Bandit Queen

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0:00:09 > 0:00:11Lots of secrets in here.

0:00:11 > 0:00:14I kind of think you've got a secret too.

0:00:14 > 0:00:16No!

0:00:16 > 0:00:20Oh, yes, and you're going to tell me everything.

0:00:20 > 0:00:21Everything.

0:00:21 > 0:00:22Everything.

0:00:22 > 0:00:24FEARFUL GASPING

0:00:24 > 0:00:26Tutto!

0:01:04 > 0:01:08- 'I think you've a secret too.- No!

0:01:08 > 0:01:09'Secret...

0:01:09 > 0:01:11'secret...

0:01:11 > 0:01:12'secret.'

0:01:12 > 0:01:16- Ah! - Tom, shh. It's OK, it's OK.

0:01:16 > 0:01:20It's me. You were having a bad dream. Shh, shh.

0:01:22 > 0:01:25Lorenzo's father. He's got your notebook, all your designs.

0:01:27 > 0:01:31What does he want with them? What's he up to?

0:01:34 > 0:01:35I took it.

0:01:41 > 0:01:44- It's all my fault.- Shh, shh, hey.

0:01:44 > 0:01:47Shh. Va bene.

0:01:47 > 0:01:49We'll find it.

0:01:49 > 0:01:52I don't care how rich and powerful he is.

0:01:52 > 0:01:55He has got my notebook and I'm getting it back.

0:02:02 > 0:02:04- Ciao, Mac! Really good to see you. - Why's that?

0:02:04 > 0:02:07- Well, cos we're mates. So, where you off to?- Business. You?

0:02:07 > 0:02:10- Oh, hither and thither. - Doing what?- This and that.

0:02:10 > 0:02:14- So, business? You're a busy man. Bet that'll take a while.- Mm.

0:02:14 > 0:02:18- Probably be out for hours, will you? - Mm.- Eccellente! Well, better get on.

0:02:24 > 0:02:26- HE WHISTLES - Yeah?

0:02:28 > 0:02:29Follow him.

0:02:49 > 0:02:51Just saw Lorenzo acting really weird.

0:02:51 > 0:02:52Don't start that again!

0:02:52 > 0:02:55Oh, excuse me for not trusting the son of the man

0:02:55 > 0:02:58- who kidnapped and tortured me.- He didn't torture you. Don't exaggerate.

0:02:58 > 0:03:02- Anyway, it has nothing to do with Lorenzo.- You don't know that.

0:03:02 > 0:03:04He could be working for his father, spying on us.

0:03:04 > 0:03:08I've been thinking, how did Piero even know about your notebook?

0:03:08 > 0:03:11Well, he could have heard from... Don't be crazy.

0:03:11 > 0:03:13Oh, I'm crazy, all right. Crazy like a fox.

0:03:13 > 0:03:14DOOR OPENING

0:03:14 > 0:03:18Bad news. They want Alfonso in it. Caruso's boy.

0:03:18 > 0:03:20Who's Alfonso?

0:03:20 > 0:03:23His beloved pet parrot.

0:03:23 > 0:03:25PARROT CAWS

0:03:25 > 0:03:27I'd nearly finished.

0:03:27 > 0:03:30You're adding a bird. How hard can it be?

0:03:30 > 0:03:31You, Jack, Mac, whatever your name is,

0:03:31 > 0:03:35if you're going to hang around, you can make yourself useful.

0:03:35 > 0:03:37I'm going out for a while.

0:03:37 > 0:03:39I'm not really a bird person.

0:03:57 > 0:04:00Be still.

0:04:00 > 0:04:03A smaller wing span than a falcon's.

0:04:03 > 0:04:05Must need rapid wing beats to stay aloft.

0:04:10 > 0:04:12The Maestro's out.

0:04:15 > 0:04:18What did I tell you? Lorenzo just sneaked into my place!

0:04:18 > 0:04:20- What?- See?

0:04:20 > 0:04:22He is spying on us.

