0:00:26 > 0:00:31Hello and welcome to the 2017 Turner Prize award ceremony,
0:00:31 > 0:00:33brought to you live from Hull, the 2017 City of Culture.
0:00:33 > 0:00:36In a few minutes' time, the biggest prize in British Art
0:00:36 > 0:00:38will be awarded.
0:00:38 > 0:00:39I'm Jane Hill, here at the magnificent setting
0:00:39 > 0:00:48for the ceremony, Hull Minster.
0:00:48 > 0:00:52The Turner Prize is of course being exhibited here in Hull because this
0:00:52 > 0:00:56is the City of Culture for 2017.
0:00:56 > 0:00:57And I'm Rebecca Jones.
0:00:57 > 0:01:00I'm at the Ferens Gallery in Hull, where the four nominated artists
0:01:00 > 0:01:03are exhibiting their work.
0:01:03 > 0:01:13I'll be giving you your own private view in just a few minutes' time.
0:01:17 > 0:01:22More from Rebecca to come. Taking us through the next half-hour of our
0:01:22 > 0:01:29special coverage is Sarah Munro, the director of the Baltic in Gateshead
0:01:29 > 0:01:34and Alistair Hudson, soon to be installed as the new director of the
0:01:34 > 0:01:38Manchester Art Gallery and the Whitworth. Welcome to both of you. A
0:01:38 > 0:01:46quick thought from each of you on this year's short list and what it
0:01:46 > 0:01:52has that EU?It is a very considered short list, one where all the
0:01:52 > 0:01:56artists show an element of handicraft and thoughtfulness and
0:01:56 > 0:02:00humanity. Personally, I would like to see more politics and a bit more
0:02:00 > 0:02:04over talking about what is going on in the world, which is there, but
0:02:04 > 0:02:09could be raised up a bit more.Some people would say that is that quite
0:02:09 > 0:02:14strongly. Sarah, your thoughts? Again, it is a very considered short
0:02:14 > 0:02:21list. It absolutely represents what the British art scene is about just
0:02:21 > 0:02:27now, that sense of practices coming across different art forms,
0:02:27 > 0:02:31different skills, ideas, knowledge, but also the way that artists are
0:02:31 > 0:02:34crossing borders. There is a real diversity with where people were
0:02:34 > 0:02:40born and grew up. It reflects where we are and where we are working. I
0:02:40 > 0:02:46like that quite politics that is within a lot of the work.Lots to
0:02:46 > 0:02:51discuss. We will talk more in a moment. Let's hear more about the
0:02:51 > 0:02:56work of two of the four short listed artists this year exhibiting at the
0:02:56 > 0:03:03Ferens Art Gallery not far from here. Let's go to Rebecca Jones.In
0:03:03 > 0:03:07my humble opinion, this year's Turner Prize is almost as much about
0:03:07 > 0:03:11politics and the world we live in today as it is about art, and I
0:03:11 > 0:03:15think if you look at the work of Andrea Buttner here, you will see
0:03:15 > 0:03:19what I mean. She is interested in poverty, so she has these eight
0:03:19 > 0:03:27giant woodcuts of wooded beggars with outstretched, beseeching arms.
0:03:27 > 0:03:31This entire wall is covered in high-vis jacket material and on it,
0:03:31 > 0:03:40what appear to be three large, abstract pictures. But here, this is
0:03:40 > 0:03:43an enlarged fingerprint that has been left smeared on a smartphone
0:03:43 > 0:03:49screen. To help makes into for this, am joined by one of the co-curators
0:03:49 > 0:03:53of the exhibition this year, George Vaizey. Two very different sorts of
0:03:53 > 0:04:02works. What is the link here?Andrea Buttner is interested in the value.
0:04:02 > 0:04:06We can see with these etchings, she takes everyday marks from iPhone,
0:04:06 > 0:04:10scaled up and make them beautiful, focusing our attention on things we
0:04:10 > 0:04:16wouldn't look at.As well as wanting us to look across at her work,
0:04:16 > 0:04:19Andrea Buttner also wants us to look down at it, so we have this piece of
0:04:19 > 0:04:25blue silk fabric which she has laid out on a low table. Why is that?It
0:04:25 > 0:04:30is handmade silk made by Benedictine nuns, and we are looking down at it
0:04:30 > 0:04:34because we are enacting the representation of the beggar. So we
0:04:34 > 0:04:38are bowing down and there is a sense of humility and modesty too much of
0:04:38 > 0:04:43her work.Thank you. I have a surprise for you now, especially for
0:04:43 > 0:04:47all of you who associate the Turner Prize with unmade beds and pickled
0:04:47 > 0:04:51cows, because I am going to show you some paintings. They are the work of
0:04:51 > 0:04:56Hurvin Anderson. Do not adjust your set, because his landscapes are
0:04:56 > 0:05:02inspired by no less than comfortable. Look at these lush,
0:05:02 > 0:05:06verdant forests. You can see the figure of a boy in the branches.
