:00:15. > :00:17.Hello and welcome to the One Show with Matt Baker.
:00:18. > :00:25.And joining me tonight while Alex is away, is Angela Scanlon.
:00:26. > :00:31.It's lovely to have you back! Thank you.
:00:32. > :00:32.Tonight's guest is a true time traveller.
:00:33. > :00:35.He whizzed forward through the centuries, from the Middle Ages
:00:36. > :00:37.to the First World War, playing one of comedy's funniest
:00:38. > :00:42.And for 20 years he zipped back in time digging up archaeological
:00:43. > :00:49.But the big question is, why does time have so little effect on him?
:00:50. > :00:54.Here he is aged 13 as the Artful Dodger.
:00:55. > :01:00.This is him aged 43, hatching a very cunning plan.
:01:01. > :01:03.And here he is, no need to be specific about age,
:01:04. > :01:14.APPLAUSE Thank you so much for being here.
:01:15. > :01:18.Did that picture of you as a 13-year-old boy peering through the
:01:19. > :01:25.bars, did you ever think at that time that you'd be getting knighted
:01:26. > :01:30.many years later? No, it was a crazy, crazy exciting journey. Was
:01:31. > :01:36.it daunting? I think I would fall over if I was given any thought of
:01:37. > :01:39.honour! The old knighthood? I'd vaguely heard something might be
:01:40. > :01:55.arriving but I didn't know what it was, would it be and or a. Then my
:01:56. > :02:01.wife was bouncing around saying, it's a K! LAUGHTER Look at you, as
:02:02. > :02:05.freshfaced as ever. Listening to what you were saying earlier, I
:02:06. > :02:10.think it's because I enjoy what I do and it's always a surprise. I don't
:02:11. > :02:17.plan anything, I don't have huge ambitions, I just think, I'm doing
:02:18. > :02:24.The One Show now, what am I doing tomorrow? It is genuinely an
:02:25. > :02:28.adventure. I love it. Just like you two do. We are looking forward to
:02:29. > :02:34.talking about your new book No Cunning Plan.
:02:35. > :02:38.Now to a worrying substance that should have disappeared from our
:02:39. > :02:42.playgrounds a decade ago. There's nothing kids love more than the
:02:43. > :02:46.thrill of throwing themselves around the playground. And you might think
:02:47. > :02:50.the biggest risk they face is a grazed knee. But could there be a
:02:51. > :02:57.danger lurking in our playgrounds but we wouldn't want near our kids?
:02:58. > :03:02.I'm talking about lead paint. For more than 20 years, UK laws have
:03:03. > :03:06.meant any paints used should be lead-free. Problem solved you might
:03:07. > :03:11.think. But only if those laws are being followed. Doctor Andrew Turner
:03:12. > :03:16.of Plymouth University is an environmental scientist. Surely we
:03:17. > :03:23.are not still using highly toxic material in parks? That was our
:03:24. > :03:27.impression and our assumption. Yes, lead was banned in the 60s and 70s
:03:28. > :03:32.and you'd expect it to be an historical problem. But is it? To
:03:33. > :03:38.find out Doctor Turner has invested in this snazzy machine. And we've
:03:39. > :03:43.invited him and it to join us in Bristol, to see just what the lead
:03:44. > :03:47.levels are like on the apparatus children are playing on here. To
:03:48. > :03:55.help Dr Turner we've enlisted some willing and expert assistance who
:03:56. > :04:00.use swings and roundabouts. Eliza, Isabella, Daniel, Michelle,
:04:01. > :04:09.Elizabeth and William, accompanied by the parents. Let's go to work.
