:00:09. > :00:18.I'm great, how are you? I am excited, who else is on? We have
:00:19. > :00:22.Miranda Hart. She always tries to kiss me.
:00:23. > :00:29.Don't worry, we have the situation under control. She can't come back
:00:30. > :00:41.tomorrow? Let me out! He follows me everywhere! Backoff, Gary!
:00:42. > :00:48.Hello and welcome to The One Show with Matt Baker and Alex Jones. We
:00:49. > :00:53.are joined by two of the nicest people in showbiz. They are both
:00:54. > :00:56.here tonight, Moran do Hart and Gary Barlow!
:00:57. > :01:04.APPLAUSE -- Miranda Hart.
:01:05. > :01:13.How are you? You are happy to be sitting closely? You have known each
:01:14. > :01:19.other for ages. We love each other, we really do. There is a bit of
:01:20. > :01:28.history, because you have been there, so to speak. Steady on. You
:01:29. > :01:31.can't play that! This is when Miranda snogged Gary. Mr Gary
:01:32. > :01:55.Barlow... I lingered! Were you expecting that?
:01:56. > :02:02.You never mention the long bit. I said I would have to kiss you but I
:02:03. > :02:06.didn't explain I needed to linger! What we would like you to do, in X
:02:07. > :02:15.Factor style, is to judge Gary's snogged ability. I thought you gave
:02:16. > :02:24.110%. And you can come to my snogged boot camp.
:02:25. > :02:34.Gary, you are not here to just chat. You are going to be treated to a
:02:35. > :02:47.beautiful performance of this man, Petr Spatina.
:02:48. > :02:58.HE PLAYS The One Show THEME. He has got something very special.
:02:59. > :03:03.That was incredible. I love that. Firstly, the Battle for Britain's
:03:04. > :03:06.streets. The death of six cyclists in two weeks has raised the
:03:07. > :03:14.question, how safe is it to pedal through our busy cities. Justin
:03:15. > :03:19.Rowlatt has been to see what happens when lorry drivers and cyclists see
:03:20. > :03:22.the road through each other's eyes. This is the subject of The One Show
:03:23. > :03:26.vote tonight. Cycling can be a very quick way to
:03:27. > :03:35.get around a city but it can also be dangerous.
:03:36. > :03:41.14 cyclists have been killed in London this year. Six of the deaths
:03:42. > :03:44.have been in the past few weeks. Many cyclists have taken to the
:03:45. > :03:48.street, calling for the roads to be made safer. Earlier this month
:03:49. > :03:53.Claire Pepper was cycling home when her bike was in a collision with a
:03:54. > :03:58.car, which had to be lifted off her by passers-by. I don't fully
:03:59. > :04:06.remember what happened. The CCTV apparently shows I went on of the
:04:07. > :04:11.car and ended up underneath it. -- I went onto the bonnet of the car. I
:04:12. > :04:14.have been told there was an off-duty trauma nurse who luckily happen to
:04:15. > :04:21.be passing, and he said at that point I didn't have a pulse. Will
:04:22. > :04:27.you get back on a bike? Yes, I will, in my high viz, I will definitely be
:04:28. > :04:33.wearing a new helmet. Clare's collision was with a car but of the
:04:34. > :04:36.14 deaths in London this year, nine involve HGVs, prompting calls for
:04:37. > :04:40.law is to be banned in the city centre during rush hour, as they
:04:41. > :04:44.already are in Paris. Lorries often hit bikes when they are turning
:04:45. > :04:49.left. Drivers pulled to the right to give themselves room to turn, the
:04:50. > :04:52.cyclist goes along the inside, and the turning lorry hits the cyclist
:04:53. > :04:57.before the driver has even seen them. If you are a driver, you will
:04:58. > :05:01.know how much you can miss even when you are looking carefully. It is
:05:02. > :05:06.much worse for lorry drivers. The vehicle is bigger, and so is the
:05:07. > :05:13.blind spot. How are you doing? It is nice and high rpm.
:05:14. > :05:18.Andy has been driving HGVs for four years and says some cyclists have a
:05:19. > :05:24.lot to answer for. I have seen some crazy cyclists on the road. Jumping
:05:25. > :05:30.red lights, earphones in. Popping to music as they are riding along. The
:05:31. > :05:36.Mayor of London, Boris Johnson, is trembling recycling budget over the
:05:37. > :05:40.next three years, to ?400 million -- trebling the cycling budget. He told
:05:41. > :05:43.one radio programme, if cyclists don't follow the rules then no
:05:44. > :05:48.amount of traffic engineering can save lives. Cyclists argue that the
:05:49. > :05:52.road network is badly designed and cycle lanes often run out without
:05:53. > :05:55.warning, leaving them and their bikes amongst the rest of the
:05:56. > :06:03.traffic. Julie is a regular London cyclist. EU have an issue with HGV
:06:04. > :06:06.drivers? -- do you have an issue? They need to be aware that there
:06:07. > :06:12.could be cyclists on the inside and look really carefully. Julie and
:06:13. > :06:17.Andy are going to swap places, Julie is getting the lorry and Andy is
:06:18. > :06:21.going on the bike. I have had times when I have caught cyclists holding
:06:22. > :06:29.onto the back of the lorry. You are kidding. It is bonkers. Madness. Is
:06:30. > :06:37.there any part of that side of the lorry that you consequence to --
:06:38. > :06:43.that you can't see? I can't see down here. It is often where cyclists
:06:44. > :06:51.wait at traffic lights. What is he going to do? Where has he got to go?
