:00:20. > :00:25.Hello and welcome to The One Show with Alex Jones. And Angellica Bell.
:00:26. > :00:30.We are joined by the actress who married a king and became the Queen
:00:31. > :00:39.of grazed. Please welcome Priscilla Presley. -- Queen of Graceland.
:00:40. > :00:44.Great to see you again. You are back in the UK, doing panto. It is a
:00:45. > :00:49.great chance for you to see your daughter and grandchildren is. Yes,
:00:50. > :00:53.if they come! They are still in the States. They are excited that I am
:00:54. > :00:58.doing panto, it is Aladdin this time. They came to see me when I was
:00:59. > :01:04.doing snow-white and the 7 dwarfs. They came four times. They have been
:01:05. > :01:12.begging to come and see me. They are trying to work it out. We will see.
:01:13. > :01:17.This is a random question. But... Is there any room in grey slant for a
:01:18. > :01:24.little piece of pottery? Well, we will make some room. We will make a
:01:25. > :01:32.room for rate. Not a room, but some room. We have got a picture of a
:01:33. > :01:37.room in Graceland here. We were thinking maybe on the mantelpiece?
:01:38. > :01:43.Or on the dresser behind? The cream one? That will be nice. Let's take a
:01:44. > :01:51.look first. Don't want to speak too soon. Luckily, Sara Cox is here to
:01:52. > :01:56.tell us about her new show, The Great British Pottery Throw Down. We
:01:57. > :02:01.have got Adam, Pip and Stuart in from the studio. Welcome to The One
:02:02. > :02:08.Show. Are you going to make a fabulous creation? Something
:02:09. > :02:14.special. Welcomer your pottery will be union Graceland. That pottery
:02:15. > :02:22.looks very familiar from something I think I was in... We have got the
:02:23. > :02:27.clip! Why did I have a feeling... They are going to make something fit
:02:28. > :02:34.for Graceland. They have got 20 minutes. So, potters, it... One for
:02:35. > :02:40.the money, two for the show, three to get ready... And they are off.
:02:41. > :02:48.Hopefully they will come up with something nice. I hope so. I'll keep
:02:49. > :02:52.my fingers crossed. We like to think of the UK as green and pleasant but
:02:53. > :02:56.the truth is it looks like we are going to run out of trees. Trish
:02:57. > :03:02.Adudu went to Scotland to investigate a growing problem. In
:03:03. > :03:06.the UK, trees are being harvested at a record rate with 12 million tonnes
:03:07. > :03:12.of timber being cut down last year. It is a site that many might feel is
:03:13. > :03:16.an environmental disaster. Did you know that these trees were planted
:03:17. > :03:27.to be chopped down, and it was all part of a plan in the 60s to boost
:03:28. > :03:32.the British wood industry. Realising that we were going to run out of
:03:33. > :03:37.timber, the government gave tax breaks to landowners if they planted
:03:38. > :03:42.trees for harvesting. Now more than 50 years later, and production is at
:03:43. > :03:46.an all-time high. Here in Lockerbie, the timber is used in anything from
:03:47. > :03:51.building homes to sandwich packaging. Stuart Goodall from the
:03:52. > :03:57.Confederation of forest industries shows me round. I'm blown away, just
:03:58. > :04:01.how big the operation is. The logs are being turned into planks. How
:04:02. > :04:07.does this end up as a sandwich wrapper? Nothing is wasted. Every
:04:08. > :04:12.log is scanned and the technology identifies the maximum number of
:04:13. > :04:19.pieces of sawn timber we can get from that log. The bits which are
:04:20. > :04:26.not used will end up producing anything like a sandwich wrapper
:04:27. > :04:32.that you have. Even though UK timber is booming, Stuart says that demand
:04:33. > :04:37.is outstripping supply. We are still only providing 20% of the wood
