:00:19. > :00:25.Hello and welcome to One Show with Matt Baker. And Michelle Ackerley.
:00:26. > :00:29.New York has given us some of the most incredible voices from
:00:30. > :00:34.Frankston Jack Sammy Davis Junior to Bennett. Today we are in the
:00:35. > :00:39.presence of one of the greatest, that this wouldn't be complete
:00:40. > :00:46.without Barry from Brooklyn. # Can't Smile Without You...
:00:47. > :00:54.# Mandy, UK minute gave without taking
:00:55. > :00:58.# At the Copa, that Copacabana # Could It Be Magic, Could It Be
:00:59. > :01:13.Magic... #. CHEERING AND APPLAUSE
:01:14. > :01:21.Look who's in our audience tonight, Barry Manilow!
:01:22. > :01:34.Come on in, Barry. Barry, good to see you. As always. Lovely to see
:01:35. > :01:38.you. What a great crowd. The fans I hear, the fans I hear! Now then, the
:01:39. > :01:44.reason we're talking all about New York is because of your new album.
:01:45. > :01:51.This Is My Town: Songs Of New York. As far as power town is concerned,
:01:52. > :01:55.when you come to the UK, what you like to do? Usually I am working.
:01:56. > :02:01.Very little time to get out. But what we've done over the years, when
:02:02. > :02:08.I go from city to city, we go by car, so I do get to see the
:02:09. > :02:11.outskirts of London. The landscape. When we went to Sheffield years ago,
:02:12. > :02:17.we drove there and then we went through snake pass and we got
:02:18. > :02:26.attacked by sheep! LAUGHTER You will do, very affectionate. Do
:02:27. > :02:31.you know? Of course. It's not common to me. We had to stop the car. We
:02:32. > :02:33.had to stop and generally get them off the road. I think they
:02:34. > :02:40.recognised me! LAUGHTER Fans everywhere. I will give you
:02:41. > :02:48.some shepherding tips. Stick with me and you'll be all right. As you've
:02:49. > :02:52.heard, the fans are in! But of course there's only so much room
:02:53. > :02:56.here in the studio. We would like to get some fans at home the chance,
:02:57. > :03:03.Barry, to speak to you, live in the studio. We have some of your most
:03:04. > :03:06.ardent admirers. They've been given a top secret number that will
:03:07. > :03:11.connect them to us in the studio. But it's not time yet, hold your
:03:12. > :03:16.horses, don't call just yet. Settle down. If you live in Cheltenham and
:03:17. > :03:20.you've received a strange handwritten anonymous note recently,
:03:21. > :03:25.you are not alone. Over the last month these messages have been
:03:26. > :03:29.turning up in all sorts of random locations across town, send unknown,
:03:30. > :03:33.until now. With texting, e-mail and messaging
:03:34. > :03:38.apps these days it seems like we are never out of touch with each other,
:03:39. > :03:41.but when was the last time you received a handwritten letter? Well,
:03:42. > :03:47.here in Cheltenham two enterprising chaps have set up a delivery service
:03:48. > :03:51.with a difference. It's anonymous. All you have to do is type the
:03:52. > :03:55.content of your letter on their website and they will handwrite it
:03:56. > :04:04.and deliver it free of charge. Well, as long as it's within a mile
:04:05. > :04:07.of Cheltenham. This is you George and another George? Hello George. If
:04:08. > :04:14.you are not making money from this, why do you do it? It is goodwill on
:04:15. > :04:18.a very local level and it's nice to actually get something from someone
:04:19. > :04:22.that's actually handwritten. Openly before someone else does. It just
:04:23. > :04:29.says, you are beautiful! Can't believe you'd invite James Corden to
:04:30. > :04:32.a dinner party, not cool dude, not cool. With love completely
:04:33. > :04:38.anonymous. But you feel like the recipient of that would know.
:04:39. > :04:42.Exactly. How many notes have you got waiting to drop? About a thousand
:04:43. > :04:45.submissions around Cheltenham. We can't send them all at the moment
:04:46. > :04:49.supply it sounds like you could do with a spare pair of hands. I'm not
:04:50. > :04:56.George but I could be George for a day. This is your moment. Where is
:04:57. > :05:01.it going? To a man running a coffee stand just over there. Hello sir,
:05:02. > :05:05.this is for you. It says location, the man at the Green coffee machine.
:05:06. > :05:11.That is you. Have you ever received an anonymous note before? I haven't.
