0:01:12 > 0:01:16More space. We need everything out, in case of explosions.
0:01:16 > 0:01:18- Move that canvas.- Carefully!
0:01:18 > 0:01:20- And get rid of those tables. - Anything else?
0:01:20 > 0:01:23Perhaps we should remove the walls and ceiling for you.
0:01:26 > 0:01:29Ah, eccitante! Is this all for the super weapon?
0:01:29 > 0:01:32- Can you help us move those benches out to the back?- No. Not really.
0:01:32 > 0:01:35Just came to say, guess who Papa has hired as my new fencing instructor?
0:01:35 > 0:01:37No idea.
0:01:37 > 0:01:38And the easels. All of them.
0:01:38 > 0:01:42- Silvio Pirelli.- No! - Undefeated champion of all Europe!
0:01:42 > 0:01:45Is he as handsome as he looks in his portraits?
0:01:45 > 0:01:46That's a girl question. I've no idea.
0:01:46 > 0:01:50He's doing a demonstration in the piazza this morning, want to come?
0:01:50 > 0:01:52Not there, we'll trip over it.
0:01:52 > 0:01:53I'll come!
0:01:53 > 0:01:55Oh! Fantastico.
0:02:07 > 0:02:09And with that move, I shaved an eyebrow
0:02:09 > 0:02:12from the great Antonio of Naples.
0:02:16 > 0:02:19Don't you want to comment on the dress?
0:02:19 > 0:02:21She'd look amazing in anything.
0:02:21 > 0:02:23My dress, Mac, my dress.
0:02:24 > 0:02:28Oh. Yeah, yeah, it's nice. What colour do you call that?
0:02:28 > 0:02:30Blue.
0:02:30 > 0:02:31Never mind.
0:02:32 > 0:02:35You're not the one I'm trying to impress.
0:02:35 > 0:02:36Why won't she look at me?
0:02:38 > 0:02:40He's staring at you, you know.
0:02:40 > 0:02:42I can't help that, can I?
0:02:43 > 0:02:45Don't do anything to encourage him.
0:02:45 > 0:02:47Like what?
0:02:47 > 0:02:49My father has decided our wedding will go ahead.
0:02:49 > 0:02:52- We agreed to make the best of things.- I know.
0:02:52 > 0:02:54You don't need to tell me.
0:02:56 > 0:02:57I know.
0:03:08 > 0:03:12So much for party tricks. Time for some real fencing.
0:03:12 > 0:03:16But first, I need an opponent.
0:03:16 > 0:03:20Who here is man enough to face Silvio Pirelli?
0:03:23 > 0:03:25I'll do it!
0:03:28 > 0:03:32Ladies and gentlemen, a challenger has entered the field of combat!
0:03:32 > 0:03:36- I admire your pluck, bambino. - Thanks.
0:03:36 > 0:03:37En garde!
0:03:49 > 0:03:53The same response I got from Antonio of Naples!
0:03:54 > 0:03:57What kind of person does that to a little kid?
0:03:58 > 0:04:00Is this my next challenger?
0:04:00 > 0:04:05At least I'm nearer your size. Or are you scared?
0:04:06 > 0:04:10It seems, today, all my opponents are girls and bambini.
0:04:10 > 0:04:12What next? A goat?
0:04:15 > 0:04:16What are you doing?
0:04:19 > 0:04:20Will you fight me or not?
0:04:22 > 0:04:24I don't fight girls.
0:04:25 > 0:04:27Exchange your sword for a sewing needle
0:04:27 > 0:04:29and perhaps I'll allow you to darn my pantaloons!
0:04:34 > 0:04:40Apprentices, thus far, you have devoted your lives to art.
0:04:40 > 0:04:44Well, today, you finally get to do something important.
0:04:44 > 0:04:48This is the biggest job of your lives.
0:04:48 > 0:04:51The future of Florence lies in your hands,
0:04:51 > 0:04:55and in the hands of Leonardo da Vinci!
0:05:01 > 0:05:07Where's Duke Rocco today? Writing love poems to himself?
0:05:07 > 0:05:09Blowing kisses into a mirror?
0:05:09 > 0:05:12In the workshop, Your Excellency.
0:05:12 > 0:05:16He'll be giving some ghastly pep talk, no doubt.
0:05:16 > 0:05:20The future of Florence lies in your hands, all that claptrap.
0:05:20 > 0:05:23He's speeding up the construction on the super weapon
0:05:23 > 0:05:24and he's training the army.
