:00:17. > :00:22.Hello and welcome to the One Show with Bill Turnbull And Alex Jones.
:00:23. > :00:29.Our guest tonight is comedian, John Bishop.
:00:30. > :00:33.APPLAUSE Now, John got into the Olympic spirit on his summer
:00:34. > :00:38.holidays this year after he got diving training from Tom Daley.
:00:39. > :00:47.Let's see how it went. This is his signature dive. I don't know. I
:00:48. > :00:53.thought it was beautiful. Y. Yes. Let's see it again. Arms flapping,
:00:54. > :01:00.belly flop. Big splash. Biggest splash. We are waiting. Here come
:01:01. > :01:06.the judges' marks. APPLAUSE
:01:07. > :01:14.Amazing. It's a huge score for a great guest, John Bishop, everybody.
:01:15. > :01:19.Come on over. Hello John, how are you? Very good, thank you. John,
:01:20. > :01:23.tell us, what was going through your mind as you were about to dive
:01:24. > :01:29.there? Well, what was going through my mind was - should I jump or
:01:30. > :01:34.should I dive? I changed my mind halfway through. Never a good idea.
:01:35. > :01:39.I did a bit of both. Something in there I think, in all honesty, could
:01:40. > :01:43.become a sport on its own. Not sure which sport, it will become one. We
:01:44. > :01:50.have the proof that you did have training from Tom. Here you are.
:01:51. > :01:54.Yes. Are you sucking in there I said to Tom, will up stop breathing in,
:01:55. > :01:59.Tom. You're OK. How long can you hold your breath for like that? As
:02:00. > :02:05.long as it takes for that picture to happen. John has been trying out his
:02:06. > :02:08.diving skills this summer but also honing his interview technique for
:02:09. > :02:13.his first chat We will give show. You the opportunity to try out your
:02:14. > :02:18.interview technique on our music guests, One Republic. Here they are.
:02:19. > :02:22.# Baby, I've been losing sleep # Dreaming about the things that we
:02:23. > :02:30.could be # Baby, I've been
:02:31. > :02:32.# I've been praying hard # So we're not counting dollars
:02:33. > :02:37.# We'll be counting stars. That's their huge hit,
:02:38. > :02:39.Counting Stars, of course, which has racked up over a billion
:02:40. > :02:41.views on YouTube. They'll be playing new single,
:02:42. > :02:43.Kids, live for us later. John, your challenge is to ask them
:02:44. > :02:53.a question they've never I could ask them anything, could I?
:02:54. > :02:59.Who was my maths teacher? Not that sort of question. Relevant
:03:00. > :03:04.questions? Exactly. We all want to hear the answers too. Who was your
:03:05. > :03:06.maths teacher? I'm not telling you. I'm saving it tor another show. Good
:03:07. > :03:12.luck. We'll see you later. With a report today finding that
:03:13. > :03:16.a third of us haven't seen a police officer on the beat in the past
:03:17. > :03:19.year, there are fewer visible signs But if you know where to look,
:03:20. > :03:30.there's more going Media City UK in Salford, a
:03:31. > :03:34.development of offices, shops, restaurants and entertainment. This
:03:35. > :03:39.summer, hundreds gathered here daily to watch the Games in Rio on the big
:03:40. > :03:43.screen. But in the wake of recent terrorist incidents, like the lorry
:03:44. > :03:48.attack in Nice, just how safe do people feel in public places? I
:03:49. > :03:51.think the events of recent years have made me more nervous in open
:03:52. > :03:56.spaces. It's at the back of my mind all the Very close to time. Home. It
:03:57. > :03:59.does make you fear. A lot of things do happen. You can't guarantee when
:04:00. > :04:05.they're going to happen. They are out of your control. Since the
:04:06. > :04:09.Glasgow Airport attack in 2007, effort has gone into protecting
:04:10. > :04:13.public places from terrorists in vehicles. Concrete blocks, fences
:04:14. > :04:18.and bollards were added to protect peopled and buildings. In recent
:04:19. > :04:22.years there has been a shift in approach to barriers that not only
:04:23. > :04:27.keep people safe, but are more discreet and blend in with the
:04:28. > :04:32.spaces. They are designed to protect without being object truetive. Have
:04:33. > :04:37.they been successful? We decided to carry out a little experiment and
:04:38. > :04:41.rounded up 12 locals to see if they can spot the protections built in
:04:42. > :04:45.here at Media City. You are split into three teams. Go off and
:04:46. > :04:52.identify as many security elements around this place as you possibly
:04:53. > :04:56.can. OK? Is off you go. Watching over proceedings is former head of
:04:57. > :05:01.the national counter terrorism security office, Chris Phillips, he
:05:02. > :05:05.believes we're well ahead of our European neighbours when it comes to
:05:06. > :05:09.protecting our public pace spaces. We learnt from mistakes. You don't
:05:10. > :05:14.need to build a huge barrier. If you can slow the vehicle down on its
:05:15. > :05:20.approach. Simple things, such as road layouts, whether you put in a
:05:21. > :05:25.chicane to stop a vehicle getting speed up can stop a terrorist atact.