:06:52. > :06:55.What would you do in that situation? What do you do? There is a cycle
:06:56. > :07:00.lane there, it seems to say, come up this side. He has now gone through
:07:01. > :07:02.the red light. It is a lesson in what not to do as he and Julie get
:07:03. > :07:12.into the saddle. And even when their ardour dictated
:07:13. > :07:19.cycle lanes, it doesn't always make life easier. -- when there are
:07:20. > :07:25.dedicated cycle lanes. The problem is parking in the cycle lanes. There
:07:26. > :07:32.is a bus coming behind. It is just crazy. He is pulling right back into
:07:33. > :07:39.the cycle lane. Have they learned anything? We can all be more patient
:07:40. > :07:47.with cyclists, there are a lot of factors. The wind was pretty strong,
:07:48. > :07:52.for example. What about the HGVs? They are big, the buses are big. I
:07:53. > :07:57.will definitely move further forward at traffic lights. Get out of the
:07:58. > :08:01.blind spot, absolutely. I will never go up on the inside of an HGV, even
:08:02. > :08:09.if there is a cycle lane there that makes it look safe. Will it change
:08:10. > :08:14.your behaviour? I think it will. We can learn to be more patient. The
:08:15. > :08:20.road is for all users and we want to keep it safe for everybody.
:08:21. > :08:24.Thanks to both for taking part. We are going to talk about this in a
:08:25. > :08:29.bit of detail tonight. Is it more dangerous these days to cycle on the
:08:30. > :08:32.roads than it used to be? There have been a spate of deaths in London but
:08:33. > :08:36.the number of deaths has not risen that much, and a number of people
:08:37. > :08:42.cycling has risen enormously. If you look at the averages, it has
:08:43. > :08:46.actually got a lot safer. In 2002 one cyclist was killed for every 19
:08:47. > :08:57.million miles ridden. In 2012, one cyclist for every 12 million miles.
:08:58. > :09:02.Car passengers, deaths have fallen 47%, pedestrians have also fallen
:09:03. > :09:07.47%. One would have hoped that cycle accident would have fallen in the
:09:08. > :09:13.same proportion. Safety for cyclists is a hot topic. What measures are
:09:14. > :09:20.being proposed? All sorts of things. Training for motorists and cyclists.
:09:21. > :09:25.You used to BMX? In my heyday! Miranda, you cycle in London? I
:09:26. > :09:33.understand occasionally you jump the odd red light. We do our research! I
:09:34. > :09:40.am a bit of a London cyclist sometimes. You realise now that you
:09:41. > :09:46.have got to respect the road. One of the things is education, it might
:09:47. > :09:51.address some of your issues. The problem is, how do you for cyclists
:09:52. > :09:55.to do it? They are saying maybe cyclists should have a number plate
:09:56. > :09:59.and that you have to do a bit of cycle training. Cyclists say, we
:10:00. > :10:04.should not be blamed for these accidents, they are the fault of the
:10:05. > :10:09.HGVs. Boris says you should not have headphones in. There is a lot of
:10:10. > :10:15.talk about improving cycle lanes. What ideas have been proposed on the
:10:16. > :10:21.HGV side? There was a safety summit in London with Chris Boardman, the
:10:22. > :10:25.Olympic gold medal winning cyclist. For example, blind spot mirrors can
:10:26. > :10:30.be installed to stop the problem with cyclist being on the left when
:10:31. > :10:34.you turn, audible warnings for cyclists can be brought in. If you
:10:35. > :10:40.look at this Thames water vehicle, there are these bars that stop
:10:41. > :10:46.cyclists going under the wheels. It is quite a simple thing that you can
:10:47. > :10:50.do to HGVs to make them safer for the Chris Boardman says, why don't
:10:51. > :10:56.we ban HGVs from city centres at peak times. Stop them going into
:10:57. > :11:03.cities at peak times, it would solve the problem. But you end up with
:11:04. > :11:07.more smaller vehicles that still have blind spots. The HGVs have
:11:08. > :11:12.particulars problems with blind spots. They are bigger and heavier.
:11:13. > :11:19.The haulage companies say, not a good idea. It is an important
:11:20. > :11:25.service for Britain. The vessels of the British economy. Let's ask the
:11:26. > :11:27.viewers. Should heavy goods viewers be banned from British city centres
:11:28. > :11:54.during rush hour? All will be revealed at 7:40pm when
:11:55. > :11:59.the vote closes. The viewers will speak and it will be right. Whenever
:12:00. > :12:07.the viewer speaks, it is always right. Someone, somewhere, is over
:12:08. > :12:13.the moon at being the new owner of this. It is a complete, 55 foot long
:12:14. > :12:20.dinosaur skeleton, the first one ever sold in the UK, which was
:12:21. > :12:25.auctioned a few hours ago. I love an auction. Do you like an auction? I
:12:26. > :12:34.don't trust myself, I would just get excited and do that! We sent the not
:12:35. > :12:39.so fearsome Tuffersaurus to find out how you buy a dinosaur.
