:00:22. > :00:26.Welcome to all your Friday One Show with Alex Jones. Alex celebrating
:00:26. > :00:32.New Year for last year in Wales tomorrow because you were in New
:00:32. > :00:36.Zealand for New Year last year, this year. And Chris Evans. Can you
:00:36. > :00:45.guess who our guest tonight is from his photo that was taken 40 years
:00:45. > :00:50.ago? Any ideas? Two more clues. He won the nation's hearts in Strictly.
:00:50. > :00:56.He was fired out of a cannon. know who it is. Of course you do.
:00:56. > :01:06.Now he has to deal with a tin man with no heart at all. It's the new
:01:06. > :01:18.
:01:18. > :01:24.Wizard of Oz, Russell Grant He is on fire! Lovely to see you.
:01:24. > :01:32.It is so nice to have you here. didn't even know I had to do a
:01:32. > :01:39.samba. Flavia is watching from her dressing room at the Aldwych. The
:01:39. > :01:44.King And I, Congress Theatre in Eastbourne. I played the Prince.
:01:44. > :01:48.You're almost as Hanson there as you are receiving. And you're
:01:48. > :01:53.looking a bit Wizard of Oz yourself. We'll be talking about the Wizard
:01:53. > :02:01.of Oz later. First, we wanted to clear up some rumours. The Russell
:02:02. > :02:07.rumour mill. You go first. Will you be in Eurovision 2012? If so, for
:02:07. > :02:11.us or for Malta? Now I'm going to be appearing in the Wizard of Oz
:02:11. > :02:16.around the same time, the answer is no to both. But it is true that
:02:16. > :02:26.Malta did approached me and Flavia. I said the nearest I got to Malta
:02:26. > :02:27.
:02:27. > :02:33.was eating a lot of Maltese us on The Emerald City tide. I dressed to
:02:33. > :02:41.kill! Are you going to be starring in an opera at the end of the year?
:02:41. > :02:44.Before I took the Wizard of Oz, the very nice people from Raymond Abbey
:02:45. > :02:49.rang me up and offered me this wonderful role as Joseph Porter in
:02:49. > :02:54.HMS pinafore. It is an operetta, Gilbert and Sullivan. It's one of
:02:54. > :02:58.my favourites. I accepted it. The very nice people from Andrew Lloyd
:02:58. > :03:02.Webber's office said, you signed that contract so you can do HMS
:03:02. > :03:07.Pinafore, which I'm doing at the Barnet -- Barbican, Birmingham and
:03:07. > :03:12.Manchester, as well as the Wizard of Oz. Finally, did you use
:03:12. > :03:21.hypnosis to get you through Strictly? No. Well, in a kind of
:03:22. > :03:27.way. You know when my knee went, when we did the samba. For the
:03:27. > :03:33.foxtrots something else went and I nearly had to leave the show. This
:03:33. > :03:36.very nice man rang up and said, what are you worried about? I was
:03:36. > :03:40.worried in the middle of a dance that money was going to go. He was
:03:40. > :03:44.brought in to get my mind focused on the dance and not paranoid that
:03:44. > :03:54.my knee was going to go. And we got through better the devil you know
:03:54. > :03:56.
:03:56. > :04:02.the week after. Kylie herself was We have got another rumour but we
:04:02. > :04:06.will ask later on. You are a big star. With all due respect, not the
:04:06. > :04:10.biggest star on our show tonight. No offence, but this evening we are
:04:10. > :04:14.in the presence of greatness. We are joined by a lady who's been
:04:14. > :04:23.working as an extra in film and TV for 40 years, as have many people,
:04:23. > :04:27.but not still when they are 100 years old, and she is 100 today.
:04:28. > :04:33.don't think she's ever had the credit she really deserves. Lottie
:04:33. > :04:37.Goodwin began her career at the ripe old age of 60. Here she is
:04:37. > :04:42.arriving earlier. We gave her the well deserved red carpet treatment.
:04:42. > :04:49.The paparazzi were out in force, too. Rightly so. She's got our very
:04:49. > :04:58.best a dressing room and props man Dale is at her beck and call.
:04:58. > :05:08.was in their quite some time! is hilarious! We will celebrate
:05:08. > :05:10.
:05:10. > :05:14.Lottie's career and to 100th That has tickled Russell. It is six
:05:14. > :05:18.months until the Olympics, and the much awaited opening ceremony.
:05:18. > :05:23.Today, artistic director Danny Boyle dropped a few hints as to
:05:23. > :05:28.what we can expect. The theme is Isles of Wonder. Europe's largest
:05:28. > :05:35.bell will be rung in the stadium, and there is a sequence dedicated
:05:35. > :05:44.to the NHS. We sent Alex Riley to try and fill the gaps. Welcome to
:05:44. > :05:47.my Olympics 2012 opening ceremony ideas board. Traditionally the
:05:47. > :05:56.opening ceremony is the host country's way of welcoming the
:05:56. > :06:03.world using its unique mix of music, dance and theatre. How will Danny
:06:03. > :06:08.capture the true essence of Britain? OK, opening ceremony needs
:06:08. > :06:15.to be fun and reflect British culture. What do we like doing?
:06:15. > :06:20.Queueing. OK. I know, it's a knockout. We've got students
:06:20. > :06:27.dressed as kebabs, being chased around the stadium by a giant Simon
:06:27. > :06:34.Cowell. Drinking a cup of tea. He could be drinking a cup of tea!
:06:34. > :06:38.Let's look what we've got. I think it probably needs a bit more work.
:06:38. > :06:42.God Save the Queen! We did learn today that Danny has commissioned
:06:42. > :06:45.the biggest Bell in Europe, which will hang at one end of the stadium
:06:45. > :06:55.and sound at the opening of the Games. I think we've found the man
:06:55. > :07:00.to ring it. Tony, hello. Good morning. How did you manage to get
:07:00. > :07:05.yourself involved in the opening ceremony of the Olympic Games?
:07:05. > :07:11.D Anthony, congratulations. We are pleased to inform you that you have
:07:11. > :07:16.been successful in your edition to become the ceremony's volunteer
:07:16. > :07:26.performer. What are you going to be shouting at the opening ceremony?
:07:26. > :07:28.
:07:28. > :07:33.can't tell you that. Willett When I got to the auditions they
:07:33. > :07:43.said, right, drop your bell, we are dancing. Can you show me some of
:07:43. > :07:47.
