:00:18. > :00:21.electricity to power 198 million games consoles?
:00:21. > :00:26.The weather is warming up so we will be giving you the celebrity look
:00:26. > :00:33.with these T-shirts. We have the best in the business
:00:33. > :00:43.today. A hip-hop group who mash up William Shakespeare. That is all on
:00:43. > :01:03.
:01:03. > :01:10.at the earlier time of 5.30pm. Hi. You might remember last week on Blue
:01:10. > :01:15.Peter we had the BMX flatlander Matti Hemmings in. He just missed
:01:15. > :01:21.out on a new world record. The rules said he got a second go. We gave him
:01:21. > :01:31.it and we put it online. This is what happened. He managed an amazing
:01:31. > :01:32.
:01:33. > :01:38.32! Well done. He was awesome. That clip is still online. Go to
:01:38. > :01:41.bbc.co.uk/bluepeter. Also, get in touch. Today has a hip-hop theme. We
:01:41. > :01:47.thought rather than e-mailing us, why not tell us what you have been
:01:47. > :01:53.doing in the style of a rap. need to tell us what you have been
:01:53. > :02:01.doing in two lines. The last word of each line needs to rhyme. Barney and
:02:01. > :02:06.Helen are on your TV, it is like gravy! Let us know. Go to
:02:06. > :02:14.bluepeter@bbc.co.uk. We will read as many out as we can. Since last
:02:14. > :02:19.Thursday, 512 of you have sent us things in the post. We have had some
:02:19. > :02:26.fantastic things. This is a Blue Peter Ship. She has blue rice, bark,
:02:26. > :02:33.pasta. Next to it is a collage sent in by Thomas. He has made the ship
:02:33. > :02:43.out of stamps. He has it licked! It is first-class! Come on! Knock
:02:43. > :02:43.
:02:43. > :02:47.knock? Who is there?Sarah. Sarah who? Sarah a reason why you are not
:02:47. > :02:52.letting me in? ! William Shakespeare used one of the earliest forms of a
:02:52. > :02:58.knock knock joke. He wrote words over 400 years ago that are still
:02:58. > :03:00.being used in performances today. Here is all you need to know about
:03:00. > :03:05.William Shakespeare. William Shakespeare is described as the
:03:05. > :03:10.greatest writer ever. He was born in Stratford-upon-Avon in 1564. He
:03:10. > :03:15.became an actor and a playwright. A good choice for someone living in
:03:15. > :03:23.Elizabethan times because the theatre was more popular than the
:03:23. > :03:26.Harlem Shake! William Shakespeare wrote 37 plays, some of the most
:03:26. > :03:29.famous include Romeo and Juliet, A Midsummer Night's Dream and Hamlet.
:03:29. > :03:34.He first used the style of knock knock joke in the play Macbeth. He
:03:34. > :03:41.came up with over 2,000 words and phrases that we still use today.
:03:42. > :03:48.Words like "fashionable" and "swagger". Let's welcome the Hip-Hop
:03:48. > :03:52.Shakespeare Company. Hello, guys. Let's start at the beginning.
:03:52. > :04:00.Hip-hop is 40 years old. How have you married these two styles
:04:00. > :04:05.together? By looking at the music, the rhythm and the performance.
:04:05. > :04:09.did the Hip-Hop Shakespeare Company come about? Wanting to put a hip-hop
:04:09. > :04:14.back in its proper context and wanting to make something creative
:04:14. > :04:18.and difference. I wanted Shakespeare to be seen for what it was. When you
:04:18. > :04:22.did Shakespeare at school, did you think it was boring? Yeah. I didn't
:04:22. > :04:28.think the way it was taught was engaging enough. We are trying to do
:04:28. > :04:32.that. Your interpretation is far from boring. You are 11, what is the
:04:32. > :04:36.best thing about performing with these guys? Using my poetry skills
:04:36. > :04:41.that I have learnt in the workshops and coming to places like this.
:04:41. > :04:51.is the idea. We will see what it looks like. It is time for a
:04:51. > :04:58.
:04:58. > :05:00.Shakespeare mash up with the Hip-Hop # Dat boy Akala's a Diamond Fella.
:05:00. > :05:02.# All you little boys are a comedy of errors.
:05:02. > :05:05.# You bellow but you fellows get played like.
:05:05. > :05:09.# The cello, I'm doing my thing. # You're jealous like Othello.
:05:09. > :05:11.# Who you? What you going to do? # All you little boys get Tamed like
:05:11. > :05:14.the Shrew. # You're mid-summer dreaming'.
:05:14. > :05:16.# Your tunes are not appealing. # I'm Capulet, you're Montague, I
:05:16. > :05:19.ain't feeling'. # I am the Julius Caesar hear me.
:05:19. > :05:21.# The Merchant Of Venice couldn't sell your CD.
:05:21. > :05:23.# As for me, All's Well That Ends Well.
:05:23. > :05:25.# Your boy's like Macbeth, you're going to Hell.
:05:25. > :05:28.# Measure for Measure, I am the best here.
:05:28. > :05:31.# You're Merry Wives of Windsor not King Lear.
:05:31. > :05:34.# I don't know about Timon. # I know he was in Athens.
:05:34. > :05:36.# When I come back like Hamlet you pay for your actions.
:05:36. > :05:40.# Dat boy Akala, I do it As You Like.
:05:40. > :05:42.# You're Much Ado About Nothing. # All you do is bite it.
:05:42. > :05:44.# I'm too tight, I don't need 12 knights.
:05:45. > :05:47.# All you little Tempests get erked on the mic.
:05:47. > :05:50.# Of course, I'm the one with the force.
:05:50. > :05:52.# You're history like Henry IV. # I'm fire, things look dire.
:05:52. > :05:54.# Better run like Pericles Prince Of Tyre.
:05:54. > :05:56.# Off the scale, cold as a Winter's Tale.
:05:56. > :05:59.# Titus Andronicus was bound to fail.
:05:59. > :06:01.# So will you if Akala get at ya. # That's suicide like Anthony an
:06:01. > :06:03.Cleopatra. # Cymbeline was a olden day Bridget
:06:03. > :06:05.Jones. # Love's Labours Lost, a woman on
:06:05. > :06:08.her own. # She needed Two Gentlemen Of
:06:08. > :06:11.Verona. # This is Illa State and I am the
:06:11. > :06:13.owner. # # 'Being to great I have no need to
:06:13. > :06:16.beg. # A weighted halo rests heavy on a
:06:16. > :06:18.King's head. # I was not born to sue, but to
:06:18. > :06:20.command. # And move mountains with my royal
:06:20. > :06:22.hand. # The great King Richard, who knows
:06:22. > :06:25.not my name? # Your pain must be withstood for
:06:25. > :06:28.Lions make Leopards Tame. # # When hall we three meet again with
:06:28. > :06:31.thunder lightning and rain? # When the choice is done and the
:06:31. > :06:34.battles are won. # For us the light comes with the
:06:34. > :06:36.setting of the sun. # Because Fair Is Foul and Foul Is
:06:36. > :06:39.Fair. # We hover through the fog and the
:06:39. > :06:41.filthy air. # Wallow in the rain because were
:06:41. > :06:44.going nowhere. # Until we bother to refrain from
:06:44. > :06:47.the weight of the chair. # What I mean is?
:06:47. > :06:49.# The head that wears the crown never ever does sleep well.
:06:49. > :06:52.# An It's the daggers in a mans smile.
:06:52. > :06:54.# That has torn a gash right through the whole world. #
:06:54. > :07:03.# We've sold our souls. # Sold Our Souls.
