:00:29. > :00:51.Hello and welcome to The One Show with Matt Baker
:00:52. > :00:58.We'll be talking to music legend Billy Ocean and he'll be playing us
:00:59. > :01:01.one of the greatest of his greatest hits at the end of the show.
:01:02. > :01:05.With 100 days to go until the Rio Olympics,
:01:06. > :01:11.gymnastic World champion and Olympic medalist Max Whitlock will be
:01:12. > :01:16.revealing some of the brand new designer kit Team GB
:01:17. > :01:22.But for starters, how's about we get him to reveal some
:01:23. > :01:37.Looking forward to chatting to Al and Harry shortly.
:01:38. > :01:40.But we'll start in the audience because all our audience members
:01:41. > :01:45.tonight have something very special in common.
:01:46. > :01:50.They are all transplant patients - and they're all displaying a number.
:01:51. > :01:54.Showing how long it's been since their life changing surgery.
:01:55. > :01:57.Teresa, you are celebrating the 30th anniversary
:01:58. > :02:21.A kidney transplant. OK. We have Jack, from the first year of the
:02:22. > :02:29.rickshaw challenged. One man has not shown his number yet. You are
:02:30. > :02:36.revealing an incredible... 38. What happened 38 years ago? I had been
:02:37. > :02:44.dialysed in for six years 30 hours a week and one night and in -- at
:02:45. > :02:48.home. A phone call from the Queen Elizabeth Hospital in Birmingham
:02:49. > :02:52.saying, can you get up here? I said, and he got a kidney for me and they
:02:53. > :02:58.said yes. Everything has gone very well since. You're looking
:02:59. > :03:08.incredibly well. How are you feeling? Great. I have done
:03:09. > :03:16.marathons. We have half of Team GB here. I started helping out the
:03:17. > :03:24.athletics track with athletics coaching. Hold your number five. --
:03:25. > :03:28.hi. Together our audience have been
:03:29. > :03:31.given an incredible, combined 344 additional years
:03:32. > :03:34.of life by donated organs. We think that deserves
:03:35. > :03:39.a round of applause. None of the people here would be
:03:40. > :03:42.with us today if it wasn't And, as Joe has been hearing,
:03:43. > :03:46.behind every transplant is a unique Scarlett is five years old and well
:03:47. > :04:08.up for giving Mary Berry But, as a baby, her future did not
:04:09. > :04:13.look so sweet. She was so poorly. She had heart failure and was on
:04:14. > :04:17.life support from about six months onwards. She was the sickest, I
:04:18. > :04:25.think, and she could have been without receiving a heart. Tell me
:04:26. > :04:30.when it hits 100 again. Scala was at the top of the emergency transplant
:04:31. > :04:38.list that her family were worried about the lack of donor organs for
:04:39. > :04:43.children. We used to come home at night and discuss funeral songs. I
:04:44. > :04:53.think we did actually think we would be planning a funeral, I think.
:04:54. > :04:59.There we go! On the Isle of White, 300 miles away, in Whitley Bay --
:05:00. > :05:05.from Whitley Bay, another girl was growing up by the sea. We used to
:05:06. > :05:12.love coming down here with EV, finding crabs and starfish and
:05:13. > :05:17.generally having a good time. She used to try to hold the crabs. When
:05:18. > :05:24.they were on her hand, she would scream and throw them off. A lovely
:05:25. > :05:31.beach to take children to. Two days after a family day out, simple trip
:05:32. > :05:35.to the shops changed everything. She loved to bake, and she wanted to
:05:36. > :05:41.make some very cakes. She wanted different decorations to put on top
:05:42. > :05:45.of the cake. We pulled out of the drive and got hit by a car coming
:05:46. > :05:51.from the right-hand side. That was as we were entering the road. All I
:05:52. > :06:04.can remember being woken up and being told that EV did not make it,
:06:05. > :06:11.she had died. -- Evie. Evie's parents were determined her death
:06:12. > :06:16.should make others live. I made the decision to go ahead with organ
:06:17. > :06:26.donation. It was simple as that. That saved the life of Scarlett.
:06:27. > :06:41.Where did your special heart come from? Evie. She died and is an angel
:06:42. > :06:53.now. Normally donors and recipients remain completely anonymous. Who are
:06:54. > :06:57.we making these for? Evie's and dad. Her parents stumbled across an
:06:58. > :07:08.article about a little girl having a heart transplant. I read it and I
:07:09. > :07:12.just knew it was Evie's. The families made contact. Today, after
:07:13. > :07:18.four years getting to know each other online, they finally feel
:07:19. > :07:29.ready to meet face to face. Hallow, sweetie. Thank you very much. Hello,
:07:30. > :07:32.I am Niall. Nice to meet you. Are we going to have a cup of tea in a
:07:33. > :07:43.minute and eat some of your cakes? Can we do that? Which ones should
:07:44. > :07:51.Penny have? That is a nice one. Cheers. Brilliant to see you. The
:07:52. > :07:55.surgeon said it was a perfect heart. We are always thinking our daughter
:07:56. > :08:08.has a perfect heart. She is thriving. It is a fantastic thing.
:08:09. > :08:12.Can we find some shelves? It is very special and reinforces the decision
:08:13. > :08:21.we made. We are proud of Evie for giving Scarlett the life she has
:08:22. > :08:27.now. We had so much sadness that is a really positive thing for us. In
:08:28. > :08:34.some ways it does ease some of grief. Obviously, donating their
:08:35. > :08:38.daughter's organs, without that, we would not have Scarlett. I plead
:08:39. > :08:42.with everyone to become a donor. You do not need your organs when you are
:08:43. > :08:44.not here, other people do. It is simple really.
