
:09:02. > :09:13.the terrible behaviour of the police and of the newspapers to be given
:09:14. > :09:19.the light of truth. It's a great day and it's the families that are to be
:09:20. > :09:22.congratulated. We will speak to Dominic tonight about two huge
:09:23. > :09:30.Hollywood films that he's starring in in coming months.
:09:31. > :09:33.films he's starring in in the coming months and also a life-changing
:09:34. > :09:35.trip he recently made to the Syrian border.
:09:36. > :09:38.But first Miranda's in Cornwall - or rather just off
:09:39. > :09:40.the coast of Cornwall - where she's been rooting out
:09:41. > :09:46.Along Britain's coast is a peculiar plant that you can often see on
:09:47. > :09:50.cliff-top walks. But its familiarity doesn't mean it belongs here. The
:09:51. > :09:55.plant is an alien invasive species and for the gardeners here at St
:09:56. > :10:00.Michael's Mount Cornwall, protecting their island from it, requires
:10:01. > :10:13.extreme weeding. I'll be helping them clear the plant by abseiling
:10:14. > :10:16.over a 60-foot drop. The hottentot fig is native to South Africa. It's
:10:17. > :10:21.a creeping succulent. It's believed to have been brought to our shores
:10:22. > :10:27.by Victorian gardeners for its attractive flowers and foliage.
:10:28. > :10:36.Today, its rampant across heath land and coastal grassland happen tatts
:10:37. > :10:39.You can understand why people wanted to bring it back, but they didn't
:10:40. > :10:43.know it would be so invasive. It grows about a metre a year. It
:10:44. > :10:48.starts to take over areas. It sufficient indicates the native
:10:49. > :10:53.Flora that we have. The combined weight of a large patch of fig
:10:54. > :10:58.plants has even been blamed for a land slide in Bournemouth in 2013.
:10:59. > :11:00.The National Trust aims to keep the plant on St Michael's Mount in check
:11:01. > :11:07.rather than destroying it all together. But to remove even a small
:11:08. > :11:15.area is labour intensive and requires a head for heights. Darren
:11:16. > :11:19.little has managed the gardens on St Michael Mount for 15 years. Where is
:11:20. > :11:24.the fig? Today we shall be abseiling off the corner here. We will set up
:11:25. > :11:29.the ropes here. Going down over the edge there. It's amazing how that
:11:30. > :11:35.plant colonises what looks like bare rock face. It retains a lot of water
:11:36. > :11:40.and thrives off its own nutrients. He only needs a slight crack to grow
:11:41. > :11:46.in. Are you ready? I am, yeah. Let's get kited up. The gardening team is
:11:47. > :11:50.in constant battle against this invader. Three times a year they
:11:51. > :11:55.resort to rope and harness to clear the cliff. Now it's time to go over
:11:56. > :12:00.the edge. We are a long way up and we've got all this stuff and all we
:12:01. > :12:08.can do is a bit of weeding! Over the edge. For a weed... Beware of your
:12:09. > :12:12.footing there as you go down. I don't like this bit. This is the
:12:13. > :12:20.over the edge bit. Hang on. Whoa, whoa. There we go. Down? Brilliant.
:12:21. > :12:27.Yeah, good. After a tentative start, we've reached a cliff ledge overrun
:12:28. > :12:31.by the weed. You can see how it's very matting, this will smother the
:12:32. > :12:43.ground and stop the native weeds coming through. I am on the edge!
:12:44. > :12:48.Look at that. That is amazing. Nobody knows how the fig actually
:12:49. > :12:52.got here, but if a bit breaks off and washes into the sea, it doesn't
:12:53. > :12:55.get killed by the salt water. It might wash up somewhere else and
:12:56. > :13:00.take root. Then this happens. Hand pulling the weed is the only way to
:13:01. > :13:07.control the plant. It's strenuous work. Oh, gosh. You need somebody
:13:08. > :13:10.stronger than me to do this. After an hour-and-a-half, our work,
:13:11. > :13:16.suspended over this beautiful coastal landscape, is complete. For
:13:17. > :13:21.now! The areas we've cleared are free for native Flora to take hold
:13:22. > :13:27.and flourish. It's incredible seeing how much we threw down. Yes! That's
:13:28. > :13:35.the craziest gardening I've ever done in my life.