:07:03. > :07:05.# We've sold our souls. # # With solemn reverence: throw away
:07:05. > :07:07.respect. # Tradition, form and ceremonious
:07:07. > :07:10.duty. # For you have but mistook me all
:07:10. > :07:11.this while: # I live with bread like you, feel
:07:11. > :07:14.want. # Taste grief, need friends:
:07:14. > :07:24.subjected thus. # How can you say to me, I am a
:07:24. > :07:31.
:07:31. > :07:34.king? # # Am I King? Can you feel the energy
:07:34. > :07:37.I'm channeling? # Am I Queen because I control the
:07:37. > :07:38.powers I enroll? # Am I King? King, or just a really
:07:38. > :07:40.dashing prince? # Am I King?
:07:40. > :07:44.# Is He King? # Is She Queen?
:07:44. > :07:46.# Is he King? # Am I King? Can you feel the energy
:07:46. > :07:49.I'm channeling? # Am I Queen because I control the
:07:49. > :07:50.powers I enroll? # Am I King? King, or just a really
:07:50. > :07:52.dashing prince? # Am I King?
:07:52. > :07:56.# Is He King? # Is She Queen?
:07:56. > :07:59.# Is He King? # # I am the poet because I do not use
:07:59. > :08:02.dull language. # And I use a variety of vocabulary.
:08:02. > :08:04.# I take the listener to deep regret and back to exquisite happiness.
:08:04. > :08:08.# These Words; Poetical thoughts, wrought from my spirit.
:08:08. > :08:11.# And my lyrics are with it, innit? # And the pivot around my bars. #
:08:11. > :08:14.He was working the camera at the end there! The camera is his favourite
:08:14. > :08:16.friend. I want to play the trumpet! Thank you to the Hip-Hop Shakespeare
:08:16. > :08:19.Company for recording that for us. We have more hip-hop for you in 15
:08:19. > :08:22.minutes when we go head-to-head in a cool quiz with a catchy name. It is
:08:22. > :08:24.called Dost Thou Knowest Hip-Hop Whence Thou Hears It? Stay tuned to
:08:24. > :08:32.find out who wins that. Keep your e-mails coming in. What are you up
:08:32. > :08:40.to? I have one. Me and Barney, we is on the TV. No? What is the first?
:08:40. > :08:46.Watch us while you eat lots of jelly! Bluepeter@bbc.co.uk. Keep
:08:46. > :08:51.them coming in. Sending us an e-mail requires lots of electricity. We try
:08:51. > :08:56.and be efficient. We have loads of recycling bins. These lights come on
:08:56. > :09:01.when we move around. Have a look in this room. This room is known as the
:09:01. > :09:05.gallery. They are being really quiet now. They are normally shouting!
:09:05. > :09:15.They have loads of tellies. Loads of tellies require loads of
:09:15. > :09:20.
:09:20. > :09:25.electricity. Where does it come from? That was amazing. The acting
:09:25. > :09:30.was incredible. If you are anything like me and your favourite TV show
:09:30. > :09:40.has just ended, you probably get up and make a drink. You might put the
:09:40. > :09:44.kettle on. Turn the lights on. You need to see what you are the doing.
:09:44. > :09:49.-- what you are doing. That is better. The only problem is people
:09:49. > :09:53.are like me. Not like me, you know what I mean. When the big TV shows
:09:54. > :09:57.end, the ones that are watched by millions, they could start to use
:09:57. > :10:01.power at the same time. That creates a huge demand for electricity. The
:10:01. > :10:06.experts call it the TV pick-up. When it happens, where does the extra
:10:06. > :10:10.power come from? Well, most of it comes from the UK's network of power
:10:10. > :10:15.stations, like this. And wind farms like this one. When the wind is
:10:15. > :10:19.blowing, that turns the blades, that generates electricity. That is then
:10:19. > :10:24.sent to our homes via cables, pylons and substations. That is the
:10:24. > :10:29.National Grid. Easy. So when there is a TV pick-up, that is all we do.