:12:40. > :12:44.150 million years old, rebuilt by hand, one previous owner. For the
:12:45. > :12:48.first time ever, here in the UK, a large dinosaur will be going under
:12:49. > :12:56.the hammer. It goes by the name of Misty. At 17 metres long, five
:12:57. > :13:02.metres tall and containing almost 100 fossils, Misty is a truly
:13:03. > :13:11.spectacular diplodocus. She was excavated from a quarry in the USA
:13:12. > :13:16.by German palaeontologist in 2009. Amazingly it was his children who
:13:17. > :13:19.found it, while he was digging in a well-known boneyard, they went off
:13:20. > :13:25.to play nearby. Later that day, they announced they had found a huge
:13:26. > :13:29.bone. Errol Fuller is curator of the auction that are putting these bones
:13:30. > :13:34.under the hammer. The man that dug it up is a friend of mine. I rang
:13:35. > :13:37.him up and said, have you got anything that would be suitable for
:13:38. > :13:43.the sale for the P said, I have got it diplodocus, do you fancy that? We
:13:44. > :13:48.spent a whole day putting it back together into the form you see it
:13:49. > :13:53.now. How does this specimen compare with others, say the one in the
:13:54. > :13:57.Natural History Museum? The famous one in the Natural History Museum is
:13:58. > :14:01.a cast, made out of plaster foot of it is not real, a plaster cast of
:14:02. > :14:07.two different animals. Much of this is original. Not everyone thinks
:14:08. > :14:11.prehistoric fossils should be sold at auction. When a fossil get sold
:14:12. > :14:16.at auction, there is the possible to you could end up in a row that
:14:17. > :14:20.collection. As a scientist, it is quite frustrating. The bones of
:14:21. > :14:25.diplodocus are quite rare. In this case, 40% of the skeleton has been
:14:26. > :14:29.excavated, and that makes this a rather important find. In an ideal
:14:30. > :14:33.world, all of these fossils would be accessible for people to see. For
:14:34. > :14:37.most auctions, prospective buyers get a chance to look around and see
:14:38. > :14:48.what they would be bidding on. But who wants to buy this 17 metre
:14:49. > :14:57.sauropod? What is a sauropod? James Rylands will be the auctioneer.
:14:58. > :15:00.Every home needs a dip in the course -- a diplodocus but I am prepared to
:15:01. > :15:07.admit that she won't fit into most laces. What kind of person will buy
:15:08. > :15:11.this? It will probably go to an institution, or possibly a nice, big
:15:12. > :15:15.public space like a shopping mall. I would like it to go somewhere where
:15:16. > :15:20.she will be seen by members of the public, and appreciated. How do you
:15:21. > :15:25.put a price on a dinosaur? In Europe, no other dinosaur like this
:15:26. > :15:30.has been sold before. Quite a few years ago there was a Tyrannosaurus
:15:31. > :15:34.rex, which is the iconic dinosaur that everybody knows. One of those
:15:35. > :15:39.fetched over $8 million. We are thinking ours is a bit more gentle,
:15:40. > :15:46.a lot bigger. Give us a number, how much do you reckon she will go for?
:15:47. > :15:49.Anything over ?400,000. She is 150 million years old, and you think
:15:50. > :16:01.what is that, 1p a year, that would be nice as well. And, sold! How much
:16:02. > :16:08.did it sell for? Lets go and see what happened a few
:16:09. > :16:15.hours ago. Bidders on my left, it is a standing bid at ?400,000. ?400,000
:16:16. > :16:25.and sold for ?400,000. This thank you. ?400,000? ! It went to an
:16:26. > :16:30.unnamed public dilution, apparently. Where would you put one? I'm sure
:16:31. > :16:36.they can spend that on a dinosaur they will have somewhere.
:16:37. > :16:47.Ridiculous, I say! It is known as a diplodocus. That is the
:16:48. > :16:55.pronunciation. It it is good to know because I say it all the time! Gary,
:16:56. > :17:06.Since I Saw You Last, your new album was out on Monday. Is this all new
:17:07. > :17:13.material? I started the record in January this year. It is all music I
:17:14. > :17:19.started this year. I am very excited. It has been 14 years since
:17:20. > :17:24.your last solo album. What went wrong then? It was a funny time for
:17:25. > :17:28.me. I had all the success with Take That. I had quite a successful solo
:17:29. > :17:34.record, the second one was not as successful. It sold about in total
:17:35. > :17:38.nine copies. It was extremely good at that time but nowadays people
:17:39. > :17:43.look back on it and it is not such a celebration. Eight of them were mine
:17:44. > :17:49.will stop the other one was my mother. Time is not so good, lost a
:17:50. > :17:53.lot of confidence, but coming back this time, I have had six years with
:17:54. > :18:00.Take That and it has helped you get to a place where I feel like I can
:18:01. > :18:05.write music by myself. Was that the turning point? Definitely was. We
:18:06. > :18:09.had not been on stage for eight or nine years and to get back on stage
:18:10. > :18:14.in front of the big crowd, it was incredible. I think I can speak for
:18:15. > :18:18.Miranda and I that we were delighted when you got back together. Where
:18:19. > :18:23.were you, Miranda, when they first split up in 1996? There was a melt
:18:24. > :18:28.down across the country. I would have been... Ten. I was at
:18:29. > :18:36.university. I think we are the same age. I was quite fanatical about
:18:37. > :18:42.Take That. It is weird meeting someone and you think you should be
:18:43. > :18:47.60, that is acceptable for my fanaticism. I was at university and
:18:48. > :18:52.there was all the hype. Is the title a nod back to all the things which
:18:53. > :18:58.have happened to you. It is such a story. From beginning to an end, I
:18:59. > :19:02.thoroughly enjoyed listening to it. I was on tears on the way in
:19:03. > :19:06.listening to it. Always, as a songwriter I think what you are
:19:07. > :19:10.trying to do is write what is in your heart and what is in your head.
:19:11. > :19:14.Trying to write other people's lives as well. If it has happened to me
:19:15. > :19:19.and I feel it, surely it has happened to someone else out there.
:19:20. > :19:23.Those connections are Lee important. And you have got a thank you for
:19:24. > :19:30.Elton as well for sticking by you with Face To Face. He's one of those
:19:31. > :19:34.people will look up to all stop he has been through the highs and the
:19:35. > :19:38.lows. He always takes a massive interest in people who are on a bit
:19:39. > :19:42.of a downturn. He has been a great friend of mine. Luckily for me,
:19:43. > :19:47.after all these years, we have recorded a duet. It was brilliant.
:19:48. > :19:51.The day I had with him was incredible. It is one of those days
:19:52. > :19:55.when you get home you think, did that happen to me? It is the second
:19:56. > :20:08.single which will be released from the album. This is Face To Face.
