:00:15. > :00:15.Hello and welcome to The One Show,
:00:16. > :00:21.with me Alex Jones and Bill Turnbull.
:00:22. > :00:30.What a treat, lovely to see you. Retreat is all mine. Lovely summer?
:00:31. > :00:33.Yes, I have saved the best for last, here with you on this so far.
:00:34. > :00:35.Well, summer may be coming to and end, but there's lots
:00:36. > :00:38.still to look forward to in the autumn, as our guest
:00:39. > :00:41.tonight has not one, two, or three - but four major film
:00:42. > :00:51.Alongside the director of honour those films, Sean Ellis is Jamie
:00:52. > :00:56.Dornan. APPLAUSE Great to see you.
:00:57. > :01:00.The Premier is tonight of your new film anthropoid, which we will talk
:01:01. > :01:02.about later. But we hear the critic you have been most eager to please
:01:03. > :01:16.is your dad, Jamie? That's right. My dad shows a keen interest in my
:01:17. > :01:24.career and often will give me his version of notes. What does he say?
:01:25. > :01:28.I will sort of tell him what the next project I'm doing is and he
:01:29. > :01:34.will send an e-mail. He will be watching this, he will love it!
:01:35. > :01:40.Hello, dad. He will send me an e-mail of thoughts, not notes, just
:01:41. > :01:47.thoughts. Of every character? I don't even send him scripts! For
:01:48. > :02:00.every project? I can see what you're getting at... Recent ones...? How to
:02:01. > :02:07.direct it. It's good he's showing an interest. It is, it's true. We will
:02:08. > :02:11.chat all about the film very shortly. For many of us today is the
:02:12. > :02:15.first day back at work after holidays or a long weekend so spare
:02:16. > :02:22.a thought for BHS shop workers who may have had no job to go back to
:02:23. > :02:27.today. Staff have developed a kind of Dunkirk spirit. This is the
:02:28. > :02:28.Belfast workforce, and at the Swansea store, Christmas came early
:02:29. > :02:36.and Alex Riley was love. After 88 years on the British high
:02:37. > :02:40.street BHS is closing its doors for the last time. I have come to
:02:41. > :02:42.Swansea to find the final shop still going in Wales, which will be closed
:02:43. > :02:56.in just about an hour, for ever. What is the mood like among the
:02:57. > :03:00.staff today? I think there was a lot of emotions when we opened the doors
:03:01. > :03:03.this morning. The queues were huge upside. This is about the staff,
:03:04. > :03:06.keeping their chins up and going out with a Big Bang. How do you feel
:03:07. > :03:15.about the overall business situation? We have done our best to
:03:16. > :03:22.make sure we didn't disappear from the high Street. How did you feel
:03:23. > :03:26.when they said it was going to close? I was really sad, I've worked
:03:27. > :03:30.here a long time and met so many nice people. I can't believe it's
:03:31. > :03:34.going to shut, but there's no point being sad because I have learned a
:03:35. > :03:42.lot. It was my first job and I think I will always remember it. A couple
:03:43. > :03:49.of weeks ago we were still... The closing down signs are real. The
:03:50. > :03:53.part I liked most about this job and what I had mostly back from was the
:03:54. > :03:58.customers. Every day the regulars would know us, they would know our
:03:59. > :04:07.lives. This will be a big hole in Swansea city centre. How long have
:04:08. > :04:13.you worked at BHS? 45 years. I was 21 when I started. How do you feel
:04:14. > :04:16.about it? Sad at the moment. I will miss all the staff, the routine. And
:04:17. > :04:27.I will miss the people. What will it mean to Swansea when
:04:28. > :04:31.this goes? We have Marks Spencer next door and BHS, they have always
:04:32. > :04:38.been that. Have they sold the right product at the right price is?
