0:00:02 > 0:00:04COUNTRY & WESTERN MUSIC PLAYS
0:00:09 > 0:00:11- FEEDBACK SCREECHES - AAARGH!
0:00:11 > 0:00:13AAA-AAAARGH!
0:00:20 > 0:00:25If music be the food of love, play on, my zombie friends, play on.
0:00:25 > 0:00:29No-one can stop us now, no-one!
0:00:35 > 0:00:36HE COUGHS
0:00:38 > 0:00:41The 21st century faces a new kind of threat.
0:00:41 > 0:00:44The old-school spies have had their day
0:00:44 > 0:00:48and MI9 must create a new breed of skilled undercover agent.
0:00:55 > 0:00:58Hidden in a place no villain would think to look.
0:01:00 > 0:01:03Welcome to MI High.
0:01:16 > 0:01:20Your mother and I are looking forward to the music gala this afternoon.
0:01:20 > 0:01:25- It might not be very good.- Nonsense. You'll be marvellous.
0:01:25 > 0:01:29And we'll be right there in the front row, cheering you on.
0:01:29 > 0:01:31All set for this afternoon?
0:01:31 > 0:01:35- Yes, the children have been practising very hard.- Good.
0:01:35 > 0:01:40- Not that practice always makes perfect, unfortunately.- No.
0:01:40 > 0:01:41HUMAN BEATBOX
0:01:41 > 0:01:46HE RAPS: Fifty Pence is feelin' good Everyone wants to see my 'hood
0:01:46 > 0:01:50So, big up respec' Because music is like food.
0:01:55 > 0:01:59- