:00:18. > :00:27.Hello and welcome to The One Show with Alex Jones and Matt Baker. Now,
:00:28. > :00:35.meet ex-Royal Marine turned domestic God, then well. Evening! Very
:00:36. > :00:44.authoritative! If you have ever wanted to know the best way to iron
:00:45. > :00:50.a shirt, Ben is here to show us the Royal Marine way. We don't know if
:00:51. > :00:52.tonight's guest can iron, but we do know that he looks very good in
:00:53. > :00:55.leather. There we are, please welcomed John
:00:56. > :01:26.Bishop! APPLAUSE That is so tragic, because that is
:01:27. > :01:32.probably the last Take That tribute act where there were five. Now you
:01:33. > :01:36.must be thinking, we will be going to gigs on bicycle soon, there will
:01:37. > :01:42.just be two of us left. As Matt was saying, we have Ben into night to
:01:43. > :01:49.show us ironing. It is you against me, how are your ironing skills? My
:01:50. > :01:53.ironing skills are fantastic. Are you joking? No. When I got married
:01:54. > :02:00.the first thing that surprised me about living with a woman is that
:02:01. > :02:06.Melanie Irons and aware. My mum does that as well. That is amazing, isn't
:02:07. > :02:11.it? It looks nice in the draw. LAUGHTER
:02:12. > :02:16.That is a good point. The amount of times I have said to people, come
:02:17. > :02:23.and see my underwear! Of all the jobs around the house, what is your
:02:24. > :02:28.best domestic skill? Dog walking. That is not a domestic skill. If you
:02:29. > :02:34.have a dog in the house and don't take it for a walk, you will wish
:02:35. > :02:37.you had a good dog walker. Domestic material is or is coming up in your
:02:38. > :02:42.tours and your shows, we don't know who is promoting this new tool you
:02:43. > :02:49.have got but we are preshow you get paid for it, right? Sadly, that did
:02:50. > :02:54.not happen to two brass bands who fell victim to a rogue promoter. Dan
:02:55. > :03:01.Donnelly investigates why somebody who was a disgraced promoter
:03:02. > :03:06.continued to operate. Brass bands are big business, whenever there is
:03:07. > :03:12.money to be made you cant be sure there is a conman in the wings
:03:13. > :03:16.waiting to cash in. That is what happened to Yorkshire's band. They
:03:17. > :03:23.were fleeced by a promoter who made promises he never kept. The company
:03:24. > :03:30.manager was Graeme White head. This is him, blowing his own trumpet,
:03:31. > :03:35.well, cornet. How much money did you lose? We are still owed about
:03:36. > :03:39.?21,000. That is a lot of money for you. Absolutely. The players have
:03:40. > :03:44.not been plagued of those concerts they did. The Black Dyke band are
:03:45. > :03:47.not the only ones to have lost out. The Grimethorpe Colliery Band
:03:48. > :03:55.insisted on half the fee upfront but they are still owed ?3500. It might
:03:56. > :03:59.not seem a lot of money, but to a band such as ourselves, that is a
:04:00. > :04:05.big amount that which is kind of Ford to write off. Graham Whitehead
:04:06. > :04:11.has left a trail of angry bands and the new owners. But he is much more
:04:12. > :04:16.than just a bad businessmen. Graham Whitehead is a convicted fraudster,
:04:17. > :04:21.banned from running any business. Jailed in 2010 for a ?12 million
:04:22. > :04:25.investment fraud, Graham Whitehead is disqualified from being a
:04:26. > :04:31.director for another ten years. Yet everyone we have spoken to agrees he
:04:32. > :04:34.is the one running the show at Prestige Promotions. There is no
:04:35. > :04:38.doubt in my mind that Graham was calling the shots on this one, all
:04:39. > :04:44.the way through. But tracking down our rogue director is not easy. This
:04:45. > :04:50.is the offices. Inside, it's empty, the landlord kicked them out. The
:04:51. > :04:55.man himself has gone to ground. He has not answered our e-mails and is
:04:56. > :04:59.no longer at his home address. But I have managed to get hold of his
:05:00. > :05:11.personal mobile number, so let's CFE is taking calls. Hello? Is that
:05:12. > :05:16.Graham Whitehead? Who is speaking? It is down from The One Show. I want
:05:17. > :05:26.to talk about the money that you owe. Hello? Graham? It looks like he
:05:27. > :05:37.wants to disappear without to much fanfare. We have discovered Prestige