:08:45. > :08:47.Special thanks must go to Evie's mum and dad,
:08:48. > :08:49.Penny and Neil, for telling us all about their wonderful
:08:50. > :09:02.Thank you for joining us tonight. A remarkable experience, watching that
:09:03. > :09:05.film. Many of you have been through a similar situation. You said
:09:06. > :09:13.earlier on the key to making that decision, it was a difficult and
:09:14. > :09:19.intense time. It was about the communication you had with your
:09:20. > :09:22.daughter. With respect to our incident, my wife and I were in the
:09:23. > :09:25.car at the same time and we were quite badly injured. My wife was in
:09:26. > :09:31.a coma when I was approached by the doctors in the hospital to talk
:09:32. > :09:36.about donating Evie's organs and turning off the life-support
:09:37. > :09:40.machine. Prior to that, Penny and I had discussed organ donation. Any
:09:41. > :09:49.carried a card and conversation was vitally important. I knew it was the
:09:50. > :09:54.right thing to do. That is something you want to say as well. It is
:09:55. > :10:00.brilliant when people sign up as organ donors. It is fantastic. Share
:10:01. > :10:05.your wishes with your loved ones. Unless a next of kin knows your
:10:06. > :10:10.wishes, nothing can be done. It is well and good carrying a card but
:10:11. > :10:17.please share your wishes. You are saying it is never too early to have
:10:18. > :10:21.that conversation. A few minutes around the dinner table. It is not
:10:22. > :10:27.nice to talk about but once it is done everyone knows and everyone is
:10:28. > :10:33.clear. You have a very important job now. If you can hold the card nice
:10:34. > :10:37.and steady, everyone will need to know -- everyone will know the
:10:38. > :10:44.address they need to contact. Thank you very much.
:10:45. > :11:01.I am sure you will help a lot of people. Just have the conversation.
:11:02. > :11:09.We saw Neil and capital -- Penny meet the family. Organ donation is
:11:10. > :11:11.completely anonymous. Donors families will never know where the
:11:12. > :11:16.organs go and recipients will never know when your kids have come from.
:11:17. > :11:19.That is just how it works. It is completely confidential. However,
:11:20. > :11:23.further down the line, if we want to get in touch with the other family,
:11:24. > :11:28.you could write an anonymous letter through the NHS. If the other party
:11:29. > :11:33.decides to receive that letter and respond, then maybe contact can be
:11:34. > :11:40.made full debate is completely confidential unless you choose
:11:41. > :11:46.otherwise. That film was really powerful. Lots of parents are quite
:11:47. > :11:51.reluctant to sign for children's organs to be donated. You can
:11:52. > :11:58.understand why. The majority do not. The consent rate is about 44%. We
:11:59. > :12:03.have seen in this case what happens when they do sign up. An amazing
:12:04. > :12:08.story two years ago, it was a Welsh couple who decided to donate the
:12:09. > :12:11.organs of a young baby who had a terrible fatal condition and died
:12:12. > :12:18.shortly after birth. They donated his kidneys, heart and bowels. The
:12:19. > :12:21.kidneys went to a grown man and saved his life. 100,000 people
:12:22. > :12:25.joined the register as a result. These often have quite big
:12:26. > :12:29.ramifications and people should think carefully about it. The
:12:30. > :12:38.difference you can make by being a donor is phenomenal. Is it right
:12:39. > :12:45.that you are both registered? I am, yes. No argument against it when you
:12:46. > :12:51.see that story. You are right. Often, when you are a parent, you do
:12:52. > :12:58.not want to address even the possibility of it. Hopefully that
:12:59. > :13:03.little film will make people think. Make the decision in advance. Who
:13:04. > :13:09.knows what emotions you will go through? Think about what is
:13:10. > :13:13.involved, maybe it is too much for some people. If you have thought
:13:14. > :13:19.about and had that, session before, it is that bit easier for you had
:13:20. > :13:28.had that combination with Penny. Thank you so much. Can we have the
:13:29. > :13:33.sign one more time? Perfect. Standing by already. You are a pro.
:13:34. > :13:36.We have put all the details on our website.
:13:37. > :13:39.It looks like another high street name might be heading the same way
:13:40. > :13:41.as Comet and Woolies after going into administration
:13:42. > :13:46.on Monday, leaving a ?571 million pension deficit.
:13:47. > :13:48.Fingers are being pointed at the former boss -
:13:49. > :13:51.Sir Phillip Green - as well as the current owners.
:13:52. > :13:54.But who do shoppers think is to blame for all the trouble in store?
:13:55. > :14:05.Alex Riley has been to Solihull to find out.
:14:06. > :14:17.The one show wants to hear your views on the demise of BHS. Who is
:14:18. > :14:25.to blame? It was beautiful, I love British Open scores. So who's to
:14:26. > :14:29.blame? -- British home stores. Too much money has been taken out, and
:14:30. > :14:36.they should have spent money restocking. Maybe they appeal more
:14:37. > :14:41.to the elderly than the young. I know the young spend a lot of money
:14:42. > :14:48.on clothes. I think BHS have failed to keep up with the times. They do
:14:49. > :14:53.not have a strong enough brand and I have not seen them advertised. It
:14:54. > :14:58.looks like a jumble sale and the clothes are not good enough. The
:14:59. > :15:07.stuff in the stock room is the same as when I worked there two years
:15:08. > :15:11.ago. How often do you going? Twice a year. So it is your fault?! I would
:15:12. > :15:16.like to give Philip Green a gold card. They would not accept my
:15:17. > :15:29.credit card in the store. This is a lousy deal. We have just
:15:30. > :15:33.lost our British Home Stores. He took a big bonus and self, so that
:15:34. > :15:39.must be where the trouble started. The supermarket was quite cheap, but
:15:40. > :15:46.now it has got great things and it is facing competition. If he was
:15:47. > :15:49.entitled to that money, you should not be forced to pay it back. What
:15:50. > :15:54.about the management, the controversy of Philip Green taking
:15:55. > :15:58.money out? But he also owns top shop, which does very well. What did
:15:59. > :16:03.he do wrong? He made a lot of money out of it. But I bet a lot of the
:16:04. > :16:09.girls in there, some of them have been there for 30 years. I am just
:16:10. > :16:14.so sad. Let's hope they get some buyers that come forward and do a
:16:15. > :16:23.better job. Philip Green, cellular yachts and put it back into BHS.