:05:12. > :05:15.Thank you for providing children with the world's press coffee, we're
:05:16. > :05:19.lucky to have you. What a lovely thing. -- providing Cheltenham. How
:05:20. > :05:23.does it feel to receive something like that out of the blue? Very
:05:24. > :05:30.good, that somebody appreciates what you do. The anonymity obviously has
:05:31. > :05:36.drawbacks as well. Do you think some people could find it a bit creepy?
:05:37. > :05:41.Yes, we've had people e-mailing saying they have had a note and they
:05:42. > :05:45.are a bit freaked out. We explain the situation. Getting to see all of
:05:46. > :05:49.Cheltenham today. If I'm going to become a George, I have to know my
:05:50. > :05:55.way around so we don't waste time. We can't have that!
:05:56. > :06:03.I've got a no name note for somebody here. Let's see what it says. Open
:06:04. > :06:09.me. Did Jason, your dog the Rock has escaped. Your dog has escaped? And
:06:10. > :06:15.whenever there is a giver, there is a receiver. It's not a no name note
:06:16. > :06:21.you have there? I had about a week ago, just try and make head tail of
:06:22. > :06:25.it. I joke, a jacket I owned has been taken and lost by a certain
:06:26. > :06:28.individual. It's a note apologising for taking my jacket and losing its.
:06:29. > :06:32.Is it a nice way for someone to apologise or slightly creepy and
:06:33. > :06:39.weird because you had an recognise the jacket had gone? Quite charming.
:06:40. > :06:44.I could boil it down to two or three people. We will spare their blushes!
:06:45. > :06:48.Thank you. With all this being spread around
:06:49. > :06:53.Cheltenham I couldn't receive resist leaving a note of my own. After all,
:06:54. > :06:55.it is the jazz festival. Laura, there is no one cooler, have a great
:06:56. > :07:07.show. Lovely notes, isn't it? Barry, have
:07:08. > :07:15.you ever received any strange fan mail? Surely, you must have done!
:07:16. > :07:19.You must have over the years. Most of the fan mail is beautiful. A lot
:07:20. > :07:23.of thank you for the music and stuff. Years ago, and I've told this
:07:24. > :07:32.story before so you probably know it, in the mail I got a roll of
:07:33. > :07:38.toilet paper. What? At first I didn't know what that meant. On
:07:39. > :07:42.every sheet, she had written, you are my singer, you are my songs and
:07:43. > :07:50.I love you, on every sheet of the entire role. Every sheet. You know
:07:51. > :07:57.how long this must have taken? Exactly! It definitely got my
:07:58. > :08:04.attention. Barry, she's into night! No, she's not, she's not. But we do
:08:05. > :08:07.know you have to trying keep a bit of a low profile and it must be
:08:08. > :08:14.difficult for you. It is, that profile. You used to check-in to
:08:15. > :08:21.hotels anonymously under a different name. I did. I still do. Who I can
:08:22. > :08:27.tell you about, when I did my first jazz album I went under Bill Bailey.
:08:28. > :08:34.And then there was like a Judge Judy show in America, with a judge named
:08:35. > :08:42.Judge walk,, so I went under that name. My mother called and said let
:08:43. > :08:45.me speak to judge Walkner and they said, is calling question what she
:08:46. > :08:50.said Judge Walkner's mother! LAUGHTER
:08:51. > :08:53.Let's talk about your new album, This Is My Town: Songs Of New York.
:08:54. > :08:59.It's basically a love letter to your hometown, New York. Interestingly
:09:00. > :09:03.you have been living in California. I I've lived there longer than I did
:09:04. > :09:07.in New York, but I come from New York. When you are born and raised
:09:08. > :09:14.in New York, you are always a New Yorker. What does it mean? I took
:09:15. > :09:20.for us, think fast, walk fast, and energetic. That's what you get in
:09:21. > :09:23.New York. As you grow up there, you go out of New York at 100 miles an
:09:24. > :09:30.hour and you're ready to live your life. You've got such a love affair
:09:31. > :09:35.with the city, that there's actually a road named after in Manhattan.
:09:36. > :09:44.When we played the St James Theatre, they put a street sign... There it
:09:45. > :09:48.is. That was a thrill. I bet. It was a thrill, I can't believe they
:09:49. > :09:59.actually did that. It was so important. Wouldn't you be thrilled,
:10:00. > :10:03.your hometown? Yes! LAUGHTER Song and everything to do with it.