:04:10. > :04:13.Left undisturbed and intact, paint's chemical components are safe. But if
:04:14. > :04:21.it deteriorates it can crack, and if the cracks end up being put in mouth
:04:22. > :04:23.and swallowed its less than ideal. Andrew's machine fires x-rays into
:04:24. > :04:29.the paint to analyse its chemical make up. While he gets busy our kids
:04:30. > :04:33.record his findings. With testing completed in our first playground,
:04:34. > :04:42.how many of the apparatus have lead in their paint? Kids, after three,
:04:43. > :04:52.three, two, one, show your mums. No way! That's shocking! All of it. You
:04:53. > :04:57.hear of it in lead paint and houses and making sure we upgrade our paint
:04:58. > :05:01.but we've never heard about it on children's play equipment. While
:05:02. > :05:04.Andrew's team move on to test other playgrounds I've come to the
:05:05. > :05:09.University of Bristol to ask Professor of Child health about the
:05:10. > :05:13.danger lead poses. Children are particularly vulnerable to the
:05:14. > :05:17.effects of lead. They are more likely to ingest it through their
:05:18. > :05:23.behaviours. Secondly, when it gets into the system it stays in their
:05:24. > :05:27.body for a long time. Even small exposures to lead in childhood are
:05:28. > :05:32.potentially damaging. What are the effects on children when they are
:05:33. > :05:38.exposed to lead? Our research showed effects on the educational
:05:39. > :05:40.attainment of children, an behaviour particularly hyperactivity and
:05:41. > :05:47.anti-social behaviour. And at the very high levels, you can get actual
:05:48. > :05:52.damage to the internal organs, particularly the kidneys. The bottom
:05:53. > :05:57.line is there's probably no absolute safe level of lead in the body. In
:05:58. > :06:01.total we tested painted equipment in six council run playgrounds in
:06:02. > :06:07.Bristol and found worryingly high lead levels in half of them. One
:06:08. > :06:13.produced readings for Mercury. Who's to blame for this? The councils are
:06:14. > :06:16.probably importing things, having the assumption that we've banned
:06:17. > :06:21.lead in paints. If they are sourcing it from a cheap supplier and it's
:06:22. > :06:26.coming from the far east maybe, they are not being checked as they come
:06:27. > :06:30.into this country. Do you think that this problem is being replicated
:06:31. > :06:33.across the country? I would assume so. We've measured throughout the
:06:34. > :06:39.south-west and southern England and the findings have been similar. We
:06:40. > :06:43.are finding leaded paint in 40-50% of the parks and we are finding it
:06:44. > :06:49.in both old and new structures as well. And what do you want to
:06:50. > :06:53.happen? I would like to see a coherent strategy of monitoring.
:06:54. > :06:57.Also if there is a problem I'd like to see some advice as to how to
:06:58. > :07:01.remove the paint or remove the structure. Parents should be
:07:02. > :07:06.vigilant, especially if your child has a tent city to nibble things. If
:07:07. > :07:10.there is flaking paint in particular its always good advice to wash your
:07:11. > :07:14.hands before eating. There's still one question left unanswered. If
:07:15. > :07:18.lead paint has been banned for over 20 years why are we still finding it
:07:19. > :07:23.in what should be the safest of spaces for our children?
:07:24. > :07:25.We have spoken to the Local Government Association,
:07:26. > :07:27.who represent all the councils in England and Wales,
:07:28. > :07:33.So if you are worried about flaking paint in playgrounds you use,
:07:34. > :07:36.we'd encourage you to contact your council and, if you can,
:07:37. > :07:38.get your children to wash their hands with water
:07:39. > :07:42.We also spoke to Bristol Council, whose playgrounds we featured
:07:43. > :07:44.in the film, and they told us they'll be checking the issue
:07:45. > :07:47.with their play equipment suppliers and reviewing the council's plans
:07:48. > :07:51.They say they buy their play equipment from well-known,
:07:52. > :07:53.experienced suppliers who are required to comply
:07:54. > :08:12.Now, back to you. Your book, your wonderful book is dedicated to your
:08:13. > :08:17.parents. It is, yeah. My mum and dad were an enormous influence on me. My
:08:18. > :08:21.mum and dad really had a good time in the Second World War, it feels
:08:22. > :08:28.slightly awful to say that. They were young working class people,
:08:29. > :08:32.away from home. My dad learned how to play boogie piano and there were
:08:33. > :08:38.lots of Canadian forces in Scotland where he was. He was in the Canadian
:08:39. > :08:49.forces dance band. He defended our country from Hitler by playing fats
:08:50. > :08:53.Waller genes! LAUGHTER My mum was in Reading and was really turned on by
:08:54. > :08:57.amateur dramatics and spent time doing Terence Rattigan and that type
:08:58. > :09:02.of thing. When the war was over, they were working class, they were
:09:03. > :09:06.from Hackney but they had bought a house in Woodford before the war. My
:09:07. > :09:09.dad could have gone to Canada to be a pianist but they came back and
:09:10. > :09:13.live the respectable semidetached life. Then they found they had this
:09:14. > :09:18.son who had some kind of facility that the thing that was their dream.