0:04:22 > 0:04:25Good work, boy. Keep on like this, I'll throw in some butter next time.

0:04:25 > 0:04:30- Lorenzo's a friend. It's a misunderstanding.- We'll go check.

0:04:30 > 0:04:32Right now!

0:04:44 > 0:04:46Aha! So you thought you could...

0:04:50 > 0:04:52Redecorate?!

0:04:52 > 0:04:54Right, so what's going on?

0:04:54 > 0:04:56I've met a girl.

0:04:56 > 0:04:58Sono innamorato.

0:04:58 > 0:05:02You can't imagine how blissful it is.

0:05:02 > 0:05:05Blissful? Sounds hideous to me.

0:05:05 > 0:05:08- And me.- Why didn't you tell us?

0:05:08 > 0:05:10I haven't told anyone.

0:05:10 > 0:05:12She's a commoner, works in the fish market.

0:05:12 > 0:05:16If my family hear about this, they'll never let me see her again.

0:05:16 > 0:05:20So I thought we could meet here without anyone knowing.

0:05:20 > 0:05:22But I didn't... I didn't realise...

0:05:22 > 0:05:23the squalor.

0:05:27 > 0:05:28How often do you actually bathe?

0:05:28 > 0:05:31Once a month. Whether I need to or not.

0:05:33 > 0:05:37Do you like what I've done with the place? I nearly didn't make it.

0:05:37 > 0:05:39I've been grounded because my elocution tutor

0:05:39 > 0:05:42said I'm not concentrating. I had to sneak out through the kennels.

0:05:45 > 0:05:47Maria! Ciao, bella!

0:06:01 > 0:06:02Oh!

0:06:02 > 0:06:07- Sorry, I didn't mean to interrupt. - Like you could ever!

0:06:09 > 0:06:10These are my friends.

0:06:10 > 0:06:13- Leo and Tomaso.- The painters.

0:06:13 > 0:06:16Lolly's told me all about you.

0:06:16 > 0:06:18Lolly?

0:06:18 > 0:06:19HE LAUGHS

0:06:19 > 0:06:21And that's Mac.

0:06:21 > 0:06:25I call him Lolly because he's so sweet.

0:06:25 > 0:06:28Not as sweet as you, Honey pot!

0:06:29 > 0:06:31I call her that because...

0:06:31 > 0:06:33Yeah, we get it.

0:06:33 > 0:06:36- So sweet. - We'd better head back.

0:06:39 > 0:06:41Have a lovely time.

0:06:41 > 0:06:45- It's always lovely when I'm with Lolly.- Aw!

0:06:52 > 0:06:56- She wasn't that bad.- She's a total gonzo. But that's not the point.

0:06:56 > 0:06:59Having a dim girlfriend doesn't make Lorenzo innocent,

0:06:59 > 0:07:00he still could be a Luminare.

0:07:00 > 0:07:04Why didn't he steal Leo's notebook himself? Why did Piero make me do it?

0:07:04 > 0:07:07The rich don't do their own dirty work.

0:07:07 > 0:07:10Look, Lorenzo is a Medici through and through,

0:07:10 > 0:07:11and we have to remember that.

0:07:11 > 0:07:12DOOR OPENING

0:07:12 > 0:07:14Now, get back to work.

0:07:14 > 0:07:18ALL: Yes, Maestro.

0:07:18 > 0:07:20Hm. Passable.

0:07:20 > 0:07:25- Grazie, Maestro.- A pity it's not going to someone more discerning.

0:07:25 > 0:07:28That idiot Caruso won't appreciate a painting like this.

0:07:28 > 0:07:29Idiot Caruso!

0:07:32 > 0:07:33Idiot Caruso!

0:07:33 > 0:07:36- Oh, no, you mustn't say that. - Idiot Caruso!

0:07:36 > 0:07:39No. Pretty Alfonso, pretty Alfonso.

0:07:39 > 0:07:41Idiot Caruso! Idiot Caruso!