:05:38. > :05:43.Promotions owes a quarter of ?1 million, but Whitehead won't have to
:05:44. > :05:50.deal with the charge because he was not bass, on paper at least. Critics
:05:51. > :05:54.want the law on disqualifying directors toughened up, something
:05:55. > :06:00.the Business Secretary, Vince Cable, has vowed to do. So is it too easy
:06:01. > :06:05.for disqualified directors to carry on operating in this country? It has
:06:06. > :06:09.been too easy and there are too many people getting away with practices
:06:10. > :06:13.they shouldn't. We are toughening the criteria under which directors
:06:14. > :06:18.can be banned. We have one case where a completely band director has
:06:19. > :06:20.just carried on operating behind-the-scenes with someone asked
:06:21. > :06:27.fronting the company. Would they be able to do that still? No, we are
:06:28. > :06:31.going to stop the practice of people hiding behind France. Anybody who
:06:32. > :06:35.owns a country will be identified, it will be more transparent than in
:06:36. > :06:40.any other western country and it will stop a substantial amount of
:06:41. > :06:47.that concealment. That may come too late for members of the Black Dyke
:06:48. > :06:50.band. Obviously, I am very angry. It was a lot of money and we are still
:06:51. > :06:57.fighting to get it back, we won't give up. Until the law catches up
:06:58. > :07:03.with our rogue director, the band 's fleeced by him remain fleeced. --
:07:04. > :07:11.Brust. Have you experienced anything like that? One or two situation
:07:12. > :07:17.starting off in the smaller clubs, saying, and not enough people came
:07:18. > :07:21.we can't pay you. I tend to find if you are in the same room, you tend
:07:22. > :07:24.to get your money off them. But when you are a band and you put your
:07:25. > :07:29.faith in the hands of someone else, you can't do a lot about it, because
:07:30. > :07:33.after the event they are off. You're not doing small venues any more, big
:07:34. > :07:37.scale arena ones. Back on the road for the first time in two years.
:07:38. > :07:44.Apparently, the most relieved people a family. The dog is not very happy!
:07:45. > :07:50.Who is going to walking? We have a treadmill with the dog -- for the
:07:51. > :07:54.dog with my face on it! The thing is, to be honest, with the stand-up,
:07:55. > :08:03.I suppose like anything that you love doing, if you don't do it, I
:08:04. > :08:08.get irritable. In the house, I am annoying everybody, so getting back
:08:09. > :08:11.on the road will be hard. What has been happening over the last couple
:08:12. > :08:19.of years? I went to Australia, travelling there. That process of
:08:20. > :08:22.changing really, because I did that travel log which was something I was
:08:23. > :08:30.wanted to do, the type of telly I aways wanted to see. Retracing the
:08:31. > :08:34.steps you took in 1992. Yes, I wrote an autobiography, someone from the
:08:35. > :08:39.BBC saw it, and in 1992I read from Sydney back to Liverpool so we just
:08:40. > :08:43.retrace the Australia leg, which was really odd really, to go where you
:08:44. > :08:48.were when you are 25 and a little different. There is a funny clip
:08:49. > :08:54.from it where you find your own island. Have a look at this. There
:08:55. > :08:59.is a lack of facilities at the moment, we have no infrastructure,
:09:00. > :09:05.hotel, car park, landing strip, or an island for most of the day. But
:09:06. > :09:12.for six hours of the day, what a perfect place to come to on holiday.
:09:13. > :09:16.APPLAUSE That was great, that was on the
:09:17. > :09:19.Great Barrier Reef, and we got these marine biologists who said we will
:09:20. > :09:22.take you somewhere that is spectacular, and we got there and
:09:23. > :09:26.there was no island, and I thought we have got this right pair of
:09:27. > :09:29.rogues. When you meet them, like most Aussies, they just don't look
:09:30. > :09:33.like professors, they look like they fell right out of the pub and I
:09:34. > :09:37.thought we had been stitched up. Then the water fed away and the
:09:38. > :09:42.island emerged. It was superb for six hours and then it went again.
:09:43. > :09:47.You call it Supersonic, this tour, is that a reference to how fast your
:09:48. > :09:51.children have grown up? We were just saying they are off to university.