:07:47. > :07:52.If you ask me, Tony could carry off the whole shebang! In the running
:07:52. > :07:56.to be part of the 15,000 strong cast for the ceremonies, dance
:07:56. > :08:02.teacher Michel car. Nice to me too. Is this actually a rehearsal for
:08:03. > :08:05.the opening ceremony of the Olympic Games? I wish! It's just nice to be
:08:05. > :08:10.involved and the honouring our country. It's the chance of a
:08:10. > :08:13.lifetime. What did you do at the audition? I can't tell you the
:08:13. > :08:19.exact move but I can give you a rough idea and you could have a go
:08:19. > :08:26.at doing a slide, side, lunch. you have to pretend to be throwing
:08:26. > :08:36.a javelin or the Hama? Unfortunately not. We are going to
:08:36. > :08:36.
:08:36. > :08:44.Doing that in front of a billion people would be amazing. Whilst the
:08:44. > :08:48.opening ceremony's spectacular event remains a mystery, we know
:08:48. > :08:55.that a cauldron itself is being let. If you are looking for an idea to
:08:55. > :08:59.top the Chinese, here is that what you are looking for. With just six
:08:59. > :09:09.months to go from today, let us therefore brace ourselves so the
:09:09. > :09:23.
:09:23. > :09:27.world shall see that this Britain So exciting! It might not happen
:09:27. > :09:31.quite like that, though. With the clock ticking, the pressure is
:09:31. > :09:36.mounting for our British hopefuls yet to qualify but Team GB. We have
:09:36. > :09:44.three of them with us this evening. The Lembit Joe Joe -- judo hope all,
:09:44. > :09:54.Colin Oates is here. Does this prospect Lawrence or Kuyt. --
:09:54. > :09:59.
:09:59. > :10:06.Laurence Okoye. Where is Georgina Come over, Georgina. Trying to kill
:10:06. > :10:09.each at that and then they shake hands. Welcome. Are you in good
:10:09. > :10:14.shape going into the qualifications? Excellent shape.
:10:14. > :10:18.The shape of my life. You've come out of retirement after nine years.
:10:18. > :10:22.That's right. I was inspired by the fact that London is going to host
:10:22. > :10:26.the Olympics. Having had two children, I couldn't resist picking
:10:26. > :10:31.up my sword and getting back up there. Would you have done it had
:10:31. > :10:37.the Olympics not been in London? don't think so. There is just so
:10:37. > :10:46.much energy since the announcement, it's been amazing. Who are your
:10:46. > :10:53.kids? Lawrence, you were a rugby player. Yes, I played rugby
:10:53. > :10:57.throughout my school career and finished in 2010. You played for
:10:57. > :11:04.London Irish? Yes, Academy rugby for London Irish and before that I
:11:04. > :11:09.played for London Wasps. How did you and the discus meet up? One of
:11:09. > :11:15.my friends through Relief are one year. I asked him how he did it. He
:11:15. > :11:19.gave me his coach's number. I joined up with his coach, and
:11:19. > :11:22.within six weeks of that day I've thrown the second furthest in the
:11:22. > :11:27.world for my age group. We thought it was probably a good idea to keep
:11:27. > :11:31.going. How gutted were all the kids that had been doing it for years?
:11:31. > :11:37.That is so unfair! You should ask my friend, he introduced me to his
:11:37. > :11:43.coach. He was British number one Under 20s. Not your friend any
:11:43. > :11:48.more! And we've got Colin, judo is your sport. Youths built what they
:11:48. > :11:51.call a dojo. I had no idea what that was. Did you get planning
:11:51. > :11:57.permission for it? We did get planning permission to say it was
:11:57. > :12:02.made out of wood. It's basically a shed. We call it the cabin. It does
:12:02. > :12:09.look a bit like a shed. Do you do anything else in your dojo other
:12:09. > :12:14.than judo? No, it's been purpose- built but judo. It's a bit worn now
:12:14. > :12:21.because I travel to Dartford now, but we spend a good five years
:12:21. > :12:27.there, me and my brother. My dad is my coach. We spend a lot of money
:12:27. > :12:35.on the dojo. None of you are in the Olympics as we speak. Out of 10,
:12:35. > :12:44.what are your chances? Maybe seven or eight. I feel pretty good.
:12:44. > :12:49.feel pretty good, too! I'd say 6-7. When no other qualification days?
:12:49. > :12:53.For us, we've got to throw away qualification distance. You've just
:12:53. > :13:01.got to go up to the blokes and say, I'm here for the Olympics. They
:13:01. > :13:08.will say fine, off you go! confirmed date is in April. Good
:13:08. > :13:14.luck to all of you. It is Foody Friday. Jay has been to meet the
:13:14. > :13:19.people who make sure the recipes we rely on to great culinary delights
:13:19. > :13:23.rather than cooking disasters. Let's see how he got on. We bought
:13:23. > :13:27.7.5 million food magazines last year and spent �18 million on
:13:27. > :13:30.cookbooks in December alone. But behind every new dish is a long
:13:30. > :13:37.line of people dedicated to making it work for you, because the
:13:37. > :13:43.starting point for any meal is a cast-iron recipe. And that is
:13:43. > :13:48.something olive magazine's Janine Ratcliffe knows all about. How many
:13:48. > :13:52.times do you have to test a recipe? At least three. I would develop a
:13:52. > :13:56.recipe at home. It then comes into the test kitchen and we give it a
:13:56. > :14:00.run through. Then it goes on to the photo-shoot and gets tested again
:14:00. > :14:04.by the home economists. Getting the recipe right is essential. It is
:14:04. > :14:09.all too easy to be left with egg on your face. A certain Michelin-
:14:09. > :14:13.starred chef, you know who you are, published a recipe for a turkey
:14:13. > :14:16.stuffing which required six kilograms of spinach. A bemused
:14:16. > :14:21.editor subsequently checked it and found it was enough to fill his
:14:21. > :14:25.Bridge, as well as the garden shed. The end result was six foot of
:14:25. > :14:29.stuffing that weighed more than the turkey. To avoid this misdemeanour,
:14:29. > :14:34.cook books and good magazine's test their recipes in advance. This
:14:34. > :14:39.kitchen tests 2000 recipes a year. It is the job of this lady, a
:14:39. > :14:43.professional Testa, to make sure that everything goes right. We are
:14:43. > :14:48.testing a recipe for our butterscotch loaf. We've decided we
:14:48. > :14:55.wanted to change the dimensions slightly and make it into smaller
:14:55. > :14:59.low farce. Can I have a go? I'm not known as much of a baker. It seemed
:14:59. > :15:05.simple enough. All I've got to do is follow the recipe without making
:15:05. > :15:09.any schoolboy errors. I just reach for my wooden-spoon. While I was
:15:09. > :15:13.doing that, I immediately noticed that Cassie was reaching for her
:15:13. > :15:18.whisk. Maybe the recipe should mention that. How did you get into
:15:18. > :15:22.this? I decided to do a cookery course and trained as a chef. Then
:15:22. > :15:27.I got a job working as a tester for the magazine. Does anything ever go
:15:27. > :15:32.wrong? We haven't had any major disasters so far. We will see about
:15:32. > :15:37.that! Time to spoon out the mixture. How many cakes is this recipe
:15:37. > :15:43.supposed to make? Cassie appears to have been a better to fill twirled
:15:43. > :15:53.cake tins, whereas I am the have enough for 11. Oh, dear. Straight
:15:53. > :15:56.