:04:38. > :04:48.products that the UK consumed. 80% is imported. How it to protect the
:04:49. > :04:53.80%? It is vital. The sector supports 40,000 jobs and contributes
:04:54. > :04:58.?20 million to the economy. Forestry Commission forecasts show that,
:04:59. > :05:03.although the action will rise in the next ten years, it will be in
:05:04. > :05:07.decline in 15. Mills like this are huge local employers and they will
:05:08. > :05:13.be repeating for a diminishing supply of timber, so it is vital
:05:14. > :05:18.that we plant new forests. In 2009, the government signed up to increase
:05:19. > :05:23.the amount of trees planted, yet today the country has an average of
:05:24. > :05:28.just 13% of woodland cover, less than half the global average. Stuart
:05:29. > :05:33.takes me to see a freshly planted woodland. Andrew born is the
:05:34. > :05:40.district forest manager. Trees as far as the eye can see. There are
:05:41. > :05:44.1.2 million trees on the site over 480 hectares, so it is big. You
:05:45. > :05:51.might think that planting trees would be simple. Far from it. These
:05:52. > :05:55.days, woods are not just planted but designed. The problem is getting
:05:56. > :06:00.permission to plant them. It takes an awful long time to do that. We
:06:01. > :06:04.have had a case where it took two years and we went through 19
:06:05. > :06:10.different versions of the design. The landowner was frustrated. In the
:06:11. > :06:16.60s, they planted these trees and we are benefiting. Why can't we have an
:06:17. > :06:22.easy process now? In the 60s, you applied for permission on a side of
:06:23. > :06:27.a 4 paper. Now, it is a 100,000 word report, consulting with 20 or 50
:06:28. > :06:35.different organisations. It is out of hand. Forestry Commission told us
:06:36. > :06:40.they spent ?71.8 million last year helping people to plant, manage and
:06:41. > :06:44.improve forests in England and Scotland, but Stuart and Andy say
:06:45. > :06:48.that is not enough. They need to get the system working smarter, get
:06:49. > :06:54.round the table and agree things. At the moment, it takes far too long.
:06:55. > :07:00.We had to plant new forests now, because it takes 35-40 years to grow
:07:01. > :07:05.them. Clearly, this isn't a fast turnaround industry but, today, we
:07:06. > :07:09.are going to do our bit for the future. It is exciting, we've got 50
:07:10. > :07:14.trees and we are going to prompt -- plant our very own forest for The
:07:15. > :07:20.One Show. They may not look much at the moment, but given time they will
:07:21. > :07:26.grow into soaring Scottish spruces. How long will the forest take to
:07:27. > :07:28.harvest, guys? 40 years. 40 years! I wonder if we will be on air... Good
:07:29. > :07:35.luck! wonder if we will be on air... Good
:07:36. > :07:39.Come on, Trish. 2055, we will be back to let everyone know how the
:07:40. > :07:46.forest is doing. They will wheel me out on a mobility scooter. I will
:07:47. > :07:52.look the same. Oh, you will. Priscilla, you are here because you
:07:53. > :07:59.helped create this album, Elvis, If I Can Dream. Elvis would have been
:08:00. > :08:05.80. Yes. Coincidentally, it is the 80th birthday year and we have been
:08:06. > :08:13.working on this album for two years. The producer approached me two years
:08:14. > :08:18.ago when I was here, doing panto. We became friends. One afternoon, we
:08:19. > :08:22.were having tea and he said, can I ask you a question? I want to run an
:08:23. > :08:28.idea by you. I was thinking, oh, boy! So many people say they have
:08:29. > :08:33.ideas. I was kind of hoping it would be good. Anyway, he said he would
:08:34. > :08:38.like to do an album of Elvis with the Royal Philharmonic Orchestra.