:20:09. > :20:15.Standing side-by-side, but the past behind us, I can't take your place
:20:16. > :20:29.when we are face-to-face... APPLAUSE That was a real video. Nowadays
:20:30. > :20:33.people record duets and they do not even meet. But we were recording the
:20:34. > :20:40.video and doing the vocals at the same time. Another great friend of
:20:41. > :20:44.yours, Robbie, is releasing his album. He said he hates you sell a
:20:45. > :20:48.million but he would like to sell a million and one. It is good to have
:20:49. > :20:52.that rivalry but you play each other's albums to each other?
:20:53. > :20:57.Definitely, we are always sending each other our music. You wrote a
:20:58. > :21:02.track on my record and I wrote a track on his. We are still very
:21:03. > :21:07.competitive, let me set that straight. It comes from a place of
:21:08. > :21:13.love. But it is healthy. And there are plans for 2014 for Take That?
:21:14. > :21:17.Definitely, we will get back into the studio next year and hopefully
:21:18. > :21:25.an album for next Christmas. Hurry up! Will Robbie be part of the
:21:26. > :21:32.line-up? I hope so. We will sit down in January and see how we feel. I
:21:33. > :21:35.really enjoyed the album. There are hundreds of selfless
:21:36. > :21:40.animal lovers working in wildlife sanctuaries and visitor centres
:21:41. > :21:44.across the UK. But as a shocking case recently proved, one charlatan
:21:45. > :21:50.can destroy decades of hard work. Here is our Miranda with the story.
:21:51. > :21:52.The International Cente for Birds of Prey in Neuadd, Gloucestershire,
:21:53. > :21:58.houses some of Europe's rarest and most exotic birds in captivity. This
:21:59. > :22:04.is the epicentre of conservation for birds of prey in Britain. 65 species
:22:05. > :22:08.from all over the world have been successfully bred here. Five years
:22:09. > :22:16.ago, things changed dramatically for the birds which were housed here.
:22:17. > :22:22.Jemima Parry Jones runs the centre like her father did. He and my
:22:23. > :22:26.mother said let's start a place where we can teach people about
:22:27. > :22:29.birds of prey and learn about them and also learn how to do falconry
:22:30. > :22:35.without doing birds any sort of damage. Falconry here at Newent is
:22:36. > :22:42.in Jemima's blood. In 2004 when she was asked to run a birds of prey
:22:43. > :22:46.Centre in the US, it was a difficult decision for her to sell up. But she
:22:47. > :22:50.took a leap and sold the family business. She sold it to successful
:22:51. > :22:57.businessman Keith Bevan. What did it feel like to hand it over to someone
:22:58. > :23:03.else? It was huge. It was an enormous decision to take. I had
:23:04. > :23:08.lived in the house since I was 17. But for years later, homesick she
:23:09. > :23:13.returned to the UK and found the centre up for sale. She bought it
:23:14. > :23:17.back from Bevan but what she discovered shocked. To be honest, I
:23:18. > :23:21.had not really looked around when I bought it back. Then I started to
:23:22. > :23:27.look around the following day. I heart sank and I thought, good lord,
:23:28. > :23:33.there is so much work to do here. Bevan had let the centre go to ruin
:23:34. > :23:36.with the aviaries in Delap rated condition dashmack dilapidated
:23:37. > :23:40.condition. He had put the name of the Centre at risk by trading
:23:41. > :23:47.illegally in birds of prey. Andy McWilliam from the National wildlife
:23:48. > :23:53.crime unit first came whereof Bevan in 2010. We were alerted to some
:23:54. > :23:57.black kites up in Durham. The paperwork was issued to Keith Bevan.
:23:58. > :24:03.The discovery was enough to prompt an investigation. The black kites
:24:04. > :24:07.were the first birds Bevan had sold illegally with the centre's
:24:08. > :24:11.paperwork. For decades, the centre had been loaned birds on trust from
:24:12. > :24:15.zoos all over the world for conservation and education. Devon
:24:16. > :24:25.realised these birds were a commodity he could sell. -- Bevan
:24:26. > :24:29.realised. He realised he could sell. Fire macro they are working
:24:30. > :24:33.towards conservation of the species and all of a sudden, Keith Bevan was
:24:34. > :24:42.in the middle of this community. Making a quick buck? Absolutely,
:24:43. > :24:46.total betrayal of their trust. Over the course of the next two years the
:24:47. > :24:49.investigation into Keith Bevan stretched across eight countries and
:24:50. > :24:53.involved a paper trail from dozens of zoos right across the world,
:24:54. > :25:00.ultimately leading to the uncovering of one of the most serious cases in
:25:01. > :25:03.the UK of trade of birds of prey. Not only was he illegally selling
:25:04. > :25:07.birds of prey when he owned the centre, he continued the activity
:25:08. > :25:13.even after Jemima had bought the centre back. Two hawk owls came from
:25:14. > :25:18.the Czech Republic on loan. Those birds arrived in the UK. He
:25:19. > :25:22.collected them from Heathrow. The following day he sold them. A couple
:25:23. > :25:29.of days later he e-mailed and said how well the birds have settled down
:25:30. > :25:32.here at you went. In June 2011, Gloucestershire Police executed a
:25:33. > :25:36.search warrant at Bevan's address where e-mails and paperwork were
:25:37. > :25:43.retrieved. He was arrested on suspicion of prohibited sale of red
:25:44. > :25:49.birds and fraud. -- their birds. He was given an 18 month sentence and
:25:50. > :25:53.?60,000 fine. To work in a place like this, you have got to have
:25:54. > :25:59.passion. You have to really love it. I do not think Keith Bevan ever had
:26:00. > :26:05.that passion. By choosing to be used the trust of the bird of prey
:26:06. > :26:08.community, he not only cheated people who care about conservation
:26:09. > :26:14.but he put the future of these beautiful birds in peril. Thank you,
:26:15. > :26:19.Miranda and we wish Jemima all the luck in the world with the newly
:26:20. > :26:22.restored national centre birds of prey.