0:05:06 > 0:05:11Hurvin Anderson is the only man on the short list. His parents are from
0:05:11 > 0:05:13Jamaica and he draws on his Caribbean heritage in his work as
0:05:13 > 0:05:20well as his own life growing up in Birmingham. This picture is called
0:05:20 > 0:05:25Izzy Tokyo to be black it is set in a barbershop -- it is called Izzy
0:05:25 > 0:05:31Tokyo to be black -- is it okayed to be black. You can see black figures
0:05:31 > 0:05:41like Martin Luther king and Muhammad Ali. Sacha Craddock joins me. We
0:05:41 > 0:05:45have two distinct works, the barbershop and the landscapes. What
0:05:45 > 0:05:50is his prime concern?As a painter, his concern is to paint what
0:05:50 > 0:05:56painters have headed for a long time, the interior or the exterior.
0:05:56 > 0:06:03We deal with a barbershop and there are portraits of famous people.
0:06:03 > 0:06:07Here, we get less of a representation of famous people and
0:06:07 > 0:06:12here we get the space emptied out. So there is not necessarily
0:06:12 > 0:06:16narrative here, but more a sense of creating a place. The snippets that
0:06:16 > 0:06:23have been left are the only kind of story. The rest is reflective glass
0:06:23 > 0:06:26which is more abstract, a real stillness. But if we move over to
0:06:26 > 0:06:37the landscape, here we have two, one more tropical. In the centre of the
0:06:37 > 0:06:39painting, you do not have someone showing off and making something
0:06:39 > 0:06:47gorgeous. In a way, it is dull. But what you do have is involvement from
0:06:47 > 0:06:51the outside going in with this railway track leading through a
0:06:51 > 0:06:58loser is space. -- loser in space. Perhaps this is an amalgamation of
0:06:58 > 0:07:05many places for Anderson, places he might know or imagine. Not somewhere
0:07:05 > 0:07:10real, but an amalgamation, something to take us somewhere else.Sacha
0:07:10 > 0:07:15Craddock, more from you later. So those are the first two artists
0:07:15 > 0:07:22short listed for the Turner Prize, Hurvin Anderson and Andrea Buttner.
0:07:22 > 0:07:26Thanks, Rebecca. Let's mull over some of that with Sarah and
0:07:26 > 0:07:31Alistair. Sarah, I would like to pick up on what the Turner Prize is
0:07:31 > 0:07:34doing for Hull. In your previous role, you were instrumental in
0:07:34 > 0:07:39getting the Turner Prize to Glasgow. What does it do for a city when you
0:07:39 > 0:07:47get this prize out of London and to different audiences?It means a huge
0:07:47 > 0:07:51amount. In Glasgow, we could have worked with any of the four artists
0:07:51 > 0:07:59that were short listed, but that way of working and collaborating with
0:07:59 > 0:08:04Tate and the brand, the visibility enables it to have this resonance
0:08:04 > 0:08:07that goes out to huge numbers of people who would not normally
0:08:07 > 0:08:13consider coming into a gallery or an art institution. So it democratises
0:08:13 > 0:08:18the sense that they can go in and have an opinion. For me, one of the
0:08:18 > 0:08:26most important thing is that diversity of the audience. They are
0:08:26 > 0:08:28encouraged to have different opinions. They can like things or
0:08:28 > 0:08:35disagree with things. It gives the centrestage to thinking about
0:08:35 > 0:08:41artists and their role in society and culture.Alistair, the head of
0:08:41 > 0:08:44Hull 2017 described this as a serious short list for serious
0:08:44 > 0:08:48times. So I am struck that you felt it was not political enough. But do
0:08:48 > 0:08:53you think that this is a more serious year?Certainly, all the
0:08:53 > 0:08:57artists on the short list are considering politics and social
0:08:57 > 0:09:07concerns. But they are operating within the canon of the art world or
0:09:07 > 0:09:12a world, and there are many art world and many ways of working. It
0:09:12 > 0:09:16is bizarre to me in some ways that the artists who are describing the
0:09:16 > 0:09:19issues of the world are not actively buying to make things happen and
0:09:19 > 0:09:27change things. But they are all making an attempt in one way or
0:09:27 > 0:09:32another.Very interesting. Alistair and Sarah, thank you. Let's hear
0:09:32 > 0:09:37more about the other two short listed artists. Back to Rebecca.The
0:09:37 > 0:09:42Turner Prize may have come to Hull this year, but that inside this
0:09:42 > 0:09:47specially constructed cinema and you are immediately transported to Gaza.
