0:00:02 > 0:00:04- Hetty.- We will make you suffer, do you understand?
0:00:04 > 0:00:06- Yes, matron. - Do you understand?!
0:00:06 > 0:00:09As for you, 25629.
0:00:09 > 0:00:11Matron...
0:00:11 > 0:00:13- I caught him... - You snitched on him.
0:00:13 > 0:00:16I think the paint might be making the foundlings sick.
0:00:16 > 0:00:18- If they can walk, they can work. - Hetty, go home.
0:00:18 > 0:00:22If Gideon stays, I stay. He's my foundling brother.
0:00:54 > 0:00:58Every year, Matron held a charity lunch and concert for the governors.
0:00:58 > 0:01:02And that only ever meant one thing for senior foundlings -
0:01:02 > 0:01:08Hymns. Long boring hymns. THEY SING
0:01:10 > 0:01:14This morning, matron looked particularly cross.
0:01:14 > 0:01:17Probably as our music teacher, Nurse Winterson,
0:01:17 > 0:01:19mysteriously hadn't arrived.
0:01:24 > 0:01:28# We are but little children poor
0:01:28 > 0:01:32# And born in very low estate
0:01:32 > 0:01:36# What can we do for Jesus' sake? #
0:01:38 > 0:01:42This year some fancy composer had written a new hymn especially.
0:01:44 > 0:01:48That meant for the first time, boys AND girls rehearsed together.
0:01:50 > 0:01:53Well, together-ish.
0:01:54 > 0:02:01# Love and grace that he made you for Jesus' sake. #
0:02:03 > 0:02:09Beautiful. Thank you. Such impressive work for only a week.
0:02:09 > 0:02:11It was beautiful music, Mr Melrose.
0:02:11 > 0:02:13Oh, it's just a little ditty really.
0:02:13 > 0:02:16Mr La-di-da was Matron's guest of honour.
0:02:16 > 0:02:19He ran a choir school in the back of beyond,
0:02:19 > 0:02:21probably so no-one could complain about the noise.
0:02:21 > 0:02:24I think the first verse would work better as a solo.
0:02:24 > 0:02:26Don't you agree?
0:02:27 > 0:02:30Ah, yes, that can be arranged when our...
0:02:30 > 0:02:32Ah.
0:02:33 > 0:02:36My apologies, Matron, Mr Melrose.
0:02:36 > 0:02:39- I'm sure a lie-in is well deserved. - GIRLS GIGGLE
0:02:43 > 0:02:46Mr Melrose thinks the first verse should be a solo,
0:02:46 > 0:02:49so if you could chose your singer and make sure they're up to it.
0:02:49 > 0:02:50Right.
0:02:50 > 0:02:53- Mr Melrose, shall we?- Oh, my hat!
0:02:59 > 0:03:01Back to it, then.
0:03:01 > 0:03:04Why do we ever only sing hymns?
0:03:04 > 0:03:07Technically, Hetty, this isn't a hymn, it is a chorale.
0:03:07 > 0:03:09Is all music this boring?
0:03:09 > 0:03:12You don't really mean that, do you?
0:03:12 > 0:03:14You could audition for the solo?
0:03:14 > 0:03:15I'm all right, thanks.
0:03:16 > 0:03:18Are you going to audition?
0:03:18 > 0:03:19Obviously!
0:03:23 > 0:03:25Donated by Handel, wasn't it?
0:03:27 > 0:03:32The heart of our hospital. A symbol of its musical traditions.
0:03:32 > 0:03:35So sad the hospital can't afford its upkeep.
0:03:35 > 0:03:37We really are in danger of losing it forever.
0:03:39 > 0:03:41Sad to see it fall into disrepair.
0:03:43 > 0:03:45Well, it would be crude of me
0:03:45 > 0:03:51to leave without offering some token of thanks, after all your hard work.
0:03:51 > 0:03:53Oh...
0:03:53 > 0:03:55How about £100?
0:03:56 > 0:04:01That should cover Handel's ruddy monstrosity, don't you think?
