:00:52. > :00:57.# No one told dual life was going to be this way.
:00:57. > :01:01.# Your love life is DOA. # It is like you are always stuck
:01:01. > :01:11.in second gear. # One it hasn't been your day, your week, your
:01:11. > :01:16.
:01:16. > :01:20.month or even your year -- # At Welcome to Monday's One Show with
:01:20. > :01:23.Matt Baker and Alex Jones. Tonight's guest is known the world
:01:23. > :01:29.over for starring in France but he is not quite as well known for his
:01:29. > :01:39.born Jerry videos. -- starring in Friends. But he is not quite so
:01:39. > :01:51.
:01:51. > :01:57.well known for his poncho the It is Matt LeBlanc. How about that?
:01:57. > :02:02.What was he thinking of, the bed is very flammable. Tell that to
:02:02. > :02:12.Claudia Schiffer! You have done two videos for John Bond Jodie, haven't
:02:12. > :02:14.
:02:14. > :02:23.you? Yes. In the day, or when videos had giant barges, the
:02:23. > :02:26.director was a god of -- giant budgets. He called me and he said,
:02:26. > :02:32.do you want to be the guy in this video, come and hang out for a
:02:32. > :02:38.couple of hours. I said, all right. Then he did once before Friends and
:02:38. > :02:42.that was the fun. Is there a third in the pipeline? I am hoping. A
:02:42. > :02:46.tough gig to get. We have this wonderful picture of you winning a
:02:46. > :02:50.Golden Globe for your role in Episodes. You looked quite
:02:50. > :02:56.surprised but loads of people would think, of course you will win a
:02:56. > :03:01.Golden Globe. That is a massive TV! Everyone comments on it! Way did
:03:01. > :03:06.you get it? I will tell you later! They have probably come down in
:03:06. > :03:10.price since we bought it. That was a good night, obviously. It was a
:03:10. > :03:14.huge honour. It was my 4th nomination and the first time I
:03:14. > :03:18.have won. I was fully prepared for them to say someone else's name. I
:03:18. > :03:24.thought it would be Alec Baldwin. When they said my name, I thought,
:03:24. > :03:29.that sounded an awful lot like my name. Then I started to sweat and
:03:29. > :03:34.the rest is kind of a blur. We will be talking to Matt about this
:03:34. > :03:37.second series of Episodes a bit later. The final touches have been
:03:37. > :03:40.added to the Olympic stadiums and the athletes are training flat out
:03:40. > :03:44.for what most people expect to be a brilliant showcase for London and
:03:44. > :03:48.the UK. There is not long to wait but a small number of people are
:03:48. > :03:56.planning to ruin it for everybody. Iwan Thomas is not happy, and he
:03:57. > :04:00.Already this year, we have seen how protesters use sporting events to
:04:00. > :04:04.get their voices heard. These scenes from Formula 1 in Bahrain
:04:04. > :04:08.were shown all over the world, and put the race in jeopardy. I know,
:04:08. > :04:13.as an athlete, sharing the stage with a protest is the last thing
:04:13. > :04:16.you want after years of training, especially when that stage will be
:04:16. > :04:22.witnessed by 4 billion people. Should the Olympics be the right
:04:22. > :04:26.platform for protesters to make their stand? Four years ago, Connie
:04:26. > :04:29.hug's lake of the Olympic torch relay was disrupted by human rights
:04:29. > :04:33.protesters. More recently, the Oxford and Cambridge Boat Race was
:04:33. > :04:39.thrown into chaos by Trenton Oldfield swimming across the course.
:04:39. > :04:42.Before I was a glimmer in my dad's I, people work disrupting public
:04:42. > :04:47.events in order to gain publicity for their cause, some who have even
:04:47. > :04:51.gone on to greater things. In 1970, former minister Peter Hain
:04:51. > :04:55.protested against South Africa's proposed cricket tour of England.
:04:55. > :04:59.He managed to stop the tour and in the process, split the country's
:04:59. > :05:03.opinion. This is why we think we have every chance of succeeding.
