:00:19. > :00:25.Welcome to the One That's all from us.
:00:26. > :00:35.Welcome to the One double act that's been
:00:36. > :00:35.Welcome to the One and Arthur Treacher. Delightfully
:00:36. > :00:44.depicted by Carmichael and Arthur Treacher. Delightfully
:00:45. > :00:59.Welcome to the show. Jeeves and Jeeves and
:01:00. > :01:08.Welcome to the show. Jeeves and Wooster.
:01:09. > :01:28.bumbling, incompetent idiot. How easy was to choose who
:01:29. > :01:28.bumbling, incompetent idiot. How starts in London tomorrow night.
:01:29. > :01:35.Were you conscious seen? A little bit, but like all
:01:36. > :01:53.these things, you seen? A little bit, but like all
:01:54. > :01:59.twist on it? Yeah. It's a seen? A little bit, but like all
:02:00. > :02:10.Webber, it didn't do very seen? A little bit, but like all
:02:11. > :02:17.find out more about that as we go on tonight. It
:02:18. > :02:18.find out more about that as we go on leave their war-torn country. The UK
:02:19. > :02:25.is not accepting an leave their war-torn country. The UK
:02:26. > :02:35.from Calais, some are determined to leave their war-torn country. The UK
:02:36. > :02:35.is willing to give them a home. leave their war-torn country. The UK
:02:36. > :03:02.lorry drivers get some sleep leave their war-torn country. The UK
:03:03. > :03:06.Channel. Then there were more figures in the darkness. Suddenly,
:03:07. > :03:18.there were more figures in the darkness. Suddenly, there's a
:03:19. > :03:23.commotion. Woken the Polish drivers. 11 years ago they used to be a
:03:24. > :03:27.refugee camp @ gat, just outside Calais. It attracted thousands
:03:28. > :03:33.looking to Stowaway to Dover. In 2002 it was demolished, on the
:03:34. > :03:39.orders of President Sarkozy. But now the problem is definitely back. The
:03:40. > :03:51.only thing that has changed is the nationality of some of the
:03:52. > :04:01.stowaways. We have many different nationalities. But the number of
:04:02. > :04:04.refugees is growing now. I found six new encampment scattered across
:04:05. > :04:08.Calais, including this one right in the shadow of City Hall. And the
:04:09. > :04:18.latest arrivals, Syrians fleeing the Civil War. I like England, England
:04:19. > :04:23.will be hard work. We know it is 20, 30, 40, 50 a night that are
:04:24. > :04:28.succeeding going to England. That is bad news for British lorry drivers,
:04:29. > :04:34.who used trucks they target. What the penalty if two or three refugees
:04:35. > :04:38.get into your Laurie and hiding it? ?2000 a time. Most of these men
:04:39. > :04:46.sitting on this old railway line Syrians. I say men, but one small
:04:47. > :04:54.figure who stuck out was ten-year-old Acer, not a man, just a
:04:55. > :04:58.boy. What did he say? With the help of a fellow Syrian refugee, he said
:04:59. > :05:02.he'd witnessed tanks shelling his city, as well as air strikes. It is
:05:03. > :05:09.this that made him free to join relatives in Manchester. Under EU
:05:10. > :05:13.rules they should claim asylum in the first European country they land
:05:14. > :05:18.in. But most people I met wanted to settle in the UK, not France.
:05:19. > :05:22.Philippe believes it is because the UK has no identity card system and
:05:23. > :05:28.has lots of jobs that pay cash in hand. Once they are there, it is
:05:29. > :05:34.easier for them to find a job on the black market, if need be. After a
:05:35. > :05:41.certain time for their family to join them as well. Where it's more
:05:42. > :05:44.in France. When it comes to accessing benefits, these Syrians
:05:45. > :05:51.would be financially better off staying here in Calais. For asylum
:05:52. > :05:57.seekers in France, a single man gets ?65 a week plus accommodation. In
:05:58. > :06:02.the UK it is ?36 a week. A couple in France received accommodation and
:06:03. > :06:09.?130 a week. Here, its accommodation and around ?72. They say it is not
:06:10. > :06:14.the benefits that motivate them. What did you want, do you want a
:06:15. > :06:22.job, money? Everything, money and job is the life I want. My heart is
:06:23. > :06:27.England, good England. It's beautiful. When I left, the
:06:28. > :06:35.ten-year-old was still there. But I suspect others had succeeded in
:06:36. > :06:39.their goal of reaching the UK. Although the government says that
:06:40. > :06:44.the UK won't accept an official quota of Syrian refugees, it has
:06:45. > :06:46.granted asylum to 1000 Syrians and is spending 500 million to support
:06:47. > :06:53.those who have fled to neighbouring countries. Matthew and Steven, it
:06:54. > :06:57.all starts tomorrow night. Let's have a look at you in action on
:06:58. > :07:05.stage in the first ever Jeeves and Wooster stage play. I need that
:07:06. > :07:10.checked suit I've just had made. I need something to cheer me up. Might
:07:11. > :07:19.I oppose you appearing in public in those garments. Don't you like them?