:09:52. > :09:58.Yes, they are off. I didn't realise the significance, I just came up
:09:59. > :10:04.with the title because I wanted one word that sounded good. We used to
:10:05. > :10:08.use that word in my house, do it quick, do it supersonic. In many
:10:09. > :10:11.respects, they have grown up that fast, and they have gone. They are
:10:12. > :10:17.not kids any more, in fact one of them is not even a teenager, he is
:10:18. > :10:22.20. I have got to teenagers and a bloke. LAUGHTER
:10:23. > :10:25.It is really odd. I have reached the point in my life where I actually
:10:26. > :10:34.own a man. I never thought that would happen. And are they going to
:10:35. > :10:39.come and see you do the arena gigs? Probably the two who are going to
:10:40. > :10:42.university, because they will get fed! LAUGHTER
:10:43. > :10:47.They will probably come asking for a feud with and a pizza. You are doing
:10:48. > :10:50.these warm up gigs up and down the country, so we thought as a warm up
:10:51. > :10:55.now, because there are about 4 million people watching, if there is
:10:56. > :11:00.a gag that you think will it work or not, you can have a go now, if you
:11:01. > :11:09.fancy it? You have seen my material, it wouldn't make The One Show at
:11:10. > :11:18.seven o'clock! Keep it clean! There are two nuns walking out you asked
:11:19. > :11:24.him! John's Supersonic tour starts on October 22 in Plymouth. Earlier
:11:25. > :11:29.on we introduced you to exploit oil marine, Ben, the domestic God who
:11:30. > :11:33.has a challenge for the two of you. Hopefully, this will help me look
:11:34. > :11:37.smart on the telly to the next two days, because you have got three
:11:38. > :11:42.minutes, when you settle in, three minutes to iron my shirts for
:11:43. > :11:48.Wednesday and Thursday's shows. They should be pretty creased. Were you
:11:49. > :11:54.really in the Royal Marines? This is our elite fighting force, right,
:11:55. > :11:59.lads, before you get out, let's get ironing. These are super creased as
:12:00. > :12:02.well. Whatever you come up with, I will wear on Wednesday and Thursday
:12:03. > :12:07.so I am keeping everything crossed. Your three minutes begin right now.
:12:08. > :12:14.While you concentrate, this is what happened when we sent Ben off with
:12:15. > :12:20.Carrie to a place where his skills are in pressing demand. University
:12:21. > :12:26.Freshers' Week. Would you say you are pretty useless? Guess. Are you
:12:27. > :12:31.pretty useless? I am going to go with the S. I would say pretty
:12:32. > :12:36.useless is about right. Pretty useless. That is how students have
:12:37. > :12:39.been described in a new DVD, which sets out to teach them the basic
:12:40. > :12:45.skills in preparation for leaving home. Emily, do the plates next.
:12:46. > :12:49.Give them a good clean. Now put the genes over the ironing board. The
:12:50. > :12:52.DVD is the work of former Marine, Ben Gwillim, who said he was totally
:12:53. > :12:58.frustrated with just how useless teenagers can be. I had to iron a
:12:59. > :13:07.shirt the other day, it didn't go well. I don't think I will be using
:13:08. > :13:12.an iron. Are teenagers pretty useless? I think teenagers today
:13:13. > :13:16.need to be shown what to do. There is a method to doing your ironing or
:13:17. > :13:19.to do the washing up and get it done properly. I thought we would start
:13:20. > :13:26.with some ironing and I just happen to have a shirt in my pocket that I
:13:27. > :13:30.thought you could show me how... Fresh from the washing machine.
:13:31. > :13:34.There is a symbol on the shirt and you match it to the symbol on the
:13:35. > :13:42.iron. So that is the first bit, behind the collar. Yes, they call it
:13:43. > :13:47.the yolk. Then the sleeves, then the back. You see, I wouldn't do it that
:13:48. > :13:54.way, I would have it laid the other way. Who taught you? My mum. I
:13:55. > :13:57.learned to do my ironing when I joined the Royal Marines. The last
:13:58. > :14:03.thing we do are the front parts and the collar. Have you done any
:14:04. > :14:13.ironing since you have been here? I didn't bring one. This shirt is not
:14:14. > :14:16.iron. Why is that? Because I am too lazy to iron it.
:14:17. > :14:25.POP MUSIC Now, it's a very intriguing order,
:14:26. > :14:28.why do you do it in that order? The way I was taught, if you do
:14:29. > :14:33.different pieces and the collar as the last bit, those are the bit
:14:34. > :14:39.which are at the front. It gives you a smile to finish, you cannot get it
:14:40. > :14:42.creased. John, when you are on tour, in hotel rooms and stuff like that,
:14:43. > :14:46.would you opt to wear a creased shirt or would you go for the
:14:47. > :14:52.trouser press option, shoving it in there and hoping for the best? If it
:14:53. > :15:00.matters, you put a coat on. Of course. A couple of creases in the
:15:01. > :15:06.middle. Have you heard the tip, if you put it on a hanger in the shower
:15:07. > :15:12.and turn it on, it helps. It does work. It's good. Is that the three
:15:13. > :15:16.minutes up? I don't know what you are worried about, I'm going to have
:15:17. > :15:22.to wear this! LAUGHTER So, let's have a look at John's
:15:23. > :15:26.shirt, what's your instant reaction? Well, it looks like he could have
:15:27. > :15:32.used a corrugated iron. It's pretty good. CHUCKLES
:15:33. > :15:37.The collar and sleeves are good, but the front piece is a little bit
:15:38. > :15:42.creased but I could wear that. Yours is OK. Is looking pretty good. Look
:15:43. > :15:47.at these leaves, look at those sleeves. You just rocked onto one
:15:48. > :15:53.flood, like a catalogue model. CHUCKLES
:15:54. > :15:56.This is what they need, instead of those recruitment videos with the
:15:57. > :16:00.Marines walking around in the murder, learn to iron.