:09:19. > :09:22.They must be so proud of you and what you've achieved. They
:09:23. > :09:26.absolutely loved it. They gave me a kind of confidence. Being an actor
:09:27. > :09:32.is very much a confidence trick. We are doing live telly now. People say
:09:33. > :09:36.that is so scary, but you learn a sort of confidence. It was my mum
:09:37. > :09:40.and dad who gave that to me. Of all the things you've done, obviously
:09:41. > :09:45.Blackadder is a big deal. I couldn't believe it that you weren't actually
:09:46. > :09:50.in the pilot. How did you end up in the series? Looking back it looks
:09:51. > :09:54.like it must have happened, it must have been successful. The first
:09:55. > :09:58.pilot was not very good at all. So bad that loads of people had turned
:09:59. > :10:03.down the part of Baldrick. I was offered the job three days before we
:10:04. > :10:08.were due to go into rehearsals. They must have asked at least a dozen
:10:09. > :10:12.people! LAUGHTER It feels like it was made for you. We never did the
:10:13. > :10:16.pilot because there was an industrial dispute at the BBC. I
:10:17. > :10:20.left and went to work at the National Theatre. They made the
:10:21. > :10:25.pilot with another guy who was very good apparently. They then decided,
:10:26. > :10:29.we'll get Tony to do it. So I was commissioned to do the whole show.
:10:30. > :10:33.First week of rehearsal, another industrial dispute. The first series
:10:34. > :10:38.didn't go on. Even when it finally went on most people said it was
:10:39. > :10:43.rubbish! It wasn't until the repeats of the second series when suddenly
:10:44. > :10:47.it went off like crazy. The book is littered with lots of anecdotes from
:10:48. > :10:57.that and from multiple other things. We thought we might let you choose
:10:58. > :11:01.some of those. What is this? Baldrick's favourite vegetable which
:11:02. > :11:07.we believe is a turnip! We've got words on the back of the turnips. So
:11:08. > :11:17.you are picking them at random. Pick a turnip and see what's written on
:11:18. > :11:25.it. It'll spur a memory. Voussoir! You all know what a voussoir is,
:11:26. > :11:29.don't you? No! This is live television, lifetime team, very
:11:30. > :11:33.scary because we were doing it live but not in a studio, over about five
:11:34. > :11:38.fields, stretching the technology. We don't have time to do a proper
:11:39. > :11:42.rehearsal. I haven't even seen the script for the last quarter of an
:11:43. > :11:47.hour. That's all right, I've got my cue cards. I've got my autocue like
:11:48. > :11:51.there is running there. I've got a little thing in my ear. I have to
:11:52. > :12:00.basket through to the end of the programme. We've all had to that at
:12:01. > :12:05.some time --. Then I put my cue cards down and lost them. Then the
:12:06. > :12:09.autocue packed up. Then the thing in my ear packed up. I had absolutely
:12:10. > :12:16.no idea! Imagine if you hadn't rehearsed this! I had nothing. I
:12:17. > :12:26.just turned to Professor Mick Aston and said, so, the Normans. LAUGHTER
:12:27. > :12:30.Tell me more! And I blundered my way through it being pushed from pillar
:12:31. > :12:34.to post. People came running out of the scanner, Hugh
:12:35. > :12:40.Fearnley-Whittingstall was dressed as a Saxon, he was yanking me up the
:12:41. > :12:45.hill, shoving me into people. Suddenly I realised that we were
:12:46. > :12:49.going to finish on this Norman window. I had no idea what it was
:12:50. > :12:54.supposed to look like, I didn't remember what it was called. The
:12:55. > :13:01.voussoir! I was wondering when you were going to get to that! I was
:13:02. > :13:03.blundering around the hill looking for this flipping voussoir! When I
:13:04. > :13:08.finally found it it was a moment made in heaven. It only worked
:13:09. > :13:14.because of teamwork. Everyone knew how to see me through it. If you
:13:15. > :13:21.want to find out about Liza or John Wayne, you want to hear about that.
:13:22. > :13:29.That was when I tried to cop off with Liza Minnelli and it was a
:13:30. > :13:33.disaster! LAUGHTER Tell us about the Normans. Actually don't!
:13:34. > :13:36.Back in May, we investigated why so many pubs are closing up and down
:13:37. > :13:39.the country and spoke to some of the people trying to save them.