:16:24. > :16:25.Save our shop! -- sell your yachts. And we wish BHS a good outcome.
:16:26. > :16:31.Still to come, Olympic gymnast Max Whitlock revealing what Team GB
:16:32. > :16:39.This got us thinking. If you have no clue what to Wear to your special
:16:40. > :16:43.event, we have experts on hand. Send us a picture of
:16:44. > :16:47.you with the two outfits He goes through the same problem
:16:48. > :16:55.every morning. Al and Harry and Billy Ocean,
:16:56. > :16:57.who was once a tailor, don't you know, will all give
:16:58. > :17:07.you their opinion They will help you out. I would've
:17:08. > :17:14.thought the Olympic team will be wearing a sport Kit. Shorts. Blue or
:17:15. > :17:24.red? And is also. You should see the
:17:25. > :17:27.amount of kit on offer. That it is not about sports, it is maybe a
:17:28. > :17:37.wedding. I would wear a wedding dress, then. A wedding reception in
:17:38. > :17:42.the canteen of BHS, perhaps. You two have got a big event coming up,
:17:43. > :17:49.because you're putting on a special. We getting married? No. You're
:17:50. > :17:55.putting on a brilliant one-off gig, all in memory of your friend, Matt.
:17:56. > :18:02.Tell us about him and the relationship between the three of
:18:03. > :18:05.you. Matt Bradstock Smith, doctor Matt Bradstock Smith, I met him on
:18:06. > :18:11.my first day of medical school and I bought him a drink at the bar. He
:18:12. > :18:19.asked for a snowball. I knew he was a Christmas drinker. So we became
:18:20. > :18:22.friends and we used to do medical school shows together on the
:18:23. > :18:28.circuit, and we became a little comedy troupe. We formed the band,
:18:29. > :18:37.the pop band. Matt played keyboards and Harry sank. It was an
:18:38. > :18:43.approximation. -- Harry was a singer. We toured a little show and
:18:44. > :18:48.one of the things that came out of it was the pub landlord actor that I
:18:49. > :18:57.do. And to this day, I do not get a percentage on that. We did about 100
:18:58. > :19:00.dates all around the country. And the big date was the Lyric Theatre
:19:01. > :19:05.on Shaftesbury Avenue, which is where we are having this benefit. He
:19:06. > :19:08.sadly died of cancer at the beginning of the year, Matt, and
:19:09. > :19:14.ended his days in a hospice, so we are raising money for that hospice.
:19:15. > :19:19.And have you put this show together yourselves? I was going to work?
:19:20. > :19:24.Obviously there is a close connection with him but how does it
:19:25. > :19:30.shaped the bill? We have people around, who started out at the same
:19:31. > :19:38.time as we did, Stewart Lee and Tim Vine, and Brendan, who was doing a
:19:39. > :19:43.turn at the same time of us, and we have got out a list of what was in
:19:44. > :19:48.the show 20 years ago. The fact is, it might not work. But it is only
:19:49. > :19:52.for one night. We thought we would put together a show that he would
:19:53. > :19:55.have liked to have seen. He was a big fan of Tim Vine and Stewart Lee
:19:56. > :20:03.and we all hung around together in the early days. I have some home
:20:04. > :20:07.movie footage of us all. We have got someone to come in and emulate his
:20:08. > :20:12.playing style, so we're going to give the band one last go. We have
:20:13. > :20:17.looked through the archives and found some footage of Matt playing
:20:18. > :20:22.your adopted son. Let's have a look. Little Alan Hill, only three years
:20:23. > :20:26.old, the freakish of string of Anne Robinson and Eamon Holmes. Due to a
:20:27. > :20:38.cruel slip of the Rabbi's knife, only able to communicate by tapping.
:20:39. > :20:42.One tab for yes. Two taps for now. -- for no. And as if to imply a
:20:43. > :20:53.little purpose in his life, a little Saturday night Fever. I mean, he was
:20:54. > :20:58.a mover. It was amazing what people laughed at during the 90s. Matt
:20:59. > :21:05.never had any lines, you never spoke. He could not really do lines.
:21:06. > :21:09.He was a doctor. Physical comedy. We went off and became comedians and he
:21:10. > :21:14.was a GP down in Bognor. During the day, and then he would go and do
:21:15. > :21:19.that? Yes, he gave it up and became a GP full-time. We could not decide
:21:20. > :21:23.to play that clip or a clip I would like to play now, the Bucks fizz
:21:24. > :21:36.tribute. This just makes me laugh. That is you? Yes. And there are owls
:21:37. > :21:40.on drums. Who are the badgers? They were lent to us by Brian May. They
:21:41. > :21:47.are not real badgers, they are people dressed up. Highly trained
:21:48. > :21:52.dancers. We always ended the show with a badger parade. And will
:21:53. > :21:57.badgers be appearing in the new show? There is a badger, there is a
:21:58. > :22:00.competition winner who will appear as a badger.