0:05:24 > 0:05:27Yes, he does have his uses.
0:05:28 > 0:05:32That is, at least until my weapon is finished.
0:05:36 > 0:05:39Now, for the education of our spectators,
0:05:39 > 0:05:42perhaps my new pupil, Master Lorenzo,
0:05:42 > 0:05:44will display his skills?
0:05:44 > 0:05:46No.
0:05:46 > 0:05:48Oh, go on, then.
0:05:53 > 0:05:54En garde!
0:06:04 > 0:06:08Angelica, didn't you see me? I've been trying to say hello.
0:06:08 > 0:06:09I can't talk to you.
0:06:10 > 0:06:14Non capisco. Has something changed?
0:06:14 > 0:06:16You said you liked me.
0:06:16 > 0:06:18I shouldn't have said that.
0:06:18 > 0:06:20Why? Because it's not true?
0:06:22 > 0:06:23Or because it is?
0:06:25 > 0:06:29I'm getting married. You need to leave me alone.
0:06:32 > 0:06:37Give me five minutes, that's all. Please, just five minutes.
0:06:39 > 0:06:41You still owe me an ice cream, remember.
0:06:46 > 0:06:49All right. Where can we meet in private?
0:06:55 > 0:06:59Touche! The young master is victorious.
0:06:59 > 0:07:01I think maybe you let me win.
0:07:01 > 0:07:02Yes, I did.
0:07:02 > 0:07:07Silvio Pirelli, I challenge you to a duel!
0:07:07 > 0:07:09And who are you?
0:07:09 > 0:07:11Tomaso Gherardini.
0:07:11 > 0:07:14My sister Lisa challenged you, and you insulted her.
0:07:16 > 0:07:19Insulted?
0:07:19 > 0:07:21Was it an insult to notice she was of the weaker sex?
0:07:21 > 0:07:24She may be talented in the feminine sports,
0:07:24 > 0:07:27like pat a cake and apple rolling.
0:07:27 > 0:07:30But swordplay is for men to do,
0:07:30 > 0:07:33and girls to watch trembling behind their handkerchiefs.
0:07:35 > 0:07:38Show's over, ladies and gentlemen. Good day to you all.
0:07:38 > 0:07:41Thank you, Silvio, for a fantastic demonstration.
0:07:41 > 0:07:43So you refuse my challenge?
0:07:45 > 0:07:48I can't take on every amateur swordsman who fancies his chances.
0:07:53 > 0:08:00(IMITATES CHICKEN) Bwark-bwok-bwok-bwok.
0:08:04 > 0:08:06Are you calling me a coward?
0:08:06 > 0:08:10No. It wasn't him, it was a chicken. There are loads of them here.
0:08:10 > 0:08:13Are you a coward, Pirelli?
0:08:14 > 0:08:18Be here tomorrow morning at seven, and you will find out.
0:08:22 > 0:08:26Ha! That got to him! Did you see his face, Lorenzo?
0:08:26 > 0:08:27Lorenzo?
0:08:28 > 0:08:29What?
0:08:32 > 0:08:37No, more than that. Those rivets need to go right through the panel.
0:08:39 > 0:08:41Mi scusi, Maestro.
0:08:41 > 0:08:44I thought I'd sketch some of the apprentices at work.
0:08:44 > 0:08:46Document the construction of the weapon.
0:08:46 > 0:08:49Great. You're...
0:08:49 > 0:08:52Scusi, you're kind of in the way, a bit.
0:08:52 > 0:08:55- Perhaps if you were nearer the wall?- Oh.
0:09:08 > 0:09:12I can't believe I ever thought he was gorgeous.
0:09:12 > 0:09:13Who? And where have you been?
0:09:13 > 0:09:18Silvio Pirelli. He's an arrogant, disgusting, ignorant pig.
0:09:18 > 0:09:21OK, well, now that's cleared up,
0:09:21 > 0:09:24I need you to work on the sighting mechanism for the gun.
0:09:24 > 0:09:26- He looks like a ferret. - It must be precise.
0:09:26 > 0:09:29And he's going to be sorry he messed with me.
0:09:29 > 0:09:30I challenged him to a fight.
0:09:30 > 0:09:32Why would you do that?
0:09:32 > 0:09:34Because he humiliated this little kid.
0:09:34 > 0:09:37You should have heard the way he spoke to me.
0:09:37 > 0:09:39Like, because I'm a girl, I can't fence.
