:00:21. > :00:35.I've heard they're officially the best band in the world.
:00:36. > :00:46.Hello and welcome to the One Show with Alex Jones.
:00:47. > :00:49.And the chief is back - it's Ricky Wilson!
:00:50. > :00:52.It's like a two-for-one offer tonight
:00:53. > :00:54.though because you've brought the rest of the Kaiser Chiefs
:00:55. > :01:01.with you and you'll be doing your day job.
:01:02. > :01:07.I a own dressing room this time. -- I don't get my own dressing room
:01:08. > :01:09.this time. looking forward to giving
:01:10. > :01:16.you a tune. They are very showbiz!
:01:17. > :01:21.CHUCKLES Well the Kaiser Chiefs
:01:22. > :01:23.are big but not as big as double decker buses
:01:24. > :01:27.and is stomping through Cornwall. Before then we must
:01:28. > :01:30.welcome our guest tonight. She's about to star in a much-loved
:01:31. > :01:33.children's classic. Very apt as her career
:01:34. > :01:43.reads just like I have a fairy tale book here.
:01:44. > :01:44.We really love a story. Bit of dust.
:01:45. > :01:46.CHUCKLES Once upon a time in a faraway
:01:47. > :01:49.land...Scotland... A young woman was working
:01:50. > :01:52.as a waitress in a cocktail bar That's a song.
:01:53. > :01:58.Don't sing it, I'm the singer. Things started badly
:01:59. > :02:00.when she got herself caught up But before long she was in
:02:01. > :02:06.the money and walking the boardwalk with the big
:02:07. > :02:11.boys of Atlantic City. Like all good fairy stories there's
:02:12. > :02:14.a happily ever after - she became a bona
:02:15. > :02:16.fide Disney Princess! Thank you for having me. Your first
:02:17. > :02:31.time here. Kelly - surely all eight
:02:32. > :02:33.year old girls dream of being a Disney Princess -
:02:34. > :02:44.you managed it in Brave - How great was it, because she was a
:02:45. > :02:49.feisty character, wasn't she? Feisty, liked being outdoors. I
:02:50. > :02:59.never had the Princess dream when I was growing up. Really? No, I was
:03:00. > :03:04.infatuated with Calamity Jane, which is the greatest musical ever, but I
:03:05. > :03:08.watched it a lot. I wanted to be Calamity. But I think she came quite
:03:09. > :03:09.close. Definitely. We'll be talking to Kelly later
:03:10. > :03:12.about her new film - the classic children's adventure
:03:13. > :03:13.Swallows and Amazons, which sees a group
:03:14. > :03:16.of children set sail in the Lake District
:03:17. > :03:17.for a summer adventure. We want to see your pictures -
:03:18. > :03:23.if you were in a group of friends back in the day who all hung out
:03:24. > :03:28.together - like the Swallows and Amazons -
:03:29. > :03:33.and you gave yourself a name. I wasn't in a gang, it was just me
:03:34. > :03:43.and my mate Craig. the name you gave yourselves -
:03:44. > :03:51.and we'll show some of them later. Maybe I will think of one. If you
:03:52. > :03:54.are travelling through Cornwall this week, there is only one thing you
:03:55. > :04:05.need to be looking out for, and that is a 34 foot man. How far does he
:04:06. > :04:12.walk? Nobody knows. How far had he come from? Nobody knows. How was he
:04:13. > :04:19.made? Nobody knows. Wherever there is a hole in the world, there is a
:04:20. > :04:29.Cornwall at the best of it. -- bottom of it.
:04:30. > :04:33.We have constructed the largest mechanical puppets ever made in
:04:34. > :05:04.Britain. -- puppet. We want to know about the movement.
:05:05. > :05:09.There was clicking and crunching. And his beautiful structure against
:05:10. > :05:13.the Cornish background. I love the way his feet stamped in time with
:05:14. > :05:19.the song. And the fact his eyelashes go up and down. It made things come
:05:20. > :05:24.to life, like a real human. Very clunky, doesn't move smoothly, then
:05:25. > :05:27.you have got the parts of the Man Engine which are made to represent
:05:28. > :05:34.the mining heritage. I remember working on those when I was in the
:05:35. > :05:41.minds. When it came to its full height, he was actually saying, look
:05:42. > :05:43.at what we were. I was brought up listening to the explosions
:05:44. > :05:49.underground, so it means a lot to me, to be a part of this project.
