0:00:12 > 0:00:15LEONARDO COUGHS
0:00:23 > 0:00:25This is where I do my pottering.
0:00:33 > 0:00:34Fantastico!
0:01:08 > 0:01:12Behold! The fireball -
0:01:12 > 0:01:15key to ultimate power over the city of Florence,
0:01:15 > 0:01:18and the vermin who...
0:01:18 > 0:01:19The vermin...
0:01:19 > 0:01:21Mi scusi.
0:01:21 > 0:01:25The vermin...
0:01:25 > 0:01:27Behold! The fireball...
0:01:27 > 0:01:30- Oh, shut up!- Excellency.
0:01:30 > 0:01:34- One question. Does it work? - Of course.
0:01:34 > 0:01:37The sphere contains two separate, harmless liquids.
0:01:37 > 0:01:39But when mixed, they create a ball of fire,
0:01:39 > 0:01:42destroying everything within six feet.
0:01:42 > 0:01:46- Mm. And it is activated how? - By sound.
0:01:46 > 0:01:48With one clap of my hands,
0:01:48 > 0:01:51the ball of fire will reduce this table to ashes.
0:01:51 > 0:01:54Behold!
0:01:57 > 0:02:00I... My hands are a little sweaty. Once more.
0:02:02 > 0:02:04Ooh!
0:02:04 > 0:02:06- HE STAMPS FOOT - Ooh!
0:02:07 > 0:02:09Your Excellency, you're in great danger.
0:02:09 > 0:02:11THUD!
0:02:14 > 0:02:16I appear to be alive.
0:02:16 > 0:02:20Praise be. There must be some technical hitch.
0:02:20 > 0:02:23Here's the hitch... your bomb does not work.
0:02:23 > 0:02:26And when things do not work, I dispose of them.
0:02:26 > 0:02:29Your Excellency, I can fix it, trust me.
0:02:29 > 0:02:31I have no time left for trust.
0:02:31 > 0:02:34I need expertise. A child could do a better job than...
0:02:36 > 0:02:41A child could do a better job than you.
0:02:42 > 0:02:44I brought you some...
0:02:44 > 0:02:46What are you doing?
0:02:46 > 0:02:47Well, that's everything.
0:02:47 > 0:02:50But you can't go.
0:02:50 > 0:02:53I can't stay, Leo. I don't want to run into Verrocchio...
0:02:53 > 0:02:55Tomaso! Leonardo!
0:02:55 > 0:03:00Mark this day, for it is the greatest of your lives.
0:03:00 > 0:03:04You have been summoned to create a painting for Piero de' Medici.
0:03:04 > 0:03:06- A what?- A painting, boy.
0:03:06 > 0:03:09The application of oils to canvas for visual effect.
0:03:09 > 0:03:11You might have seen them around.
0:03:11 > 0:03:15- And His Excellency asked for us? - Yes. I could hardly believe it myself -
0:03:15 > 0:03:18that he has heard of you, let alone commissioned a piece.
0:03:18 > 0:03:20You're to go to the palace immediately.
0:03:22 > 0:03:25I'll take those blank faces as expressions of delight.
0:03:25 > 0:03:27Presto, presto! We don't want him to change his mind.
0:03:27 > 0:03:29Get your things.
0:03:32 > 0:03:35Where's the cobalt?
0:03:35 > 0:03:36It's just there.
0:03:39 > 0:03:41You've been invited to the Medici Palace?
0:03:41 > 0:03:44It's the ideal opportunity to find out what Piero is up to.
0:03:44 > 0:03:48Or the ideal opportunity to get killed! Talk him out of it!
0:03:48 > 0:03:50Piero knows I'm a girl. If we don't do this,
0:03:50 > 0:03:52he could have Verrocchio arrested.
0:03:52 > 0:03:55Oh, so better to be locked up, interrogated, killed?
0:03:55 > 0:03:57He's not going to kill us.
0:03:57 > 0:03:59Anyway, Verrocchio knows we're there.
