0:00:02 > 0:00:05Hello, everyone. I'm Oli White. Now, listen up,
0:00:05 > 0:00:08do you ever watch your favourite movie over and over again?
0:00:08 > 0:00:10Are you starry eyed and star struck?
0:00:10 > 0:00:13Then you may be suffering from a bad case of Cinemania.
0:00:13 > 0:00:15But fear not, feverish film fans,
0:00:15 > 0:00:20help is at hand because this is Cinemaniacs!
0:00:20 > 0:00:22Team, take it away!
0:00:22 > 0:00:23Action!
0:00:23 > 0:00:26# Want to ride your bike across the face of the moon?
0:00:26 > 0:00:29# Levitate your house with a bunch of balloons?
0:00:29 > 0:00:31# Feel zero gravitation, a robot transformation?
0:00:31 > 0:00:33# You're a Cinemaniac!
0:00:33 > 0:00:36# Can you tell a lie that is the length of your nose?
0:00:36 > 0:00:38# Or defrost a heart you accidentally froze?
0:00:38 > 0:00:41# Want a bottomless case or a squid for a face?
0:00:41 > 0:00:43# You're a Cinemaniac!
0:00:43 > 0:00:46# Do you long to hear the roar of an extinct dinosaur?
0:00:46 > 0:00:49# To explore the flora in your very own Pandora?
0:00:49 > 0:00:51# Feel the urge to sing on a quest for the ring?
0:00:51 > 0:00:55# To escape from a clone or to be home alone?
0:00:55 > 0:00:57# Then roll out the red carpet and turn down the lights
0:00:57 > 0:01:00# Grab yourself a seat and hold on tight
0:01:00 > 0:01:03# We're mad about movies, we're crazy for film
0:01:03 > 0:01:06# We're Cinemania... Cinemania...
0:01:06 > 0:01:09# Cinemaniacs! #
0:01:09 > 0:01:13Coming up, massively more movie madness.
0:01:13 > 0:01:15My hands are in the air like I just do not care!
0:01:15 > 0:01:18Jim parsons is here! Oh, yes!
0:01:18 > 0:01:23We show you how to stop time in the Secrets Of Movie Making.
0:01:25 > 0:01:27And find out why Michael Sheen, super actor,
0:01:27 > 0:01:30is pretending to be from...Finland?
0:01:30 > 0:01:34I would like to apologise to the entire nation of Finland.
0:01:34 > 0:01:37So tell me, Rupert, what's the best thing about being a movie star?
0:01:37 > 0:01:39You get sent lots of pyjamas.
0:01:39 > 0:01:41Well, that's pretty cool.
0:01:41 > 0:01:43- People like to send me pyjamas.- OK...
0:01:43 > 0:01:47Well, moving on with the show, it's time for DIY Blockbuster.
0:01:50 > 0:01:51Action!
0:01:51 > 0:01:54We're giving groups of filmmakers the chance to make a short film,
0:01:54 > 0:01:59armed with just a camera, a script and some home-made props.
0:01:59 > 0:02:02But little do they know they're in for a big surprise...
0:02:02 > 0:02:05You didn't know I was coming?
0:02:05 > 0:02:08..when we give them something spectacular
0:02:08 > 0:02:12to turn their home movie into a DIY Blockbuster.
0:02:15 > 0:02:17"T" is in. "W" is out.
0:02:17 > 0:02:21Lilah, Kai, Ruby, Josh and Harvi are making a spy movie.
0:02:21 > 0:02:27There's a spy and they have the code to a safe that has the secret files.
0:02:27 > 0:02:29Wait, what are we doing?
0:02:29 > 0:02:32And the boss is evil and wants to get the files back.
0:02:32 > 0:02:36The team have started filming, but unfortunately their back garden
0:02:36 > 0:02:38doesn't exactly look like a set from James Bond.
0:02:38 > 0:02:40If you guys can move a bit in that direction,
0:02:40 > 0:02:42so that I can get the house in as well.
0:02:42 > 0:02:44What the team don't know is that they're in for
0:02:44 > 0:02:47a DIY Blockbuster surprise.
0:02:47 > 0:02:50We've secured access to a top secret film location
0:02:50 > 0:02:53that will be perfect for their spy movie.
0:02:53 > 0:02:55The team have no idea what's in store for them
0:02:55 > 0:02:58and are still filming in their back garden.
0:02:58 > 0:02:59Have you finished your mission?
0:02:59 > 0:03:02We were filming in the garden then we saw a note.
0:03:02 > 0:03:04"Read me."
0:03:04 > 0:03:07- I thought it was some sort of riddle.- "Get on the bus."
0:03:07 > 0:03:09- Where's the bus?- Where's the bus?
0:03:10 > 0:03:11Ooh...
0:03:13 > 0:03:15It was just really, really exciting.
0:03:15 > 0:03:19- Blenheim Palace.- Blenheim Palace, we're going to Blenheim Palace.