:04:39. > :04:43.Always quality. I'd claim that Green bloke. I've never been a regular
:04:44. > :04:48.customer but I've bought the occasional thing, things I couldn't
:04:49. > :04:53.get elsewhere. Who do you think is responsible? I blame the last tour
:04:54. > :05:01.management levels for what has happened. Philip Green and Dominic?
:05:02. > :05:08.You said the names, yes! How do you feel about BHS closing down? Really
:05:09. > :05:14.sad. It will be a lot quieter. Customers, everything is going at
:05:15. > :05:19.50p an item now. I've known this store all of mind life, so did my
:05:20. > :05:23.mother and grandmother. To pick things up today for 50p, we are
:05:24. > :05:26.excited about that, but to lose a massive high Street chain is
:05:27. > :05:38.devastating. These two ladies are the final
:05:39. > :05:40.customers in the Swansea BHS, after being here since 1947, these are the
:05:41. > :06:01.final two. I would like to thank you all from
:06:02. > :06:11.the bottom of my heart and have a final toast BHS Swansea! CHEERING
:06:12. > :06:20.Sad, isn't it? Such a staple of the high street for so long. We wish the
:06:21. > :06:23.best of luck to all former BHS staff. We hear most of the Swansea
:06:24. > :06:25.team have been successful in finding other jobs.
:06:26. > :06:28.I wonder if they will remember to send Philip Green a card when it
:06:29. > :06:40.LAUGHTER . Probably not. Anthropoid based on
:06:41. > :06:44.a true story in the Czech Republic, an assassination attempt on a Nazi
:06:45. > :06:50.officer. How hard or easy was it to identify with the two characters you
:06:51. > :06:53.play alongside Cillian Murphy? To be honest that was one of the biggest
:06:54. > :07:01.draws for me about the story. Cillian was already attached when it
:07:02. > :07:06.came my way, so I didn't get choice who I was up for more. But I would
:07:07. > :07:14.have been drawn towards Jan more anyway because he challenges
:07:15. > :07:20.struggles more with the challenge. He has anxiety attacks and very much
:07:21. > :07:27.feels he's in over his head and they're fighting a losing battle.
:07:28. > :07:31.The reality is, as much as I like to think I'd be all brave in these
:07:32. > :07:37.situations, the reality is I'd probably be the same. I'd probably
:07:38. > :07:45.feel the same way. I find that very identifiable. And actually, I think
:07:46. > :07:49.you will agree with this, what I find relatable from an audience
:07:50. > :07:53.point of view is they are just normal guys. They are normal guys
:07:54. > :07:58.thrust into an abnormal situation. They are not super soldiers all
:07:59. > :08:01.superheroes, just women or men trying to fight against something
:08:02. > :08:07.that was heinous and doing their best in that situation. And you
:08:08. > :08:11.heard about the story 15 years before it was actually made. It
:08:12. > :08:16.became a real labour of love for you, Sean. How hard was it to get it
:08:17. > :08:21.made in the end, because you did it all yourself, didn't you? It was
:08:22. > :08:25.pretty difficult. It was about 2001 I saw a documentary about it. I
:08:26. > :08:29.didn't know anything about it so I started a research and thought it
:08:30. > :08:33.would make a great movie. I started to collate lots of data and
:08:34. > :08:38.documents and stuff like that. In about 2006 we sat down and started
:08:39. > :08:43.to figure out how to tell the story as a film. So, yeah, it's been a
:08:44. > :08:51.long journey. What drew you to the story in particular? I think I was
:08:52. > :08:54.quite obsessed with Jan Kubis and Jozef Gabcik. As Jamie said, people
:08:55. > :09:00.were thrust into different jobs during the war. You would be a baker
:09:01. > :09:10.one day and fighting on the fields all guns blazing the next. We
:09:11. > :09:15.mentioned you start alongside Cillian Murphy, who people will be
:09:16. > :09:38.familiar with from Peaky Blinders. We can see from this tense moment...
