:00:40. > :00:42.Standing in format, Giles is here, as we reveal the authors who
:00:43. > :00:44.successfully predicted the future. It's a little bit spooky. So is
:00:45. > :00:45.finding snow caves, not in Antarctica, but in Scotland, in
:00:46. > :01:00.July. If you've been glued to your TV
:01:01. > :01:03.every Tuesday night for the last five weeks firmly holding onto one
:01:04. > :01:05.of these, even though there is nothing spookier right now than it
:01:06. > :01:11.tonight's jest. From the living and the dead, it's Colin Morgan. He
:01:12. > :01:18.doesn't look so terrifying in the flesh. Congratulations on the
:01:19. > :01:23.series, it's a huge hit, people know you from that, and from Merlin as
:01:24. > :01:27.well. Humans. I first saw you on stage and thought you were brilliant
:01:28. > :01:31.when I went to see my friend Roger Allen at the Globe in the Tempest.
:01:32. > :01:34.You were aerial, the sprite, you seem to specialise in these half
:01:35. > :01:51.human, half unnatural creatures, does it
:01:52. > :01:54.reflect your own nature? I'm fascinated by this character is
:01:55. > :01:57.because they present a challenge, a type of transformation you have to
:01:58. > :01:58.undertake as an actor. No matter how unreal the situation, the character
:01:59. > :02:01.doesn't know it's an unreal situation, you have to find the
:02:02. > :02:04.truth for them and live in that world. Make the unreal real. The
:02:05. > :02:06.transformation in The Living and the Dead is phenomenal. We looking
:02:07. > :02:07.forward to talking about the final which is on next Tuesday. We go from
:02:08. > :02:23.the freaky to the fraudulent. Tachograph are installed in lorries
:02:24. > :02:25.to make sure the drivers take regular breaks. They can cause
:02:26. > :02:27.accidents. It doesn't stop operators from breaking the law. As Nick
:02:28. > :02:33.Wallace reports. This is cat and mouse on wheels. It's a waiting
:02:34. > :02:37.game. Waiting to pick the right vehicles. I'm on the M6 with Paul
:02:38. > :02:39.Harding from the driver and vehicle standards agency. In our sights,
:02:40. > :02:58.truckers, using high-tech devices to override the on-board
:02:59. > :03:04.tachographs. He's in. He didn't want to come in. When a suspect truck is
:03:05. > :03:15.pulled over, the vehicle inspector goes straight for its tachograph.
:03:16. > :03:17.Criminals are using sophisticated gadgetry which could be buried
:03:18. > :03:21.anywhere inside the truck. The only way to detect it is see if it's
:03:22. > :03:27.training tiny amounts of electricity from the tachograph power supply.
:03:28. > :03:31.I've been completing a test on the tachograph system, it's drawing 12.7
:03:32. > :03:36.when it should only be drawing ten, I suspect there may be a switch on
:03:37. > :03:40.this one. There is extra power being drawn. It's not conclusive proof of
:03:41. > :03:43.fraud. The tachograph readings are next to be checked. Mark is taking
:03:44. > :03:56.some readings from the driver's tachograph, there
:03:57. > :03:59.seems to be discrepancies. He's having a chat to see if he can tell
:04:00. > :04:02.him what's going on. The Polish trucker is driven from Denmark. If
:04:03. > :04:04.he doesn't admit anything, his lorry will be taken apart bit by bit. Find
:04:05. > :04:08.out what happens later. With a fifth of serious accidents on our main
:04:09. > :04:09.roads and motorways down to tiredness, the tachograph is key to
:04:10. > :04:25.keeping commercial drivers and other road users safe. Peter Hearn
:04:26. > :04:27.is the operations director. We're constantly looking to stay one step
:04:28. > :04:29.ahead of the people developing these devices. As we uncover things,
:04:30. > :04:32.people are changing the device. Cameras watching over our motorways
:04:33. > :04:37.have automatic number plate recognition software. Images are
:04:38. > :04:41.flashed back to base. The team is looking for individual trucks or
:04:42. > :04:47.fleet operators with a history of poor vehicle maintenance, tax
:04:48. > :04:52.dodging or tachograph fraud. The truck being examined fits the
:04:53. > :04:57.profile of others, where Taca tachograph cheats were found. He is
:04:58. > :05:04.handed over this on-board diagnostic plug which switches the tachograph
:05:05. > :05:06.on and off. He has confessed to having something on the cab he
:05:07. > :05:14.shouldn't. The blood effectively makes all of the truck's safety
:05:15. > :05:18.features worthless. -- the plug. To prove fraud they need to see the
:05:19. > :05:24.switch in action. The symbol in the top left-hand corner is a bed and
:05:25. > :05:32.symbolises rest. It should change to a circle when the lorry moves. As
:05:33. > :05:36.you can see, it's still recording rest. It's the proof they need.