0:03:20 > 0:03:25Yes, their DIY Blockbuster surprise is Blenheim Palace.
0:03:25 > 0:03:29With seven acres of gardens, fountains and an amazing maze,
0:03:29 > 0:03:31it's been used as the backdrop for films like
0:03:31 > 0:03:35Harry Potter And The Order of the Phoenix and Gulliver's Travels.
0:03:37 > 0:03:39It's really big, which is perfect.
0:03:39 > 0:03:41Whoa!
0:03:41 > 0:03:43I thought it was amazing.
0:03:43 > 0:03:47It looks better for, like, a spy movie, like, a bit swanky and spyish
0:03:47 > 0:03:49instead of just a back garden.
0:03:49 > 0:03:52First, the team need to decide where to film
0:03:52 > 0:03:54and the options here are endless.
0:03:54 > 0:03:57Do you think it would be a good idea to film on those stairs
0:03:57 > 0:03:59- because they're a bit longer? - Yeah.
0:03:59 > 0:04:02'It was quite hard to decide where we were going to do it'
0:04:02 > 0:04:05and a lot of us had very different ideas.
0:04:05 > 0:04:07What this, are you thinking?
0:04:07 > 0:04:09It's "keep off the grass" though.
0:04:09 > 0:04:12- Yeah, I know, I know. I mean, over there.- Or there's there.
0:04:12 > 0:04:15- What if we fall in? - We won't fall in.
0:04:15 > 0:04:18ALL TALK EXCITEDLY
0:04:18 > 0:04:21And after 30 minutes, finally the group decide
0:04:21 > 0:04:22on their first location...
0:04:22 > 0:04:25against a brick wall?
0:04:25 > 0:04:29Yes, of course, I put the enemy's top secret plans in the safe.
0:04:29 > 0:04:32I think we could have probably got a better place than that
0:04:32 > 0:04:35because it was against the wall and looked a bit ugly.
0:04:35 > 0:04:38And it's not only the location that's proving tricky.
0:04:38 > 0:04:42Oh, it's 1-X-2-3...
0:04:42 > 0:04:45- Guys, cut. You didn't show me properly you just went like that.- OK.
0:04:45 > 0:04:47'When you're holding the camera'
0:04:47 > 0:04:51and you're walking around to look at a different thing,
0:04:51 > 0:04:54it's moving, it doesn't look very good.
0:04:54 > 0:04:55Cut.
0:04:55 > 0:04:58Keep it still, walk slowly.
0:04:58 > 0:05:03With time ticking away, the group decide to skip ahead to shoot one of
0:05:03 > 0:05:06their most important scenes in one of the biggest mazes in the world.
0:05:06 > 0:05:07Action!
0:05:09 > 0:05:14- Give me the code! - OK, OK. It's 1-X...
0:05:14 > 0:05:17We thought it would be the best place cos it's one of the kind of
0:05:17 > 0:05:19places you can get cornered and there's no way out.
0:05:19 > 0:05:23Ha-ha-ha! A real spy would never have given me the code!
0:05:23 > 0:05:24Cut.
0:05:24 > 0:05:26Scene complete, what's next?
0:05:26 > 0:05:29Now we've got to get out of the maze!
0:05:29 > 0:05:30Let's hope they can remember the way!
0:05:33 > 0:05:35- Harvi, are you sure it's not this way?- Yep, I'm sure.
0:05:35 > 0:05:36This is the short cut.
0:05:38 > 0:05:40- OK, are you sure?- Yeah.
0:05:40 > 0:05:43I think Ruby got a bit frustrated in the maze.
0:05:43 > 0:05:45How's this a short cut?
0:05:45 > 0:05:48Right, we're near the middle guys. I know where we're going now.
0:05:49 > 0:05:52This is where we just filmed.
0:05:52 > 0:05:54We're lost!
0:05:54 > 0:05:55We don't trust you any more.
0:05:55 > 0:05:57THEY LAUGH
0:05:57 > 0:06:00Still to come on DIY Blockbuster...
0:06:00 > 0:06:03the maze sends the team round the bend, and will they ever complete
0:06:03 > 0:06:06their mission when their lead actress disappears?
0:06:06 > 0:06:08She just went.
0:06:11 > 0:06:14Stay tuned for part two. Meanwhile, a very special guest for you
0:06:14 > 0:06:15coming up later in the show.
0:06:15 > 0:06:17Here's Kia Pegg to give us a clue.
0:06:17 > 0:06:21It's quite sad I can do this. Um...
0:06:21 > 0:06:24STRAINED VOICE: Howard, who's on the phone?
0:06:24 > 0:06:26Any idea who it is yet?
0:06:26 > 0:06:28Keep watching to find out.
0:06:31 > 0:06:33We ask the questions so you don't have to.
0:06:33 > 0:06:36Emma! Emma! Over here!
