Lost and Found

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0:00:39 > 0:00:41WOMAN: Leave me alone!

0:00:41 > 0:00:46- MAN:- Just give me the money. I'll take you to the girl!

0:00:46 > 0:00:48- No!- Just give me the money!

0:00:48 > 0:00:53- Hey! Let go! What's going on? - He thinks I owe him money.

0:00:53 > 0:00:57- You offered a reward.- He says he knows where my daughter is.

0:00:57 > 0:01:02- I'll show you.- And you run off with my money while I go up that alley?

0:01:06 > 0:01:10This is her. Have you seen her? Lisa. Lisa Garadini.

0:01:10 > 0:01:14Lisa. Lisa. I know her. I will show you to her.

0:01:14 > 0:01:17Do you know her?

0:01:17 > 0:01:19Go! Go!

0:01:58 > 0:02:00That woman offered me 100 florins.

0:02:00 > 0:02:04Now I have to find 50 to get out of here.

0:02:04 > 0:02:07- Because of you.- Maybe you shouldn't have lied to her.

0:02:07 > 0:02:11What makes you so sure I was lying?

0:02:11 > 0:02:13KEYS JANGLE

0:02:20 > 0:02:23- Is he why you're in here. - I'll tell you later.

0:02:23 > 0:02:27What do they want? 50 florins?

0:02:27 > 0:02:30I might raise it by the end of the day.

0:02:30 > 0:02:35But my dad's coming to see my work. That's why I broke the curfew.

0:02:35 > 0:02:38- He can't know about this. - I'll try and arrange that.

0:02:38 > 0:02:43Giacomo, nasty piece of work. Always got his finger in some fishy pie!

0:02:43 > 0:02:47- Nothing like you, then(!)- Mm!

0:02:47 > 0:02:49BELL TOLLS

0:02:50 > 0:02:53Don't worry, that dragon won't trouble you.

0:02:53 > 0:02:58Just one kiss, my darling Angelina, is all I ask.

0:02:58 > 0:03:01- Lorenzo.- Angelina!

0:03:01 > 0:03:06- Lorenzo, wake up!- What's going on? Who is it?- Lorenzo, it's me, Mac.

0:03:06 > 0:03:09- Where?- Take your mask off!

0:03:09 > 0:03:14- Oh. How long have you been there? - Long enough to meet Angelina!

0:03:14 > 0:03:19- Huh?- Look, Leo's in jail. The fine's 50 florins. Have you got it?

0:03:19 > 0:03:25- I only get two florins a week and I just bought a pair of dance tights.- You're loaded!

0:03:25 > 0:03:27No. My dad is.

0:03:29 > 0:03:32Oh, no. You've got to be joking!

0:03:33 > 0:03:3650 florins? Cash?

0:03:38 > 0:03:42- Are you in some kind of trouble? - No, father. Not me.

0:03:43 > 0:03:4850 florins? That's the going rate for breaking the curfew, isn't it?

0:03:48 > 0:03:51- Is it?- Who is this friend in need?

0:03:53 > 0:03:55Well...

0:03:55 > 0:03:59- All right. Wait in your room. - Thank you, father.

0:04:02 > 0:04:08Have someone bring me the prison reports from last night.

0:04:14 > 0:04:17CHUCKLING

0:04:20 > 0:04:25Lorenzo, grazie. I don't know how I'm going to repay you.

0:04:25 > 0:04:29Had to cadge it off my dad. Can't believe he coughed up.

0:04:29 > 0:04:32- Who's your friend? - Long story. Come on.

0:04:35 > 0:04:37We have to tell Tom her mum's here.

0:04:37 > 0:04:42But she's got a big break today painting the Duke's goddaughter.

0:04:42 > 0:04:44Her mum's got a portrait.

0:04:44 > 0:04:50If anyone finds out that Tomaso is pretending to be a boy, she'll go to prison - or worse.

0:04:50 > 0:04:54Find out where her mother's staying. Please, for Tom's sake.

0:04:54 > 0:04:57I've got to go. My dad'll be here any minute.

