Magic Tricks and Amelia Lily

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:01:20. > :01:26.Coming up: We put your questions to X Factor star and singer of the

:01:26. > :01:33.single You Bring Me Joy, Amelia lily. # You bring joy

:01:33. > :01:37.# You bring sadness... # I surprise a brave viewer with the

:01:37. > :01:41.highest honour of a gold Blue Peter badge.

:01:41. > :01:51.And star magician Fergus Flanagan shows us how to impress with an

:01:51. > :02:03.

:02:03. > :02:09.amazing magic trick you can try at Hello and twock Blue Peter. We've

:02:09. > :02:14.got a jam-packed show for you. Let's introduce you to our first

:02:14. > :02:24.magical guest, he's one of Britain's top magicians and star of

:02:24. > :02:26.

:02:26. > :02:32.the CBBC show, Help! My Supply Teacher is Still Magic. Welcome.

:02:32. > :02:37.It gives us great pleasure to award you with a Blue Peter sticky badge.

:02:37. > :02:41.Thank you. Tell us about the show? You surprise children, they don't

:02:41. > :02:44.know you are a magician, they think you are a supply teacher. It must

:02:44. > :02:49.be so much fun to film? We had so much fun in the first series anyway

:02:49. > :02:53.but the second one is just bigger, better and the illusions are

:02:53. > :02:57.grander. So I think if it was possible, we enjoyed this even more

:02:57. > :03:03.than the first series. Did you have to think about the way you filmed

:03:03. > :03:10.it more carefully though because once you have done a prank-based

:03:10. > :03:15.series, people could get to know what you are doing? We had

:03:15. > :03:20.disguises, I had a stick-on moustache, a come-over, some

:03:20. > :03:28.glasses. One of the magicians, James, who's bald, had a nice

:03:28. > :03:37.ginger wig, so we really went to town on the disguises which aided

:03:38. > :03:42.massively. We want to see a trick. Can you show us one?

:03:42. > :03:46.Make someone disappear. We have a card stuck behind this piece of

:03:47. > :03:51.glass. Behind it, I have stuck a playing card and I believe that

:03:51. > :03:55.will match the playing card you are about to take. OK. I love stuff

:03:55. > :04:01.like this. Sounds impossible, right. That's a prediction, if you like.

:04:01. > :04:06.OK. As I run through the cards, I would like you to touch one.

:04:06. > :04:11.That one. That one there? Yes. you let go and have a look at it

:04:11. > :04:16.and remember it. Yes. In fact, if you take it out and show it to the

:04:16. > :04:23.camera without me seeing. Lovely. When you are happy I'll turn back

:04:23. > :04:27.around. Got it. Seen it, dog? Yes, happy. If everything has gone to

:04:27. > :04:30.plan, my prediction will match the card you chose and you had a

:04:30. > :04:36.totally free choice so that would be incredible, right, impossible?

:04:36. > :04:43.Yes. Helen, the three of hearts, what was your card? Queen of clubs.

:04:43. > :04:48.Oh. Has it gone wrong? That is actually the Queen of clubs, it

:04:48. > :04:53.just looks different because the glass is a bit dirty. Just rub it

:04:53. > :04:59.and make sure it's on the other side of the glass. Yes. If I take

:04:59. > :05:05.this cloth and give the glass a bit of a clean like this, watch. You

:05:05. > :05:12.can see that now it does remarkably resemble the Queen of clubs. It's

:05:12. > :05:15.inside the glass! That is amazing! Thank you.

:05:15. > :05:20.Incredible. Have you got another trick?

:05:20. > :05:25.I do, yes. I'm greedy! Have a look at that piece of rope. Make sure

:05:25. > :05:30.there's nothing in the rope, no magnets so it doesn't come apart.

:05:30. > :05:34.When you are happy, you can pass it back to me. There you go. Lovely.

:05:35. > :05:42.If you could say stop when you think I'm half way down the rope.

:05:42. > :05:51.Stop. Stop. Very good. I'll take the rope and cut it just there.