:05:03. > :05:07.Are you still proud of your protest? Yes, I am. We took a stand
:05:07. > :05:11.against teams that were sited on the basis of race. That is why we
:05:11. > :05:15.used tactics to run on the pitch, lay siege to the team in its hotel.
:05:15. > :05:21.We physically stopped these tours from happening and that was a major
:05:21. > :05:24.blow against apartheid, in stopping those racist tours. I feel for the
:05:24. > :05:28.cricketers who missed out, Abbey spoken to any of them, have you
:05:28. > :05:33.remained friends with any of them, did any agree? Some of the white
:05:33. > :05:36.South African could because -- cricketers, who were denied the
:05:36. > :05:40.opportunity to talk and then excluded from what cricket after,
:05:40. > :05:45.have subsequently said to me that I was right. That we were right. But
:05:45. > :05:50.I don't think people should lightly or easily, or catchily target sport
:05:50. > :05:54.for protest. South Africa was a unique case. I think you have got
:05:54. > :05:59.to be really careful about protesting against sporting events.
:05:59. > :06:06.In the end, you will just stop sport happening, if you use any old
:06:06. > :06:10.excuse to target a particular sports event. Whereas Peter boss
:06:10. > :06:15.actions in the 70 used sport to highlight and or smugly help break
:06:15. > :06:19.apartheid, many of the protests are against the sponsors organisers of
:06:19. > :06:25.London 2012. The counter Olympics that work and our Olympics are just
:06:25. > :06:28.some of the group's planning protests -- counter Olympic network.
:06:28. > :06:33.If you were to run in front of them, they have to stop and swerve to get
:06:33. > :06:37.out of your way, you see that as OK? Absolutely. We are planning to
:06:37. > :06:41.make the London 2012 Games the greatest act of non-violent civil
:06:41. > :06:44.disobedience of our age, because we feel it warrants it, based on the
:06:44. > :06:50.exorbitant cost of the Olympic Games, based on the unethical
:06:50. > :06:54.corporate sponsors of London 2012, but also the context in which the
:06:54. > :06:59.Olympics takes place, which is one of crushing austerity measures,
:06:59. > :07:02.which are really punishing the most vulnerable groups in our society.
:07:02. > :07:05.understand what you are saying, there is a lot of things behind the
:07:05. > :07:10.scenes in every walk of life which you may deem as unethical, but I am
:07:10. > :07:14.just doing my job, and that is to be an athlete. And our job as
:07:15. > :07:20.members of a society is to make that society as ethical, as
:07:20. > :07:24.sustainable and as responsible as we can. This form of protest is
:07:24. > :07:30.absolutely the centre of making sure our society is held to the
:07:30. > :07:35.highest ethical standards that we can possibly do. On the busiest
:07:35. > :07:39.days, 9,000 officers will police the Games, with access to over
:07:39. > :07:44.12,000 cameras, co-ordinated from a Special Operations Room with a
:07:44. > :07:47.staff of 300. The Met have already started taking pre-emptive action.
:07:47. > :07:51.Simon Moore was involved in a campaign to stop the construction
:07:51. > :07:57.of a temporary basketball training venue on Leaton Marsh. He now has
:07:57. > :08:00.an Olympic ASBO. The ASBO privets me from entering or remaining in
:08:00. > :08:04.100 yards of any existing or proposed Olympic competition or
:08:04. > :08:09.practice venue, or root. Worst-case scenario, of a police officer was
:08:09. > :08:13.to come here and know that you have got an ASBO, you face jail? Yes, I
:08:13. > :08:17.could be sent to prison for up to five years. A long time, you
:08:17. > :08:21.obviously feel very strongly about this. I don't think I'm doing
:08:21. > :08:27.anything which is unjust. If the law deems that what I'm doing is
:08:27. > :08:30.illegal, I am prepared to break the law in this instance. Ultimately,
:08:30. > :08:34.how successful any of these protests are will depend on how
:08:34. > :08:39.much sympathy they gain. Olympics Minister Hugh Robertson has urged
:08:39. > :08:42.the public to shop anybody who they believe are plotting to disrupt the
:08:42. > :08:46.Games. The London Gwenddydd of Olympics should be an opportunity
:08:46. > :08:51.for British athletes to shine. It would be unfortunate if that were
:08:51. > :08:54.overshadowed by protests, however democratic they are.
