:00:17. > :00:24.Hello and welcome to the One Show with Matt Baker. And Alex Jones.
:00:25. > :00:28.Today George Osborne announced that Britain is coming back after another
:00:29. > :00:37.record rise in the economy, wait for it, 0.8%! Massive! Theo Paphitis has
:00:38. > :00:42.arrived in style, as you can see, in his mirrored a Range Rover. Very
:00:43. > :00:47.low-key! He will tell us why that is very good news. Our guest this
:00:48. > :00:56.evening became famous playing Joey in the city, Friends, and his series
:00:57. > :00:59.Episodes has won a Golden Globe and international praise. The Times
:01:00. > :01:07.thinks it is the must-see comedy of the year. USA Today said it was
:01:08. > :01:10.easily the best new sitcom. At the highest praises from the start
:01:11. > :01:15.himself, who recently said, it is just nice it doesn't suck! Please
:01:16. > :01:24.welcome back to the show, the very modest Matt LeBlanc! Matt LeBlanc,
:01:25. > :01:28.everyone! Good to see you! You are looking very well. Wonderful to have
:01:29. > :01:34.you back. I read you love being in the UK because it reminds you of
:01:35. > :01:38.Boston. The weather is cold, like where I am from. I have been living
:01:39. > :01:44.in California for 20 years, but this reminds me of being home, you can
:01:45. > :01:47.see your breath, it is kind of nice! You would love Wales, very cold! I
:01:48. > :01:55.have learned some Boston slang just for you. ?! Shapmushgetting it? And
:01:56. > :02:03.have you seen the quishter jivvels, mush? Does that make any sense to
:02:04. > :02:16.you?! Quishter jivvels is pretty girls. We have got a whole studio of
:02:17. > :02:29.them. What's up, mush? There are a couple more that I could mention, if
:02:30. > :02:38.you were to say, eight, coy your moy... Is that? Yes, very good.
:02:39. > :02:45.Probably the most famous one, don't be a div, Matt. Don't be stupid.
:02:46. > :02:53.That is good you are saying that to me, normally I say it to you! I am
:02:54. > :03:01.guessing that you have not been catching the Tube, the subway. There
:03:02. > :03:08.was a long wait today. You didn't? That is because there is a two-day
:03:09. > :03:12.Tube strike, and firefighters will be striking this weekend, and some
:03:13. > :03:15.teachers are planning to walk out again in June. We sent the One Show
:03:16. > :03:19.megaphone to Nottingham to hear what you think about the strikes.
:03:20. > :03:28.The One Show megaphone! Nottingham, what do you think of
:03:29. > :03:35.public sector workers going on strike? Step up and share your
:03:36. > :03:39.views! Teachers have got absolutely every right to say, enough is
:03:40. > :03:44.enough. I am a realist, if you are not happy, go to another job.
:03:45. > :03:49.Everybody should be allowed to strike, even firefighters and
:03:50. > :03:53.teachers? If their wages do not meet the demands of running a family,
:03:54. > :04:00.keeping a car on the road, food on the table, I agree. With regards to
:04:01. > :04:04.teachers striking during exam time, they are supposed to be disruptive,
:04:05. > :04:07.but teachers are fighting for a better future for education. They
:04:08. > :04:12.say their pension is not very good and it is not that they are changing
:04:13. > :04:16.the rules, is that a reason to strike? No, Children in Need and
:04:17. > :04:25.education, isn't that the priority? The reason they went into teaching?
:04:26. > :04:31.-- children need an education. There are millions of people who have not
:04:32. > :04:37.got a job, people who have no money will be thinking, I wish I had 30
:04:38. > :04:43.grand or even half that. Nottingham, share your views with the One Show
:04:44. > :04:54.megaphone! Working longer hours, not acceptable. Firemen? Who is going to
:04:55. > :05:00.look after people if they strike? They are getting dealt a bad hand,
:05:01. > :05:04.you have to fight your corner. There are different ways to deal with a
:05:05. > :05:09.strike. If you are a firefighter and your pension is not what it should
:05:10. > :05:13.be, would you go on strike? I would not want civilians in jeopardy. They
:05:14. > :05:20.have to charge into a burning building, they should expect a
:05:21. > :05:23.decent pension and pay. Your opinions are strong, your arguments
:05:24. > :05:28.bold, thank you, Nottingham! Thank you very much indeed, and if
:05:29. > :05:34.you have anything to shout about, head to our Facebook page and eight
:05:35. > :05:41.your thoughts there. Let's talk about... You are doing that Boston
:05:42. > :05:46.slang again, mush! Let's talk about Episodes, last time you were on, you
:05:47. > :05:54.had just won a Golden Globe. Bring us up to speed and give us a flavour
:05:55. > :05:57.of what is to come. OK, well, I will start from the beginning quickly. It
:05:58. > :06:04.is a show about making a show in Hollywood, so it starts with this
:06:05. > :06:12.British couple who have a hit show in the UK and they are cut worst by
:06:13. > :06:16.a American network to bring it there, they promised the world but
:06:17. > :06:20.every promise is broken, including that they can keep their lead actor,
:06:21. > :06:27.played by Richard Griffiths. They are. I have me. But it is sort of
:06:28. > :06:34.pseudo-bizarre drunk version of me. -- they are forced to hire me. That
:06:35. > :06:37.is a disaster, and the show gets watered down and watered down, it is
:06:38. > :06:44.put on the air, and it is not performing well, and I end up
:06:45. > :06:51.sleeping with his wife and they is lit up, and so now we are at the end
:06:52. > :06:57.of season two. -- they split up. Now I am sleeping with the head of the
:06:58. > :07:02.network's wife. Definitely not good! And so there is a big fight, my arm
:07:03. > :07:06.gets blown out of the socket, season three starts, the next morning, the
:07:07. > :07:12.morning after the big fight at the end of season two, and I am with
:07:13. > :07:16.Jamie, the network president's wife, Sean and Beverly are back together,
:07:17. > :07:24.and from that point on things go downhill. Even more?! Yeah! We have
:07:25. > :07:27.got a little clip, this is the fictional Matt LeBlanc, and he has
:07:28. > :07:34.just been arrested for drink-driving, guess what the
:07:35. > :07:46.arresting officer says. Isn't there some way you could give me a slap on
:07:47. > :07:50.the wrist? Eight, Joey! You got me! It looks like we did! Isn't there a
:07:51. > :07:57.way you could give me a slap on the wrist? I know somebody said that!
:07:58. > :08:07.You were going over 90 with 1.7 alcohol level, so... That is crazy,
:08:08. > :08:12.I had a couple of glasses of champagne with this body mass!
:08:13. > :08:19.Matt, you say that the whole premise is based on a failing show. Now, you
:08:20. > :08:23.did experience this, not with Friends, but with Joey afterwards.
:08:24. > :08:28.How ruthless is Hollywood when it goes wrong? How true to life is
:08:29. > :08:33.Episodes? Well, Hollywood is ruthless, yes. If they show is not
:08:34. > :08:39.performing, your show is not mere anymore, is pretty cut and dry. It
:08:40. > :08:43.is not show friends, it is show business. But Episodes takes on that
:08:44. > :08:48.ruthlessness, and they really sort of dig for what is funny about it,
:08:49. > :08:52.what they can elaborate on, what they can dial back to really get the
:08:53. > :08:58.most comedy out of it. And it is written by David Crane, who created
:08:59. > :09:03.Friends, and I have a lot of faith in them. Did you think it would make
:09:04. > :09:06.three seasons? Well, it is funny, working with them, I knew the
:09:07. > :09:11.quality would be good, but once a show gets on the air, you do not
:09:12. > :09:15.know if people will like it. I knew I liked their writing, that is all
:09:16. > :09:20.you can do, follow your own taste. When it gets on the air, time slots,
:09:21. > :09:27.competition, all kinds of factors are out of your control. We have
:09:28. > :09:31.been really fortunate to get into a third season, and they have
:09:32. > :09:36.commissioned a fourth season. We like it, it is on BBC Two on
:09:37. > :09:42.Wednesday the 14th. Right, moving on, if you have ever wondered why it
:09:43. > :09:46.is so hard to swat a fly, then wonder no more, because George
:09:47. > :09:55.McGavin has carried out an in-depth study armed with a slow motion
:09:56. > :09:59.camera and some rolled up newspaper. Try camera two!
:10:00. > :10:06.As the days become longer and the nights stay warm, flies appear in
:10:07. > :10:11.their billions until you cannot have a barbecue without them buzzing in
:10:12. > :10:14.your ears and landing on your food. Flies have an extraordinary ability
:10:15. > :10:19.to get out of the way to avoid being squashed, which can be very
:10:20. > :10:24.irritating for us, but actually it is rather impressive. And it is down
:10:25. > :10:30.to some clever biology. Like many insects, flies have tiny hairs that
:10:31. > :10:34.can detect air movement, and this helps these high-performance insects
:10:35. > :10:41.sense what is coming. Adding some smoke should show the movement of
:10:42. > :10:46.air and demonstrate what I mean. If that is the fly there and I swat at
:10:47. > :10:51.it with this newspaper, what I am actually doing is pushing air
:10:52. > :10:54.towards the fly. The little hairs can detect this change in air
:10:55. > :11:00.pressure before the swat hits, so it gives them a little more time to
:11:01. > :11:07.react. And this is the case for a rolled up newspaper, your hands, a
:11:08. > :11:10.slipper or any other solid object. And that is why a flyswatter usually
:11:11. > :11:17.has holes in it, to lead most of the air through. But it can still be
:11:18. > :11:22.pretty tricky to swat a fly, even with a proper flyswatter, because
:11:23. > :11:27.they can see you coming. Flies don't just have two eyes, they have
:11:28. > :11:31.thousands, and they are tiny. At about 200th of a millimetre wide,
:11:32. > :11:35.they are best seen under a microscope. These eyes clustered
:11:36. > :11:45.together to form what is known as a compound I. -- eye. It is rather
:11:46. > :11:51.like a glitter ball, every piece is an individual lens, so flies have
:11:52. > :11:54.lenses pointing in every direction. And this bulbous compound eye
:11:55. > :11:59.protrudes from the head so the fly has almost 360 degrees vision. But
:12:00. > :12:04.seeing and feeling the swat coming once saved the fly unless it's able
:12:05. > :12:10.to process that information quickly enough to get out of the way, and
:12:11. > :12:15.that is where its special skills come in. Recent research has shown
:12:16. > :12:19.that small organisms with a fast metabolism can process more
:12:20. > :12:22.information per second than larger animals. Scientists tested different
:12:23. > :12:28.species by looking at how fast a light has to flash before it is
:12:29. > :12:33.perceived as a constant light. This light bulb is actually flickering,
:12:34. > :12:38.turning on and off 100 times per second, and that is so fast that the
:12:39. > :12:44.human eye perceives it as a steady, constant light. As we slow it down,
:12:45. > :12:49.we can see what the fly says, a pulsing light. Remarkably, the
:12:50. > :12:55.humble flight can detect a flicker up to seven times faster than
:12:56. > :12:59.humans. -- fly. There are many theories about how they do this. One
:13:00. > :13:03.suggests that they invest a lot of their brain processing powers in
:13:04. > :13:08.seeing movement. It has resulted in the fastest visual system known in
:13:09. > :13:12.any organism, so something happening really quickly that to our eyes
:13:13. > :13:22.would look like a blur would appear much slower to fly, giving it time
:13:23. > :13:32.to react and get out of the way. This means flies effectively see the
:13:33. > :13:35.world in slow motion. And with everything happening more slowly,
:13:36. > :13:39.they have more than enough time to avoid a fly swat.
:13:40. > :13:43.So that's why they are so hard to swat. And knowing all this, just how
:13:44. > :13:52.do you swat one? Well, don't ask me, I wouldn't hurt
:13:53. > :13:58.a fly! Now you know!
:13:59. > :14:03.Matt, this Matt loves talking about farming. He's been talking to you
:14:04. > :14:07.during that VT a bit and I would like to ask you a few Friends
:14:08. > :14:11.questions, so to make it fair, we got a wheel. It's the big thing
:14:12. > :14:15.these days. We got one of these and it's got Friends and Farm, we'll
:14:16. > :14:20.spin it and you answer the question. OK? Let's go for it. Let's play
:14:21. > :14:26.Friends or Farm. There we go, it's Farm! Brilliant. .
:14:27. > :14:29.So you are going to love this, because as I said, we have been
:14:30. > :14:35.talking already. Enlighten people about the cattle that you rear and
:14:36. > :14:45.why? Well, yeah, I raise round about 100 herd of cattle, a Mexican cow.