:05:51. > :05:56.That will give me two equal pieces of... Oh, dear, sorry. It didn't

:05:56. > :06:02.stretch when you had it, did it? No. If I take the shorter piece and

:06:02. > :06:07.the longer piece, I should be able to, if you keep your eyes on the

:06:07. > :06:11.middle bit... What? Now I have in fact got two pieces of rope the

:06:11. > :06:15.same length. If you weren't watching that closely, I'll start

:06:15. > :06:18.again with just one piece. It's back to one piece of rope. Let me

:06:18. > :06:22.see! Keep your eyes on the ends. Watch

:06:22. > :06:28.the ends carefully. If you are not, you will miss the moment they come

:06:28. > :06:30.off. Amazing. I am mesmerized by this, absolutely amazing, thank you

:06:30. > :06:35.so much. Thank you very much. Fergus will

:06:35. > :06:39.stick around to teach you a trick, so get some coins ready later on in

:06:39. > :06:45.the show. Magic plays a huge part in the filming of Blue Peter. Every

:06:45. > :06:49.single week, as if by magic, your letters and e-mails appear by magic.

:06:49. > :06:53.So clever. Thank you very much. Every single one of your letters

:06:53. > :06:57.get read. If you do something cool and creative, you can get yourself

:06:57. > :07:00.a Blue Peter badge. Every now and again, we hear about somebody who's

:07:00. > :07:04.done something extraordinary. That was the case when we heard about

:07:04. > :07:11.Stuart. He did something so brave and courageous, we thought he

:07:11. > :07:14.deserved one of this, a gold Blue Peter badge.

:07:14. > :07:20.I'm here on the south coast to surprise a boy called Stuart Crang

:07:20. > :07:26.with our top award, a gold Blue Peter badge. Back in July, he was

:07:26. > :07:30.out in the harbour in his dinghy when he saw a couple in danger.

:07:30. > :07:35.Their lives were on the line. Their boat capsize and they were both in

:07:35. > :07:40.the water. Battling the tide and the winds, Stuart rode to their

:07:40. > :07:44.safety and towed them to shore. Once he'd safely returned, the only

:07:44. > :07:48.thing he was worried ability was getting in trouble for his dad for

:07:48. > :07:52.being too far off sore. But in fact he's actually become a

:07:52. > :07:57.bit of a local celebrity. A ten- year-old boy from Devon's been

:07:57. > :08:03.hailed a hero after coming to the rescue of a couple whose boat

:08:03. > :08:06.capsized. I just said, give me your rope and I just towed them in.

:08:06. > :08:12.life-saving hero is in this classroom. Stuart is in the middle

:08:12. > :08:17.of a science lesson, he has no idea that we are here. Let's go and

:08:17. > :08:24.surprise him. Hello. Sorry to interrupt, everybody. I know you

:08:24. > :08:28.are in the middle of a lesson. I came here to look for Stuart. Don't

:08:28. > :08:35.look scared. Hello, you all right? Yes. We wanted to say thank you and

:08:35. > :08:40.celebrate your achievements by giving you one of these. It is Blue

:08:40. > :08:46.Peter's highest accolade. Now, David Beckham's got one of these,

:08:46. > :08:49.the Queen has, and now Stuart Crang has one. Congratulations, Stuart.

:08:49. > :08:54.Thank you. Am I right in thinking that you

:08:54. > :08:58.like being out on the water? Yes. There's a brand-new breed of

:08:58. > :09:08.lifeboat, very fast and impressive, very responsive. We want you to

:09:08. > :09:14.

:09:14. > :09:21.test one. Are you in? Yes. Let's do The RNLI is the organisation which

:09:21. > :09:27.saves lives at sea. Since they were founded in 1824, they've saved an

:09:27. > :09:33.estimated 140,000 lives. This is the latest tool in their armoury,

:09:33. > :09:39.the Shannon Class Lifeboat. Each o boat costs �15.5 million and

:09:39. > :09:44.they're 50% faster than the boats they are replacing. In their

:09:44. > :09:49.lifetime, the Shannon Class Fleet could save 1500 lives at sea and,

:09:49. > :09:52.amazingly, they have agreed to let Stuart drive one. Welcome to the

:09:52. > :09:56.Shannofpblt we are going to have a look around in a minute, but how

:09:56. > :10:01.does it feel to be a gold badge winner? Really good. Take me back

:10:01. > :10:07.to the day you rescued the couple? On that day when I went out, there

:10:08. > :10:12.was two people in the water in Devon. How did they seem? Scared?