:13:36. > :13:39.What a location! A lovely place. We were talking about your
:13:40. > :13:45.paragliding. That is a pastime. That is. You've eclipsed me with your
:13:46. > :13:51.story about hand gliding! I was hoping to do in June, yeah, a trip
:13:52. > :13:56.climbing up Holy Mown anyone in India with a holy man who lives in
:13:57. > :14:01.the mountain. We will do it next year. I've done a bit of
:14:02. > :14:05.parademrieding. How often do you get into the sky then? Not too much. I
:14:06. > :14:10.went with a friend a couple of years ago. We did a lot in India. Someone
:14:11. > :14:16.died and it rather put me off. I didn't do what you did. We can't go
:14:17. > :14:20.into that. It's way too dangerous. You went to visit a refugee camp.
:14:21. > :14:26.But camp doesn't convey the scale of these places. They are like four
:14:27. > :14:35.cities in one. They're ginormous. This is the fourth biggest city in
:14:36. > :14:38.Jordan now. Save the Children, who's a charity I enormously respect, they
:14:39. > :14:44.gave me the chance to go to Jordan as part of their public I for their
:14:45. > :14:47.campaign Every Last Child, which aims to help the 15 million
:14:48. > :14:53.refugees, but the most vulnerable children in the world, who are
:14:54. > :14:58.either, the ones who are neglect and excluded are girls, disabled and
:14:59. > :15:02.refugees. Save the Children has a three year campaign to try and help
:15:03. > :15:08.them with mainly education and Health Services. They are prominent
:15:09. > :15:14.in this camp, which is outside Amman in Jordan. It's got 80,000 refugees
:15:15. > :15:22.there. They're all from Syria. The thing about the Syrian conflict is
:15:23. > :15:26.that it's so complex and so politically insoluble really. The
:15:27. > :15:30.only thing we can do is support people like Save the Children. I
:15:31. > :15:36.went out there and saw what they did. I went to their educational
:15:37. > :15:40.centres and what their health centres and the kinkeder gartens
:15:41. > :15:44.they've set up and they are doing more than anyone else to help the
:15:45. > :15:50.most vulnerable people there. These children were your guides? Yeah.
:15:51. > :15:55.These lovely guys. They're incredible kids. They've been
:15:56. > :15:59.through horrors that you or I can't imagine at their most vulnerable
:16:00. > :16:04.stage. This guy was 11 when his house was being shelled in Damascus.
:16:05. > :16:09.He took me to his shelter. This place here, where he's living. It
:16:10. > :16:12.was beautiful and straight away, four cups of tea came out, very
:16:13. > :16:18.sweet tea because it stops the hunger. They live in these, you
:16:19. > :16:23.know, it looks quite nice here and it was a nice, cool, sunny day. In
:16:24. > :16:29.the winter that is freezing cold. In the summer, it's boiling hot. It's a
:16:30. > :16:36.tough life for them. What strikes you when you go to these camps, we
:16:37. > :16:40.live in the 21st century and there is no need with communications, I
:16:41. > :16:44.can fly out there for four hours, there's no need for people to be
:16:45. > :16:47.living like this. It's very important therefore that they get
:16:48. > :16:51.the help of people like Save the Children. They're the only ones who
:16:52. > :16:56.are helping them. You can see that documentary on the website. The
:16:57. > :16:59.website is Save the Children.org. UK, please give some money to them,
:17:00. > :17:02.because that's money very well spent. That will go to directly
:17:03. > :17:07.helping all the most vulnerable children in the world.
:17:08. > :17:10.Now the first in a new series of films for The One Show.
:17:11. > :17:13.The only thing Esther Rantzen likes more than sorting out viewers'
:17:14. > :17:15.problems is talking to people on the street.
:17:16. > :17:25.And now she's found a way of combining the two.
:17:26. > :17:31.Dear Esther, my 17-year-old daughter wants her boyfriend to stay over for
:17:32. > :17:37.the first time in our home. And they want to stay in the same bedroom.
:17:38. > :17:45.What should I do? Well, let's see what the people of Stoke-on-Trent
:17:46. > :17:49.advise? I have a viewer's dilemma. I'm seeking advice. The daughter
:17:50. > :17:55.wants the boyfriend to spend the night at home. No. I'm only 22
:17:56. > :17:59.myself. I wouldn't be allowing my daughter to be doing that at that
:18:00. > :18:07.age, no. Is there an age where you would let it happen? No, not in my
:18:08. > :18:14.house, no. 20? No. 30? No. If she were 18 would you say yes? I might,
:18:15. > :18:17.but her dad wouldn't. 50? I wouldn't say not, no. It's all right staying
:18:18. > :18:24.in the family home, but not sleeping together. No hanky panky. No. No
:18:25. > :18:29.way. Really not? She should waiting for her 18th. Wait a year, you say?
