:00:16. > :00:17.Hello, and welcome to the One Show with Alex Jones.
:00:18. > :00:21.After Monday's football result, I bet you thought it would be
:00:22. > :00:23.a while before you'd hear the words Class and Rooney
:00:24. > :00:28.Well, hang on, because our guests tonight are a musical
:00:29. > :00:31.presenter who was once in a chart topping band,
:00:32. > :00:33.and an actress who, well, loved that chart topping band.
:00:34. > :00:41.Please welcome Myleene Klass and Sharon Rooney!
:00:42. > :00:52.APPLAUSE Very good. See, it works. We will
:00:53. > :00:59.pick up on that point of being a big fan of Hear'Say. I was a big fan. I
:01:00. > :01:05.came to every single concert, every single thing that you played in
:01:06. > :01:11.Glasgow. No way! ? I had every banner and poster. You only just
:01:12. > :01:18.tell me this now. We heard while you were packing the other day you found
:01:19. > :01:22.a Kym Marsh doll is that right? There it is. It is quite
:01:23. > :01:28.unbelievable. Do you remember these Myleene? I can remember them, there
:01:29. > :01:34.was three because we had one you could press the back and it would
:01:35. > :01:43.sing. Not unlike the real Hear'Say. I love the bit on the back, is your
:01:44. > :01:48.hero still Ariel from The Little Mermaid Sure. We will talk to
:01:49. > :01:52.Myleene later on about her new BBC series which celebrates 70 years
:01:53. > :01:56.since the foundation of the NHS and the wonderful people who have worked
:01:57. > :01:59.within it. Some of which are with us tonight in the audience. Good
:02:00. > :02:04.evening. It is lovely to you with us. If any of your family worked for
:02:05. > :02:08.the NHS over the years we would like to celebrate them, so e-mail a photo
:02:09. > :02:13.of them at work and we will show them later. It doesn't have to be a
:02:14. > :02:17.recent one. This time last week the polling stations were still open.
:02:18. > :02:21.Are we still talking about this? It is just a week and friends and
:02:22. > :02:25.family were arguing among themselves about the benefits of staying in or
:02:26. > :02:31.leaving. Believe it or not some families are still arguing as Kevin
:02:32. > :02:34.has found out. The in or out campaign divided. Not
:02:35. > :02:38.just the political parties but also families across the land. And for
:02:39. > :02:44.many, feelings are still running high. I am off to meet the Traffords
:02:45. > :02:49.who have agreed to not only share how they feel but share it in the
:02:50. > :02:54.confines of my car, so if tempers fray, there is no getting away.
:02:55. > :02:59.Meet head of the household dad Andy, a former teacher, he is now retired
:03:00. > :03:05.and he backed the Leave campaign. Mum Pat also voted for Brexit, but
:03:06. > :03:10.now has regrets. 31-year-old son Nick is a scientist, who works in
:03:11. > :03:14.Bolt private and NHS hospitals, in London and voted to stay in Europe.
:03:15. > :03:19.-- both. He despairs at his parents. I have got rid of the anger and the
:03:20. > :03:24.disgust, you know, over the last five days it has been, they have
:03:25. > :03:32.gone. A lot of your anger and disgust was aimed at me. I voted to
:03:33. > :03:36.stop Britain being governed by the bureaucrats. If we have come to a
:03:37. > :03:41.stage where we can't put our cross in a certain box, for fear of what
:03:42. > :03:47.other people will think of us, then we have lost far more than we will
:03:48. > :03:52.lose from coming out of the EU. Tell us your initial thoughts when
:03:53. > :03:55.the result come in I got a text from Nick which what really upset me more
:03:56. > :04:01.than anything, he said I am disgusted to be British. It was a
:04:02. > :04:08.bad day. It felt like a bad dream. My thoughts were of disgust, of
:04:09. > :04:13.surprise, of animosity, as well. I was quite pleased. I wasn't jubilant
:04:14. > :04:16.because I knew the future, there is going to be some problems. Nick
:04:17. > :04:22.fears one of the problems will be the break up of the United Kingdom.