:07:20. > :07:24.A lot of fellows have asked me who Mike Taylor is? I'm saying nothing
:07:25. > :07:26.about his moral character. Whatever your opinion, I should like you to
:07:27. > :07:36.pack it. Matthew, because you played Jeeves,
:07:37. > :07:46.it's fair to say you do a lot more than Stephen in this play, don't
:07:47. > :07:52.you? Well... I do. I'm looking after his character. You do technical
:07:53. > :07:58.stuff as well. There's lots of costume changes. The idea of the
:07:59. > :08:01.play is Bertie is telling a story. He has been told that he is very
:08:02. > :08:06.good at telling stories and he really ought to be doing it on
:08:07. > :08:10.stage. But he also decides to hire a theatre, to tell the story. After a
:08:11. > :08:16.few minutes he dries up terribly, so Jeeves comes on and help them tell
:08:17. > :08:21.the story. So you are running around like a headless chicken, while
:08:22. > :08:27.Wooster is doing... Hang on a minute! I'm very tired. There's a
:08:28. > :08:32.lot of dialogue in it and it's incredibly fast. Do you ever think,
:08:33. > :08:36.I'm in the wrong place here? Yes. The other day on stage there is a
:08:37. > :08:40.bit of scenery flies in. I was thinking, I have no idea what
:08:41. > :08:46.happens here. The scenery landed and I turned to Matthew and said, so,
:08:47. > :08:54.Jeeves, what's next? It's up to him to know. This is called Perfect
:08:55. > :09:03.Nonsense. Why did they pick this particular piece of work from PG
:09:04. > :09:07.Wodehouse. It's got a bit... It's like his greatest hits. There are
:09:08. > :09:11.little lines and bits of story from all the books thrown in. It's called
:09:12. > :09:18.Perfect Nonsense because it is nonsense. It is fluffy, silly, daft,
:09:19. > :09:22.hilarious nonsense. It's a fun, really easy on the brain kind of
:09:23. > :09:28.night at the theatre. With as many laps as we could possibly cram in.
:09:29. > :09:37.This isn't the first time you have worked together. You even started at
:09:38. > :09:44.drama school. A year apart at RADA. It was hard to tell. I am a little
:09:45. > :09:52.bit older than him. I haven't aged very well. And then we did a play, a
:09:53. > :10:02.production, much ado about nothing, in 1998. Here you are. I had a real
:10:03. > :10:10.moustache. That shows the level of dedication we have. Steve grew his
:10:11. > :10:13.and I stuck my non-. Is it true that you think it's great that Matthew is
:10:14. > :10:19.doing this kind of play? We're used to seeing you in quite serious
:10:20. > :10:24.stuff. We see him in with a street, very serious, moody kind of guy.
:10:25. > :10:29.He's brilliant at it, but I know how funny he is as well. It's fantastic
:10:30. > :10:32.he's doing a comedy like this. Talking of sticking on facial hair
:10:33. > :10:38.in that last production, in the street do you grow your own burdens?
:10:39. > :10:44.Absolutely, they are for the long haul. Did you ever think this would
:10:45. > :10:51.be so popular? You never know how it's going to be. People seem to
:10:52. > :10:59.like it. It's good fun. It's got a lot of swagger. The writing is very
:11:00. > :11:06.good, it's a period thing and a thriller. Ripper Street is
:11:07. > :11:11.brilliant, but Stephen has got the role every actor in the UK, if not
:11:12. > :11:19.in the world, really, really wants. And that is, of course, Postman Pat.