0:09:39 > 0:09:41- You can't fence. - That's not the point.
0:09:41 > 0:09:45He made a complete fool out of me and I can't let him get away with it.
0:09:45 > 0:09:47- Course you can. He's an idiot, isn't he?- Yes.
0:09:47 > 0:09:49So, then, who cares?
0:09:53 > 0:09:55KNOCK AT DOOR
0:10:00 > 0:10:01What do you want?
0:10:06 > 0:10:10I've been thinking... about my fight with Pirelli.
0:10:10 > 0:10:11Oh, yeah. Go on.
0:10:12 > 0:10:15I might have overreacted. Slightly.
0:10:15 > 0:10:18And Leo needs my help with the weapon,
0:10:18 > 0:10:21so, on reflection, I'm going to withdraw the challenge.
0:10:21 > 0:10:23Is that right?
0:10:23 > 0:10:26I hope Signor Pirelli will accept my apology.
0:10:26 > 0:10:29I don't know about that. He's a prickly fellow.
0:10:29 > 0:10:32It's all about honour, isn't it? You did call him a chicken.
0:10:33 > 0:10:35- Oh.- Hmm.
0:10:37 > 0:10:41I'm joking. Don't worry your little head. I've already done it -
0:10:41 > 0:10:42apologised on your behalf.
0:10:42 > 0:10:44The match is off.
0:10:44 > 0:10:47- You...apologised FOR me?- Hmm.
0:10:47 > 0:10:50I knew you'd change your mind when you calmed down a bit.
0:10:50 > 0:10:52It was a heat-of-the-moment thing. I know girls.
0:10:52 > 0:10:54Emotional and all that.
0:10:56 > 0:10:58How dare you make that decision for me?
0:10:59 > 0:11:03How dare you assume you know what I want?
0:11:03 > 0:11:04But I was right.
0:11:04 > 0:11:06No, you weren't.
0:11:06 > 0:11:08I've changed my mind.
0:11:09 > 0:11:11KNOCK AT DOOR
0:11:11 > 0:11:13Ready when you are, Master...
0:11:13 > 0:11:15Oh.
0:11:15 > 0:11:18It's you.
0:11:18 > 0:11:20Come to make your apology in person?
0:11:20 > 0:11:23No, actually. I've come to take back the apology.
0:11:23 > 0:11:25What?
0:11:25 > 0:11:27No, he hasn't.
0:11:27 > 0:11:28Go away.
0:11:28 > 0:11:31I absolutely will not apologise to you,
0:11:31 > 0:11:34and I absolutely will not take back the challenge.
0:11:35 > 0:11:38Then you absolutely will be crushed.
0:11:41 > 0:11:42The fight is on.
0:11:45 > 0:11:48I've been patient with you so far, boy,
0:11:48 > 0:11:51but this is becoming tiresome.
0:11:51 > 0:11:53We fight, tomorrow.
0:11:56 > 0:11:59This time...there is no wriggling out of it.
0:11:59 > 0:12:01Good.
0:12:09 > 0:12:12I...Sorry, what just happened?
0:12:12 > 0:12:16Heat-of-the-moment thing. You know girls. Emotional.
0:12:16 > 0:12:19You do realise he's going to wipe the floor with you?
0:12:19 > 0:12:22Not if I learn how to fence properly.
0:12:22 > 0:12:25- You can do it before seven in the morning?- With the right teacher.
0:12:25 > 0:12:27What teacher?
0:12:45 > 0:12:46KNOCK AT DOOR
0:12:47 > 0:12:48Sorry.
0:12:49 > 0:12:50Sorry.
0:12:51 > 0:12:53It's me that should be sorry.
0:12:58 > 0:13:01I let you think there could be something between us...
0:13:01 > 0:13:02when there can't.
0:13:02 > 0:13:06- But you do like me? - It doesn't matter if I do or not.
0:13:06 > 0:13:08Of course it matters.
0:13:09 > 0:13:11Lorenzo tried to talk to his father.
0:13:13 > 0:13:15The wedding is to go ahead.
0:13:15 > 0:13:17You talked to me about wanting to be free.
0:13:17 > 0:13:19Free to do what you want. Now's your chance.
0:13:19 > 0:13:23I was being childish, silly.
0:13:23 > 0:13:25I have responsibilities.
0:13:25 > 0:13:28- A duty to my family name. - Now you sound like Lorenzo.
