0:00:02 > 0:00:04# Every day when you're walkin' down the street
0:00:04 > 0:00:06# Everybody that you meet
0:00:06 > 0:00:08# Has an original point of view
0:00:10 > 0:00:12- # And I say, hey!- Hey!
0:00:12 > 0:00:17# What a wonderful kind of day If we can learn to work and play
0:00:17 > 0:00:20# And get along with each other
0:00:20 > 0:00:23# You gotta listen to your heart Listen to the beat
0:00:23 > 0:00:26# Listen to the rhythm The rhythm of the street
0:00:26 > 0:00:28# Open up your eyes! Open up your ears!
0:00:28 > 0:00:32# Get together and make things better by working together
0:00:32 > 0:00:36# It's a simple message And it comes from the heart
0:00:36 > 0:00:42# Oh, believe in yourself For that's the place to start
0:00:42 > 0:00:46- # And I say, hey!- Hey! - What a wonderful kind of day
0:00:46 > 0:00:51# If we can learn to work and play And get along with each other
0:00:51 > 0:00:56# What a wonderful kind of day, hey! What a wonderful kind of day, HEY! #
0:00:56 > 0:00:58Hey, DW!
0:01:00 > 0:01:02- Hey!- Whoa!
0:01:02 > 0:01:03CRASH!
0:01:08 > 0:01:10BELL RINGS
0:01:19 > 0:01:21Ah, there's nothing like the first day on the set.
0:01:21 > 0:01:26Coffee! Script. Pen.
0:01:26 > 0:01:29Cut lines 16, 24 and 113.
0:01:29 > 0:01:32Bobby, I need you to be angrier in this scene. You've lost everything.
0:01:32 > 0:01:35You're a man on the edge. Meryl, you're doing great,
0:01:35 > 0:01:38but say your lines faster and stop touching your hair.
0:01:45 > 0:01:47- Are you in this film, kid?- Huh?
0:01:47 > 0:01:51Oh, no, sorry, I just... I'll come back later.
0:01:51 > 0:01:55Relax, we're not filming just yet. Tuftin Sinclair, director.
0:01:55 > 0:01:59I know, you directed my favourite movie ever -
0:01:59 > 0:02:02Flight Of Dreams: The Tale Of Pietro Pigeon.
0:02:02 > 0:02:04One of my best.
0:02:04 > 0:02:06It tanked at the box office but it was honest and beautiful.
0:02:06 > 0:02:10- You've got good taste, kid. - Thanks. Could you...
0:02:10 > 0:02:13You want MY autograph? Usually people just want the stars'.
0:02:13 > 0:02:17Let me guess, you're an aspiring director?
0:02:17 > 0:02:21Um, I don't know. Maybe. I love making up stories.
0:02:21 > 0:02:23Well, if you're working on a project you love,
0:02:23 > 0:02:26it's the best job in the entire world.
0:02:26 > 0:02:30All right, places, everyone. Let's make a movie.
0:02:36 > 0:02:38And action!
0:02:43 > 0:02:46So, which video camera would you like to borrow?
0:02:46 > 0:02:49The Ultrazoom Zoltrex SL-90?
0:02:49 > 0:02:52Or an Okita 612 with the magnachrome pixelator?
0:02:52 > 0:02:56- Which is better?- Beats me.
0:02:56 > 0:02:58I haven't opened either of them.
0:03:00 > 0:03:05- That one, I guess.- I'll get you a bag. What do you need it for anyway?
0:03:05 > 0:03:11- I'm going to make a movie. - Really? Can I be in it?
0:03:11 > 0:03:16- Well... I'm not sure there's apart. - OK, I'll produce it.
0:03:16 > 0:03:18Did you see the film I made for Matt Damon?
0:03:18 > 0:03:21It was a short and Matt Damon's lawyer's assistant loved it.
0:03:21 > 0:03:26- But I don't need a producer. It's just a small...- Of course you do.
0:03:26 > 0:03:28Movies just don't make themselves, silly.
0:03:28 > 0:03:32- Besides, I've already invested in the film.- You have?
0:03:32 > 0:03:33Ahem!
0:03:36 > 0:03:39Yay! This is going to be so much fun.
0:03:39 > 0:03:41Now, you let me focus on all the details.
0:03:41 > 0:03:44Just make sure it's a great story.
0:03:49 > 0:03:51'Whoa! Look out, I'm coming at you!
0:03:51 > 0:03:53'Now I'm going back!
0:03:53 > 0:03:56'Now I'm coming at you again! Now I'm going back.
0:03:56 > 0:03:58'Coming at you.'
0:03:58 > 0:04:01Wally, cut it out! This isn't a 3D film.
0:04:01 > 0:04:03'I'd like another take.'
0:04:03 > 0:04:06Here, let me help. I should get used to your camera anyway.
0:04:06 > 0:04:08It's pretty different from mine.
0:04:08 > 0:04:11George, over here! Meet your crew! >
0:04:11 > 0:04:12My crew?
