:00:22. > :00:28.Hello and welcome to the One Show with Alex Jones. And Chris Evans.
:00:28. > :00:37.Tonight marks the end of Movember the annual moustache growing month.
:00:37. > :00:43.To top it off this evening we have a studio full of mo bros Superb.
:00:43. > :00:46.Well done. To show these moustachioed wonders off, we have
:00:46. > :00:50.one of the most experienced cameramen in the business. Well,
:00:50. > :01:00.actually it's Peter Kay. APPLAUSE
:01:00. > :01:11.
:01:11. > :01:15.Look at that. Where are you? Oh, where have they
:01:15. > :01:25.gone? Hello everybody! CHEERING
:01:25. > :01:32.
:01:32. > :01:42.Shows over now, that's it. Half an hour of this. 3-D. Oh, bad!
:01:42. > :01:43.
:01:43. > :01:49.Hi Peter. Show's over now. Hello everybody. Oh, it's very male that.
:01:49. > :01:52.What should I do now? Have a seat. People will think this is a bit
:01:52. > :02:00.weird, but you do this at the beginning of your shows, don't you?
:02:00. > :02:05.I did. Hiya, lovely to see you. Happy Christmas. Hello Britain.
:02:05. > :02:09.Happy Christmas tomorrow. Nearly. Yeah, I did on my tour, I
:02:09. > :02:16.used to come out with a camera and film the audience every night.
:02:17. > :02:23.Thafrpblgts was in focus though, -- That was in focus though on the DVD.
:02:23. > :02:29.Yeah, I did 140 nights, soy kind of mastered it. How many again? 140.
:02:29. > :02:33.Biggest stand up comedy in the Guinness Book of World Records
:02:34. > :02:40.Christopher. How many people? million. No PR. I do it myself. On
:02:40. > :02:47.the train at 8 and back home. have a DVD out... Where is it?
:02:47. > :02:54.There's a man on the floor there. Dave, forget. It Get up. He's
:02:54. > :02:59.ruined your joke. Oh, sorry. Sorry Dave, I thought you wanted
:02:59. > :03:04.help. People don't run on your show and say your punch lines before you
:03:04. > :03:10.get to them. I thought, act fast. His great grandchildren were
:03:10. > :03:15.looking forward to that. Bring him back. No, it's too late. It's done
:03:15. > :03:22.now. You have cut a promo video for your new DVD, have you done that
:03:22. > :03:27.yourself? Yes, I do my own PR. your own editing, is that at home?
:03:27. > :03:32.A bit of this. Is that how do you it? Bit close together. Somebody
:03:32. > :03:37.says you spend half your life in an edit suite. Who is this person you
:03:37. > :03:43.were speaking to? The person you were speaking to earlier on.
:03:43. > :03:47.yeah Danielle, YTS. That's our researcher. She's only been out a
:03:47. > :03:53.week. I do edit all the time. Can we watch a VT about fishing.
:03:53. > :03:57.yet. We only put those in the mid. Rolling Stones specials. I watched
:03:58. > :04:02.that last week, it were very good. Cut up a lot. That's because you
:04:02. > :04:08.didn't edit it. If you heard of animal photo bombing. No, but
:04:08. > :04:12.you're going to show a VT on it, let's watch. No you're not. Dave
:04:12. > :04:18.was going to do this and it was going to be hilarious. But it's too
:04:18. > :04:21.late. Sorry Dave, bit of a cul-de- sac there. It's basically animals
:04:21. > :04:27.getting into pictures when people don't realise they're there.
:04:27. > :04:29.that cat wasn't meant to be in the photograph. See a pigeon. Oh, yeah.
:04:29. > :04:37.photograph. See a pigeon. Oh, yeah. There's no need for. That This is a
:04:37. > :04:44.good one. Where? It's coming. That's Danielle that. Here's one
:04:44. > :04:54.that will look similar to the ones the viewers send in to us. There's
:04:54. > :04:57.