:18:30. > :18:34.After that she can do whatever she want. I moved into my boyfriend's
:18:35. > :18:36.when I was 16. Did you? Gosh. Is he still your boyfriend? Not any more.
:18:37. > :18:55.If you're watching, you're dumped! Is your name Annika? Am I Annika
:18:56. > :18:59.Rice? Angela Rippon, that's it. They're going to do it any way, if
:19:00. > :19:08.they're in my house, I can keep an eye on the situation. Your advice
:19:09. > :19:13.would be? I'd rather know that she's there rather than going behind your
:19:14. > :19:17.back. I'd rather my daughter be safe under my roof. You are quite strict.
:19:18. > :19:27.Very strict. Are you? And does it work? No. Not really. Has she ever
:19:28. > :19:31.set you dilemmas like this? I have got two sons. They've brought girls
:19:32. > :19:35.home and slept. I've had no say in it. And the boys went wild and you
:19:36. > :19:44.didn't? Yes, I was good. Why is that? I'm making up for it now! Did
:19:45. > :19:49.you ever go behind your mum's back? Sometimes. She went behind your
:19:50. > :19:56.back? I don't think she did. She doesn't think you did. You sneaked
:19:57. > :20:02.out? She sneaked out. I did have a boyfriend at that age. I stayed at
:20:03. > :20:06.his house. My mum and dad, they were so mad, my dad called me all kinds
:20:07. > :20:10.of names. Was he a serious boyfriend? In the end we had my
:20:11. > :20:20.daughter. Well, there you are. It all ended happily. Yes. That will
:20:21. > :20:25.have got Britain talking. Giggling going on here. What's the
:20:26. > :20:30.conclusion? The poor writer of that letter, what have you got to say? I
:20:31. > :20:35.was mazed how Frank people were. You've got a daughter of 17. I do.
:20:36. > :20:41.Yes, well I won't ask what your views are. We will, don't worry. But
:20:42. > :20:47.mums are much more lenient than dads. Parents are much more lenient
:20:48. > :20:52.with sons than with daughters. So if you want to get up to anything, go
:20:53. > :20:59.to his place, you know - I didn't say that. I'm just fascinating by
:21:00. > :21:04.the advice that people are giving, so be careful. Generally, they said
:21:05. > :21:10.17 is too young, wait they said. They also thought I was Angela
:21:11. > :21:14.Rippon but that's fine. That may be why they talked so frankly with me.
:21:15. > :21:22.You have a daughter who's 17. What would your view on it be? I like
:21:23. > :21:26.Billy Crystal's comments, he said to his daughter boyfriend, of course
:21:27. > :21:34.you can sleep with my daughter in our house, when I'm dead.
:21:35. > :21:38.LAUGHTER That's what my dad would have said as well. You want more
:21:39. > :21:42.dilemmas. Absolutely. What do you think the public would be good at
:21:43. > :21:45.helping with then? Any sort of personal problem, any sort of
:21:46. > :21:48.embarrassing dilemma you're faced with. It turns out you go on the
:21:49. > :21:52.streets and people give you really good advice and tell you all sorts
:21:53. > :21:57.of stuff about their own lives that maybe their own families don't know.
:21:58. > :22:05.Beware. I'm assuming people get in contact via the usual methods,
:22:06. > :22:08.e-mail, social media. And I will do the rest. Thanks Esther.
:22:09. > :22:11.House of the Rising Sun is a classic '60s track.
:22:12. > :22:13.You might think it's about a place in New Orleans.
:22:14. > :22:17.But as Carrie's been finding out, it might have
:22:18. > :22:19.had its unlikely origins - not in the Southern
:22:20. > :22:37.States of America - but the East Anglian coast.
:22:38. > :22:54.The Animals had a massive hit with their version of the song, and being
:22:55. > :22:58.a traditional ballad, the origins are uncertain. Some believe it was a
:22:59. > :23:03.real den of iniquity somewhere in New Orleans. But could inspiration
:23:04. > :23:08.for the hit have come from closer to home? I'm heading for the beacon of
:23:09. > :23:14.debauchery that is Lowestoft. This Suffolk town Mike look innocent, but
:23:15. > :23:24.Kevin has been digging up the dirt. When was the song first heard? It
:23:25. > :23:28.was kicking around America as a folk song for decades. There is a theory
:23:29. > :23:35.that it started life as an English folk song, which was then taken to
:23:36. > :23:40.America by immigrants. This theory was sparked in 1952, Alan Lomax
:23:41. > :23:46.recorded an English folk singer, Harry Cox, performing old songs he
:23:47. > :23:50.heard from his father. This is Harry Cox singing about a pub in
:23:51. > :23:57.Lowestoft, it is not exactly radio friendly.
