0:00:02 > 0:00:03Previously on Lost & Found...
0:00:03 > 0:00:06Lost & Found is a performance venue, it's a recording studio
0:00:06 > 0:00:09and I also started an elite music programme for young musicians.
0:00:09 > 0:00:11- Do you think that might be about Michelle?- It might be.
0:00:11 > 0:00:14- You should sing it for her, man. - I can't.- Why don't I sing it?
0:00:14 > 0:00:15I'd just like to thank Luke
0:00:15 > 0:00:19- for writing that beautiful song about me.- John wrote it.
0:00:19 > 0:00:21Thanks for not telling Michelle the song was about her.
0:00:21 > 0:00:23Yeah, no problem.
0:00:23 > 0:00:26- Hey, John. - I thought I heard your voice.
0:00:26 > 0:00:28Erm...
0:00:40 > 0:00:47# Thinking about the day when we first met
0:00:47 > 0:00:52# The way you made me feel and how you left
0:00:52 > 0:00:59# What I wouldn't give just to be more
0:00:59 > 0:01:06# To be someone that you hold and you adore
0:01:06 > 0:01:09# Look in my eyes
0:01:09 > 0:01:12# See what you mean to me
0:01:12 > 0:01:15# Feel the beat of my heart
0:01:15 > 0:01:21# I need to believe that I could walk through fire and burn in love
0:01:21 > 0:01:24# But you still wouldn't feel the heat
0:01:24 > 0:01:27# Feel the heat It burns in me
0:01:27 > 0:01:29# But you see through me
0:01:29 > 0:01:34# I could walk through fire and burn in love
0:01:34 > 0:01:36# But you see through me
0:01:36 > 0:01:41# I could walk through fire and burn in love
0:01:41 > 0:01:46# You always know exactly what to say
0:01:46 > 0:01:53# To pull me in before you walk away
0:01:53 > 0:01:59# But I don't want to go through this again
0:01:59 > 0:02:06# To act like I'm OK just being friends
0:02:06 > 0:02:09# Look in my eyes
0:02:09 > 0:02:11# See what you mean to me... #
0:02:11 > 0:02:14Leia seems really into this performance. It seems like
0:02:14 > 0:02:17it's something that's really personal to her, and it shows.
0:02:17 > 0:02:22# ..I could walk through fire and burn in love
0:02:22 > 0:02:25# But you still wouldn't feel the heat
0:02:25 > 0:02:28# Feel the heat It burns in me...#
0:02:28 > 0:02:30I wrote You See Through Me about Luke.
0:02:30 > 0:02:33I think it's one of the best songs I've ever written.
0:02:33 > 0:02:36So I'm submitting it for auditions.
0:02:36 > 0:02:41# ..I could walk through fire and burn in love. #
0:02:41 > 0:02:42APPLAUSE
0:02:42 > 0:02:46The best songwriters at Lost & Found write songs and submit them to Mr T.
0:02:46 > 0:02:49And Mr T chooses two of them for auditions.
0:02:49 > 0:02:51Auditions are starting soon
0:02:51 > 0:02:54and Mr T is just about to announce which songs have been chosen.
0:02:54 > 0:02:57- That was so good.- Thank you!- Mr T is definitely going to pick your song.
0:02:57 > 0:02:58Oh, I know that.
0:02:58 > 0:03:02Being best friends with Leia is really intimidating, because I know
0:03:02 > 0:03:03she's the best songwriter here.
0:03:03 > 0:03:06I have been trying my hand at writing some songs,
0:03:06 > 0:03:09but I know it's going to take a while before I reach her level.
0:03:09 > 0:03:11All right, nice job, Leia.
0:03:11 > 0:03:13OK, so, I've made my decision.
0:03:13 > 0:03:15First song, Original, John.
0:03:15 > 0:03:17Congratulations, once again.
0:03:17 > 0:03:19APPLAUSE
0:03:19 > 0:03:24And the second song I've chosen is Now Is Our Time, by Rachel.
0:03:24 > 0:03:25APPLAUSE
0:03:25 > 0:03:28Good job.
0:03:28 > 0:03:30I am so excited that my song got picked for auditions.