0:07:41 > 0:07:45- Idiot Caruso!- We don't say nasty things about our clients.

0:07:45 > 0:07:47Let's get some nice bird seed. Say bird seed.

0:07:47 > 0:07:50Idiot Caruso! Idiot Caruso!

0:07:51 > 0:07:56- Right, let's go.- Where? - The palace.- Now?

0:07:56 > 0:07:59Yeah. Lorenzo's out, Verrocchio's gone, now's our chance.

0:07:59 > 0:08:02And I made a fake, so we just have to switch.

0:08:02 > 0:08:05And find yours and avoid Medici security. Piece of cake(!)

0:08:07 > 0:08:09She doesn't have to come, does she?

0:08:11 > 0:08:15No, Mac's right. Piero could recognize you. You better stay.

0:08:15 > 0:08:17But he's only seen me as Tomaso.

0:08:17 > 0:08:21- I'm nobody.- I wouldn't say that.

0:08:21 > 0:08:23I'm told you have real talent.

0:08:27 > 0:08:29Too risky.

0:08:29 > 0:08:32And you need to cover for us if Verrocchio gets back before us, OK?

0:08:32 > 0:08:34Come on then.

0:08:34 > 0:08:39- We'll try Lorenzo's route through the kennels.- I'm not a dog person.

0:08:51 > 0:08:54Oh, no!

0:09:05 > 0:09:09I wish you hadn't gone to all this trouble, Lolly.

0:09:09 > 0:09:11I want everything to be perfect.

0:09:11 > 0:09:16But I don't need it. Just being with you, that's enough.

0:09:16 > 0:09:21Every day, I meet 20 girls who want to marry me because I'm a Medici.

0:09:21 > 0:09:25- But you couldn't care less, could you?- I'm a simple girl.

0:09:25 > 0:09:27I don't know anything about that life.

0:09:27 > 0:09:29It's actually quite stressful.

0:09:29 > 0:09:33Balls three or four times a month, dressing for dinner every evening.

0:09:33 > 0:09:36And my new valet is useless.

0:09:36 > 0:09:37See?

0:09:37 > 0:09:41- No bounce.- Oh, poor Lolly!

0:09:41 > 0:09:43Enough about my problems.

0:09:43 > 0:09:45Let's eat.

0:09:45 > 0:09:48- Is it OK?- It's too much!

0:09:48 > 0:09:51I couldn't eat all this while my family goes hungry.

0:09:51 > 0:09:56- Oh. I didn't realise, I... - Things have been so hard recently.

0:09:58 > 0:10:01If only there was some way my family could have a meal like this.

0:10:01 > 0:10:05Unlikely. It costs quite a bit.

0:10:06 > 0:10:09Perhaps some kind rich person would see how we suffer

0:10:09 > 0:10:13and offer to share his food with us?

0:10:13 > 0:10:17I don't know. Rich people can be pretty insensitive. Buon appetito.

0:10:19 > 0:10:21Mm!

0:10:21 > 0:10:23Delizioso.

0:10:27 > 0:10:28Wait.

0:10:28 > 0:10:32I've an idea!

0:10:32 > 0:10:36Why don't we go and share this with your family?

0:10:36 > 0:10:40- Oh, could we?- Uh-huh.- Oh!

0:10:42 > 0:10:44I think I'm falling in love with you.

0:10:49 > 0:10:51DOG BARKING

0:10:51 > 0:10:54Down, boy! Get off me! Ow! Ow!

0:10:54 > 0:10:57Just look at my shirt! Who's bright idea was this?

0:10:57 > 0:11:01Shush! Right, let's go. Sbrigati.

0:11:27 > 0:11:28Oh.

0:11:30 > 0:11:32This is...

0:11:32 > 0:11:34um...

0:11:34 > 0:11:35Delightful!

0:11:37 > 0:11:41Nice solid chair. Love the whole chain effect.

0:11:41 > 0:11:44Good. Cos they're for you.

0:11:47 > 0:11:49Honeypot? What are you doing?