:08:39. > :08:43.Immediately, I thought, oh, my God, this would be something Elvis would
:08:44. > :08:48.love to do. I didn't want to seem too excited and I told him to check
:08:49. > :08:53.out that he knew how to work with the orchestra. Some of the artists
:08:54. > :08:57.he had worked with. I googled him and I loved all the work he did, so
:08:58. > :09:02.I called him up and said, I really like it, I would like to take it to
:09:03. > :09:07.Sony and see what they think and tell them how important this would
:09:08. > :09:12.be for Elvis's legacy, to keep him current. He would have loved to have
:09:13. > :09:16.done this, especially with the Royal Philharmonic Orchestra. You can't
:09:17. > :09:21.get any better than that. That is how it started. I loved the idea. We
:09:22. > :09:26.spent two years in the making and here we are, and I'm very proud of
:09:27. > :09:27.it. As well as the orchestra, you roped in Michael Buble, a favourite
:09:28. > :10:01.of ours. It's lovely to hear his voice and
:10:02. > :10:05.Michael's together. He was saying the lovely thing about this album,
:10:06. > :10:12.it is the song that Elvis loved singing. He did like these songs
:10:13. > :10:16.very much. Michael is singing Fever at one of his concerts and somebody
:10:17. > :10:21.asked if I would like to go and I said, sure, never realising he sang
:10:22. > :10:25.that. We were in the midst of doing the album and I thought, oh,, boy,
:10:26. > :10:32.that would be great. Elvis loved singing that. I saw him when he was
:10:33. > :10:38.18 singing it. He loved Dean Martin, the crooning voice and Michael Buble
:10:39. > :10:43.has that same crooning, sexy voice. I ran it by the producer and he
:10:44. > :10:50.said, that is a great idea. Let's get hold of him. I knew Michael's
:10:51. > :10:55.manager, Bruce Allen, and we run it by them, and Michael did an amazing
:10:56. > :11:02.job. It just looked like Jew guys having a conversation. -- two guys
:11:03. > :11:09.having a conversation about Captain Hook and the contest. It was just
:11:10. > :11:15.great. Their voices sound great together. What about you? What songs
:11:16. > :11:22.do you particularly like? I like all of them. I have two favourites, one
:11:23. > :11:24.is Bridge Over Troubled Water, the other is An American Trilogy, An
:11:25. > :11:28.American Trilogy really because I brought it to him. I heard the song
:11:29. > :11:32.on the radio and thought, oh, my God, this is everything Elvis
:11:33. > :11:38.believed in, beloved of his country, the love the south, and the
:11:39. > :11:43.love of his maker. So I bought the song and went back to the house and
:11:44. > :11:47.I said, I heard this song, you might want to listen to it. Never said,
:11:48. > :11:54.you should do it, because you didn't do that with him. But you suggested
:11:55. > :11:59.it. I said, listen, and see what you think. He was listening and taking
:12:00. > :12:06.all in, nodding, and the next thing I knew, he recording it. It is a
:12:07. > :12:11.great album. It feels like Elvis is really here right now with us. Great
:12:12. > :12:20.validation, I thought, was from Elvis's orchestra leader, who he
:12:21. > :12:24.worked with in Las Vegas at the International Hotel. He came up to
:12:25. > :12:31.me two years ago and said, I have an idea. I said, what? You said, Elvis
:12:32. > :12:37.with an orchestra. I said, we already doing it. He said, he would
:12:38. > :12:41.have loved that. It was a great validation. I have eyewitnesses. I
:12:42. > :12:46.wanted people to know the diversity of Elvis and the fact that he wasn't
:12:47. > :12:50.just rock and roll. We all love rock and roll, but it wasn't just that.
:12:51. > :13:02.Is diversity injuries of music was varied. -- his diversity in John
:13:03. > :13:08.Roos. There is such a variety. For fans and new fans of Elvis. Keeping
:13:09. > :13:15.him current. We have to keep his legacy going, and this is something
:13:16. > :13:19.that definitely does. If I Can Dream is out tomorrow. Many things can be
:13:20. > :13:26.said to have had a profound effect on the world. Elvis's music is one
:13:27. > :13:33.and roof protest -- Ruth Goodwin has another. Meet the humble Irish
:13:34. > :13:41.lumper potato. It is a bit knobbly but it changed history. Without it,
:13:42. > :13:45.this might never have happened. The great-grandfather of this president
:13:46. > :13:50.left Wexford in Ireland for the United States in 1848. I am landing
:13:51. > :14:01.a man on the moon and returning him to Earth. JFK's legacy is out of
:14:02. > :14:07.this world. One small step for man, one giant leap for mankind. He is
:14:08. > :14:11.not the only one who helped shape the modern world. Henry Ford was the
:14:12. > :14:19.father of the motor car but his father left Cork in 1887. What has
:14:20. > :14:25.this got to do with a potato? The failure of the lumper, which began
:14:26. > :14:29.in 1845, heralded the start of the Irish potato famine, leading to the
:14:30. > :14:33.greatest wave of immigration Ireland had ever seen. This year, the
:14:34. > :14:39.official commemoration of the famine is here, in Newry, County Down, its
:14:40. > :14:44.first time in Northern Ireland. As a Humphreys is the Irish Minister for
:14:45. > :14:49.heritage. It had a huge impact on the famine. 1 million of the
:14:50. > :14:58.population emigrated, 1 million died. Those effects still live on
:14:59. > :15:01.today. If the famine has a central place in Irish history, does it also
:15:02. > :15:06.has a central place in world history? This is probably one of the
:15:07. > :15:12.reasons we have a huge Irish Dyas broke across the world. When you go
:15:13. > :15:17.to America, Canada, Australia, you hear the stories of people who
:15:18. > :15:21.emigrated because of it. The famine was caused by crop failure but
:15:22. > :15:26.ironically it happened because the lumper was too successful. This man
:15:27. > :15:33.is an expert in life here in the 19th-century. Very nutritious, a
:15:34. > :15:39.couple of stone of potatoes a day with buttermilk catered for all of
:15:40. > :15:45.your vitamin needs. Two fifths of the population relied totally on
:15:46. > :15:50.potatoes. In 1845, a fungal disease, potato blight, hit this crop.