:26:23. > :26:26.Our jaws dropped when we heard you are releasing a fitness video of all
:26:27. > :26:33.things. Where did this idea come from? Came from series three of my
:26:34. > :26:38.sitcom when the Miranda character decided that if she was going to do
:26:39. > :26:44.fitness it would be maracas. And then we thought, seriously, this is
:26:45. > :26:49.quite a fun idea. I hate the notion that we all feel like we have to go
:26:50. > :26:54.to the gym or go jogging and look a certain way. It is best to move
:26:55. > :27:02.about so why not have fun. Look at me, I could not be happier. It is
:27:03. > :27:05.called Maracattack, which is a brilliant title and you have devised
:27:06. > :27:15.signature moves to go on your first work-out DVD. Let's have a look at
:27:16. > :27:32.the crazy crap. That is a classic. There we go. -- crazy crap but.
:27:33. > :27:39.We will ease into the Hawaiian. I did this this morning but I did the
:27:40. > :27:52.high impact version and I am feeling it. This is the beginning of the
:27:53. > :28:04.cardio. And then we move on. This is another classic.
:28:05. > :28:11.In all seriousness, because you are using the maracas, it does raise
:28:12. > :28:19.your heart rate so it is a proper work-out. Had you got maracas in
:28:20. > :28:24.your house? Yes. I had to use a tin of beans. Eight years on Blue Petr
:28:25. > :28:30.you have all sorts of things. You can do the high impact or the low
:28:31. > :28:36.impact. Do you do it every morning? Not every morning. After I filmed it
:28:37. > :28:43.I thought I would not do it again. I got fed up with it. But then I came
:28:44. > :28:46.back in and I started doing it. 20 minutes goes really quickly and you
:28:47. > :28:56.have done a work-out and had some fun. Gary, Maracattack, yes or no? I
:28:57. > :29:01.am into it. You have got a whole repertoire there. Actually, that
:29:02. > :29:11.Face To Face would be good with maracas. Two double product. You may
:29:12. > :29:15.have heard the kerfuffle downstairs because we have decided that your
:29:16. > :29:25.DVD to the test and we have gathered a motley crew of maraca maniacs and
:29:26. > :29:30.Lucy is doing it right now. We are going great guns down here. We have
:29:31. > :29:34.the DVD on screen. We have every type of fitness fanatic you could
:29:35. > :29:40.want. We had cheerleaders, wrestlers, hockey players and
:29:41. > :29:46.footballers. Who are you? I am if Louise will stop would you'd
:29:47. > :29:58.normally do this exercise? This morning I was at the gym working
:29:59. > :30:03.out. Who are you? I am a professional wrestler. Is this
:30:04. > :30:10.helping you? When I am in the ring I will shake someone's throat like
:30:11. > :30:18.frackers. That is scary! Do you have to be physically fit if you are a
:30:19. > :30:22.bar work her? Yes. Carry on because Gary and Miranda will judge the best
:30:23. > :30:31.in show and when we come back later they will be presenting the Golden
:30:32. > :30:37.Maracas! Good effort, Lucy, we look forward to seeing more Barack is
:30:38. > :30:44.-- look forward to seeing more maracas action later. We will see
:30:45. > :30:52.quite a lot on television and Christmas over the New Year. There
:30:53. > :30:57.is a live concert on New Year's Eve. Absolutely, on BBC One, right across
:30:58. > :31:01.midnight. You are playing until midnight and a bit afterwards to
:31:02. > :31:06.ease us into 2014. It actually reminds me of my social club days. I
:31:07. > :31:10.used to work on Christmas Eve, New Year's Eve, they were opportunities
:31:11. > :31:15.for shows. When I was asked to get involved in something over the New
:31:16. > :31:20.Year, I thought, this is great. An hour of live music across New Year's
:31:21. > :31:29.Eve. Sadness that there is no Miranda Christmas special. Not this
:31:30. > :31:37.year. But good news, there is a programmatic special. And Chummy is
:31:38. > :31:44.a new mummy. How is that going? It is good, she is a sweet mum. It is
:31:45. > :31:49.hard acting with the babies. Is it right that you filmed this Christmas
:31:50. > :31:58.stuff during the summer? During one of our hottest summers. Tweeds and
:31:59. > :32:05.tights. Perfect! You are doing the David Walliams Christmas special,
:32:06. > :32:13.Gangsta Granny. I play Linda and I am wife to David, who plays Mike.
:32:14. > :32:18.That is our mother-in-law, Julie McKenzie, and our son. She sort of
:32:19. > :32:23.henpecked Staveley. Why we haven't played husband and wife yet, I will
:32:24. > :32:30.never know -- sort of Pentax David. --
:32:31. > :32:40.this is then settling down to a night in front of Strictly.
:32:41. > :32:51.Please rip the cellophane off. With pleasure. Saturday night has begun!
:32:52. > :33:07.Mum. Sheesh, it has started. It is only the titles. Well, there is a
:33:08. > :33:12.teaser. Isn't it wonderful? Not only have you had a little kiss with Gary
:33:13. > :33:23.but you get used Robbie Williams in this one. What is going on? -- he
:33:24. > :33:32.gets to snog. I don't know if I can say what he is playing. I can? He is
:33:33. > :33:38.playing Flavia, one of the Strictly presenters who I am slightly
:33:39. > :33:48.obsessed with. I hope you are not upset. I was just the rehearsal,
:33:49. > :33:51.clearly. We will change the subject. There is still a few minutes left to
:33:52. > :34:13.take part in our vote on cycling safety.