:10:12. > :10:17.Yes. They seemed scared and petrified. What about you? How

:10:17. > :10:22.scared were you? Quite scared because when I got them on tow,

:10:22. > :10:32.their boat kept filling up with water because there was a little

:10:32. > :10:35.hole about that big, it dragged me boat under with it a bit. Do you

:10:35. > :10:38.want to try this brand-new piece of kit? How do you feel about that?

:10:38. > :10:47.Good. With a little help from Martin,

:10:47. > :10:51.Stuart is going to take charge of the pride of the RNLI's fleet.

:10:51. > :10:57.This will make you go ahead. The more you go that way, the faster

:10:57. > :11:03.you will go. This one over here is your steering. That makes us go

:11:03. > :11:13.forward, that makes us reverse? Press that button and you will take

:11:13. > :11:22.

:11:22. > :11:28.control from the top. We're off. Stuart's not bothered at all, he's

:11:28. > :11:33.just grabbed the lever and he's off. I can't believe he's actually

:11:33. > :11:38.driving. Not only is he driving a lifeboat, he's driving a brand-new

:11:38. > :11:43.lifeboat with all the latest technology. Never mind James Bond,

:11:43. > :11:46.it's all about Stuart Crang. Stuart's at the helm, but I am

:11:46. > :11:49.staying in my seat because everything on this brand-new boat

:11:49. > :11:53.can be controlled from here. Communication systems are on there.

:11:53. > :11:57.If I scroll down, I can access the chart to see where we are. There

:11:57. > :12:03.are cameras all over the boat so you can look into the engine room

:12:03. > :12:07.and see that's all working properly. You can buckle yourself into the

:12:07. > :12:10.boat and keep an eye on the computer if it's all kicking off

:12:11. > :12:16.outside. This is the chart so you can see where we are. At the moment,

:12:16. > :12:21.we are heading out to sea. We are heading out to sea because the crew

:12:21. > :12:26.want Stuart to help test the boat with a man overboard rescue,

:12:26. > :12:32.pulling one of their crew members, Natalie, out of the water. There's

:12:32. > :12:42.our casualty, so Natalie's playing the victim, we have to pull her out.

:12:42. > :12:43.

:12:43. > :12:48.Wow, we're going fast! She looks freezing. Rescuing people from the

:12:48. > :12:53.water is one of the most common things the RNLI have to do. We are

:12:53. > :12:59.practising by hoisting Natalie into the safety of the boat. How does

:12:59. > :13:07.this compare then to when you were doing it? Different. Not at all?

:13:07. > :13:11.It's all down to you. In she comes. With Stuart clocking up yet another

:13:11. > :13:21.successful rescue, there's just one more bit of navigating for him to

:13:21. > :13:22.

:13:22. > :13:27.do. Go forward on those. Towards the tractor. That's to drive the

:13:27. > :13:35.boat back to the beach and on to the tractor where it's kept, ready

:13:35. > :13:39.to be deployed at a moment's notice. Right, Stuart, you are now one of

:13:39. > :13:42.the only people in the country, small select group of people,

:13:42. > :13:46.who've driven one of these. How did that feel? Awesome. Is this

:13:46. > :13:51.something you will be doing in ten years' time? Probably. Certainly

:13:51. > :13:55.makes me feel more confident if I know you are going to be out there

:13:55. > :13:58.helping people. So thank you for letting me be on board when you

:13:58. > :14:03.were driving. Thank you. What Stuart did was amazing, but

:14:03. > :14:06.he's a very good rower and the RNLI have asked me to remind you that he

:14:06. > :14:09.could have been in a dangerous situation had he not known what he

:14:09. > :14:13.was doing. If you see something similar, it's always good to

:14:13. > :14:16.contact the coastguard and police first, otherwise you might need

:14:16. > :14:21.rescuing yourself. Always ask an adult to help too. We are excited

:14:21. > :14:26.about our next guest, he loves ladys with pink hair, don't you

:14:26. > :14:33.Barney? That's a yes! She's had a manic six months and released her

:14:33. > :14:39.debut single which went straight in at number two. She's coming in in a

:14:39. > :14:43.second! She sang in Shrek The Musical and it all came about after

:14:43. > :14:53.being an X Factor finalist at the age of 17. It's Amelia lily!

:14:53. > :14:56.