:14:46. > :14:50.They are not raised for beef or dairy, for rodeo. So when the horns
:14:51. > :14:53.get maybe about that big, right when the rope will stick on their head,
:14:54. > :14:57.we sell them to families that have kids that are practising for the
:14:58. > :15:05.rodeo. It's good. And the mums eat the grass
:15:06. > :15:10.because... Two questions! Mums eat the grass because? Well, they eat
:15:11. > :15:16.the grass because they keep it noise and short so I can ride the moto X
:15:17. > :15:28.bikes. Here go. Are you a square Bale or a
:15:29. > :15:34.round above ale man? Round. Let's go to Friends? Is there going to be a
:15:35. > :15:40.Friends reunion? No. Yes! Let's talk about calling in the
:15:41. > :15:48.cows then. If I was going to call them in, you would go "hup, hup",
:15:49. > :15:53.what vocal would you say? I would get on the horse and get in around
:15:54. > :16:06.behind them and push them and go "har! ". ".
:16:07. > :16:10.# I'll be there for you". We heard that Courtney Cox held a dinner
:16:11. > :16:16.party and you weren't there, what was your excuse? I was chasing the
:16:17. > :16:21.cows around. She didn't give me long enough notice. I said, "I got cows
:16:22. > :16:27.to chase". Great. Loves the farm section, go
:16:28. > :16:34.on! It's Friends. Did you steal any
:16:35. > :16:41.props from Joey's apartment? I did, I stole the Magnadoodle
:16:42. > :16:46.Etch-a-sketch thing that was on the back of the door. All ten years Paul
:16:47. > :16:52.was there, the guy that did the sketch on the Magnadoodle and it was
:16:53. > :16:57.always something that had to do with the story, always kind of relevant,
:16:58. > :17:05.so I stole it and gave it to him. Friends or Farm, ladies and
:17:06. > :17:10.gentlemen! Now, it's the second instalment in
:17:11. > :17:15.our new series about small businesses from Theo Paphitis. In a
:17:16. > :17:19.moment, he'll tell us why the announcement of a 0.8 rise in the
:17:20. > :17:26.British economy is such big news. Here he is with a couple who've
:17:27. > :17:31.broken the golden rule of business. People are always asking me, is this
:17:32. > :17:35.a good time to start a business. And the answer is always yes, as
:17:36. > :17:41.long as, of course, you do your homework.
:17:42. > :17:48.Londoner James packed up his job as a consultant with a Japanese food
:17:49. > :17:53.chain, Wagamama and moved his wife and family to Gloucester. They have
:17:54. > :17:57.taken over a cafe around the corn fresh Gloucester cathedral. We fell
:17:58. > :18:01.in love with Gloucester, simple as that. You didn't come because it was
:18:02. > :18:04.a great place to have a business, you came to Gloucester because you
:18:05. > :18:07.fell in love with Gloucester? Yes. Yes. What if Gloucester was a bad
:18:08. > :18:11.place to have a business? Gloucester may have had, you know, a couple of
:18:12. > :18:16.challenges over the last few years. A couple of challenges. 20 empty
:18:17. > :18:24.shops just within a stone's throw. We believe in Gloucester, it's on
:18:25. > :18:34.the up. I admire James and Becka's enthusiasm, but three cafes have
:18:35. > :18:39.already closed down. They have to earn ?3,000 a month just to break
:18:40. > :18:44.even. How much did you pay to buy the business? ?300,000. Did you
:18:45. > :18:49.borrow that from the bank? No, we had some savings, sold our house in
:18:50. > :18:53.London, we had some equity there so we used those funds to buy the
:18:54. > :18:57.business. Putting your personal savics and
:18:58. > :19:02.family home into buying a business is always a big risk -- putting your
:19:03. > :19:10.personal savings. My biggest worry is the location of the cafe. You
:19:11. > :19:15.have Caffe Nero and Starbucks opening up, so it's not easy on the
:19:16. > :19:18.high street. But my biggest concern remains, you need footfall this end
:19:19. > :19:25.of the high street because if you don't, you are going to end up like
:19:26. > :19:28.that and like that. Hedley's simply isn't getting enough
:19:29. > :19:31.customers through the door. They have to start turning a profit
:19:32. > :19:35.quickly and they need to work out whether it's the pricing or, as I
:19:36. > :19:40.think, the location, that's keeping the locals away.
:19:41. > :19:49.I found my vocation. I suggested that we head down to the busier part
:19:50. > :19:53.of town with a range of Hedley's home-made cakes and sandwiches.