0:03:59 > 0:04:02Piero is a respectable man in the eyes of the world, remember?
0:04:02 > 0:04:04And a dangerous one.
0:04:04 > 0:04:06We don't know that for sure. See you later?
0:04:06 > 0:04:10Yeah...I hope so.
0:04:26 > 0:04:28What happens now?
0:04:30 > 0:04:31We wait.
0:04:31 > 0:04:35Piero comes and we find out what this is all about.
0:04:57 > 0:05:03- Ciao!- Lorenzo! - We haven't seen you for days.
0:05:03 > 0:05:07I know I've been helping my dad organize the Duke's birthday party.
0:05:07 > 0:05:11No talking. Less this... more of this...
0:05:11 > 0:05:13So...we are here to do a portrait?
0:05:13 > 0:05:16Of course! You're painters, aren't you?
0:05:16 > 0:05:17Yeah, but...
0:05:17 > 0:05:20Do not speak to Master Lorenzo directly.
0:05:20 > 0:05:22Any questions you address to me.
0:05:24 > 0:05:27So...is His Excellency at home?
0:05:27 > 0:05:29No. Not that it's any of your business.
0:05:29 > 0:05:34- Could I go to the bathroom?- No. Now get painting.
0:05:38 > 0:05:41We need to get into his study again.
0:05:41 > 0:05:44- You distract Lorenzo, while I... - While you what?
0:05:44 > 0:05:48So, how do you want me?
0:05:48 > 0:05:55Um, could the...young master strike a noble, commanding pose?
0:05:56 > 0:05:58Ahh!
0:05:58 > 0:06:00Perfetto!
0:06:00 > 0:06:02Grr...
0:06:02 > 0:06:06They might be dead already. You know he chained me up?
0:06:06 > 0:06:08Probably would have tortured and executed me,
0:06:08 > 0:06:10had I not engineered a daring escape.
0:06:10 > 0:06:14I wonder what's happening up there? I'm talking to myself.
0:06:14 > 0:06:16KNOCK AT DOOR
0:06:19 > 0:06:22- Are you Machiavelli?- That depends.
0:06:22 > 0:06:26I'm in urgent need of your assistance. I'm in fear of my life.
0:06:26 > 0:06:28- I need help to escape the city. - I know you.
0:06:28 > 0:06:31- You're Piero de' Medici's engineer. - He fired me.
0:06:31 > 0:06:34- And now I think he wants to kill me. - Oh really?
0:06:36 > 0:06:38Interessante.
0:06:48 > 0:06:50I wonder if the young master
0:06:50 > 0:06:52would care to inspect the work in progress.
0:06:52 > 0:06:56Um, no, thanks, I'll wait till it's finished.
0:06:58 > 0:07:02Or...maybe a little glance. Yeah.
0:07:10 > 0:07:14Oh... Well, that's not a picture, that's a series of pictures.
0:07:15 > 0:07:19HE LAUGHS There's one of me looking at the canvas.
0:07:22 > 0:07:23Shh!
0:07:27 > 0:07:31So, here's the deal. I provide you with a whole new identity
0:07:31 > 0:07:34for the bargain price of 200 florins.
0:07:34 > 0:07:36The Duke himself couldn't afford that!
0:07:36 > 0:07:42Or you could pay with some other form of currency. Like information.
0:07:42 > 0:07:46- Information?- About Piero de' Medici. What goes on at that house.
0:07:46 > 0:07:47I couldn't tell you that.
0:07:47 > 0:07:51I am in enough danger already, without betraying Piero's plans.
0:07:51 > 0:07:56Oh, he has plans? See?
0:07:56 > 0:08:00You've saved yourself a couple of florins already.
0:08:01 > 0:08:09- Va bene, Master Lorenzo?- No, not really, feeling a trifle hot.
0:08:09 > 0:08:13Stand in for us a while would you, there's a good fellow.
0:08:30 > 0:08:34No reason to shirk. Keep painting!
0:08:46 > 0:08:47(Let's go!)