0:09:47 > 0:09:50This film is the work of Rosalind Nashashibi. At the age of 44, she's
0:09:50 > 0:09:55the youngest artist on the short list this year. She was born in
0:09:55 > 0:10:00Croydon, but her father is Palestinian. Her film gives us a
0:10:00 > 0:10:05glimpse into daily life in Gaza. So we see people eating, singing,
0:10:05 > 0:10:11children playing the streets. And she merges documentary material that
0:10:11 > 0:10:15she has shot with stage scenarios. The curator George Vasey is back
0:10:15 > 0:10:21with me. Why did Rosalind Nashashibi want to make a film set in Gaza?She
0:10:21 > 0:10:25was invited by the Imperial War Museum a few years ago to go to
0:10:25 > 0:10:29Gaza. She made a film that wanted to look at the effects of the political
0:10:29 > 0:10:35situation on the people of Gaza. Every so often, the film looks into
0:10:35 > 0:10:38animation, why?She had to leave early because the Israeli
0:10:38 > 0:10:41bombardment and animation allowed her to finish the film, but also
0:10:41 > 0:10:47articulate the sense of heightened reality that she encountered.Thank
0:10:47 > 0:10:51you for your time. This is one of two film is being exhibited by
0:10:51 > 0:10:59Rosalind Nashashibi. The other is set in Guatemala and explores the
0:10:59 > 0:11:04relationship between a mother and daughter who live in a big house
0:11:04 > 0:11:08with a large, overgrown garden. And they are both artists, and receive
0:11:08 > 0:11:13the daughter dragging the large canvases through the foliage. I
0:11:13 > 0:11:18suppose both films taken together give us an insight into two very
0:11:18 > 0:11:23different parts of the world. Let me show you the work of the oldest
0:11:23 > 0:11:28artist on the short list, Lubaina Hamid. She was born in Zanzibar, but
0:11:28 > 0:11:34now lives and works in Preston. Her chief preoccupation as an artist is
0:11:34 > 0:11:39black identity and the representation of the people in art.
0:11:39 > 0:11:43Look at this dinner service, which she has painted over to tell the
0:11:43 > 0:11:50story of the abolition of slavery. Here, the centrepiece of her
0:11:50 > 0:11:56exhibition is this large, theatrical stage set, peopled by these large
0:11:56 > 0:12:00caricatures. You can see Margaret Thatcher flirting with Ronald
0:12:00 > 0:12:05Reagan. And the whole scene is being survey by this imposing black
0:12:05 > 0:12:13figure. The curator Sacha Craddock is back with me. Lubaina Hamid is a
0:12:13 > 0:12:17very political artist. Talk us through what she is trying to say
0:12:17 > 0:12:22and do here?She is a truly political artist. Here, she is
0:12:22 > 0:12:29making a two-dimensional painting by Hogarth, Marriage a la Mode, which
0:12:29 > 0:12:34is a send-up of 18th-century court life, into a three-dimensional
0:12:34 > 0:12:41stage. This was made in 1986, and as you said, we have all these
0:12:41 > 0:12:46different characters. We have a concentration of courtly folly of
0:12:46 > 0:12:52people of influence at any one time. So we have all these different
0:12:52 > 0:12:58things. It is painted in a perfunctory way. It is not as though
0:12:58 > 0:13:01Lubaina Hamid wants to say this is valuable art, it is more that she
0:13:01 > 0:13:06wants to say something quickly. The most important thing is the fact
0:13:06 > 0:13:12that people are changing place within the painting. So instead of
0:13:12 > 0:13:17going from the black people being servants, at the front we have this
0:13:17 > 0:13:22amazing young woman who looks as if she has changed circumstances. She
0:13:22 > 0:13:28is reading philosophy and finding out about her origin. She is
0:13:28 > 0:13:31representing what Lubaina Hamid wanted to do, which is to represent
0:13:31 > 0:13:36young black women artists like herself at the time.So there you
0:13:36 > 0:13:40have it, and Lubaina Hamid. Before that, Rosalind Nashashibi. You have
0:13:40 > 0:13:44now seen the work of all four artists short listed for the prize.