0:04:57 > 0:05:01Block out everything else, including your subject.

0:05:01 > 0:05:04Just focus on your paint.

0:05:05 > 0:05:08- Cutting it fine.- Sorry, maestro.

0:05:08 > 0:05:12- I need to tell you something. - Can it wait?

0:05:12 > 0:05:15The Contessa will be here any moment.

0:05:18 > 0:05:23I saw your mother last night. She's here in Florence looking for you.

0:05:25 > 0:05:30She had your picture. She said your name. She looked like that.

0:05:30 > 0:05:35- She's putting herself in danger. - That's up to her!

0:05:35 > 0:05:38I didn't ask her to come. I didn't ask her to marry me off.

0:05:38 > 0:05:44- At least tell her you're OK. - She can make me go home. Have you forgotten?

0:05:44 > 0:05:48One word to the maestro and it's all over.

0:05:48 > 0:05:51I'm not going back. This is my life now!

0:05:51 > 0:05:54I don't want anything to do with her.

0:05:54 > 0:05:59MAESTRO: Tomaso, La Contessa e arriva.

0:06:25 > 0:06:28Here we are. Just as I thought.

0:06:28 > 0:06:31Da Vinci, L. Breaking the curfew.

0:06:32 > 0:06:36Arrested observing stars from a roof.

0:06:36 > 0:06:41He ought to be careful. He'll find himself had up for sorcery.

0:06:41 > 0:06:46I wonder what he was up to. Find out.

0:07:23 > 0:07:26WHISPERS

0:07:30 > 0:07:35- She's in the piazza, stopping passers-by.- I don't want to know.

0:07:49 > 0:07:53How can I concentrate with you fidgeting like that?

0:07:55 > 0:08:00MAESTRO WHISPERS

0:08:04 > 0:08:09It cost me an ice cream, but I think I've persuaded La Contessa to stay.

0:08:09 > 0:08:12Five minutes to get your act together!

0:08:22 > 0:08:25Please, have you seen my daughter?

0:08:25 > 0:08:28No. Sorry, love. Please? My daughter.

0:08:28 > 0:08:30< Have you seen her?

0:08:33 > 0:08:37- Have you seen my daughter? - No.- No.

0:08:58 > 0:09:00Where is he?

0:09:03 > 0:09:04Get to your canvas!

0:09:05 > 0:09:07SOBS

0:09:08 > 0:09:11Pull yourself together, boy.

0:09:17 > 0:09:19Was she there?

0:09:19 > 0:09:23You have to talk to her. You'd never forgive yourself if you don't.

0:09:23 > 0:09:25I'm not going back home.

0:09:25 > 0:09:29Whatever happens, I'm not giving all this up.

0:09:31 > 0:09:35Leonardo, I've had a message from your father.

0:09:35 > 0:09:38He can't get away today. He'll come tomorrow.

0:09:40 > 0:09:45Maestro, in that case, can I look for my telescope and sketchbook?

0:09:57 > 0:10:01- So, this is where you live? - What do you want?

0:10:01 > 0:10:05That boy who ran in there. What does he know about the missing girl?

0:10:05 > 0:10:10- Have you forgotten that you owe me? - I don't owe you anything.- You do.

0:10:10 > 0:10:14You've got friends. Didn't I see you with a Medici?

0:10:16 > 0:10:20Don't worry. I'll find a way to make you pay.

0:10:51 > 0:10:54CLOCK STRIKES

0:10:58 > 0:11:01Lunch. You've got an hour.

0:12:21 > 0:12:26# Sigh no more, no more

0:12:28 > 0:12:34# One foot in sea, one on shore... #

0:12:35 > 0:12:36Mum?

0:12:41 > 0:12:45# ..You know me

0:12:47 > 0:12:51# You know me... #

0:12:51 > 0:12:55- SOBBING:- Mum, I'm sorry. I'm so sorry.