:04:23. > :04:26.In Scotland, they will seek independence from the UK, and that
:04:27. > :04:32.worries me. I think if they do they will struggle. But the Out vote has
:04:33. > :04:37.dad Andy brimming with optimism for Britain's future. We can invest a
:04:38. > :04:41.lot of money in our farmer, if we stop importing all this food from
:04:42. > :04:47.abroad we don't need this extra runway at Heathrow. I do think that
:04:48. > :04:51.that is ridiculous. Sorry mum, I don't mean to butt in but that
:04:52. > :04:56.runway, do you know how many jobs that will create? Do you know how
:04:57. > :05:00.many jobs? Don't sigh! There is going to be so many people who
:05:01. > :05:08.benefit from it. There is clearly big differences. Big differences. We
:05:09. > :05:11.need to knuckle down and work as a country, great, Great Britain. Has
:05:12. > :05:16.it had any effect on your relationship as a family? That think
:05:17. > :05:22.is what has been depressing me over the past few days. I hope I really
:05:23. > :05:28.hope that we can move forward from this. The ones who won, in inverted
:05:29. > :05:33.commas shouldn't be crowing about it, because there are going to be
:05:34. > :05:40.difficulties ahead, and the ones who haven't won should not be targeting
:05:41. > :05:46.us, and talking about us as if we are old, official, and uneducated.
:05:47. > :05:51.And I want my, sorry I can't do this. Don't worry Pat. We have to
:05:52. > :05:55.pout differences aside and unify and do what the rest of Europe has done
:05:56. > :06:00.by coming together, that is what we need to do, but internally. I am
:06:01. > :06:04.still pleased we are out of it and we have to work together, all the
:06:05. > :06:09.country has got to work together, and families as got to get back
:06:10. > :06:14.together. After an hour in the hotseats with agree this journey has
:06:15. > :06:17.gone the distance and while the votes driven them in different
:06:18. > :06:20.direction, in the end family is still family.
:06:21. > :06:25.Well since filming, Nick has been in touch to tell us that he and his his
:06:26. > :06:29.mum and dad, they found that car journey really really helpful, so
:06:30. > :06:33.their advice to all the families that are Woolwiching who feel like
:06:34. > :06:38.they are split down the middle. Get together, flash it out, do it at
:06:39. > :06:42.home, have a designated driver if you are going to. It is One Show
:06:43. > :06:47.therapy. Kevin is available to drive anybody who wants a go. All next
:06:48. > :06:52.week five well-known faces will be going inside the NHS as it
:06:53. > :06:56.celebrated 70 year, Myleene you were one of those people lucky enough to
:06:57. > :07:01.be part of this. You really wanted to do it because you had a personal
:07:02. > :07:05.connection, but how does the series reflect then the NHS, on 70 years?
:07:06. > :07:11.They have a wide range of people from example there is myself and
:07:12. > :07:14.Lucy Alexander and Miriam mar goals and all have different experiences
:07:15. > :07:21.from carers through to my own experience of having a mum who was a
:07:22. > :07:26.nurse, and as they say, once a nurse always a nurse. It never leaves you.
:07:27. > :07:30.I hadn't thought about what the, the effects of my mum being a nurse
:07:31. > :07:34.would directly have on me, until I think, you know when I became a mum
:07:35. > :07:37.myself and I would be sending my schools to -- kids to school even if
:07:38. > :07:43.they were saying my arm is falling off. It is a different attitude that
:07:44. > :07:47.nurses have, it is like that morgue humour and it is something I think
:07:48. > :07:53.is, it becomes like your own backbone. And you took your mum
:07:54. > :07:58.back. I took my mum back. What was her experience going back? Think it
:07:59. > :08:03.was hugely emotional for her, she got the call in the 60s when they
:08:04. > :08:07.were looking for people to come from the West Indies and typhoons when
:08:08. > :08:11.they needed extra help, staff, it was a very brave move. She didn't
:08:12. > :08:15.know she would be returning back to the country she came from, she knew
:08:16. > :08:18.she wanted to help, when you here experiences now, you can't imagine
:08:19. > :08:21.what it must have been like, but she said to be looking after patients
:08:22. > :08:25.who weren't necessarily sure if she would be able to speak English, she
:08:26. > :08:29.was an English teacher in the Philippines. It is think, you just
:08:30. > :08:33.think of your mum, as your mum. But then when you think of her in her
:08:34. > :08:38.own situation, and what challenges that she had to face, and I felt so
:08:39. > :08:44.immensely proud. Well you also get your scrubs on. I did. To help out
:08:45. > :08:51.on the wards of Belfast Royal Victoria Hospital. Let us have a
:08:52. > :08:55.look. I mean, stuff of dreams. Stuff of dreams all right. Thank you
:08:56. > :09:09.my darling. You are very welcome Sir.
:09:10. > :09:17.I mean that looks amazing. Da-da-da. Stick to the piano. Did
:09:18. > :09:20.you hear that? Stick to the piano. What did you learn, what did you
:09:21. > :09:24.take away from your day at the Royal Victoria Hospital, because you saw
:09:25. > :09:28.all sorts of department, met lots of different people. Vens It was a
:09:29. > :09:32.sensory overload. You watch dramas and when we looking over the 70
:09:33. > :09:36.years celebrating the NHS, our closest reference is the Carry On
:09:37. > :09:41.films you think of matron and the huge... When I think back to what
:09:42. > :09:45.else it could be like, we don't necessarily no know and things have
:09:46. > :09:49.really changed. It is fantastic to see, one thing that never changes I
:09:50. > :09:54.think, is the humour the nurses have. It is definitely a case that
:09:55. > :09:59.the doctors know the nurses run the school if you like, and that is
:10:00. > :10:03.brilliant to see. There is a lot going on over there, nodding. You
:10:04. > :10:08.run the school, I saw that. For me it is different senses I didn't
:10:09. > :10:12.necessarily, didn't imagine, so I remember walking down into theatre,
:10:13. > :10:17.stop eating your dinner, and there is this weird smell, it smelled like
:10:18. > :10:20.feet, and they just told me they were suturing and lasering skin, I
:10:21. > :10:24.think my gosh, you perks that all the way through the day, you are
:10:25. > :10:28.looking after people at their best and worst, and then you go home, and
:10:29. > :10:31.you have your normal day, you know, your family life, the way they flip
:10:32. > :10:35.in between, flip-flop in between that, it is incredible. Also, all
:10:36. > :10:41.the nurse, from my mum's time all the way through to now hate the
:10:42. > :10:46.shoes they have to wear, but... Your mum... Again, look at the rubber
:10:47. > :10:50.shoes that are out there now, the reason they wear them is so they can
:10:51. > :10:56.wipe the blood, sweat and tears off them. They deal with humanity at its
:10:57. > :10:59.best and worst. They are practical. Matron, Medicine And Me: 70 Years Of
:11:00. > :11:04.The NHS begins on Monday morning, it is on at 9.15 on BBC One. As we
:11:05. > :11:08.mentioned yesterday, remembrance vens for the centenary of the Battle
:11:09. > :11:12.of the Somme start this evening. We will soon be talking to Dan Snow in
:11:13. > :11:16.France, at a place which is central to the commemorations. Before we do,
:11:17. > :11:20.here is how a silent film of the battle, which became one of the most
:11:21. > :11:25.watched films in British history has finally been given a fitting
:11:26. > :11:29.soundtrack. At the Imperial War Museum North in
:11:30. > :11:33.Salford, a school orchestra has arrived.
:11:34. > :11:37.They have come to this ultra modern location to accompany a silent movie
:11:38. > :11:42.shot 100 years ago. The film they are about to accompany
:11:43. > :11:47.documents one of the bloodiest episodes of the 20th century.
:11:48. > :11:52.Entitled the battle of the some, it was made in 1916, during World War
:11:53. > :11:56.I, at the trenches where more than a million men were slaughtered.
:11:57. > :12:01.The museum's historian Matt Lee has researched the film. This is one of
:12:02. > :12:05.the most famous scenes in the film. This is where two soldiers bringing
:12:06. > :12:10.a wounded comrade, brought in from no-man's land. In the next sequence
:12:11. > :12:15.you see him being carried on a man's shoulder towards the camera. What is
:12:16. > :12:19.powerful about this scene is the man himself died 30 minutes after being
:12:20. > :12:23.brought into the trenches. It is very graphic. That is what I think
:12:24. > :12:28.is special about the film. It was the first film to bring home, you
:12:29. > :12:33.know, the barbarism and inhumanty of war. The British soldiers are trying
:12:34. > :12:37.to give the dead, as dignified a burial as they can. As a parent, if
:12:38. > :12:43.you are sitting there watching this, you are thinking, that could be my
:12:44. > :12:45.son. That must be incredibly frightening and sobering for those
:12:46. > :12:49.people watching It could have been. Some of the images you see in this
:12:50. > :12:53.film you wouldn't see on news broadcasts today. When it was
:12:54. > :12:57.released, half the population of Britain flocked to see what life on
:12:58. > :13:01.the front line was like. Now, to commemorate the battle
:13:02. > :13:07.centenary the film is being screened 100 times over the next year, but
:13:08. > :13:11.this time, with a soundtrack by live orchestras. Mind-blowing that people
:13:12. > :13:16.are fighting in the Battle of the Somme, I could have been there. The
:13:17. > :13:21.score was written by film composer Laura Rossy.