:05:26. > :05:31.It's thinking creatively? Very. So. You should look at physical
:05:32. > :05:36.security measures, in iconic sites and places with responsibility to
:05:37. > :05:43.look after people. In Bradford, the council embraced exactly this
:05:44. > :05:48.security by design approach when it undertook a multi-million-pound
:05:49. > :05:52.redevelopment of the city centre. Stephen provided.
:05:53. > :05:55.Of the new look security. How has the approach to security changed
:05:56. > :06:00.when it comes to design as an architect? The idea is we mitigate
:06:01. > :06:03.that right at the design stage and make sure you have the appropriate
:06:04. > :06:08.measures. What examples are around here? Street furniture, seating and
:06:09. > :06:13.planters. It's not just something which provides a seat or a planting
:06:14. > :06:17.solution. For vehicles to come into this, it would stop it upon impact
:06:18. > :06:24.and protect the pedestrians using the space. As thises test footage
:06:25. > :06:29.shows, new technology allows street furniture to inconsider rain a
:06:30. > :06:33.reinforced inner core which will stop a truck in its tracks. People
:06:34. > :06:37.need to feel secure, but welcomed into a space. People should not walk
:06:38. > :06:42.around a space thinking - why am I being protected. They should know
:06:43. > :06:46.that comes as standard. In Media City our teams have noticed some of
:06:47. > :06:51.the hidden security features. We have the theed lots of things.
:06:52. > :06:57.Things maybe we wouldn't have noticed before. The walls are a
:06:58. > :07:02.future. I see things in a different light. By the shopping centre, Team
:07:03. > :07:06.Two spot something they have not noticed before. The steps up to
:07:07. > :07:10.here, it would slow down any vehicle. You don't notice it. It
:07:11. > :07:15.drops into the background. Team Three have had their eyes opened,
:07:16. > :07:21.too. Et sooing areas are very solid, well built structures. Our towns are
:07:22. > :07:25.cities are using creative ways to protect us against hostile vehicle
:07:26. > :07:30.attacks. What about armed attackers on foot? There is no such thing as
:07:31. > :07:33.100% security, what we can do is make sure that people are aware what
:07:34. > :07:38.they should do if they are confronted by either a terrorist or
:07:39. > :07:42.a criminal. Most businesses have fire drills. They should have drills
:07:43. > :07:45.for other potential scenarios. You need to practice it. If you don't
:07:46. > :07:50.practice it, no-one will know what to do. Time is up for our teams. The
:07:51. > :07:53.exercise has opened their eyes to the security that surrounds us. I'm
:07:54. > :07:57.not going to go anywhere again without looking at it in a different
:07:58. > :08:01.light. Reassuring to know people have given it a lot of thought.
:08:02. > :08:04.Generally, I feel a lot safer. You are being looked after and the
:08:05. > :08:08.security is really high. You don't even notice it. With security
:08:09. > :08:11.features designed into public spaces so we barely notice them we are free
:08:12. > :08:15.to enjoy them without a thought as to what they might be protecting us
:08:16. > :08:21.from. From me, that's the way it should be. Nick is here with more.
:08:22. > :08:28.Subtle counter terrorist designs there I have some more. This was in
:08:29. > :08:35.London outside the Arsenal stadium the Emirates. The cannon symbols of
:08:36. > :08:39.Arsenal on the club crest, they would stop a seven tonne truck from
:08:40. > :08:43.driving through into that space where crowds would be. If you want
:08:44. > :08:47.to see what a seven tonne truck looks like crashing into a solid
:08:48. > :08:55.bollard. There you go. What a heck of a mess. Oh, dear. Arsenal fans,
:08:56. > :08:57.if you wondered what that big concrete sign saying "Arsenal" in
:08:58. > :09:01.huge lettering outside your stadium, guess what it does as well as
:09:02. > :09:05.telling you where you are in case you have forgotten which stadium you
:09:06. > :09:13.are at. It would stop a seven tonne truck. Never thought about that. We
:09:14. > :09:21.saw what the American Embassy looks like, the fortifications around it.