:05:50. > :05:59.You get the clamping and the hissing in the air. The original Man Engine
:06:00. > :06:04.was invented here. It was an extraordinary invention which lifted
:06:05. > :06:08.miners up and down the mines, which would have taken hours and hours on
:06:09. > :06:14.ladders. There is something really spectacular and celebratory about
:06:15. > :06:20.it. And mournful. Because many men have lost their macrolides. I would
:06:21. > :06:26.be on shift one Sunday afternoon. We got a call that somebody had been
:06:27. > :06:32.killed. I don't know if the kids really appreciate the actual
:06:33. > :06:36.hardship. It is a good reminder of all the life and work that went into
:06:37. > :06:44.the mining community. The struggles they made all of these times. We
:06:45. > :06:48.want to use the inspiration of mining when it was literally the
:06:49. > :06:52.silicon valley of the 19th century. This is where steam power was
:06:53. > :06:56.invented. We want to use that inspiration for our young people to
:06:57. > :07:04.lift up their chins and have a pride in their identity. They are built to
:07:05. > :07:10.be robust. Built to last. Hopefully the Man Engine will last for a long
:07:11. > :07:13.time. It is really impressive, isn't it?
:07:14. > :07:17.I could not have made one. Man Engine will be making his way
:07:18. > :07:23.through Cornwall. Well you're playing a mum
:07:24. > :07:26.of five in your new movie - an adaptation of
:07:27. > :07:33.Swallows and Amazons. Ricky says he has a relevant factor.
:07:34. > :07:38.Sorry, I was doing a Matt Baker, showing some flash. My dad used on
:07:39. > :07:49.the lawn of the author of Swallows and Amazons. -- used to. Did he say
:07:50. > :07:52.he was a nice guy? That was all the information I got given this
:07:53. > :08:00.morning. -- used to mow. Here's you waving the children
:08:01. > :08:08.off on their adventure It's very important to keep a record
:08:09. > :08:23.of Voyager for prosperity. All aboard. -- of voyage for prosperity.
:08:24. > :08:34.Come back in one piece or Mr Jack will have your guts for garters.
:08:35. > :08:42.APPLAUSE They were not back before the. --
:08:43. > :08:47.tea. But it was a happy ending. I loved
:08:48. > :08:50.the film. It made me feel like I wasted my life, I should have done
:08:51. > :08:52.that. Haven't we all.
:08:53. > :09:06.I never came across the book. Even though I spent a lot of my life in
:09:07. > :09:12.the library. It wasn't on my radar. I read the script. I think it is
:09:13. > :09:18.just a lovely adaptation. I went to meet Philippa, the director. I
:09:19. > :09:23.thought it would be a lovely summer. I thought I would make some
:09:24. > :09:26.brilliant memories. They stick very closely to the original story but
:09:27. > :09:34.there is an added twist, isn't there? Tell us about that. In the
:09:35. > :09:40.book there are robbers, but in the film they are spies. It brings it a
:09:41. > :09:45.bit up-to-date. Do you think a film set in the 1930s would resonate with
:09:46. > :09:50.kids today? I think so. What I loved about watching the film was how it
:09:51. > :09:54.is entirely focused on the children's story. Lots of grown-up
:09:55. > :09:58.actors, but we are peripheral. The kids are just come you know, they
:09:59. > :10:03.are a real family. They bicker, squabble, they are heartbreaking.
:10:04. > :10:07.One of the older brothers annoyed at the younger brother. I have been
:10:08. > :10:11.there. And the effect it has on adults, we
:10:12. > :10:14.watched it together and we both sort of said, when we have children it
:10:15. > :10:21.would be nice... Not us together.