:09:39. > :10:06.APPLAUSE All we want to know is what happens
:10:07. > :10:12.next! Based on true events very important
:10:13. > :10:18.in Czechoslovakian history, was it every detail that was close to the
:10:19. > :10:23.facts? With the historical fact I try not to deviate too much because
:10:24. > :10:28.they are the facts. But where we can dramatise and be a storyteller is
:10:29. > :10:30.with the characters and you can build the relationships. We don't
:10:31. > :10:36.really know what they said together, so that's where you mind the story.
:10:37. > :10:39.We try to keep really accurate with the historical events, because we
:10:40. > :10:45.wanted it to be authentic. The Premier happened in Prague. They
:10:46. > :10:49.received it really well. That must of been so flattering for you,
:10:50. > :10:54.having made the film? It is a story they are incredibly proud of and so
:10:55. > :10:57.they should be, it is a proud part of their history which has been
:10:58. > :11:01.buried a long time. After the war communism came in and it was sort of
:11:02. > :11:06.frowned upon, this act. In a weird way it was buried and it's only
:11:07. > :11:11.recently has come to light again and people are very proud of what the
:11:12. > :11:15.Czech parachute as did. It is a great celebration to tell the world
:11:16. > :11:19.that story. Cillian Murphy is your co-star. As characters you have a
:11:20. > :11:24.slightly abrasive relationship sometimes. An interesting dynamic.
:11:25. > :11:32.What was it like working with him? Well, I mean... It's tricky. Cillian
:11:33. > :11:40.and I have very fond of each other. It's very Irish to show love through
:11:41. > :11:44.slapping each other off. Trying so hard to be sincere...! LAUGHTER
:11:45. > :11:51.I can do it, I can do it, I can do it. The honest truth is I was a
:11:52. > :11:55.massive fan of Cillian before, not just because I'm Irish. But he's a
:11:56. > :12:00.young actor, the way he's approached his career and a variety of work he
:12:01. > :12:03.has done from the blockbusters like Batman to low-budget movies to
:12:04. > :12:07.television, to Irish theatre, everything, he's had such a good
:12:08. > :12:14.balance in his career. And then it turns out he's the loveliest fella
:12:15. > :12:20.in the world. That is hard to say. He will mock you now. Is all this
:12:21. > :12:25.true, Sean? I had good fun with the boys, I have to say. We have to be
:12:26. > :12:31.thankful to Sean for casting us together. It's a gamble. It's
:12:32. > :12:35.basically like a two hand. It's a bit of a gamble that you might not
:12:36. > :12:39.see eye to eye with the other person. I think the fact we're both
:12:40. > :12:45.Irish maybe helps. It was a gamble that worked for you. Thank you for
:12:46. > :12:48.your time. Anthropoid is in cinemas from Friday the 9th of September.
:12:49. > :12:50.Just two years before Operation Anthropoid took place,
:12:51. > :12:53.a squad of British soldiers was given orders to tackle a very
:12:54. > :12:57.This time, the target wasn't 600 miles away in Prague.
:12:58. > :13:12.September 15, 1940, an army truck speeds through the capital. It's the
:13:13. > :13:18.height of the London Blitz on every corner of the city is in chaos. At
:13:19. > :13:23.the centre, and untouched beacon of hope and defiance, St Paul's
:13:24. > :13:28.Cathedral. But during a shattering V-Day bomb raid an unexploded device
:13:29. > :13:35.threatens to destroy the cherished building, and with it, the morale of
:13:36. > :13:38.a nation. The Royal engineer bomb disposal squad was called in. The
:13:39. > :13:42.bomb had penetrated the ground near the west end of the Cathedral and
:13:43. > :13:47.ruptured the gas mains starting a fire. Although the flames were
:13:48. > :13:52.extinguished, the men found the pit was full of electrical cables and
:13:53. > :13:56.poisonous gas. It could explode at any moment. I served as a bomb
:13:57. > :14:02.disposal officer with the British forces, so I know how incredibly
:14:03. > :14:06.dangerous this situation was. My ex-colleagues in the Royal Engineers
:14:07. > :14:13.and Logistics Corps still deal with unexploded World War II bombs today.