0:13:28 > 0:13:33I AM like Lorenzo. That's the point.
0:13:33 > 0:13:36- We're a good match. - No, believe me, you're not.
0:13:36 > 0:13:39I love him - he's one of my closest friends,
0:13:39 > 0:13:40but he's not right for you.
0:13:40 > 0:13:43- LORENZO:- Mac? Are you there? - Did he follow you?
0:13:43 > 0:13:46- I don't know!- Behind the curtain! I'll get rid of him.
0:13:46 > 0:13:47Hello?
0:13:47 > 0:13:51- Don't mind if we borrow your place, do you?- Well, I was kind of...
0:13:51 > 0:13:54I'm going to teach her everything I know about fencing.
0:13:54 > 0:13:56So we'll be, what, 10, 15 minutes?
0:13:56 > 0:13:58Thing is, I'm in the middle of something...
0:13:58 > 0:14:01That's OK. You won't even know we're here. Oh!
0:14:01 > 0:14:04- Sorry.- What are you up to that's important?- Er...
0:14:06 > 0:14:08Nothing. Nothing.
0:14:08 > 0:14:10Of course you can stay.
0:14:12 > 0:14:14- Right!- OK.
0:14:21 > 0:14:24The super-weapon will give us a massive military advantage,
0:14:24 > 0:14:27but we can develop all sorts of other munitions
0:14:27 > 0:14:30that will take the Milanese by surprise.
0:14:30 > 0:14:33These are battle flares.
0:14:33 > 0:14:36You drop them at night, and they let out a flash,
0:14:36 > 0:14:38temporarily blinding the enemy.
0:14:40 > 0:14:42Where's the rack for them?
0:14:42 > 0:14:44Who's taken it from this table?
0:14:47 > 0:14:48Maestro?
0:14:50 > 0:14:53Foreground, Leonardo. A painting needs foreground to give depth!
0:14:53 > 0:14:57Of course. But I kind of need it.
0:14:57 > 0:15:00Oh, go on, then, take it, for goodness' sake. I'm not stopping you!
0:15:00 > 0:15:02Grazie, Maestro.
0:15:02 > 0:15:05- I'll just use the table itself for perspective.- No!
0:15:13 > 0:15:14Yes.
0:15:14 > 0:15:19I think it would be wiser to store those vials in a rack.
0:15:23 > 0:15:25And...
0:15:27 > 0:15:29Up here.
0:15:29 > 0:15:31- Good.- Ooh.
0:15:34 > 0:15:36And punta sopramano. And squalembrato.
0:15:36 > 0:15:41TOMASO LAUGHS Squalembrato? You made that up.
0:15:41 > 0:15:43No, I didn't. It's a diagonal cut.
0:15:43 > 0:15:45Mandritto squalembrato is from right to left.
0:15:45 > 0:15:48- Riverso squalembrato is from left to right.- OK.
0:15:48 > 0:15:50OK, I get it!
0:15:53 > 0:15:55Oh, yeah. I forgot to mention.
0:15:55 > 0:15:57Angelica's here.
0:15:57 > 0:15:58Ciao.
0:15:58 > 0:16:03So, you're still sneaking around behind my back with another boy!
0:16:05 > 0:16:09You can talk. You're sneaking around behind MY back with another girl.
0:16:09 > 0:16:11What girl?
0:16:12 > 0:16:14I'm a boy.
0:16:14 > 0:16:18Oh, please. Credit me with SOME intelligence!
0:16:22 > 0:16:25You're the girl from the ball.
0:16:25 > 0:16:28The one that was kidnapped.
0:16:29 > 0:16:32- The one that... - You can't tell anyone I'm a girl!
0:16:32 > 0:16:37Don't worry. Angelica seems to be very good at keeping secrets.
0:16:37 > 0:16:40- Even from her own fiance. - And what's THAT supposed to mean?
0:16:40 > 0:16:42Perhaps we should ask Mac.
0:16:45 > 0:16:47Nut, anyone?
0:16:50 > 0:16:53Just need to get a bit there.
0:16:53 > 0:16:54- CLATTERING - Porca miseria!
0:16:54 > 0:16:57Can't you just keep out of the way?
0:17:12 > 0:17:15I only came here to tell him we can't be together.
0:17:15 > 0:17:18That's the truth, I swear it is.
0:17:18 > 0:17:21I only came to prepare Lisa for her fight.
0:17:21 > 0:17:22Tom! Not Lisa. My name is Tom.