:08:54. > :09:00.You must have been furious, speaking to carry. I get on with
:09:00. > :09:03.everybody, I think I am quite easy- going, but I was fuming because she
:09:03. > :09:10.seemed to have an answer for everything. I said, I have worked
:09:10. > :09:14.so hard for everything, to get my Olympic medal, and she said, do you
:09:14. > :09:18.realise where that comes from? It looks like her organisation are
:09:18. > :09:22.adamant that you are going to protest. - you not understand your
:09:22. > :09:26.perspective? I said, if you want to get your point across, holed up
:09:26. > :09:30.some signs and banners but you don't have to disrupt the athletes.
:09:30. > :09:33.We have trained our lives for that one moment, that one opportunity
:09:33. > :09:37.Andy just want to do yourself and Britain proud, and you don't want
:09:37. > :09:40.someone like that ruining it. -- and you just want to do Britain
:09:40. > :09:45.proud. She doesn't know the sacrifices our athletes have made
:09:45. > :09:49.to get to London and it is a real shame that could be taken away.
:09:49. > :09:54.also met Simon who has an ASBO, who protested against a temporary
:09:54. > :09:58.basketball court on Hackney Marsh. You had a bit more sympathy for him.
:09:58. > :10:02.I quite liked him, he made me a cup of tea. He was a bright lad. His
:10:03. > :10:06.argument was, why are you putting up a temporary structure which is
:10:06. > :10:10.going to cost millions and you are going to take down? Why did you get
:10:10. > :10:15.the basketball players to strain in local schools and colleges, then
:10:15. > :10:19.encouraging the future and the legacy could carry on. Some events
:10:20. > :10:24.are more at risk than others. The cycle road race and the marathon as
:10:24. > :10:29.well. Had you thought much about protesters before maybe Trenton
:10:29. > :10:34.Oldfield jumped in front of the boats? Before the but rates, but it
:10:34. > :10:37.to a back of my mind. -- before the Boat Race. My awareness has been
:10:37. > :10:41.heightened that we need to be careful. The Olympics is the
:10:41. > :10:44.biggest thing on the planet and people use that as a time to be
:10:44. > :10:48.heard. Things like the marathon, I can only think of someone like
:10:48. > :10:51.Paula Radcliffe. She has trained so hard to get back, can you imagine
:10:51. > :10:56.if they protest that runs in front of her or chuck something at her,
:10:56. > :11:03.that is wrong, that is selfish. Would this sort of thing happen in
:11:03. > :11:06.America? The Olympics, it is such a major stage, I am sure it is a
:11:06. > :11:10.concern everywhere that the Olympics are held, it is
:11:10. > :11:16.unfortunately the world that we live in. I e a big fan of the
:11:16. > :11:26.Olympics? Yes. Excited? Sure. you could have a ticket to any
:11:26. > :11:42.
:11:42. > :11:47.event, which one would you go to? Thanks ever so much. 3D, or not 3D,
:11:47. > :11:51.that is the question. Just a gimmick, or the future of cinema?
:11:51. > :11:57.We sent Marty Jopson to find out why some the moviegoers are already
:11:57. > :12:06.sick of the three-dimensional 3D entertainment is booming these
:12:06. > :12:12.Hollywood seems to be really pushing it as the future of film.
:12:12. > :12:18.Cinemas are full of their latest 3D offerings. But there is a little
:12:18. > :12:28.bit of a problem. For a significant number of people, the 3D viewing
:12:28. > :12:28.