:04:57. > :05:01.spot the shih-tzu. This is a dog called whisper. If you have any
:05:01. > :05:04.pictures of your animals bombing pictures of your animals bombing
:05:04. > :05:09.photos, send them in. Please, because I've 18 minutes to kill.
:05:09. > :05:12.I've a DVD out. Which by the way isn't going to be that difficult
:05:12. > :05:18.tonight, thank heaven. Whilst you're sorting that out, have you
:05:18. > :05:22.heard the amazing story about the 63 -- �63 million unclaimed lottery
:05:22. > :05:26.ticket. No but you're going to show a VT on it. Yes, we are Peter. By
:05:26. > :05:31.the way, this lottery ticket expires next Wednesday, five days.
:05:31. > :05:39.Let's watch. If you did the lottery and live in Stevenage or hitchin
:05:39. > :05:44.about six months ago and bought a ticket. Hitchin? I've had one ball
:05:44. > :05:51.for two weeks, me. Look, if you were there, check your pockets,
:05:51. > :05:56.because it could be you. Check them now.
:05:56. > :06:02.I've come to Hertfordshire in search of a lost golden ticket, a
:06:02. > :06:06.ticket that if found could change the life of its lucky owner forever.
:06:06. > :06:11.Friday, June 8 this year should have been the day dreams came tru
:06:11. > :06:15.for one UK resident because single EuroMillions ticket bought
:06:15. > :06:25.somewhere in the Stevenage and Hitchin area came up with all the
:06:25. > :06:25.
:06:26. > :06:32.winning numbers, entitling that person to an extraordinary �63, 8
:06:32. > :06:36.37,543.60. But in the 175 days since the draw the lucky winner
:06:36. > :06:40.still hasn't come forward and the clock is now seriously ticking. If
:06:40. > :06:45.they don't show up by next Wednesday at 11pm, they won't be
:06:45. > :06:49.able to claim the prize at all. Patrick, how rare is it to have a
:06:49. > :06:53.ticket that's unclaimed? I'm happy to say most people buy their
:06:53. > :06:56.tickets and claim almost immediately. Every unclaimed prize
:06:56. > :07:01.has 180 days from the day of the draw in question to be claimed.
:07:01. > :07:05.days, that sounds like an arbitrary amount of time. We have a cut-off
:07:06. > :07:09.point agreed with our regulator. If that money is not claimed then the
:07:09. > :07:12.money plus the interest its earned goes to the National Lottery good
:07:12. > :07:19.causes. How prepared are you for the winner to step forward now?
:07:19. > :07:23.very prepared. Amazing. Imagine seing that figure come up when you
:07:23. > :07:27.put your card into an ATM and your balance. While there is still time,
:07:27. > :07:32.there is hope. In the last week, we're doing as much as we can to
:07:32. > :07:38.raise awareness. I'm looking for the person with the numbers 5, 11,
:07:38. > :07:45.22, 34, 40 and the lucky star numbers 9 and 11 on their early
:07:45. > :07:49.June ticket. And I'm not the only one. Would you like to be the
:07:49. > :07:54.person who made it happen to -- so somebody saw this sign, went back,
:07:54. > :08:02.found the ticket. I wouldn't mind a tip - 10%! Have you checked your
:08:02. > :08:05.lottery tickets? We are trying to find the owner of �64 million. Are
:08:05. > :08:11.you aware that there's an outstanding lottery ticket in this
:08:11. > :08:17.area? Yes, not mine though. It's not a million is it? It's not. It's
:08:17. > :08:22.64 million. Too much. Do you want to check your pockets? I don't know
:08:22. > :08:26.if I checked it properly and I threw it away. If you're saying it
:08:26. > :08:31.it's -- it's in this area, it's worth checking the bins. I'd have
:08:31. > :08:36.to give it all away. I'd buy a farm, do a football stadium. Retire in
:08:36. > :08:46.this life and the next and the next. I checked down my socks, couldn't
:08:46. > :08:50.find any. 5, 9, 11, 11, 22, 34 and 40. No only one number. I'm afraid
:08:50. > :08:53.you haven't won �64 million. you won't get a cruise. It's been a
:08:53. > :08:57.long day, but I think we've reached a lot of people and reminded them
:08:57. > :09:04.to look for this ticket. I haven't given up hope. That ticket may be
:09:04. > :09:08.out there somewhere. Five days and counting. Look who's
:09:08. > :09:18.here now. It's Peter Kay in a Peter Kay mask.