0:03:30 > 0:03:32I must be getting good.
0:03:32 > 0:03:34THEY CHEER
0:03:34 > 0:03:36Thanks for everyone's submissions.
0:03:36 > 0:03:38I'm not trying to be egotistical,
0:03:38 > 0:03:41but I thought my song was way better than the ones that were chosen.
0:03:41 > 0:03:43Am I slipping?
0:03:43 > 0:03:44- # We are the lost - The lost
0:03:44 > 0:03:46- # And the found - The found
0:03:46 > 0:03:48# Don't know where we stand but solid ground
0:03:48 > 0:03:50- # It's your shot - Take it
0:03:50 > 0:03:52- # See you what you've got - Don't break it
0:03:52 > 0:03:55# Only true light shines as bright as you
0:03:55 > 0:03:58# Whoa oh-oh Whoa oh-oh
0:03:58 > 0:04:03# Whoa.#
0:04:07 > 0:04:12# Maybe I'll give you the chance to make me feel good... #
0:04:12 > 0:04:15I'm getting really annoyed with taking the bus.
0:04:15 > 0:04:19What? I don't know, I kind of like it. It's my me time.
0:04:19 > 0:04:23- All the time is your me time. - Well, I do love myself.
0:04:23 > 0:04:26# John loves himself and his me time. #
0:04:26 > 0:04:28I don't know if that's song-ready, but OK.
0:04:28 > 0:04:29LUKE LAUGHS
0:04:29 > 0:04:32Yesterday, Luke played a love song that I wrote for Michelle.
0:04:32 > 0:04:35She knew I wrote it, but she didn't know it was about her.
0:04:35 > 0:04:37When Michelle came to talk to me after the show,
0:04:37 > 0:04:38I had no idea what to do.
0:04:38 > 0:04:41- So, let me get this straight... - Mm-hm.- You told Michelle
0:04:41 > 0:04:43that I wrote the song for Theo.
0:04:43 > 0:04:45Yeah.
0:04:45 > 0:04:46She's supposed to believe that
0:04:46 > 0:04:49I wanted to have my heart broken by Theo?
0:04:49 > 0:04:53- Yeah! It's like a bro-mance thing. - That's crazy!
0:04:53 > 0:04:57- Exactly. It'll confuse her. - I'M confused.
0:04:58 > 0:05:00Exactly.
0:05:01 > 0:05:03Come on, lover boy.
0:05:03 > 0:05:06Tonight is the band's first open mike performance.
0:05:06 > 0:05:08We're pretty new to the whole experience of performing
0:05:08 > 0:05:11in front of people, but we have to learn somewhere.
0:05:11 > 0:05:14Do you think we could borrow a bass amp?
0:05:14 > 0:05:18OK, there is one amp. You have to be careful with it.
0:05:18 > 0:05:20- McCartney plugged into that amp. - What!- No way!
0:05:20 > 0:05:22- Yes.- Seriously? - You're lying.- I'm not.
0:05:22 > 0:05:25- So, I'm going to play McCartney's amp?- Yes.
0:05:27 > 0:05:31- He's so happy about it.- Rock it. Have a good one.- No pressure.
0:05:31 > 0:05:35I can't wait to play this open mike, and the band is going on the road.
0:05:35 > 0:05:39I mean, I knew that Now Is Our Time was really good when I wrote it,
0:05:39 > 0:05:42but I didn't know that it was audition good.
0:05:42 > 0:05:45You know, like, Mr T picked my song over so many other people's.
0:05:45 > 0:05:48I think it's because of the chorus. Like, the...
0:05:48 > 0:05:49# Ah-ah-always on time...
0:05:49 > 0:05:52- It's so catchy, right?- Ba-ba-ba.
0:05:52 > 0:05:56- What?- Why don't I get us some juices?- OK, sure.
0:05:56 > 0:06:01- OK, cool.- Actually, could you get me a muffin, too?- Yeah, of course.
0:06:01 > 0:06:03Thank you.
0:06:04 > 0:06:07Two juices and a muffin, please.
0:06:07 > 0:06:08Thank you.