0:04:07 > 0:04:08Back to your wings.
0:04:15 > 0:04:18Monica, walk! Do not run.
0:04:26 > 0:04:28PIANO PLAYING
0:04:30 > 0:04:33- OFF KEY:- # We are but little children poor
0:04:33 > 0:04:37# And born in very low estate
0:04:37 > 0:04:38Eesh...
0:04:38 > 0:04:40She sounds like a French horn.
0:04:40 > 0:04:47# ..for Jesus' sake, who is so high and good and great?
0:04:48 > 0:04:51Very good, Sheila, thank you. Gideon?
0:04:53 > 0:04:54Can Gideon sing?
0:04:54 > 0:04:57He could when we were little. But I haven't heard him since.
0:04:57 > 0:04:59Barely opens his mouth in Music.
0:05:02 > 0:05:04PIANO INTRO TO HYMN
0:05:09 > 0:05:10Everything OK?
0:05:10 > 0:05:14- Yeah... I just... I'm... - GIRLS CHUCKLE
0:05:16 > 0:05:17Girls. Shh.
0:05:20 > 0:05:22INTRO TO HYMN AGAIN
0:05:25 > 0:05:29# We are but little children poor
0:05:29 > 0:05:34# And born in very low estate
0:05:34 > 0:05:39# What can we do for Jesus' sake
0:05:39 > 0:05:44# Who is so high and good and great?
0:05:46 > 0:05:49Right. So... How would you like the solo, Gideon?
0:05:53 > 0:05:56Sorry, girls, maybe next time.
0:05:59 > 0:06:01Well, you kept that secret.
0:06:01 > 0:06:05Mr Melrose's choir school takes a dozen students every year.
0:06:05 > 0:06:07If you sing for Mr Melrose
0:06:07 > 0:06:11before the lunch just like you sang for me now...
0:06:11 > 0:06:12you never know.
0:06:12 > 0:06:16What? He only started singing five minutes ago, now you want him
0:06:16 > 0:06:17to join a Choir School?
0:06:17 > 0:06:20- Better than getting chucked in the army.- Well done, mate.
0:06:26 > 0:06:28- Will Gideon have to leave? - Of course not.
0:06:28 > 0:06:29But he's good. You heard him
0:06:29 > 0:06:33and Mr Melrose will too. What then?
0:06:33 > 0:06:36Talent doesn't do much hidden away, Hetty. My father taught me that.
0:06:36 > 0:06:39- Does he sing? - He used to, in music halls.
0:06:39 > 0:06:41And now?
0:06:41 > 0:06:44He's a war veteran. I look after him. That's why I'm here.
0:06:44 > 0:06:47If I didn't work, we'd end up on the street.
0:06:47 > 0:06:49What's music hall?
0:06:49 > 0:06:52Stage shows. Songs, comedy, dances.
0:06:52 > 0:06:54Can you teach us?
0:06:56 > 0:06:58JAUNTY PIANO
0:06:58 > 0:07:02# Where did you get that hat? Where did you get that tile?
0:07:02 > 0:07:06# Isn't it a nobby one and just the proper style?
0:07:09 > 0:07:10Is something the matter?
0:07:10 > 0:07:11It's Nurse Winterson.
0:07:11 > 0:07:13- Yes. Late.- I know.
0:07:13 > 0:07:17She's been out all night. Gallivanting at the music hall.
0:07:18 > 0:07:22Only got back first thing this morning.
0:07:22 > 0:07:23She dropped this on the way in.
0:07:25 > 0:07:30# Where did you get that hat? Where did you get that tile?
0:07:30 > 0:07:33# Isn't it a nobby one and just the proper style
0:07:33 > 0:07:37# I should like to have one just the same as that
0:07:37 > 0:07:41# Wherever I go, they shout, "Hello, where did you..."
0:07:41 > 0:07:43PIANO STOPS
0:07:48 > 0:07:49Matron.
0:07:49 > 0:07:51A word, Nurse?
0:07:55 > 0:07:57Go to your dorms.
0:08:02 > 0:08:04It is just a song, Matron.
0:08:13 > 0:08:17What devilry you enjoy in your spare time is your own concern.
0:08:18 > 0:08:20But influencing the children?
0:08:21 > 0:08:23That is unforgivable.
0:08:23 > 0:08:27Matron, I'm sorry. The ticket was a gift from a friend.
0:08:27 > 0:08:28I never meant...
0:08:30 > 0:08:32You are relieved of your duties.
0:08:32 > 0:08:36- What?- You will clear your belongings and leave within the hour.
0:08:36 > 0:08:41Please, you can't really... I don't really...
0:08:42 > 0:08:44My father...
0:08:44 > 0:08:45Pack your things and go.
0:08:57 > 0:09:00'We were used to Matron taking every nice thing we had...
0:09:01 > 0:09:04'..but Nurse Winterson was the last straw.'
0:09:11 > 0:09:15If Winterson did something wrong, then she deserved to be punished.
0:09:15 > 0:09:16She only went to a music hall!
0:09:16 > 0:09:18Matron had it in for her.
0:09:18 > 0:09:19She still broke the rules.
0:09:19 > 0:09:21Her dad's sick.
0:09:21 > 0:09:23She works so she can look after him.
0:09:23 > 0:09:26She probably only wanted one night off.
0:09:27 > 0:09:30We've got to get her back, somehow.
0:09:30 > 0:09:32Whatever we do, it's still up to Matron.
0:09:32 > 0:09:34If she doesn't like Winterson, then...
0:09:34 > 0:09:35We could protest...?
0:09:36 > 0:09:38Or strike.
0:09:40 > 0:09:44I read this story in one of Nurse Macclesfield's journals.
0:09:44 > 0:09:47These girls at a matchstick factory were getting sick
0:09:47 > 0:09:50because of the poisonous stuff they were putting into the matches.
0:09:50 > 0:09:53They were getting paid barely anything for it too, so,
0:09:53 > 0:09:57one day, they refused to work until the boss agreed to change things.
0:09:57 > 0:09:59Obviously, the boss said no.
0:10:00 > 0:10:05But when the girls stopped working, the factory didn't make any money,
0:10:05 > 0:10:07so eventually the boss had to give in.
0:10:09 > 0:10:12Matron's desperate for us to impress Melrose.
0:10:12 > 0:10:16So if we refuse to sing until she gets Winterson back,
0:10:16 > 0:10:18she'd have to give in!
0:10:18 > 0:10:21Matron would just punish us.
0:10:21 > 0:10:25She can't punish everyone. If we're together, we're protected.
0:10:25 > 0:10:27We'll outnumber her, like, 30 to one.
0:10:27 > 0:10:29So how do we get the other 22 onside?
0:10:32 > 0:10:34'I thought it was going to be easy.'
0:10:34 > 0:10:36Urgh! Nobody wants to strike!
0:10:37 > 0:10:39We can't strike on our own!
0:10:39 > 0:10:41I know! I just don't know how to get people to sign up.
0:10:41 > 0:10:43Just make them.
0:10:45 > 0:10:47Make who do what?
0:10:47 > 0:10:48Don't be dumb.
0:10:48 > 0:10:52If I was going to rat, I'd have done it already.
0:10:52 > 0:10:56Look, everyone's scared of Matron. You can't nag them into striking.
0:10:56 > 0:10:58You have to make it worth their while.
0:10:58 > 0:11:00You mean bribe them?
0:11:00 > 0:11:03I mean negotiate. And YOU don't have to do anything.
0:11:03 > 0:11:04I can do it.
0:11:05 > 0:11:08Why? What's in it for you?
0:11:08 > 0:11:10I want the solo at the concert.
0:11:10 > 0:11:12But Winterson gave it to Gideon.
0:11:12 > 0:11:13Matron won't care.
0:11:13 > 0:11:16It'd only be if the strike works, and Gideon will be so happy
0:11:16 > 0:11:19to have Winterson back he won't care less about the solo.
0:11:30 > 0:11:32All right.