:10:22. > :10:24.Not necessarily, it is only our third programme together. But we
:10:25. > :10:28.would introduce them to a life outdoors, let them go off on
:10:29. > :10:32.adventures, did you have the same feeling? I can't get my kids into
:10:33. > :10:38.the back garden. I really do try. I'm talking about my older son, I
:10:39. > :10:43.will be embarrassing him, but he likes the indoors life. The little
:10:44. > :10:49.one, he just needs a field to run around. What was your childhood
:10:50. > :10:54.like? Did you go outdoors a lot? I was like my elder son. I can't be
:10:55. > :11:00.angry at him too much because he gets it from me. The old sort of
:11:01. > :11:05.camping in people's back gardens, sort of experiences. You are more of
:11:06. > :11:18.a house cat. Yeah. CHUCKLES
:11:19. > :11:26.But you will be doing another project about AA Milne. Yes, a book
:11:27. > :11:33.based on Christopher Robin. Who do you play? I play a nanny. You do a
:11:34. > :11:37.good nanny. I do downstairs staff very well. Swallows and Amazons will
:11:38. > :11:45.be in cinema on the 19th of August. When teenagers leave the nest
:11:46. > :11:48.and fly off to university you can usually bet there's a few things
:11:49. > :11:51.they don't tell their parents. One father however, regrets
:11:52. > :12:01.not knowing what his Dear Michael, Adams is my bald spot
:12:02. > :12:05.will keep me warm in the summer. Writing has always been in me, it's
:12:06. > :12:07.something I've done since I was a child, I thought it was a lovely
:12:08. > :12:13.thing to do with Michael when he went after university. He suggested
:12:14. > :12:17.I take pieces of hair and stick them to the bald patch. I thought it was
:12:18. > :12:21.a nice way of sharing gossip from home, some nice stories, jokes about
:12:22. > :12:27.his brothers and sisters, and just a nice way of keeping things going.
:12:28. > :12:30.I've always been a happy person. My childhood was always really good. I
:12:31. > :12:32.had my brother and sister around, and my mum and dad, we had family
:12:33. > :12:48.holidays all the time. It was about 2007 when I started to
:12:49. > :12:52.get really depressed. His hair was changing, his whole manner was
:12:53. > :12:56.changing, and he was getting slimmer. Something which was so
:12:57. > :12:59.alien to us. It was beyond our experience or anything we could ever
:13:00. > :13:05.imagine. We just were not aware of it for a long time. They didn't
:13:06. > :13:09.really want to confront it, I guess. It wasn't probably until I was
:13:10. > :13:12.really, really bad, and I was physically, like, my body was
:13:13. > :13:17.breaking down. I wasn't really talking to them very much. As
:13:18. > :13:22.Michael got worse, I thought he was a lazy great lump, and I thought he
:13:23. > :13:27.was a complete waste of space, and I thought he would never get a job,
:13:28. > :13:31.and the reality was, of course, he was depressed. And the anorexia was
:13:32. > :13:37.ruining him and I didn't see it for so long. They are not nasty letters,
:13:38. > :13:41.they are not full of displeasure, it is more a sense of frustration and
:13:42. > :13:46.wanted to shake him, and wanting him to actually get up and do something,
:13:47. > :13:51.just a sense of frustration. As I was getting worse, he would slip in
:13:52. > :13:55.things like... All you need to do now is start eating and everybody is
:13:56. > :14:00.happy, that and a job. It is easy to look back and think, perhaps I
:14:01. > :14:03.should not have said that. By that time, wasn't even reading his
:14:04. > :14:07.letters any more, I would just ignore them. Michael decided not to
:14:08. > :14:13.come to his grandmother's funeral. That enraged me. You should be in
:14:14. > :14:17.some sort of institution, you do not function, you do not work, what you
:14:18. > :14:20.do for me is inadequate. You seem to have no thought for anyone around
:14:21. > :14:28.you. In the letter it sounds like I am raging. At the same time, I think
:14:29. > :14:34.that at that point if you went and got professional help that would
:14:35. > :14:41.have helped him. -- I think I was thinking at that point if he went. I
:14:42. > :14:47.felt like my body was dying. When he was in hospital. He dropped down to
:14:48. > :14:51.about six, seven stone. It was appalling. Devastating. I go back
:14:52. > :14:57.all of the things I should have done. If you have had a son who was
:14:58. > :15:01.13 stone, was Hampson, girls were looking at him as he walked by, and
:15:02. > :15:04.then you see him lying on effectively his deathbed, it is just
:15:05. > :15:11.the worst nightmare of your life. -- was handsome. It was only when he
:15:12. > :15:15.went into rehab that the letters perhaps took on a softer, more
:15:16. > :15:21.caring touch, when I realised actually I need to be a slightly
:15:22. > :15:26.different title father. -- type of father.
:15:27. > :15:37.It is better to talk. See you Friday, my number one son. Love dad.
:15:38. > :15:44.We wish Michael and Iain all the best in the future.
:15:45. > :15:55.You could work on a shopping channel!