:15:56. > :16:04.With them in the oven, it is time to prepare the toffee sauce.
:16:04. > :16:09.have not burnt it? No! Just checking. It looks like the timings
:16:09. > :16:12.are not quite right. So it is back in the oven a bit longer, which
:16:12. > :16:16.gives me a chance to ask her expert opinion about a recipe I have
:16:17. > :16:21.developed. Straight off, I would include a preparation time and
:16:21. > :16:26.cooking time at the top. The ingredients, I would put them in
:16:26. > :16:30.order of how you are going to use them. Have you done that? Good
:16:30. > :16:35.question. I have no idea. It helps if you can work down the list then
:16:35. > :16:41.pick them up as you go. basically, my recipe is not up to
:16:41. > :16:46.standard and you would not have it in the magazine. Absolutely not.
:16:46. > :16:51.Thank you very much! Well, the low tsar finally done, seven minutes
:16:51. > :16:56.more than in the original recipe. All this is left is a bit of
:16:56. > :17:03.drizzling before the tasting. The question is, our mind as good as
:17:03. > :17:07.Cassie's? I think yours is a lighter sponge. That is what I am
:17:07. > :17:11.meant to think. Of course. A lot of people think cooking can be
:17:11. > :17:15.complicated and it can be, but if you have a good recipe tested by a
:17:15. > :17:25.really good professionals, success is almost guaranteed. I rather like
:17:25. > :17:26.
:17:26. > :17:30.these. We all rather like them, and your kids loved them. I did not
:17:30. > :17:34.make these, but I had to make some last weekend for my 12-year-old
:17:34. > :17:39.because I brought some back from the shoot and he loved them so much
:17:39. > :17:46.he said, make more. It is a cross between a fairy cake and a Mars bar.
:17:46. > :17:56.And a chocolate Eclair. These are a big hit. You have some very old
:17:56. > :17:56.
:17:56. > :18:00.recipes. This is from a book dating from the 14th century. It was
:18:00. > :18:08.written at the end of the 14th century by the master cooks for
:18:08. > :18:15.Richard II. It was written on an old scroll in very old English. We
:18:15. > :18:25.have made up some of these recipes. Mrs Salmon with the crackers. You
:18:25. > :18:30.
:18:30. > :18:40.have a recipe. Do you want to read it out? Gone! Recipe one, take
:18:40. > :18:46.almonds, UN blanched, takes salmon and sea dipped in water. Do you get
:18:46. > :18:52.the idea? Take out the bones and grind it in a small thing. They
:18:52. > :19:00.were very loose on quantities. quantities at all. You poached the
:19:00. > :19:06.salmon in water, you put in ground almonds and spices, a mixture of
:19:06. > :19:12.Mace... I don't know if I could eat that! It is very sweet. Very
:19:12. > :19:21.peppery. It is a robust taste, medieval. A little later than that,
:19:21. > :19:29.but anyway. It has that tang. actually really nice. The other one
:19:29. > :19:34.is on toast, a reduction of white wine, honey and various spices.
:19:34. > :19:39.might as well have a go. You have given us sweet, savoury and BECTU
:19:39. > :19:43.suite with a bit of savoury. Sugar was a mark of wealth. If you were
:19:43. > :19:47.rich, and he wanted to prove it, you gave your guests loads of sugar
:19:47. > :19:51.because you could afford it. The Chris Evans of their day would have
:19:51. > :19:56.been throwing sugar at their guests. I would be applying to the bank
:19:56. > :20:01.manager for more sugar. This was by royal appointment. There is more
:20:01. > :20:10.royal food news on the horizon. What a link! The Duchess of
:20:10. > :20:13.Cornwall, Camilla, has been going around the country and has
:20:13. > :20:18.announced a competition for schools to come up with a menu to celebrate
:20:18. > :20:24.the Queen's Diamond Jubilee in June. They want schools, kids between 10
:20:24. > :20:28.and 15, to come up with recipes which can then be cooked as canapes.
:20:28. > :20:36.They want particularly ingredients local to the school, so celebrating
:20:36. > :20:46.local food. The Queen is a Taurus, so what food would she enjoy?
:20:46. > :20:48.
:20:48. > :20:56.have a better of salmon and almond in my throat. -- a bit. I am in the
:20:56. > :21:02.dojo with the munchkin so! The Queen will eat anything. That is
:21:02. > :21:06.astrology. Thank you for being here, Jay. Last spring, we set Jamie
:21:06. > :21:16.Crawford the task of taking screen savers for every season for you to
:21:16. > :21:25.download at home. Spring, summer, autumn... Almost as if we had read
:21:26. > :21:28.the weather forecast, it is Winter offers one of the most
:21:28. > :21:35.spectacular but challenging photographic opportunities of the
:21:35. > :21:39.year. This has been, so far, one of the mildest winters in years. If
:21:39. > :21:44.you are determined to find some snow, there is really only one
:21:44. > :21:48.place to go, the stunning Cairngorms national park. Winter in
:21:48. > :21:51.Britain's most northerly national park in north-east Scotland means
:21:51. > :21:56.gorgeous snow-capped mountains, reflective lakes, and the chance to
:21:56. > :22:00.get close to nature. One thing to remember if you are photographing
:22:00. > :22:03.snow is the settings on your camera will struggle to deal with it
:22:03. > :22:07.sometimes because it is so bright. They will turn down the brightness
:22:07. > :22:11.of the photograph and you end up with something grey and boring. The
:22:11. > :22:16.answer is to turn your camera to manual and increase the exposure
:22:16. > :22:23.settings. You need to over expose slightly, to bring back the bright
:22:23. > :22:27.white snow. This abstract, wind carved detail of the snow and ice
:22:27. > :22:31.is fantastic, but the big, pale winter sky with the cold setting
:22:31. > :22:38.sun really feels like winter to me. It is my first screensaver
:22:38. > :22:42.nomination. For my next shot, I am going to meet some unusual athletes
:22:42. > :22:47.who thrive in cold weather. They love the snow, but it is thin on
:22:47. > :22:51.the ground this year, so we are swapping the sledge for a cart.