:16:01. > :16:08.Walking around in muddy conditions. Johns is pretty good, but I know
:16:09. > :16:15.he's a gentleman so Alex is the winner. CHEERING
:16:16. > :16:21.You can find more about Ben on our Facebook page and he has a DVD out
:16:22. > :16:24.and everything. Thanks so much. You cannot beat a good singalong
:16:25. > :16:30.especially when there are 13,000 people involved. The One Show has
:16:31. > :16:35.set me what could be my biggest challenge yet. They wanted me to
:16:36. > :16:38.come up with a brand-new football chant and somehow get an
:16:39. > :16:43.unsuspecting crowd of 13,000 fans to spontaneously start singing it with
:16:44. > :16:47.me. Today it's commonly believed that our instinct to sing is as
:16:48. > :16:51.powerful as the instinct to speak, perhaps even come to a just. Nowhere
:16:52. > :16:56.cannot be found more than here, on the terraces of a football stadium.
:16:57. > :17:01.Singing at football matches is nearly as old as the game acts did
:17:02. > :17:07.-- itself, when many clubs in the 19th century were started by
:17:08. > :17:12.churches. Doctor Martyn Jones is a historian who is researched the
:17:13. > :17:16.development of the football chant. And football develop, crowds were
:17:17. > :17:19.not charged in in the modern sense but they were singing popular songs,
:17:20. > :17:27.sometimes musical songs, sometimes they were religious hymns. In the
:17:28. > :17:35.50s and 60s, it was more like pop music. Do the chants give a
:17:36. > :17:39.collective identity to the fans? It is about saying I'm part of the
:17:40. > :17:44.crowd, a way of declaring your identity and your allegiance to a
:17:45. > :17:49.particular club. This identity was the subject of a report on the BBC
:17:50. > :17:57.programme Panorama who visited Liverpool in 1964. Anthropologists
:17:58. > :18:02.would be introduced into as rich and mystifying a culture as in any South
:18:03. > :18:06.Sea island. The 28,000 people in the Kop begin singing together. They
:18:07. > :18:13.seem to know intuitively when to begin. So how does it work, and can
:18:14. > :18:17.I get a crowd to follow my lead? Steve Jones is somebody who does
:18:18. > :18:22.just this come every week for Swansea City football club. Hello
:18:23. > :18:29.Steve. Tell me about your role. I attempt to get the song is going and
:18:30. > :18:35.the crowd going. I banged this drum. And they tend to join in. What are
:18:36. > :18:38.the ingredients for a good chant? Something catchy and easy to learn,
:18:39. > :18:53.something which goes with a song that everybody knows. Everson idea
:18:54. > :18:59.of your best chants. SINGING # I cannot get enough...
:19:00. > :19:10.# I cannot get enough. And they join in? Yes. If not? You could be on
:19:11. > :19:14.your own! I've been invited along to the Swansea Stadium, it's my home
:19:15. > :19:19.town and my home team, what better place to try out my challenge. I'm
:19:20. > :19:23.going to need some support to get my voice heard in the stands, so when
:19:24. > :19:32.in Wales who better to help them Swansea's very own Male voice choir,
:19:33. > :19:37.come on boys. SINGING # Swansea until I die! Time to head
:19:38. > :19:42.to the stadium and we've come up with the perfect lyrics. It may be a
:19:43. > :19:47.friendly, but I'm still very nervous. There's 13,000 people here,
:19:48. > :19:53.but at least I have my choir to back me up. DRAMATIC MUSIC
:19:54. > :20:02.Steve Strohm is already making a racket. -- his drum.