0:08:52 > 0:08:53Master Lorenzo!
0:08:53 > 0:08:56Sorry about the dirty trick there.
0:08:56 > 0:09:00- But...?- It's all in this sequence of pictures.
0:09:00 > 0:09:02There's one of me giving you the helmet,
0:09:02 > 0:09:05there they are escaping and... very clever,
0:09:05 > 0:09:08they've even drawn the moment where you find me.
0:09:08 > 0:09:11Oh, and there's one of you running out after... Oh.
0:09:17 > 0:09:20- What are we looking for? - There must be something here.
0:09:20 > 0:09:24- Like what?- Anything that'll show us what they're up to.
0:09:25 > 0:09:27Perhaps I can help you.
0:09:27 > 0:09:30I thought it was time we met properly.
0:09:30 > 0:09:32That's why I invited you here.
0:09:32 > 0:09:36I am Piero de' Medici.
0:09:36 > 0:09:39Your names are Leonardo and, um...
0:09:39 > 0:09:43- Tomaso.- Lisa. That's right. Lisa.
0:09:43 > 0:09:46I apologise for summoning you up to the palace in this way
0:09:46 > 0:09:49but a man like me could hardly stroll into your workshop
0:09:49 > 0:09:52for a chat. You have my permission to speak.
0:09:53 > 0:10:00No? No need - I know everything you could possibly tell me.
0:10:00 > 0:10:03I know, for example, that you are friendly with my son, Lorenzo.
0:10:03 > 0:10:05That he visits you in your workshop
0:10:05 > 0:10:08in the belief that I know nothing about it.
0:10:08 > 0:10:10Clearly, you thought I was stupid.
0:10:10 > 0:10:14Well, I do not extend the same discourtesy to you, Leonardo.
0:10:14 > 0:10:16I think you are a very gifted boy.
0:10:16 > 0:10:20So that's why you and your sinister friends stole my notebook?
0:10:20 > 0:10:24- The Luminari?- So, you know our name.
0:10:24 > 0:10:27But you've got it wrong. We're not sinister.
0:10:27 > 0:10:29You just like hanging out in the catacombs.
0:10:29 > 0:10:35Do you know what it means, Luminari, eh? Shining lights.
0:10:35 > 0:10:38We are the shining lights.
0:10:38 > 0:10:41The bright minds, the visionaries.
0:10:44 > 0:10:47Fine, so you're so clever, what do you want with me?
0:10:47 > 0:10:50I want to offer you a job.
0:10:54 > 0:10:57HE TUTS
0:10:57 > 0:10:58Not interested.
0:10:58 > 0:11:00That's a shame.
0:11:00 > 0:11:02Never mind then, arrivederci.
0:11:02 > 0:11:05- Sorry?- I'm not going to force you.
0:11:05 > 0:11:07Come on, Leo, let's go.
0:11:07 > 0:11:11But I am surprised you don't want to see the prototypes.
0:11:11 > 0:11:14- Prototypes?- Of your designs.
0:11:14 > 0:11:18Difficult to know which ones work until you build them.
0:11:18 > 0:11:23- You've built my designs?- Mm-hm. - And do they work?
0:11:23 > 0:11:25Why don't you see for yourself?
0:11:25 > 0:11:29I can have you taken to my workshop.
0:11:29 > 0:11:31No, Leo.
0:11:34 > 0:11:36We're alike, you and I.
0:11:36 > 0:11:38The future belongs to men like us.
0:11:38 > 0:11:42Men of reason. Men who see the infinite possibilities.
0:11:42 > 0:11:45Men of vision. And women too, of course.
0:11:45 > 0:11:47Such a shame, such a crime,
0:11:47 > 0:11:50that an artist as talented as young Lisa is denied
0:11:50 > 0:11:53the chance to flourish just because she's female.
0:11:53 > 0:11:55Such Dark Age nonsense.
0:11:55 > 0:11:59Well, yes, it is a real...
0:11:59 > 0:12:01It doesn't have to be that way.