:12:28. > :12:33.experience is making them, well, a Studies show that up to a 5th of us
:12:33. > :12:37.experience problems when we watch 3D. The most common complaints are
:12:37. > :12:42.eyestrain and headaches. What is actually happening when we watch a
:12:42. > :12:47.3D film? The concept of 3D isn't new. It has been around for more
:12:47. > :12:53.than 100 years. Creating a 3D image is relatively easy. All you need to
:12:53. > :12:58.do is take two images from slightly different angles. Let me show you
:12:58. > :13:03.what I mean with just a single frame. Here are two pictures of
:13:03. > :13:07.some ugly fellow, taken from Abersoch slightly different angles.
:13:07. > :13:13.If we superimpose the two images, and flick between them really
:13:13. > :13:18.quickly, 3D! Sort of. That is how it is done. But what is it about
:13:18. > :13:21.the process that can cause problems for some viewers? Not surprisingly,
:13:21. > :13:26.major film companies would like to know the answer and they have
:13:26. > :13:30.recruited Dr Tim Smith from Berbec University in London to find out. -
:13:30. > :13:34.- Birkbeck University. When you watch 3D, your eyes do something
:13:34. > :13:38.quite unusual. In the real world, when we see an object, we actually
:13:39. > :13:44.focus on the light reflected from it. Like with this green ball on a
:13:44. > :13:48.stick. But what if that object doesn't exist. Here is my handy
:13:48. > :13:53.virtual 3D... This isn't really here? No, it is just on the screen.
:13:53. > :13:57.As it comes here, your eyes are pointing at this point in space.
:13:57. > :14:02.The light is always coming from the screen. So your lens inside your I
:14:02. > :14:07.always focuses on the screen, but your eyes point here, and that
:14:07. > :14:12.creates a conflict. It means your muscles are working overtime,
:14:12. > :14:15.leading to a conclusion -- confusion and possibly eyestrain.
:14:15. > :14:21.Be it is worse when things appear to zoom off into the distance or
:14:21. > :14:24.leap out of the screen. It creates extreme lengths between background
:14:24. > :14:29.and foreground object but this is the thing that film-makers love to
:14:29. > :14:34.give us, and many of us love to see. How do you keep if the rules and
:14:34. > :14:38.avoid the unpleasant side-effects? -- the thrills. Tim Smith is using
:14:38. > :14:45.special software to help film- makers establish just what our
:14:45. > :14:52.rights can stand. The red dots show exactly where I am the king. The
:14:52. > :14:56.kit works by following the movement of my pupils. You can see how
:14:56. > :15:01.rapidly they are moving around. was deliberately not looking at the
:15:01. > :15:06.back ground because it was too much. If our eyes are darting around, it
:15:06. > :15:12.gives an indication that we are finding the viewing uncomfortable.
:15:12. > :15:16.When we stray from what the film- maker wants us to see, we are
:15:16. > :15:20.straying from what the director intended for we can look at how we
:15:20. > :15:24.watch a movie and if it doesn't work how we think, they can fix it
:15:24. > :15:28.and changed the movie and make it easier to watch. Studies have shown
:15:28. > :15:32.there is a comfort zone for the depth of 3D. Tim can work with
:15:32. > :15:35.film-makers to make sure the main point of interest in a scene is
:15:35. > :15:45.within this safe area. This allows them to be more adventurous with
:15:45. > :15:45.
:15:46. > :15:50.Film makers have to learn where the comfort zone is, so that is
:15:50. > :15:55.comfortable for the eyes to focus on it and see the depth.
:15:55. > :16:00.3D is being heavily promoted, not just as the future of cinema, but
:16:00. > :16:05.of TV, smartphone and games as well. It is little wonder that the 3D
:16:05. > :16:10.industry are going to such lengths to fix the problems.
:16:10. > :16:14.D does make me feel sick. And me, I have never seen Avatar as
:16:14. > :16:17.a result. Matt, are you a fan of the 3D
:16:17. > :16:20.experience? I think that I did a bucket.