:13:22. > :13:24.I watched the film, and just realised what enormous
:13:25. > :13:30.responsibility I had to write music for appropriately fits these image,
:13:31. > :13:35.so I didn't want to overdo the emotion, I just wanted to write
:13:36. > :13:38.something sensitive, really I wanted to let the images speak for
:13:39. > :13:42.themselves. You visited the Somme. That is right migrate uncle was a
:13:43. > :13:48.stretcher bearer in the First World War, and it turned out he was actual
:13:49. > :13:52.a -- attached to the 29th division in 1916. It is possibly he could be
:13:53. > :13:57.in the film. He survived the war so he died when I was about ten and
:13:58. > :14:05.this is his diary. Colonel and captain wounded. Casualties the and
:14:06. > :14:09.ambulance about 15. German machine guns waiting for them. Terrible
:14:10. > :14:17.sights, dead and wounded galore. It says a lot but it hides an awful
:14:18. > :14:21.lot. Yeah, it did. I wenter of the the battlefields, took his diaries
:14:22. > :14:26.with me and tried to retrace his footsteps. It made the pictures
:14:27. > :14:30.become very real. And here is Laura's soundtrack. Performed by the
:14:31. > :14:48.orchestra from Cheetham School of Music in Manchester.
:14:49. > :14:56.It is an incredibly powerful combination, the live nature of the
:14:57. > :14:59.music, brings to life, doesn't it, those kind of ghostly
:15:00. > :15:03.black-and-white images. Yes, that is right. This footage we with are
:15:04. > :15:07.watching now, this is probably for me the most emotional part. I want
:15:08. > :15:12.the music to draw you into this where we see the men smile and wave
:15:13. > :15:18.at the cameras you look into their face, and just see them as normal.
:15:19. > :15:21.Normal men. Because we know what lies ahead for them, and in a sense
:15:22. > :15:39.they don't, do they. It was really moving to see those
:15:40. > :15:44.Young's kids playing how they play. It really brings out about the war.
:15:45. > :15:51.It felt quite solemn and quite steep. Watching this film, you
:15:52. > :15:57.realise what a tragedy the battle of the Somme was, for both sides.
:15:58. > :16:05.Finding a way to commemorate loss of life on this scale isn't easy. But I
:16:06. > :16:07.cannot think of a better way than with such powerful music.
:16:08. > :16:09.APPLAUSE And you can see live performances
:16:10. > :16:11.of Somme 100 for yourself. There's more information
:16:12. > :16:15.on our website. Well Dan Snow is live in France
:16:16. > :16:19.at a place that holds a very important role in remembering those
:16:20. > :16:23.who didn't come home. Dan - you're in a very
:16:24. > :16:36.personal place aren't you? Probably the most important place in
:16:37. > :16:42.the world for remembering the fallen from Britain's history. This is the
:16:43. > :16:48.Thiepval monument to the fallen. It is the biggest Commonwealth War
:16:49. > :16:53.Memorial in the world. On it are tens of thousands of names of the
:16:54. > :16:57.young men. They died in this region during World War I. The vast
:16:58. > :17:04.majority of them died during the Battle of this on which started 100
:17:05. > :17:10.years ago tomorrow. If I had been standing here 100 years ago, I am in
:17:11. > :17:16.where the German positions where, machine guns and trenches beneath my
:17:17. > :17:21.feet now. It was 10:30am and this was a wasteland. The British had
:17:22. > :17:28.tacked up this hill, they were the Salford pals, friends who had joined
:17:29. > :17:34.up from Salford in Lancashire. There was a battalion from Newcastle and
:17:35. > :17:39.among them, Newcastle football players. They were torn to shreds
:17:40. > :17:43.right here 100 years ago tomorrow morning bison machine guns who have
:17:44. > :17:49.survived the British bombardment. As a result of slaughter like this up
:17:50. > :17:57.and down the front line, it was the single, bloodiest day in British
:17:58. > :18:01.history. In the whole of the battle, over 1 million British Commonwealth
:18:02. > :18:11.and French soldiers, killed, wounded and captured. There will be a vigil
:18:12. > :18:17.here tonight. In the UK, the Queen and Prince Philip will be at a vigil
:18:18. > :18:22.in Westminster Abbey around the grave of the unknown soldier. Those