:05:37. > :05:40.While the lorry is stripped down to recover the rest of the device, the
:05:41. > :05:50.driver is fined ?580 and faces being up to ?1500 for a new tachograph.
:05:51. > :05:53.This is done with knowledge of a vehicle system, this is not somebody
:05:54. > :06:01.cutting wires, it's quite complex. Devices being inserted into the
:06:02. > :06:04.vehicle's brain. 51 cheats have been caught here this year, a fraction of
:06:05. > :06:09.the huge number caught nationally. We found around 1400 last year.
:06:10. > :06:15.Those are the ones you detected. Vehicle examiner Mark takes me
:06:16. > :06:19.through some of the finds. Tell me what we're starting with. This is a
:06:20. > :06:25.collection of magnets, about 50 year, all found individually on
:06:26. > :06:29.drugs. Each one of these would cheat a tachograph. This is more
:06:30. > :06:34.sophisticated. A second sensor hidden within the truck. Operated by
:06:35. > :06:42.this key fob, so they could switch the tachograph on and off. This is
:06:43. > :06:44.inside an actual unit itself. This is the light is one we've been
:06:45. > :06:48.finding, these switch is fitted within the tachograph itself, making
:06:49. > :06:56.it harder to find. But also operated with a key fob. As somebody recently
:06:57. > :07:05.qualified to drive a bus... What? You can drive a bus? Bendy bus,
:07:06. > :07:07.double-decker, coach, whatever you want. How long can you drive without
:07:08. > :07:14.being arrested? Nine hours. He can't drive a bus but he can ride a horse.
:07:15. > :07:19.They are more reliable on the whole. You on this new series everybody is
:07:20. > :07:22.looking, it's reaching its climax, it's dark and gruesome and grim, yet
:07:23. > :07:31.it begins with you playing this benign, inelegant gentleman farmer.
:07:32. > :07:39.Like Matt Baker. Without the matte finish. There is a dark end to this.
:07:40. > :07:45.Nathan is a pioneering psychologist, married to Charlotte, played by
:07:46. > :07:49.Charlotte Spencer. They inherit the family home of Mason and move to
:07:50. > :07:52.make a new life. There is a lot of and dealt with trauma and grief,
:07:53. > :07:57.particularly for Nathan, attached to the homeland area. A series of
:07:58. > :07:59.paranormal, possibly cytological events... My darling wife is
:08:00. > :08:16.watching it from behind the sofa. It's quite jumpy
:08:17. > :08:19.show. From the beginning, there is a character called Harriet who appears
:08:20. > :08:21.in the first. She sees a presence, a ghost, I spilled my tea everywhere
:08:22. > :08:23.in the dressing room earlier because I petrified. How did those
:08:24. > :08:25.occurrences have an effect on Nathan? Underneath everything for
:08:26. > :08:30.him he has unresolved grief from losing his son several years ago.
:08:31. > :08:37.For someone like him, so based in science that if the prospect of an
:08:38. > :08:40.afterlife exists, then the prospect of a connection with his son exists.
:08:41. > :08:47.What you see through the series is this gentleman farmer, descending
:08:48. > :08:54.into the depths of a kind of despair, madness. This is the 1890s,
:08:55. > :08:56.when Doctor Jekyll and Mr Hyde came to the scene, Dracula invented,
:08:57. > :09:03.people leading double lives. Good point. A big theme of the show is
:09:04. > :09:08.what lies beneath should be kept beneath. Do you know why you're so
:09:09. > :09:12.at home with this part. When is your birthday? The 1st of January. People
:09:13. > :09:28.born on the cusp of the year have some of
:09:29. > :09:31.the past and future in their make-up, this is why you were born
:09:32. > :09:33.to play this kind of a role. It's a good team. It makes relationships
:09:34. > :09:35.difficult. What happens with you and Charlotte? The marriage becomes more
:09:36. > :09:46.strange as a man consistently drawn to the past, the dead, to live in
:09:47. > :09:49.the present, for him, with the living, is a tough thing. She is the
:09:50. > :09:51.grounding force, she's the one who can keep him there, it becomes
:09:52. > :09:53.increasingly difficult to keep the marriage together. It starts off
:09:54. > :09:55.sweetness and life, the climax happens in the finale, next Tuesday,
:09:56. > :10:07.let's have a look. You're afraid of giving birth, of motherhood, so you
:10:08. > :10:10.project this infant is a urged on to me, making me the thing you fear,
:10:11. > :10:12.which is not only unfair, but stupid! You're so clever because you
:10:13. > :10:22.found a profession where you could feel less damage because everyone
:10:23. > :10:24.else is damaged more. Now down here you have to face it, there's
:10:25. > :10:27.something wrong with your mind. Doctor Charlotte. So young and yet
:10:28. > :10:34.so wise. In your heart and soul. I can't... Can't what? Recall what I
:10:35. > :10:43.liked about you. APPLAUSE I know it's what we call acting, but
:10:44. > :10:46.that deep fruity voice, where does it come from? It's amazing. It's a
:10:47. > :10:51.challenge. What drew you to them, why are you doing the script? It's
:10:52. > :10:55.the script, the characters, guttural instinct when you read something,
:10:56. > :11:14.there is an unspoken calling, that comes from the character. You
:11:15. > :11:18.must play me! They have do intimidate you, they have to make
:11:19. > :11:20.you scared to do it because I think that is the driving force behind
:11:21. > :11:23.things, the challenge. You terrify us, I can tell you. You can catch
:11:24. > :11:26.the finale of The Living and the Dead Tuesday at 9pm on BBC One.
:11:27. > :11:28.Watch the entire series on BBC iPlayer. It's also on DVD from the
:11:29. > :11:30.8th of August. Nowadays we are rarely found far from our friends,
:11:31. > :11:33.watching videos, booking flights, taking photos of our dinner. Some
:11:34. > :11:36.spend more time on our phones than we do talking to each other. Now
:11:37. > :11:49.smart technology spreading into the home. There we are! Modern. Delete.
:11:50. > :12:03.Smart home Tech. These days just filling the Catalan switching it on
:12:04. > :12:12.is so passe. Get the Apple. Now you need to download an app and brew by
:12:13. > :12:18.Bluetooth. Internet enables tallies. Fridges that can order food.
:12:19. > :12:23.Quickstart guide. Heating you can control from your phone. It makes
:12:24. > :12:28.sense, it can save you money. Half of us are expected to be doing it
:12:29. > :12:35.within five years. Is it any good? Let's put this smart tech to the
:12:36. > :12:41.test. On the people studies show least interested. Pensioners. We've
:12:42. > :12:48.asked 31 show families to try a range of smart gadgets. With Frank
:12:49. > :12:51.and Annie Barclay get a better night of sleep with his phone operated
:12:52. > :12:54.monitor that analyses your sleeping habits? Norah and her friend Lindsay
:12:55. > :12:59.are smarting a smartphone enabled home security camera which claims to
:13:00. > :13:07.tell the difference between a burglar and family member. First,
:13:08. > :13:10.Linda and Dave Corfield have a go with the coffee machine you control
:13:11. > :13:13.from your phone. Can they work it and will they like it? They are
:13:14. > :13:22.trying to get to grips with making Coffey through a Bluetooth app, it's
:13:23. > :13:29.taking a while. -- making coffee. Time to enjoy the coffee. For ?160
:13:30. > :13:33.they can schedule Coffey time in advance or make it remotely. Making
:13:34. > :13:40.coffee from the garden now, prepare for blast off, anything coming
:13:41. > :13:47.through? I'm astonished. What impressed you then? When you're
:13:48. > :13:55.rough and ready like this, you like your mug of instant, maybe we're not
:13:56. > :14:01.the right market to aim it at. How's Norah getting on with the fancy
:14:02. > :14:04.security camera? Also costing ?160, it can be programmed to recognise a
:14:05. > :14:11.family member or alert you to an intruder. It's all set up, we've got
:14:12. > :14:18.to try it. I'm excited now! Will the camera clock and uninvited guest.
:14:19. > :14:27.Just let myself in... Look here. Look! Alex. We knew you were coming.
:14:28. > :14:31.That's brilliant, isn't it? I was hoping to do some petty thievery in
:14:32. > :14:37.your house, there's no chance now. You've got me banned to rights. You
:14:38. > :14:40.were pretty impressed by this piece of smart technology. Yes, very
:14:41. > :14:45.impressed with this, it's really a good thing. Meanwhile...