:13:40. > :13:42.Now, Helen Fospero's been to Manchester to meet a community
:13:43. > :13:44.who've gone one step further and built a brand
:13:45. > :13:59.The good old British pub. Traditionally it's usually at the
:14:00. > :14:03.centre of a community. But across the UK their soul to be demolished
:14:04. > :14:08.or turned into flats. This is happening more than 80 times a month
:14:09. > :14:12.in the UK. British boozers are under attack. The pub trade no longer
:14:13. > :14:17.seems like a good business prospect. However, I'm about to meet some
:14:18. > :14:21.people who are defying the trend. Despite the problems in the pub
:14:22. > :14:26.trade, Ben and Joe have just opened a brand-new pub in Manchester. Why
:14:27. > :14:33.have they taken the risk? People in this pub today are a really good
:14:34. > :14:36.example of what pubs can do. Pubs bring people from across generations
:14:37. > :14:40.together in a space at the same time, which you don't always see. We
:14:41. > :14:44.like to think of pubs as the original social network. This is not
:14:45. > :14:50.just another pub. This is the pub that Ben, Joe and a small community
:14:51. > :14:57.have built from scratch. When I say from scratch I mean everything,
:14:58. > :15:01.right down to the pump handles. Pump handles and a beer tap which is on
:15:02. > :15:05.there at the moment. And a couple of tiles, too. I made one of the
:15:06. > :15:12.baskets, I did a day of basket weaving. The cask and cake pump
:15:13. > :15:14.handles. The cask once we did make potters wheel. How do you build a
:15:15. > :15:25.pub? We had no track record for building
:15:26. > :15:31.pubs. But with enthusiasm and help of the people of Manchester, it has
:15:32. > :15:36.become relatively easy. How many volunteers were involved? We have
:15:37. > :15:42.done this 12 months. Hundreds of people have helped us get to where
:15:43. > :15:47.we are. Why did you fancy getting involved in building a pub? It was
:15:48. > :15:53.an opportunity to meet new people and develop new skills. I joined up
:15:54. > :16:00.because I am interested in beer and having a go at things. Interested in
:16:01. > :16:05.beer, that is a new one! Annabel, you are sitting on what you made.
:16:06. > :16:10.How does it feel? Great, they are comfortable. How important is the
:16:11. > :16:15.project? A great idea. It has pulled us together and made me aware of the
:16:16. > :16:20.pub. It is nice to know we have had a hand in it. It has been a nice
:16:21. > :16:28.community project. The connection with the people has made it, people
:16:29. > :16:31.have been involved since day one and it has been a creative design
:16:32. > :16:36.process and has a little of every person involved in it. Pubs are
:16:37. > :16:42.closing every week and there are historic boarded-up pubs. Why decide
:16:43. > :16:47.to do a new build and not renovate? We see a pub as the heart of the
:16:48. > :16:52.community and there is no pub in this community. We wanted to bring
:16:53. > :16:57.everybody together. If you want your own pub, you could build one
:16:58. > :17:05.yourself. Well, with a little help with your friends.
:17:06. > :17:10.Cheers! What an opening night. What a sense of achievement from the
:17:11. > :17:14.local community. Do you see it as a realistic model to spread through
:17:15. > :17:20.Britain? I do not see it as a realistic model. It is a fantastic
:17:21. > :17:25.pub, beautifully designed, the sense of spirit came across, everybody
:17:26. > :17:31.making something. But what sets it apart is it is built in central
:17:32. > :17:34.business district Manchester where developers realised there was
:17:35. > :17:39.nowhere for business people and residents to go and put money in and
:17:40. > :17:43.built it up from the ground, which is brilliant, but it is rare because
:17:44. > :17:48.usually money is at the heart of these stories and it is money people
:17:49. > :17:55.have not got. When we spoke to you in May, there were 27 pubs week
:17:56. > :18:00.closing down. There is some good news on that front. Developers, as
:18:01. > :18:05.we reported in May, off to see British pubs, usually historic ones,
:18:06. > :18:13.as low hanging fruit and realise the planning laws are weak and can be
:18:14. > :18:18.exploited. Since we reported in May, the figure has gone down to 21
:18:19. > :18:23.closing every week. Often usually viable, and historic. But it is
:18:24. > :18:28.still more than 80 pubs a month. Many communities are realising that
:18:29. > :18:32.developers are targeting their local and they have realised they can
:18:33. > :18:37.fight back and apply to councils to apply for an asset of community
:18:38. > :18:43.status which gives them a layer of protection in planning. On the flip
:18:44. > :18:47.side, some councils have realised British planning laws are weak and
:18:48. > :18:51.we will lose our cultural heritage if we do not tighten them up and
:18:52. > :18:56.some councils are doing that of their own volition because the
:18:57. > :19:00.properties are worth more to developers as supermarkets, car
:19:01. > :19:05.parks, office space or private homes. Looking back at some of the
:19:06. > :19:11.pubs featured in May, and the situation they were in, what is the
:19:12. > :19:16.update? I will update you on two in Kent. The Chequer Inn, 15th century,
:19:17. > :19:21.the last proper community pub in the village which has been boarded up
:19:22. > :19:27.for 18 months. The developer wants to turn it into a house and they are
:19:28. > :19:31.keen to keep it. Dover District Council has said the community can
:19:32. > :19:35.try to raise funds to buy it themselves. It has doubled in price
:19:36. > :19:43.since the developer bought it but they are trying. They had a pop-up
:19:44. > :19:48.pub in the village hall and raised more than ?70,000 so far. Very
:19:49. > :19:53.determined. The last proper pub in the village and they will not go
:19:54. > :20:01.down without a fight. We reported on the historic Red Lion up the road.