0:06:36 > 0:06:38I'm glad I found you. Good.
0:06:38 > 0:06:41Thanks, Emma. I'm glad I found you, too.
0:06:41 > 0:06:43Thank you, and thank you for your excellent questions.
0:06:43 > 0:06:45Um...I haven't asked any yet.
0:06:45 > 0:06:49..your extremely adult
0:06:49 > 0:06:51and professional demeanour.
0:06:51 > 0:06:53- OK...- I salute you.
0:06:55 > 0:06:58It doesn't get much more random than this.
0:07:15 > 0:07:17What kind of nut does Scrat try to bury?
0:07:17 > 0:07:19An acorn.
0:07:19 > 0:07:22What were the Dodo's guarding?
0:07:22 > 0:07:24Baby. INCORRECT BUZZER
0:07:24 > 0:07:26Correct answer - melons.
0:07:26 > 0:07:27HE SCREAMS
0:07:31 > 0:07:34What was Vector's real name?
0:07:34 > 0:07:35Victor.
0:07:35 > 0:07:39What animal was the shrink ray being tested on when the minions stole it?
0:07:39 > 0:07:41Elephant.
0:07:41 > 0:07:44What is Agnes' favourite creature?
0:07:44 > 0:07:45Unicorn.
0:07:45 > 0:07:48What object is disguised behind Vector's lair?
0:07:48 > 0:07:50Pyramid.
0:07:50 > 0:07:53What item does Gru steal from vector's vault?
0:07:53 > 0:07:54Shrink ray.
0:07:54 > 0:07:58What is the name of the amusement park the girls want to go to?
0:07:58 > 0:08:00Super Silly Fun Land.
0:08:00 > 0:08:02Where did Gru steal the Eiffel tower from?
0:08:02 > 0:08:04Paris. INCORRECT BUZZER
0:08:04 > 0:08:06Correct answer - Las Vegas.
0:08:06 > 0:08:08HE SCREAMS
0:08:11 > 0:08:14Who says, "If I were you, I would give up"?
0:08:14 > 0:08:16Captain Hook.
0:08:16 > 0:08:18Whose arrow almost killed the Wendy bird?
0:08:18 > 0:08:19Tootles.
0:08:19 > 0:08:23What is Captain Hook's first name?
0:08:23 > 0:08:25Captain Hook. INCORRECT BUZZER
0:08:25 > 0:08:27Correct answer - James.
0:08:27 > 0:08:29HE SCREAMS
0:08:29 > 0:08:31And the winner is...Archie.
0:08:36 > 0:08:37Remember this?
0:08:37 > 0:08:40- STRAINED VOICE:- Howard, who's on the phone?
0:08:40 > 0:08:42Yep, it's Jim Parsons from The Big Bang Theory,
0:08:42 > 0:08:45only he's in a movie now and he's going home.
0:08:48 > 0:08:51- Why are they after you? - I has made a few mistakes.
0:08:53 > 0:08:54Oops.
0:08:54 > 0:08:57They sent a little sketch of Oh, the alien...
0:08:57 > 0:08:59- I am Oh. - Oh?
0:08:59 > 0:09:02I have been given this name by my many, many friends.
0:09:02 > 0:09:04- Good morning!- Oh...! - Hi, guys!- Oh...!
0:09:04 > 0:09:05- Hello!- Oh...!
0:09:05 > 0:09:08I thought he was so cute,
0:09:08 > 0:09:10and I thought, "Am I the right voice for this?"
0:09:10 > 0:09:11Like, I didn't go into it thinking
0:09:11 > 0:09:14I'd like him to sound any certain way.
0:09:14 > 0:09:15SHE SHRIEKS
0:09:15 > 0:09:18He has a very kind of broken English way of speaking,
0:09:18 > 0:09:20like, he speaks English by way of alien.
0:09:20 > 0:09:22Can I come into the out now?
0:09:22 > 0:09:24No, you cannot come into the out now.
0:09:24 > 0:09:29But I can. You are just having to take away the piece of wood.
0:09:30 > 0:09:32And there's a lot of humour in that, I think,
0:09:32 > 0:09:34but only if you understand what he's saying
0:09:34 > 0:09:37and so clarity was very important for me.
0:09:37 > 0:09:39My turn for driving. Keys, please.
0:09:39 > 0:09:41You are a terrible driver!
0:09:41 > 0:09:43THEY SCREAM
0:09:43 > 0:09:49He is very enthusiastic and very optimistic and he's very cheerful.
0:09:49 > 0:09:52Oh, no! My hands are in the air like I just do not care!
0:09:52 > 0:09:55He very clearly speaks and he's very excited about it, too.
0:09:55 > 0:09:58- Your vehicle is infested. - He's my pet.
0:09:58 > 0:10:00CAT PURRS Now he is vibrating.
0:10:00 > 0:10:01Is he going to explode?!