:22:51. > :22:56.Anything over 10 degrees centigrade is too warm for huskies to race.
:22:57. > :23:00.They will overheat. The mercury is at zero today so they are raring to
:23:00. > :23:10.go. I only have one chance to photograph these dogs, so I will
:23:10. > :23:16.
:23:16. > :23:24.use a high shutter speed to freeze And we are back! That is officially
:23:25. > :23:29.the most exciting form of transport I think I have ever been on. I am
:23:29. > :23:33.in Scotland, so I have to find a ruined castle. To get the best shot
:23:33. > :23:40.of this one, I need a boat. Being on the water means I can manoeuvre
:23:40. > :23:46.more easily to frame this scenic ruin. How old is his castle? About
:23:46. > :23:50.700 years old. That is a lovely shot, but in a Scottish winter the
:23:50. > :23:54.weather can change fast, bringing flat light and a landscape devoid
:23:54. > :23:58.of colour. When the weather is like this, it is a good idea to pay
:23:58. > :24:02.special attention to the composition of your photo. If you
:24:02. > :24:04.really use the surroundings and, for example, put these boats in the
:24:04. > :24:10.foreground of the photograph, it will make for a much more
:24:10. > :24:13.interesting composition. A handy piece of kit to having your camera
:24:13. > :24:18.bag is a polarising filter which, just like a pair of polarised
:24:18. > :24:24.sunglasses, reduces glare. This can help to get extra depth to your
:24:24. > :24:28.pictures. I like the boats, looking out hopefully into the cold lock,
:24:28. > :24:34.but the ancient castle with the bare winter trees and the icy blue
:24:34. > :24:38.skies gets my vote as the next screensaver nomination. For my
:24:38. > :24:43.final shot, I am looking to use the wintry conditions to their best
:24:43. > :24:47.advantage. Peter Romsey wildlife photography business here in the
:24:47. > :24:51.Cairngorms. -- he runs a wildlife photography business. I am hoping
:24:51. > :24:57.for some stunning close-up photos. At this time of year, animals and
:24:57. > :25:02.birds have to look harder for food. Put some nuts on there, it also in
:25:02. > :25:06.this tin. Leaving out some titbits can entice them to our lenses.
:25:06. > :25:11.Birds and animals are famously nervous and hard to shoot, so you
:25:11. > :25:15.need to be as unobtrusive as possible. Use a telephoto lens, if
:25:15. > :25:19.you have one, to get a shot which fills the frame whilst keeping as
:25:19. > :25:23.far away as possible from your subject. The lenses are unwieldy
:25:23. > :25:27.and heavy and subject to camera shake, so a sturdy base to keep
:25:27. > :25:37.them rock-solid. We are using beanbags, but the quality tripod
:25:37. > :25:49.
:25:49. > :25:53.would do the job. Then, it is just This cheeky squirrel gathering food
:25:53. > :25:58.is practically posing for me, but this classic shot of a crested tit
:25:58. > :26:04.on a frosty brunch is just irresistible. It joins the big
:26:04. > :26:08.winter sky and the ruined castle as my three winter screen savers.
:26:08. > :26:13.You do not really live on the other side of the world, but those were
:26:13. > :26:17.making you homesick still. goodness! One of the big problems,
:26:17. > :26:23.and there are not many problems with a role like the Wizard of Oz,
:26:23. > :26:30.but I am not at home. I am Dorothy, not just a friend of hers! Finally,
:26:31. > :26:35.you get to work with Dorothy. want to go home to Snowdonia.
:26:35. > :26:41.and everybody at home can download the pictures as screen savers from
:26:41. > :26:50.the website. I will have to do it. You are taking over as the Wizard
:26:50. > :26:55.of Oz, when? On February 14th. I am actually on from February 7th, but
:26:55. > :27:00.that is previews. February 14th onwards. I have 10 days to learn
:27:00. > :27:04.this amazing roll. This is in the West End in London, a five-star
:27:04. > :27:10.Review Show. It is the London Palladium, the greatest theatre in
:27:10. > :27:14.the world. And you are taking over from Michael Crawford. A legend in
:27:14. > :27:20.his own right. There are two shows of his that I remember - Hello
:27:20. > :27:25.Dolly, with Barbra Streisand, and Phantom Of the Opera. He did Barnum
:27:25. > :27:33.as well. He is absolutely amazing a decent meal lovely note today
:27:33. > :27:38.congratulating me. How do you approach taking over from somebody?
:27:38. > :27:44.Do you try to make it different, or do you emulate what he did?
:27:44. > :27:48.have to be you. I am not Michael Crawford. I am only there, as you
:27:49. > :27:58.know, because Strictly Come Dancing brought me to the fore, thanks to
:27:59. > :28:03.
:28:03. > :28:08.the great British public. Anyway, she brought me to the fore and I
:28:08. > :28:11.would not be there but for Strictly. So you have to make your own.
:28:11. > :28:16.Arlene Phillips, another legend, is doing the choreography. You will
:28:16. > :28:22.find, for those who went to see the Wizard of Oz, you are now going to
:28:23. > :28:27.find little bits of Strictly, a touch of samba, a touch of this, a
:28:27. > :28:31.touch of that, and American smooth. Book your tickets, is what we are
:28:31. > :28:36.saying. Arlene Phillips in the paper today, there have been secret
:28:36. > :28:39.talks, apparently, with the BBC about her coming back as a judge
:28:39. > :28:45.because Alesha Dixon has gone to the dark side. You must have talked
:28:45. > :28:49.about this with her. She has not talked about it, but I did a show
:28:49. > :28:54.last week on the dark side. They actually said to me, is it true
:28:54. > :28:57.that you have been approached. No, but a betting firm made me two-to-
:28:58. > :29:01.one favourite to take over. Technically, I could never do that.