0:12:01 > 0:12:05You could help me to design a better world.
0:12:06 > 0:12:08Just take a look, eh?
0:12:11 > 0:12:14No. We can't. We need to go.
0:12:14 > 0:12:19Then go. But I think young Leonardo here wants to visit my workshop.
0:12:19 > 0:12:21Don't you?
0:12:25 > 0:12:27I'll be fine.
0:12:30 > 0:12:33I'll make sure everyone knows where you are.
0:12:39 > 0:12:44I do like it when people come round to my way of thinking.
0:12:46 > 0:12:51Tom! I've been looking for you everywhere. What's going on?
0:12:51 > 0:12:53What was all that business with the pictures about?
0:12:53 > 0:12:55Just a bit of fun.
0:12:55 > 0:12:59Come on, I can see something's going on. Where's Leo?
0:13:00 > 0:13:03- He went with your dad.- What?! Why?
0:13:05 > 0:13:07You'll have to ask your dad that.
0:13:14 > 0:13:17LEONARDO COUGHS
0:13:20 > 0:13:23Forgive the blindfold. This is where I do my pottering.
0:13:27 > 0:13:31Fantastico. I...
0:13:31 > 0:13:34My rotary blades!
0:13:34 > 0:13:35My deep-sea diving suit!
0:13:35 > 0:13:38Effective to a depth of eight fathoms.
0:13:38 > 0:13:39You mean you've tested it?
0:13:39 > 0:13:42Everything works, Leonardo, exactly as you designed it.
0:13:42 > 0:13:45I could never afford to build any of these.
0:13:45 > 0:13:50That's why we're such a great team. Your ideas, my resources.
0:13:51 > 0:13:55- We are not a team. - You don't trust me.
0:13:57 > 0:14:00That's reasonable. I don't blame you for it.
0:14:01 > 0:14:03How about this...
0:14:03 > 0:14:05Join me for a day, or two.
0:14:05 > 0:14:09A trial period. You'd be free to leave at any time.
0:14:09 > 0:14:12You could look at a problem I'm having with one of your designs.
0:14:15 > 0:14:19- I don't know.- No, it is a very difficult problem.
0:14:19 > 0:14:23You almost certainly won't be able to solve it.
0:14:24 > 0:14:25Let me see.
0:14:42 > 0:14:45- Signor Verrocchio. - Hmm? Oh, it's you.
0:14:45 > 0:14:48Have Leonardo and Tomaso returned from the palace?
0:14:48 > 0:14:51How do you know they went to the palace? What do you want?
0:14:51 > 0:14:56You look very dashing, Signore. Bellissimo!
0:14:56 > 0:14:58Court appearance, is it?
0:14:58 > 0:15:03Hmm. I have a very big day tomorrow.
0:15:04 > 0:15:06Tomaso! Did you paint well?
0:15:06 > 0:15:10Was His Excellency pleased? Were you a good ambassador for the workshop?
0:15:10 > 0:15:13- Yes, Maestro.- To which question?
0:15:14 > 0:15:18- All of them?- Eccellente!
0:15:18 > 0:15:20Where's Leo?
0:15:20 > 0:15:22He stayed behind to...
0:15:22 > 0:15:24to do some extra work.
0:15:24 > 0:15:27Bene, bene. Shows willing.
0:15:27 > 0:15:31Oh, no not this coat. No, too shiny.
0:15:34 > 0:15:37- What has Piero done to Leo?- He's...
0:15:37 > 0:15:41This is really weird. he's kind of, um, made friends with him.
0:15:41 > 0:15:43Leo's with him now, looking at inventions.
0:15:43 > 0:15:46Piero's plotting an assassination. He plans to kill the Duke.
0:15:46 > 0:15:51He needs Leo's help to build some sort of sound-activated bomb.
0:15:51 > 0:15:52A fireball.
0:15:54 > 0:15:56That's ridiculous.
0:15:56 > 0:15:59Leo would never help anyone build a weapon.