:11:20. > :11:28.Where were you when you heard the news? I was at home. I shouted to my
:11:29. > :11:31.son, because he hasn't been able to watch anything. This play we are
:11:32. > :11:35.doing is probably the first thing he can watch because most of the stuff
:11:36. > :11:39.I do was quite filthy, really. But Postman Pat, I told him I was doing
:11:40. > :11:48.that and he said, no, you are not doing that. Until the thing comes
:11:49. > :11:52.out. That is the big one. Jess is stuck up a tree, so you are late
:11:53. > :12:00.delivering the mail. Can you give us the voice of Postman Pat? It so
:12:01. > :12:05.long... He talks like that... I kept it very close to the original TV
:12:06. > :12:19.show. I've gone for a northern, warm... There's a lot of American
:12:20. > :12:25.money in it. Perfect Nonsense opens in London's West End tomorrow at the
:12:26. > :12:30.Duke Of York's Theatre. In Jeeves and Wooster, people were fascinated
:12:31. > :12:35.with air travel. So much so that in 1910 a national newspaper set an
:12:36. > :12:40.epic challenge, to fly from London to Manchester in 24 hours. It sounds
:12:41. > :12:43.like a challenge for some of the budget airlines these days! It
:12:44. > :12:48.sparked a new competition called the Air Race. In the early 20th
:12:49. > :12:54.century, mankind finally conquered the skies. Aviation was brand-new,
:12:55. > :13:01.loaded with danger but full of glamour. In 1906, the Daily Mail
:13:02. > :13:06.newspaper issued a challenge. ?10,000 for the first person to fly
:13:07. > :13:11.from London to Manchester in 24 hours. This was hugely ambitious. At
:13:12. > :13:16.that point, the only successful flight had taken place overseas. It
:13:17. > :13:20.aviation here was on the move, the public were hooked. And in 1909, one
:13:21. > :13:26.man was positioning himself to become Britain's's first aviation
:13:27. > :13:30.hero. Claude Grahame White was a dashing Edwardian, a yachtsman with
:13:31. > :13:33.a lot of automobiles and, at an airshow in France, he became
:13:34. > :13:38.enraptured with powered flight. His competitive nature made him a sucker
:13:39. > :13:41.for the challenge. The Shuttleworth collection in Bedfordshire is home
:13:42. > :13:47.to the type of vintage planes used to fly. Was he motivated by the
:13:48. > :13:52.money? I don't think he was. He never mentions it in his book will
:13:53. > :13:57.stop when being an English gentleman, he doesn't mention the
:13:58. > :14:02.money at all. At ?10,000 was an absolutely colossal prize. It was
:14:03. > :14:06.worth around ?1 million in today's money. And he was ready for his shot
:14:07. > :14:12.at stardom, in a flying machine like this. You get an amazing sense just
:14:13. > :14:15.how big this aircraft is. It is huge, 50 feet or just about. They
:14:16. > :14:20.used to fly first thing in the morning and last thing at night to
:14:21. > :14:25.get the light and the lighter winds. It is difficult or different to fly
:14:26. > :14:29.than modern aeroplanes because they hadn't figured out the stability and
:14:30. > :14:34.control issues. Despite the challenges, unable the third, 1910,
:14:35. > :14:40.Grahame White was ready. Competition rules allowed Tim two pit stops, but
:14:41. > :14:45.on the first evening he flew 80 miles from Park Royal, near Wembley,
:14:46. > :14:50.to rugby. He had to stop at Lichfield. Luckily there were a
:14:51. > :14:54.platoon of soldiers there. He left them instructions to tie his plane
:14:55. > :14:59.down and they didn't. So when he came back in the morning his plane
:15:00. > :15:04.was completely smashed. Because the wind had flipped it over? Who took
:15:05. > :15:08.the plane back down to London and within four Daisy was ready to go
:15:09. > :15:14.again. But now the challenge have become a race, because he had a
:15:15. > :15:18.rival. A French flying ace announced his intention to compete. He was
:15:19. > :15:25.ready to battle Grahame White in the skies. Grahame White spent the day
:15:26. > :15:28.resting a at Park Royal, waiting for the winter drop. His opponent was
:15:29. > :15:34.doing the same just a few miles away. But then, at 5:20pm, the
:15:35. > :15:38.Frenchman assessed the skies, got into his plane and took off. Grahame
:15:39. > :15:51.White set off an hour later. The race was on. I have come to Duxford
:15:52. > :15:58.airfield. This is as close as I am going to get to experiencing the
:15:59. > :16:04.world of those aviation pioneers. How on earth would they have
:16:05. > :16:07.navigated in the early 20th century? They would have looked at the
:16:08. > :16:15.significant features like the railway line. The pilots knew which
:16:16. > :16:21.railway lines to follow. On April the 27th, Graham had made it to
:16:22. > :16:27.Northampton. The French man was already in Lichfield, 60 miles
:16:28. > :16:32.ahead. Painted railway lines were not going to save the English man
:16:33. > :16:38.now. He would fly at night. It had never been attempted anywhere in the
:16:39. > :16:44.world. He used the head lamps from motorcar to guide him. It is very
:16:45. > :16:51.cold, I am glad I have this jacket on. He was navigating at the same
:16:52. > :16:58.time, he must've been exhausted. The Frenchman heard of Graeme's bravery
:16:59. > :17:03.and set off himself before dawn. He made it to Manchester. For the
:17:04. > :17:08.second time in a week, troublesome wind forced Graham to abandon the
:17:09. > :17:13.race at Lichfield. The Frenchman had seen off his British rival and
:17:14. > :17:21.claimed the prize. Graham White said that the best man had one. He became
:17:22. > :17:28.the British hero. He was terribly gallant in defeat. So, we lost out
:17:29. > :17:32.to be French but it did not stop newspapers setting up more
:17:33. > :17:41.challenges. The Daily Mail had lots of challenges. The next one they
:17:42. > :17:46.did, a year later, was the round Britain race. You can see that on
:17:47. > :17:55.this picture here. 1000 miles and 11 stops. You can sense the excitement
:17:56. > :18:07.in this picture. Frenchman this. The British were a week behind. Week? It
:18:08. > :18:16.got better because the British won one of the kiss prizes in aviation.