:20:03. > :20:08.# I just can't get enough! The game is not going to plan with Swansea
:20:09. > :20:12.already one goal down, but I cannot put this off any longer. Time to
:20:13. > :20:17.unleash our unique take on the him, he's got the whole world in his
:20:18. > :20:24.hands, about the Swansea goalkeeper Lukasz Fabianski, but we will we be
:20:25. > :20:28.singing on our own? # We've got Lukas Fabianski in our
:20:29. > :20:32.goal! We've got Lukasz Fabianski in our goal
:20:33. > :20:36.# We got Lukasz Fabianski in our goal! CHEERING
:20:37. > :20:42.SINGING We did it! With the help of Stephen
:20:43. > :20:48.Maguire, showing that with the right ingredients you can get even the
:20:49. > :20:53.toughest crowd to join in. It is about the culture, isn't it?
:20:54. > :21:01.DRAMATIC MUSIC Brilliant, remarkably contagious,
:21:02. > :21:06.isn't it? They got it going. He's not even Polish, it just rhymes. Now
:21:07. > :21:10.we are going to put your chant knowledge to the test. Over there we
:21:11. > :21:15.have a lovely a cappella group, they are going to sing three football
:21:16. > :21:21.chants, all you got to do is tell us what the original song is and who
:21:22. > :21:26.sang it. That will be dead easy. If you get two of them right, they will
:21:27. > :21:31.sing your team Liverpool's anthem, You'll Never Walk Alone. But if not,
:21:32. > :21:37.they will perform Everton's song, It's A Grand Old Team. There's
:21:38. > :21:39.incentive now. That start. This was sung by Crystal Palace fans when
:21:40. > :21:43.they played Brighton. Here we go. # We had Brighton on the run
:21:44. > :21:48.# But the fun didn't last # Because the blighters ran too
:21:49. > :22:01.fast! Seasons of the sun... Do you know
:22:02. > :22:16.who that was? I don't know, come from above. It is tell. Terry Jacks.
:22:17. > :22:21.-- it is tough. Here you go. # Seasons in the Sun. What I like
:22:22. > :22:27.about Terry, you have the football hairstyle of the 70s. Let's go to
:22:28. > :22:34.the next one, this is a favourite. Do I get a point? You get a half. We
:22:35. > :22:35.didn't expect this, but let's crack on. This is a favourite from
:22:36. > :22:39.Watford. # Hoist up the Watford flag
:22:40. > :22:42.# Hear how the Hornets sing # If you don't join in
:22:43. > :22:45.# I'll sing on my own # Don't wanna go home
:22:46. > :22:49.# Don't wanna go home # This is the best trip I've ever
:22:50. > :23:07.been on Beautifully sung. APPLAUSE
:23:08. > :23:16.You know the song, but what is it called? What about the artist? I
:23:17. > :23:23.didn't know I was doing this. When you on the island you could have
:23:24. > :23:33.been a... Beach... Oh, the Beach Boys APPLAUSE
:23:34. > :23:39.Now we're talking! Come on! # I want to go home-the Beach Boys.
:23:40. > :23:48.You have got one point now, you need this. Let's go for the last one.
:23:49. > :23:51.# You fill up my senses # Like a gallon of Magnet
:23:52. > :23:56.# Like a packet of Woodbines # Like a good pinch of snuff
:23:57. > :24:01.# Like a night out in Sheffield # Like a greasy chip butty
:24:02. > :24:18.APPLAUSE I tell you what you've got an
:24:19. > :24:28.expression on your face I'd never seen before. Just worrying, when
:24:29. > :24:36.they started singing. SINGING It is a girls name, this song.
:24:37. > :24:41.Beginning with a. It is the name of Matt's dog, does that help? LAUGHTER
:24:42. > :24:48.I am not that into dogs. Annie's Song. John Denver!
:24:49. > :25:02.# Annie's Song. You can have it. Congratulations, at the end of the
:25:03. > :25:09.show we will do the liver. , You'll Never Walk Alone. Thank you to our a
:25:10. > :25:17.cappella group and thank you to John,... You look like average
:25:18. > :25:22.football supporters. John 's tour starts in Plymouth. Tomorrow, we
:25:23. > :25:26.will have Judy Murray, David Baddiel and Anton du Beke. On Thursday that
:25:27. > :25:30.this year Dean will be here, her character Sharon married Phil
:25:31. > :25:35.Mitchell last night. If you are a real-life Sharon Phil and you once
:25:36. > :25:37.beyond the One Show get in touch. Here we go John, with your beautiful
:25:38. > :26:03.anthem, take it away, boys. # Walk on, walk on
:26:04. > :26:14.# With hope in your heart # And You'll Never Walk Alone
:26:15. > :26:15.# You'll Never Walk Alone # APPLAUSE