0:15:59 > 0:16:01He doesn't know it's a weapon.
0:16:01 > 0:16:03- He designed it as something else. - What?
0:16:04 > 0:16:06My flower ball!
0:16:06 > 0:16:08Your flower ball. Precisamente.
0:16:08 > 0:16:12- You remember designing this? - Of course. It's a children's toy.
0:16:12 > 0:16:14Clap your hands, a bunch of flowers pops out.
0:16:14 > 0:16:17I wanted to present it to the Duke tomorrow
0:16:17 > 0:16:19at his birthday celebrations in the piazza.
0:16:19 > 0:16:22- And what's the problem? - The sound activation.
0:16:22 > 0:16:25It's crucial the ball can be operated at a distance.
0:16:25 > 0:16:29And yet none of my engineers has been able to fix it.
0:16:29 > 0:16:33- Can I meet your engineers? - They've all...moved on, I'm afraid.
0:16:33 > 0:16:37So difficult to find people who share one's vision.
0:16:44 > 0:16:47BELLS CHIME
0:16:48 > 0:16:50What's the time?
0:16:50 > 0:16:53- Late?- Later than late - it's early.
0:16:56 > 0:16:58Maybe that's a good thing.
0:16:59 > 0:17:04Maybe Leo couldn't fix this fireball - then there's no problem.
0:17:07 > 0:17:10- Success!- So much for that hope.
0:17:10 > 0:17:14Mac, you won't believe what happened to us today...er, yesterday.
0:17:14 > 0:17:19- Tom told me.- I feel like an idiot. We got Piero all wrong,
0:17:19 > 0:17:24thinking he had some evil plan, when really... What?
0:17:24 > 0:17:26That feeling like you're an idiot?
0:17:26 > 0:17:29Hold on to that, you're gonna need it again in a minute.
0:17:29 > 0:17:32- What do you mean?- Piero tricked us. - No, he didn't.
0:17:32 > 0:17:37He really is a decent man. He had me fix a birthday toy for the Duke.
0:17:37 > 0:17:42- It's not a toy. It's a bomb. - Bomb? No, no, it's a flowerball.
0:17:42 > 0:17:45- I designed it myself. - Piero adapted your design
0:17:45 > 0:17:47into an explosive fireball,
0:17:47 > 0:17:51- built to assassinate the Duke. - No, Mac, it's a flowerball...
0:17:51 > 0:17:54Clap your hands together and out comes a lovely bunch of...
0:17:57 > 0:18:00I think I must be the most stupid person in the world, ever.
0:18:00 > 0:18:02I fell for his act as well.
0:18:02 > 0:18:05Yeah, but you didn't help him build a bomb.
0:18:05 > 0:18:10- I've got to go, destroy it. - Where? Where's his workshop?
0:18:10 > 0:18:13I don't know, I was blindfolded.
0:18:13 > 0:18:16But it's below the palace.
0:18:16 > 0:18:19I'm sure it is. We must be able to find a way in.
0:18:20 > 0:18:24Tom! What if you can't find it?
0:18:24 > 0:18:26Be careful.
0:18:26 > 0:18:28And don't worry, I've got a plan of my own.
0:18:28 > 0:18:30Don't you always?
0:18:30 > 0:18:34With a little help from my friend.
0:18:35 > 0:18:38I gave you what you wanted.
0:18:38 > 0:18:39Where are my papers?
0:18:39 > 0:18:41You'll get them. Patience.
0:18:41 > 0:18:44How can I have patience when I fear for my life?
0:18:44 > 0:18:48Because, my friend, I am about to make you unrecognisable.
0:18:59 > 0:19:01Wait here.
0:19:11 > 0:19:15There it is. Grazie, Leonardo.
0:19:17 > 0:19:20I...need to adjust...something. The...
0:19:20 > 0:19:23There was no problem last night.
0:19:23 > 0:19:25I realised this morning.
0:19:25 > 0:19:29- You know, it might not work if I don't...- It's fine. Trust me.