0:10:01 > 0:10:05They would do what they call "effort passes" where they'd be like,
0:10:05 > 0:10:08"We need you running." So there'd be like three minutes of me going...
0:10:08 > 0:10:10HE PANTS
0:10:12 > 0:10:15Or they'd be like, "Now we need you jumping and grabbing something."
0:10:15 > 0:10:17Like... HE GRUNTS
0:10:20 > 0:10:23You do that long enough and you're finally drenched in sweat.
0:10:23 > 0:10:26I am prepared to accept one of your traditional gestures
0:10:26 > 0:10:27of human gratitude.
0:10:27 > 0:10:30Our tradition is to punch you in the nose. Hold still.
0:10:30 > 0:10:31Your gratitude is implied.
0:10:33 > 0:10:36It felt like play time. It was the ultimate in creativity.
0:10:36 > 0:10:39There was nothing to leap for, there was nothing to run from.
0:10:39 > 0:10:41I was standing in front of a microphone.
0:10:41 > 0:10:44What planet grows these delicious fruits?
0:10:47 > 0:10:50I really like how important it is for him
0:10:50 > 0:10:53and how much effort he makes to make friends.
0:10:53 > 0:10:55Look, I has found our car.
0:10:55 > 0:10:59I think that's very sweet and I think that we would all be better served
0:10:59 > 0:11:02to spend more time being like that.
0:11:04 > 0:11:06HE PANTS
0:11:11 > 0:11:14Still to come on Cinemaniacs...
0:11:14 > 0:11:17we find out what it's like to be in your first film.
0:11:17 > 0:11:20I just remember being so excited to be on a movie set.
0:11:20 > 0:11:22It changed my life because I got paid.
0:11:22 > 0:11:26I was shocked, actually, at the size and the scale of the production.
0:11:26 > 0:11:28There are so many different people.
0:11:28 > 0:11:31Michael Sheen, super actor, is attempting to prove
0:11:31 > 0:11:33he really is super again.
0:11:33 > 0:11:35- Roosty-look-n-cookstov. - Very good.
0:11:35 > 0:11:39And it's time to stop time in the secrets of movie making.
0:11:42 > 0:11:46But first it's part two of DIY Blockbuster.
0:11:48 > 0:11:52We've surprised a group of film makers with top movie location
0:11:52 > 0:11:54Blenheim Palace to shoot their spy movie.
0:11:54 > 0:11:56Give me the code.
0:11:56 > 0:11:57They've struggled with the camera...
0:11:57 > 0:12:00- You didn't show me properly, you just went like that.- Oh, OK.
0:12:00 > 0:12:03..and aren't exactly making the most of their surroundings.
0:12:03 > 0:12:05It was against the wall and looked a bit ugly.
0:12:06 > 0:12:08Wrong way, I think.
0:12:08 > 0:12:11But with only half of the filming done and time running out
0:12:11 > 0:12:13they've managed to get themselves stuck in the maze.
0:12:13 > 0:12:16Someone was shouting one way and someone's shouting the other way
0:12:16 > 0:12:19and we couldn't really... They might have both been right,
0:12:19 > 0:12:21but no-one could hear cos everyone was shouting.
0:12:21 > 0:12:25- It's on the other side of the hedge. - It's on the other side of the hedge.
0:12:25 > 0:12:27We've gone back round!
0:12:27 > 0:12:29- I know we have!- Harvi!
0:12:29 > 0:12:32- Harvi gave us rubbish directions. - Yeah.
0:12:32 > 0:12:36The team head back to the viewing platform to work out their route.
0:12:36 > 0:12:38We've got to get to there.
0:12:38 > 0:12:41And finally agree on one thing...
0:12:41 > 0:12:43Let's just go to the entrance cos we can't find the exit.
0:12:43 > 0:12:45We know where the exit is, anyway.
0:12:45 > 0:12:47..that the best way out is the way they came in.
0:12:50 > 0:12:52But it's taken them so long it's already home time
0:12:52 > 0:12:54for their youngest actress.
0:12:54 > 0:12:56I've got to go guys, bye.
0:12:56 > 0:12:59What?
0:12:59 > 0:13:00She just went.
0:13:00 > 0:13:03We need someone to, like, know the lines for the spy.
0:13:03 > 0:13:06With the big chase scene still to film, the team have to find a way
0:13:06 > 0:13:08to replace Lilah to finish their movie.
0:13:08 > 0:13:12We figured that the best way to do it would be to have it
0:13:12 > 0:13:13as Lilah's view.
0:13:13 > 0:13:15Then you can see the scarf...
0:13:15 > 0:13:19So that we wouldn't have to, like, show Lilah actually being there.
0:13:21 > 0:13:23Josh wore Lilah's scarf...
0:13:23 > 0:13:25but you didn't know it was Josh
0:13:25 > 0:13:28because you could just see what's ahead.
0:13:28 > 0:13:32But replacing Lilah with a boy isn't giving them the shots they need,
0:13:32 > 0:13:34so Ruby has a better solution.