:14:14. > :14:18.Staff Sergeant McKinnon dealt with a 250 kilograms one in Bermondsey in
:14:19. > :14:25.2015. They moved it to a quarry in Kent to be detonated.
:14:26. > :14:29.I believe the one at St Paul's was 1000 kg. What sort of damage would
:14:30. > :14:34.it cause Chris Wratt is right at the top end of what we deal with. What
:14:35. > :14:41.we have done is set up a charge over here, 250 grams. That means the St
:14:42. > :14:49.Paul's bomb was four thousand times bigger. Stand by! Even with the
:14:50. > :14:53.small charge you can feel the power. Our explosion is roughly equivalent
:14:54. > :14:58.to six grenades. By the same calculation, the St Paul's bomb was
:14:59. > :15:04.equivalent to 20 4000. In the woods, a dummy bomb has been bricked up to
:15:05. > :15:07.defuse and I am observing. With a bomb like this we have no
:15:08. > :15:12.protection. With something this size it is designed to take down
:15:13. > :15:16.buildings. Back at St Paul's, temporary Lieutenant Davies and his
:15:17. > :15:21.men have to dig to reach the St Paul's bomb. They dig for three
:15:22. > :15:27.nail-biting days and then on Sunday the 15th of September, George Reilly
:15:28. > :15:34.hits metal, 27 feet below ground level. He'd found a lethal Herman
:15:35. > :15:38.bomb with a type 17 views. Just a month before such a bomb had killed
:15:39. > :15:42.three men trying to defuse it so orders were to destroy it in situ,
:15:43. > :15:46.but this wasn't an option. The Cathedral was a symbol of Britain's
:15:47. > :15:51.defiance and Churchill ordered it should be protected at all costs. So
:15:52. > :15:57.the only option was to dig up the bomb and remove it with this view is
:15:58. > :16:00.still intact. Techniques for stalling times like these were
:16:01. > :16:05.considered too experimental to use at the time, but now they are used
:16:06. > :16:10.regularly. What we need to do is drilling to hear and inject a water
:16:11. > :16:14.solution. The idea is it takes the salt inside, gets between all the
:16:15. > :16:19.clockwork and when it dries out, it leaves all the salts there. This is
:16:20. > :16:25.not how the guys in St Paul's did it. What they did is treated it, as
:16:26. > :16:30.a long delay fuse. That meant it was set to explode but no one could tell
:16:31. > :16:35.when. Stephen is a bomb disposal historian.
:16:36. > :16:41.The bomb itself is 1,000 kg dead weight, caked in mud, very slippery
:16:42. > :16:46.and it needed several people to unload it onto the truck. Sapper
:16:47. > :16:50.Wiley stepped forward and said he would hold the bomb in the back of
:16:51. > :16:54.the truck while Lieutenant Davies drove at high speed through Hackney
:16:55. > :16:58.marshes, where the bomb was then off-loaded. As they were driving to
:16:59. > :17:03.a save point, the bomb actually exploded. So the guys got it there
:17:04. > :17:08.to a safe place in the nick of time. They were very, very lucky. The
:17:09. > :17:15.explosion made a crater 100 feet wide. Four Royal Engineers won
:17:16. > :17:18.medals for their courage. Lieutenant Davies, who drove the bomb to
:17:19. > :17:22.Hackney marshes and Sapper Wiley, who struck metal and held onto the
:17:23. > :17:26.bomb, were both decorated for their bravery with the George Cross. As
:17:27. > :17:32.for St Paul's, thanks to the courage of men like Davies and Wiley, it
:17:33. > :17:36.survived the Blitz and became a focal point for celebrations when
:17:37. > :17:40.the war ended in 1945. Thank you, Andy, former bomb
:17:41. > :17:42.disposal officer. That boy can do it all!