:15:56. > :15:58.Welcome bassist Simon and Peanut -
:15:59. > :16:03.Now Ricky, I know you're the front man and everything, but tonight
:16:04. > :16:05.you're the One Show presenter so we've written the questions
:16:06. > :16:22.Read exactly what is on the card. He has not seen them. Is this what
:16:23. > :16:33.you're going to wear? I will check you are seeing the right ones. This
:16:34. > :16:40.is classed as your Love album so who loves me the most? What a generous
:16:41. > :16:50.question. I think it is these ladies. I am sorry, it has to be
:16:51. > :16:59.somebody from the band. It is all of us. Equally. I will let that go for
:17:00. > :17:02.now. Our new single is Parachute. If like the lyrics the band was
:17:03. > :17:08.involved in a midair emergency and only had one Parachute which member
:17:09. > :17:15.of the band would you give it to? It is like going on Blind date! That
:17:16. > :17:20.question goes to contestant number two. In those situations you can get
:17:21. > :17:28.parachutes which people can share. I think we would all stay together. He
:17:29. > :17:35.is good. He will be presenting soon. Aim for the water. Question 34
:17:36. > :17:41.contestant number three, you're on this road this summer touring
:17:42. > :17:47.European festivals, be honest, what is my most annoying habit? He is
:17:48. > :17:53.early for everything. Then he is annoyed that everyone else is only
:17:54. > :17:59.on time. I think being on time is being a quarter of an hour late. How
:18:00. > :18:12.much of an eagle do I have? LAUGHTER -- and ego. You would have to get
:18:13. > :18:23.some stories on top of this to hit those heights. I still love you.
:18:24. > :18:34.Don't worry. You will be playing the festival along with Travis, who your
:18:35. > :18:41.husband Dougie plays with. Go and get it ready, make sure my
:18:42. > :18:47.microphone is plugged in. You can actually go. Go! CHEERING
:18:48. > :18:55.APPLAUSE They are all right really? Let's get
:18:56. > :18:57.back to you, Kelly, a moment which launched your career is
:18:58. > :19:02.Trainspotting and we have do talk about that, let's remind ourselves
:19:03. > :19:05.of you in that role. The truth is you are a quite sensitive type but
:19:06. > :19:09.if I am prepared to take a chance I might get to know the inner EU,
:19:10. > :19:17.witty, adventurous, passionate, loving, loyal, taxi! A little bit
:19:18. > :19:26.crazy, a little bit bad? Don't ask girls just love that? You had just
:19:27. > :19:32.left school when you got that part, how did you get it? It was an open
:19:33. > :19:36.casting call, it was really sort of, talking about fairy tales early on,
:19:37. > :19:41.it was kind of like a fairy tale come to life. I went to an open
:19:42. > :19:46.casting call and they held them in Glasgow and Edinburgh and thousands
:19:47. > :19:52.of people rolled up. Bit by bit they got the numbers down and it was
:19:53. > :19:57.between two of us. You saw it on a flyer? Yes, they handed them out, I
:19:58. > :20:00.was handy two individually by different people and I was very
:20:01. > :20:06.quietly thinking about drama school but I was a bit frightened to voice
:20:07. > :20:11.it. Then I got handed separately the Flyers. We just sort the flyer, you
:20:12. > :20:20.are the new Patricia Arquette or Kate Moss, amazing. It says right at
:20:21. > :20:25.the bottom... You will not get the photograph back. But it was worth
:20:26. > :20:28.it, obviously. We have a film coming out about cooking and I thought you
:20:29. > :20:34.might be interested in these photographs I found. I have never
:20:35. > :20:48.seen those biscuits before in my life! What has been committed? I you
:20:49. > :20:52.are not a great cook? I am a bit forgetful, I wonder off and
:20:53. > :21:13.multitask. Of his two restaurants here in Aidan
:21:14. > :21:18.Brunger. -- Aidan Brunger. Today I am in the other kitchen, the one at
:21:19. > :21:23.home, to get a flavour of all the things he likes to eat when he is of
:21:24. > :21:27.duty. I have been invited for dinner with Tom and his family including
:21:28. > :21:36.the two-year-old twins and his wife Michaela and business partner. Do
:21:37. > :21:39.you get to cook much at home? The restaurant is closed on Sunday and
:21:40. > :21:44.Monday so generally I cook at home then because I love it so much but
:21:45. > :21:50.during the week it is Michaela who cooks. How do you find cooking at
:21:51. > :21:54.home? I feel more confident when I am on my own and he is not looking
:21:55. > :22:01.over my shoulder, I do totally different things to what he does, it
:22:02. > :22:07.is much more simple. When you are a kid with a super chef for a dad you
:22:08. > :22:11.learn to hit him where it hurts. They are reaching that cheeky age,
:22:12. > :22:18.they will go into school and parties, daddy, if you are not nice
:22:19. > :22:22.to me I am going to McDonald's! Today there is no fast food in sight
:22:23. > :22:27.as we head to the regular fishmonger. Michaela will be an
:22:28. > :22:32.kitchen duty and hard Swedish heritage puts a new spin on a family
:22:33. > :22:38.favourite. I thought we should cook lasagne I like to make, smoked
:22:39. > :22:44.salmon, spinach, a bit of a Scandinavian recipe. That sounds
:22:45. > :22:48.delicious, would you cook that in Scandinavia? Yeah, I liked to eat it
:22:49. > :22:54.when I was younger and my kids love it. One is then for certain, she
:22:55. > :23:11.knows her audience. What should we have for lunch? Salmon and pasta.