0:06:10 > 0:06:14- Hey, John.- Hey!- Congratulations on your song being picked.- Thanks.
0:06:14 > 0:06:17By the way, Rachel is driving me insane.
0:06:17 > 0:06:20She won't stop talking about how great her song is.
0:06:20 > 0:06:23Just let her have this one. I mean, she's happy.
0:06:23 > 0:06:27I'm happy for her, but...to be honest, who's song was better?
0:06:27 > 0:06:29Your song was better than both of ours.
0:06:29 > 0:06:33- Well, then, why didn't Mr T pick it? - It's a formula.
0:06:33 > 0:06:36I've gotten a song into the auditions two years in a row.
0:06:36 > 0:06:37And it's because Mr T
0:06:37 > 0:06:41is using a very specific formula for audition songs.
0:06:41 > 0:06:43You need a song that has no personality,
0:06:43 > 0:06:45that someone else can take and make their own.
0:06:45 > 0:06:49So Rachel's song has no personality and mine's better?
0:06:49 > 0:06:54- Yeah.- Thank you so much, you've made my day! I owe you one.
0:06:54 > 0:06:56OK. OK!
0:06:56 > 0:06:59John's formula totally makes sense. I'm not slipping.
0:07:00 > 0:07:06- # Now is our time - Now is our time. #
0:07:06 > 0:07:09- Oh, you forgot my muffin. - Oh, for sure, I did. I'm so sorry.
0:07:09 > 0:07:12It's your day, anything for you.
0:07:12 > 0:07:15# Now is our time
0:07:15 > 0:07:18# Now is our time, our time. #
0:07:22 > 0:07:25# Yeah, OK, growing up I realised
0:07:25 > 0:07:27# The bigger picture is the real prize
0:07:27 > 0:07:29# So I never close my big old eyes
0:07:29 > 0:07:31# And when I do I never compromise
0:07:31 > 0:07:33# For anybody telling me that you can't do it
0:07:33 > 0:07:35# I swear to the heavens and I put it on the sky
0:07:35 > 0:07:38# I'll prove it I swear to God I'll do it
0:07:38 > 0:07:40# My dreams are going straight to reality
0:07:40 > 0:07:44# And another thing that brings insanity with that... #
0:07:44 > 0:07:47What are you doing?
0:07:47 > 0:07:51I'm trying to shoot a music video and it's not going too smoothly.
0:07:51 > 0:07:54- I think all you need is just an extra pair of hands.- Yeah?
0:07:54 > 0:07:58- Can you lend me a hand?- Yeah. - Beautiful, thank you.
0:07:58 > 0:08:00Jude is always helping people out around here,
0:08:00 > 0:08:02so I feel like I should help him, too.
0:08:02 > 0:08:04But also I'm trying to put myself out there more.
0:08:04 > 0:08:07I think this year is time for new beginnings.
0:08:10 > 0:08:12Why would we go to a gig that's going to take us
0:08:12 > 0:08:15longer to travel there than we're actually playing?
0:08:15 > 0:08:18Oh, the bus is coming. We should probably get ourselves situated.
0:08:18 > 0:08:21An open mike is basically a chance for everyone to get together
0:08:21 > 0:08:24and play their material in a safe environment.
0:08:24 > 0:08:28You play your newest tunes and see what everybody thinks.
0:08:28 > 0:08:31Without, you know, actually getting paid. Cos it's not a real gig.
0:08:43 > 0:08:48- Guys, we forgot the amp. - What!- Wow. Wow, man.
0:08:48 > 0:08:52- We're going back for it, right?- We can't!- We don't have time for that.
0:08:52 > 0:08:55We either go to this open mike or we go back and get that amp.
0:08:55 > 0:08:57And either way, Mr T is going to bite our heads off.
0:08:57 > 0:08:59- He's going to rip us.- Great.
0:08:59 > 0:09:03I think I speak for everyone when I say, uh-oh.
0:09:16 > 0:09:19Hey, I'm really sorry that your song didn't get chosen.
0:09:19 > 0:09:22- Oh, that's no problem. - I think your song was really good.
0:09:22 > 0:09:26It was really good. And that's why it wasn't chosen for auditions.