0:12:55 > 0:12:57# ..Man is a giddy thing

0:12:57 > 0:13:03# Oh, man is a giddy thing Oh, man is a giddy thing

0:13:04 > 0:13:06# Oh, man is a giddy thing. #

0:13:13 > 0:13:19I didn't know if you were alive. Running off. The shame of it!

0:13:19 > 0:13:23- Mum, I'm sorry. - I know it's because you were afraid.

0:13:23 > 0:13:26Anything to banish the thought of marriage.

0:13:32 > 0:13:37It's not too late. Signor Bufini has been very understanding.

0:13:37 > 0:13:42- The marriage can go ahead.- Mum! It's not what I want!- What do you want?

0:13:42 > 0:13:48Don't say you want to paint. You can't. You know that. No woman can.

0:13:51 > 0:13:56- Come home before your father completely disowns you.- I won't.

0:13:56 > 0:13:58You're to come home with me to marry.

0:13:58 > 0:14:03- No. I can't. - You can and you will. Now.

0:14:03 > 0:14:05- I can't!- Why can't you?

0:14:05 > 0:14:08Because...I'm already married.

0:14:12 > 0:14:14# But man is a giddy thing

0:14:15 > 0:14:17# Oh, man is a giddy thing

0:14:18 > 0:14:20# Oh, man is a giddy thing. #

0:14:20 > 0:14:24- That is madness. Why did you say that?- I don't know!

0:14:24 > 0:14:27She was going on at me. It just came out.

0:14:27 > 0:14:32Now she wants to meet my husband, see where I live.

0:14:32 > 0:14:35My clothes! Where are they?

0:14:35 > 0:14:37I haven't seen them.

0:14:37 > 0:14:40Someone's taken them! Who...?

0:14:41 > 0:14:45- There's a weird guy out front.- With a black hat?- Keeps looking at me.

0:14:45 > 0:14:52- He tried to take money from your mum. Lorenzo, see if he's there. If he is, distract him.- OK.

0:14:52 > 0:14:55- This is a disaster!- Calm down.

0:14:55 > 0:14:59Concentrate on your painting. I'll lend you some clothes.

0:15:00 > 0:15:03Then...we'll find you a husband!

0:15:31 > 0:15:33Pushing your luck, boy.

0:15:42 > 0:15:47You're kidding. I make a much better husband. I've got looks, charm...

0:15:47 > 0:15:54I get straight As for etiquette and deportment and can saddle a horse in 48 seconds.

0:15:54 > 0:15:58Oh, and my father owns half of Florence. Eat my dust, if you will.

0:15:58 > 0:16:05How is she going to believe that Lisa can pull someone with your wealth, your class, your...

0:16:05 > 0:16:06looks?

0:16:06 > 0:16:09It's a fairy tale, too good to be true.

0:16:11 > 0:16:14- You're probably right. - We need to pitch it lower.

0:16:14 > 0:16:16OK?

0:16:16 > 0:16:18But not this low.

0:16:18 > 0:16:21Get a mop.

0:16:34 > 0:16:38CLOCK CHIMES

0:16:44 > 0:16:46Not bad,

0:16:46 > 0:16:50considering your earlier lack of concentration.

0:16:57 > 0:17:00There we go. Some lovely freesias.

0:17:01 > 0:17:05Oh! I still can't get rid of that smell!

0:17:05 > 0:17:08Tom! Welcome home!

0:17:08 > 0:17:13- So you are my husband.- No. I've met your mother, remember?- Oh. So...

0:17:13 > 0:17:17- Welcome home, bambino!- Bambina.

0:17:17 > 0:17:21- Yeah, baby. - My mum will never believe it.

0:17:21 > 0:17:23She knows you're not my type.

0:17:23 > 0:17:27- We'll have to make it work somehow. - It's not much of a home.

0:17:28 > 0:17:30Where's the personal touch?

0:17:30 > 0:17:34Things with sentimental value, like this music box

0:17:34 > 0:17:37Leo gave me.

0:17:38 > 0:17:39Right.