0:11:49 > 0:11:51You've been kidnapped, rich boy. Now, sit!

0:11:53 > 0:11:55Oh, I see!

0:11:55 > 0:11:57Very clever!

0:11:57 > 0:12:00This is some kind of fish market initiation? Well, I'm a good sport.

0:12:00 > 0:12:03Sit in the chair.

0:12:03 > 0:12:06Maria, you should never point cocked pistols at someone.

0:12:06 > 0:12:08That's very, very dangerous.

0:12:08 > 0:12:12Try to keep up, gonzo. I'm not Maria.

0:12:12 > 0:12:13I'm Belladonna.

0:12:13 > 0:12:15The Bandit Queen?

0:12:15 > 0:12:18Finally, he gets it!

0:12:18 > 0:12:19Now, sit.

0:12:19 > 0:12:21Please, just listen.

0:12:23 > 0:12:24Like this?

0:12:30 > 0:12:33It's been two months now, Valerio.

0:12:33 > 0:12:36I've got to make sure everything works.

0:12:36 > 0:12:39But why is it taking so long?

0:12:39 > 0:12:40Well, the, er...

0:12:40 > 0:12:45the technical specifications in the notebook,

0:12:45 > 0:12:47they're not complete.

0:12:47 > 0:12:49Then work around it.

0:12:49 > 0:12:51We have been. And we're getting close now.

0:12:51 > 0:12:53Very close.

0:12:54 > 0:12:59You hear that? They're trying to build something but they're stuck.

0:12:59 > 0:13:01- So what do we do? - Well, we distract them.

0:13:01 > 0:13:04They come running out, we go in, switch the notebooks,

0:13:04 > 0:13:06escape through the window. What could go wrong?

0:13:06 > 0:13:09Quite a lot of things. Like the bit where we distract them?

0:13:12 > 0:13:16- My new flashbomb.- Oh, an experimental explosive device?

0:13:16 > 0:13:18My mind is at rest(!)

0:13:38 > 0:13:39Fire!

0:13:46 > 0:13:50Noise but no fire.

0:13:50 > 0:13:53There's something odd about this.

0:13:53 > 0:13:55This was meant to get us out of the room.

0:14:14 > 0:14:15It's my son.

0:14:15 > 0:14:18He's been kidnapped by that ridiculous outlaw,

0:14:18 > 0:14:21Belladonna, the Bandit Queen.

0:14:21 > 0:14:23Lorenzo should be in his room.

0:14:23 > 0:14:26Maybe it's not true, Your Excellency? Maybe it's a bluff.

0:14:34 > 0:14:37It's Lorenzo's hair. Sound the alarm.

0:14:41 > 0:14:45They've got the notebook! Now what do we do?

0:14:45 > 0:14:47- What do you think? We've got to help Lorenzo.- OK.

0:14:47 > 0:14:51But just because he's been kidnapped doesn't mean he's innocent.

0:14:58 > 0:15:00BELL RINGING

0:15:00 > 0:15:03Ah! Running from someone?

0:15:03 > 0:15:08I... I was just... I heard the bell.

0:15:08 > 0:15:11No! I've seen you before.

0:15:12 > 0:15:13You!

0:15:15 > 0:15:18What do you want?

0:15:18 > 0:15:21I haven't done anything. I'm nobody.

0:15:21 > 0:15:23The apprentice?

0:15:23 > 0:15:25You're a girl?

0:15:25 > 0:15:27I...I don't know what you mean.

0:15:27 > 0:15:31Of course I'm a girl. A humble servant girl. Humbelina.

0:15:31 > 0:15:34You'll have to do better than that.

0:15:34 > 0:15:36Now tell me, why are you in my house?

0:15:38 > 0:15:41You're involved in the kidnapping, aren't you?

0:15:41 > 0:15:46- Kidnapping?- Very foolish. I have the best informers in Florence.

0:15:46 > 0:15:49Your Bandit Queen's getting a very nasty surprise.