:18:23. > :18:26.will be mirrored across the UK, Edinburgh Castle, Cardiff, lots of
:18:27. > :18:28.ranches from the Royal British Legion are encouraging people to
:18:29. > :18:38.mark this important occasion. The vigil will end up 7:28am with a
:18:39. > :18:42.two-minute silence. When the guns stopped firing, the whistles were
:18:43. > :18:48.blown and the British infantry attack. There is a concert in Heaton
:18:49. > :18:56.Park. International leaders gathering here, up and down the
:18:57. > :18:57.United Kingdom to mark was the biggest and bloodiest battle in
:18:58. > :19:16.British history. And you can see the commemorations
:19:17. > :19:37.tonight on BBC Two This is Alice's mum in the top
:19:38. > :19:43.right. Her and her colleagues are working hard on Christmas Day. Now,
:19:44. > :19:49.Sharon lets get on to your new comedy drama. Set in Sheffield in
:19:50. > :19:56.the 80s. In a nutshell it is about women deciding to spice up their
:19:57. > :20:02.lives. Let's have a look. This is my residence. Is there a problem? We
:20:03. > :20:09.had a report this house was being used as a house of... Disrepute. I
:20:10. > :20:15.beg your pardon. This is ridiculous. Probably my mother. All above board,
:20:16. > :20:21.officer, I am the sales wrap. What are you selling? Something a bit
:20:22. > :20:31.together and your truncheon. I am selling nightwear, marital aids.
:20:32. > :20:38.Which as I understand it, isn't against the law. No, but maybe it
:20:39. > :20:44.should be. You played Dawn who is one of these four women who are
:20:45. > :20:49.spicing up their lives. How do they interact with each other, they are
:20:50. > :20:52.racy underwear parties? Four women who would never normally socialise
:20:53. > :20:57.together. They would never normally be in each other's lives. I played
:20:58. > :21:03.the hairdresser of Penelope's character. And Stephanie, played by
:21:04. > :21:10.Sophie is hosting one of these parties and I get invited. That is
:21:11. > :21:16.how it begins. Your character, Dawn, she seems quite grassy because the
:21:17. > :21:23.first scene she is kissing the butcher's assistant. But as the
:21:24. > :21:29.series develops, you learn there is more to her character. When I get
:21:30. > :21:36.the first episode I thought, she is loud and she is in your face. I
:21:37. > :21:43.thought I know who you are and what you like. Basically just fun. When
:21:44. > :21:48.you dig a little deeper, she has a difficult and upsetting home life.
:21:49. > :21:51.So much going on, that she keeps totally separate from the person she
:21:52. > :21:56.lets everybody see. It was an interesting character to play. This
:21:57. > :22:04.is a family show, let's talk about the research you did. You did meet
:22:05. > :22:09.quite a lot of people, Jacqueline Gold, who really is the founder of
:22:10. > :22:14.these parties? It was interesting to meet her anti-meat two women who
:22:15. > :22:19.were doing these parties in the 80s. I learned so much from them because
:22:20. > :22:24.I thought, I know what they are, everyone knows what they are. But
:22:25. > :22:29.for these women at that time they were like changing. They were
:22:30. > :22:33.empowering, they had their own business, in charge of their own
:22:34. > :22:38.finances, making money. Sometimes bringing in more money than their
:22:39. > :22:43.partners and they could afford to do things they couldn't do before. It
:22:44. > :22:50.was huge. I guess I was a little bit, kind of... Where they are big
:22:51. > :22:56.deal, but they were. The 80s doesn't seem that long ago, but it was like
:22:57. > :23:02.a different world. When you are on set and you have these props, shall
:23:03. > :23:12.we say. Do you get to take them home? It is a bit of an icebreaker.
:23:13. > :23:18.I don't think I have laughed as much or misbehaved as much onset. When
:23:19. > :23:23.you get all of these women together, you have these things. You are
:23:24. > :23:29.having fun, having a laugh. It made me want to go to one of these
:23:30. > :23:35.parties and have fun. You should go. How many in our audience have been
:23:36. > :23:40.to one of these parties? There is a few! It is called Brief Encounters.