:29:01. > :29:06.When it comes to performance, you kind of know what is right and
:29:06. > :29:12.wrong. I said, you know Arlene Phillips would be ideal. You love
:29:12. > :29:20.to gossip. You must have talked about it. You know about this.
:29:20. > :29:25.have not, Chris. We will get it out of him. We know that you can dance,
:29:25. > :29:30.but people might be wondering, what is his singing voice like. We can
:29:30. > :29:36.answer that. Hang on. Let's see the clip.
:29:36. > :29:40.# I don't care about the rising some
:29:41. > :29:50.# Or lino is that when your hands touch mine, you move me on
:29:51. > :29:57.
:29:57. > :30:02.# Yes, you are Do you still have the top? My voice
:30:02. > :30:06.has been getting stronger but it's a bit tired today because I've done
:30:06. > :30:13.four and a half days non-stop singing and talking and scripting
:30:13. > :30:21.and everything else. But I have got up to an "F-off", might top note
:30:21. > :30:27.originally when I was doing it was BG. I meant the sparkly top. Oh, I
:30:27. > :30:30.didn't realise. No, I gave that to a charity. Mike Dilger has been in
:30:30. > :30:36.captivity all week at Tiggywinkles animal rescue centre in
:30:36. > :30:44.Buckinghamshire. We thought it was time to release him back into the
:30:44. > :30:47.wild. He is not the only one almost ready for freedom. The majority of
:30:47. > :30:53.animals that survive after being brought into this rescue centre are
:30:53. > :31:02.released back into the wild. Part of the healing process is to get
:31:02. > :31:06.them back to full fitness. Look at that bouncing away. This bird was
:31:06. > :31:11.brought in four weeks ago, having been found lying on the ground. He
:31:11. > :31:15.needs to get fit and strong to be able to migrate to Africa. First,
:31:15. > :31:19.it's back to basics. He's swimming twice a day just to get his
:31:19. > :31:23.strength up and get his legs working. Common terns spend their
:31:23. > :31:28.lives around water, so he will need a few more swimming lessons before
:31:28. > :31:33.he gets released. For some animals being in a cage means their natural
:31:33. > :31:37.every day grooming just doesn't happen. Because they are in
:31:37. > :31:41.hospital they are not getting a lot of exercise. In the wild they would
:31:42. > :31:46.be digging up their food and walking two or three miles and
:31:46. > :31:56.night. Unfortunately, they can't do that here. We just have to keep an
:31:56. > :31:56.
:31:56. > :31:59.eye on them and trim them if they needed. -- need it. Early in the
:31:59. > :32:04.week we rescued a fallow deer caught in a fence. But there was
:32:04. > :32:07.concern about the wound to his leg. What is worrying me is his foot
:32:07. > :32:11.feels cold. What might end up happening within is the foot ends
:32:11. > :32:14.up dying off and falling off. If that happens we will have to
:32:14. > :32:20.amputate the whole leg. After a number of days there is still no
:32:20. > :32:24.blood circulation to his foot. So it is damaged beyond repair. But
:32:24. > :32:28.luckily, deer can survive really well with only three legs. There is
:32:28. > :32:34.a local estate which takes them in, where he will be able to lead a
:32:34. > :32:40.relatively normal life. This rescue centre is close to the children
:32:40. > :32:46.Hills, one of the best places in England to see red kites. Many pass
:32:46. > :32:49.through the doors here and they are young juveniles. In a nest is
:32:49. > :32:54.common for larger ones to attract younger siblings for food. The
:32:54. > :32:59.weaker ones end appear. These are the third one in the nest. The
:32:59. > :33:03.juveniles come in at the end of the summer, a couple of weeks when they
:33:03. > :33:06.all are leaving the nest, these guys can't make it. Now that they
:33:06. > :33:16.are big and strong enough, it is time for release. First we need to
:33:16. > :33:26.
:33:26. > :33:32.catch them to be tagged and renewed. I will let Sharon do the difficult
:33:32. > :33:37.bit. As well as the red kites Barrar a couple of buzzards that
:33:37. > :33:44.are ready to be released as well. But one needs some feathers
:33:44. > :33:49.repaired on its wing. We've got some old feathers here from another
:33:49. > :33:54.buzzard. We can join it on to there and make a nice, new feather. I've
:33:54. > :34:02.just got to measure it up with that one. Cut them both the same length.
:34:02. > :34:07.Bird feathers are hollow, so they can be connected by inserting a
:34:07. > :34:12.steal used by falconers. Then you've got the feather which
:34:12. > :34:15.matches in with that one. Now he will be able to fly. Next year when
:34:15. > :34:25.the bird moulds it will drop back further and replace it with a fresh
:34:25. > :34:29.
:34:29. > :34:32.one. But first it needs a test You've done a pretty good job. As
:34:32. > :34:42.well as the buzz words, the team are also ready to release the red
:34:42. > :34:46.
:34:46. > :34:54.kites. For some, this will be their Red kites have a wingspan of nearly
:34:54. > :34:58.two metres. Due to their small body weight, they are incredibly agile.
:34:58. > :35:07.Once in the sky, they can glide for hours with hardly a beta of their
:35:07. > :35:17.wings. That is brilliant. Aren't they the most wonderful bird in the
:35:17. > :35:27.world? That is a very nice end to The latest on our deer, he has had
:35:27. > :35:28.
:35:28. > :35:32.his leg removed. He is managing on We saw how in planting a new
:35:32. > :35:37.feather helped a bird fly again, but surely a cat that has had its
:35:37. > :35:47.back legs chopped off by a combine harvester is beyond repair. Well,
:35:47. > :35:55.
:35:56. > :36:01.not when Noel Fitzpatrick is in He is trying to jump. Welcome, good
:36:01. > :36:06.to see you. How is Oscar? He is doing great. Running outside now.
:36:06. > :36:12.I've brought one of his feet to show you. He is running on blades
:36:12. > :36:15.now. He runs around like a normal cat outdoors. It is almost like he
:36:15. > :36:22.is here. A lot of people don't believe it is possible or it's not
:36:22. > :36:26.right, but he's having a great life. You've got they've and Mitzi.