0:19:32 > 0:19:35If we're going to work together, we must have trust, yes?
0:19:36 > 0:19:38But I...
0:19:38 > 0:19:42Placidi! Escort them out.
0:19:42 > 0:19:44Yes, Excellency.
0:19:53 > 0:19:57Oh, they're back. Are they carrying on with my portrait?
0:19:57 > 0:19:59- Should I go with them, Papa?- No.
0:19:59 > 0:20:02It's time to get ready for the Duke's party.
0:20:02 > 0:20:06I'm looking forward to it. It should be a lot of fun.
0:20:10 > 0:20:14Ridicolo! Why must I be dressed up as an old crone?
0:20:14 > 0:20:18- So you won't be recognised as we cross town to see the Duke.- Do what?
0:20:18 > 0:20:21Show the Duke those plans. Explain what Piero is up to.
0:20:21 > 0:20:23He'll be arrested and your worries over.
0:20:23 > 0:20:27That was not our arrangement. I just want to get out of the city.
0:20:27 > 0:20:29I changed our arrangement - my friends are in danger.
0:20:29 > 0:20:32Now if you'd rather fend for yourself, fine.
0:20:32 > 0:20:34But I don't give much for your chances. Relax.
0:20:34 > 0:20:39You look very convincing. You might even enjoy it too.
0:20:39 > 0:20:43Buon giorno, Signor Verrocchio. Off to the Duke's birthday bash?
0:20:43 > 0:20:46- That's right, boy. Big day.- Oh...
0:20:46 > 0:20:51- Signor Verrocchio, may I introduce my aunt. Elena.- Charmed, Signora.
0:20:51 > 0:20:55Tell me, have we perhaps met?
0:20:55 > 0:21:02- No.- Ah. Um, well...I-I must be...
0:21:03 > 0:21:08See? Not only convincing but attractive too.
0:21:23 > 0:21:25- Did you get to the fireball? - I failed.
0:21:25 > 0:21:27Me too. The disguise was too good.
0:21:27 > 0:21:31- Oh, Mac.- Andiamo, presto. We need to get to the Duke before Piero does.
0:21:35 > 0:21:38TRIUMPHAL MUSIC PLAYS
0:21:57 > 0:21:59This is hopeless.
0:21:59 > 0:22:02We can't even get close, never mind speak to him.
0:22:04 > 0:22:07- Something isn't right.- Yeah, he's going to kill the Duke!
0:22:07 > 0:22:09Exactly. Right here, in broad daylight.
0:22:09 > 0:22:13If I was Piero, I'd get someone else to present the gift for me.
0:22:15 > 0:22:16Oh, no...
0:22:17 > 0:22:20Don't! Master Verrocchio! Please don't!
0:22:20 > 0:22:23- It's dangerous!- Put the box down!
0:22:23 > 0:22:25- Don't give him the gift! - Put it down!
0:22:25 > 0:22:27APPLAUSE
0:22:41 > 0:22:42THUD!
0:22:42 > 0:22:44GUESTS GASP
0:22:52 > 0:22:54Arrest that boy.
0:22:55 > 0:23:00- Leo...- No! I had to do it! The gift, it was going to explode.
0:23:00 > 0:23:02- It was Piero de Medici!- Silenzio!
0:23:03 > 0:23:05It seems the boy has something to say.
0:23:05 > 0:23:08Your Excellency, he's clearly not well.
0:23:08 > 0:23:10Paint fumes can sometimes affect the brain.
0:23:10 > 0:23:13- Yes, I have something to say. - Leonardo!
0:23:13 > 0:23:17- Well, out with it boy. - Your Grace...
0:23:17 > 0:23:22that gift was going to explode. It's a sound-activated fireball.
0:23:22 > 0:23:24GUESTS GASP
0:23:24 > 0:23:26A what?
0:23:26 > 0:23:28If the boy's claims are correct,
0:23:28 > 0:23:31he is a hero and I am indeed a terrible villain.