:10:29. > :10:35.Wait for a bit more wind or turn a big battery on. That was an easy
:10:35. > :10:42.day's filming. Back to Helen in the studio. What? Barney? That film
:10:42. > :10:47.should be longer. What is going on? Is this meant to happen? Oops. Yeah,
:10:47. > :10:51.it is not quite that simple. Unfortunately, there isn't a giant
:10:51. > :10:55.battery and electricity can't be stored in that way. The UK needs to
:10:55. > :11:00.generate as much energy as it is using at any one time, otherwise the
:11:00. > :11:03.lights could go out. It is at this top secret location where they make
:11:03. > :11:07.sure that doesn't happen. Welcome to the control room. This is where
:11:07. > :11:11.everything happens. It is like a movie. That on the back wall there
:11:11. > :11:15.is a map of Great Britain. Basically, it shows all the power in
:11:15. > :11:17.the country. All the guys in this room are looking at all the
:11:17. > :11:23.Powerpoints to make sure they are running smoothly so everyone gets
:11:23. > :11:26.the power they need. Brilliant. Because electricity can't be stored,
:11:26. > :11:30.making an accurate prediction of how much we will need is vital to
:11:30. > :11:34.keeping the UK's lights on. John is one of the forecasters who helps
:11:34. > :11:37.make these predictions. What sort of things affect the amount of
:11:37. > :11:41.electricity that people want? part of what we do is looking at the
:11:41. > :11:45.weather. On a bright, sunny day, when it is warm people aren't going
:11:45. > :11:49.to be using their heating or lighting. A degree drop in
:11:49. > :11:53.temperature would see an increase in demand equivalent to a whole power
:11:53. > :11:58.station. You have a popular talent show on telly. It comes to an end.
:11:58. > :12:01.What happens then? All the people who were watching TV, they do things
:12:01. > :12:05.so they will boil the kettle to make a cup of tea, they will put lights
:12:05. > :12:10.on if it's got dark during the programme. They will turn their
:12:10. > :12:19.computers on. We will see a spike in demand. We have to forecast when
:12:19. > :12:23.they will be. Two of the biggest spikes have been at the end of last
:12:23. > :12:28.year's Wimbledon's men's final and for the Royal Wedding of William and
:12:28. > :12:32.Kate. Minutes after the famous kiss, they saw a massive increase in
:12:32. > :12:37.demand for electricity. How do they deal with spikes like this? If we
:12:37. > :12:42.don't have enough power, we can ask some of the power stations to supply
:12:42. > :12:51.more. That can take hours, depending on the power station. In an
:12:51. > :12:56.emergency, we have our secret weapon. That secret is at the top of
:12:56. > :13:03.a Welsh mountain - and a wet and windy one! Behind that mist is a
:13:03. > :13:06.lake. It contains seven million tonnes of water. That will be enough
:13:06. > :13:11.water to fill Wembley Stadium 12 times and it can produce a lot of
:13:11. > :13:15.electricity. This reservoir is drained through a series of pipes
:13:15. > :13:20.leading into the largest man-made cavern in Europe. Down here, there
:13:20. > :13:24.are six valves which act like the plug in your bath. Opening these,
:13:24. > :13:29.allows the water to flow through. This is the control centre, so
:13:29. > :13:33.should the UK need more energy, the call comes from the National Grid.
:13:33. > :13:38.You open the valves. Water comes gushing down. You can create
:13:38. > :13:48.electricity? That's correct.How quickly? In 15 seconds.That will
:13:48. > :13:49.
:13:49. > :13:53.happen when I press this? Yes.Now! The water that's released turns
:13:53. > :14:00.these turbines which generates the electricity that is then fed into
:14:00. > :14:04.the Grid. This is the bottom lake where all that water ends up. 580
:14:04. > :14:12.metres since it started its journey, it is mad to think that if we turn a
:14:12. > :14:16.kettle on at the same time, this place will spark into action.