:09:22. > :09:26.This is the proposed American Embassy in wands worst. You can see
:09:27. > :09:34.on the site of it a moat. Inspiration from the dark ages
:09:35. > :09:38.there. -- Wandsworth. It's more like a pond. I don't think the designer
:09:39. > :09:42.would thank you for calling it a pond. Thank you.
:09:43. > :09:51.John you were born in Liverpool. What is the best way to get in there
:09:52. > :09:55.to Goole in Yorkshire. M62, go along the M62, around about Huddersfield
:09:56. > :09:58.or Halifax, turn right. I only know because I played football there
:09:59. > :10:02.loads of time. Interesting answer, the wrong one. Not what we are
:10:03. > :10:05.looking for. Think again, John. Sorry, Bill. Think of great
:10:06. > :10:14.achievements in exploration. To the great achievements
:10:15. > :10:16.in exploration, such as the discovery of the North West
:10:17. > :10:18.Passage and the opening of the Suez Canal,
:10:19. > :10:21.Andy Torbet can now add this: It's a waterway that splits England
:10:22. > :10:27.in two and yes, John, it starts OK. The Liverpool canal is the
:10:28. > :10:36.longest waterway in Britain. This year it's celebrating its 200th
:10:37. > :10:40.anniversary. The canal links up with others linking the west and east
:10:41. > :10:45.coast of England. I'm planning to complete the whole thing in a kayak.
:10:46. > :10:49.Starting in Liverpool, I will head up towards the Yorkshire Dales,
:10:50. > :10:54.reaching Leeds, I will paddle along the and-a-half caution to the
:10:55. > :11:00.finishing point at the port of Goole by the North Sea. This journey has
:11:01. > :11:05.never been completed before in I kayak in one go, as far as I know. I
:11:06. > :11:10.reckon it will take me a week as I stop to discover the secrets of the
:11:11. > :11:13.canal's past and present and what makes Britain's waterways so
:11:14. > :11:17.special. Setting off from the centre of Liverpool, the first person I
:11:18. > :11:22.meet is Greg Brooks from the Kraal and River Trust. He is developing
:11:23. > :11:29.this journey to become the longest canoe route in England. Called the
:11:30. > :11:34.Desmond Family Canoe Trail. What can I expect? You will come across a
:11:35. > :11:37.diverse range of environments. You will go through towns and cities.
:11:38. > :11:43.You will be out in the middle of know where and feel quite expose and
:11:44. > :11:47.lonely. You will come across the man made hazards frt canal, swing
:11:48. > :11:52.bridges, come across the loughs. You will see an awful lot. As I get on
:11:53. > :11:58.my way, immediately I come across quite a few obstacles, like this
:11:59. > :12:03.abandoned boat. Right, we have quite a low swing bridge. I reckon I can
:12:04. > :12:06.get underneath it. Well, we're under. Well, we're not quite
:12:07. > :12:20.through. Success. Although, I might have a
:12:21. > :12:24.few spiders in my hair. The canal is a fascinating window into Britain's
:12:25. > :12:33.industrial past. Plus, the his storic challenges and dangers we
:12:34. > :12:37.faced. During World War II this canal played and important part in
:12:38. > :12:42.British defences against foreign invasion. The land around here is
:12:43. > :12:47.flat and open, ideal for landing paratroopers or crossing over in
:12:48. > :12:51.tanks. The canal was the perfect antitank ditch. The banks were lined
:12:52. > :13:00.with fortified pill boxes, like this one. You can imagine the men of the
:13:01. > :13:04.Home Guard in here looking out towards the horizon, watching,
:13:05. > :13:08.waiting for the enemy tanks to come. The threat never came, luckily. It's
:13:09. > :13:13.good to know we were prepared. For me, the first big challenge is not
:13:14. > :13:17.too far away. I came round that last corner and it looked like someone
:13:18. > :13:23.had built a wall across the canal. Actually, it was this. On my journey
:13:24. > :13:28.I'm going to come across over 100 loughs, kayaks are not allowed in
:13:29. > :13:34.them. So, each one I will have to get out and walk around. Some places
:13:35. > :13:42.are tougher than others. As I arrive in Wigan, I'm faced with a serious
:13:43. > :13:47.of loughs called the Wigan Flight. The waterways manager joined me.