:17:43. > :17:44.Operation Anthropoid, as we know, is a true story.
:17:45. > :17:47.But regular viewers to the show will know that there are many
:17:48. > :17:49.stories from World War Two which we've told which frankly sound
:17:50. > :17:54.Joe's here with more tales from that era.
:17:55. > :17:57.He is going to outline them for us in best One Show
:17:58. > :18:04.And we'd like you guys to decide whether they really happened
:18:05. > :18:22.April 1943, the body of a Royal Marine is washed up on the coast of
:18:23. > :18:26.Spain handcuffed to his wrist is a briefcase full of Top Secret
:18:27. > :18:30.documents, but all is not what it seems. The body is in fact that of a
:18:31. > :18:34.homeless man from Wales and the documents of falls, an audacious
:18:35. > :18:49.attempt to dupe the Nazis. Fact or Film? What are you going with? Fact.
:18:50. > :18:53.Operation Mincemeat. An expert. It was a very audacious attempt to
:18:54. > :18:56.mislead the Nazis. It was very successful, the man in question was
:18:57. > :19:01.a poor guy who had committed suicide and his body was taken over by the
:19:02. > :19:06.authorities, they gave him a new identity and planted him in the
:19:07. > :19:09.water off Spain. They were targeting a very specific German spy in that
:19:10. > :19:13.part of Spain and sure enough, the documents made it into his hands and
:19:14. > :19:17.the Nazis bought it and they thought the invasion would go through
:19:18. > :19:22.Sardinia and Greece and not through Sicily, which was the obvious way to
:19:23. > :19:28.do it. Hitler moved his forces out of Sicily and there was less
:19:29. > :19:39.resistance when they came through. The next one is a bit harder.
:19:40. > :19:43.France, 1944, our hero is Krystyna, a former Polish beauty queen turned
:19:44. > :19:47.spy who is wanted by the Nazis. In a bold attempt to rescue three
:19:48. > :19:50.resistance fighters due to be executed, she goes into a Gestapo
:19:51. > :19:54.prison. There are wanted posters with her face on all around and
:19:55. > :20:06.single-handedly, she frees her fellow fighters. Fact or Film?
:20:07. > :20:12.Sounds like operation Bolognese... Am I overcooking it now? I find that
:20:13. > :20:22.quite probable story, I think it is fact. It is indeed fact, two outcrop
:20:23. > :20:27.two. This was Krystyna Skarbek, an incredible spy, thought to be
:20:28. > :20:31.church's favourite spy, in fact and what she does is the ultimate bluff
:20:32. > :20:36.-- Churchill's favourite spy. She goes into the prison and so she is a
:20:37. > :20:40.British agent and the invasion is coming. She didn't know it was the
:20:41. > :20:44.case, although it was the case, and the only way to save yourself is to
:20:45. > :20:48.start releasing prisoners. These three are the ideal candidates, I am
:20:49. > :20:52.married to one of them. And after a three-hour conversation with the
:20:53. > :21:01.prison captain, she walked out with them. 30 seconds. June 1944, D-Day
:21:02. > :21:07.is imminent and the German army doctor is so desperate to know when
:21:08. > :21:10.the invasion is that he kidnaps and American intelligence agent, who
:21:11. > :21:15.drugs him, convinces him it is 1950 and the war is over and he can
:21:16. > :21:26.divulges the plans. Fact or Film? I'm going to go film on that one. It
:21:27. > :21:29.should be a film. It is, 36 Hours, based on a roll Dahl story. -- Roald
:21:30. > :21:35.Dahl story. Well, how plausible does this sound
:21:36. > :21:37.as a One Show film plot? "A gardener from Lancashire takes
:21:38. > :21:40.an early morning boat to an island "off the south coast of Britain
:21:41. > :21:43.to rendezvous with a woman "who claims to own
:21:44. > :21:45.Napoleon's baby's cot?" Listen, Bill, that is nothing
:21:46. > :21:56.unusual on this show. It is a glorious summer's morning