:36:26. > :36:30.had Tate -- Mitzi had her foot trampled on by a horse. At that
:36:30. > :36:37.point her only options were chop the leg off or alternatively, Save
:36:37. > :36:47.the leg or put it to sleep. She was bleeding a lot. We put this
:36:47. > :36:54.
:36:54. > :36:58.prosthetic foot on. Mitzi, show us That is amazing! Mitzi doesn't get
:36:58. > :37:08.on very well with one of your other patients, unfortunately. If Mitzi
:37:08. > :37:10.
:37:10. > :37:15.would like to leave and then we What is the difference between a
:37:15. > :37:20.prosthetic and a bionic? Bionics are devices that replace body
:37:21. > :37:26.organs or other parts mechanically. There are at bands to bionic s,
:37:26. > :37:30.like in Mitzi. She has a piece of metal into her ankle bone. The
:37:30. > :37:34.revolution was that very clever people at University College London
:37:34. > :37:39.designed an implant that was like a deer and Le, and the skin could
:37:40. > :37:44.grow into it. But more simple prosthetics would be this, a total
:37:44. > :37:49.hip replacement in a pussycat. Imagine him planting that. This is
:37:49. > :37:53.routine stuff. But the stuff that The Ritzy has and Charlie has, that
:37:53. > :37:58.is advanced bionics. There is an artificial bridge between two real
:37:58. > :38:05.bits. Charlie was diagnosed with cancer. The cancer was eating away
:38:05. > :38:13.his forearm. Now he has, between his elbow and his foot, he has a
:38:13. > :38:23.real food, a real elbow, but everything in between his mettle. -
:38:23. > :38:23.
:38:23. > :38:32.- metal. He is two years out now. People think this isn't possible.
:38:32. > :38:35.That dog is a happy dog! And I'm very happy owner. You do believe in
:38:35. > :38:39.one medicine, animals helping humans, humans helping animals.
:38:39. > :38:43.What could be the advantages if you adopted some of these ideas on
:38:43. > :38:52.human beings? That is entirely metal between here and there. The
:38:52. > :38:56.bone grows into it like a honey comb. I believe the future is the
:38:57. > :39:01.Corporation of human doctors and Betton very doctors. I do believe
:39:01. > :39:06.this animal should be saved. If we cannot save this animal and it
:39:06. > :39:12.helps a human child that has bone cancer, why would we not do that?
:39:12. > :39:15.Or an injured soldier. Indeed. There are people losing legs all of
:39:15. > :39:19.the time for various reasons. I strongly believe that the two
:39:19. > :39:23.professions have diverged, that doesn't need to happen. If we save
:39:23. > :39:33.a life in a dog or cat and a human benefits from that, why would we
:39:33. > :39:40.
:39:40. > :39:45.Thank you so much. Let's check in with our birthday girl, Lottie
:39:45. > :39:49.Goodwin. She is 100 years old today and is Britain's oldest TV extra.
:39:49. > :39:53.We've given her the A-list treatment that she deserves. She is
:39:54. > :39:59.getting some final touches down in make-up. It looks like she has got
:39:59. > :40:02.Dave in the palm of her hand yet again. We will meet her in person
:40:02. > :40:08.later. Remember, keep trying to spot her being an extra in our
:40:08. > :40:14.films. That might include this next one. It's time to go back to school
:40:14. > :40:21.for Saira Khan. We're here at a community school in
:40:21. > :40:26.Long Eaton, Derbyshire. I was here from 1981-1988. I didn't know how I
:40:26. > :40:35.would feel coming back to my old school. Now that I'm here, I feel
:40:35. > :40:41.quite emotional. Standing along this corridor, it just fills me
:40:41. > :40:45.with lots of happiness. I've got so many amazing, lovely memories of
:40:45. > :40:50.this school. At home I lead a very sheltered life because my parents
:40:50. > :40:54.were immigrants to this country. My father came over in 1965. I've got
:40:54. > :40:58.two brothers and a sister. We grew up in a two-up, two-down in Long
:40:58. > :41:02.Eaton. My parents were Muslims, so I was brought up in a Muslim
:41:02. > :41:08.culture. I didn't eat the same food as my friends, so my mum would cook
:41:09. > :41:13.me an Asian Dist -- dish every night. I would wear the traditional
:41:13. > :41:18.Pakistani clothes every day. As soon as I came back from school I
:41:18. > :41:21.would be wearing those. Home life for me felt a little bit like a
:41:21. > :41:30.caged for me. I used school as a way to really express myself and be
:41:30. > :41:33.connected with the rest of the world. The school hall. Our school
:41:33. > :41:36.dramas and school productions happened here. The drama has meant
:41:36. > :41:42.a lot to me because it was the one subject where I could really
:41:42. > :41:45.express myself. I really enjoyed showing off and acting, because I
:41:45. > :41:50.couldn't do that at home. I couldn't express myself like that.
:41:50. > :41:54.I always wanted to study drama but my father said there was no way. I
:41:54. > :42:04.remember being deeply disappointed that it was one subject that I
:42:04. > :42:04.
:42:05. > :42:09.We are in the chemistry labs. I have to say, my father really
:42:09. > :42:12.wanted me to do well in chemistry in order to become a doctor. I
:42:12. > :42:16.really let my father down because it was the one subject he wanted me
:42:16. > :42:20.to do well in, and it was the one subject that no matter how many
:42:20. > :42:23.times I retook it, I just couldn't pass it. There was a lot of
:42:23. > :42:27.parental pressure in my life. My parents came to this country for
:42:27. > :42:35.one reason. That was for their children to do better than they did.
:42:35. > :42:41.And not to be good at his subject was a big deal. I felt I let my
:42:41. > :42:46.family down. I didn't want to let them down. I faint at the sight of
:42:46. > :42:52.blood. There was no way I was going to be a doctor - it is just
:42:52. > :42:56.ridiculous! Later on, as I got a job and by first company car, all
:42:56. > :43:00.of those things pleased him so he wasn't too bad. The teacher I
:43:00. > :43:06.remembered the most is my form teacher, Mr Maxwell. He also taught
:43:06. > :43:10.me French. He's a lovely guy. Mr Maxwell, this is weird. How do you
:43:10. > :43:14.remember me? I remember you as you wear when you left school. What
:43:14. > :43:19.does that picture say? It says a smartly turned-out young lady, a
:43:19. > :43:26.smiling young lady. I did smile a lot because I enjoyed school. I was
:43:26. > :43:30.the only person in a school uniform. In the 80s, uniforms went as
:43:30. > :43:34.fashionable in schools in this area as they become now. It was such a
:43:34. > :43:38.stigma. Everybody else in the 80s were wearing trendy clothes and I
:43:38. > :43:42.was in the school uniform. My parents were just so... They just
:43:42. > :43:46.wanted me to wear a school uniform. I was a little bit more to fight
:43:46. > :43:52.because nobody else was wearing one. Perhaps and putting words in your
:43:52. > :43:57.mouth a but I felt I was one of your favourites. I felt that myself.