:09:18. > :09:20.
:09:20. > :09:28.Watch this... Yay! Yay! One more. Thank you. For this next bit we
:09:28. > :09:34.thought you might like these. Movember. Exactly. Last day today.
:09:34. > :09:44.You You shaved this off this morning. Is it Hayley Mills next?
:09:44. > :09:46.
:09:46. > :09:53.No Hywel Mills. Come on in. A handsome young man. He is, very
:09:53. > :09:57.handsome. He's one of the kings of Movember. Nice to see you. Everyone
:09:57. > :10:02.is a king. The moustache makes you feel like a hero. There's 360,000
:10:03. > :10:09.guys in the UK growing. They're all rock stars and kicks to us. --
:10:09. > :10:14.kings to us. Where.idea come from? That's going to look great. It
:10:14. > :10:20.started in 2003... Got some slap on, haven't you? They went to town on
:10:20. > :10:23.me. 30 guys in the pub in Melbourne wanted to bring back the mo, like
:10:24. > :10:28.their dads had them and rock stars had them. Since then two million
:10:28. > :10:32.people have followed us on that journey. Why? It's all about
:10:32. > :10:36.sparking conversations, guys don't like talking about their health,
:10:36. > :10:40.all those stereotypes are true. For 30 days we give them a platform to
:10:40. > :10:45.have those conversations, like you've been having. Do you feel a
:10:45. > :10:49.bit like when Emu used to be on Parkinson. You seem nervous sitting
:10:49. > :10:53.next to Peter than you did in rehearse aling. I can't get in here.
:10:53. > :11:01.Do you want me to peel the back off for you? Emmerdale. Peter, next
:11:01. > :11:09.year you can grow a real one. got loads... That's the wall tons
:11:09. > :11:17.you're humming. We have loads of men here that have done Movember
:11:17. > :11:21.and tonight share shaving it off. We have Hayley there, who did Chris.
:11:21. > :11:29.Hello! Do you want to get crack sning I'll get cracking. Off you go.
:11:29. > :11:38.She's up and running. How much money has Movember raised? About
:11:38. > :11:42.�16 million for prostate and Tess Tate -- testate cancer. Peter would
:11:42. > :11:47.like to double that tonight. Thank you Peter. 32 million. That will
:11:47. > :11:50.see you right. I can't get the back off Peter. Never mind. What must it
:11:50. > :12:00.be like to grow up with a father as funny as Peter? The Kay kids are
:12:00. > :12:06.too young to tell us. So we asked Frank Carson's kids, who aren't.
:12:06. > :12:11.That's a cracker that one. We're in the home of comedy and
:12:11. > :12:16.laughter, Blackpool. That's the reason why our dad Frank Carson
:12:17. > :12:24.came to live here. We're on the comedy carpet where some of the
:12:24. > :12:32.most famous comedians in the world have been remembered. Tommy Cooper.
:12:32. > :12:38.Eric Morecambe. Ken Dodd over there. There he is! Look at that. It's the
:12:38. > :12:43.way I tell them. Just a shame he never got to see it. It's the way I
:12:43. > :12:53.tell them. It must be a gift. It's a gift. Thanks. Thanks.
:12:53. > :12:55.
:12:55. > :12:59.I'm the youngest of the three and we moved to Blackpool in 1970 where
:12:59. > :13:04.dad had been appearing in a Cabaret show and he fell in love with the
:13:04. > :13:09.place. We were brought up in our home town of Belfast. The Troubles
:13:09. > :13:14.had just started then. IRA bombs were going off. With our Northern
:13:14. > :13:18.Irish accents, found it very difficult. We got a lot of stick
:13:18. > :13:22.for that, but my dad, his humour, transcended everything and nothing
:13:22. > :13:25.was sacred to him. I think it's ridiculous that the Irish are over
:13:25. > :13:30.here building your roads and you're over there blowing our up.