:22:01. > :22:01.Al and Harry's show, For Little Alan, is
:22:02. > :22:05.on at the Lyric Theatre, Shaftesbury Avenue
:22:06. > :22:18.Here You Are, we know that you did Shakespeare live opposite Dame Judi
:22:19. > :22:24.Dench. -- Al, we know that you did Shakespeare live. Look at those
:22:25. > :22:29.years, are they not fantastic? I was the biggest Bottom that she had ever
:22:30. > :22:36.worked with. It was the most incredible thing to be involved in.
:22:37. > :22:40.A fantastic thing. And I got the part quite a while ago. It was not
:22:41. > :22:45.going to be playing opposite Dame Judi Dench two weeks ago, I got the
:22:46. > :22:51.call, saying that it was opposite Dame Judi Dench. But it is legit,
:22:52. > :22:59.you can ring your mum and say, guess what I'm doing, rather than saying I
:23:00. > :23:04.am spilling beer on people and telling jokes about them. I wish I
:23:05. > :23:11.hadn't turned it down. Very good. Moving on. Many of you will know the
:23:12. > :23:13.story of how the UK's most successful boxing
:23:14. > :23:22.promoter, Frank Maloney, underwent surgery to change her gender. Now
:23:23. > :23:28.she is Kelly Maloney, and she is finding out how that decision has
:23:29. > :23:31.affected her doctors. Dad turned around and said, I was born in the
:23:32. > :23:36.wrong body and I should have been born female. It was very confusing.
:23:37. > :23:42.All of the motions, upset, angry, protective, he was still our dad and
:23:43. > :23:46.so we did not want anyone saying anything horrible. I did not know
:23:47. > :23:57.what it meant and I did not care. I did not speak to dad for a long
:23:58. > :24:02.time. The day that he started living full-time as Kellie was the day that
:24:03. > :24:09.the world knew. I was an eccentric little Cockney, but nobody knew what
:24:10. > :24:13.I was fighting inside. In 2014, I finally came to terms with myself
:24:14. > :24:18.and I came out to the world as the person I believe I should have been
:24:19. > :24:20.born as, Kellie Maloney. But the one thing I was sick about was the
:24:21. > :24:29.possibility of losing the love of my daughters. Dad had bouts of
:24:30. > :24:34.depression and he tried to take his own life. I just said, you need to
:24:35. > :24:37.share whatever the problem is because it is really hard to support
:24:38. > :24:41.you if I do not know what I'm dealing with. And he turned around
:24:42. > :24:48.and said, I was born in the wrong body and should have been a female.
:24:49. > :24:55.I think there was a point where he lost me especially. I isolated
:24:56. > :24:58.myself a lot. I did not want to acknowledge the situation, I did not
:24:59. > :25:05.want to speak about it. I did not want to even cobranded. Libby is
:25:06. > :25:10.definitely more angry, even to this day. -- I did not want to even
:25:11. > :25:15.comprehend it. She is more angry than I am. I just feel quite
:25:16. > :25:20.confused still. It is a hard thing to get your head around. There have
:25:21. > :25:23.been times where, selfishly, I have thought I am losing my dad, or I do
:25:24. > :25:29.not want my dads to be transgender. And I always thought about that time
:25:30. > :25:35.when dad tried to take her own life. It was my dad in a coffin, or in
:25:36. > :25:39.address. And to me, whenever I have that thought, there is no choice. It
:25:40. > :25:45.is always going to be my dad in a dress. I'm quite a private person,
:25:46. > :25:50.and I would much prefer us deal with Kellie's transition has a family,
:25:51. > :25:54.privately. But we did not really have that option. On social media,
:25:55. > :26:00.we got a lot of horrible comments, and obviously we got told to rise to
:26:01. > :26:06.none of them, but some things you just can't help. I was really angry
:26:07. > :26:10.at the time, anything I saw I would fight back at it. And then I would
:26:11. > :26:17.probably regret it because I had loads of people on my Twitter hating
:26:18. > :26:21.on me. I have got the best doctors in the world. I am very proud of the
:26:22. > :26:25.way you have dealt with it. And I will always love you. I will always
:26:26. > :26:31.be there for you, the way you have been there for me. I know one thing,
:26:32. > :26:37.I am happy and I love sharing my life with my daughters. This is what
:26:38. > :26:41.you apply way too much over. I think he's lucky to have three girls
:26:42. > :26:45.around him, because he has all the advice he needs. It is like having a
:26:46. > :26:55.personal make-up stylist and a fashion team. Stop moving! She is
:26:56. > :27:00.such an angry girl! I referred to Kellie as dad still. I think after
:27:01. > :27:11.40 years, that is a hard habit to stop doing. He is still saved in my
:27:12. > :27:19.phone as dad. He is saved as Kel-Kel with a little princess emoji. Since
:27:20. > :27:24.dad's transition, she has definitely softened. She has become a nicer
:27:25. > :27:34.person to be around. She's going to go! I can only imagine how hard it
:27:35. > :27:39.is. Of course, I am proud with sticking with what he wants to do in
:27:40. > :27:46.life, and going through with it. You need to hold yourself together. She
:27:47. > :27:50.is a wreck. I am proud of how she has dealt with it and what she has
:27:51. > :27:51.had to face and how she still continues to grow as Kellie. I am
:27:52. > :27:59.really proud. First of all, I think we should say
:28:00. > :28:04.a big thank you to you, Kellie, and your three daughters, for making
:28:05. > :28:07.that film for us. We saw that some parts were obviously hard for you to
:28:08. > :28:11.watch because the girls were being so honest about the experience. How
:28:12. > :28:19.much of that did you not know until you the footage? Quite a lot of it.
:28:20. > :28:27.I knew they struggled the journey, but they never really showed me,
:28:28. > :28:31.except my youngest. It was very hard on her for about 45 months. We could
:28:32. > :28:36.not approach the subject or talk about it. Eventually, she started
:28:37. > :28:42.talking about it. -- four or five months. She started coming with me
:28:43. > :28:47.to some events, talking to young transgender people, and growing in
:28:48. > :28:53.confidence. She now talks to other families and other children as well.