0:13:44 > 0:13:51The question is, who will win?And that question will be answered in
0:13:51 > 0:13:55the next few minutes. We are building up to the exciting part of
0:13:55 > 0:14:00the evening. The award will be announced by Goldie. Let's hear
0:14:00 > 0:14:05first from Maria Balshaw, the director of Tate.Ladies and
0:14:05 > 0:14:09gentlemen, I am Maria Balshaw, director of Tate. In a moment, I
0:14:09 > 0:14:14will be introducing our special guest, Goldie MBE, to reduce the
0:14:14 > 0:14:20winner of this year's Turner Prize -- to introduce the winner. A star
0:14:20 > 0:14:24musician and a huge advocate of British creativity, Goldie is also a
0:14:24 > 0:14:27visual artist in his own right and a massive champion of the role that
0:14:27 > 0:14:34artists play in the world. At Tate, our mission is to promote public
0:14:34 > 0:14:37understanding and enjoyment of British modern and contemporary art.
0:14:37 > 0:14:44We want as many people as possible all around the UK to have
0:14:44 > 0:14:50opportunities to see and engage with the greatest art of today. That's
0:14:50 > 0:14:53why every other year, the Turner Prize is staged in a different city
0:14:53 > 0:15:01outside of London. Tonight, we are in the gorgeous Hull Minster,
0:15:01 > 0:15:06celebrating the Turner Prize, which has been hosted by Hull as their
0:15:06 > 0:15:11year as UK City of Culture. Huge congratulations and thanks are due
0:15:11 > 0:15:17to the team at Hull 2017, the Ferens Art Gallery and Hull City council
0:15:17 > 0:15:22for staging the exhibition, which has engaged and inspired people of
0:15:22 > 0:15:31all ages across the city and those visiting the capital of culture.
0:15:31 > 0:15:36There have been 90,000 visitors, we have heard, already to the
0:15:36 > 0:15:41exhibition. We at Tate are hugely proud of being part of making art
0:15:41 > 0:15:46part of the daily life of this fine city and through this, shifting
0:15:46 > 0:15:54perceptions about Hull now and for the future. To everyone watching at
0:15:54 > 0:15:58home, you have only until the 7th of January to see the exhibition here
0:15:58 > 0:16:07at the Ferens Art Gallery. So come if you haven't already. I would like
0:16:07 > 0:16:12to offer my sincere congratulations to our four nominated artists,
0:16:12 > 0:16:16Hurvin Anderson, Andrea Buttner, Lubaina Hamid and Rosalind
0:16:16 > 0:16:22Nashashibi. I would also like to thank our chair of our jury, Alex
0:16:22 > 0:16:26Farquharson, director at Tate Britain, and his jury colleagues.
0:16:26 > 0:16:31This year, we opened the prize up to artists of all ages, recognising
0:16:31 > 0:16:37that artistic breakthrough and the most exciting work made in any year
0:16:37 > 0:16:45can happen at any point in an artistic career. The Turner Prize
0:16:45 > 0:16:47celebrates the best of British contemporary art in all its
0:16:47 > 0:16:57diversity and variety. This year's show is no exception, with painting,
0:16:57 > 0:16:58video, sculpture, ceramic, installation and print all
0:16:58 > 0:17:04featuring. I think everyone that has and will visit will find something
0:17:04 > 0:17:09that they love, something that challenges them and something which
0:17:09 > 0:17:15makes them see the world in a different way. As Hull said when we
0:17:15 > 0:17:23opened the Turner Prize here, whatever you think, you are right.
0:17:23 > 0:17:29It now gives me great pleasure to introduce Goldie to announce,
0:17:29 > 0:17:33finally, the winner of the Turner Prize 2017.
0:17:33 > 0:17:35APPLAUSE.