:14:56. > :14:59.If you could duet with anyone in the world, past or present, who it

:14:59. > :15:06.be and why? That's from PurpleMetallicHyena. I think it has

:15:06. > :15:10.got to be Pink. What's been the best part of the last year? That's

:15:10. > :15:16.from CrystalSprinklesVampire. Watching my single climbing the

:15:16. > :15:20.charts. But must give you such a buzz. I remember when I was

:15:20. > :15:25.watching the iTunes chart, I thought I was going to throw up.

:15:25. > :15:34.The adrenalin was quite crazy. must be crazy to be having a single

:15:34. > :15:44.in the charts. Who or what inspired you to sing? That's from

:15:44. > :15:47.

:15:47. > :15:51.AmaranthPuffyCat. My brother. He sings as well. Water would you do

:15:51. > :16:01.if you're not a singer? I think I would have gone into hairdressing.

:16:01. > :16:01.

:16:01. > :16:06.I like fiddling with her. I'm very good at dyeing hair, as well. Or I

:16:06. > :16:10.would have liked to have been a tornado chaser. Thanking answering

:16:10. > :16:15.those questions. Stick around because you're going to sing your

:16:15. > :16:23.new single later Ron and Fergus will teach her how to do a magic

:16:23. > :16:26.trick. Get your coins and you can join in as well. It's that time of

:16:26. > :16:29.year again when some people are thinking about booking a summer

:16:29. > :16:33.holiday. Lucky them. I used to work on a cruise ship as an entertainer.

:16:33. > :16:37.I've always wanted to know what it would be like as a guest. Well, it

:16:37. > :16:40.would be far too kind for the producers at Blue Peter to send me

:16:40. > :16:43.on a holiday. Here's what happened. Ladies and gentlemen, thank you for

:16:43. > :16:47.joining us on our 14 day trip around the Mediterranean are

:16:47. > :16:52.calling at Rome, Monte Carlo and Barcelona. We are pleased to

:16:52. > :16:56.announce all passengers have full use of the many facilities on board

:16:56. > :17:00.including 12 restaurants, four swimming pools and tennis courts.

:17:00. > :17:04.Yes, whenever we hear the word cruise liner that's the image which

:17:04. > :17:07.has conjured up, isn't it? Holidaymakers having fun too cheesy

:17:07. > :17:11.soundtrack but if you work behind the scenes on a massive ship like

:17:11. > :17:17.this one, are preparing for a two- week voyages half from a holiday.

:17:17. > :17:20.This cruise liner measures to and and 88 metres long, the same length

:17:20. > :17:25.as five-and-a-half Olympic-sized swimming pools. It's due to set

:17:25. > :17:28.sail at 4pm the sub-dean for a two- week jaunt in Europe and I'm here

:17:28. > :17:34.to find out exactly how the 8,000 members of staff prepare. And, of

:17:34. > :17:38.course, give them a helping hand along the way. First things first.

:17:38. > :17:41.3,500 passengers it has got on board the ship and they are going

:17:41. > :17:45.to be hungry so it's up to the chefs behind his revolving door to

:17:45. > :17:51.get the food prepared for that I made a roast dinner once and it

:17:51. > :17:58.took me 1 hour. They have got to do 3,500 meals in just six. My first

:17:58. > :18:05.task is to help them. I wish this was smelly a vision. It smells

:18:05. > :18:10.amazing. Hello, I am a bunny. I know you haven't got a lot of time

:18:10. > :18:15.before the ship sails but I'm here to help pupils up I want you to

:18:16. > :18:25.finish of this with some cream and chocolate. Then you can finish it

:18:25. > :18:32.off. A lot of cream like that. And a bit of chocolate on top.

:18:32. > :18:37.little squirt, chocolate on top, yes, I can do that. Catch you later.

:18:37. > :18:44.A squirt and then a line and a bit of chocolate. I have washed my

:18:44. > :18:48.hands, by the way. This kitchen can serve up to 12,000 takes a day

:18:48. > :18:52.which means each member of the catering team has to bake and ice

:18:52. > :18:58.around 75 cakes each and every day for two whole weeks. That's a whole

:18:58. > :19:05.lot of piping. Only 4,000 to go. I couldn't be a chef. I would eat so

:19:05. > :19:10.much. As well as feeding its passengers, the staff also have to

:19:10. > :19:15.make sure the guests accommodation is shipshape at all times. It's

:19:15. > :19:18.quite mad to think each one of these rooms needs to be cleaned.