:14:16. > :14:20.can't believe they let Helen control the valves there! Now, right now, it
:14:20. > :14:24.is Saturday night, we are in the control room, the TV show The Voice
:14:24. > :14:29.is about to finish. John and Vernon know that there is going to be a TV
:14:29. > :14:34.pick-up. So more of a demand for energy. So do you know at this point
:14:34. > :14:42.that you have got enough? Oh yes. I have got enough. The reason Bernard
:14:42. > :14:47.knows that is h because he is taking power from Dinorwig Reservoir. These
:14:47. > :14:51.guys in this control room know - is that an alarm? Is that OK? The Voice
:14:51. > :14:55.is running late. Although the Grid are generating extra power, we
:14:55. > :14:58.haven't started to use it. It is now running three or four minutes
:14:58. > :15:01.behind. This could be dangerous. Generating too much power could
:15:01. > :15:11.overload the system. You can see on the screen that it is starting to
:15:11. > :15:12.
:15:12. > :15:22.come to a close. They are talking about the teams. This is a close for
:15:22. > :15:26.
:15:26. > :15:30.the show. The show has now finished. On cue... That yellow bar is going
:15:30. > :15:36.to the left. At the end of The Voice, everybody got up and started
:15:36. > :15:40.using power. The Grid proved more than capable of dealing with it.
:15:40. > :15:47.They are going to turn off the other power station and this should drop
:15:48. > :15:53.right down to 50 which means that they are meeting the demand exactly.
:15:53. > :16:02.Right on cue, there it goes. John, Bernard, thank you for letting us
:16:02. > :16:06.see what you do. Thank you very much. All of this stuff, the tech
:16:06. > :16:15.that you see in a movie is here with all of these people in control of
:16:15. > :16:20.it, just so we can turn a light on. It was an amazing evening. Every
:16:20. > :16:23.time I turn the kettle on, in my head they go, "What is going on?"
:16:23. > :16:29.There is a chart there. They are there to make sure you have enough
:16:29. > :16:33.power. I won't do it as often! Last September, you might remember we
:16:33. > :16:38.launched a competition inviting primary schoolchildren to write and
:16:38. > :16:43.record the music and soundtrack for a Wallace and Gromit animation. We
:16:43. > :16:47.sent along our cameras to find out how they got on. The two teams who
:16:47. > :16:54.won our competition got this amazing opportunity to record their own
:16:54. > :16:57.version in a professional sound studio. First, are the blue team,
:16:57. > :17:03.who won in the older primary category. They are from Cornwall.
:17:03. > :17:09.They will be mastering their action-packed version of A Matter Of
:17:09. > :17:14.Love And Death. Paul is on hand to help out. We will make this sound
:17:14. > :17:24.brilliant! We have a booth over there. Shall we have a look? Yeah?
:17:24. > :17:25.
:17:25. > :17:33.First into the booth are Olivia and Maddie as singing nuns. Brilliant.
:17:33. > :17:41.We will swap over now. It is time Tor Tate and Emily to become cats.
:17:41. > :17:50.OK. Then it is time for ducks. Quacking effort, girls! I will play
:17:50. > :17:58.that back to you, OK? What did you think? Really good.You like it?
:17:58. > :18:08.Yes. My favourite noise was the nuns. It was funny. I think it is
:18:08. > :18:12.
:18:12. > :18:22.going to sound really good. Here is a clip from their final mix. Next,
:18:22. > :18:23.
:18:23. > :18:32.the red team,. Who won -- next the read team, who won in the younger
:18:32. > :18:38.primary category. This is their entry. We are ready. Ready when you
:18:38. > :18:45.are. And this one. To help, they have brought their own instruments.
:18:45. > :18:55.When you come out, it was really funny. Your ears go strange and you
:18:55. > :19:01.
:19:01. > :19:06.can't hear anything. One more time. Hard as you can! Not that hard! They
:19:06. > :19:16.have brought in a drill, too! Perfect, first time. Thank you very
:19:16. > :19:18.