0:17:24 > 0:17:28Please don't tell people I'm a girl. I'd lose everything.
0:17:28 > 0:17:31- Why are you pretending to be a boy? - So she can paint.
0:17:31 > 0:17:34Lisa... Tom's a great artist.
0:17:34 > 0:17:38So, you spend your whole life dressed as a boy?
0:17:38 > 0:17:42It's not as bad as you think. You can do all sorts of stuff as a boy.
0:17:42 > 0:17:45What? Like fight?
0:17:45 > 0:17:47Well, yes, if you want to.
0:17:47 > 0:17:50And why do you want to fight Silvio Pirelli?
0:17:50 > 0:17:53- Because she's a stubborn... - You saw how he spoke to me today.
0:17:53 > 0:17:58Didn't it make you angry? Being told girls shouldn't fence?
0:17:58 > 0:18:01Well, they shouldn't, really, should they?
0:18:01 > 0:18:05It's not exactly...ladylike.
0:18:05 > 0:18:07I beg your pardon?
0:18:07 > 0:18:09All that violence and aggression is not in our nature.
0:18:09 > 0:18:12- Is it?- It might not be in yours.
0:18:12 > 0:18:15This is a fascinating debate, but could we save it for another day?
0:18:15 > 0:18:17We hadn't finished talking.
0:18:17 > 0:18:21There's nothing more to say. I have to go.
0:18:21 > 0:18:23Nice meeting you...
0:18:23 > 0:18:24Tom.
0:18:30 > 0:18:32En garde.
0:18:35 > 0:18:39And that is how I took the thumb from the great Romano of Siena.
0:18:40 > 0:18:42- Incredibile. - PIRELLI LAUGHS
0:18:42 > 0:18:46So...big match tomorrow?
0:18:46 > 0:18:48Hmm?
0:18:48 > 0:18:50Tomaso Gherardini.
0:18:50 > 0:18:52PIRELLI LAUGHS
0:18:52 > 0:18:56Master Lorenzo, I have defeated the best fencers in Europe.
0:18:56 > 0:18:59Tomorrow is not a big match.
0:18:59 > 0:19:02It is an exercise... in fly swatting.
0:19:02 > 0:19:05OK. You will go easy on him, though, won't you?
0:19:05 > 0:19:09Certainly not. I intend to teach young Tomaso a lesson
0:19:09 > 0:19:11he will not forget for the rest of his life.
0:19:11 > 0:19:14You won't cut off his thumb, will you?
0:19:14 > 0:19:16When I've finished with Tomaso Gherardini,
0:19:16 > 0:19:19his thumb may well be the only thing left of him.
0:19:19 > 0:19:22LORENZO CHUCKLES NERVOUSLY
0:19:22 > 0:19:24That was a joke, right?
0:19:36 > 0:19:39I'm sorry. I shouldn't have spoken to you like that.
0:19:39 > 0:19:41Why not? You only spoke the truth.
0:19:41 > 0:19:44I was...getting in the way.
0:19:46 > 0:19:48It's still your workshop.
0:19:48 > 0:19:49No.
0:19:54 > 0:19:56No. It belongs to the military now.
0:19:57 > 0:20:01You work for Duke Rocco, not for me.
0:20:04 > 0:20:07So...no apology necessary.
0:20:14 > 0:20:18- Master Lorenzo.- Signor Verrocchio. May I speak to Leonardo?
0:20:22 > 0:20:25- Who tweaked HIS nose?- Me.
0:20:25 > 0:20:28- I humiliated him in front of the whole workshop.- Ouch.
0:20:28 > 0:20:32Speaking of public humiliations, talk Tom out of her fencing match.
0:20:32 > 0:20:34- I tried. - Then do something to make her win.
0:20:34 > 0:20:38- Like what?- Invent a special sword that fights by itself or something.
0:20:38 > 0:20:43A special sword that fights by itself?
0:20:43 > 0:20:45Or something. There must be an invention...
0:20:45 > 0:20:49I'm trying to defend a city. I have a hundred problems to solve.
0:20:49 > 0:20:51I don't have time to help Lisa win a game.
0:20:51 > 0:20:54- It's not a game. - It is. The swords are blunt.
0:20:55 > 0:20:57The only thing she'll hurt is her pride.
0:20:57 > 0:21:01If she wants to fence, let her do it.
0:21:01 > 0:21:02Fine.
0:21:02 > 0:21:04She's going to be completely pulverised.