:16:21. > :16:26.Great. Moving on! When the first Friends
:16:26. > :16:32.came out, we had Tamasin on to promote it, halfway of explaining
:16:32. > :16:37.the premise of the Episodes, the fire alarm went off, so we never
:16:37. > :16:40.finished. Can you tell us the premise of the Episodes series?
:16:40. > :16:47.Hopefully I don't set the fire alarm off.
:16:47. > :16:50.Basically it is a show about a show. So it is Tamasin, Greg, playing a
:16:50. > :17:00.married British couple who are writer producerss with a hit show
:17:00. > :17:05.in the UK, called Limon's Boys. About the headmaster of a boy's
:17:05. > :17:10.school called Richard Griffiths, hopelessly in love with a librarian.
:17:10. > :17:14.It is a big hit. They are at the BAFTA, an American President
:17:14. > :17:18.convinces them to move to America, promises the world, to keep the
:17:18. > :17:22.cast, not to change the scripts, they are given all kinds of money,
:17:22. > :17:26.house, car, they are wooed by Hollywood and come to the States.
:17:26. > :17:30.Once they arrive, one by one, every promise is broken, including the
:17:30. > :17:37.fact that they can keep Richard grich itselfs and they are forced
:17:38. > :17:42.to replace him with me. So I play this very bizarre manipulative,
:17:42. > :17:47.emotionally damaged version of myself, as I am not emotionally
:17:47. > :17:54.damaged at all! Just to underline that! It starts on the 11th of May.
:17:54. > :18:03.Let's have a little look. You think if you died the others
:18:03. > :18:07.would come to your funeral? Yeah, I think they'd come.
:18:07. > :18:15.Even Jennifer from Friends? Yeah, even Jennifer.
:18:15. > :18:19.God, could you imagine the press, all of you together again. But I
:18:19. > :18:22.would be dead. Yeah, but still. Still... I'd be
:18:22. > :18:26.dead. In real life not damaged at all. Do
:18:26. > :18:30.you worry if people think you are playing Matt LeBlanc, that people
:18:30. > :18:32.will think you are like that. strange in the beginning when I
:18:33. > :18:38.first got together with the producers to talk about doing the
:18:38. > :18:44.show. It seemed a great idea, an interesting way to go back to work.
:18:44. > :18:48.The only reservation was that I was not sure of Matt to be playing
:18:48. > :18:53.myself. They assured me we were not making a documentary, that it would
:18:53. > :18:57.be fine. That we would come up with it together. That anything I was
:18:57. > :19:04.uncomfortable with I could alt err change or leave out. Then it became
:19:04. > :19:08.fun to make fun of myself. So basically, who the guy is, it is
:19:08. > :19:13.the public's perception of celebrity. All of the pitfalls and
:19:13. > :19:16.the royalty and skid rowness of what goes along with it. It has
:19:16. > :19:22.been real fun. Yeah, I have had a good time.
:19:22. > :19:30.It is a huge success. It has sold to 108 countries, you were saying?
:19:30. > :19:39.Yes, 108 countries. Which I thought, wow, how many are there! Every
:19:39. > :19:44.country! There are 190 countries -- sorry, it was sold to 180 countries.
:19:44. > :19:48.We have done seven episodes the first season, so now the second
:19:48. > :19:53.year we have done nine more. We shot in the UK, in London it was
:19:53. > :20:00.really fun it was a great place to be at work. I really enjoyed it.
:20:00. > :20:07.So, before the new series of Episodes start on Friday, 11th May
:20:07. > :20:10.at 10.00pm on BBC Two. Now, each week on the One Show, we
:20:10. > :20:20.are remembering the Falklands as it happened. This is the story as it
:20:20. > :20:21.