:34:14. > :34:21.How easy is it to make music with just a wine glass? We have two
:34:22. > :34:33.wineglasses here. Miranda, Wood July to give it a go? -- would you like
:34:34. > :34:43.to give it a go? Nothing. Gary has gone for different water, that could
:34:44. > :34:49.be it. Oh! Gary! That is incredible, and coincidently, we are going to be
:34:50. > :34:54.hearing from glass maestro Petr Spatina. He is playing at the same
:34:55. > :34:58.time, remarkable. Before that, composer Richard Mainwaring trying
:34:59. > :35:03.to create his own glassical Orchestra.
:35:04. > :35:07.If you have ever run your fingers around the edge of a glass to
:35:08. > :35:10.produce a musical note, you are not alone. You will know it is not as
:35:11. > :35:17.easy as it looks, but one man has made a living out of it.
:35:18. > :35:21.World-renowned glass played Jamie Turner. In the 1980s this was
:35:22. > :35:30.prime-time entertainment. 20 years later, can I revive a dying art?
:35:31. > :35:33.There is something appealing from making music from everyday objects
:35:34. > :35:36.and glass has the ability to produce a sound which is almost celestial. I
:35:37. > :35:42.want to turn this into something grander, I want to create a piece of
:35:43. > :35:44.glassical music. I want to understand the instrument which
:35:45. > :35:49.means meeting a scientist in a bathroom with my violin. As I move
:35:50. > :35:53.my finger around the rim of the glass, it is alternately slipping
:35:54. > :35:58.and sticking. It is creating vibrations. If you create a note on
:35:59. > :36:05.your violin, it is acting the same principle. It is alternately
:36:06. > :36:10.sticking and slip to the string. How do I get that sound out of a glass?
:36:11. > :36:16.The vibrations created by your finger vibrate the glass and they
:36:17. > :36:21.build up to create the tone which creates sound waves that travel to
:36:22. > :36:32.your ear. Time do have a go. What about heart of Glass by Blondie?
:36:33. > :36:43.That is a bit fast. Let's try water music by Handel.
:36:44. > :36:53.No, it's too compensated. How about something more dramatic like the
:36:54. > :36:58.theme from Jaws -- a bit too complicated.
:36:59. > :37:06.Not quite. I think I have found the perfect piece and the perfect venue
:37:07. > :37:11.in which to play glassical music. A wine merchants. Home to not just
:37:12. > :37:15.wine bottles but glasses, and a group of wine enthusiasts. This
:37:16. > :37:19.seller will provide the perfect acoustic. My volunteers are more
:37:20. > :37:25.used to drinking out of glasses but do they have the skills to play
:37:26. > :37:30.them? Are you musical? I am not very musical. You will be fine, you only
:37:31. > :37:37.need to play one note. You are almost there. Someone is getting it.
:37:38. > :37:43.I have just three hours to whip them into shape. The whining easy acids
:37:44. > :37:51.are arranged into three tables and each has a note to perfect -- the
:37:52. > :38:26.wine infused the assets -- enthusiasts are arranged.
:38:27. > :38:35.Fantastic! A very good effort. A very good
:38:36. > :38:39.effort from the wine bar Orchestra. My jaw feels a bit weird! We saw
:38:40. > :38:42.Jamie Turner in the film but it is time to meet another class act, this
:38:43. > :40:47.is Petr Spatina. I can't shake his hand. Peter has
:40:48. > :40:51.flown in from Vienna for tonight's performance and you have prepared
:40:52. > :40:54.something very special for Gary Barlow. I will give you some room.
:40:55. > :41:31.Gary, come and have a look at this. HE PLAYS "RULE THE WORLD" BY TAKE
:41:32. > :42:04.THAT. APPLAUSE
:42:05. > :42:22.A room full of sadness. Wow, amazing. You must be a musician
:42:23. > :42:27.to be able to play this. Yes, he definitely is a musician. He plays
:42:28. > :42:32.piano and accordion. He said to me earlier, if there was ever a song
:42:33. > :42:39.written for this, it was that. I was thinking about it as we wrote that
:42:40. > :42:43.song! You may be interested to know that Petr has recorded an album,
:42:44. > :42:51.Goodwater Classics, which is out now. Thank you so much. How good was
:42:52. > :42:58.that? Just to let you know, the vote is now closed, don't text because
:42:59. > :43:01.you may be charged. This is Dan Snow with a story of a submarine disaster
:43:02. > :43:06.which took place just weeks before the start of the Second World War.
:43:07. > :43:12.This is Birkenhead, the proud centre of a long shipbuilding tradition. In
:43:13. > :43:17.1939, a submarine left the shipyards for a series of tests. But the sea
:43:18. > :43:22.trials ended in tragedy and it became the worst submarine disaster
:43:23. > :43:28.in the history of the Royal Navy. Professor Eric Grove is a naval
:43:29. > :43:36.historian. This was a big occasion. There were senior officers from the
:43:37. > :43:39.submarine service, there were even two caterers who had come to do the
:43:40. > :43:51.celebratory buffalo. There were 103 men on board. -- but -- buffet. A
:43:52. > :43:55.standard method for submarines to do this was to let water into the
:43:56. > :44:00.torpedo tubes. What went wrong? When they tried to dive the submarine she
:44:01. > :44:04.would not go down and attention was placed on the forward torpedo tubes.
:44:05. > :44:09.Lieutenant Woods went to investigate. The usual way of doing
:44:10. > :44:15.this was to open up a pipe connected to the torpedo tube. If water ran
:44:16. > :44:20.out, the tube was flooded. He opens the little pipe, nothing comes out.
:44:21. > :44:26.The tube must be empty. He should have double checked, used something
:44:27. > :44:32.like this to push it through, to see if the pipe was blocked. In the
:44:33. > :44:37.event, it was blocked. They painted it and part of it had covered the
:44:38. > :44:41.other end of the pipe. This is a flooding torpedo tube at the torpedo
:44:42. > :44:47.officer does not know it. He opens the torpedo tube and in Rush is a
:44:48. > :45:02.mass of water. Part of the submarine fills up and the submarine dies to
:45:03. > :45:08.the bottom, uncontrollably. Rescue by the Navy was only a final resort.