:13:30. > :13:34.-- ours up. That's a cracker, isn't it?
:13:34. > :13:41.Following on from the northern club scene he appeared on Tufpbt Knocks
:13:41. > :13:45.and won it twice -- Opportunity Knocks. Dad married his childhood
:13:45. > :13:52.sweet heart my mother Ruth. They were married for more than 62 years
:13:52. > :13:56.before he passed away in February. Television was what made him, but
:13:56. > :14:05.he loved the stage. He loved the theatre and especially this one,
:14:05. > :14:10.the Grand. He really loved this place. Look at this. Beautiful
:14:10. > :14:16.theatre. He just loved the audience, making people laugh. Panto was just
:14:16. > :14:22.made for him, all the ad libing. The dressing up. Women's clothes.
:14:22. > :14:28.Yeah! We couldn't afford a Turkey at Christmas. I had to buy the
:14:28. > :14:31.budgie a pair of chest expanders. He tried all his jokes out on us.
:14:31. > :14:37.We were the judge and jury. If he could make us laugh, he could make
:14:37. > :14:43.anyone laugh. At the latter stages of his life, he had a crib sheet to
:14:43. > :14:47.remind him of some of his jokes. My favourite is somewhere here.
:14:47. > :14:52.Camouflage, we didn't see you at camouflage practice this morning.
:14:52. > :14:57.Thank you very much Sir. Chap walked into a pet shop and
:14:57. > :15:02.said, I'd like to buy a wasp. The chap said I'm sorry we don't sell
:15:02. > :15:11.wasps. He said, that's funny, you have one in the window. Can you
:15:12. > :15:18.He had an infectious laugh, and it was sometimes funnier than some of
:15:18. > :15:22.his jokes, to be honest. amplified it so that it was bigger
:15:22. > :15:30.than life, and people were falling over before they even heard the
:15:30. > :15:36.joke. Sometimes they did not even Towards the end, the last few weeks
:15:36. > :15:42.of his life, we looked after him here, the family, at home. His
:15:42. > :15:46.lifelong friend rang up, my friend -- my dad was too weak to hold the
:15:46. > :15:54.phone, and I held the phone to his ear, while the bishop gave him his
:15:54. > :16:01.final blessing. That was very, very sad. He loved people, people loved
:16:01. > :16:08.him back. And it was not just the family that knew that. Everybody
:16:08. > :16:12.that ever came into contact with them felt the same way about him.
:16:12. > :16:22.You never did not remember Frank Carson, you always remembered how
:16:22. > :16:27.Lovely film, that, wasn't it? Thank you for doing that. Nice, sad.
:16:27. > :16:33.Touching. All those things. If you want to cheer yourself up, my DVD
:16:33. > :16:43.is out. We are going to talk about it now. You have cut a trailer
:16:43. > :17:21.
:17:21. > :17:31.Never heard of him! Peter, watching that back, doesn't seem like
:17:31. > :17:38.yesterday, an age away? All right! He seems like not long, because I
:17:38. > :17:42.spent eight months editing it. Really? Yes. I like editing.
:17:42. > :17:48.months ago, the tour finishers, what have you been doing, writing a
:17:48. > :17:57.film? Can we talk about it? that is on hold. Can you tell
:17:57. > :18:03.anyone about it? No, you can't! would love a Peter Kay movie?
:18:03. > :18:11.did you say, the DVD? It is out now! The thing about the DVD,
:18:11. > :18:17.writes... That is it, love! We see you on stage doing what we know you
:18:17. > :18:22.do, then you see the real Peter Kay. Which are you most, the real Peter
:18:22. > :18:27.Kay or the Peter Kay on stage? the same, apart from when I am in
:18:27. > :18:33.the bath, but I am the same. What are you like in the bath? A quieter.