:43:57. > :44:00.I don't be it's a coincidence that I still have a copy of that photo.
:44:00. > :44:06.My inner drive obviously comes from my parents but there is also one
:44:06. > :44:11.other person that when I met her for the very first time, I realised
:44:11. > :44:16.there is another way to live. That was a girl called Joanna Steed.
:44:16. > :44:19.Coming back here, we could go back into a lesson not. Go and have a
:44:19. > :44:22.Cornish pasty and beans then off to a lesson. She was one of the very
:44:22. > :44:27.few rich kids in the school. That was the first time Mike Ker into
:44:27. > :44:31.close contact with how the other half lived. I remember when I was
:44:31. > :44:35.young thinking, when I grow older I want to be like Joanna, I want to
:44:35. > :44:38.live how she does. Meeting her at school and the fact that she is
:44:38. > :44:44.still my best friend says a lot. Yes!
:44:44. > :44:50.It says a lot, but who was the rather elderly lady in shot there?
:44:50. > :45:00.It is Friday night Lottie! We've held back until now but we've got
:45:00. > :45:18.
:45:18. > :45:24.to talk about Strictly. Yes. Let's It's like a therapy session here.
:45:24. > :45:30.He is about to burst into tears. Does it seem like another life?
:45:31. > :45:37.does. I have just seen fluffier. We text every day and we talk to each
:45:37. > :45:43.other all the time. She is so special to me. She is my family.
:45:43. > :45:48.Are you missing it? Why don't you enter again this year? If it was a
:45:48. > :45:55.loud, I would. We could have a small one, just you and me, and
:45:55. > :46:02.then we could win. I will be the judge. Talking of small ones, look
:46:02. > :46:08.at Russell at school. There is so much joy and hope in that face.
:46:08. > :46:13.That is a beautiful photograph. was at junior school in Middlesex,
:46:13. > :46:17.and I had a lovely school life. It was the village school. I went back
:46:17. > :46:27.to the church, the beautiful St Mary's church where I was head
:46:27. > :46:28.
:46:28. > :46:34.choirboy, just on Sunday. He is full of it tonight. Very cool
:46:34. > :46:39.tonight. It is because I am in the Wizard of Oz. Everything is green,
:46:39. > :46:42.even the sofa. You said one of the reasons you did Strictly was
:46:42. > :46:46.because you wanted to entertain. You are back in musical theatre,
:46:46. > :46:53.but you have held onto your astrology. For a while you were
:46:53. > :46:57.thinking, I don't want to know about that. What is going on there?
:46:57. > :46:59.I am not doing interviews about astrology. The only astrology I am
:46:59. > :47:05.doing, because Steve Wright threatened to kill me if I did not
:47:05. > :47:10.carry on. He is a Virgo and he would die sector me bit by bit. I
:47:10. > :47:16.am still doing radioed to every so often for him, but no more
:47:16. > :47:21.astrology interviews. It is on the website and in the papers. It
:47:21. > :47:25.hijacked my career 40 years ago, let me get back to the music.
:47:25. > :47:30.Showbiz rocks. What is the invisible toilet chain that you
:47:30. > :47:35.keep pulling? I am doing children of Eden, back in the West End for
:47:35. > :47:42.the first time on Sunday, and my last... I am playing the snake and
:47:42. > :47:48.I'm doing a rumba. Went even eats the Apple I go, yes. So I am
:47:48. > :47:53.rehearsing with the toilet chain. - - when even eats the apple. We have
:47:54. > :47:58.someone who thinks the world of you and we have a message from her.
:47:58. > :48:02.Hello, Russell, I am in my dressing room at the Aldwych Theatre. I had
:48:02. > :48:06.to send a message to Cwmgwrach -- to congratulate you on your role in
:48:06. > :48:11.the Wizard of Oz. Amazing. If things do not work out, I would
:48:11. > :48:21.love to have you on stage with me. I think Vincent could do with a
:48:21. > :48:26.
:48:26. > :48:31.night off. Call me, Russell. He is going again! This is the
:48:31. > :48:36.aftermath of Strictly. This is the most wonderful message. Thank you
:48:36. > :48:40.for arranging that. Lottie is 100 years old. We have another big
:48:40. > :48:44.birthday on Sunday. 70 years of Desert Island Discs. Regular
:48:44. > :48:49.listeners have been given the chance to choose their own castaway
:48:49. > :48:54.classics. No matter where you are, or what
:48:54. > :48:59.you're doing, one thing is for certain, when you hear this music
:48:59. > :49:05.you will be transported to a time and place that is cherished. Over
:49:05. > :49:09.to a 1800 castaways, from political heavyweights to British royalty
:49:09. > :49:12.have share their memories. But what if the loyal band of listeners were
:49:12. > :49:21.castaways themselves, what would they choose to take on their desert
:49:21. > :49:26.island? My name is Kate, and if I was cast away on a desert island I
:49:26. > :49:32.would choose let it be me, by Bob Dylan. My little girl was born to
:49:32. > :49:37.the song, basically. I pushed, the head came out, and then let it be
:49:37. > :49:41.me came on. When we brought her home the next day, we came in and
:49:41. > :49:46.they put on the song and had some flowers, and she sat. I am tearful
:49:46. > :49:56.just thinking about it. She sat in her car seat and we just looked at
:49:56. > :49:57.