:15:51. > :15:54.Potatoes were blackening in the fields. The phrase used by the
:15:55. > :15:59.popular press was that they had turned into a mass of putrefaction.
:16:00. > :16:06.If one potato was affected, the whole field was affected. For 170
:16:07. > :16:12.years, the lumper was the potato nobody wanted to grow, until now. I
:16:13. > :16:17.am here to meet Michael McKillop. He believes the dreaded blight is a
:16:18. > :16:22.thing of the past and he has big plans for this potato. Growing them
:16:23. > :16:29.slowly, increasing them the year-on-year, because of the number
:16:30. > :16:30.of seeds coming forward. It can take ten years to build up your seed
:16:31. > :16:50.stocks. To go commercial. Is this potato from the 19th century
:16:51. > :17:00.any good to eat? A bit of butter. It smells nice. That is a good potato,
:17:01. > :17:05.isn't it? That is what I will be eating now for the rest of the
:17:06. > :17:11.season. It is great to have a bit of history. Despite its troubled past,
:17:12. > :17:18.the humble lump of potato has gained one last chance to redeem itself. It
:17:19. > :17:23.may be coming to a dinner table near you -- lumper potato.
:17:24. > :17:32.My grandad said you could get everything you needed from the
:17:33. > :17:44.potato. My favourite is the roast. Chips, Chris...
:17:45. > :17:51.These are from the Great British Pottery Throw Down. It is very tense
:17:52. > :17:57.from the word go. Matthew has got three over here. Jim is overtaking
:17:58. > :18:06.Tom. Making everything very economical. He is on seven, you are
:18:07. > :18:14.on six. I have got one! Exciting times! Sara, meet
:18:15. > :18:15.on six. I have got one! Priscilla, Priscilla, meet Sara. We
:18:16. > :18:20.have been chatting. I Priscilla, Priscilla, meet Sara. We
:18:21. > :18:29.work in Snow White. You went to panto? She said, oh no you didn't!
:18:30. > :18:36.They are billing this as the new Bake Off but with clay. What are the
:18:37. > :18:41.similarities and differences? Don't try and eat anything they make, that
:18:42. > :18:45.is the top tip. Making is the new baking. I hope everyone loves it and
:18:46. > :18:51.embraces the show as much as they did with take-off. It is made by the
:18:52. > :18:54.same production team. The similarities are we have taken
:18:55. > :18:58.people who are passionate about this hobby they have got, they might do
:18:59. > :19:02.it in their garage on the wheel or they might do night classes, they
:19:03. > :19:04.are completely passionate about it. What we have done is taken
:19:05. > :19:07.are completely passionate about it. What we have done is taken hobby
:19:08. > :19:11.they love and probably do to relax and we have put them against the
:19:12. > :19:15.clock set challenges and filled it. There is a lot of passion and
:19:16. > :19:19.excitement and creativity in there. What is different to Bake Off as it
:19:20. > :19:27.takes five days to make their main make. You cannot pop it in the oven
:19:28. > :19:31.for an hour. It has to go through two firings and so much can go
:19:32. > :19:37.wrong. There are getting fired up to 1000 Celsius. Thousands of years ago
:19:38. > :19:42.man was cloying a bit of earth art and chucking it in the fire and
:19:43. > :19:46.seeing what they could make. It is really instinctive. It is quite
:19:47. > :19:53.earthy? Literally, it is an exciting. Will we get as emotional
:19:54. > :19:57.as we do about cakes? We do get a bit giddy about baking. It is
:19:58. > :20:03.emotional. A lot of the emotion comes from one of the judges. He is
:20:04. > :20:08.crying every five minutes! He is one of the best potters in the UK. He
:20:09. > :20:14.makes gorgeous kitchenware. We also have Kate Maloney. She makes
:20:15. > :20:18.incredible pots. Keith get so emotional. He sees all these
:20:19. > :20:22.incredible people from all walks of life. Uses them when they do well
:20:23. > :20:28.and he starts crying. I was saying, maybe they should get an for when
:20:29. > :20:32.they make Keith Crier? Go and try and squeeze it here out of Keith.
:20:33. > :20:36.They are really passionate. I think everyone will love the judges
:20:37. > :20:45.because they are quite potty. They are big personalities. We know you
:20:46. > :20:51.can't Potter, is that even a phrase? I potter around my kitchen! I do a
:20:52. > :21:00.bit of pottering. But Priscilla, as you mentioned, you are an expert.
:21:01. > :21:10.Let's have a look at the clip. MUSIC: Unchained Melody.
:21:11. > :21:26.Oh, my God, so messy! We were literally filled with clay and the
:21:27. > :21:31.next day my hot water went out at my home so I went home to take a shower
:21:32. > :21:35.and I had no hot water and I had to stay in freezing water and it was
:21:36. > :21:39.stuck to my whole body. It was so hard to get off so I don't have very
:21:40. > :21:44.good memories of that! Well, though the The Great British
:21:45. > :21:51.Pottery Throw Down begins next Tuesday at nine o'clock on BBC Two.
:21:52. > :21:55.On Monday the One Show met people who lost thousands of pounds through
:21:56. > :22:05.a talk to updated reach. They have been the target of scammers.
:22:06. > :22:10.Tonight you will hear from someone who was using their personal details
:22:11. > :22:16.to get into our computer. What they did not know is we set up a computer
:22:17. > :22:19.for them to hack with an expert attached. The results are little bit
:22:20. > :22:26.scary but also quite funny. My computer is going to crash! You are
:22:27. > :22:40.doing things on my computer here. You are deleting things from my
:22:41. > :22:50.desktop at the moment. We're also looking at the Vauxhall
:22:51. > :22:55.Zaf8ira. They have been catching fire with little or no warning. We
:22:56. > :23:01.took a burnt out Zaf8ira back to their own HQ, our own recall.
:23:02. > :23:06.Halloween is two days away. We are keeping up the pressure to keep
:23:07. > :23:10.costumes safe on Saturday night. All of that and Rogue Traders as well
:23:11. > :23:17.straight after the One Show. Thank you, Matt. We like a puzzle to
:23:18. > :23:21.solve on the One Show and Marty has found a case which even Sherlock
:23:22. > :23:27.Holmes would struggle with. We are calling it the machine gun mystery.
:23:28. > :23:32.In the early 1880s, William Cantona announced to his family he had
:23:33. > :23:38.perfected a new invention, a rapid firing gun which he believed would
:23:39. > :23:42.revolutionise warfare. Then the Victorian engineer packed his bags
:23:43. > :23:50.and was never seen again. Could he have travelled to the United States
:23:51. > :24:02.and assumed a new identity. Soon afterwards a man called Hiram Maxim
:24:03. > :24:09.patents a new gun. It is believed the two men could be one and the
:24:10. > :24:14.same. But why. William Cantelow was a pub landlord with a passion for
:24:15. > :24:18.inventing things. He kept the details of his work closely guarded
:24:19. > :24:22.secret. He worked in the underground tunnels underneath his pub.