:20:02. > :20:05.It has been a pub for 750 years, mentioned in the Domesday book and
:20:06. > :20:11.grade two star listed. A developer wants to turn it into two private
:20:12. > :20:16.homes and it has been boarded up for 18 months. The latest from the
:20:17. > :20:21.council, the community was sent off to find a serious buyer, and they
:20:22. > :20:27.found three, including a household name. They went back to the council
:20:28. > :20:31.with the details, who have recommended that it should still be
:20:32. > :20:34.turned into two houses. It has gone to the planning Inspectorate.
:20:35. > :20:37.In his two decades on Time Team, Tony helped us visualise hundreds
:20:38. > :20:42.But it's a lot harder to know what the people who lived
:20:43. > :20:57.One man works to bring these faces back to life, an evolutionary
:20:58. > :21:02.biologist, Ben Garrod, has been put to the test.
:21:03. > :21:07.Facial reconstruction combines art and science to put a face on the
:21:08. > :21:13.past. In archaeology, it can resurrect famous faces like the king
:21:14. > :21:16.of the car park, Richard III. In forensics science it is used to
:21:17. > :21:24.solve the most serious crimes. Just how accurate are the techniques of
:21:25. > :21:30.facial reconstruction? The One Show is in a unique position to find out
:21:31. > :21:36.because not only do we have a skull, we know who it belongs to. Using MRI
:21:37. > :21:42.scanning and a 3D printer I became one of the few in the world to own a
:21:43. > :21:47.plastic replica of my own skull. A copy is now on its way to Richard
:21:48. > :21:52.Neave, one of the leading experts in facial reconstruction. He will use
:21:53. > :21:59.my skull to rebuild a face that fits. What we have not told Richard
:22:00. > :22:04.is it is my face he is reconstructing. One's first feeling
:22:05. > :22:09.is it will probably be male. The faces big, nice and symmetrical.
:22:10. > :22:14.Normally Richard would work with DNA and dental experts to learn more
:22:15. > :22:22.about the age, sex and ethnicity. We have given him clues. Male,
:22:23. > :22:28.Caucasian, aged 30-40. It will be interesting to see how he turns out.
:22:29. > :22:32.For more than 40 years Richard has recreated faces from ancient history
:22:33. > :22:36.and his work in police investigations has featured on
:22:37. > :22:40.Crimewatch and led to the identification of murder victims.
:22:41. > :22:47.For the next two weeks Richard will spend 60 hours using his talents to
:22:48. > :22:53.sculpt my face. First, he inserts pegs to indicate the depth of my
:22:54. > :23:01.flesh. Next, the eyeballs, eyelids and ligaments. Then he starts to
:23:02. > :23:06.build the muscles of the face. This is one of the major muscles of
:23:07. > :23:12.mastication, chewing. You can see it working on the side of people'sfaces
:23:13. > :23:17.as they are chewing. Areas of soft tissue like the lips leave no hard
:23:18. > :23:22.evidence. To reconstruct them, Richard has to use of the tricks of
:23:23. > :23:27.the trade. The width of your lips should be approximately the same as
:23:28. > :23:32.the distance between your two pupils and measuring from here, Richard
:23:33. > :23:38.should be able to work out the width of my lips. The nose is a tricky
:23:39. > :23:42.feature. Richard has to use the clues are available from my skull.