0:21:04 > 0:21:06HE SIGHS
0:21:08 > 0:21:10COCK CROWS
0:21:10 > 0:21:12BELL CHIMES
0:21:16 > 0:21:18Leo?
0:22:01 > 0:22:05Signori e signore, I hate to disappoint you.
0:22:05 > 0:22:08It seems my challenger has got cold feet.
0:22:08 > 0:22:10I take the match by default.
0:22:10 > 0:22:13Silvio Pirelli!
0:22:16 > 0:22:19He's here. I mean, she's here.
0:22:19 > 0:22:22I mean...he's here.
0:22:22 > 0:22:23Oh, good.
0:22:24 > 0:22:26En garde.
0:22:29 > 0:22:33How about we make this more interesting?
0:22:34 > 0:22:37Give these good people a chance to see real blades?
0:22:40 > 0:22:43PIRELLI CHUCKLES
0:22:55 > 0:22:57What do you say?
0:22:59 > 0:23:01No. Please say no.
0:23:01 > 0:23:04Ready to put down your training weapon and fight like a man?
0:23:06 > 0:23:07I'm ready.
0:23:15 > 0:23:18We fight until you yield.
0:23:18 > 0:23:21Or die. Whichever comes sooner.
0:23:23 > 0:23:25Go and get Leo.
0:23:29 > 0:23:33When you've filled those ones, seal them and we'll make another batch.
0:23:37 > 0:23:40Leo, you've got to come. Presto!
0:23:40 > 0:23:43- I'm busy- It's Tom! Now! Andiamo!
0:23:46 > 0:23:47Leonardo?
0:23:52 > 0:23:53Leonardo!
0:24:02 > 0:24:05CROWD LAUGHS
0:24:05 > 0:24:08You're holding it wrong! Concentrate!
0:24:31 > 0:24:33CROWD LAUGHS
0:24:49 > 0:24:52CROWD GASPS AND APPLAUDS MAN: Bravo!
0:24:56 > 0:24:57FABRIC RIPS
0:24:57 > 0:25:01That shirt cost more than you earn in a month.
0:25:01 > 0:25:02You shall pay for it with blood.
0:25:08 > 0:25:10Tom!
0:25:16 > 0:25:20This is what happens to those who dare to challenge Silvio Pirelli!
0:25:22 > 0:25:24PIRELLI CRIES OUT
0:25:31 > 0:25:34I see you've got friends willing to help you cheat.
0:25:34 > 0:25:38Tell me, where is the honour in that?
0:25:42 > 0:25:46That was it? The best you've got? Hey?
0:25:49 > 0:25:51No. THAT'S the best I've got.
0:25:54 > 0:25:57LAUGHTER
0:26:03 > 0:26:05Darn your own pantaloons.
0:26:12 > 0:26:16Ladies and gentlemen... Our winner...
0:26:16 > 0:26:19CHEERING AND APPLAUSE
0:26:21 > 0:26:23Tomaso Gherardini!
0:26:26 > 0:26:29If Tom beat THE champion fencer in Europe,
0:26:29 > 0:26:31does that makes her the new champion?
0:26:31 > 0:26:36- Well, technically, yes, I suppose it does, but...- Campione! Campione!
0:26:36 > 0:26:38I had an excellent tutor.
0:26:38 > 0:26:41Yes, and now I don't have any tutor at all.
0:26:41 > 0:26:45- I could teach you a few moves.- Like dropping my opponent's trousers? No!
0:26:45 > 0:26:47Leonardo!
0:26:48 > 0:26:50Catch you later.
0:26:54 > 0:26:58Since when was it permissible for you to run off in the middle
0:26:58 > 0:27:02- of the most important job this workshop has had?- I'm sorry, Maestro.
0:27:02 > 0:27:06Will "sorry" build your super-weapon? Will it defend our city from attack?
0:27:06 > 0:27:10No, Maestro. I behaved foolishly.
0:27:10 > 0:27:12That you did.
0:27:12 > 0:27:14Get back to work
0:27:14 > 0:27:16and we'll hear no more of it.
0:27:20 > 0:27:25- I'll talk to him. It was my fault that you ran off.- No, leave it.
0:27:25 > 0:27:26Va bene.
0:27:26 > 0:27:30Why are you smiling? Why are you so pleased at getting told off?
0:27:32 > 0:27:33Leo!
0:27:47 > 0:27:50Subtitles by Red Bee Media Ltd