:28:54. > :28:57.And we heard your daughters there calling you she and dad, in the same
:28:58. > :29:03.sentence. How does that feel to watch? Well, I am their dad, and all
:29:04. > :29:08.I have done is medically correct something that was wrong at my
:29:09. > :29:14.birth. But I was their dad at the birth and I will always be their
:29:15. > :29:17.dad, no matter what. One of the things that Emma, your eldest
:29:18. > :29:22.daughter, said, it was dad in a coffin or dad in the dress, and that
:29:23. > :29:25.is the one line that stands out. Neither are great options for the
:29:26. > :29:30.girls, at the beginning, even though they have grown to be used to it.
:29:31. > :29:33.But did you have a lot of criticism at the time for making quite a
:29:34. > :29:39.selfish decision, in terms of the girls? Not really. I felt I was
:29:40. > :29:42.selfish but it was the only way I could deal with it because I wanted
:29:43. > :29:46.to see my children grow up and I wanted to see my grandchildren and I
:29:47. > :29:49.knew that if I did not make that decision, and have that journey, I
:29:50. > :29:54.would not be here today to see them. And then Emma did say that to me
:29:55. > :30:00.privately, so that gave me encouragement as well.
:30:01. > :30:10.Emma said she wished it had been a bit more private. Did you feel you
:30:11. > :30:15.did not have that option? I was transitioning very quietly for it
:30:16. > :30:20.all broke. No one bothered me. Unknown to me I was being followed
:30:21. > :30:27.by a photographer and a reporter. I had that dreaded knock on a Thursday
:30:28. > :30:33.afternoon, about 5:30 p.m.. I was lucky I had my lawyer on speed dial
:30:34. > :30:42.and I could get hold of him straightaway. Do you feel like you
:30:43. > :30:47.were waiting for that moment? Plan A was to go private. I put a deposit
:30:48. > :30:54.down on a mobile home because I was going to tour around Europe. That
:30:55. > :30:58.would have been lovely. Keep in contact with my daughters and
:30:59. > :31:05.family. That option was whipped away from us and I lost my deposit on the
:31:06. > :31:09.mobile home. You went back to boxing, which is notoriously a match
:31:10. > :31:15.environment. What was the reaction in the first few days when you went
:31:16. > :31:23.back to your job? -- a macho environment. One fighter knocked on
:31:24. > :31:28.my door and asked him to represent him, a fighter called Tony James.
:31:29. > :31:33.I'm glad he did because that gave me back some of my confidence. It was
:31:34. > :31:41.something I love and I am passionate about it. There are some people who
:31:42. > :31:48.are very accepting and work with me. I have had up body modification but
:31:49. > :31:54.I have not had a brain transplant. I have an astute boxing brain. Some
:31:55. > :32:01.are not comfortable with it and I just smile at them and get on with
:32:02. > :32:07.what I am doing. Thanks again for sharing your story with us.
:32:08. > :32:25.Time now for an adventure. A dozen children from Surrey... You might
:32:26. > :32:34.think this is something out of Enid Blyton but here is the story.
:32:35. > :32:38.Earlier this month, a group of children helped Surrey Police
:32:39. > :32:44.tracked down two suspected burglars in a most unusual way. It was Good
:32:45. > :32:49.Friday and the start of the Easter weekend. The annual Easter egg hunt
:32:50. > :32:54.was under way and the children were filled with excitement. As they
:32:55. > :32:58.searched high and low for their chocolate delights, another more
:32:59. > :33:02.important search was taking place. Above their heads, the police were
:33:03. > :33:08.flying in the magnificent helicopter. Who were they searching
:33:09. > :33:13.for? Could it be the two men who had passed the children earlier? If it
:33:14. > :33:18.was, the police were looking in the wrong direction. The Tremendous 12
:33:19. > :33:21.realised they needed to do something. They needed to get the
:33:22. > :33:32.message to the police in the helicopter. But how?
:33:33. > :33:45.Where was the helicopter? In the air. Right here. Above us here. One
:33:46. > :33:52.of the adult spotted a man running along the edge of a field. Why did
:33:53. > :33:56.he think he was suspicious? He was hiding under the bushes and running
:33:57. > :34:02.around, carrying something. It could not see what he was carrying. You
:34:03. > :34:08.could see the helicopter was looking for this guy. When did it start to
:34:09. > :34:14.go in the wrong direction? After five minutes, it started to go this
:34:15. > :34:21.way. As a group, what did you decide to do? We decided to make an arrow
:34:22. > :34:28.on the ground. I lay on the ground and I said, we should make a human
:34:29. > :34:34.arrow. Come on, let's get down on the floor. The reason we pointed
:34:35. > :34:39.that way is because he led did all around the field. When I first saw
:34:40. > :34:45.the children, it was obvious they were pointing to something. The
:34:46. > :34:51.arrow was ten metres across. When did you realise that the helicopter
:34:52. > :34:57.had got the idea? They went in that direction. We were hovering over
:34:58. > :35:02.woodland and a pointed us in the direction of the second suspect he
:35:03. > :35:12.was still at large. We went down to go and see what was there. He left
:35:13. > :35:22.some cigarettes and his jacket. How old are you? 11. The insists -- the
:35:23. > :35:27.assistance was invaluable. I have never seen anything might this
:35:28. > :35:32.before. Eat your heart out, Enid Blyton. At the end of their day of
:35:33. > :35:39.adventure, the capital at tremendous 12 went home. -- Tremendous 12.