:14:46. > :14:50.Instructions must be inside somewhere. ... Frank and Annie's
:14:51. > :14:56.?130 gadget promises a better night of rest, tracking bedroom light,
:14:57. > :15:01.noise and temperature. We've got problems, it doesn't fit into my
:15:02. > :15:06.phone. If it doesn't go into your phone, how do you do it? There's got
:15:07. > :15:13.to be another thing. No, there isn't anything else.
:15:14. > :15:22.What a palaver. At bedtime, what will the monitor revealed? I am in
:15:23. > :15:25.frank and Annie's bedroom, and I'm using night vision to watch them
:15:26. > :15:31.sleeping while they use their gadget. In the morning we will be
:15:32. > :15:39.able to see exactly what's going on. Hello, Alex! Sorry. How did you find
:15:40. > :15:43.the sleep tracker? What did it tell you? It's supposed record when
:15:44. > :15:52.people snore and things that but as I don't snore... Has it changed your
:15:53. > :15:57.life? Frank does snore. It is like a graph going up and down. That is the
:15:58. > :16:03.noise level. That's good because he claims he wasn't but he was
:16:04. > :16:10.according to that. Maybe it was you? No! Thumbs down for the sleep
:16:11. > :16:14.monitor. It hasn't solved the age-old problem of it's not me, it's
:16:15. > :16:19.you. Our couples don't seem convinced. Perhaps they are the
:16:20. > :16:25.wrong generation, after all some people may have felt the same the
:16:26. > :16:32.first time they were exposed to an electric toaster. Thanks to everyone
:16:33. > :16:36.who took part. Classic One Show viewers. Someone has texted me to
:16:37. > :16:45.say, why did you not properly die your shirt! I'm speechless! I just
:16:46. > :16:49.don't like this new technology, I don't want to have do learn a new
:16:50. > :16:54.password. You are very good on Twitter. We loved the second series
:16:55. > :16:58.but at the end there was a big cliffhanger because you were shot,
:16:59. > :17:06.your character, along with Jamie Dornan. Big shame. I hope that is
:17:07. > :17:12.not too much of a spoiler. The third series, are we going to see you?
:17:13. > :17:19.Well, we are locked down on how much we can say. Do you at least make an
:17:20. > :17:25.appearance at the beginning? We pick up right where series to left off.
:17:26. > :17:32.You are straightaway picked up. You heard it here first. That is the
:17:33. > :17:36.mystery and the excitement. Good. As many occupied your bags for the
:17:37. > :17:41.annual summer getaway, you will no doubt want a good book to while away
:17:42. > :17:48.the hours on the beach, how about the book ranked 46th best in the
:17:49. > :18:00.20th century? It has now been made into a BBC TV series set in the...
:18:01. > :18:08.Set in 1907. It is topical. The secret agent is a tale of spies and
:18:09. > :18:13.terror set in Victorian London. Toby Jones's character runs a CD shop
:18:14. > :18:20.with his wife. He is really a secret agent spying on an anarchist cell.
:18:21. > :18:26.We need to show that our intention is to sweep away the whole of social
:18:27. > :18:30.creation. It all goes wrong when he is forced to carry out a terror
:18:31. > :18:36.attack in order to provoke a government crackdown. What about the
:18:37. > :18:45.observatory? It's a tense tale based on the 19 are several -- 1907 novel
:18:46. > :18:50.by Joseph Conrad, best known for heart of darkness, which Apocalypse
:18:51. > :18:56.now is based on. The secret agent itself is based on what was probably
:18:57. > :19:02.the first-ever international terrorist attack at the Greenwich
:19:03. > :19:07.Observatory. On the 15th of February 1894 a French anarchist blew himself
:19:08. > :19:14.up right here. With a bomb that he was holding, exploded in his hands.
:19:15. > :19:18.Officially he was labelled an antiestablishment agitator but this
:19:19. > :19:22.professor thinks that there could be more to it. One of the stories that
:19:23. > :19:25.was set up among the anarchists was that he had been betrayed by a
:19:26. > :19:33.double agent anarchist who was working for the establishment. And
:19:34. > :19:41.that he was being tricked into it. He was the victim of a plot cooked
:19:42. > :19:44.up by a double agent? Exactly. His eyes were naturally heavy and he had
:19:45. > :19:51.an air of wallowing fully dressed all day on an unmade bed. He faces a
:19:52. > :19:54.dilemma, plant a bomb or have his real identity revealed. Attempting
:19:55. > :20:02.to keep watch on all of this is Chief Inspector Heat. A man
:20:03. > :20:12.preoccupied with the darkest of characters. If I'm such a fantasist,
:20:13. > :20:17.Chief Inspector, explain this. Conrad was Polish, born in 1857, he
:20:18. > :20:21.wrote so well about anarchists because his parents where exiled as
:20:22. > :20:26.revolutionaries, orphaned at 11 he later moved to London. While the
:20:27. > :20:30.secret agent is one of the most important novels of the 20th century
:20:31. > :20:36.it made its biggest impact after 9/11, because it seemed to foretell
:20:37. > :20:42.modern terrorism. What is one to say of an act of destructive ferocity so
:20:43. > :20:46.absurd as to be in comprehensibility inexplicable, almost unthinkable, in
:20:47. > :20:52.fact, mad? It's extraordinary. Conrad is writing this 110 years ago
:20:53. > :20:58.and yet it could be about the world we know now in 2016. Writer Tony
:20:59. > :21:02.Marchand is a man who has transformed this into a TV drama.
:21:03. > :21:07.You have turned it into three hours of television, what is the process?
:21:08. > :21:11.You need a healthy disrespect for the novel otherwise you would be too
:21:12. > :21:18.in awe of it to touch it. The job is really to read it and read it and
:21:19. > :21:24.get as acquainted with it as Conrad himself was and then throw it away
:21:25. > :21:28.and eventually because you have two right your own scripts based on the
:21:29. > :21:33.novel and look for the points of conflict and drama but ultimately
:21:34. > :21:37.it's the story of how our family is caught up in these machinations of
:21:38. > :21:44.spies, double agents, suicide bombers, anarchists. The real hero
:21:45. > :21:47.of the piece is a woman who is desperate to make her marriage work
:21:48. > :21:51.and her family work and because of that it is relatable. The
:21:52. > :21:57.universality in terms of Conrad is that he writes so well about family
:21:58. > :22:02.dynamics. On the screen, not on the page, the secret agent is a
:22:03. > :22:05.thrilling mix of deception, human frailty and international
:22:06. > :22:13.skulduggery. It's a must see, and a must read as well. Well, he was
:22:14. > :22:18.rather good, wasn't he? I tell you who is rather good, Lucy Pike Tory
:22:19. > :22:22.with two more tales that are spookily predictive of the future.
:22:23. > :22:30.Yes, I think these are really spooky. The first is called Stand on
:22:31. > :22:35.Zanzibar which was published in 1969, and the British author is
:22:36. > :22:39.writing about the year 2010, modern-day America, basically. It's
:22:40. > :22:44.frighteningly... Practically an account of how we live. There is the
:22:45. > :22:48.stuff people are using, driving electric vehicles and using laser
:22:49. > :22:55.printers and have on demand TV and film. But what about the cultural
:22:56. > :23:01.and context and the backdrop? Society is plagued by terrorism,
:23:02. > :23:04.mass shootings, and on a lighter note there is lots of cultural
:23:05. > :23:08.things that are happening, people still get married but very few, the
:23:09. > :23:17.prevalent trend is for casual hookups. Swiping right and left.
:23:18. > :23:23.What is that about? We will explain later. Detroit was once flourishing
:23:24. > :23:30.but now in decline but they have electronic dance music. He predicted
:23:31. > :23:35.Detroit rave culture in 1969 and if you're not commenced his genius
:23:36. > :23:37.there is one other killer fact, one other world leader who is
:23:38. > :23:44.universally adored, what is his name?
:23:45. > :23:51.Two letters different! This was written in 1969. That is amazing. It
:23:52. > :23:59.is totally amazing. Are you making this up? I do not make things up.