:23:43. > :23:47.Sometimes you will get a nasal bones sticking up and sometimes you will
:23:48. > :23:55.get one coming down in a big hook. That is relatively straight and that
:23:56. > :24:00.is relative to the straits so no indication of a hooked nose. It
:24:01. > :24:05.means facial reconstruction is never an exact science, but after two
:24:06. > :24:09.weeks of care. Ting, how will Richard react when he meets the
:24:10. > :24:15.owner of the face he has reconstructed? Hello, I am Ben. Nice
:24:16. > :24:32.to meet you. Can I see you sideways? Of course. Wonderful. Yes. Amazing.
:24:33. > :24:38.Do come in. Thanks. Sans hair and beard and moustache. It is quite
:24:39. > :24:44.surreal. I can see my traits. Definitely has my nose and chin. In
:24:45. > :24:49.profile you have more of a hump at that point. I broke my nose three or
:24:50. > :24:55.four times and had it reset. That is cheating! It is great you can see
:24:56. > :24:59.that. To be honest, you are a slightly more healthy version than
:25:00. > :25:06.this. This is when you have been in the jungle and lost weight. Very
:25:07. > :25:12.diplomatically put! I am always critical of my own stuff. There is
:25:13. > :25:16.nothing wildly out, it is all about right. Richard has accurately
:25:17. > :25:21.reconstructed the key features that would be used in forensics science
:25:22. > :25:23.to help identify victims and solve crimes. And all he had to start with
:25:24. > :25:32.were the bare-bones. I thought that was impressive.
:25:33. > :25:39.Favourite line ever, can I see you sideways? Absolutely. Tony, we
:25:40. > :25:43.thought we would put your mind to the test with some reconstructions
:25:44. > :25:48.from the past. They have been created in a similar way to what we
:25:49. > :25:54.saw. You have to guess these people. We will give you clues. I do not
:25:55. > :26:03.know what sex that person is. He was born around 1323 BC. So he is
:26:04. > :26:18.Egyptian. He is Ramos sees... You got that. He died in his late teens.
:26:19. > :26:24.Oh, it is Tutankhamun. This gentleman, the first construction
:26:25. > :26:31.from a real human skull. He liked music and lived from 1685, in
:26:32. > :26:42.Germany. Sort of Beethoven. He is a Beethoven type. This is the music.
:26:43. > :26:51.He is JS Bach. Very good. Wonderful. Finally, who was this dashing Viking
:26:52. > :26:57.based on? Go on. Because this is the One Show, and I would not have
:26:58. > :27:05.guessed it, it looks remarkably, hideously like the man right next to
:27:06. > :27:13.you. I didn't make it into Madame Tussaud, but I made it into the
:27:14. > :27:19.Jorvik centre. Really? I am supposed to be selling fish. I had to go, it
:27:20. > :27:24.was an extraordinary experience, like being buried alive. They take a
:27:25. > :27:29.cast of your head and put gelatin on and it goes hard and plaster of
:27:30. > :27:37.Paris around. They made a model out of me. This was 16 years ago. There
:27:38. > :27:45.is a bit of bad news. Because of the floods early this year, the Jorvik
:27:46. > :27:51.centre... You are gone. Really? However, there is a silver lining.
:27:52. > :27:58.They will give you a place, they will help you out. They gave you a
:27:59. > :28:08.sendoff, they will give you a sendoff before they ditch you. Here
:28:09. > :28:18.you are. I've been down. Westminster Bridge. Selfies. Got a lost. There
:28:19. > :28:22.you are. Fish! Stopped the police, asked for directions. And finally, a
:28:23. > :28:34.little bit underdressed, at Buckingham Palace. I love it.
:28:35. > :28:40.APPLAUSE. Reunited. Look at that. The centre have said they would like
:28:41. > :28:48.to recast you as an animatronic leather-work. I do not know what
:28:49. > :28:52.that is! Thanks, Tony. You autobiography, No Cunning Plan, is
:28:53. > :28:55.out now. Which is the real Matt? I am confused.
:28:56. > :28:58.Alex will be back tomorrow, when we'll be joined by actors
:28:59. > :29:02.And Ken Bruce will be here talking Sir Terry Wogan.