0:11:38 > 0:11:39See you at rehearsals.
0:11:43 > 0:11:46'Mathias was having more success getting the boys to sign up.'
0:11:46 > 0:11:47What's your price?
0:11:47 > 0:11:49One week of washing up.
0:11:49 > 0:11:51'He'd worked out that everyone has their price.'
0:11:51 > 0:11:54- Anyone else? What else? - Three days' extra food.
0:11:54 > 0:11:56- Yeah. - Four days of laundry duties.
0:11:56 > 0:11:59- Deal.- Deal.- Deal.
0:12:00 > 0:12:02PIANO PLAYING
0:12:03 > 0:12:06THEY SING HYMN 'With no music teacher any more, we had to endure
0:12:06 > 0:12:08'Nurse Macclesfield at the piano.'
0:12:08 > 0:12:10OFF-KEY SINGING
0:12:14 > 0:12:16I think Macclesfield's trying to summon rain.
0:12:21 > 0:12:22What is it?
0:12:22 > 0:12:24I've left it upstairs.
0:12:24 > 0:12:26What?
0:12:26 > 0:12:28The paper, with all our names.
0:12:30 > 0:12:31Matron.
0:12:32 > 0:12:34PIANO STOPS
0:12:38 > 0:12:39Who made this?
0:12:43 > 0:12:46Mr Cranbourne, take everyone on this list to my office.
0:12:46 > 0:12:47They will all be caned.
0:12:49 > 0:12:51No!
0:12:54 > 0:12:55It was my idea, Matron.
0:12:56 > 0:13:01I wanted Nurse Winterson back. I talked the boys into it.
0:13:07 > 0:13:08Get out.
0:13:11 > 0:13:13Get the boys, Mr Cranbourne.
0:13:13 > 0:13:16It wasn't Hetty, Matron. It was me.
0:13:16 > 0:13:17It was my idea.
0:13:18 > 0:13:20And mine.
0:13:20 > 0:13:24- No, Miss, it was us... - It was me.
0:13:24 > 0:13:26- It was me. - No, it was me.
0:13:26 > 0:13:27No, Matron, it was me.
0:13:29 > 0:13:30It was us.
0:13:30 > 0:13:32- No, we did it.- We did it.
0:13:32 > 0:13:33It was me.
0:13:33 > 0:13:35Sit down!
0:13:37 > 0:13:39It was all of us.
0:13:47 > 0:13:50Give Nurse Winterson her job back.
0:13:50 > 0:13:52Who do you think you are?
0:14:05 > 0:14:08What is this? Get up!
0:14:10 > 0:14:11This is a strike.
0:14:13 > 0:14:16Do what you like, force us to go to your stupid concert tomorrow
0:14:16 > 0:14:18if that's what you want, but we won't sing a single note
0:14:18 > 0:14:20unless you get Nurse Winterson back.
0:14:20 > 0:14:22You can't make us.
0:14:24 > 0:14:26We'll see if I can't.
0:14:31 > 0:14:33Now what?
0:14:35 > 0:14:37Now hold tight.
0:14:37 > 0:14:41We have to get them dispersed before the lunch.
0:14:41 > 0:14:46"Dispersed"? They're children, Nurse Macclesfield, not Dock Workers.
0:14:46 > 0:14:48They're organised, is what they are!
0:14:48 > 0:14:52And that Feather girl, well, she is their bloomin' master at arms.
0:14:53 > 0:14:56Maybe we ought to... reinstate Winterson?
0:14:59 > 0:15:02I mean, we can't cancel the lunch. It's tomorrow!
0:15:04 > 0:15:07This is MY hospital!
0:15:09 > 0:15:15I will not be corralled. I will not reverse decisions for children!
0:15:20 > 0:15:25However it is done, we break up their riot
0:15:25 > 0:15:27and we break Feather!
0:15:53 > 0:15:58Children. Children. You must all be very hungry.
0:15:58 > 0:16:00And there is plenty more in the dining hall.
0:16:00 > 0:16:04Come. Come and eat, and you have my word you will not be punished.