0:13:34 > 0:13:37Maybe it would be better if it was a girl for Lilah
0:13:37 > 0:13:39cos you probably see the end of her dress.
0:13:39 > 0:13:42'It couldn't work for any other filming,'
0:13:42 > 0:13:45so we thought we'd put Ruby in because she's a girl.
0:13:45 > 0:13:46Kind of like a stunt double.
0:13:46 > 0:13:48Action!
0:13:51 > 0:13:54I don't really sound anything like Lilah
0:13:54 > 0:13:57and close up I don't look anything like Lilah.
0:13:57 > 0:13:58..one, go!
0:13:58 > 0:14:02As we were filming from a long distance and I had my head down
0:14:02 > 0:14:07most of the time, and I was wearing her scarf, it didn't really matter.
0:14:07 > 0:14:10So will anyone notice?
0:14:11 > 0:14:13Did you spot the stunt double?
0:14:14 > 0:14:15Here it comes again.
0:14:21 > 0:14:23I think we got away with it.
0:14:23 > 0:14:25We're going now. Just go, run!
0:14:25 > 0:14:29With the palace closing, the team rush to film their final scenes.
0:14:29 > 0:14:30Come on, Harvi, Harvi, come on.
0:14:30 > 0:14:32..two, one, action!
0:14:36 > 0:14:37Cut!
0:14:37 > 0:14:40Filming finished and that's a wrap.
0:14:41 > 0:14:45We gave the team a blockbuster location to shoot their spy movie,
0:14:45 > 0:14:46but their gadgets gave them grief.
0:14:46 > 0:14:49When you're holding the camera, keep it still.
0:14:49 > 0:14:51- They got muddled in a maze... - Wrong way.
0:14:51 > 0:14:53..and even lost their lead.
0:14:53 > 0:14:54Got to go, guys, bye.
0:14:54 > 0:14:57- But did the team feel it was mission accomplished?- What?
0:14:57 > 0:15:00It was hard but I think it is quite good how we all managed
0:15:00 > 0:15:02to work together and do it.
0:15:02 > 0:15:04I don't think any of us could have made something as good
0:15:04 > 0:15:06just by ourselves.
0:15:06 > 0:15:09And any final bits of advice from Harvi?
0:15:09 > 0:15:10Don't film in a maze.
0:15:12 > 0:15:16You can check out the team's finished movie on the CBBC website.
0:15:16 > 0:15:19So this is where I give you guys three tops tips for creating
0:15:19 > 0:15:21an arty movie.
0:15:21 > 0:15:22Tip number one -
0:15:22 > 0:15:24you need to create some arty shots.
0:15:29 > 0:15:31Tip number two -
0:15:31 > 0:15:32you need slow motion.
0:15:37 > 0:15:39Tip number three - you can have
0:15:39 > 0:15:40so much fun with filters.
0:15:56 > 0:15:59And that was three top tips for creating an arty movie.
0:16:03 > 0:16:06Imagine you've made your first film - what was it like?
0:16:06 > 0:16:10One word that sums up making my first film is "excitement."
0:16:10 > 0:16:13It changed my life because I got paid.
0:16:13 > 0:16:17I just remember being so excited to be on a movie set
0:16:17 > 0:16:21because it's not something you really get to experience very often.
0:16:21 > 0:16:26I was shocked, actually, at the size and the scale of the production.
0:16:26 > 0:16:28There are so many different people.
0:16:28 > 0:16:32- Loads of cameramen. I was really, like...- Whoa!
0:16:32 > 0:16:33- Props... - Grips...
0:16:33 > 0:16:35Looking like that...
0:16:35 > 0:16:36- Lighting crew...- Art department...
0:16:36 > 0:16:38- Sound operators...- It was enormous.
0:16:38 > 0:16:40Runners, everybody...
0:16:40 > 0:16:44You look at some of the names on the call sheet on a morning,
0:16:44 > 0:16:47just a who's who of the best British acting talent,
0:16:47 > 0:16:50and you're just so nervous about making a mistake
0:16:50 > 0:16:52or messing up in front of these people.
0:16:54 > 0:16:57The first film that I was in was a film called Fred Clause,
0:16:57 > 0:16:58about Santa Claus' brother,
0:16:58 > 0:17:01and I played the young Santa Clause when he was six.
0:17:01 > 0:17:03The door was locked so I decided to drop down the chimney.
0:17:03 > 0:17:06I had to do an American accent, which I'd never done before,
0:17:06 > 0:17:08so I had quite a lot of dialect coaching,
0:17:08 > 0:17:10which was an interesting experience.
0:17:10 > 0:17:12To know we're going to bring it inside the house
0:17:12 > 0:17:15and put presents under it, isn't that wonderful?
0:17:15 > 0:17:18Being so young I'm not sure if I got it spot on but, yeah,
0:17:18 > 0:17:20it was good, I enjoyed it.