:19:54. > :19:55.James and Becka think they offer something different to the other
:19:56. > :20:00.cafes in Gloucester. We want the locals to tell us what
:20:01. > :20:08.they are prepared to pay. Yummy. What would you pay? ?6. 50!
:20:09. > :20:17.Slice of cake... There wasn't a bigger one? ?5.99! ?7 or ?8.
:20:18. > :20:23.This is what it's all about. The results are in and it turns out
:20:24. > :20:27.the public think James and Becka's prices are fair, but there is a
:20:28. > :20:32.theme emerging and, as I suspected, it's the location that's putting
:20:33. > :20:35.people off. It's a bit out of town. I wouldn't normally go there because
:20:36. > :20:41.it's so far down. With the lunch time rush over, it's
:20:42. > :20:46.time for some home truths. You are totally relying on people going to
:20:47. > :20:50.the cathedral for your customers. That's not the way to earn money.
:20:51. > :20:57.You are absolutely right and we are going to do everything we can to get
:20:58. > :21:01.as many people down to Hedley's as we can. We have a lot of corporate
:21:02. > :21:05.customers to come in and sell sandwiches through to them. For this
:21:06. > :21:09.to work to you, you need additional revenue streams? We do. And
:21:10. > :21:15.stretching the brand, delivering, corporate, buffets? Exactly. Then it
:21:16. > :21:18.will work? Yes, it's going to be Hedley's across three or four
:21:19. > :21:22.dimensions. Without that, the dream is going to struggle? I think it
:21:23. > :21:31.will, yes. Time is critical. James and Becka
:21:32. > :21:37.only have six Monks to -- months to turn this business around. I'll be
:21:38. > :21:42.back to see if they make it. Here he is back. In his reserve car,
:21:43. > :21:46.not even the number one car. I've been buffing it. We know you like
:21:47. > :21:52.things wrapped in tin foil. We have got you these tuna sandwiches. Do
:21:53. > :22:00.you mind if I keep them for later? You can eat them on the way home. We
:22:01. > :22:06.are talking about this, George Osborne 0.8%. Declan Curry explained
:22:07. > :22:08.it. It's a bit like a rear view mirror because it's already
:22:09. > :22:14.happened. But looking forward, what does it mean? We've had five
:22:15. > :22:21.consecutive quarters of growth which is brilliant. I'm a shopkeeper. All
:22:22. > :22:25.convenience stores in the UK and abroad now, there we are seeing a
:22:26. > :22:29.marked increase in confidence, in consumers spending money. When
:22:30. > :22:32.consumers spending money, it means we can employ people. When you
:22:33. > :22:37.employ people, they pay their taxes, they spend money, it creates further
:22:38. > :22:40.employment and we get growth. Is there enough confidence there though
:22:41. > :22:49.because we are lagging behind America, Japan, France? We are being
:22:50. > :22:54.a tiny big negative. We have growth the same as 2007 now.
:22:55. > :23:06.We are doing very well. Back to where we started? Yes. In the 1930s,
:23:07. > :23:11.the recession was bad. Kelloggs was one brand that did fantastic?
:23:12. > :23:18.Textbook grand. You probably don't rep the deep rescission do you?
:23:19. > :23:25.Kelloggs. No, 1932? I ain't that old. They carried on marketing and
:23:26. > :23:28.advertising their brand. Others became huge brands as other people
:23:29. > :23:32.contracted, so the old adage is, keep marketing, don't listen to the
:23:33. > :23:36.cannots and stop spending, you need to make sure people now you're
:23:37. > :23:44.there. The other one, was treats, like I call it, rev London, they do
:23:45. > :23:48.nail varnish. -- Revlon. It was in the recession again. A little treat,
:23:49. > :23:53.a few dollars and it's easy for people to buy treats. Low ticket
:23:54. > :23:57.price items do well in a recession. It's the big ticket stuff; white
:23:58. > :24:03.goods and those sorts of things. Thank you, Theo. Enjoy the
:24:04. > :24:07.sandwiches. I'm sure Matt's worked with some eccentric types in
:24:08. > :24:11.Holyrood, but here in Britain, we've got plenty of our own to choose
:24:12. > :24:15.from. Like film maker Ken Russell for example. Here is his daughter
:24:16. > :24:20.Vicki with some lovely memories of what it was like growing up with an
:24:21. > :24:25.unconventional father. My dad was known for his highly controversial
:24:26. > :24:32.films about musicians, artists, their sex lives, religious beliefs.