0:23:31 > 0:23:35If, on the other hand, he is inventing stories...
0:23:36 > 0:23:39But there is an easy way to find out.
0:23:39 > 0:23:43Sound-activated, you say, hmm?
0:23:43 > 0:23:50- Your Grace, would you be so kind as to clap your hands for me?- Get back!
0:23:54 > 0:23:55LAUGHTER AND APPLAUSE
0:23:55 > 0:23:58That's charming, charming!
0:23:58 > 0:24:01Thank you, Your Grace. Buon compleanno.
0:24:04 > 0:24:07- I don't understand.- There! That man, he knows the truth.
0:24:07 > 0:24:09He'll explain everything.
0:24:09 > 0:24:11Valerio? He's my chief engineer.
0:24:11 > 0:24:14Was your chief engineer, before you threatened to kill him.
0:24:14 > 0:24:18Valerio, do you know these young men?
0:24:18 > 0:24:20No, Excellency, I do not.
0:24:20 > 0:24:23And have I threatened to kill you?
0:24:23 > 0:24:28No, Excellency. What a suggestion, Excellency!
0:24:28 > 0:24:32So it seems the boy has been inventing stories after all.
0:24:35 > 0:24:37Tut-tut-tut...
0:24:41 > 0:24:46- Take him away.- No! Leo! Leo, no!
0:24:49 > 0:24:52# It's empty in the valley of your heart
0:24:52 > 0:24:55# The sun it rises slowly as you walk
0:24:55 > 0:24:58# Away from all the fears and all the faults
0:24:58 > 0:25:02# You've left behind
0:25:02 > 0:25:06# Come out of your cave walking on your hands
0:25:06 > 0:25:09# See the world hanging upside down
0:25:09 > 0:25:12# But I have seen the same I know the shame
0:25:12 > 0:25:14# In your defeat.. #
0:25:21 > 0:25:23Buon giorno. Hungry?
0:25:23 > 0:25:25I brought you an apple.
0:25:30 > 0:25:32It was all real, you know.
0:25:32 > 0:25:33Everything I offered.
0:25:33 > 0:25:35You could have been my right-hand man.
0:25:35 > 0:25:38You'd have had power, resources...
0:25:38 > 0:25:41security for your little friend, Lisa Gherardini.
0:25:41 > 0:25:44All you had to do was show loyalty. And obedience.
0:25:44 > 0:25:49So the whole thing, the story your engineer told Machiavelli,
0:25:49 > 0:25:51- that was all a set-up? - That's right.
0:25:51 > 0:25:55And now we can never be allies. Shame.
0:25:55 > 0:25:58- I would- never- be your ally.
0:25:58 > 0:26:01Clearly. But you did help me with the fireball.
0:26:03 > 0:26:06And after your outburst at the banquet
0:26:06 > 0:26:10no-one will take your accusations seriously ever again.
0:26:14 > 0:26:18Oh, you're free to go by the way. I asked the Duke for clemency.
0:26:18 > 0:26:22You're no threat to me any more, so why not?
0:26:23 > 0:26:26It's fine. Thank me some other time.
0:26:28 > 0:26:31Mmm, bello.
0:26:42 > 0:26:44Leo!
0:26:44 > 0:26:49Leo! I thought you'd be banished. That I'd never see you again.
0:26:49 > 0:26:52Get back to the workshop, both of you.
0:26:52 > 0:26:54Maestro...
0:26:54 > 0:26:57I'm sorry for embarrassing you at yesterday's celebrations.
0:27:09 > 0:27:12Behold.
0:27:18 > 0:27:22- Ha-ha!- Never again will you come to me with your technical hitches.
0:27:22 > 0:27:25You might not be offered the same chance to redeem yourself.
0:27:25 > 0:27:27No, Excellency. Grazie, Excellency.
0:27:27 > 0:27:29Get it installed. By morning.
0:27:48 > 0:27:51Subtitles by Red Bee Media Ltd
0:27:51 > 0:27:54Email subtitling@bbc.co.uk