:23:12. > :23:17.Who is going to cook it? Money. -- money
:23:18. > :23:23.I have a feeling this row could run and run but now it is time for
:23:24. > :23:29.Michaela to pick up our ingredients. This is where you get all your fish?
:23:30. > :23:37.Yes, we get a lot of the house and the restaurant. What are you getting
:23:38. > :23:43.today? Looking to get some smoked salmon please. My husband would have
:23:44. > :23:48.said take the whole slice, I love the fact you have sliced it already,
:23:49. > :23:55.maybe I can go for that? It might be the easy option but I would do the
:23:56. > :24:01.same, as mums are not daft. Michaela tells me about how her recipe has
:24:02. > :24:08.taken on a life of its own outside of the home. We were working on the
:24:09. > :24:17.cookbook and Tom said put it in the book and it made it. It is funny if
:24:18. > :24:22.we are together and people come up and comment to Tom that they
:24:23. > :24:28.especially like it! He might be of duty but the second he here is
:24:29. > :24:35.sizzling he cannot help but stick his nose in. How is it going? Don't
:24:36. > :24:40.forget a touch of salt. He has two Michelin stars, we should probably
:24:41. > :24:45.trust him. As Michaela puts the finishing touches to the lasagne the
:24:46. > :24:51.Big brothers arrive home from school to help set the table. Then,
:24:52. > :24:56.service. We have been working hard on making this all day, I think we
:24:57. > :25:06.should just dig in, what do you think? Yeah! Yeah! Absolutely
:25:07. > :25:14.delicious. It is Gammy. I didn't like it. I loved it! What did you
:25:15. > :25:24.think, Tom, anything you would change? Nothing I would change, I
:25:25. > :25:27.think it's a great dish. She might not have any Michelin stars but she
:25:28. > :25:33.certainly gets the thumbs up from her boys. All five of them.
:25:34. > :25:44.Thank you, I thought it looked delicious. There you are. He is not
:25:45. > :25:49.sure. We asked you for pictures of you hanging out in a group like
:25:50. > :25:58.Swallows And Amazons. This was a gang from the 80s. I have got
:25:59. > :26:04.another one from 1959. Beautiful picture, another from the 1950s. It
:26:05. > :26:10.looks like Swallows And Amazons. Off you go to do your day job. Thank you
:26:11. > :26:14.to Kelly for joining us tonight, it has been wonderful to have you and
:26:15. > :26:18.thank you to Ricky, I will be back on Monday with Matt Baker, Bryce
:26:19. > :26:23.Dallas Howard and LeAnne Rimes will be here. We will leave you with The
:26:24. > :26:24.Kaiser Chiefs performing their brand-new single, Parachute. Have a
:26:25. > :26:30.fantastic weekend, goodbye. # Over, over and over 'til
:26:31. > :26:35.you go and lock your heart # Open, totally broken when you've
:26:36. > :26:45.tumbled through the dark # Hold me, hold me closer 'til
:26:46. > :26:50.you're breaking up, don't leave # Folded, I've folded it over,
:26:51. > :26:57.great times that start again # And I was the light
:26:58. > :27:08.that shined on every day # And I wasn't like
:27:09. > :27:18.that for you always # But if we've only
:27:19. > :27:42.# Nowhere, nowhere is home unless we both live in the same place
:27:43. > :27:49.# Older, shoulder to shoulder cause we don't have separate ways
:27:50. > :27:56.# Hold me, hold me closer 'til we're breaking up, don't leave
:27:57. > :28:03.# Folded, I've folded it over, great times that start again
:28:04. > :28:10.# And I was the light that shined on every day
:28:11. > :28:18.# And I was the light that followed you always
:28:19. > :28:22.# But if we've only got one parachute