:24:33. > :24:36.My dad was Ken Russell. Screen it at another angle I think.
:24:37. > :24:40.Pf Dad was well known for bushing the
:24:41. > :24:45.boundaries, films like Women in Love, the Devils, of course, which
:24:46. > :24:50.is still censored because of its religious violence, and Crazy
:24:51. > :24:59.scenes. So people might expect that I'd had this outrageous upbringing.
:25:00. > :25:07.But in fact, he was fun-loving, music loving, life-loving. To me, my
:25:08. > :25:12.family loving dad who was actually quite Victorian. During the week,
:25:13. > :25:16.we'd live in our house in Brad broke Square. It was actually quite a 9-5
:25:17. > :25:21.lifestyle. There was five of us. We'd all have to tidy up and wash up
:25:22. > :25:26.and everything was, you know, we had rules in the house, my mum found
:25:27. > :25:30.this fantastic sign from an old mine that said "danger, man at work" and
:25:31. > :25:34.she'd hang it outside the living room and we knew he wasn't to be
:25:35. > :25:40.disturbed because he was writing. Mum and dad met at art school. Dad
:25:41. > :25:44.was studying photography and mum was studying fashion design. They
:25:45. > :25:48.collaborated from when they were students. He was good at taking the
:25:49. > :25:54.risk and the chance on people, like Twiggy, for example in The
:25:55. > :26:03.Boyfriend. More this way, Twiggy. Dad always wanted us to be in the
:26:04. > :26:09.films as well. My first Royal was playing Oliver Reid's daughter and
:26:10. > :26:16.that was for the monitor arts series for the BBC. They were pretty much
:26:17. > :26:23.the first docu-dramas. The biggest role was Sally Simpson in Tommy
:26:24. > :26:29.which was the first ever rock opera. He was a trend setter. Films like
:26:30. > :26:34.Women in Love with the famous naked fight scene between Oliver Reid and
:26:35. > :26:39.Allan bathes caused so much controversy. A girl at school said
:26:40. > :26:46.to me "oi, your dad, he makes all those sex films, doesn't he? ". When
:26:47. > :26:53.I was 14, my parents split up. And it was like a bomb going off, you
:26:54. > :27:00.know, in our family. I think it was just down to midlife crisis. People
:27:01. > :27:05.think he's a wild drunk, but no, he's definitely not mad. He was just
:27:06. > :27:14.unique. I sent a script to Channel 4 the other day. It came back saying
:27:15. > :27:21."thank you to for your script, it's not cinematic enough. " I nearly
:27:22. > :27:25.went mad. One of my favourite things was when dad would drag out his arm
:27:26. > :27:31.chair and we'd watch the sun sets because they were so spectacular. We
:27:32. > :27:39.had the entire heath here. Occasionally his music, glass of red
:27:40. > :27:43.wine, sun set. Paradise. Dad lived until 84. He'd had a
:27:44. > :27:48.series of strokes, a couple of heart attacks, but he died in his sleep
:27:49. > :27:53.quite peace fly and we do miss him very much. I'm just blessed that I
:27:54. > :27:58.had him as a dad because he was just so inspiring. One of my earliest
:27:59. > :28:04.memories. I was five or six years old and I spotted in the distance a
:28:05. > :28:09.twinically mass of buildings, chimneys of smoke and all this
:28:10. > :28:13.stuff. I was like, what's that over there, dad, my first factory I'd
:28:14. > :28:18.ever seen and my dad just turned round and said "that's fairy city"
:28:19. > :28:22.and that's been my template for the rest of my life.
:28:23. > :28:26.Aw, some lovely pictures and footage. Thank you very much indeed.
:28:27. > :28:31.Can you believe it, that's all we have time for tonight.
:28:32. > :28:35.Tomorrow, we'll be having a go on a bucking Bronco because Jason Donovan
:28:36. > :28:39.is here, starring in a new musical, Annie Get Your Gun gun. He is. Huge
:28:40. > :28:43.thank you to Matt Le Blanc for joining us tonight.
:28:44. > :28:47.If Jason is going to have a go at this bucking Bronco, one top Tim for
:28:48. > :28:53.him? Hold on for dear life. There you go! You can see Matt in ensoedz
:28:54. > :28:57.on BBC Two, Wednesday 14th May at 10 o'clock. Thanks for your company.
:28:58. > :28:59.See you tomorrow.