:49:57. > :50:02.her, really. Before I was a castaway, I would pick one
:50:02. > :50:07.particular track by an Italian tenor. How does it make you feel
:50:07. > :50:11.when you hear it? Extremely emotional. It reminds me so much of
:50:11. > :50:16.what my father went through during the war, his escape from Poland,
:50:16. > :50:20.internment in Switzerland, my own childhood, my relationship with my
:50:20. > :50:25.father. Being a young boy, these things did not mean much. When you
:50:25. > :50:29.get older, you begin to understand your family history. All that I was
:50:29. > :50:39.aware of was sitting at home in the front room, listening to my dad
:50:39. > :50:47.trying to sing in pidgin Italian with a Polish accent. If we were
:50:47. > :50:52.castaways, our Desert Island Disc would be by Stevie Wonder. We
:50:52. > :50:57.started as pen pals 18 years ago. Tatiana was in Russia and I was in
:50:57. > :51:02.Manchester. It was like a prince on a white horse for me. I knew that
:51:02. > :51:09.it was this man I fall in love. And after that, we just could not live
:51:09. > :51:17.apart. I plucked up the courage one Sunday afternoon and I said, I've
:51:17. > :51:22.got something to ask, Tatyana. I said, are you sat down? Yes. Will
:51:22. > :51:29.you marry me? When he said, will you marry me, my neighbour said,
:51:29. > :51:34.what, what happened? He asked me to marry him. And? I said yes. I could
:51:34. > :51:38.not breathe. If I were cast away there is one record I would have to
:51:38. > :51:42.have and that is Roberta Flack's first time ever I Saw Your face. It
:51:42. > :51:46.reminds me of falling in love with my husband 25 years ago and that is
:51:46. > :51:54.why does it Island Discs is so successful, because it reminds us
:51:54. > :51:58.of the things that are important in life. -- Desert Island Discs. How
:51:58. > :52:03.do you think you will be feeling about this song in 20 years?
:52:03. > :52:09.depends what kind of teenager she is like, I guess. We shall see. I
:52:09. > :52:14.am sure it will always have a place in my heart. It becomes a piece of
:52:14. > :52:19.family treasure, heritage to be passed down the line. Makes a lump
:52:19. > :52:29.in the throat, the heart skip a little. 18 years further on, it is
:52:29. > :52:34.
:52:34. > :52:39.still doing the same thing. Still, Why is everybody crying? It is an
:52:39. > :52:43.emotional show. What can we say? Dr Catrina Morrison, welcome to the
:52:43. > :52:49.show. You have done lots of research and you think that music
:52:49. > :52:52.is the serum for memory. This is what is fantastic about Desert
:52:52. > :52:56.Island Discs. They put music and memory together and got people to
:52:56. > :53:02.open up in ways that they otherwise would not. What we have is a very
:53:02. > :53:06.personal account of someone's life. Narratives of lives. Not always
:53:06. > :53:10.positive, sometimes memories of negative things as well. That is
:53:10. > :53:13.the richness and the beauty of it. You feel you get to know somebody
:53:13. > :53:18.in a way that you would not otherwise. It is the music that is
:53:18. > :53:24.important. You escape into the record and it gives you a release.
:53:24. > :53:27.You did a study using the Beatles. We discover that the Beatles, a
:53:28. > :53:32.global music phenomenon, everybody had some kind of memory. We were
:53:32. > :53:37.able to unlock seams of memory that had not been touched for decades.
:53:37. > :53:41.We found that the Beatles were this global musical phenomenon that
:53:41. > :53:44.really played an important part in people's lives and emphasised how
:53:44. > :53:52.important music is in your life, your perception of yourself, your
:53:52. > :54:00.understanding of who you are and your place in the world. What is on
:54:00. > :54:10.your car stereo? Rock ballads. score to the Wizard of Oz. Kismet
:54:10. > :54:20.to the musical, the Kismet Overture. The Beatles. What about you? Doris
:54:20. > :54:21.
:54:21. > :54:26.Day. Thank you to Dr Catrina. You can hear more listeners sharing
:54:26. > :54:35.their Desert Island Discs on BBC local radio stations this Sunday.
:54:35. > :54:38.At 11:15am on Sunday morning, David Attenborough or with Kirsty Young.
:54:38. > :54:48.TV extra Lottie has been popping up in the background, but how many
:54:48. > :55:02.
:55:02. > :55:09.How did you get into this? I did a Gorgeous snow-capped mountains,
:55:09. > :55:15.reflective Lakes... Ready to release the red kites. For
:55:15. > :55:25.some, this will be their first flight in open skies.
:55:25. > :55:27.
:55:28. > :55:37.I don't think it is a coincidence Lottie is here, the star of the
:55:38. > :55:40.
:55:40. > :55:49.show. Happy birthday, Lottie. Ladies and gentlemen, I am 100
:55:49. > :55:55.years old today. For heaven's sake, sit down. You deserve it. 40 years
:55:55. > :56:00.ago you started this. You were a big singer. I used to sing and then
:56:01. > :56:09.I decided I must do television. And at the age of 60, I started doing
:56:09. > :56:17.television. And for 38-40 years. The oldest extra now in England. I
:56:17. > :56:22.am still at it. I hurt my leg or I would be working. Thank heavens you
:56:22. > :56:28.are not, so you can be here. I fell last week and I could not get up,
:56:28. > :56:35.and that was it. You are here now. You have got your granddaughter,
:56:35. > :56:45.Amanda, and your great granddaughter. I have 13 of them.
:56:45. > :56:47.
:56:47. > :56:53.It is like a collection! Have you had a nice day today? Wonderful. I
:56:53. > :57:01.always enjoy it. I can sit for hours on end and still enjoy it.
:57:01. > :57:06.have your birthday card from the Queen. Look at that, everyone.
:57:06. > :57:11.Pretty good. You have famously been in Emmerdale and Coronation Street.
:57:12. > :57:15.You name a programme, in the years, everything. You were getting
:57:15. > :57:22.recognised so much in both that Emmerdale and Coronation Street
:57:22. > :57:26.said, only one of us can have her. Who did you go for? Well, I stopped
:57:26. > :57:36.driving. This girl did Coronation Street, but I wanted to do
:57:36. > :57:37.
:57:37. > :57:41.Emmerdale. I had one or two friends, so why did Emmerdale instead.
:57:41. > :57:51.1989 you appeared alongside David Jason in a Kvitova do. Would you
:57:51. > :57:54.
:57:54. > :58:04.like to see a clip? -- A Bit Of A I don't want anyone to see you
:58:04. > :58:10.
:58:10. > :58:16.talking to me... # Happy birthday to You
:58:16. > :58:26.# Happy birthday to you # Happy birthday, dear Lottie
:58:26. > :58:30.
:58:30. > :58:38.# Happy birthday to You and Plenty of breath in the old girl
:58:38. > :58:44.yet! Tell us about your husband? was a redhead, like you. That is
:58:44. > :58:49.why I like you, because you are like he was. I called him Red.