0:04:12 > 0:04:14Your cameraman.
0:04:14 > 0:04:17Your actor. Your stuntman.
0:04:17 > 0:04:20- And your adorable little girl.- Huh?
0:04:20 > 0:04:24Trust me, every movie needs an adorable little girl.
0:04:24 > 0:04:27But...you haven't even heard my story yet.
0:04:27 > 0:04:30I know, and we're dying to.
0:04:31 > 0:04:33OK, wow me.
0:04:35 > 0:04:39Well, it's kind of a fairy tale.
0:04:39 > 0:04:41There's this kid who lives in a village
0:04:41 > 0:04:43and he doesn't have any friends
0:04:43 > 0:04:46but he loves taking long walks in the woods.
0:04:47 > 0:04:51One day, he's walking along when he runs into this old woman
0:04:51 > 0:04:53who's actually a witch.
0:04:55 > 0:04:57She says she'll make a friend for the boy
0:04:57 > 0:05:00but only if he promises to bring her a red rose
0:05:00 > 0:05:02on the exact same date next year.
0:05:02 > 0:05:04The boy agrees.
0:05:06 > 0:05:10And the witch creates this other boy from a pile of wood.
0:05:15 > 0:05:19The boy has an amazing time with his new friend,
0:05:19 > 0:05:22who's just like a real kid, except made out of wood,
0:05:22 > 0:05:26but then the year is up and he's forgotten to get the witch a rose.
0:05:26 > 0:05:29He tries everywhere but he can't find one,
0:05:29 > 0:05:32so he and his friend go back to the witch to explain things.
0:05:32 > 0:05:34But she doesn't want to hear it.
0:05:34 > 0:05:37She takes her wand out and turns the boy into a statue
0:05:37 > 0:05:40and his friend back into a pile of wood.
0:05:40 > 0:05:42But the boy's friend isn't just wood now.
0:05:42 > 0:05:47He has known what it's like to be a person. He has feelings.
0:05:47 > 0:05:50He gives the witch a splinter and then rolls onto her foot
0:05:50 > 0:05:52and while she's hopping around in pain,
0:05:52 > 0:05:55she drops her wand right on the pile of wood.
0:05:57 > 0:06:00The wood forms into a hand and grabs the wand.
0:06:00 > 0:06:02He releases the boy from the spell.
0:06:02 > 0:06:06The witch tips over the cauldron, starts a fire and escapes.
0:06:06 > 0:06:08The house goes up in flames.
0:06:08 > 0:06:13The boy gets out just in time, but he only manages to grab one stick
0:06:13 > 0:06:17and he carries that stick around for the rest of his life,
0:06:17 > 0:06:20because he knows that somewhere locked inside that hardwood
0:06:20 > 0:06:23is his best friend.
0:06:27 > 0:06:29I love it!
0:06:29 > 0:06:33George, I know I speak for the whole crew when I say,
0:06:33 > 0:06:35we are honoured to make your movie.
0:06:35 > 0:06:39- Thanks.- Great, now, let's talk about the ending.
0:06:39 > 0:06:41Huh?
0:06:41 > 0:06:43He should seem small at first,
0:06:43 > 0:06:46but then I'd like to see his face close up.
0:06:52 > 0:06:54All right, everyone, places.
0:06:57 > 0:06:59Action!
0:06:59 > 0:07:03Boy, I sure wish I had a friend.
0:07:03 > 0:07:05Hi-ya!
0:07:05 > 0:07:07Oh, no, a ninja!
0:07:07 > 0:07:11- Take that, lonely village boy. - Surrender, forest ninja.
0:07:11 > 0:07:14Cut! Cut!
0:07:14 > 0:07:17What are you doing? There's no ninja in this movie.
0:07:17 > 0:07:20Well, yeah there is.
0:07:20 > 0:07:23See? It says, "enter ninja."
0:07:23 > 0:07:26I added that. I just thought we should have a little action here.
0:07:26 > 0:07:30I think it really works. It so surprising.
0:07:30 > 0:07:32That looked great.
0:07:32 > 0:07:35Let's do it again just so we have it twice.
0:07:35 > 0:07:39Well...OK, so long as it doesn't take up too much time.
0:07:43 > 0:07:45This is where you first meet the witch,
0:07:45 > 0:07:50so you should be afraid but kind of curious too, OK?
0:07:50 > 0:07:52Action!
0:07:54 > 0:07:59I've never seen this house before. I wonder who lives here.
0:08:00 > 0:08:04I do - Sparkles, the adorable witch.
0:08:04 > 0:08:07HE GIGGLES
0:08:07 > 0:08:11Cut! Cut! Where's the black cloak I gave you to wear?
0:08:11 > 0:08:13It smelt like mothballs.
0:08:13 > 0:08:16But I need you to look like a witch, not a princess
0:08:16 > 0:08:18and your name is Griselda.
0:08:18 > 0:08:22Griselda? I can't say that, it's too hard.