0:17:20 > 0:17:23My first film was Paddington Bear in which I played Judy Brown
0:17:23 > 0:17:25when I was 12 years old.
0:17:25 > 0:17:28My first film was Great Expectations and one of the memories
0:17:28 > 0:17:31I definitely remember is that we had, like, our own little trailer,
0:17:31 > 0:17:34and it was the first time that I had my own trailer.
0:17:34 > 0:17:37My first major film for me was The Boy In The Striped Pyjamas.
0:17:37 > 0:17:40I was ten and it was amazing.
0:17:40 > 0:17:42My first film was Harry Potter And The Deathly Hallows Part 2,
0:17:42 > 0:17:48and I played Rose Weasley, who is Ron and Hermione Granger's daughter.
0:17:48 > 0:17:53I read the last book and just kind of decided that I was Rose Weasley,
0:17:53 > 0:17:56so I wrote a letter, basically telling the casting director
0:17:56 > 0:17:59that I was Rose Weasley.
0:17:59 > 0:18:04And then, like, six months later or a year later, they called up my mum
0:18:04 > 0:18:06saying, "Would you like to come for an interview?"
0:18:06 > 0:18:09When we first started all those years ago I didn't even know
0:18:09 > 0:18:13if we'd do eight films, let alone would I be in all of them,
0:18:13 > 0:18:14so that was pretty special.
0:18:16 > 0:18:21We were like really big Harry Potter fans, so I was excited just to get
0:18:21 > 0:18:24the audition, let alone actually get the part.
0:18:24 > 0:18:27You turn up to the set and I met Daniel Radcliffe before my
0:18:27 > 0:18:28screen test and he was so nice,
0:18:28 > 0:18:31we spent about 20 minutes just having a chat,
0:18:31 > 0:18:34that sort of thing, and then once you actually get on to the set,
0:18:34 > 0:18:36my first day shooting was in the Great Hall,
0:18:36 > 0:18:38so it sorts of marks your childhood.
0:18:38 > 0:18:41When I first went out on set
0:18:41 > 0:18:44I was so shocked about how big
0:18:44 > 0:18:48the crew was and how long everything took just to set up and then,
0:18:48 > 0:18:52like, how many takes you have to do of just like one small scene.
0:18:52 > 0:18:57Swallows And Amazons was my first film, only I was 12 years old.
0:18:57 > 0:19:02We never saw the script, we never had to learn lines,
0:19:02 > 0:19:04and this was really innovative at the time.
0:19:06 > 0:19:09The costumes in the film were amazing. They had, like...
0:19:09 > 0:19:11- BOTH:- Four layers.
0:19:11 > 0:19:14- We said that at the same time. - And I was really hot in that.
0:19:14 > 0:19:16My first film was Snow White And The Huntsmen,
0:19:16 > 0:19:19and the thing I remember most is just the set itself cos it was
0:19:19 > 0:19:21man-made, all the village and stuff,
0:19:21 > 0:19:23and the fire scene, cos I was in that,
0:19:23 > 0:19:25they way they could turn it on and off, and the night scenes,
0:19:25 > 0:19:28it was just amazing experience to be there.
0:19:28 > 0:19:30Now it's time for this...
0:19:31 > 0:19:34Introducing Mr Mike Tucker,
0:19:34 > 0:19:37here to show you how to create special effects,
0:19:37 > 0:19:38Hollywood-style, in...
0:19:42 > 0:19:45Today we're going to show you how to make your very own time slice,
0:19:45 > 0:19:50so grab 50 of your closest friends and let's get started.
0:19:50 > 0:19:52That's right, I did say 50.
0:19:52 > 0:19:55You're going to need 50 people each with a mobile phone,
0:19:55 > 0:19:59doesn't matter what kind, but for this effect 50 is the magic number.
0:19:59 > 0:20:02Right, the effect that we are going to demonstrate today is called
0:20:02 > 0:20:07- time slice, and do you have any idea what time slice might be?- No.
0:20:07 > 0:20:10No? Right, if you've seen films like Horrid Henry where somebody
0:20:10 > 0:20:14jumps into the air and then freezes but the camera continues
0:20:14 > 0:20:19to move all the way around them, that's called a time slice effect.
0:20:19 > 0:20:22As well as your 50 friends you're going to need...
0:20:26 > 0:20:29Oh, and make sure you number those phones.
0:20:29 > 0:20:30Number them one to 50
0:20:30 > 0:20:33and you'll be able to keep track of what's going on.
0:20:33 > 0:20:36Step one - get your cameras into place
0:20:36 > 0:20:38and get ready to start measuring.
0:20:38 > 0:20:42Hold one end of the tape measure at the centre of the trampette.
0:20:42 > 0:20:46Let's see... That's four meters and everyone lines up, so we're
0:20:46 > 0:20:50all exactly the same distance away from the middle of the trampette.