:35:40. > :35:42.With just 100 days until the start of the Rio Olympics -
:35:43. > :35:44.the Olympic torch was officially handed over to Brazil earlier today
:35:45. > :36:03.This should get us all in the mood. Let the countdown begin. Jessica
:36:04. > :36:16.Ennis Hill is back on top of the world. Nicola Adams has just made
:36:17. > :36:32.history. That is a huge jump. Laura Trott, world champion! It brings it
:36:33. > :36:39.all back, doesn't it? Some of the kit was revealed today. We have an
:36:40. > :36:40.exclusive. Here to reveal what the British medallists will wear on the
:36:41. > :36:56.podium, please welcome Max Whitlock. Let's have a look. This is the
:36:57. > :37:02.tracksuit. Talk us through this design and how it feels. It feels
:37:03. > :37:06.amazing. Stella has done an amazing job. They have this coat of arms
:37:07. > :37:17.which is brand-new. I think it looks brilliant. You really feel like a
:37:18. > :37:27.team then. And the lightness? It is 10% lighter than the 2012 kit. If
:37:28. > :37:34.you overheat, it is perfect. Can we see and do need a jacket? Steady on!
:37:35. > :37:43.This is a T-shirt we are seeing here. This is Village where. This
:37:44. > :37:50.kit has been unveiled a new had tried it on. Can you take it home?
:37:51. > :37:54.There will be specific dates when athletes can pick up the kit. We
:37:55. > :38:07.will pick our sizes and come home with it. Supermarket Sweep, grabbing
:38:08. > :38:14.everything. You were involved in the design? Yes, I was lucky enough to
:38:15. > :38:18.see it in the first stages and now it is done it is amazing for the
:38:19. > :38:24.athletes do have is that a big input. It is brilliant to see the
:38:25. > :38:29.final product. We have seen what an athlete looks like modelling the
:38:30. > :38:35.kit. Shall we see what a man on the street would look like? This is the
:38:36. > :38:52.supporters wear. It makes you want to do it. Congratulations! You can
:38:53. > :39:03.do something. I can do that clap. You might need some physio at the
:39:04. > :39:05.end of this. -- crab. There is a problem. Max will do some
:39:06. > :39:23.demonstrating. There you are. Let's have a look how good the kit
:39:24. > :39:26.is. I will tell you what, give us an idea. There is so much preparation
:39:27. > :39:30.that goes into something like the Olympics. You are world champion,
:39:31. > :39:36.European champion. What is the key thing for you to deliver the perfect
:39:37. > :39:41.performance when it matters? The training is intense with hours of
:39:42. > :39:45.work. When I go in there and perform the 52nd routine, I need to think I
:39:46. > :39:48.have done the groundwork and the build-up and chill and enjoy the
:39:49. > :39:59.experience. That is what I am trying to do. Are you feeling happy?
:40:00. > :40:13.Max does this in the corner of his floor routine. You can see exactly
:40:14. > :40:19.why. There we go, Max Whitlock. He has beautifully nailed the landing,
:40:20. > :40:27.as always. That is the first time you have performed in your kit. Any
:40:28. > :40:31.chafing? Nothing. You're good to go to Rio.
:40:32. > :40:34.Well, we've seen how the design of a kit can affect
:40:35. > :40:42.But how can a design of a building affect the weather?
:40:43. > :40:49.My name is Roma and diamay structural engineer. I am passionate
:40:50. > :40:55.about the science and design of buildings and ever since I was a
:40:56. > :40:59.child, it is the skyscraper that has captivated me. As an engineer, I
:41:00. > :41:06.have been lucky enough to welcome some of the biggest, including the
:41:07. > :41:09.Shard. When planning such huge constructions, there are many things
:41:10. > :41:14.we need to take into account that one being the wind. Skyscrapers need
:41:15. > :41:19.to be able to withstand forces produced by high winds. The curious
:41:20. > :41:22.thing about them is that they themselves can affect the windfalls
:41:23. > :41:31.they can channel the strong winds you get up there, up here to ground
:41:32. > :41:37.level, making a windy day, even windier. This footage shows one of
:41:38. > :41:41.the earliest known examples of the wind effect. In this case produced
:41:42. > :41:47.by the flat iron building in New York. It was the windiest corner of
:41:48. > :41:50.the city. The Bridgewater Place skyscraper in Leeds also suffers
:41:51. > :41:56.from the wind effect. The conditions are so bad that on a windy day the
:41:57. > :42:00.council closes the road to traffic. Before we build skyscrapers, part of
:42:01. > :42:06.the engineer's role is to try to forecast the impact the design and
:42:07. > :42:10.shape will have on the resulting wind effect. In this wind tunnel in
:42:11. > :42:21.Milton Keynes many new skyscraper designs are tested. Ender is lead
:42:22. > :42:26.engineer. This is the walkie-talkie. We will put this model into the wind
:42:27. > :42:34.tunnel and it will tell it how all of these structures interact with
:42:35. > :42:37.the wind. That is right. The City of London authorities have received
:42:38. > :42:44.complaints that the walkie-talkie skyscraper have made it windier.
:42:45. > :42:52.Ten, Crowe has chosen this building to show how it works. This is a
:42:53. > :43:01.gentle breeze, not a strong wind we are assimilating. -- Enda has
:43:02. > :43:09.chosen. At certain heights, the smoke tends to go downwards. I can
:43:10. > :43:13.see the smoke is spreading itself round the different streets and
:43:14. > :43:18.different structures. That is right. The corner areas are the windiest.
:43:19. > :43:23.The South west and north-west corners of the buildings are the
:43:24. > :43:28.worst locations. When the wind hits leap tall building committee goes in
:43:29. > :43:31.three directions, up and around the building and also downwards. The
:43:32. > :43:36.downdraught makes it windy for pedestrians at street level. Do you
:43:37. > :43:43.think the wind effect is particularly bad on this building?