0:15:49 > 0:15:52- I don't know what you're talking about.- I don't believe you.

0:15:52 > 0:15:54Now you're going to tell me everything.

0:15:54 > 0:15:56Tutto.

0:16:06 > 0:16:08Where have you been?

0:16:08 > 0:16:11Getting this, Signor.

0:16:11 > 0:16:14Your lapis lazuli. You had run out.

0:16:14 > 0:16:15What do I owe you?

0:16:15 > 0:16:17Think nothing of it. A gift.

0:16:17 > 0:16:19Where's Tomaso?

0:16:19 > 0:16:22Maybe he's gone to look at a sheep?

0:16:22 > 0:16:25I'll show him sheep when I see him.

0:16:25 > 0:16:26Look at this blob.

0:16:26 > 0:16:30- Idiot Caruso!- Cavolo! This bird's going to ruin me.

0:16:30 > 0:16:32There'll be no commissions if it gets out

0:16:32 > 0:16:33I'm insulting my clients.

0:16:33 > 0:16:37Signor Verrocchio, I have a business relationship with Valduccio.

0:16:37 > 0:16:41- The tropical bird importer? - Well, what good would that...?

0:16:44 > 0:16:45Of course!

0:16:45 > 0:16:48Swap this one for a bird that says nothing.

0:16:48 > 0:16:49Valduccio's address.

0:16:49 > 0:16:51Just say you're a friend of mine.

0:16:51 > 0:16:54Everything I've said about you, I take it all back.

0:16:54 > 0:16:57You are a most resourceful boy.

0:16:57 > 0:17:00- Grazie.- Prego.- Idiot Caruso!

0:17:00 > 0:17:02We have to find Lorenzo.

0:17:02 > 0:17:05Relax. I've got the best informers in the city.

0:17:05 > 0:17:07HE WHISTLES

0:17:09 > 0:17:13- She took him to the old town. - Old town?- Via Della Scala.

0:17:13 > 0:17:14- Number 22.- 22.

0:17:14 > 0:17:18- His left shoe is slightly scuffed. - OK, OK can we go now?

0:17:18 > 0:17:21A-hem!

0:17:26 > 0:17:28I can't believe you tricked me.

0:17:28 > 0:17:31You rich boys are all the same.

0:17:31 > 0:17:34Vain peacocks.

0:17:34 > 0:17:36Do you seriously think I'd be interested

0:17:36 > 0:17:39in anything other than your money?

0:17:39 > 0:17:43And you are going to fetch such a big ransom.

0:17:43 > 0:17:45I'll be rich.

0:17:45 > 0:17:49If I didn't enjoy my work so much, I'd retire on it.

0:17:51 > 0:17:56Oh, Lolly, just being with you, that's enough.

0:17:56 > 0:17:57Don't.

0:17:57 > 0:18:00Hey, I had to listen to you whinging about your valet.

0:18:02 > 0:18:05- Poorly conditioned fabric can be very stressful.- Can it?

0:18:05 > 0:18:07You won't get away with this, you know.

0:18:07 > 0:18:10Ooh! I'm being threatened by the milquetoast

0:18:10 > 0:18:12who can't even dress himself.

0:18:12 > 0:18:15It's not me you need to worry about.

0:18:15 > 0:18:17No, you don't!

0:18:17 > 0:18:18Ah!

0:18:18 > 0:18:20It's my father.

0:18:20 > 0:18:21Take her.

0:18:24 > 0:18:26Did she hurt you, Master Lorenzo?

0:18:26 > 0:18:28No, I'm fine.

0:18:28 > 0:18:31You're to return to the palace immediately.

0:18:31 > 0:18:34Your father wants to speak to you.

0:18:42 > 0:18:46- This is it, Via Della Scala. - Good work, men.

0:18:46 > 0:18:50His Excellency will be pleased. Might even be a little bonus in it.

0:18:50 > 0:18:54And we caught your accomplice, too. So don't expect any help from her.