:21:57. > :22:02.and I am on the high seas heading to a very special holiday home. Not the
:22:03. > :22:06.high seas, exactly, but the Solent, crossing from Southampton to the
:22:07. > :22:12.Isle of Wight, the same journey made every summer by action girl and
:22:13. > :22:17.former supermodel Jodie Kidd. Wow, Christine, welcome to my little bit
:22:18. > :22:21.of heaven on the Isle of Wight. And it is, my goodness, that is a view
:22:22. > :22:27.and a half. What was it like growing up here? Just amazing to be playing
:22:28. > :22:34.around in boats and jumping off of this many times, racing out to
:22:35. > :22:39.boys... Not literally to boys! This is incredible. Such a wonderful
:22:40. > :22:44.place to grow up and so I bring indie here as much as I possibly
:22:45. > :22:47.can. Jodie comes from a family of high achievers. Her
:22:48. > :22:52.great-grandfather was the press baron Lord Beaverbrook and his son,
:22:53. > :22:58.Max Aitken, owned this house in Paris. As well as a family home, it
:22:59. > :23:02.is a museum displaying some unusual treasures. Said this is the
:23:03. > :23:07.beginning, the entrance of the museum, and it explains a little bit
:23:08. > :23:12.about my great uncle, Max Aitken and in World War II, he was one of the
:23:13. > :23:18.Battle of Britain pilots, famous 601 Squadron. When he left the RAF, he
:23:19. > :23:22.was a very successful sailor and then he started the offshore
:23:23. > :23:28.powerboat racing. You can see pictures of them going God knows
:23:29. > :23:33.what speed. Speed, speed, speed. Always. I don't know where I got it
:23:34. > :23:38.from. I'm beginning to see why Jodie has remained in the public eye since
:23:39. > :23:44.she was 16. She has been a model, racing car driver, a polo player and
:23:45. > :23:48.TV presenter and is currently raising funds for Help for Heroes.
:23:49. > :23:52.But if anyone knows her best, it is the current occupant, cousin Laura.
:23:53. > :23:57.You have seen Jodie Grow up, what was she like as a child? We always
:23:58. > :24:00.knew she was going to be something special because competitiveness
:24:01. > :24:04.comes to mind. If you put her on a rowing boat, she had to win in a
:24:05. > :24:08.race. Sand castles, she had the biggest and the best. She knocked
:24:09. > :24:14.the other ones down, I think, sabotage! What were your memories in
:24:15. > :24:19.the museum? One had to stop her and her siblings and my kids getting
:24:20. > :24:23.into Queen Victoria's croquet set and smashing the wooden balls up and
:24:24. > :24:26.down the long room, one end to the other, which is terrifying,
:24:27. > :24:31.considering most of the models are in glass cases. This is Napoleon's
:24:32. > :24:41.cradle for his son and I remember swinging violently, legs out.
:24:42. > :24:46.Serious, serious trouble. But just now, as an older person, you go,
:24:47. > :24:53."Crikey, Napoleon would have rocked his child in that!" And so did I!
:24:54. > :24:58.Jodie has excelled in pretty much everything she has turned her hand
:24:59. > :25:06.to. But life has not always been easy for her. As a late teenager
:25:07. > :25:09.going into my early 20s, you know, I used to suffer from anxiety. It is
:25:10. > :25:13.just a horrible thing because when you are going through it and you are
:25:14. > :25:17.constantly thinking you are going mad, why am I getting heart
:25:18. > :25:22.palpitations? And once you understand why you are going through
:25:23. > :25:25.this and what anxiety is and you are just releasing too much adrenaline
:25:26. > :25:32.and you're constantly in the fight flight stage, you know, that was how
:25:33. > :25:34.I kind of healed myself. I moved back out into the country, started
:25:35. > :25:39.growing my own vegetables. Excellent!