:43:44. > :43:49.Typical of a tall building. Any tall structure will cause a similar
:43:50. > :43:56.effect. For more streamlined shapes like the Gherkin, the wind tends to
:43:57. > :43:59.flow around it. Often, windy conditions at street level cannot be
:44:00. > :44:04.blamed on one particular building. If there are several towers nearby,
:44:05. > :44:09.you can also get channelling effects as the wind is squeezed through a
:44:10. > :44:13.narrow space between buildings. However, there are things of
:44:14. > :44:22.engineers can do to help reduce the wind effect by adding specific
:44:23. > :44:26.features to a building. This is the Shard. Most people might not realise
:44:27. > :44:30.it but you can see canopies attached near the base of the tower. They
:44:31. > :44:34.catch the wind before it reaches the ground level. Most people might not
:44:35. > :44:40.realise that as they are walking around the building that they are
:44:41. > :44:45.hugely beneficial for downdraughts. This same feature can be found on
:44:46. > :44:49.other buildings like the Cheese grater. It is by using techniques
:44:50. > :44:53.like this we hope to reduce the wind effect from tall buildings meaning,
:44:54. > :44:55.hopefully, in the future, we will not get blown around so much by
:44:56. > :45:10.skyscrapers. Is that the patio is so windy? It
:45:11. > :45:15.appears so. Billy Ocean this year! -- is here. Lovely to see you.
:45:16. > :45:20.Before we have a chat, we have a job for you because we mentioned last
:45:21. > :45:25.time that you are a tailor and we can tell by your style tonight that
:45:26. > :45:32.you know your stuff about clothes. Basically, inspired by the unveiling
:45:33. > :45:35.of Team GB's kit, I was saying if anybody has any holding dilemmas, to
:45:36. > :45:40.send in pictures. I will show you the first one. This is Alice. Alice
:45:41. > :45:48.is turning 90 this weekend. She is having a big tea party but what
:45:49. > :45:55.should she wear? Pink or blue? I think pink would be the right thing.
:45:56. > :46:02.Why? Because it is a very feminine colour, number one. It would suit
:46:03. > :46:07.her hair. I thought he would go with the blue, for the Caribbean. What
:46:08. > :46:18.kind of party is she having? Like a birthday? -- buffet. I do not want
:46:19. > :46:25.her clothes to clash with the entrees. I rather like the crocheted
:46:26. > :46:36.cover on the sofa. Rather nice. She should wear that as a poncho. This
:46:37. > :46:41.is Trevor. He needs to leave school. This is that you, Al. Trevor has
:46:42. > :46:47.been appointed captain of Gloucester golf club. He says he's going to see
:46:48. > :46:55.you soon. But the question is, will the laser clash with the Pub
:46:56. > :46:59.Landlord? No, because I wear a distinctive shade of marooned. The
:47:00. > :47:03.original blazer came from British Home Stores, the last time I went in
:47:04. > :47:09.there, 20 years ago. If you wear that, that will look great. Red and
:47:10. > :47:13.marooned clash. Yes, but I am on stage, so everyone is looking at me.
:47:14. > :47:18.Danny from Slough, Batman or Superman? Well, I like Batman and I
:47:19. > :47:29.like Superman but which is better. Superman. Let's talk about your new
:47:30. > :47:35.album, Billy. This is how this works, gentlemen. Two CDs, the first
:47:36. > :47:39.CD is stories about songs that inspired your life, musically. The
:47:40. > :47:46.second CD, the results of that inspiration. Basically, your
:47:47. > :47:50.greatest hits. Well put. Did you expect the first CD to be so
:47:51. > :47:56.biographical? Yes, because it was intentional. There is a drag on
:47:57. > :48:04.their called time on the river, which is by Brook Benton. -- there
:48:05. > :48:12.is a track on there. We're going to have a listen. And it is all in
:48:13. > :48:23.order. Yes, that was the first song. My father used to be a musician and
:48:24. > :48:29.he got this little Philips radio, with gold cloth at the front. And he
:48:30. > :48:33.came home with this radio one day, in the village, and everyone was
:48:34. > :48:36.looking around, where is the voice coming from? We were looking around
:48:37. > :48:43.the back of the radio and everything, it was that long ago!
:48:44. > :48:47.The very first song I heard on the radio was this Brook Benton song,
:48:48. > :48:55.and then I got to hear people like Nat King Cole and Sam Cooke and
:48:56. > :49:01.Frank Sinatra. Where was that photo taken? It is a lovely photo of you
:49:02. > :49:06.on the cover. That was taken in the East End, when I was 11 years old
:49:07. > :49:10.and full of dreams. A head full of dreams. And the last time you were
:49:11. > :49:16.here, Billy, you said you had enjoyed a 17 year break, and you
:49:17. > :49:22.were just doing music for the love it. And now, for you to be touring,
:49:23. > :49:26.and you to everybody, literally everybody. It takes you forever to
:49:27. > :49:33.get anywhere because you just love life and spreading that feeling.
:49:34. > :49:38.Because what to us as entertainers might mean nothing, to them it means
:49:39. > :49:43.an awful lot. And the graph, to stop and say hello, a smile, especially
:49:44. > :49:48.with all the selfies in the modern age. They treasure it forever.