0:18:54 > 0:18:56- What accomplice? I work alone. - Yeah, right.

0:18:56 > 0:18:59Who's the brunette in the pink dress His Excellency caught

0:18:59 > 0:19:01sneaking around the palace?

0:19:01 > 0:19:02I have no idea.

0:19:02 > 0:19:05Tom!

0:19:13 > 0:19:15RAPPING ON DOOR

0:19:39 > 0:19:43We've brought you a little friend. What?

0:19:44 > 0:19:46Shut the door.

0:19:46 > 0:19:48And let her go.

0:19:50 > 0:19:56- Grazie, grazie! - Va bene, Maria. You're safe.

0:19:56 > 0:20:00- You'll never get out of the palace. - Shut up!

0:20:00 > 0:20:01Over there!

0:20:01 > 0:20:04And you, move!

0:20:16 > 0:20:18Keys.

0:20:18 > 0:20:20Cover them. I'll see if the coast is clear.

0:20:20 > 0:20:22You're staying with them.

0:20:23 > 0:20:27- Excuse me? - You've been double-crossed, love.

0:20:27 > 0:20:30That's what you get for working with the Bandit Queen.

0:20:30 > 0:20:33The Bandit...? No, no. This is Maria,

0:20:33 > 0:20:36the kind and simple fish girl.

0:20:38 > 0:20:42- But I set you free! - Yeah, and now you'll get me caught.

0:20:42 > 0:20:45- But...- But nothing. I don't work with amateurs.

0:20:45 > 0:20:46HE LAUGHS

0:20:49 > 0:20:52The place will be swarming with Medici guards.

0:20:52 > 0:20:53I know a way out.

0:20:53 > 0:20:56Do you now?

0:20:57 > 0:21:02I'll show you. But you've got to take me with you.

0:21:04 > 0:21:05'You've got to hand it to her.'

0:21:05 > 0:21:08That whole Maria act was perfect and kidnapping a Medici?

0:21:08 > 0:21:12- Oof! She's got some nerve! - OK, can we focus on finding Tom?

0:21:12 > 0:21:13VOICES APPROACHING

0:21:14 > 0:21:17See that?

0:21:17 > 0:21:19He's got my notebook!

0:21:19 > 0:21:21What happened to, "Can we just focus on finding Tom?"

0:21:21 > 0:21:23We might not get a chance like this again.

0:21:23 > 0:21:26- He's coming. Can you...? - I know, distract him.

0:21:32 > 0:21:35Are you all right, boy? Boy?

0:21:37 > 0:21:38Boy?

0:21:39 > 0:21:41HE COUGHS

0:21:44 > 0:21:49Signor, please help me. I think I've got the seeping boil plague.

0:21:49 > 0:21:51It's what my mum died so horribly of.

0:21:51 > 0:21:56All right. Well, let me go and I'll get you some help.

0:21:56 > 0:21:57Please don't leave me!

0:21:57 > 0:22:00Let go of me, you little swine!

0:22:08 > 0:22:12- The seeping boil plague? - Would you want to catch it?

0:22:12 > 0:22:15- Now, can we go and find Tom?- Yeah.

0:22:22 > 0:22:26- What are you doing here?- I could ask you the same question.- I live here.

0:22:26 > 0:22:27- How convenient.- It's Tom.

0:22:27 > 0:22:30- What about her? - Your dad might have locked her up.

0:22:30 > 0:22:34- What was she doing here?- We found out that you'd been kidnapped

0:22:34 > 0:22:37so Tom came here to find out if it was true.

0:22:37 > 0:22:40We think your dad caught her and assumed she was mixed up in it.

0:22:40 > 0:22:43This is not good. I'm already in trouble.

0:22:43 > 0:22:46If you're found here, then... OK, you two go.

0:22:46 > 0:22:50I'll tell my father she's a harmless peasant girl, or something.

0:22:50 > 0:22:53- It might be better if we actually... - Tom?!

0:22:55 > 0:23:00Tom, eh? You had me fooled. Nobody move.