0:09:26 > 0:09:29- What?- Mr T chose the more basic, ordinary songs.
0:09:29 > 0:09:32Like Rachel's, per se. So, that way, the auditioners could use them
0:09:32 > 0:09:35- and then make them their own. - Hi, Rachel.
0:09:41 > 0:09:44Rachel!
0:09:44 > 0:09:47# Yeah, OK, growing up I realised
0:09:47 > 0:09:50# The bigger picture is the real prize... #
0:09:50 > 0:09:52So, what do you think?
0:09:52 > 0:09:55- You want the truth?- Yeah. - It's lousy.
0:09:55 > 0:09:58Yes! You're a genius.
0:09:58 > 0:10:00You need to figure out some way to make a new video.
0:10:00 > 0:10:03- Well, what's the song about? - It's all about being a grown-up.
0:10:03 > 0:10:06See, to me, being a grown-up is buying the freshest pair of kicks.
0:10:06 > 0:10:09Or even flying to New York to catch a concert or something.
0:10:09 > 0:10:12Yes, it's so weird, cos growing up to me is just completely different.
0:10:12 > 0:10:16- Mm-hm?- It's like ordering a take-out and riding the streetcar alone,
0:10:16 > 0:10:19knowing what it's like to kiss someone.
0:10:22 > 0:10:26Yeah, I don't know why I never added that one to my list. I feel you.
0:10:26 > 0:10:30You know, maybe growing up is just a variety of different ideas.
0:10:30 > 0:10:32Lots of different perspectives.
0:10:32 > 0:10:35- That's it.- What?- Perspectives!
0:10:35 > 0:10:38That's going to be the theme of the video.
0:10:38 > 0:10:40- OK, I'm down for it. - I'm so excited.
0:10:40 > 0:10:43Playing around with perspectives is such a cool video idea
0:10:43 > 0:10:46and I really hope that Jude and I can pull this off.
0:10:46 > 0:10:49It really hurts knowing that my song
0:10:49 > 0:10:52wasn't everything I thought it would be.
0:10:52 > 0:10:55I mean, I've always come in second place to Leia,
0:10:55 > 0:10:58but I have the feeling she may be right.
0:11:02 > 0:11:07Hey, listen, I didn't mean to say that your song wasn't good.
0:11:07 > 0:11:10- It is good.- Really?
0:11:10 > 0:11:12Yeah.
0:11:12 > 0:11:18Because, apparently, you and John and Mr T think it's average.
0:11:19 > 0:11:22Why can't I write a song good enough to get rejected?
0:11:22 > 0:11:25Do you think that's easy? It's not.
0:11:25 > 0:11:27Then what am I doing wrong?
0:11:27 > 0:11:30Rachel needs to be feeling, instead of thinking.
0:11:30 > 0:11:32Great songwriters take their experiences
0:11:32 > 0:11:34and make them into great songs.
0:11:34 > 0:11:36But Rachel doesn't know how to be vulnerable
0:11:36 > 0:11:39- and show her emotions like that yet. - That's it.
0:11:41 > 0:11:43I'm cashing in my chip. You're going to teach me.
0:11:43 > 0:11:46Whenever me or Leia need a favour,
0:11:46 > 0:11:49with no argument from each other, we cash in our chip.
0:11:49 > 0:11:53There is no guarantees and you have to do everything I say.
0:11:53 > 0:11:57Cos it's going to get messy.
0:11:57 > 0:11:58Deal.
0:12:16 > 0:12:19This is the amp I lent the band last night.
0:12:19 > 0:12:23It's sitting on the street and I have no idea why.
0:12:28 > 0:12:31- Hey, my man.- How does it go? - It goes well, how about you?
0:12:31 > 0:12:35- It goes. It keeps on going. - Oh, look, it's dumb and dumber.
0:12:35 > 0:12:38Look who's awake.
0:12:38 > 0:12:40We barely made it to the open mike,
0:12:40 > 0:12:43we barely had time for half a song and we didn't have a bass amp.
0:12:43 > 0:12:45It was a complete disaster.
0:12:45 > 0:12:48- Where are we meeting James?- At the dealership. But we're bussing.