0:17:39 > 0:17:44Good evening, ladies and gentlemen, boys and girls. I'm really pleased
0:17:44 > 0:17:49to be here in Hull, because I was here 20 years ago, partying and
0:17:49 > 0:17:52raving in dirty underground clubs. And it's crazy to see how this city
0:17:52 > 0:18:01has developed. And especially in a year where you guys have been given
0:18:01 > 0:18:05this cultural city award and great things have been happening here ever
0:18:05 > 0:18:09since. For someone like myself who is always surrounding myself in art,
0:18:09 > 0:18:16I have always had mentors who are artists that gave me guidance. I was
0:18:16 > 0:18:21really chuffed when I was asked to come here and be at the ceremony and
0:18:21 > 0:18:27to announce this year's winner of that Turner Prize. I have been at
0:18:27 > 0:18:30the Ferens Art Gallery all afternoon, looking at each of the
0:18:30 > 0:18:35artists' work thoroughly. It is one of those things when you are looking
0:18:35 > 0:18:40at an artist's work, I get inspired. And I think all of you who have been
0:18:40 > 0:18:45there and people who will be visiting will be just as inspired.
0:18:45 > 0:18:50It's a strong line-up. The work is very diverse. I think you are all
0:18:50 > 0:18:59winners, in my eyes. Art and artists can offer a mirror of society. It
0:18:59 > 0:19:06can show us how fragile we are and how strong we are also. And there is
0:19:06 > 0:19:09no right or wrong, it's about the art. It is subjective and all of
0:19:09 > 0:19:15that. With all the confrontation we are having in the world right now
0:19:15 > 0:19:20and the pressure of society, it's good that this country is digging
0:19:20 > 0:19:23deep and the artists are going further to reflect on their social
0:19:23 > 0:19:28views and political concerns in a way which is really upfront. We need
0:19:28 > 0:19:33more art to do that, to challenge perceptions. I have my own
0:19:33 > 0:19:39favourites, we all do. And you are about to find out who is this year's
0:19:39 > 0:19:55Turner Prize winner. So... The winner of this year's Turner Prize
0:19:55 > 0:20:05is Lubaina Hamid!
0:20:41 > 0:20:49Good evening. Thank you, panel. First of all, that the people who
0:20:49 > 0:20:53have stopped me in the streets of Preston and Hull to wish me luck,
0:20:53 > 0:20:59thank you, it worked. Thank you to the teams at the harbour in
0:20:59 > 0:21:02Blackpool and Belmont and Longbridge for taking such care. Thanks of
0:21:02 > 0:21:07course to the university of central Lancashire for giving me enough rope
0:21:07 > 0:21:12to develop the making history is visible project. I know dozens of
0:21:12 > 0:21:16strong, clever artists and curators, mostly women, and have talked to one
0:21:16 > 0:21:23or other of them everyday. I them dearly. Thank you to Matt Burchill
0:21:23 > 0:21:28for being amazing artists and clever assistance and the kindest men I
0:21:28 > 0:21:35have ever known. Thank you to the Hollybush gardens gallery for giving
0:21:35 > 0:21:39me both time and space. To the art and cultural historians who cared
0:21:39 > 0:21:45enough to write essays about my work for decades, thank you. You gave me
0:21:45 > 0:21:50sustenance in the wilderness years. Thank you to Susan for never
0:21:50 > 0:21:56allowing me to give up or throw away my work and to Patricia for helping
0:21:56 > 0:22:01us both. Thanks to my mother, for letting me do what I wanted as a
0:22:01 > 0:22:09teenager as long as I came home by 10pm. I quickly learned to squeeze
0:22:09 > 0:22:13as much as possible in by 9.55. Thank you to Richard bliss for
0:22:13 > 0:22:19helping me carry on. Finally, thank you to artist and photographer
0:22:19 > 0:22:23Ingrid pollard for being a dear, sweet friend, even though I love to
0:22:23 > 0:22:36show off and dance into the early hours. Thank you.
0:22:51 > 0:22:55Lubaina Hamid, congratulations, winner of the Turner Prize 2017. You
0:22:55 > 0:23:01are live on BBC News. What does this mean?It's amazing. It's a complete
0:23:01 > 0:23:06shock to me. I didn't predict it. You sounded very composed. I'm not
0:23:06 > 0:23:14sure I believe you are shocked.I am shocked.I am very struck that you
0:23:14 > 0:23:17thanked, as you put it, those who supported you in what you called
0:23:17 > 0:23:21wilderness years. I was talking to someone involved in the prize
0:23:21 > 0:23:26earlier today who said he felt it was time to recognise people who had
0:23:26 > 0:23:32been overlooked for a long time. Is that how this feels to you?Well, I
0:23:32 > 0:23:37was overlooked by critics and press, but I was never overlooked by art
0:23:37 > 0:23:40historians or curators or other artists. So it's like being in the
0:23:40 > 0:23:45public eye, yes but people have helped me develop my work and I was
0:23:45 > 0:23:50never overlooked.You tell stories and you talk about needing to tell
0:23:50 > 0:23:56stories that aren't told enough or not ever told. That is a key theme
0:23:56 > 0:24:00of your work. I am struck by that because it seems that you have been
0:24:00 > 0:24:05exploring that seem very fruitfully for decades. Is this the art
0:24:05 > 0:24:10establishment only just catching up with you?Some of the art
0:24:10 > 0:24:14establishment are catching up, yes. The time is sometimes right for
0:24:14 > 0:24:24something. Do you know what I mean? Yeah. And going forward, does this
0:24:24 > 0:24:27affect your work? You are a Professor of contemporary art as
0:24:27 > 0:24:33well. Does it affect what you say to your students?They might take more
0:24:33 > 0:24:40notice of me, I guess, when I walk in a room! It is like when people
0:24:40 > 0:24:44win the lottery, they say it won't make any difference. It will not
0:24:44 > 0:24:48make a difference to the kind of work I make, but it will make a
0:24:48 > 0:24:53difference to the people who have supported me all these years. It
0:24:53 > 0:25:00sounds like a cliche, but I have won it for them.Lubaina Hamid,
0:25:00 > 0:25:05congratulations. Turner Prize winner of 2017. I will let you get back to
0:25:05 > 0:25:11your friends and family. Enjoy your celebrations. So that is Lubaina
0:25:11 > 0:25:16Hamid, the winner of the Turner Prize 2017. Ceremony row and
0:25:16 > 0:25:20Alistair Hudson were talking to me earlier. -- Sarah Munro and Alistair
0:25:20 > 0:25:26Hudson. It seems invidious to ask whether that was the right choice,
0:25:26 > 0:25:35but I have to.We are delighted. We are doing a show, and we are
0:25:35 > 0:25:45absolutely thrilled.This is an artist whose work, let's be honest,
0:25:45 > 0:25:48a group of 1980s black artists in Britain, their story was not told
0:25:48 > 0:25:57and it was not possible in that era. Now in this year, with shows around
0:25:57 > 0:26:03Britain where it is now current, this question around the 80s and
0:26:03 > 0:26:08where we have got to its hugely current.But I am struck by that in
0:26:08 > 0:26:12the sense that there will be people watching this who say, isn't the
0:26:12 > 0:26:18Turner Prize meant to be about work in the previous year? Is this now
0:26:18 > 0:26:25about looking further back?It is about this year now. Lubaina has
0:26:25 > 0:26:30shown her work across Britain in the '80s black art show in
0:26:30 > 0:26:35Middlesbrough. She has had a solo show. Only this year as she had
0:26:35 > 0:26:38gallery representation. This is a black artist in Britain who has been
0:26:38 > 0:26:42working for over 30 years who has only just had gallery
0:26:42 > 0:26:46representation. It is a significant moment and one in which a lot of
0:26:46 > 0:26:50balances have been redressed. So this is about this year now, not 30
0:26:50 > 0:26:57years ago.Does that then influenced artists working in Britain today,
0:26:57 > 0:27:01and what does it do for the viewing public, those of us who want to see
0:27:01 > 0:27:06this work?Artists make work over a long time and a small number of
0:27:06 > 0:27:10those rights and get that moment. This is about institutions taking
0:27:10 > 0:27:16responsibility and being much more aware of those who are in and out,
0:27:16 > 0:27:24about exclusion and inclusion. She is also making great work now. All
0:27:24 > 0:27:32will be exciting for Lubaina now is to be, in a way, Floyd, and moving
0:27:32 > 0:27:36onto the next -- she is freed. I'm excited to see where this goes for
0:27:36 > 0:27:43her now.A very exciting year. Alistair and Sarah, lovely that you
0:27:43 > 0:27:50could be with us for our special coverage of the Turner Prize 2017.
0:27:50 > 0:27:53You can see the work of Lubaina Hamid and all the short listed
0:27:53 > 0:27:59artists, of course, at the Ferens Art Gallery here in Hull. It is
0:27:59 > 0:28:04available to see until the 7th of January. We leave you on our special
0:28:04 > 0:28:08coverage with the work of this year's winner, Lubaina Hamid.