0:16:04 > 0:16:09But, be in no doubt, when this strike breaks - and break, it will -
0:16:10 > 0:16:16those who do not surrender will be punished, severely and permanently.
0:16:19 > 0:16:21We're not going anywhere.
0:16:21 > 0:16:23And you speak for everyone, do you?
0:16:23 > 0:16:27I just wanted extra dinner. That's what you promised us.
0:16:27 > 0:16:29I'm not starving for you lot.
0:16:29 > 0:16:30Come on, it's just a few hours.
0:16:30 > 0:16:32We're done for, anyway!
0:16:33 > 0:16:34What's the point?
0:16:37 > 0:16:39Good boy.
0:16:42 > 0:16:43Well done.
0:16:45 > 0:16:49Matron's bluffing. She's doing this because she's desperate.
0:16:49 > 0:16:51We are winning.
0:16:51 > 0:16:53We can't back down now.
0:16:57 > 0:16:58Very well.
0:17:07 > 0:17:09That didn't feel like winning.
0:17:09 > 0:17:13Why did you have to go and promise people stuff?
0:17:13 > 0:17:15Matron will just trump us every time.
0:17:15 > 0:17:16Wasn't just us, though, was it?
0:17:18 > 0:17:20What do you mean?
0:17:20 > 0:17:22Hetty said if I got everyone to join her strike,
0:17:22 > 0:17:25she'd make sure I got the solo and not Gideon.
0:17:26 > 0:17:29She's been making deals, just like the rest of us.
0:17:29 > 0:17:31Why would you do that?
0:17:31 > 0:17:33We needed everyone, Gideon.
0:17:33 > 0:17:36We? You mean YOU needed everyone.
0:17:36 > 0:17:37There'll be other solos.
0:17:37 > 0:17:39Not like this one. And you knew that.
0:17:39 > 0:17:42It's not about you, all right? This is about getting Winterson back!
0:17:42 > 0:17:45No, it's completely about you.
0:17:45 > 0:17:47Do your stupid singing.
0:17:47 > 0:17:52Let Melrose take you to his choir school. I don't care!
0:17:53 > 0:17:55Gideon! Gideon, wait!
0:18:00 > 0:18:04Winterson gave up everything to look after other people.
0:18:04 > 0:18:06All we care about is ourselves.
0:18:06 > 0:18:10Who sat with you when you were scared of the dark?
0:18:10 > 0:18:14And who didn't rat you out to Matron when you wet the bed?
0:18:14 > 0:18:16Winterson was so kind to us.
0:18:18 > 0:18:21We should be striking for her and not ourselves.
0:18:22 > 0:18:25'I felt angry, but I was angry at myself, too.'
0:18:26 > 0:18:28'I felt awful about Gideon.
0:18:28 > 0:18:31'But I knew we remaining strikers had to stand firm.'
0:18:33 > 0:18:38'The day of the concert had arrived and the fancy guests were gathering.
0:18:38 > 0:18:40'But matron still didn't have enough singers
0:18:40 > 0:18:42'for her showpiece performance.'
0:18:42 > 0:18:43Oh, hello.
0:18:45 > 0:18:46Matron.
0:18:46 > 0:18:49Matron, I am so excited to hear the children.
0:18:49 > 0:18:52As excited as they are to sing for you, Mr Melrose.
0:18:52 > 0:18:56I should hope so too, with my generous donation in the balance.
0:18:58 > 0:19:00I'd like to see them before they go on.
0:19:00 > 0:19:02Help calm the nerves a bit.
0:19:02 > 0:19:05- I think they are rehearsing, Mr Melrose.- Ah.
0:19:05 > 0:19:06Why don't I go and check?
0:19:06 > 0:19:07Of course.
0:19:27 > 0:19:30FOOTSTEPS REVERBERATE
0:19:30 > 0:19:32FOOTSTEPS GET LOUDER
0:19:37 > 0:19:39Here we go.
0:19:46 > 0:19:47Well, how are we?
0:19:49 > 0:19:51Your guests are here.
0:19:51 > 0:19:52I know.
0:19:52 > 0:19:58A shame, too. Little Gideon seemed so excited about singing.
0:19:59 > 0:20:02He's very gifted. I heard him practising.
0:20:02 > 0:20:04But without everyone present,
0:20:04 > 0:20:08I'm afraid I shall simply have to cancel the concert.
0:20:08 > 0:20:12No, you won't. You need us to sing for Melrose.
0:20:12 > 0:20:13You're bluffing.
0:20:15 > 0:20:16You're right.
0:20:18 > 0:20:22I didn't want to have to say this, but you leave me little choice.
0:20:23 > 0:20:28If you do not give up and come to the chapel in five minutes,
0:20:28 > 0:20:31I will send Gideon to the tench for a month.
0:20:34 > 0:20:37Do you want to know if I'm still bluffing?
0:20:37 > 0:20:41You can't. You said you wouldn't punish them if they surrendered.
0:20:41 > 0:20:45It's all up to you, Hetty. It is your decision. Five minutes -
0:20:45 > 0:20:47or Gideon goes to the tench.
0:20:52 > 0:20:54Maybe...
0:20:54 > 0:20:55Maybe we should just go.
0:20:55 > 0:21:00- No. I'm not giving up my solo just because Gideon got selfish.- Yeah!
0:21:00 > 0:21:02We can't just let Matron chuck Gideon in the tench!
0:21:02 > 0:21:03Who cares about Gideon?
0:21:03 > 0:21:05I do, he's my friend!
0:21:05 > 0:21:06ALL ARGUE
0:21:06 > 0:21:08'It was a nightmare.
0:21:08 > 0:21:10'If I stayed, Gideon got the tench.
0:21:10 > 0:21:13'If I left, Winterson would never come back.
0:21:13 > 0:21:15'Gideon's fate was on me.'
0:21:18 > 0:21:20Hetty! Hetty, where're you going?
0:21:20 > 0:21:23I'm not letting Gideon get punished because of me.
0:21:24 > 0:21:27You can stay here if you want. But I'm going.
0:21:49 > 0:21:50What happened?
0:21:50 > 0:21:53Matron was going to chuck you in the tench if Hetty didn't give up.
0:21:56 > 0:21:59Stand at the front. You will be soloist.
0:21:59 > 0:22:02Do not think this spares you punishment.
0:22:02 > 0:22:06Do not think it spares any of you. This is my hospital.
0:22:06 > 0:22:08You do not have a say.
0:22:18 > 0:22:20Ladies and gentlemen.
0:22:20 > 0:22:24Welcome to the Foundling Hospital and our glorious chapel,
0:22:24 > 0:22:30where, years ago, George Friedrich Handel debuted his masterpiece,
0:22:30 > 0:22:32the first Foundling Anthem.
0:22:33 > 0:22:39Tonight, as part of our evensong, we too shall debut a very special work.
0:22:40 > 0:22:42A brand-new Foundling Anthem,
0:22:42 > 0:22:46written especially for this event by our esteemed guest,
0:22:46 > 0:22:48Mr Jacob Melrose.
0:22:48 > 0:22:51APPLAUSE
0:22:53 > 0:22:57Mr Melrose has also kindly offered a substantial donation...
0:22:58 > 0:23:01..towards the upkeep of the hospital's organ,
0:23:01 > 0:23:03bequeathed to the hospital by Handel himself.
0:23:04 > 0:23:06So thank you once again, Mr Melrose,
0:23:06 > 0:23:08and thank you all for coming.
0:23:13 > 0:23:15Ladies and gentlemen, our foundlings.
0:23:20 > 0:23:22What are you doing?
0:23:27 > 0:23:31# Where did you get that hat? Where did you get that tile?
0:23:31 > 0:23:34# Isn't it a nobby one Oh, just the proper style
0:23:34 > 0:23:38# I should like to have one just the same as that
0:23:38 > 0:23:43# Wherever I go, they shout, "Hello, where did you get that hat?"
0:23:50 > 0:23:52Bravo!