:18:33. > :18:38.Why is that? I have got a docking station. You say in the DVD that
:18:38. > :18:43.you get nervous still. Yes, but what I love about this DVD,
:18:43. > :18:47.bringing it back, all the shows were filmed, and then I thought I
:18:47. > :18:51.would cut all the bits, and put in the bits that people never say.
:18:51. > :18:55.Like yourself, you are fascinated with stand-up, and I thought I
:18:55. > :19:01.would show people the process, from the warm-up... I will give you a
:19:01. > :19:05.copy, I have got one in my rucksack. I will watch its tonight after my
:19:05. > :19:10.recording of Emmerdale has finished. It is just showing all the bits,
:19:10. > :19:15.the heckles, the cock ups, the bits people do not see, from Dublin and
:19:15. > :19:19.Glasgow and Newcastle. Was it ever supposed to be serious documentary
:19:19. > :19:23.before you thought, there is so much stuff to put in? A proper
:19:23. > :19:29.company did the documentary bid. I did the stand-up that is on it,
:19:29. > :19:36.that is my staff. You do actually get nervous on the stage. I got
:19:36. > :19:40.nervous before this! You didn't! did, because it is live. You do not
:19:40. > :19:45.know what films you are going to show, that is what kills it stone
:19:45. > :19:54.dead. Nor do we! If you want us to move on what the programme, you
:19:54. > :20:02.have to help us with that. Show some clips, yeah! This is me...
:20:02. > :20:07.Thank you, Peter Kay! BT BT is out now! -- the DVD. If Peter considers
:20:07. > :20:16.doing another tour, this might help him save some time, it shows how
:20:16. > :20:20.I am on my way to me to one of the world's top music stars, a busy
:20:20. > :20:30.chap, but he has promised to perform live just for me. Let me
:20:30. > :20:34.
:20:34. > :20:39.introduce you to my new friend, OK, OK, so will.i.am is not one of
:20:39. > :20:43.my celebrity friends. In fact, he is not on stage with me at all,
:20:43. > :20:53.this is just a clever illusion, designed to trick you into thinking
:20:53. > :20:54.
:20:54. > :21:01.And it is a type of illusion that has been amazing audiences around
:21:01. > :21:05.the world. For instance, Madonna did not really appear on stage with
:21:05. > :21:09.the animated band, and the rapper Tupac clearly did not appear at a
:21:09. > :21:18.music festival early this year, because he has been dead for 16
:21:18. > :21:22.James is a director at the British company behind this technology that
:21:23. > :21:28.creates a 3D illusion from eight to the image. How come they look so
:21:28. > :21:33.very real? Well, we are taking high-definition video, we are
:21:33. > :21:37.playing it through a very bright video projector, and the magic is
:21:38. > :21:42.in the projection system. Taking projects in the ceiling shines
:21:42. > :21:46.footage onto a screen on the floor. This is then reflected up on to a
:21:46. > :21:52.transparent surface which is stretched across the stage. When
:21:52. > :21:55.the lights are dimmed, this disappears, but the image remains
:21:55. > :22:01.and appears three-dimensional. What about if the person you're filming
:22:01. > :22:04.is no longer with us, deceased? Most of what you see in the
:22:04. > :22:10.deceased moving image is a high- definition body double. We take the
:22:10. > :22:16.old footage and, frame-by-frame, we cut out the bits that we want, the
:22:16. > :22:21.head basically, and restated on to the virtual body. -- we stitch.
:22:21. > :22:26.This visual trickery is not new. In 1862, Professor John Pepe used a
:22:26. > :22:31.similar technique to make ghostly objects and people appear in the
:22:31. > :22:37.theatre by projecting images onto a sheet of glass from of stage. Let
:22:37. > :22:43.me show you the principle behind . What I have got here is a candle
:22:43. > :22:53.inside a fish tank, half-full of water. Behold now the immortal
:22:53. > :22:56.