:19:18. > :19:25.Cathy's job is to make sure the guests get the best service

:19:25. > :19:30.possible and that includes making sure all bedrooms are up to scratch.

:19:30. > :19:34.He here we are. It looks amazing. What a beautiful Swede. What am I

:19:34. > :19:43.going to do? It's all about the finishing touches, the flowers,

:19:43. > :19:50.champagne, chocolates. Proper finishing touches. You really look

:19:50. > :19:58.off your guests. We do. -- you really look after your chefs. To

:19:58. > :20:03.get up each bedroom to this high standard, takes a team to make sure

:20:03. > :20:07.there's towels, 4,000 sheets and 13,000 toilet rolls on board. Just

:20:07. > :20:12.so the guests can have clean rooms every single day. It's quite

:20:12. > :20:19.daunting to think. Look at the length of that corridor there. We

:20:19. > :20:24.had easily the same again to go. had 1540 passenger cabins on here

:20:24. > :20:30.so it's a lot of work to do. All of these cabins have to be done every

:20:30. > :20:35.day. With my finishing touches, it's now time for the ship to sail

:20:35. > :20:40.but this one very important person I need to meet. Let's meet the

:20:40. > :20:45.captain. You are the man in charge, I guess. Yes, I'm the captain of.

:20:45. > :20:49.How are you doing? Already we can see so many gadgets for I feel

:20:49. > :20:54.right at home. Before they leave, the captain needs to make it safe,

:20:54. > :20:58.check the weather and make sure the passengers on board. For some

:20:58. > :21:03.reason, he's not trusting me to do any of these cheques but there is a

:21:03. > :21:11.job and navigator is allow me to do. We speak to the engineers using

:21:11. > :21:18.this talk back, for example. This is Barney from Blue Peter. 50

:21:18. > :21:23.minutes to departure. If you could fire up all the engines. Starting

:21:24. > :21:27.at all engines. It's dead easy, all of this stuff, bring it on. As they

:21:27. > :21:30.finish the final checks, the last of the passengers start to take

:21:30. > :21:34.their places on board are ready to get settled into their home for the

:21:34. > :21:39.next two weeks. There you have it for so I cooked and cleaned and

:21:39. > :21:43.captained, and the passengers annually on board and they are set

:21:44. > :21:48.to go on their crews. I hope all the passengers appreciate the hard

:21:48. > :21:54.work which has gone into making -- it ready. I need a holiday! Wait

:21:54. > :21:58.for me. This is the showbiz them away you go away but I was there

:21:58. > :22:03.all day and worked really hard. That's my excuse for taking the

:22:03. > :22:07.chocolates from cabin six. Earlier on, Fergus show do some amazing

:22:07. > :22:15.tricks. Now he's going to teach you how to do one at home so hopefully

:22:15. > :22:20.we have some coins so you can join in. Amelia, you are the guinea pig.

:22:20. > :22:28.As well as the prediction, we have five coins and I would like you to

:22:28. > :22:38.name any shape. Square. If we put a square on the back of the coin.

:22:38. > :22:39.

:22:39. > :22:43.Triangle. Good. Circle. Fantastic. Diamond. Excellent, quite elaborate.

:22:44. > :22:51.And a cross. Brilliant. I would like to put those coins into your

:22:51. > :22:56.I would like you to cover them. Excellent. In a moment, I'm going

:22:56. > :23:00.to get you to drop them on the table. Any coiner which lands with

:23:00. > :23:10.the shape not showing, we will put to one side but before you do that,

:23:10. > :23:11.

:23:11. > :23:21.give them a shake. Drop them on to the square. Gather up those two,

:23:21. > :23:22.

:23:22. > :23:32.excellent. Drop. Try again. One more. Big shake. It is like toast.

:23:32. > :23:38.Why does it always land face down? This trick could last for two days.

:23:39. > :23:44.The air we go. cross. You could shake get as many

:23:44. > :23:48.times as you wanted. You a left with one coin, the circle.