:49:49. > :49:55.Really and truly, we make people happy. Speak for yourself! Harry is
:49:56. > :50:03.a big fan of yours, Billy. He has even performed one of your songs in
:50:04. > :50:10.the past. When the going gets tough? Yes. When the going gets tough, the
:50:11. > :50:20.tough get going. We're not asking you to sing it! Thank you. I will
:50:21. > :50:23.sing it if you would like me to. Billy is going to be singing for us
:50:24. > :50:33.at the end of the show so we will leave it to him. I insist! You're
:50:34. > :50:38.going to go outside and sing for us. We have a lovely stage is set up out
:50:39. > :50:41.there. Just be wary of the wind, after that film that we watched. My
:50:42. > :50:46.granddaughter is going to be watching tonight. As far as she is
:50:47. > :50:51.concerned, she only knows me as grandad so she is beginning to ask
:50:52. > :50:57.questions. Who are you, grandad? Grandad, what is your name? Hello to
:50:58. > :51:01.your granddaughter. And he is a lot more than just grandad to a lot of
:51:02. > :51:07.people. Before you go on saying, Christine has been getting out of
:51:08. > :51:13.her dreams and into car. All to drive along the road with something
:51:14. > :51:18.her sat nav will not have heard of. I am about to go for a drive on a
:51:19. > :51:22.hidden network of roads that is hundreds of miles in length. It is
:51:23. > :51:25.only one kilometre from here but you cannot see it. That is because it is
:51:26. > :51:38.one kilometre straight beneath my feet. To get there, I had to head
:51:39. > :51:43.underground. At over 1000 metres, this mine on the north-east coast is
:51:44. > :51:53.the deepest in the UK. So it is time to get rooted and suited. Down
:51:54. > :51:56.below, it is pitch black and 40 degrees. To get there, I need to
:51:57. > :52:03.take the longest lift journey in the UK. Coming down in that cage, I was
:52:04. > :52:10.actually freaking out quietly. But seven minutes seemed to disappear.
:52:11. > :52:17.The reason for the mine shaft is fertiliser. They produce potash,
:52:18. > :52:21.which gardeners use to give plants extra potassium. How far away is the
:52:22. > :52:32.actual potash base? Tenko monitors from here. Ten kilometres?! -- ten
:52:33. > :52:38.kilometres from here. We are 1100 metres deep on a network of roads
:52:39. > :52:43.they have been digging for 40 years. Where are we, I am totally
:52:44. > :52:51.disorientated? We are heading north, towards Germany. Under the sea?! How
:52:52. > :52:58.many miles of roads are down here. About 700 miles of excavated
:52:59. > :53:03.roadways. That is practically the length of England! Because potash is
:53:04. > :53:07.so crumbly, the roads are dug in the strongest salt layer underneath. The
:53:08. > :53:13.way that salt is used on the road in winter to keep it without ice. We
:53:14. > :53:19.have about 150 men down here. And how long do they stay underground?
:53:20. > :53:25.They work 11 and a half hour shifts. You have been underground for 25
:53:26. > :53:34.years?! Using quite normal! Finally, we arrived at the potash district.
:53:35. > :53:40.So this is the base. Yes. Lurking in the tunnel is a giant mining
:53:41. > :53:46.machine. Its teeth are ready to tear into the potash. It is operated by
:53:47. > :53:59.remote control. Can you show me how to operate this giant machine? This
:54:00. > :54:05.one and this one, to go ahead. The men dig over 6000 tonnes of potash
:54:06. > :54:11.or everyday, enough to make 2000 tonnes of potash. You have shuttles
:54:12. > :54:21.going back and forth and back and forth all the time. 24 hours a day?
:54:22. > :54:25.24/7. Even Christmas day? No, we have Christmas off. That's good. But
:54:26. > :54:28.they might not be mining potash any longer. At the moment we find that
:54:29. > :54:35.we have enough reserves for two or three years. What are you going to
:54:36. > :54:41.do about that? At the moment, we have found a new sink, but now the
:54:42. > :54:47.potash, and that is poly daylight. That is another mineral fertiliser,
:54:48. > :54:52.that has always been known about. It was not always economic or the mine.
:54:53. > :54:59.Now the future of this mine depends on it. How hard can it get down
:55:00. > :55:04.here? The hottest part is at the southern part, and it can get to 42
:55:05. > :55:12.degrees. That is like working in an oven? Absolutely. So it is a case of
:55:13. > :55:17.keeping yourself hydrated and eating plenty. By which I mean, it's time
:55:18. > :55:25.for lunch, sunshine! How long have you worked down this mine? Six
:55:26. > :55:30.years. Do you enjoy it? Yes. Why? You just have to look around and see
:55:31. > :55:36.the size of everything. I would not want to work down here to save my
:55:37. > :55:40.life. It is hot, dark, sweaty and sticky, but thank goodness some of
:55:41. > :55:44.the lads do, because without their work, we would not have the
:55:45. > :55:49.fertiliser that you or I use to have tasty tomatoes. Thank you,
:55:50. > :55:51.Christine, and thanks to all our guests.
:55:52. > :55:54.Al and Harry's one off gig is on 16th May at the Lyric
:55:55. > :55:57.theatre and Billy's album 'Here You Are' is out on Friday.
:55:58. > :56:07.And thanks to Max Verstappen off the Team GB kit. And you have a new
:56:08. > :56:09.coach now! -- thanks to Maxim for showing off.
:56:10. > :56:15.But with 'When the Going Gets Tough' - get going, Billy!
:56:16. > :56:25.# When the going gets tough, the tough get going.
:56:26. > :56:28.# When the going gets tough, the tough get rough, yeah.
:56:29. > :56:35.# Tough, tough, tough, tough, huh, huh, huh.
:56:36. > :56:51.# I'm gonna put this dream in motion.
:56:52. > :57:06.# I'm gonna get myself 'cross the river.
:57:07. > :57:10.# That's the price I'm willing to pay.
:57:11. > :57:17.# I'm gonna make you stand and deliver.
:57:18. > :57:22.# And give me love in the old-fashioned way.
:57:23. > :57:41.# I gotta get it through to you, ooh.
:57:42. > :58:24.# Darlin', I'll reach for the heaven.
:58:25. > :59:15.# Come and get it. # Come and get it.