:25:40. > :25:46.Right, the sun is out and it is time now for a jaunt around the bay along
:25:47. > :25:49.with cousin Martin and indeed. I absolutely love bringing indie band
:25:50. > :25:56.here, where he can get to experience a little bit about what I did
:25:57. > :26:03.growing up here -- Indie here. I thought we would be having a little
:26:04. > :26:09.saunter. We are. We have left the harbour and now, we are going to
:26:10. > :26:15.pick it up. Go for it! Not so much of a saunter.
:26:16. > :26:17.It is fast, it is exciting. It is exactly what I imagine Jodie's live
:26:18. > :26:25.to be. It is quite fun! You see, Jodie and
:26:26. > :26:29.Christine shouldn't work, but it really does. They are a perfect
:26:30. > :26:38.combination. You guys, where did you go on holiday as a child? Together?
:26:39. > :26:43.You go back such a long way! We mostly went camping in France, got
:26:44. > :26:46.the ferry over. I don't remember a huge amount of it but that is
:26:47. > :26:55.definitely where I went. Sean, did you go to the Isle of Wight? I did,
:26:56. > :27:02.Butlins on the Isle of Wight. We went there, what a brilliant place!
:27:03. > :27:06.Anyway, let's talk about The Fall. The Fall is coming back for another
:27:07. > :27:15.series in which you play a much less heroic character. It has really
:27:16. > :27:18.changed your career, that role. I do think so, yes. Certainly
:27:19. > :27:25.professionally, it totally changed my life and I am forever grateful
:27:26. > :27:28.for it. I would play that character, as horrible as he is, for the rest
:27:29. > :27:33.of my life if someone gave me the option. It is also bad thing, four
:27:34. > :27:40.and a half years into it now, they are like family to me, the crew, the
:27:41. > :27:43.same groove all three series, so... We are seeing you there at the end
:27:44. > :27:52.of the second series and you think, where can you go from here? Well...
:27:53. > :27:56.That is the million dollar question. I watched the first series and I got
:27:57. > :28:01.so tense that I got backache at one point. Wouldn't it have been really
:28:02. > :28:10.creepy if I had come in behind you and... Really grim! How much darker
:28:11. > :28:13.can your character actually get? I guess there hasn't been an intention
:28:14. > :28:18.to try and do that, we haven't been trying to show him any darker. The
:28:19. > :28:23.proof is in the pudding, I think, so far, but it goes in quite an
:28:24. > :28:30.unexpected place, series three. Won't say, without giving too much
:28:31. > :28:33.away but Allan Cubitt and I can he created it, are very close and I
:28:34. > :28:39.didn't see what was coming. And you get a break from that because you
:28:40. > :28:44.have other projects in the pipeline. Yes, I have a lot coming out at the
:28:45. > :28:49.moment. This is very strange, you never Planus and I certainly
:28:50. > :28:53.wouldn't have planned it, but I have four different projects coming out
:28:54. > :28:56.on different platforms in the next five weeks so I have to remind
:28:57. > :29:00.myself what I am doing press for. You will be back next week doing
:29:01. > :29:03.press for something else! Nice to see you both and enjoy the premiere
:29:04. > :29:09.tonight, have a great night. Anthropoid is out on Friday the 9th
:29:10. > :29:13.of September and, Bill, are you going to stay put? If you will have
:29:14. > :29:18.bigger the next couple of days, it has been great. We have some
:29:19. > :29:22.brilliant guest. On Friday, Renee Zellweger and on Thursday, all
:29:23. > :29:24.things Poldark. And tomorrow, we are joined by John Bishop. Have a lovely
:29:25. > :29:33.evening, goodbye. Planet Strictly to Sparkle -
:29:34. > :29:38.this is Mission Fabulous.