0:17:41 > 0:17:43# If you find yourself caught in love

0:17:44 > 0:17:47# Say a prayer to the man above

0:17:47 > 0:17:51# Thank him for everything you know You should thank him

0:17:51 > 0:17:54# For every breath you blow

0:17:55 > 0:17:57# If you're single but looking out

0:17:57 > 0:18:01# You must raise your prayer to a shout

0:18:01 > 0:18:07# Another partner must be found Someone to take your life beyond

0:18:07 > 0:18:11# Another TV "I Love 1999"

0:18:11 > 0:18:14# Just one more box of cheapo wine... #

0:18:14 > 0:18:16You've ruined that!

0:18:16 > 0:18:19# ..If you find yourself caught in love

0:18:19 > 0:18:22# Say a prayer to the man above

0:18:23 > 0:18:27# But if you don't listen to the voices then, my friend

0:18:27 > 0:18:29# You'll soon run out of choices

0:18:29 > 0:18:32# What a pity it would be

0:18:32 > 0:18:35# You talk of freedom, don't you see?

0:18:35 > 0:18:39# The only freedom that you'll ever really know

0:18:39 > 0:18:42# Is written in books from long ago

0:18:43 > 0:18:47# Give up your will... #

0:18:51 > 0:18:54Move your face that way.

0:18:56 > 0:18:58Here's to the happy marriage.

0:19:00 > 0:19:04So, did you find this together?

0:19:04 > 0:19:06- Yes...- No...- We saw loads and...

0:19:06 > 0:19:08finally chose this.

0:19:08 > 0:19:10Do you like it,

0:19:10 > 0:19:13Signora Garadini? Or should I call you Mum?

0:19:13 > 0:19:19Hm! Charming. You've done this very nicely.

0:19:19 > 0:19:23Lisa's very house proud. Aren't you my little bamb...

0:19:23 > 0:19:25..bi. Bambi!

0:19:26 > 0:19:30My little bambi. She doesn't like it when I call her that!

0:19:30 > 0:19:34Isn't it awful when couples have cute nicknames?

0:19:34 > 0:19:38Niccolo bought me this music box.

0:19:38 > 0:19:39To remind me of home.

0:19:39 > 0:19:43He's so kind and thoughtful.

0:19:43 > 0:19:46It even plays our tune.

0:19:46 > 0:19:49PLAYS MELODY

0:19:51 > 0:19:55We have such a wonderful life.

0:19:55 > 0:19:56Together.

0:19:58 > 0:20:00I'm so lucky to have met Niccolo.

0:20:00 > 0:20:03And, signora... Mama.

0:20:03 > 0:20:05< I'm so lucky to have a good wife.

0:20:05 > 0:20:09She knits, bakes, keeps a clean house. Such a credit to you.

0:20:11 > 0:20:16I'm expected. My needlepoint circle. Shall I walk you to your lodgings?

0:20:16 > 0:20:21No. You go. I'll stay here. Get to know my son-in-law.

0:20:21 > 0:20:23BOTH: What?

0:20:23 > 0:20:25I won't embarrass you!

0:20:26 > 0:20:30Hadn't you better run along? I'll find you later.

0:20:32 > 0:20:33Arrivederci.

0:20:42 > 0:20:46Well, Niccolo, I see how much you like my daughter.

0:20:47 > 0:20:54But if you think I'm stupid enough to be taken in by this charade, you've got another think coming.

0:21:01 > 0:21:02Signorina.

0:21:29 > 0:21:31I'm so sorry, Contessa.

0:21:36 > 0:21:38- WHISPERS:- How was it?

0:21:38 > 0:21:41OK, but Leo, I'm scared.

0:21:41 > 0:21:47- Giacomo's seen me at least twice as Lisa. I think he knows.- Really?

0:21:47 > 0:21:50What am I going to do?

0:21:50 > 0:21:53- KNOCK ON DOOR - Maybe it's my dad.

0:21:57 > 0:22:02I'm inspecting the city workshops for a suitable apprenticeship.

0:22:02 > 0:22:06- For my son. - I have no positions available.

0:22:06 > 0:22:08But look around if you want.