:13:48. > :13:51.21loucghs covering two-and-a-half miles a rise of 214 feet. That is
:13:52. > :13:57.why they were there, to carry boats up the flight to get over rising
:13:58. > :14:01.levels. Up hill all the way. Up hill all the way. How long does it take a
:14:02. > :14:07.boat to get through? A good day's work. 15 minutes each. A lot of
:14:08. > :14:11.boats will share. They save water for us and work together and have a
:14:12. > :14:17.great social time and they split the work. I have a small lightweight
:14:18. > :14:22.trolley I can haul my kayak rather than carry it. I can go faster than
:14:23. > :14:32.the narrow boots as I'm on foot. It takes me over an hour to get to the
:14:33. > :14:39.top. Well, it wasn't actually too bad. I'm looking forward to getting
:14:40. > :14:47.back on the water. There are stunning sites and obstacles up
:14:48. > :14:51.ahead. It gets even better tomorrow. Andy paddles across a motorway. Do
:14:52. > :14:59.you know you can do that? It's against the law!
:15:00. > :15:08.John, your youngest is going off to university so that should allow you
:15:09. > :15:11.more times for your hobby. You like to kayak? Have you seen the
:15:12. > :15:19.programme with Timothy West... I love that programme. That will be me
:15:20. > :15:24.in a couple of years. Let's get on a boat. Me and my wife love it. A big
:15:25. > :15:29.change in your telly career before we get to the Canal because you are
:15:30. > :15:33.now doing a chat show. A chat show with a difference. You were just
:15:34. > :15:39.saying you have a lot of time to talk to these people. Do you see it?
:15:40. > :15:46.It is one person for an hour, different than the usual traditional
:15:47. > :15:53.chat show, it is a chat about someone's life, a full conversation.
:15:54. > :15:58.Note preset questions, I haven't got questions lined up, we sit and talk
:15:59. > :16:02.and see how it goes. Your first guest is James Corden, here's what
:16:03. > :16:07.he told you about his up winning. You were a Salvation Army family.
:16:08. > :16:12.That is true. You played the cornet. The truth is no matter how you grow
:16:13. > :16:16.up, the surroundings you grow up you think is normal, however you grow up
:16:17. > :16:21.you just presume that is what everybody... There is nothing weird,
:16:22. > :16:26.but we are putting a uniform on and marching through the Tyne with a
:16:27. > :16:29.trumpet. Completely natural. I look back now and think of what were we
:16:30. > :16:34.doing? That is ridiculous. APPLAUSE
:16:35. > :16:40.That is something we never knew about, James Corden. There is a lot
:16:41. > :16:47.of your mates in a way on the show, is it easier or harder... James is
:16:48. > :16:51.probably and Freddie... The closest mates that I have on the show and
:16:52. > :16:56.the truth is, you can have mates but you don't interview your mates, do
:16:57. > :17:02.you? Tell me about your relationship with your dad... That never happens.
:17:03. > :17:05.And with this, it allowed me an opportunity, I suppose to ask the
:17:06. > :17:10.questions I've always wanted to. You've done ten interviews so far,
:17:11. > :17:19.what surprise you most? How easy it was. Don't give it away! I tell you
:17:20. > :17:23.why. I was quite insistent I wanted to cut down, one person, didn't want
:17:24. > :17:28.questions on card and anyone talking to me in my ear. I wanted to be a
:17:29. > :17:32.conversation and everyone thought, that would be odd, one person for an
:17:33. > :17:39.hour and every person was so comfortable to talk it was a joy. I
:17:40. > :17:42.said to everyone, I've been having conversations all my life, I've been
:17:43. > :17:49.practising for this for ages. You've done very well. Bill and I know that
:17:50. > :17:55.interviews can go wrong. A bit payer, will... Your worst
:17:56. > :17:59.experience? Not you... You are just lovely. I've had a view that they
:18:00. > :18:04.don't really like to think about. There was one with a slightly
:18:05. > :18:08.irascible celebrity chef that I said but the one that stood out for me I
:18:09. > :18:14.almost came to blows with a parental address's dummy, his name was bored
:18:15. > :18:20.and he was buried route but you know what happened? I put him back in his
:18:21. > :18:24.box. -- he was very rude. We want to see how you would have handled some
:18:25. > :18:29.of these interviews. Sir Michael Caine and Morgan Freeman talking
:18:30. > :18:33.about the new film. The thing about this movie we do tricks but I mean,
:18:34. > :18:39.these are the biggest magic tricks you've ever seen in any movie, they
:18:40. > :18:45.are gigantic. Not only is it that, they then in the movie show you how
:18:46. > :18:51.it was done without CGI. Morgan obviously off in the land of nod.