:19:18. > :19:22.much. Well done.What do we think? Really good. You like it? The thing
:19:22. > :19:26.I mosted liked in the recording today was being in that tiny space
:19:26. > :19:29.-- most liked in that recording today was being in that tiny space
:19:29. > :19:39.and letting loose on the drums. is going to sound really good.
:19:39. > :19:51.
:19:51. > :19:55.is the red team's final mix. Well the winners. Thank you to everybody
:19:55. > :20:00.who took part in that competition. Barney, what are you up to? How is
:20:00. > :20:06.your duck impression? It isn't any better than yours! It is similar,
:20:06. > :20:12.really. Let's talk about summer. It is nearly here. So everyone is
:20:12. > :20:18.getting a T-shirt on. We know this because we get sent stuff. This
:20:18. > :20:28.T-shirt is amazing. It is a Blue Peter Badge. And it's really simple
:20:28. > :20:29.
:20:29. > :20:32.to make. We will be showing how to do something different. This is
:20:32. > :20:38.do something different. This is known as a slogo T-shirt. We have
:20:38. > :20:44.some people in the studio to help us out. Welcome to the show. Give us a
:20:44. > :20:54.wave and say hello. Hello. Hello. All the details you need for this
:20:54. > :20:58.make are on the Blue Peter website - that ask bbc.co.uk/bluepeter. You
:20:58. > :21:02.can choose any design you like. We have made it easy for you. We have
:21:02. > :21:07.made it even easier because you need to reverse these for them to print
:21:07. > :21:11.on your T-shirt. You can get software that does it for you, or
:21:11. > :21:19.you can press mirror image on your printer. The ones on the website are
:21:19. > :21:24.reversed for you. We take our slogos and we put on some transfer cream.
:21:24. > :21:28.This stuff costs �3.50 from a hobby and craft shop. You can probably get
:21:28. > :21:31.four T-shirts out of a tube. That is good to know if you are feeling
:21:31. > :21:38.creative, something Georgia knows all about. What have you done
:21:38. > :21:42.before? The way I did it, I drew and designed and coloured in my own
:21:42. > :21:50.design to go on to my T-shirt and then we scanned it into a computer
:21:50. > :21:55.and then we made it into a mirror image and then how we did it after
:21:55. > :22:00.that is, we printed it off on some special paper and then we put it on
:22:00. > :22:06.to the T-shirt and then we used a heat press and then... You have your
:22:06. > :22:08.own heat press? That is posh! Does your dad make T-shirts? No.The
:22:08. > :22:13.great thing about this process is you don't need to have special
:22:13. > :22:18.paper. You can do it on ordinary paper. It is the transfer cream that
:22:18. > :22:21.does the work. Of course, you don't need a heat press because they are
:22:21. > :22:30.probably about �1 million! This is simple to do and anybody can get
:22:30. > :22:38.involved. Once you have covered your slogo, place it face down on to your
:22:38. > :22:42.T-shirt like that. Then you need a roller. The neighbours will have
:22:43. > :22:47.one! Roll it forwards, roll it sideways. This is where you need to
:22:47. > :22:51.be patient. It takes eight hours to dry. In the meantime, here is some
:22:51. > :22:59.music. I'm only kidding! We will show you the one that was made
:22:59. > :23:02.earlier. Now, that is stuck. We need to get the paper off. You will
:23:02. > :23:05.notice this tin foil underneath. That is when you are applying the
:23:05. > :23:10.transfer cream, it can go through the material and stick your T-shirt
:23:10. > :23:15.together. You don't want that. Put the tin foil in the middle. Sponges,
:23:15. > :23:20.nice and wet, please. We want this paper to be as wet as possible. That
:23:20. > :23:24.will bring it away from the transfer cream. It is really handy that you
:23:24. > :23:28.are getting involved with this. Georgia is really getting involved
:23:28. > :23:34.with it. Just make sure the wet is coming through the transfer and then
:23:34. > :23:39.you use your finger, which everyone has got, and you work in a circle to
:23:39. > :23:43.bring the paper off. Look at that. It draws off the paper and reveals
:23:43. > :23:53.the logo underneath. How is yours going, Isaac? Fine.You are a
:23:53. > :23:59.creative person. What about the one you did at school? That was one that
:23:59. > :24:04.said, "Grip My Ride." It will look like this when the paper comes off.