0:22:11 > 0:22:17SIGNORA GARADINI: I am fascinated. When I was a girl, I loved painting.

0:22:17 > 0:22:21But of course, it's not permitted for a woman to be an artist.

0:22:21 > 0:22:23No, indeed. >

0:22:23 > 0:22:29Nor should it be, in my view. A woman belongs to marriage.

0:22:29 > 0:22:33What would happen to a woman who tried to paint, signor?

0:22:33 > 0:22:36Prison, certainly. Or banishment.

0:22:36 > 0:22:40After all, it's against the law. Have many tried?

0:22:40 > 0:22:43CHUCKLING: Not in my workshop.

0:22:44 > 0:22:49Signora, proof of the esteem in which we are held,

0:22:49 > 0:22:52la Contessa Rosetta d'Abruzzo sits for my star apprentice,

0:22:52 > 0:22:54Tomaso Garadini.

0:22:54 > 0:23:01Tomaso won the city arts contest judged by His Grace the Duke.

0:23:01 > 0:23:05You may see the winning painting, a portrait.

0:23:15 > 0:23:18< A little like you, signora.

0:23:42 > 0:23:45Well, well, well. So, you're all in it together.

0:23:45 > 0:23:50- What are you talking about? - That Leo boy, you and the girl.

0:23:50 > 0:23:55And that other boy, the runty one. I can smell something fishy.

0:23:56 > 0:23:58And a lot of money.

0:23:58 > 0:24:01Oh, there's nothing fishy.

0:24:01 > 0:24:04I'm here because Leo recognised my daughter.

0:24:04 > 0:24:09He told me where she is. Well, she works here as a maid.

0:24:09 > 0:24:14If it wasn't for you, I would never have found her. So grazie, signor.

0:24:14 > 0:24:18You said it, lady. Now you owe me 100 florins.

0:24:20 > 0:24:24You drive a hard bargain, signor.

0:24:28 > 0:24:30Here.

0:24:37 > 0:24:39- Mum, did he threaten you?- No!

0:24:39 > 0:24:43I don't think he'll bother you any more, either.

0:24:50 > 0:24:53Thank you for not saying anything.

0:24:55 > 0:24:58Well, I can't say I approve.

0:24:58 > 0:25:02- Your father would be devastated. - I know.

0:25:02 > 0:25:05How are you going to keep this up? >

0:25:05 > 0:25:09What if you get caught? You just had a very lucky escape.

0:25:12 > 0:25:15I know how stubborn you are.

0:25:15 > 0:25:18I can see that this is something you have to do.

0:25:18 > 0:25:22Just now, when I saw you in there, I felt proud.

0:25:24 > 0:25:28Tomaso. You took your dad's name!

0:25:31 > 0:25:34No. Not here.

0:25:34 > 0:25:36You must be SO careful.

0:25:40 > 0:25:42Can I see you again?

0:25:43 > 0:25:46I'll write.

0:26:07 > 0:26:09Yours, I believe.

0:26:09 > 0:26:12Thank you.

0:26:12 > 0:26:15Tom, I'm so sorry. She saw right through me.

0:26:15 > 0:26:17It's OK.

0:26:17 > 0:26:20You're a good friend, Mac.

0:26:20 > 0:26:23- Rubbish husband, though. - HE LAUGHS

0:26:37 > 0:26:41Ah, Caporaso. Tonight's errands.

0:26:41 > 0:26:44I've had a look. No military applications.

0:26:44 > 0:26:48Nothing more than a boy's star-gazing kit.

0:26:53 > 0:26:56Grazie for today. You were right.

0:26:56 > 0:26:58I'm glad my mum found me.

0:27:02 > 0:27:04I'm sorry about your dad.

0:27:04 > 0:27:07I'm sure he'll get here when he can.

0:27:21 > 0:27:24KNOCK ON DOOR

0:28:02 > 0:28:05Subtitles by Red Bee Media Ltd

0:28:05 > 0:28:08E-mail subtitling@bbc.co.uk