:18:52. > :18:56.What would you have done? Actually... They let morgan rest for
:18:57. > :19:07.a while and a minute later this happen. I had to learn card tricks
:19:08. > :19:13.from a magician and the church in this... To be fair, when they are on
:19:14. > :19:19.the treadmill, they've done a lot of travelling. It was early in the
:19:20. > :19:22.morning. How about this, this is a dishevelled and uncooperative
:19:23. > :19:29.whacking Phoenix being interviewed by David Letterman. That must have
:19:30. > :19:40.own great working with Isabella Rossellini. Yes. Any fun stories?
:19:41. > :19:45.Laughter-macro I have had an interview like that one spot what
:19:46. > :19:51.would you do? What would I do? I think carry on. I would tell him my
:19:52. > :19:58.fun stories with Isabella Rossellini. But he handled it really
:19:59. > :20:04.well. This is what happened. I'm sorry you couldn't be here
:20:05. > :20:11.tonight... So later the actor said it was performance art. What did you
:20:12. > :20:16.think? I think that the great thing, you can get out of any situation by
:20:17. > :20:21.ignoring people, and say, sorry, this is performance art, I wasn't
:20:22. > :20:24.being rude. The best way to do a difficult interview is on tape.
:20:25. > :20:30.Pre-recorded. Sorry, the old-fashioned way. And make it look
:20:31. > :20:37.great. You can't do that with this. But you can and you did. I can do
:20:38. > :20:41.anything! We could end up on a clip show for and I start wrestling with
:20:42. > :20:47.you on the floor now. I would love to see that. Sadly, we haven't got
:20:48. > :20:49.time. You can see things going right on John's new show, John Bishop In
:20:50. > :20:52.Conversation With.... And John it's almost
:20:53. > :20:54.time for One Republic. First, here's Gyles in an artist's
:20:55. > :21:06.studio where smoking indoors On the 2nd of September 1666 a
:21:07. > :21:11.raging fire swept through the City of London. Thousands of people were
:21:12. > :21:19.left homeless, their lives literally up in smoke. It's hard to imagine
:21:20. > :21:24.the chaos that the great fire would have caused in London and 350 years
:21:25. > :21:28.on we have commissioned a fitting tribute to commemorate this
:21:29. > :21:34.momentous event, a work of art created entirely out of smoke and
:21:35. > :21:40.fire. Up and coming Stockport artist Neil Higdon is a rare specimen. He
:21:41. > :21:45.is one of only a handful of professional smoke artists in the
:21:46. > :21:52.world. Entirely self-taught he creates extraordinary images using
:21:53. > :21:56.just smoke and class. These distinctive suit pictures sell in
:21:57. > :22:00.galleries across the country. The One Show commission is the biggest
:22:01. > :22:05.piece he's ever attempted. The glass is tilted on an easel for the
:22:06. > :22:12.smoking to begin. Don't try this at home. The image is going to be St
:22:13. > :22:18.Paul's cathedral in old St Paul's, roughly the centre of the peace.
:22:19. > :22:22.When did you get the idea? When I was young. I discovered an artist in
:22:23. > :22:26.the late district who worked with this method and I couldn't
:22:27. > :22:30.understand how it was done and I thought I am going to try this art
:22:31. > :22:34.form, had never seen anything like it and so I did, I turned my hand to
:22:35. > :22:41.it and slowly I got to grips with it. Smoke rises on the class leaving
:22:42. > :22:45.its mark in the form of super carbon, the basis of the unusual
:22:46. > :22:49.work. No constructs his images by building layer on layer of smoke to
:22:50. > :22:55.create the different features of the paintings. Neil has kindly agreed to
:22:56. > :23:01.let this amateur have a go. It's harder than it looks. Try not to
:23:02. > :23:08.touch the wick on the class, its darker. That is rather exciting.