:23:58. > :24:04.# If you go to Lowestoft, there you will find Polly Armstrong BLEEP
:24:05. > :24:14.BLEEP! That is proper rude! I should stop it there, it gets ruder.
:24:15. > :24:19.Doesn't sound like House of the Rising Sun? But they discussed
:24:20. > :24:28.another version, if you go to low stuff, and you ask for The Rising
:24:29. > :24:35.Sun, there you will find BLEEP! It was made a decade before The Animals
:24:36. > :24:40.heading the UK, it is unlikely that he was influenced by American
:24:41. > :24:44.culture. There was a pub called the Rising Sun, it stood somewhere
:24:45. > :24:51.around here for 100 years. So what might have been the legendary House
:24:52. > :24:56.of the Rising Sun is now a carpet factory and a fishing we couldn't
:24:57. > :25:01.leave without catching sunrise at the most easterly spot in Britain.
:25:02. > :25:11.Who better to celebrate us than local lads The Harpoon Blues Band?
:25:12. > :25:15.It's a great song, so gritty and real. That is why it has survived
:25:16. > :25:17.and why people are going to keep playing it for years to come. It
:25:18. > :25:37.sounds great! We'll probably never know the exact
:25:38. > :25:40.origins of the song, but until somebody comes up with a better
:25:41. > :25:57.theory, I think Lowestoft should claim it!
:25:58. > :26:06.That is one of the first songs I learned to play on the guitar. The
:26:07. > :26:11.guitar will be out! Let's talk about Money Monster. You are doing a film
:26:12. > :26:17.with George Clooney and Julia Roberts. Who are the Money Monsters,
:26:18. > :26:24.are you one of them? I think I am the monster, I am the villain. It is
:26:25. > :26:30.the story of a guy, an ordinary Joe in New Jersey, who takes over a TV
:26:31. > :26:33.show, run by Julia Roberts. He holds them hostage, to demand what
:26:34. > :26:37.happened to his money when the banking crisis happened. I am the
:26:38. > :26:45.evil banker, and I am held to account, finally. I am the Money
:26:46. > :26:54.Monster, I think. George, it turns out, is the good guy. Has it become
:26:55. > :27:03.normal for you to act along the likes of George Clooney? I wish! And
:27:04. > :27:11.the director is Jodie Foster. Five days, George and me. And Jack...
:27:12. > :27:24.Jack. The wonderful lead actor! Is he a canny lad? Clooney? Fantastic,
:27:25. > :27:30.perfect movie star. He kept talking about his house in Italy, I invite
:27:31. > :27:35.everyone... The one on the lake? Everyone I meet, we just invite
:27:36. > :27:39.everybody. I'm going, yeah? I still haven't got my invitation. I am
:27:40. > :27:46.reliably informed that is Jack O'Connell. Sorry, great rising star
:27:47. > :27:51.from Derby, near me. Anyway, we had a great time. That is one of the
:27:52. > :27:57.films, Finding Dory, which we are excited about. You play an east end
:27:58. > :28:05.sea lion? I do, yes. I'm just reminding myself, it was a while ago
:28:06. > :28:10.we did it. Andrew Stanson, who did Finding Nemo, I did a film with him.
:28:11. > :28:15.Is this it? I haven't seen it! I can't wait to see it. Is this the
:28:16. > :28:20.first time you have seen a clip of it? I saw clips when I was doing the
:28:21. > :28:28.voice. But not the full pictures. This is the sequel to Finding Nemo.
:28:29. > :28:36.Your co-star, your co-sea lion, Idris Elba? Andrew got us together,
:28:37. > :28:45.we were McNulty and Stringer Bell, we had a few scenes together, we
:28:46. > :28:54.were nemeses. How do you get into character is a sea lion? I had no
:28:55. > :28:59.idea what I was doing! That is all we have time for. Thanks to Dominic
:29:00. > :29:01.West. You can find out all about his trip to Syria on the Save The
:29:02. > :29:05.Children website. Tomorrow Al Murray, Harry Hill,
:29:06. > :29:07.team GB's pommel horse hero Max Whitlock and Billy Ocean
:29:08. > :29:09.will be performing live!