:10:04. > :10:09.You've tried to capture so much with this album. I do. First of all it
:10:10. > :10:13.was different styles. I was first going to make it into one style, a
:10:14. > :10:17.little jazz album, but that didn't work. So I started to play around
:10:18. > :10:23.with different styles. I thought, it's going to be confusing, but New
:10:24. > :10:27.York is different styles, New York is a melting pot of different people
:10:28. > :10:31.and different styles. So I thought, OK, this might work. It is different
:10:32. > :10:37.styles, a little Broadway, a little pop, a little R, a little jazz. So
:10:38. > :10:44.it felt good when I finally finished it. It took me over a year to finish
:10:45. > :10:48.this album. Yeah... I would want these albums to be great. I don't
:10:49. > :10:54.ever want to let go of it and I'm never done with it, but this took
:10:55. > :11:02.longer than usual. There is a medley tribute is in New York classics in
:11:03. > :11:09.fair, isn't there? When I looked up how many standards there are about
:11:10. > :11:14.New York, these went forever. Many of them were great, written by great
:11:15. > :11:18.songwriters. So I did the ones that I wanted to do and then I thought, I
:11:19. > :11:23.want to do the rest of them, how do I do that? I put it in a medley. I
:11:24. > :11:29.did like eight of them in a medley and it turned out to be great. Do
:11:30. > :11:34.you ever stop writing, Barry? You know, I write on demand. I used to
:11:35. > :11:38.do that. I used to just go to the piano and bright, but then they used
:11:39. > :11:42.a end up in the trunk, I never got to use them because I didn't have
:11:43. > :11:46.any place for them. So I stopped doing that. But when I have a
:11:47. > :11:50.project, then I write and then I can't get the project out of my
:11:51. > :11:56.head, can't get the songwriting out of my head, it wakes me up in the
:11:57. > :11:59.middle of the night. I'm not sure if you know about that story... I woke
:12:00. > :12:03.up in the middle of the night one night with a full song in my head,
:12:04. > :12:08.lyrics and music. I tiptoed out of the bedroom, down the hall to the
:12:09. > :12:13.cassette machine, remember cassette machines? I hit the record button
:12:14. > :12:16.and whispered into the cassette machine. The next morning I woke up
:12:17. > :12:23.and hit the play button and there it was. It was called One Voice.
:12:24. > :12:29.Yanuyanutawa is kind of an uplifting song. I don't know how that kind of
:12:30. > :12:33.thing happens. Well, Barry, we could chat to you forever. We will be
:12:34. > :12:37.chatting to you a bit more later and perhaps one of your super fans as
:12:38. > :12:41.well. First, the financial pressures on the NHS are sure to be fiercely
:12:42. > :12:45.debated over the next few weeks, as we move closer to the election. That
:12:46. > :12:48.includes the money spent on medication. Some pharmaceutical
:12:49. > :12:51.companies have been accused of hiking their prices to a level that
:12:52. > :12:55.is unaffordable for the health service. A medical journalist has
:12:56. > :13:02.been to meet one of those patients affected.
:13:03. > :13:05.It's a familiar story, patients denied access to life changing
:13:06. > :13:10.medicine because it is too expensive to be available on prescription. I
:13:11. > :13:14.have a pounding headache at the front of my head all the time. I
:13:15. > :13:19.have ringing in my ears. My memory is really bad. It's like being
:13:20. > :13:26.severely hungover. I've come to Northampton to meet 37-year-old
:13:27. > :13:30.Louise Dunlop. Two years ago she had her thyroid removed, so her body no
:13:31. > :13:35.longer makes hormones are central to the body's metabolism, one of which
:13:36. > :13:40.is T3. They said take one pill a day and you will be fine. But that pill
:13:41. > :13:46.that is designed to replace the hormone T3 has now become expensive.
:13:47. > :13:50.That's partly why some local NHS clinical commissioning groups are
:13:51. > :13:54.refusing to prescribe it. T3 is what's called on branded generic
:13:55. > :14:03.drug and due to a lack of regulation, the pricing of these
:14:04. > :14:05.drugs relies on competition in the market to keep prices down. The
:14:06. > :14:08.problem is, a company called Concordia is the sole UK
:14:09. > :14:13.manufacturer of T3, so they are free to charge what they want. Concordia
:14:14. > :14:18.bought the company who make the drug T3 in October, 2015. Since then the
:14:19. > :14:25.price has gone from around ?200 a month, to more than ?250 per month.
:14:26. > :14:30.That is an increase of 25%. And T3 is currently listed as one of the
:14:31. > :14:36.top ten generic drugs to have had their prices hiked, shooting up from
:14:37. > :14:41.around ?11.60 a month in 2005. Some doctors are now prescribing a
:14:42. > :14:45.cheaper alternative hormone, T4, but up to 15% of patients, including
:14:46. > :14:49.Louise, they doesn't work for them. The higher dose I take, the more I
:14:50. > :14:53.feel ill. Desperate to get back on T3, she went to a private
:14:54. > :14:57.specialist. He gave me a private prescription. We took the
:14:58. > :15:01.prescription to various pharmacies and they quoted me ?290 for a
:15:02. > :15:08.month's supply. We got it if it would help, it did, but at ?200 290
:15:09. > :15:12.per month, I can't afford to keep doing that. NHS England told us the
:15:13. > :15:16.affordability on prescription as part of an ongoing review, due its
:15:17. > :15:22.high cost and limited limited evidence of its effectiveness and
:15:23. > :15:25.the vast amount of patients symptoms can be treated at a cheaper
:15:26. > :15:31.alternative. Some doctors say there is no evidence T3 helps. The doctors
:15:32. > :15:38.I've seen, my rheumatologist, have seen an improvement in me. Lynn
:15:39. > :15:42.works at the looking into the issue at the rising cost of T3 for some
:15:43. > :15:43.time and they Louise is just one of the growing number of concern
:15:44. > :15:53.patients who have contacted them. In 2015 there were 4 million
:15:54. > :15:58.prescriptions for T3. We think that's affecting about 300,000
:15:59. > :16:02.patients. And what's even more frustrating for the patients is that
:16:03. > :16:11.T3 is available much more cheaply abroad. In the UK it's now ?9 22 per
:16:12. > :16:16.tablet. Whereas in 2015 in Turkey you could get it for 1p a tablet.
:16:17. > :16:23.So, some patients are turning to the Internet to source the drugs. Look
:16:24. > :16:28.at this, this is from Greece. Just over ?35 for one month's supply but
:16:29. > :16:33.you don't know what you're getting. Louise has been getting a friend to
:16:34. > :16:38.bring back supplies from Greece. This is the box of tablets, it is in
:16:39. > :16:45.Greek. You take a risk. We contacted the company that makes T3. Concordia
:16:46. > :16:49.said it hasn't been approached by the Department of Health with any
:16:50. > :16:52.pricing concerns and through its product range it offers the NHS
:16:53. > :16:58.significant savings on generic medicines. It says the drug is
:16:59. > :17:02.difficult to make to conform with UK standards and it is continuing to
:17:03. > :17:08.invest in T3 so that patients can access it. There is some hope on the
:17:09. > :17:12.horizon, the Competition and Markets Authority is investigating the price
:17:13. > :17:15.of generic drugs and a parliamentary bill is expected to pass this week
:17:16. > :17:20.that will enable the government to intervene if the price of a number
:17:21. > :17:26.of a generic drugs like T3 goes too high. But in the meantime, where
:17:27. > :17:31.does this leave you? Trapped in a living hell with no hope of getting
:17:32. > :17:35.better, desperate for something to change and for something to be done
:17:36. > :17:39.to get the costs down and get people the drug they need to get their
:17:40. > :17:44.lives back. Nick is here to talk about this. We heard about T3 but
:17:45. > :17:52.this is a much wider problem, isn't it? Yeah, when a drug hits the
:17:53. > :17:56.market it is known as a branded drug, made by one manufacturer and
:17:57. > :18:00.if the NHS decides it would like to prescribe it it goes into a deal
:18:01. > :18:04.with the manufacturer and there are strict price controls with the
:18:05. > :18:09.pharmaceutical company to ensure that there isn't overcharging. When
:18:10. > :18:15.a drug is 20 years old it becomes a generic drug like T3, paracetamol,
:18:16. > :18:18.aspirin, and there are no controls because anyone can make them. The
:18:19. > :18:23.idea is that the free market competition will bring down the
:18:24. > :18:26.price. The problem is when a company purchases the manufacturing process
:18:27. > :18:32.for a drug which gives it a monopoly on the process and it can increase
:18:33. > :18:39.prices because no one else is making it, which can be profiteering.