0:12:48 > 0:12:51- As usual.- Why am I not surprised? - Let's go. Let's do it.
0:12:51 > 0:12:53Let's buy a van!
0:12:53 > 0:12:57Right, there's four steps to success - a band, a van, touring,
0:12:57 > 0:13:00world domination.
0:13:00 > 0:13:03All right, going into the junction.
0:13:03 > 0:13:06- Can I take this blindfold off yet? - No.
0:13:06 > 0:13:10I wanted to experience the world in a new and different way.
0:13:10 > 0:13:12- Ow!- Good.
0:13:12 > 0:13:15You feel that pain, you channel that pain.
0:13:15 > 0:13:18Keep going. You're doing great.
0:13:18 > 0:13:20What are you doing?
0:13:20 > 0:13:23- Choke, choke, choke. No, no. - Who is this?
0:13:23 > 0:13:25- It's Jude.- It's Jude.
0:13:25 > 0:13:27You two are some nincompoops, man.
0:13:27 > 0:13:31OK, sit down, come on. This is not working for you.
0:13:31 > 0:13:32All I'm trying to do is trying to
0:13:32 > 0:13:36get Rachel to start feeling things, instead of thinking things.
0:13:36 > 0:13:38The next experiment I want you to do
0:13:38 > 0:13:42- is eat this ice cream as fast as you can.- Why?
0:13:42 > 0:13:46Because I want you to write brain freeze lyrics.
0:13:46 > 0:13:48My goal right now?
0:13:48 > 0:13:51- Sensory overload.- Keep going.
0:13:51 > 0:13:54Yeah, do you feel anything yet? Yeah? Good.
0:13:54 > 0:13:56Now, I want you to stand up
0:13:56 > 0:14:01and sing a song about sunshine to the whole junction.
0:14:01 > 0:14:03OK.
0:14:03 > 0:14:11# Sunshine shines so bright in the sky. #
0:14:11 > 0:14:14- Is that bad?- Yes. Sit.
0:14:14 > 0:14:16I don't really know why Leia's making me
0:14:16 > 0:14:18sing with ice cream in my mouth.
0:14:18 > 0:14:21What does this have to do with writing a song?
0:14:21 > 0:14:24All right, I didn't want to have to do this,
0:14:24 > 0:14:27- but we're going to the fries. - What am I supposed to do?
0:14:27 > 0:14:30I want you to take two and stick them right up your nose.
0:14:32 > 0:14:35- What?- Just do it.
0:14:35 > 0:14:38- Yeah.- What is this supposed to do?
0:14:38 > 0:14:40Actually, that's just for me.
0:14:42 > 0:14:45You're supposed to be helping me write a song.
0:14:45 > 0:14:48- No, that's what I'm doing! - You're just making fun of me.
0:14:48 > 0:14:50I cashed in my chip!
0:14:50 > 0:14:53I just... Rachel!
0:14:53 > 0:14:56'I didn't know how much this meant to Rachel.'
0:14:56 > 0:14:58I need to find a way to make things right.
0:15:03 > 0:15:06What kind of disgusting car dealership is this?
0:15:06 > 0:15:08It's one in our price range.
0:15:08 > 0:15:10We need to show Mr T that we're tour-ready.
0:15:10 > 0:15:13So this van is the first step to living as real musicians
0:15:13 > 0:15:14and launching our careers.
0:15:14 > 0:15:17I mean, look at it, it's not too bad.
0:15:17 > 0:15:19It's got some rust. I think the mirrors are still functional.
0:15:19 > 0:15:22- That's not a bad thing. - This is a lousy van
0:15:22 > 0:15:24from an obedient school for dogs
0:15:24 > 0:15:27that went out of business.
0:15:27 > 0:15:28Perfect.
0:15:28 > 0:15:33There is no chance, man. It still smells like wet dog in there.
0:15:33 > 0:15:34- What?!- Luke is crazy.
0:15:34 > 0:15:37There is no way that buying this van is going to help get on the tour.
0:15:37 > 0:15:39Air it out or drive through a carwash
0:15:39 > 0:15:41with the windows down or something.