0:20:50 > 0:20:52I think you guys are going to need to move back a little bit.
0:20:52 > 0:20:55Pull that tight again cos I think you guys are going to need to
0:20:55 > 0:20:57step backwards. Yeah, OK.
0:20:57 > 0:21:02So now we need to get everyone lined up roughly the same distance apart,
0:21:02 > 0:21:05and everyone needs to be holding their phones up at roughly
0:21:05 > 0:21:09the same height - but bear in mind that they're going to be in mid-air.
0:21:09 > 0:21:11Step two...
0:21:11 > 0:21:15Can everyone now turn on their phone so they are recording video?
0:21:20 > 0:21:23Step three - get jumping and make sure everyone records at least
0:21:23 > 0:21:2530 seconds of footage on their phones.
0:21:29 > 0:21:31This means that the phones will be recording the jumping
0:21:31 > 0:21:33from lots of different angles.
0:21:34 > 0:21:38Step four - this one is going to take a bit of time
0:21:38 > 0:21:42because now you need to load all the footage you've shot from every phone
0:21:42 > 0:21:44on the computer, and make sure you do it in order.
0:21:44 > 0:21:48Step five - now you're ready to make your time slice.
0:21:49 > 0:21:53Using the video editing software on your computer, chose the same frame
0:21:53 > 0:21:56from each recording and clip it, then insert it on the timeline.
0:21:57 > 0:22:01Make sure you keep each frame in the same order that it was shot.
0:22:01 > 0:22:04And, hey, presto! One terrific time slice.
0:22:04 > 0:22:06CHEERING
0:22:09 > 0:22:11- BAD AMERICAN ACCENT:- OK, y'all, coming up next...
0:22:11 > 0:22:13What do you think of my American accent, Theo?
0:22:13 > 0:22:18Try saying "O, R" before you do the scene. I think it helps you
0:22:18 > 0:22:21- get into the right mind frame. - Oh, OK. Cheers.
0:22:21 > 0:22:24O, R, O, R, O, R.
0:22:24 > 0:22:28- BETTER AMERICAN ACCENT:- It's time for super actor Michael Sheen.
0:22:28 > 0:22:31- Any good?- Yeah, it was good. I enjoyed it.
0:22:31 > 0:22:34And now the star of Alice In Wonderland,
0:22:34 > 0:22:36Tron and Twilight...
0:22:42 > 0:22:44I am being put to the test.
0:22:44 > 0:22:48Can I replicate an accent, do an accent,
0:22:48 > 0:22:53and convince those judges out there
0:22:53 > 0:22:55that I am from that place?
0:22:55 > 0:22:57This is...
0:22:58 > 0:23:02In three minutes I'm going to have to learn how to do this accent
0:23:02 > 0:23:05with the help of voice coach Catherine.
0:23:05 > 0:23:08Learning an accent is all about brain-ear-mouth connection,
0:23:08 > 0:23:12so how often you've heard it, how often has it been in your ear?
0:23:12 > 0:23:15I'm going to be put up against people doing just their natural voice,
0:23:15 > 0:23:17what they speak like.
0:23:17 > 0:23:19I think Michael is incredibly brave.
0:23:19 > 0:23:23In fact, I don't know many actors who would put themselves in this
0:23:23 > 0:23:26- position with an accent. - 'Tell me about it!
0:23:26 > 0:23:28'I have to succeed in two out of three voice rounds
0:23:28 > 0:23:31'to win today's challenge.
0:23:31 > 0:23:34'The judges are going to hear two voices on this speaker phone -
0:23:34 > 0:23:36'one will be the real accent
0:23:36 > 0:23:39'and the other will be me trying to do the accent.'
0:23:41 > 0:23:43You've done this one before?
0:23:43 > 0:23:46- Not really, but I've just heard it a bit.- OK, OK.
0:23:46 > 0:23:49Now, "th's" - it's halfway between a TH and a D,
0:23:49 > 0:23:51- it's not quite a D - mother, mother.- Good mother.
0:23:51 > 0:23:54Yeah, that's it. Over the top of the freeze and down.
0:23:54 > 0:23:56Over the top of the freeze and down.
0:23:56 > 0:23:59'That's learning time up, so bring on the challenge.
0:23:59 > 0:24:04'Corn fields were yellow. The oats were green. The hay had been put up
0:24:04 > 0:24:06'in stacks in the green meadows.'
0:24:06 > 0:24:10'Corn fields were yellow. The oats were green. The hay had been put up
0:24:10 > 0:24:11'in the stacks in the green meadows.'
0:24:11 > 0:24:15I think the first one's real because it was...
0:24:15 > 0:24:19It seemed a bit more like the actual person.
0:24:19 > 0:24:22'After the first round there are five votes for voice one,
0:24:22 > 0:24:25'and only one vote for voice two.
0:24:25 > 0:24:28'Voice one was me, not the real thing,
0:24:28 > 0:24:30'which means the point is mine!'
0:24:30 > 0:24:33IRISH ACCENT: The hay had been put up in stacks in the green meadows...
0:24:33 > 0:24:35Next up, it's Geordie.
0:24:35 > 0:24:38'All the way from Newcastle. 'This one's tough.'
0:24:38 > 0:24:39"Rosty lookin'..."
0:24:39 > 0:24:42- Roosty lookin' cooks... - Very good.
0:24:42 > 0:24:45'Dorothy lived in the midst of the great Kansas prairies
0:24:45 > 0:24:48'with Uncle Henry, who was a farmer,
0:24:48 > 0:24:50'and Aunt Em who was the farmer's wife.
0:24:50 > 0:24:53'Dorothy lived in the midst of the great Kansas prairies
0:24:53 > 0:24:56'with Uncle Henry, who was a farmer,
0:24:56 > 0:24:58'and Aunt Em who was the Farmer's wife.'
0:24:58 > 0:25:02I think the first one was a bit, like, over the top.
0:25:02 > 0:25:05The second one did sound normal, in a way.
0:25:05 > 0:25:09'After the second round they all think the first voice was fake.
0:25:09 > 0:25:14'They were right! Voice two was the real Geordie, so I lose that point.'
0:25:14 > 0:25:16GEORDIE ACCENT: Aunt Em was the famer's wife...
0:25:16 > 0:25:19'One round all, but this is for the challenge.'
0:25:19 > 0:25:23Finnish. I've never heard anyone from Finland speak. Over to you.
0:25:23 > 0:25:25- LAUGHING:- Right...
0:25:25 > 0:25:28The thing is, it's English as a second language, so that means
0:25:28 > 0:25:30they're going to pronounce things the way that it's read,
0:25:30 > 0:25:33they're going to pronounce all of the R's they're in the spelling.
0:25:33 > 0:25:36"Dear little girl." They're all going to be in the spelling.
0:25:36 > 0:25:40'Once, she gave her a little cap of red velvet,
0:25:40 > 0:25:44'so she was always called Little Red Riding Hood.'
0:25:44 > 0:25:48'Once, she gave her a little cap of red velvet,
0:25:48 > 0:25:52'so she was always called Little Red Riding Hood.
0:25:52 > 0:25:54I didn't even know what the accent was.
0:25:54 > 0:25:58I would like to apologise to the entire nation of Finland.
0:25:58 > 0:26:01- I think the second one's real. - Second.- Second.
0:26:01 > 0:26:04'The votes are in and, wow, the second voice was me!
0:26:04 > 0:26:07'Result! That's 2-1 to me.'
0:26:07 > 0:26:10FINNISH ACCENT: She gave her a little cap of red velvet...
0:26:11 > 0:26:14'Today's challenge started with me learning how to speak Irish,
0:26:14 > 0:26:18'and ended with me proving that I'm a man of a thousand accents.
0:26:18 > 0:26:22'Well, at least two. And that means, for today at least, I am...'
0:26:31 > 0:26:32Next time...
0:26:32 > 0:26:35there's a canine surprise in store for these Cinemaniacs,
0:26:35 > 0:26:38but can they keep their talent under control?
0:26:38 > 0:26:40He wouldn't stay in the spot.
0:26:40 > 0:26:44We get behind the scenes gossip from the set of Nanny McPhee.
0:26:44 > 0:26:46Someone said, "Let's try putting some farting in."
0:26:46 > 0:26:48BREAKING WIND
0:26:48 > 0:26:50And suddenly people were giggling a lot more.
0:26:50 > 0:26:55And Michael Sheen, super actor, takes on a new challenge -
0:26:55 > 0:26:58to act with absolutely nothing.
0:26:58 > 0:26:59Whoops!
0:27:01 > 0:27:05So, Cinemaniacs, it's nearly time for me to go,
0:27:05 > 0:27:08but just before I do I want to tell you that Daniel Radcliffe,
0:27:08 > 0:27:10whose first movie was Harry Potter,
0:27:10 > 0:27:13went through an incredible 160 pairs of glasses
0:27:13 > 0:27:16during the filming of all eight Harry Potter movies.
0:27:16 > 0:27:17Oculus Reparo.
0:27:19 > 0:27:21That's a lot of glasses!
0:27:21 > 0:27:25I'm Oli White and you've been watching Cinemaniacs.
0:27:25 > 0:27:27Cartoon character or real person?
0:27:27 > 0:27:30- Cartoon character. - Real person.
0:27:30 > 0:27:32- Real person. - Cartoon character.
0:27:32 > 0:27:35- Real person.- Real person. - Cartoon character.
0:27:35 > 0:27:36Real person.
0:27:36 > 0:27:37Cartoon character.
0:27:37 > 0:27:39- Real person. - Real person.
0:27:39 > 0:27:41BOTH: Real person.