:20:21. > :20:25.started on April 30th, 1982. Britain declare as total air and
:20:25. > :20:32.sea lock blockade around the Falklands. The ultimate object, to
:20:32. > :20:36.recapture the Falkland Islands. Argentine television has been
:20:36. > :20:40.reassuring its viewers that the air bridge to the garrison on the
:20:40. > :20:45.Falklands is continuing with an occasional break in bad weather.
:20:45. > :20:52.They say that morale is high, the defences is ready and the will to
:20:52. > :20:55.hold the Falklands is unbreakable. Let's have a look at the way that
:20:55. > :21:01.the islanders traditional and British way of life has been
:21:01. > :21:05.altered by the Argentine occupation. The local radio has been taken over.
:21:05. > :21:10.Half of the broadcasts are in Spanish. The Argentines have
:21:10. > :21:15.introduced the peso as the official currency. The islanders have driven
:21:15. > :21:20.on the left, arrows have been painted on the road to show that
:21:20. > :21:24.they must now drive on the other side.
:21:24. > :21:30.We must remember that the aggression was not a part of
:21:30. > :21:40.Argentina in this dispute over the sovereignty of that little ice cold
:21:40. > :21:49.
:21:49. > :21:54.bunch of land. The planes went in low, in waves
:21:54. > :21:57.seconds apart... They glimpsed the raiders left by the falcons and
:21:57. > :22:01.left behind them more fire destruction.
:22:01. > :22:05.The latest news from Buenos Aires. We have John Stapleton on the line.
:22:05. > :22:11.John, are you there? What is the news? The Government statements
:22:11. > :22:17.issued within the last few minutes claim that Argentine plane hit
:22:17. > :22:21.three British warships. The general enflanked by military
:22:21. > :22:26.leaders saying that Britain had committed an act of war and was
:22:26. > :22:31.trying to recolonise Argentine land. The talk of is victory, of British
:22:32. > :22:35.planes shot down, they say that Argentine heroism is beating
:22:35. > :22:39.British aggression. I'm not allowed to say how many
:22:39. > :22:44.planes joined the raid, but I counted them all out and I
:22:44. > :22:48.counterparted them all back. The pilots were not hurt, they were
:22:48. > :22:55.jubilant. One plane had a bullet hole in the tail, it's already been
:22:55. > :23:00.repaired. Arpblg Tina's only cruiser, the
:23:00. > :23:05.second biggest ship in her Navy has sunk. The General bell gradow was
:23:05. > :23:15.struck by two torpedoes from a British nuclear submarine.
:23:15. > :23:18.One newspaper headlines say two words: English murderers! If we get
:23:18. > :23:24.retaliation by the Argentine ship, very soon there will be a loss of
:23:24. > :23:31.life in that area, greater than the actual population of the fiebgdz
:23:31. > :23:38.itself. In the course of its duties, hymns
:23:38. > :23:44.Sheffield, a type 42 destroyer -- HMS Sheffield, a type 42 destroyer
:23:44. > :23:49.was attacked and hit later on this afternoon by an Argentine missile.
:23:49. > :23:58.The attack was made by low-flaying aircraft, slipping in beneath the
:23:58. > :24:04.guard. HMS Sheffield, was able to receive only seconds of warning. It
:24:04. > :24:08.was struck mid-ship. It was exploded with devastating effect.
:24:08. > :24:15.Who would have thought it come to this, to hear a ship going down,
:24:15. > :24:19.one of ours as well. I have a few mates on that ship it is
:24:19. > :24:25.disheartening. The atmosphere today was in stark
:24:25. > :24:31.contrast to 30 days when the first taskforce ship sailed out. Today
:24:31. > :24:34.was the reality of the situation. And we are joined by Captain Robert
:24:34. > :24:39.Lawrence, who fought in the Falklands War. It must be strange
:24:39. > :24:44.for you watching that footage? it was a very long time ago. These
:24:45. > :24:49.memories live with you. Especially with an anniversary date
:24:49. > :24:53.like now you are very aware of it, but the challenge was we were
:24:53. > :24:57.soldiers, we wanted to be soldiers, the concern is looking after the
:24:57. > :25:03.guys that come back from these events. Whether they are injured or
:25:03. > :25:08.not, I run a charity to help keem they were motivated. There are
:25:09. > :25:12.better treatments, there are more things to help them back in 82.