0:08:22 > 0:08:23You just said it.
0:08:23 > 0:08:27George, George, let me handle this.
0:08:27 > 0:08:32DW, you're doing great and you can wear whatever you want.
0:08:34 > 0:08:37That was handling it? How was that handling it?
0:08:37 > 0:08:40A happy actor will give you a better performance.
0:08:40 > 0:08:43Isn't that more important than what she's wearing?
0:08:43 > 0:08:46- BINKY:- We're out of sandwiches. This ninja's hungry.
0:08:46 > 0:08:48MUFFY: They'll be here in a second.
0:08:48 > 0:08:51Go to the deli and pick up two ham and cheese and two tuna fish.
0:08:51 > 0:08:54But...but I'm the director.
0:08:54 > 0:08:57George, remember whose camera it is.
0:08:57 > 0:09:00Now, hurry, we're wasting precious daylight.
0:09:01 > 0:09:03HE SIGHS
0:09:03 > 0:09:06This has been the best year of my life.
0:09:06 > 0:09:08I've never really had a good friend before.
0:09:08 > 0:09:09'I know the feeling.
0:09:09 > 0:09:13'Even when I was part of a tree all the flowers ignored me.'
0:09:13 > 0:09:15Oh, no, the rose!
0:09:15 > 0:09:18Cut! That was great.
0:09:18 > 0:09:20Did you get it?
0:09:20 > 0:09:22Ha-ha-ha, you aren't scary at all.
0:09:22 > 0:09:25- Buster!- What? Are we ready?
0:09:25 > 0:09:27Just a sec...
0:09:27 > 0:09:29- Uh-oh... - CAMERA BLEEPS
0:09:29 > 0:09:30Battery's dead.
0:09:33 > 0:09:36One little rose, is that too much to ask for?
0:09:36 > 0:09:40Why didn't you write it down? I should have sent the ninja.
0:09:40 > 0:09:42'I think it's pretty funny.'
0:09:42 > 0:09:44Yeah, but I didn't want to make a comedy.
0:09:44 > 0:09:46Mind if I join you two?
0:09:46 > 0:09:48Huh? Oh, Mr Sinclair. Of course.
0:09:48 > 0:09:51I was just, um, practising a talent show.
0:09:51 > 0:09:53Oh, you don't have to explain.
0:09:53 > 0:09:56I take Preston everywhere I go.
0:09:56 > 0:10:00Oh, the Zoltrex SL-90 - pretty fancy camera.
0:10:00 > 0:10:02- You making a movie?- I was.
0:10:02 > 0:10:03I borrowed it from a friend
0:10:03 > 0:10:05but I think I'll give it back to her tomorrow.
0:10:05 > 0:10:07No-one listens to me.
0:10:07 > 0:10:10I know the feeling. A director needs a lot of help.
0:10:10 > 0:10:13But it's still your story. You have to put your foot down sometimes.
0:10:13 > 0:10:17- I'm not very good at that. - Well, have you tried it, yet?
0:10:17 > 0:10:19- Well...- Then how do you know?
0:10:19 > 0:10:22I'd like a chicken sandwich on toast with butter.
0:10:22 > 0:10:26No mayo and hold the chicken. He'll have a tea with lots of honey.
0:10:29 > 0:10:32George, I had a great idea for the end.
0:10:32 > 0:10:35- What if the which has a song and... - No.
0:10:35 > 0:10:40- But audiences will love it and... - I don't care. This isn't a musical.
0:10:40 > 0:10:43George, need I remind you whose camera it is?
0:10:43 > 0:10:46You can have it back.
0:10:46 > 0:10:49- I don't want it if I can't make the movie- I- want to make.
0:10:49 > 0:10:54Ha! Well, good luck(!) We'll see how far you get without me.
0:10:54 > 0:10:56Come on, everyone, this movie's over.
0:10:59 > 0:11:01Well?
0:11:01 > 0:11:07It's not as good as Muffy's, but you can borrow my camera if you like.
0:11:07 > 0:11:11Wait! Maybe we can come to some sort of compromise.
0:11:12 > 0:11:15Buster, as head of the craft services you're in charge of food.
0:11:15 > 0:11:18I want plenty of juice and snacks for everyone.
0:11:19 > 0:11:21Thanks for helping with the music.
0:11:25 > 0:11:28DW, get everyone in place.
0:11:28 > 0:11:30Places! Places!
0:11:30 > 0:11:35Wally, you're not in this scene, so I want you to be quiet.
0:11:36 > 0:11:39And action!
0:11:40 > 0:11:43I wonder whose house this could be.
0:11:45 > 0:11:50I will give you all that you want, my dear.
0:11:50 > 0:11:53Your wildest dreams.
0:11:53 > 0:11:55But for a price.
0:11:55 > 0:11:57SHE CACKLES
0:11:57 > 0:11:59She's perfect.
0:12:02 > 0:12:05Subtitles by Red Bee Media Ltd