:18:17. > :18:19.They travelled across the Atlantic. Allcock and Brown took off from
:18:20. > :18:24.Newfoundland and they soared into the sky, and 16 hours later, they
:18:25. > :18:31.reached the British Isles. They crash landed in the Republic of
:18:32. > :18:35.Ireland. They brought the first ever transatlantic air mail. ?10,000 to
:18:36. > :18:46.them as well. The British won a bit back. Did they have any jet lag?
:18:47. > :18:50.They must have been. London to Manchester is nothing compared to
:18:51. > :18:57.our 700 mile Rickshaw Challenge which begins next Friday. This is
:18:58. > :19:04.the route. They are travelling from Giant's Causeway to Albert Square,
:19:05. > :19:09.over 700 miles. They go down to Oxford and then to Hertfordshire.
:19:10. > :19:13.They are cycling day and night. People have said they have bitten
:19:14. > :19:32.off more than a can chew. What would you say, Alex? They are probably
:19:33. > :19:45.right! Here is the first of five films getting to know Team Rickshaw.
:19:46. > :19:54.Hello, I am Bethany. Come on in. This is the kitchen. This is a
:19:55. > :20:07.picture of my family, my brothers, and my mother. There is my dad. Her
:20:08. > :20:14.hair is gorgeous. The moustache is magnificent. When Bethany was born,
:20:15. > :20:19.it was a bit of a shock because we did not know she would have Down's
:20:20. > :20:25.syndrome. I was frightened to start with but I thought she was gorgeous
:20:26. > :20:31.anyway. Bethany is wonderful. She always wants me to play games with
:20:32. > :20:48.her. She gets that look in her eye and she gets that wicked little
:20:49. > :21:04.laugh. This is my teddy. There are pictures there when I did
:21:05. > :21:07.gymnastics. That is cute. She does not think there is anything
:21:08. > :21:11.different about her. I have to explain to her sometimes that she
:21:12. > :21:17.cannot do everything. I am aware that she is very independent. She
:21:18. > :21:27.does get cross sometimes, she is a typical teenager like that! Earlier
:21:28. > :21:33.this year, Bethany appeared in a professional production. The project
:21:34. > :21:36.was funded by Children In Need. The theatre company work with the
:21:37. > :21:43.disabled, and that is how we met Bethany. I would like to be an
:21:44. > :21:50.actress. I have been in a Shakespeare production. She has
:21:51. > :21:54.always been an outgoing person and she has been fun to be around. What
:21:55. > :22:00.has changed for Bethany is that she has become more creative herself.
:22:01. > :22:05.The other point it has been the high point of her life and has given her
:22:06. > :22:15.so much confidence. Her self-esteem has rocketed. I will have to put a
:22:16. > :22:21.lid on it! Our children has an opportunity that they would never
:22:22. > :22:30.have had if children need had not funded it. I was so proud that both
:22:31. > :22:37.my girls were in the Rickshaw Challenge. They are going to make me
:22:38. > :22:41.very proud and happy. It is going to be such an opportunity for Bethany.