:25:12. > :25:17.Let's take you back to 1982, yourself being a soldier, where
:25:17. > :25:21.were you when you heard that the Sheffield had sunk? We were on the
:25:21. > :25:24.ships going down to the island. Our major concern at that time was that
:25:25. > :25:28.there may be a political resolution, that it would all end. That we
:25:28. > :25:32.would get all the way there an not get the chance to do the job we are
:25:32. > :25:37.trained to do. So it became a reality at that
:25:37. > :25:41.point, people dying, ships going down. The first ship that the Royal
:25:41. > :25:47.Navy had lost since the Second World War, so this is a major event.
:25:47. > :25:52.Well, you did land and led a platoon up Mount Tumbledown, it was
:25:52. > :25:56.the battle that was key towards the end of the Falklands. What do you
:25:56. > :26:01.remember of the conditions? You were severely injured? On the night
:26:01. > :26:07.it was minus 20 without the wind shield factor, that took it down to
:26:07. > :26:12.minus p 2. I was shot in the head with a bullet right at the end of
:26:12. > :26:17.the battle. It would have been that cold that saved my life, but I
:26:17. > :26:23.remained conscious. I have rek lexs of various different aspects of
:26:23. > :26:27.being hit, being worried that I would not be seen, I would be left
:26:27. > :26:31.bleeding to death on the battlefield. So every aspect of it.
:26:31. > :26:34.The brain works very fast, you remember it all.
:26:34. > :26:38.You returned to Mount Tumbledown recently. How was that? How did you
:26:38. > :26:42.feel going back there? It is fantastic to go back to an island
:26:42. > :26:46.that is grateful for the liberation that we did for it. It is not the
:26:46. > :26:51.same for future for the boys going back to Afghanistan, but you think
:26:51. > :26:57.you are in control of your emotions and you have it packed away and
:26:57. > :27:01.settled and then you go up the mountain you fought on and finding
:27:01. > :27:05.memorials for troops and friends that died from their families, that
:27:05. > :27:09.really brings it home again. It is extraordinary to talk with
:27:09. > :27:13.you. Thank you very much for sharing your memories with us. If
:27:13. > :27:19.you have memories of the Falklands War, we would like to see them. If
:27:19. > :27:24.you have photos, do send them to us to the normal One Show address. My
:27:24. > :27:29.dad took a shot there of a bomber, going from the village green. There
:27:29. > :27:33.they are en route to the Falklands. So do send in your pictures.
:27:33. > :27:39.We will show them over -- over the coming weeks.
:27:39. > :27:45.Here at the One Show, we love a scientific experiment. So we hit
:27:45. > :27:52.the streets of Brighton with a burning question: Who is this man?
:27:52. > :27:58.How you doing?! This is Joey from Friends. Matt LeBlanc is who it
:27:58. > :28:03.really is. This is Joey. It is Matt LeBlanc.
:28:03. > :28:10.I recognise the face... Joey from Friends.
:28:10. > :28:19.Is it Nicolas Sarkozy? Is he a TV presenter! How you doing! That man
:28:19. > :28:24.is Matt LeBlanc. Matt LeBlanc. Joey from Friends.
:28:24. > :28:28.Only just, though. You played Joey for 12 years, we
:28:28. > :28:32.cannot have you on without talking about Friends, a much-loved
:28:32. > :28:37.character. Do you think you will escape Joey, or do you want to?
:28:37. > :28:43.I'm honoured to have been a part of that. That was a great show. I'm a
:28:43. > :28:46.big fan of the show, it is on late at night. Do you still put it on?
:28:46. > :28:51.Sure, why not. Cool. Great.
:28:51. > :28:55.The amazing thing about friends friends, it appealed to men and