:23:48. > :23:56.prediction in this and will open is that she would be left with a

:23:56. > :24:01.How did you do that? It's very simple. All you need to do is get

:24:01. > :24:05.five coins, a permanent marker and a prediction piece of paper. Draw a

:24:06. > :24:09.circle on the card and you leave that at the front. Then you need to

:24:09. > :24:15.choose one point ahead of time, before you start the trick and you

:24:15. > :24:19.draw a circle on that, so I chose tempi. Then you put that, so the

:24:19. > :24:23.symbol is not showing someone ask you to name the five shades, I wait

:24:24. > :24:31.until you say circle and I remember which one I put a circle on it and

:24:31. > :24:36.draw it on. That's clever. There is a circle on both sides. Sneaky,

:24:36. > :24:41.absolutely brilliant. If you would like a reminder, go to the Blue

:24:42. > :24:45.Peter website. Also there is a brand new trick exclusive to the

:24:45. > :24:50.bad side as Fergus at an especially for you involving a pack of cards.

:24:50. > :24:58.Fergus, thank you very much. You're going to perform for us shortly,

:24:58. > :25:04.Amelia. Before she does her song, I really like this, let's tell you

:25:04. > :25:07.what's happening on next week's show. I join Chris Evans on his

:25:07. > :25:10.Radio 2 Breakfast Show to help launch this year's 500 Words short

:25:10. > :25:16.story writing competition. It really is an amazing competition.

:25:16. > :25:19.Loads of people are involved. There is, Maynard. We meet one of the

:25:19. > :25:22.team behind the BBC's amazing new wildlife show, Africa. And they

:25:22. > :25:25.tell you all about the amazing new cameras they've used to get the

:25:25. > :25:33.best shots. Plus, they've got some unseen clips from the series for

:25:33. > :25:43.you too. It really is an amazing series. It's almost as amazing as

:25:43. > :25:45.

:25:45. > :25:55.Amelia Lily's New Age single. I join Chris Evans on his Radio 2

:25:55. > :26:03.

:26:03. > :26:07.Launch this year's 500 Words short # Oh, yes. My mind is playing

:26:07. > :26:14.tricks on me. # It's the same as it's always been.

:26:14. > :26:19.# Seeing things out the corner of my eye.

:26:19. > :26:23.# Ooh, are you gonna be my guy? # Ooh, ooh.

:26:23. > :26:28.# Waiting for a session and now we feel the pressure.

:26:28. > :26:32.# Ooh, ooh. # Get some for the rest cos you

:26:32. > :26:35.never learnt your lesson. # You like it a lot.

:26:35. > :26:38.# Shut up and give me whatever you got.

:26:38. > :26:41.# I'm tired of waiting. # Baby, can't you take it?

:26:41. > :26:44.# Oh baby, you're falling apart. # Falling in love while I'm

:26:44. > :26:54.breaking your heart. # Why can't you take this crazy

:26:54. > :27:02.love? # Oh yes.

:27:02. > :27:07.# My heart is blowing hot and cold. # Sending lightning into my soul.

:27:07. > :27:14.# Seeing things out the corner of my eye.

:27:14. > :27:18.# So are you gonna be my guy? # Ooh, doo.

:27:18. > :27:23.# Waiting for a session and now we feel the pressure.

:27:23. > :27:27.# Ooh, doo. # Get some for the rest cos you

:27:27. > :27:30.never learnt your lesson. # You like it a lot.

:27:30. > :27:34.# Shut up and give me whatever you got.

:27:34. > :27:37.# I'm tired of waiting. # Baby, can't you take it?

:27:37. > :27:39.# Oh baby, you're falling apart. # Falling in love while I'm

:27:39. > :27:49.breaking your heart. # Why can't you take this crazy

:27:49. > :27:53.

:27:53. > :28:00.# Turn it up, turn it up. # Uh oh.

:28:00. > :28:03.# Show the girls what you got. # Uh oh.

:28:03. > :28:05.# To the right, to the left. # Uh oh.

:28:05. > :28:14.# Is that the best that I'm gonna get?

:28:14. > :28:17.# Shut up and give me whatever you got.

:28:17. > :28:19.# You like it a lot. # Shut up and give me whatever you

:28:19. > :28:22.got. # I'm tired of waiting.

:28:22. > :28:25.# Baby, can't you take it? # Oh baby, you're falling apart.

:28:25. > :28:27.# Falling in love while I'm breaking your heart.

:28:27. > :28:35.# Why can't you take this crazy love?