:45:09. > :45:14.Among the men faced with this prospect was Stoker Walter Arnold.
:45:15. > :45:18.They were so deep that they could not get out of the depth. They had
:45:19. > :45:22.to spend the night trying to get some rest and trying to conserve the
:45:23. > :45:26.limited oxygen they had left. By the morning, part of the submarine had
:45:27. > :45:29.risen to the surface, because the men had worked overnight and managed
:45:30. > :45:37.to pump fuel out, making the stern lighter. Rescue boats and newsreel
:45:38. > :45:47.crews conveyed on the scene. Boats hope to pick up survivors as they
:45:48. > :45:53.rise through the water. On board, the crews' condition was
:45:54. > :46:02.deteriorating. The carbon dioxide made them sleepy, lethargic, ill.
:46:03. > :46:06.Two men managed to escape but four died. Walter Arnold was next in line
:46:07. > :46:11.together with one of the civilians on board. He was facing a dilemma,
:46:12. > :46:15.either stay and be dead in the next hour or try and go and be dead in
:46:16. > :46:19.the next five minutes. If he was going to die he wanted to die
:46:20. > :46:25.fighting it. They made an escape. They were the last ones to come out.
:46:26. > :46:28.The Navy had already alerted the families of the crew. They could not
:46:29. > :46:34.understand why the rescuers did not cut the men free from the submarine.
:46:35. > :46:38.Do you boreholes is that there has been some controversy. Some people
:46:39. > :46:42.said they should have done that immediately but we know from
:46:43. > :46:47.documents that was a last resort. After all, it is 1939, there is a
:46:48. > :46:54.crisis with Germany, do you want to ruin one of your newest submarines?
:46:55. > :47:00.Perhaps not. As the tide rose, the submarine sank again. 99 men
:47:01. > :47:05.perished. The decision not to send for cutting gear is being questioned
:47:06. > :47:12.still today. But the enquiry cleared the rescue mission of any blame. If
:47:13. > :47:15.they had been the normal ship 's company on board there would have
:47:16. > :47:21.been sufficient time for a decision to be taken to do with oxyacetylene
:47:22. > :47:26.cutters or something. It looks bad in retrospect but it was
:47:27. > :47:29.understandable at the time. Because the disaster happened just before
:47:30. > :47:36.the outbreak of the Second World War, the British public soon forgot
:47:37. > :47:40.about the loss of the Thetis. But for the people around here, the
:47:41. > :47:46.family and friends, they never forgot the series of errors which
:47:47. > :47:51.led to the death of the 99 men will stop.
:47:52. > :47:56.I cannot imagine what it would have been like to be down there.
:47:57. > :48:00.Miranda, your dad was a commanding officer in the Royal Navy. He was
:48:01. > :48:05.the captain of a ship which went down in the Falklands. You were only
:48:06. > :48:15.about ten. What are you remember about that time? Not very much. My
:48:16. > :48:25.mum shielded most of it from us. Look, there is a picture. A 70s
:48:26. > :48:29.haircut there. And Gary, speaking of military stuff, you have spent some
:48:30. > :48:35.time in Afghanistan at Camp Bastion. That is for a new
:48:36. > :48:40.documentary, is it? Yes, it is on the 14th. I went out there for a few
:48:41. > :48:43.days. The idea of the show was to give them an hour off to enjoy
:48:44. > :48:50.themselves, sing some songs and I make a band. I made a band out of
:48:51. > :48:56.the soldiers. How was it? They were amazing! We featured each of the
:48:57. > :49:01.people throughout the show. We were there for about an hour. We had a
:49:02. > :49:07.ball. We read you were really nervous but what was it like when
:49:08. > :49:12.you were there? Was it a safer environment? I felt very safe.
:49:13. > :49:20.Everyone could not do enough for us. Like I say, the show itself, it was
:49:21. > :49:24.well worth the wait. We tried to do it over two nights but it kept
:49:25. > :49:28.getting cancelled. We had a sandstorm one night, then a security
:49:29. > :49:33.alert. It felt like it would never happen but on the final night we got
:49:34. > :49:36.on stage and it all worked. There are some real moments in the
:49:37. > :49:47.documentary. You are chatting and then an emergency alarm goes off.
:49:48. > :49:49.Are gradually moving that wasteful stop -- we are gradually moving that
:49:50. > :50:06.way. There is an emergency somewhere out
:50:07. > :50:12.on the field. Clearly, someone needs help somewhere. We are at war. It is
:50:13. > :50:18.that moment when obviously you are therefore music and creating this
:50:19. > :50:22.band but at the drop of a hat the lads are there for a reason. And
:50:23. > :50:27.there were little reminders like that throughout the trip. We were
:50:28. > :50:32.taking a bit of fun there but they are working and obviously doing a
:50:33. > :50:35.very serious job. It was an amazing experience. There are some
:50:36. > :50:42.incredible people out there who will stay with me for life. We can see
:50:43. > :50:48.that on the 14th of December. We are nudging towards the X factor final.
:50:49. > :50:52.Quite a few strong singers this year like Sam Bailey. Everyone is talking
:50:53. > :50:58.about Sam. Rough Copy is a strong contender. How much chance do you
:50:59. > :51:02.think there is for them to get to the final? At this stage of the
:51:03. > :51:07.competition anyone could get to the final. It changes week on week. We
:51:08. > :51:11.have got to get it right every weekend but fingers crossed for the
:51:12. > :51:18.boys. They are lovely guys and we hope they will do well. And with you
:51:19. > :51:25.mentoring them you cannot go wrong. On Saturday morning it must be like,
:51:26. > :51:28.here we go everyone! I always say we get a Saturday night out every week
:51:29. > :51:33.and I am in the chair that everyone wants to sit in. But for the last
:51:34. > :51:39.year because you have said you are moving on after this year. Three
:51:40. > :51:44.years is plenty! Who would you like to sit in your seat after you? I
:51:45. > :51:50.don't know. Everyone is guessing that Simon is coming back. I think
:51:51. > :51:58.it would be great for the show full lock we have got Mrs Owen on Friday.