0:15:41 > 0:15:43Fellas, how are you doing? Oh, man.
0:15:43 > 0:15:45I see you found a diamond in the rough.
0:15:45 > 0:15:47This is the gem on the lot.
0:15:47 > 0:15:49I'm going to be sorry to see this baby go.
0:15:49 > 0:15:53Look, a full-sized van, not a blind spot anywhere.
0:15:53 > 0:15:56- Wow.- She is nice.- Isn't she?
0:15:56 > 0:15:58There's no lying in me. I'm going to get the keys.
0:15:58 > 0:16:01You stay right here, fellas. You won't be disappointed.
0:16:01 > 0:16:04Let's just take a vote, OK? Who's in?
0:16:04 > 0:16:06- Yeah.- Are you serious, man?
0:16:06 > 0:16:09- There is something about her. - Stop this.
0:16:10 > 0:16:13- John?- John, think straight. - Please.
0:16:13 > 0:16:14It's not like I'm going to do
0:16:14 > 0:16:16anything useful with my money anyway.
0:16:16 > 0:16:19Yes! OK, majority rules, majority rules.
0:16:19 > 0:16:22We like to make fun of Luke for all of his crazy ideas,
0:16:22 > 0:16:24but the guy does have a vision.
0:16:37 > 0:16:41# I'm where I want to be
0:16:41 > 0:16:44# The van is where I want to be
0:16:44 > 0:16:47# The van is where I want to be and I never want to leave
0:16:47 > 0:16:49# Never want to leave I never want to leave
0:16:49 > 0:16:50# I'm never going to leave
0:16:50 > 0:16:52# The van is where I want to be... #
0:16:52 > 0:16:54Theo!
0:16:54 > 0:16:57# Never ever, ever, ever going to leave...#
0:16:57 > 0:17:00Once Theo starts singing, he can't stop.
0:17:00 > 0:17:02And it's kind of an issue.
0:17:02 > 0:17:04# Ooh, the van is where I want to be
0:17:04 > 0:17:07# The van is where I want to be... #
0:17:07 > 0:17:10If this is the way the tour is going to be,
0:17:10 > 0:17:12I'm not sure that I'm going to be able to go.
0:17:12 > 0:17:14Ever.
0:17:17 > 0:17:20I found the chip and mysterious note from Leia telling me
0:17:20 > 0:17:22to meet her in the green room.
0:17:22 > 0:17:25I'm still really mad at her, but I can't say no to the chip.
0:17:25 > 0:17:26Have a seat.
0:17:26 > 0:17:29I have something very important to tell you.
0:17:35 > 0:17:42When I was seven years old, I was walking to the forest...
0:17:42 > 0:17:48and then I felt something squishy beneath my feet.
0:17:48 > 0:17:52I looked down and there were thousands of worms
0:17:52 > 0:17:58wrapping themselves around my legs.
0:17:58 > 0:18:02They pulled me deep into a groundhog hole.
0:18:02 > 0:18:07And then I screamed as loud as I have ever screamed
0:18:07 > 0:18:10and the worms retreated.
0:18:11 > 0:18:17- That happened when you were seven? - No, it's a ghost story.
0:18:17 > 0:18:20Your turn.
0:18:27 > 0:18:34One dark and stormy night, I was home alone.
0:18:34 > 0:18:37Yes, you were.
0:18:37 > 0:18:38And...
0:18:42 > 0:18:46Why are you doing this?
0:18:46 > 0:18:49I'm trying to get you to feel things.
0:18:49 > 0:18:51So that you can write music.
0:18:51 > 0:18:53It's not going to work.
0:18:53 > 0:18:57I don't care, I'm going to get you there.
0:18:57 > 0:19:00You're my best friend.
0:19:00 > 0:19:06And I'm going to keep trying, because I love you.
0:19:06 > 0:19:08Come here.
0:19:12 > 0:19:17So, if you could write a lyric right now, what would it be?
0:19:19 > 0:19:24You make me feel something so real
0:19:24 > 0:19:28I can't let go.
0:19:28 > 0:19:34So I'm going to take control.
0:19:34 > 0:19:36That's perfect!
0:19:37 > 0:19:40Thank you so much.