:18:40. > :18:47.Incredible examples in recent years. There is one called Doxipin which
:18:48. > :18:53.once called to pound 36 a perception but now it is over ?200. ?200!
:18:54. > :18:58.Hydrocortisone, a drug that we are all aware of which can treat skin
:18:59. > :19:06.conditions has gone up by 12,500%. That's crazy. But there has been
:19:07. > :19:11.some good news but at yes, this week the final legal process went through
:19:12. > :19:16.Parliament to make law the government's ability to go to a
:19:17. > :19:19.pharmaceutical company demand detailed information about the
:19:20. > :19:24.manufacturing process of each drug they make and if they suspect that
:19:25. > :19:30.price gouging, profiteering is taking place they can demand a
:19:31. > :19:42.discount or rebate so the NHS doesn't lose out. Barry got a
:19:43. > :19:46.piano... Mooy your back on! Probably all of the Fanilows know that Barry
:19:47. > :19:51.got his first piano at 13 years old. I thought you were going to ask me
:19:52. > :20:00.about bills! You can talk about it! -- about pills. He went on to write
:20:01. > :20:04.songs that the whole world sings. Alistair McGowan is a fan of a
:20:05. > :20:13.composer who wrote a song for 24 hours.
:20:14. > :20:25.This is Gynopidie number one by the composer Satie who was ahead of his
:20:26. > :20:33.time. He stunned and revolutionised the musical world in the late 19th
:20:34. > :20:42.century life been fascinated by his character since I was a boy. I was
:20:43. > :20:47.watching a BBC school's drama when I had my Satie awakening. I turned to
:20:48. > :20:52.my brother and said, what is that music? I was nine years old and I
:20:53. > :20:58.had heard nothing like it. It was the start of a 40 year love affair
:20:59. > :21:02.with Satie's work and a tune that is very familiar. Over the years it has
:21:03. > :21:09.been used in countless films, TV programmes and adverts. Anyone
:21:10. > :21:13.remember this? Not bad, not bad at all, Mark Arit. They wanted to
:21:14. > :21:22.create the finest plain chocolate of their age and they called it...
:21:23. > :21:26.Bournville. It wasn't just his music that makes Satie stand outcome it is
:21:27. > :21:37.fair to say he was a very unusual man. In order to become Satie I have
:21:38. > :21:41.grown a beard and I'm going to dress up as him. Satie had seven identical
:21:42. > :21:45.suits for each day of the week so he never had to worry about deciding
:21:46. > :21:50.what to wear. At one stage he only eight white food in the hope that
:21:51. > :21:55.their simplicity and purity would translate into his music. And I
:21:56. > :22:06.think he happens to look like a certain someone. Gymnopedie number
:22:07. > :22:12.one may be Satie's best-known work but he also wrote more unusual and
:22:13. > :22:16.less easy on the ear music. I've come to Cheltenham where one of his
:22:17. > :22:22.most challenging pieces called Vexations is being performed as part
:22:23. > :22:26.of the annual music festival. This deceptively tricky piece consists of
:22:27. > :22:33.just one page of music is repeated 840 times. Yes, it's a bizarre and
:22:34. > :22:39.unique exercise in repetition that can drive even the most experienced
:22:40. > :22:45.pianist mad. Although I only officially reached grade two on
:22:46. > :22:51.piano I've been asked to play. The piece can last a full 24 hours and
:22:52. > :22:54.is being performed by a relay of 60 pianists and it is a challenge for
:22:55. > :23:00.us performers, spare a thought for the audience. I don't know if I
:23:01. > :23:06.could cope with being present for the whole number of hours it is.
:23:07. > :23:09.Would it do your head in totally? To help me prepare for this musical
:23:10. > :23:22.marathon live then listed the help of world renowned pianist and love
:23:23. > :23:26.it -- Anne Lovett. Why did he write Vexations? He was going through a
:23:27. > :23:34.lot, his girlfriend left him. What are the challenges of the piece?
:23:35. > :23:39.This section... The right-hand is playing the same thing but it is
:23:40. > :23:47.completely different come and he uses double flats and double sharps.