0:23:03 > 0:23:04Kidnap's back on.

0:23:04 > 0:23:07Thinking on your feet, I love it. See how she's turned this round?

0:23:08 > 0:23:09I'm just saying.

0:23:11 > 0:23:14I'm a Medici. I don't take orders from some bandit.

0:23:14 > 0:23:18OK, rich boy. You've got three seconds.

0:23:18 > 0:23:19Uno...

0:23:19 > 0:23:21- Lorenzo, maybe you should just... - No.

0:23:21 > 0:23:25- ..Due...- Lorenzo, do what she says! - Absolutely not.

0:23:25 > 0:23:28If I must die, I will die as a Medici should.

0:23:28 > 0:23:32- Proud...- OK, how about if he dies?

0:23:32 > 0:23:35Me?! I'm one of your biggest fans!

0:23:35 > 0:23:39Come with me or your friend gets it. Your choice.

0:23:44 > 0:23:45I'll go with you.

0:23:46 > 0:23:48I won't forget this, Lorenzo.

0:23:49 > 0:23:51BELL RINGS

0:23:59 > 0:24:02There's poison on the end of this. Anyone want to try?

0:24:06 > 0:24:08I'll get you next time.

0:24:08 > 0:24:12And good luck with the whole sleeve problem.

0:24:13 > 0:24:14Sleeve?!

0:24:14 > 0:24:17Tom, they know you've escaped.

0:24:17 > 0:24:19You need to get out of here. Come on!

0:24:23 > 0:24:25DOGS BARK

0:24:25 > 0:24:28We've got to go through this again?

0:24:28 > 0:24:31It's OK. They've been trained to respond to a password.

0:24:31 > 0:24:33# Satin pillows! #

0:24:36 > 0:24:38It was my mum's idea. I wanted "thunderbolt".

0:24:47 > 0:24:49RAPPING ON DOOR

0:24:49 > 0:24:50Entre.

0:24:51 > 0:24:54There's no sign of them, Your Excellency.

0:24:54 > 0:24:56They've vanished into thin air.

0:24:56 > 0:25:01The one maybe. The other, I know where to find her.

0:25:01 > 0:25:03Excellency.

0:25:34 > 0:25:39You are very lucky that we made copies.

0:25:39 > 0:25:41Excellency.

0:25:53 > 0:25:55Look!

0:25:55 > 0:25:57Identical!

0:25:57 > 0:26:00The only other one in the whole city.

0:26:02 > 0:26:07Tail feathers are different. I need to build up the lighter shades.

0:26:07 > 0:26:09No.

0:26:09 > 0:26:11We notice because we have an artist's eye.

0:26:11 > 0:26:13That idiot Caruso would nev...

0:26:17 > 0:26:20- Idiot Caruso! - No, no, no!

0:26:20 > 0:26:23No, pretty Alfonso! Pretty Alfonso!

0:26:23 > 0:26:24Idiot Caruso!

0:26:28 > 0:26:32And whoever keeps messing around with that dress, put it back!

0:26:32 > 0:26:33Idiot Caruso!

0:26:40 > 0:26:41He's gone!

0:26:54 > 0:26:56Maybe I shouldn't bother.

0:26:56 > 0:26:58I mean, it's all over, isn't it?

0:26:58 > 0:27:01Now that Piero knows I'm a girl.

0:27:02 > 0:27:05One word to Verrocchio and that's it, you're gone.

0:27:05 > 0:27:07It's not just Tom.

0:27:07 > 0:27:11Maybe the whole workshop if it gets out Verrocchio hired a girl.

0:27:11 > 0:27:14- They'll close him down. - I don't know what to do.

0:27:14 > 0:27:17What should I do?

0:27:17 > 0:27:18Should I get out of here?

0:27:22 > 0:27:24Should I run?

0:27:41 > 0:27:43Subtitles by Red Bee Media Ltd

0:27:43 > 0:27:45E-mail subtitling@bbc.co.uk