:24:23. > :24:29.Neighbours reported hearing strange sounds coming from the cellar. Rapid
:24:30. > :24:32.gunfire was often heard that never seen. All this fell silent ones
:24:33. > :24:38.Cantelow disappeared. Only his family knew of his new gun, but this
:24:39. > :24:43.was the weapon which would revolutionise warfare, Hiram
:24:44. > :24:49.Maxim's automatic machine gun. The leap forward in the 1880s as far
:24:50. > :24:54.as we know was to exploit the energy stored in the cartridge, not just to
:24:55. > :24:58.push the bullet out of the barrel, but to drive the working parts of
:24:59. > :25:01.the gun back and forwards again, picking up another round, pushing it
:25:02. > :25:06.into the chamber and firing it for as long as you hold down the
:25:07. > :25:10.trigger. Is there a chance that Cantelow could have invented the
:25:11. > :25:13.same sort of gun at exactly the same time? The mystery of his
:25:14. > :25:19.disappearance has perplexed his family for more than 130 years. A
:25:20. > :25:23.large sum of money is believed to have been transferred out of his
:25:24. > :25:29.bank account. No one knows where it went. Shortly after Maxim arrives in
:25:30. > :25:34.London, Cantelow's Sun sees a picture of him in the newspaper but
:25:35. > :25:38.are convinced it is their father. After an encounter at Waterloo
:25:39. > :25:44.Station, the family believes the two men are one and the same. It is a
:25:45. > :25:49.story which has become part of family history. One which is
:25:50. > :25:54.great-great-grandson Barry has spent more than 40 years researching. The
:25:55. > :26:00.boys saw the man who they are dressed as father who said, come
:26:01. > :26:06.home. Sadly, it was the point of departure for the train. The man
:26:07. > :26:10.said, hello, boys, but the train was leaving, so he hopped on the train
:26:11. > :26:16.and away he went. This was obviously disturbing for the boys. They
:26:17. > :26:18.reported seeing the man who they would happily identify as their
:26:19. > :26:23.father. The only difference would happily identify as their
:26:24. > :26:30.had a slight American accent. I have brought both images to Professor
:26:31. > :26:33.Mark Nixon who is a pioneer in face recognition technology. Clearly
:26:34. > :26:36.there is some similarity. The hairline might be in the same place.
:26:37. > :26:39.The nose appears to be hairline might be in the same place.
:26:40. > :26:41.place. The mouth appears to hairline might be in the same place.
:26:42. > :26:45.the same place. There some differences as well. There is a
:26:46. > :26:59.lot of stuff we some differences as well. There is a
:27:00. > :27:06.one more some differences as well. There is a
:27:07. > :27:11.have never been explained. some differences as well. There is a
:27:12. > :27:15.writes in his autobiography that a man was impersonating him in the US
:27:16. > :27:18.from Britain. Was it a case of mistaken identity or was Maxim
:27:19. > :27:23.putting people off the scent? mistaken identity or was Maxim
:27:24. > :27:25.So, the mystery continues. Now, Priscilla, our potters have been
:27:26. > :27:29.busy all show, Priscilla, our potters have been
:27:30. > :27:30.something you would like to take to Graceland. They will not be offended
:27:31. > :27:36.if you said I do not want any of it. Graceland. They will not be offended
:27:37. > :27:42.Let's start with Alan. I have Graceland. They will not be offended
:27:43. > :27:43.you a bottle. I have put a couple of handles onto jazz it up
:27:44. > :27:46.you a bottle. I have put a couple of will fit in your hand luggage as
:27:47. > :27:55.well. Pip has made a lovely bowl. will fit in your hand luggage as
:27:56. > :28:09.something for your grits, Southern style. Good thinking! What do you
:28:10. > :28:15.think, Steve? Stuart! Sorry! I have taken a vase, traditional British
:28:16. > :28:21.style to take to Memphis. Perhaps in an ice cream colour. He will get
:28:22. > :28:30.colour and everything. You can have all three. This is like an urn. If
:28:31. > :28:37.you have a pet which is getting old, you might want to think ahead!
:28:38. > :28:45.She is from the dark side! They are all really creative. I never thought
:28:46. > :28:48.you would finish. We have got to go! If I dream is out tomorrow and The
:28:49. > :28:57.Great British Pottery Throw Down is out next week at nine o'clock on BBC
:28:58. > :28:59.Two. Tomorrow we have Paul Hollywood and Ian McKellen. Stay tuned for
:29:00. > :29:01.watchdog. Bye-bye!