:23:48. > :23:52.Very rare. It makes it extra difficult and painful for the
:23:53. > :23:55.performer. And I'm about to find out how painful it can be as high
:23:56. > :24:03.channel the great man himself and deliver my own version of this most
:24:04. > :24:11.unusual piece. OK, it's not the biggest gig of my career, the
:24:12. > :24:17.audience may be half asleep but it is one of the most challenging,
:24:18. > :24:20.rewarding and memorable. As a Satie fan, it's fantastic to see a new
:24:21. > :24:25.generation of people discovering this timeless genius and I think and
:24:26. > :24:32.hope and believe, I know that we'll be listening to his music for a long
:24:33. > :24:38.time to come. Well, certainly until about 11am tomorrow morning. Barry,
:24:39. > :24:43.you love that and you said you wish that happened in America. They don't
:24:44. > :24:48.do this kind of thing. Satie, I'm crazy about him, every musician is.
:24:49. > :24:53.He was known for three pieces of music, all the things he did and we
:24:54. > :25:01.remember him for the three Gymnopedie pieces. He considered
:25:02. > :25:11.himself a Gymnopedist. One of your biggest pieces was inspired by it
:25:12. > :25:21.show Pan -- by Chopin. I don't consider myself a Chopinist! I based
:25:22. > :25:29.could have been magic on a Chopin piece which I loved and I wrote a
:25:30. > :25:34.melody and went from there. It may feel like most of you UK fan club is
:25:35. > :25:38.in the studio but for those who missed out on coming to the show we
:25:39. > :25:47.would like to give them a chance to speak to you live. We are calling
:25:48. > :25:51.this Buzz Barry. We have six die-hard fans watching and we had
:25:52. > :25:56.given them a secret number to the hotline and the first one to ring in
:25:57. > :26:00.with a correct answer to a simple question will be serenaded with a
:26:01. > :26:07.song from the man himself. Yes, standing by to call in, we have
:26:08. > :26:11.got... We have Chris from Leicestershire who has been to every
:26:12. > :26:16.single one of your London concerts. Sherry from Kent who fell in love
:26:17. > :26:21.and married her very own Barry. Mark Arit from Cheshire joined Barry on
:26:22. > :26:29.stage at the Royal Albert Hall in 1993 -- Margaret. Theresa has a
:26:30. > :26:37.tattoo on her back. My God! Jamie Foster and just ran a ten kilometre
:26:38. > :26:42.race and went straight to one of your concerts. Maxine from
:26:43. > :26:47.Bournemouth celebrating her birthday today, she has been to see Barry in
:26:48. > :26:54.Las Vegas three times. So, you have a question Matton on this card. I
:26:55. > :26:58.do. -- you have a question written on this card. You are going to get
:26:59. > :27:03.dialling as fast as you can come at the first one to give us the right
:27:04. > :27:12.answer will speak to Barry. OK, in your own time. OK, ready? Mandy was
:27:13. > :27:17.my first number one single but what was the original name of the song?
:27:18. > :27:24.The audience knows! Don't give it away. This is a song, you change the
:27:25. > :27:30.tempo and all sorts. It was a rock and roll song, it came from here by
:27:31. > :27:35.two writers, a very nice song but it didn't fit me, so I slowed it down
:27:36. > :27:38.and changed the courts and put a different ending in and it turned
:27:39. > :27:49.out to be the first punk rock ballad ever. And it was called
:27:50. > :27:51.originally...? PHONE RINGS WWE hello, I'm Maxine? If you get the
:27:52. > :28:06.answer right, I will put you through? It is Brandy.
:28:07. > :28:12.# Oh, Maxine # You came and you gave without
:28:13. > :28:19.taking # CHEERING
:28:20. > :28:23.How's that, Maxine? What would you like to say to Barry? I'd love to
:28:24. > :28:27.say, thank you for your music and the great times we've all had and
:28:28. > :28:37.for the friendships I've made through you. Thank you so much. Aww!
:28:38. > :28:43.Gone to Vegas three times. Dedication. Oh, there you go!
:28:44. > :28:50.Absolutely superb. All the very best. Wasn't that wonderful? Barry,
:28:51. > :28:53.you are looking so fantastic. The energy you are feeding off, you
:28:54. > :28:59.obviously in a very happy chapter. I am, yeah. You're talking about the
:29:00. > :29:07.people magazine article? No, I'm just saying. You're going to be over
:29:08. > :29:11.here. Yes, I am coming over here. I'm coming over here next year and
:29:12. > :29:16.I'm told we are going to come in over -- come over next September. On
:29:17. > :29:20.that note we'll say thank you and good night from all of us. Thank
:29:21. > :29:32.you, Barry Manilow! Our crack team of experts
:29:33. > :29:41.use pioneering research