:24:00. > :24:02.Let's start with the opening sentence, she was the largest craft
:24:03. > :24:07.to float and the greatest of the works of men. That was written by
:24:08. > :24:11.Morgan Rudd bets on to describe a ship, he is describing it in terms
:24:12. > :24:20.of luxury, equal to a first-class hotel, it is 800 foot long, British
:24:21. > :24:24.owned, too few lifeboats, it set sail in April and it sinks by
:24:25. > :24:30.hitting an iceberg on the starboard side around midnight in the North
:24:31. > :24:37.Atlantic. What am I talking about? 14 years before the Titanic Morgan
:24:38. > :24:46.Robertson wrote this novel called the wreck of the Titan. We are
:24:47. > :24:50.officially freaked out. That is brilliant. It may be the 1st of
:24:51. > :24:56.August on Monday but the last film is all about snow. Here it is. For
:24:57. > :25:03.most people the winter is a dim and distant memory. All thoughts of snow
:25:04. > :25:09.and ice are banished in favoured of the -- in favour of the long-awaited
:25:10. > :25:12.summer sunshine. But in the Scottish Highlands the last remnants of
:25:13. > :25:18.winter can stay well into July and beyond. Patches of snow and even
:25:19. > :25:22.stunning snow caves linger in the Scottish mountains through most of
:25:23. > :25:27.the summer. Ian Cameron leads a volunteer survey team who count
:25:28. > :25:31.every patch each August. I've got to say, I'm really surprised to be out
:25:32. > :25:37.here so late in the year looking for snow patches. How many have you
:25:38. > :25:42.found? It varies enormously, last year we found 670 patches of snow
:25:43. > :25:46.across Scotland. And that's in August? It's a huge amount but last
:25:47. > :25:52.year was unusual, summer was miserable. Not nice at all, it was
:25:53. > :25:57.cool and overcast. How difficult is it to find these snow patches quit
:25:58. > :26:03.Mark later in the year when they start to recede, it can be very
:26:04. > :26:07.difficult indeed. -- snow patches? They hide in some inaccessible
:26:08. > :26:12.places. Elsewhere in the UK snow is all but gone by June, but snow
:26:13. > :26:17.patches can remain all year round in the Cairngorms which is home to five
:26:18. > :26:23.of the UK's six highest mountains. Ian coordinates the survey in his
:26:24. > :26:29.spare time by recruiting volunteers and co-authoring a report for the
:26:30. > :26:32.Royal meteorological Society. They aim to understand the link between
:26:33. > :26:38.snow cover and variations in climate. After an hour of hard
:26:39. > :26:42.hiking, up to around 1000 metres, I am the tin to helping with the
:26:43. > :26:47.survey. How deep can these patches get? In other parts like Ben Nevis,
:26:48. > :26:54.in winter you are looking at 25 metres deep, so we are looking at a
:26:55. > :26:57.small block of flats. Up close this is quite something but the real
:26:58. > :27:05.magic is in hidden caves which are sometimes found beneath them. Our
:27:06. > :27:09.timing should be perfect. It is warm enough for just the right amount of
:27:10. > :27:17.melting. Finally we hit the jackpot, a cave that Ian thinks will be
:27:18. > :27:26.stable enough to explore. CHUCKLES Wow. Look. My goodness. Here we go,
:27:27. > :27:32.this is exactly what we were hoping for. This is amazing. It is
:27:33. > :27:37.phenomenal. This is a proper tunnel. How does it form? We are seeing snow
:27:38. > :27:42.which has fallen probably around eight or nine months ago, and now
:27:43. > :27:46.that summer is upon us, it starts to warm and what you find is that as
:27:47. > :27:50.the rock warms up the snow melts away from it and you make a gap and
:27:51. > :27:57.it creates these incredible shapes. The hexagonal shapes are called
:27:58. > :28:00.ablation hollows, they are formed when warm wind blows across the snow
:28:01. > :28:04.and the melt is now well underway, but the snow may persist through the
:28:05. > :28:09.summer. In the last two centuries, there have only been five years when
:28:10. > :28:15.all of the snow melted in Scotland. In a way, this is the closest thing
:28:16. > :28:18.that the UK has two ablation? Obviously the UK does not have place
:28:19. > :28:22.years and it hasn't for many thousands of years but when you see
:28:23. > :28:26.something like this, you really get a sense of what it might be like as
:28:27. > :28:31.the final Galatians were melting away, and this really is a window
:28:32. > :28:35.into the past. What can we really learn from the snow patches? --
:28:36. > :28:40.final Galatians. That is best answered in 50 years when people
:28:41. > :28:45.look back and they can draw their own conclusions. It has been a
:28:46. > :28:49.privilege to take part in the survey and who knows what secrets his work
:28:50. > :28:55.will reveal in the years to come. Weren't they pretty? You can't beat
:28:56. > :29:01.snow. That's it for tonight, thanks to Colin. The final episode of the
:29:02. > :29:07.living on the dead -- The Living and the Dead... It is spectacular.
:29:08. > :29:10.Thanks for stepping in, tomorrow Ricky Wilson will be back and he is
:29:11. > :29:14.performing at the end of the show. And we will have actress Kelly
:29:15. > :29:23.Macdonald with us. Not to be missed. Goodbye.
:29:24. > :29:27.MUSIC: Not Gonna Break Me by Jamie N Commons