:23:41. > :23:46.It starts on ITV on Monday night at nine o'clock. If you are lucky to go
:23:47. > :23:54.on safari in Africa, you will know about the Big Five, the lion, the
:23:55. > :24:05.African elephant, the Leopard, the rhinoceros. The new Scotland had its
:24:06. > :24:10.own Big Five. It is just after 6am on the Midsummer's day and I am in
:24:11. > :24:16.this stunning location of the Nevis on the West Coast of Scotland. I
:24:17. > :24:22.have been set a challenge to see all of Scotland's Big Five. The red
:24:23. > :24:28.spiral, the seal, after, read here and golden eagle, in just 16 hours.
:24:29. > :24:35.It really is a race against the clock. I will need some help, so I
:24:36. > :24:40.have drafted in Iain Macleod, who has 27 years experience watching
:24:41. > :24:46.wildlife. You take tourists out on a regular basis, how often do you
:24:47. > :24:52.manage to see all of them in one day? It is very rare. Probably about
:24:53. > :24:58.5% maximum. So the odds are against us. First on our list is the golden
:24:59. > :25:07.eagle. Only one word for this scenery and it is majestic. Classic,
:25:08. > :25:13.Eagle country. We are looking for the huge plank with essentially,
:25:14. > :25:22.fingers on the end. By nine o'clock, there was no sign of the golden
:25:23. > :25:28.eagle, so we put it on hold to try again later. Next is the less
:25:29. > :25:35.elusive, and we are heading to a popular feeding station in the
:25:36. > :25:41.forest. I can see a tail. We have one. They are such beautiful,
:25:42. > :25:52.engaging creatures. There is a single tooth in the top jaw and they
:25:53. > :25:59.used to spin the nuts. Soon after, we spot the next animal on our list.
:26:00. > :26:09.We have another of the Big Five. Don't get too excited, it is the
:26:10. > :26:16.deer up the top. I can see five or six. They look like stags. They lose
:26:17. > :26:20.their antlers in April and they regrow for the rotting in October.
:26:21. > :26:27.At the moment they are called Velvet. As we crossed on the ferry,
:26:28. > :26:35.Ian is optimistic we will see harbour seals at the next location.
:26:36. > :26:40.The good news is, we have got a harbour seal. They look like King
:26:41. > :26:47.Charles spaniel faces. A lot of folk compare them to Labradors. It is the
:26:48. > :26:54.third of our Big Five. Things are looking up. Animal number four is
:26:55. > :27:01.the otter. About 25% of our trips, we find otters. As we spend the next
:27:02. > :27:06.three hours looking for them to no avail, those odds diminish. We had
:27:07. > :27:17.to hide for one large dished attempt. It is not. On the end of
:27:18. > :27:26.the island. Yes! You have done it. It is distant, but great behaviour.
:27:27. > :27:33.Almost diving through the air. Four out of five. With only two hours
:27:34. > :27:39.left, we still have defined the golden eagle. I had offshore in the
:27:40. > :27:45.hope of a sighting. What are our chances? Conditions are not
:27:46. > :27:51.brilliant, but you never know when an eagle will just pop up. No golden
:27:52. > :27:59.eagle is, but as the weather closes in, there is a surprise sighting. He
:28:00. > :28:07.has just pointed out a white tailed eagle, sitting in the tree over
:28:08. > :28:15.there. OK, I know it is not a golden eagle, not one of the Big Five, but
:28:16. > :28:19.it should be. We are rewarded with one final wildlife spectacle. That
:28:20. > :28:25.young stag has just crossed about 600, 700 metres of open water. On
:28:26. > :28:29.his time on the loch, Jim has only ever seen this behaviour once
:28:30. > :28:36.before. Every time I come to Scotland, I am not just blown away
:28:37. > :28:39.by the variety of the species, but also the amazing scenery. Look at
:28:40. > :28:45.that. We want to say a big thank you to
:28:46. > :28:49.all of the people who have been sending in your NHS hero photos. I
:28:50. > :28:53.will start with this, Maureen and her friend Eleanor in 1975 working
:28:54. > :28:59.on the children's award at Blackpool hospital. Mori wants to meet up with
:29:00. > :29:07.Eleanor if possible. Linda, who has been a midwife in Bath. This photo
:29:08. > :29:15.sums up how wonderful job. Look at the baby. This is Hannah's granny
:29:16. > :29:21.Maureen, aged 18 as a student nurse in 1914. She worked there for over
:29:22. > :29:29.30 years. This is Andy's mum Pat in 1953.
:29:30. > :29:31.'Brief Encounters' is on Monday night at 9:00pm on ITV, and 'Matron,
:29:32. > :29:35.Medicine And Me:70 Years Of The NHS' starts on Monday morning at 9.15pm