0:23:58 > 0:24:02Wonderful, wonderful. Now, after that, er...
0:24:02 > 0:24:08popular opening, let us move on to the piece de resistance.
0:24:17 > 0:24:19- That was really good, mate. - That was incredible.
0:24:21 > 0:24:23Gideon, that was amazing.
0:24:24 > 0:24:27I'm sorry. I shouldn't have said what I did.
0:24:30 > 0:24:33It's all right, you just wanted to help Winterson.
0:24:34 > 0:24:36Marvellous. Just brilliant.
0:24:36 > 0:24:38You wrote a wonderful piece, Mr...
0:24:38 > 0:24:41No, the Vaudeville, the music hall! How on earth did you learn that?
0:24:41 > 0:24:43Nurse Winterson, our teacher, taught us.
0:24:43 > 0:24:45Nurse Winterson. Of course!
0:24:45 > 0:24:47Where is she? I really must thank her.
0:24:47 > 0:24:49She got the sack.
0:24:49 > 0:24:50Is this true?
0:24:50 > 0:24:52She was a bad influence.
0:24:52 > 0:24:55She is a musician, isn't she?
0:24:55 > 0:24:56But this is a hospital.
0:24:56 > 0:24:58And musical education is part
0:24:58 > 0:25:00of what makes this hospital special, Matron.
0:25:00 > 0:25:05I wouldn't have my donation fund it, otherwise.
0:25:07 > 0:25:09Get the girl back, eh?
0:25:09 > 0:25:13Of course, Mr Melrose.
0:25:13 > 0:25:15- Now, then, what's your name? - Gideon, sir.
0:25:15 > 0:25:18Well, Gideon, you're a little young for a school like mine,
0:25:18 > 0:25:20and a little raw.
0:25:20 > 0:25:21But what say myself
0:25:21 > 0:25:24and your Winterson give you some private tuition?
0:25:24 > 0:25:27A couple of times a month, see where we are next year, hey?
0:25:29 > 0:25:31FOOTSTEPS
0:25:31 > 0:25:33Shh. Matron's coming.
0:25:36 > 0:25:37FOOTSTEPS APPROACH
0:25:40 > 0:25:42Nurse Winterson!
0:25:42 > 0:25:44What a welcome!
0:25:46 > 0:25:49All right. All right, back into bed. Come on.
0:25:53 > 0:25:55Lights out, girls.
0:25:58 > 0:26:00We'll see each other in the morning.
0:26:05 > 0:26:07I hear I've got you to thank, Hetty.
0:26:07 > 0:26:09No. Thank Gideon.
0:26:12 > 0:26:15You know, Matron doesn't just forgive and forget.
0:26:15 > 0:26:18You all need to be very careful now.
0:26:27 > 0:26:28Go to sleep.
0:26:42 > 0:26:46'We'd done it. Winterson was back at the hospital.
0:26:48 > 0:26:50'But she was right about Matron.
0:26:50 > 0:26:54'She always held a grudge and never forgave or forgot.
0:26:56 > 0:26:59'We would all have to look out for each other.
0:26:59 > 0:27:03'I had a feeling things were going to get tricky.'
0:27:08 > 0:27:11This is Sergeant Cragg.
0:27:11 > 0:27:14He's here to select a new drummer boy for his regiment.
0:27:14 > 0:27:16- Don't like soap and water? - Get off me!
0:27:16 > 0:27:18- SCREAMS - Stop!
0:27:18 > 0:27:19You'll be skivvies.
0:27:19 > 0:27:21- Let go.- You let go.
0:27:23 > 0:27:25Raising of the flag contest. Winner gets to join the army.
0:27:25 > 0:27:27Get off him!
0:27:27 > 0:27:29Don't you ever touch him again!
0:27:29 > 0:27:30Ooh, I'm so scared(!)
0:27:30 > 0:27:32Move out of the way.
0:27:32 > 0:27:34I'm not afraid of you, or anyone!
0:27:36 > 0:27:37I'm a general.
0:27:42 > 0:27:45Subtitles by Ericsson