:22:42. > :22:48.She will remember it for the rest of her life, even if she never does
:22:49. > :22:51.anything as big as this again. Please give money to Children In
:22:52. > :22:58.Need. APPLAUSE
:22:59. > :23:01.Thanks to Amanda and Bethany - we'll be getting to know our other
:23:02. > :23:09.Rickshaw riders over the next week and a half. Tunnel vision! Here's
:23:10. > :23:15.Jeeves and Wooster with a reminder how to donate money. To donate ?5 to
:23:16. > :23:19.BBC Children in Need text... how to donate money. To donate ?5 to
:23:20. > :23:25.Text messages will cost ?5 plus your standard network charge and ?5 will
:23:26. > :23:38.go to Children in Need. For full terms and conditions, visit
:23:39. > :23:42.bbc.co.uk/pudsey. Autumn means rutting season for red
:23:43. > :23:45.deer across the UK - so we sent Mike Dilger to get a closer look, and
:23:46. > :23:58.listen, into this incredibly masculine behaviour. For most of the
:23:59. > :24:04.year, red deer and is hinds live apart, but in autumn, everything
:24:05. > :24:12.changes. These normally shy animals have a life dominated by temper and
:24:13. > :24:21.testosterone. This is where snacks will clash, fights and yellow.
:24:22. > :24:27.Whilst the top stags try to keep their place and impress the females.
:24:28. > :24:32.They tried to round up as many females as possible for themselves,
:24:33. > :24:37.and any stag that thinks he is tough enough vies for complete dominance
:24:38. > :24:47.of the herd. It is a natural soap opera, a month of drama. There are
:24:48. > :24:53.140 here and a few days ago that drama took a surprising turn. The
:24:54. > :25:01.main stag, the top dog, snapped off his handler while he wrestled with a
:25:02. > :25:09.fence post. He was the most aggressive, but now he has snapped
:25:10. > :25:15.his anchor and he has lost his Mojo. Snapping one does not hurt. Losing
:25:16. > :25:21.its now means he has lost his position and is out of this year 's
:25:22. > :25:26.team. There are now two contenders for the boss's job. Before stags
:25:27. > :25:31.come to blows, they preferred to yellow at each other. They warn
:25:32. > :25:40.their opposition how big they really are. This doctor from the University
:25:41. > :25:49.of Sussex is an expert on red deer calls. There is a chew into the
:25:50. > :25:55.larynx, and the longer the vocal tracks, the lower the residencies
:25:56. > :26:05.and the more baritone they will sound like. If we play a recording
:26:06. > :26:22.of the bellowing, will there be any male challengers? An immediate
:26:23. > :26:30.response. He is clearly feeling challenged. He is trying to give the
:26:31. > :26:37.maximum impression of his body size. In fact, the new contenders are
:26:38. > :26:45.roaring at the speaker. The battle for dominance is clearly on. Top
:26:46. > :26:55.males do not eat but they do use branches as a gym, strengthening
:26:56. > :26:59.their neck muscles for a fight. With the deposed leader one antler out of
:27:00. > :27:04.the way, the contenders try to mate with the hinds. The females are
:27:05. > :27:12.being pushed around all over the place. What a privilege to be so
:27:13. > :27:22.close to this behaviour. These two stags are facing each other off.
:27:23. > :27:29.That raw is so deep and powerful. -- roar. It looks like a tale of two
:27:30. > :27:35.stags. There are two that are constantly fighting. There is a lot
:27:36. > :27:42.of shouting and bawling, the occasional tussle. These heavyweight
:27:43. > :27:49.contenders have proved to be an equal match, but stags can and will
:27:50. > :27:53.fight to the death. As long as there are mating rights to be had, these
:27:54. > :28:00.battles for dominance will continue to be fought. All of that
:28:01. > :28:06.masculinity has rubbed off on our boys. They have grown in stature for
:28:07. > :28:11.next challenge. We have discovered that down in Exmoor National Park,
:28:12. > :28:15.the locals imitate red deer to see if they can get a reaction from the
:28:16. > :28:27.animals - otherwise known as 'bolving'. Rob Follett, the World
:28:28. > :28:36.Bolving Champion 2013, is here alog with the event organiser, Richard
:28:37. > :28:52.Eales. Rob, congratulations. Will you give us a champion's blast? It
:28:53. > :29:00.sounds like he needs to see a doctor! You have kindly said you
:29:01. > :29:24.would give it a go. Did I? Matthew, would you like to go first? Let's go
:29:25. > :29:39.together. Can they go together? No! THEY MIMIC DEER.
:29:40. > :29:44.It has worked! That is another male so he might be coming through to
:29:45. > :29:51.fight with you. Thank you, lads. That is all we have time for today.
:29:52. > :29:53.Thank you to Stephen and Matthew. Joining us tomorrow, Richard and
:29:54. > :29:56.Judy, have a lovely evening, goodbye.