:51:59. > :52:04.You will have a ball. Time to host our own talent competition
:52:05. > :52:10.downstairs with our maraca fanatics. We will change the music.
:52:11. > :52:15.Miranda, if you reach behind the sofa, you will see some headphones.
:52:16. > :52:21.Put them on and you are in control of the One Show cameras. I cannot
:52:22. > :52:28.hear anything! We need you to pick a winner. Go searching with the
:52:29. > :52:42.camera. Just shout the best when you see it. Lucy, if you are ready, it
:52:43. > :52:52.get her attacking. We are calling this the maraca factor.
:52:53. > :53:05.OK, Miranda, where do you want to go? I like her. And pink wig. Very
:53:06. > :53:15.good. I like it. I need more movement. Keep going, round YouGov.
:53:16. > :53:28.Where is the rest lead, he is good. That is brilliant. Mr Orange
:53:29. > :53:38.maracas, go! I like his maracas, if you will pardon the expression. Mr
:53:39. > :53:45.Orange maracas is the winner. There is your sash, it has been emotional,
:53:46. > :53:52.back to you. Thank you to Lucy and Mr maracas
:53:53. > :53:56.2013. That is good. Now, Gary, you will be singing for us at the end of
:53:57. > :54:03.the shows so you go and get ready. That is nearly it for this evening.
:54:04. > :54:06.Earlier, we were talking about cycling safety and asked you to vote
:54:07. > :54:11.on whether heavy goods vehicles should be banned from city centres
:54:12. > :54:20.during rush hour. Justin is here with the results will stop what have
:54:21. > :54:28.they said, yes or no? Very close. 49% yes and 51% said no. So leave
:54:29. > :54:36.them as they are, just. We have got some e-mails. We will just read some
:54:37. > :54:41.e-mails and be right with you! One man says I cycle with a high
:54:42. > :54:46.visibility jacket and lights but I have still been hit. Everyone says
:54:47. > :54:53.cyclists are to blame but there are bad drivers. Dan says I'm a cyclist
:54:54. > :54:59.but learning my Job -- HGV test at the moment. One thing that is
:55:00. > :55:05.drummed into us is cyclists, cyclists, cyclists. Before we go, we
:55:06. > :55:11.would like to talk to you about your tour, Miranda. You announced you
:55:12. > :55:17.would be touring in 2014. I am doing some secret warm up gigs at the
:55:18. > :55:22.moment. Tickets are still available for next spring. The tour starts at
:55:23. > :55:30.the end of February. What is the feel of it. It is hilarious! Are you
:55:31. > :55:34.taking your maracas with you. I might do. It is stand-up. There
:55:35. > :55:41.might be some dancing, who knows? It will be a camp riot. Do you think
:55:42. > :55:46.you will be more nervous than doing the sitcom or Call The Midwife? We
:55:47. > :55:52.do the sitcom in front of an audience so there is less pressure
:55:53. > :55:59.because you are not doing a TV show. And people pay to see you! Gary, are
:56:00. > :56:04.you ready? Stand-by. Miranda, good luck. Tomorrow we will be joined by
:56:05. > :56:09.the fastest hamster on for years, Richard Hammond from Top Gear. But
:56:10. > :56:15.now here is Gary singing an acoustic version of Let Me Go.
:56:16. > :56:25.# A room full of sadness. # A broken heart.
:56:26. > :56:32.# And only me to blame. # For every single part.
:56:33. > :56:40.# No Science or Religion. # Could make this whole.
:56:41. > :56:46.# To be loved, but never loved. # To have, but never hold.
:56:47. > :56:55.# It's a life alone, and a desperate need.
:56:56. > :57:03.# To be held to be loved so. # This is gonna take a bit of getting used
:57:04. > :57:17.to, but I know what's right for you. # Fly high and Let Me Go. # That sky
:57:18. > :57:27.will save your soul. # When you pass by then you'll know.
:57:28. > :57:32.# That this gonna take a bit of getting used to but I know what's
:57:33. > :57:40.right for you. # Let Me Go.
:57:41. > :57:45.# A head full of madness. # And no where safe.
:57:46. > :57:53.# When tears aren't big enough, and love turns into hate.
:57:54. > :58:02.# It's a life alone, and a desperate need.
:58:03. > :58:06.# To be held to be loved so. # That this gonna take a bit of
:58:07. > :58:16.getting used to but I know what's right for you. # Fly high and Let Me
:58:17. > :58:30.Go. # That sky will save your soul. #
:58:31. > :58:35.When you pass by then you'll know. # That this is gonna take a bit of
:58:36. > :58:43.getting used to, but I know what's right for you.
:58:44. > :58:47.# So Let Me Go, life will get better.
:58:48. > :58:51.# Find the love I never gave ya. # I know you lie there waiting all night
:58:52. > :59:06.long, so find where you belong. # Fly high and Let Me Go.
:59:07. > :59:14.# That sky will save your soul. # Fly high and Let Me Go. # That sky
:59:15. > :59:18.will save your soul. # But this is gonna take a bit of
:59:19. > :59:29.getting used to but I know what's right for you Let Me Go.
:59:30. > :59:47.Hello, I'm Ellie Crisell with your 90-second update. It's going to get
:59:48. > :59:48.harder for new EU migrants to get