:24:04. > :24:08.Once it is dried, make sure you seal it with more transfer cream to give
:24:08. > :24:13.it a glossy look. That will take another eight hours to dry. It is
:24:13. > :24:19.well worth it. Amazing! I can see them coming together. Good work. If
:24:19. > :24:22.you do decide to make one, all the details are on the Blue Peter
:24:22. > :24:29.website - bbc.co.uk/bluepeter. If you make one, send us a photograph
:24:29. > :24:31.of your effort. Let us know what design you go for. That address is
:24:31. > :24:35.bluepeter@bbc.co.uk. The Hip-Hop Shakespeare Company performed a rap
:24:35. > :24:40.for us earlier. Now it is time to test our knowledge of hip-hop and
:24:40. > :24:50.Shakespeare in a little known quiz called... Dost Thou Knowest Hip-Hop
:24:50. > :24:53.
:24:53. > :24:56.Whence Thou Hears It? What's up, yo? Is that Ben from the CBBC office or
:24:56. > :25:04.a hip-hop/Shakespeare-dressed costume character? You look amazing.
:25:04. > :25:09.I thought I would make the effort! All right, you ready? Yes.I will
:25:10. > :25:15.test you against your Shakespeare and hip-hop knowledge. Akala is
:25:15. > :25:23.going to say a line and you have to decide whether it is Shakespeare or
:25:24. > :25:29.hip-hop. Ready.Hit them with your first line. Maybe it is hatred I
:25:29. > :25:37.aspew, maybe it is food for the spirit. Hip-hop or Shakespeare?
:25:37. > :25:45.Hip-hop from Helen and Shakespeare from Barney. The correct answer was
:25:45. > :25:54.hip-hop. I knew you were going to win this. 1-0. Ready for line two?
:25:54. > :25:59.was not born under a rhyming planet. Shakespeare or hip-hop? The correct
:25:59. > :26:06.answer is Shakespeare. You are both correct. Another point. That is 2-1
:26:06. > :26:14.to Helen. I'm taking this far too seriously. The last one. Being so
:26:14. > :26:18.great, I have no need to beg. that Shakespeare or hip-hop? You
:26:18. > :26:23.both answered Shakespeare. It was Shakespeare! That was Richard II.
:26:23. > :26:29.Helen you win, you got three. Barney, you got two. That is a very
:26:29. > :26:35.close game considering that was me and you playing it! Thank you for
:26:35. > :26:40.playing. Thank you, Ben, thank you, Akala. Anyway, loads of you have
:26:40. > :26:46.been getting in touch throughout the show. We asked you to let us know
:26:46. > :26:50.what you are doing in a rap stylee. "Today I revised for my maths exam,
:26:50. > :26:57.then I had my dinner, which was ham." Michael says, "Today in
:26:57. > :27:03.French, I did a Blue Peter poster, my amazing level gets closer and
:27:03. > :27:11.closer." "Today I had a right laugh, but in maths we did a graph." That
:27:11. > :27:14.is my favourite. "My day started at the beginning and ended with a
:27:14. > :27:22.lesson in swimming!" Thank you to everybody who have got in touch
:27:22. > :27:27.today. You will love what is on next week. I get access all areas on a
:27:27. > :27:32.new show - Strangehill High. It is a mix of puppets and animation.
:27:32. > :27:38.is a proper Blue Peter film. And we are going bionic in the studio. We
:27:38. > :27:45.have got a vet who fits animals with bionic limbs. Loving the tech here.
:27:45. > :27:49.Ben, thank you for coming in. Akala, thank you as well. Lovely to hear
:27:49. > :27:53.from you throughout the show. Head over to the Blue Peter website and