:22:56. > :23:02.But it is just an illusion. There is not really a lit candle inside
:23:02. > :23:05.the tank of water, but it is a candle just here, and this sheet of
:23:05. > :23:11.glass is reflecting the light from this candle to the audience so that
:23:11. > :23:17.it appears as if the candle in the water is a light. It is just a
:23:17. > :23:24.trick. So why do we CVs two dimensional reflections as three-
:23:24. > :23:29.dimensional? -- why do we see. Dr Gustav is a psychologist at
:23:29. > :23:33.Goldsmiths University. Our eyes capture a flat two dimensional
:23:33. > :23:38.image of the world, but seeing really happens inside the brain,
:23:38. > :23:42.because the brain uses these snapshots of the world and turns
:23:42. > :23:46.them into meaningful three- dimensional representations. He has
:23:46. > :23:51.brought along an optical illusion to demonstrate how the brain can
:23:51. > :23:56.interpret the two dimensional information it receives. This is
:23:56. > :24:06.one of my favourite illusions. is brilliant. I know, because I saw
:24:06. > :24:08.
:24:08. > :24:12.But it looks like it is sticking out towards me. Your brain is
:24:12. > :24:18.overriding the information provided by the eyes, that these should be a
:24:18. > :24:21.hollow face, to make you see the phase has been solid. All these
:24:21. > :24:26.tricks take advantage of the fact that the brain fills in the gaps to
:24:27. > :24:32.create the image it thinks should be there. It may all be an illusion,
:24:32. > :24:42.but we could be seen a lot more of this kind of trickery in the future.
:24:42. > :24:42.
:24:42. > :24:51.How our eyes will continue to be Thank you very much, that was
:24:51. > :24:59.amazing. Now then... Very sincere! Because we have got so many mo bros
:24:59. > :25:08.in our studio, Peter has offered to help us out by shaving Jamie here.
:25:08. > :25:14.Gone, let's have a look now! Hold that there! Have you got any tips
:25:14. > :25:24.for in there? As long as you do not mind being disfigured, son! Look at
:25:24. > :25:24.
:25:24. > :25:34.that! This takes me back. Hold that up. Are you nervous, Jamie? Bring
:25:34. > :25:34.
:25:34. > :25:38.that up! It is out now! We have got to move this now. You can watch it
:25:38. > :25:48.with the kids! We are going to show you some of the before and after
:25:48. > :25:58.photos. Bless you, Alex, a round of applause for Alex. Our mo bros are
:25:58. > :26:01.
:26:01. > :26:08.all being shaved now, we are going What is the name of your wife? Will
:26:08. > :26:18.she approve? So there are, much better now it is off. Mo bro number
:26:18. > :26:28.two, Clarke Williams, he looked New line a postman, married with
:26:28. > :26:38.children. Married to Kelly, the kids loved it, but she is keener on
:26:38. > :26:44.
:26:44. > :26:48.me now. Kevin Collins looked like That has taken years off you! Did
:26:48. > :26:56.you enjoy your moustache experience? I absolutely loved it.
:26:56. > :27:01.I will do its next year. I am single with five children.
:27:01. > :27:11.finally, who are you? Matthew Ross, he looked like this, wow, that is
:27:11. > :27:15.
:27:15. > :27:18.I thought that really suited you. How did you decide to go for that?
:27:19. > :27:24.I just thought I wanted something spectacular by the end of the month,
:27:24. > :27:32.but I cheated a little bit. cheated, everybody! The off with
:27:32. > :27:42.you! What are they doing? Back to Alex. I liked him with the tache,
:27:42. > :27:44.
:27:45. > :27:50.it looked good, didn't it? Jamie is Very good. Earlier, we asked for
:27:50. > :27:59.pictures are pure animals, the photobombs. That is from Lynsey in
:27:59. > :28:09.Norfolk. Just killing time now, folk! Winding up now! These are and
:28:09. > :28:10.
:28:10. > :28:14.This is a shot of the Scott Monument. Never before has one DVD
:28:14. > :28:19.had so much BBC airtime. It is completely against compliance, we
:28:20. > :28:25.will be hauled over the carpet, we can only apologise! That is all we