:23:09. > :23:13.Move on that corner... If you get carried away, suddenly, you have
:23:14. > :23:16.shattered the glass. Once Neil has the foundation for his painting he
:23:17. > :23:22.creates the pick by delicately scraping away the suit to form the
:23:23. > :23:26.image. He has had to improvise with his tools using brochures, feathers
:23:27. > :23:33.and even kebabs cure is for fine detail. It's beginning to take
:23:34. > :23:38.shape, this is clearly the River Thames and here we have the smoke,
:23:39. > :23:42.the flames rising around the old St Paul's Cathedral. We do. To give
:23:43. > :23:48.depth to the picture it nearly keeps adding more smoke. This will give me
:23:49. > :23:57.long strokes, so you can use it like a brush, in a way, this is good for
:23:58. > :24:02.the sky. For instance... Yes... Neil lets us in on a secret trick he
:24:03. > :24:08.developed using blue tack. That blocks it out so the dark... Will be
:24:09. > :24:13.all around, all around, so you have a halo of light, this process will
:24:14. > :24:23.be done four or five times to build up the layers of smoke. See how that
:24:24. > :24:29.looks. Oh... There is the Moon. A piece of glass and a candle, you can
:24:30. > :24:34.achieve all sorts. You can, you can recreate the Great Fire of London.
:24:35. > :24:38.Neil has put in more than 60 hours of rain staking work and finally,
:24:39. > :24:45.his delicate masterpiece is complete. And it's time to admire
:24:46. > :24:48.his handiwork. Congratulations. I think it's completely magnificent,
:24:49. > :24:55.really is extraordinary. Thank you. It is brilliant. Quite unlike
:24:56. > :24:59.anything else, it is not paint, charcoal, it is a unique thing and
:25:00. > :25:05.the marks it makes our unique. I think you should be proud of it,
:25:06. > :25:12.it's a wonderful commemoration of a real fire 350 years ago and it feels
:25:13. > :25:17.real. Magnificent, isn't it? It looks phenomenal. Time to show off
:25:18. > :25:23.your interviewing techniques, John, a limited amount of time. One
:25:24. > :25:28.question that Ryan has never been asked, the floor is yours. I have
:25:29. > :25:31.loads because I am a big fan but the one question you'd never been asked,
:25:32. > :25:43.what is the name of my mathematics teacher? OK... I got this, I got
:25:44. > :25:50.this. Mr Pearson! He has got it! Can you believe it? Another quick one,
:25:51. > :25:55.20 seconds. Of all the places you played in the UK, what is your
:25:56. > :26:03.favourite venue? Oh, my God, the O2, that was the best for us. Wembley
:26:04. > :26:09.was good too. You have and alienating anyone, he loves you in
:26:10. > :26:14.Liverpool, Manchester... Ryan, off you go, we can't wait to hear your
:26:15. > :26:16.perform. John, thank you. You can see more of John's interviewing
:26:17. > :26:18.skills every Thursday. Tomorrow we celebrate
:26:19. > :26:20.the return of Poldark, as stars Eleanor Tomlinson
:26:21. > :26:22.and Jack Farthing will tell us Now with the first UK
:26:23. > :26:26.performance of their new single # But we were reaching,
:26:27. > :26:54.reaching for the rafters. # And on most of the days
:26:55. > :26:57.we were searching for ways to get up # And get out of the town
:26:58. > :27:01.that we were raised. # Yeah, cuz we were done I remember,
:27:02. > :27:05.We were sleeping in cars # We were searching for OZ
:27:06. > :27:09.we were burning cigars # With the white plastic tips
:27:10. > :27:12.til we saw the sun... # And we said crazy things
:27:13. > :27:15.like I refuse to look back # thinking
:27:16. > :27:17.days were better just # I don't know what's
:27:18. > :27:24.round the corner. # I swear we'll never change
:27:25. > :27:36.Back when we were kids # Swore we would never die
:27:37. > :27:43.You and me were kids # Changing all our plans and making
:27:44. > :28:01.every day a holiday. # Feel the years start burning,
:28:02. > :28:05.The city lights they're turning, # But something 'bout
:28:06. > :28:11.this feels the same. # Back when we were kids,
:28:12. > :28:20.Swore we would never die. # I refuse to look back thinking
:28:21. > :28:35.days were better # Just because they're 'younger
:28:36. > :28:41.days' # I don't know what's
:28:42. > :28:43.'round the corner. APPLAUSE
:28:44. > :29:01.CHEERING Planet Strictly to Sparkle -
:29:02. > :29:04.this is Mission Fabulous. It's your job to find this year's
:29:05. > :29:08.celebrities. Good luck.