0:19:46 > 0:19:49Right, everybody, cameras up.
0:19:49 > 0:19:51OK.
0:19:53 > 0:19:56And action!
0:19:58 > 0:20:01# Hey, child, this is hot
0:20:01 > 0:20:03# Let's get on side and show them what we got
0:20:03 > 0:20:05# Like a one-two step that never stops
0:20:05 > 0:20:08# Yeah, we can rock the rhythm of the heartbeat
0:20:08 > 0:20:10# Hey, world, check it out
0:20:10 > 0:20:12# Don't let them tell you what it's all about
0:20:12 > 0:20:15# Cos it's your dreams all your life and all your style
0:20:15 > 0:20:17# That shines in the light
0:20:17 > 0:20:19- # It's like - Hey, now, I'm not tired
0:20:19 > 0:20:21# So, I'm not going to slow down
0:20:21 > 0:20:25# I'm too free and I'm too young to hold it
0:20:25 > 0:20:31# Close these wild, wild eyes
0:20:31 > 0:20:37# Ooh, tonight's the night we set it on fire
0:20:37 > 0:20:40# Oh, ah, catch it on the camera
0:20:40 > 0:20:45# Ooh, tonight's the night we take it up higher
0:20:45 > 0:20:49# So we won't come down... #
0:20:49 > 0:20:52We finally rounded up enough people to make this video happen.
0:20:52 > 0:20:54I'm super excited.
0:20:54 > 0:20:57Different perspectives need different cameras
0:20:57 > 0:21:00and we've got a lot of perspectives.
0:21:00 > 0:21:01# OK, growing up I realised
0:21:01 > 0:21:04# The bigger picture is the real prize
0:21:04 > 0:21:07# So I never close my big old eyes And what I do is never compromise
0:21:07 > 0:21:09# For anybody telling me you can't do it
0:21:09 > 0:21:10# I swear to the heavens Put it on the sky
0:21:10 > 0:21:12# I'm proving that this young cash does fly
0:21:12 > 0:21:14# I never lose and plus I'm a different you
0:21:14 > 0:21:17# That's why I've got my dreams I'm cruising straight to reality
0:21:17 > 0:21:19# A lot of zoning out and thinking brings insanity
0:21:19 > 0:21:21# But that ain't on my path Not the path for me
0:21:21 > 0:21:22# I see a different route for me
0:21:22 > 0:21:24# And at the end I ain't lonely
0:21:24 > 0:21:27# Yeah, but I noticed that my dream's coming round
0:21:27 > 0:21:28# Hey, let's go
0:21:28 > 0:21:31# It's goes above my head and what I do is pull it down
0:21:31 > 0:21:36# Cos I like a lot of fast cars and girls like a lot of fast talk
0:21:36 > 0:21:38# And what I do I mix both of them
0:21:38 > 0:21:40# And what I get Ah, you wouldn't even know
0:21:40 > 0:21:46# Ooh, tonight's the night we set it on fire
0:21:46 > 0:21:48# Oh, ah, catch it on the camera
0:21:48 > 0:21:54# Ooh, tonight's the night we take it up higher
0:21:54 > 0:21:58# No, we won't come down...#
0:22:03 > 0:22:08# ..No, we won't come down
0:22:08 > 0:22:13# No, we won't come down. #
0:22:16 > 0:22:19# Whoa-oh-oh-oh-oh Whoa-oh-oh-oh-oh
0:22:19 > 0:22:21# Whoa-oh-oh-oh
0:22:21 > 0:22:24# We are the lost and found
0:22:24 > 0:22:27# Don't know where we stand but solid ground
0:22:27 > 0:22:30# It's your shot Let's see what you got
0:22:30 > 0:22:34# Only a true light shines as bright as you
0:22:34 > 0:22:37# Whoa-oh-oh-oh-oh Whoa-oh-oh-oh-oh
0:22:37 > 0:22:39# Whoa-oh-oh-oh
0:22:39 > 0:22:43# Whoa-oh-oh-oh-oh Whoa-oh-oh-oh-oh
0:22:43 > 0:22:45# Whoa-oh-oh-oh. #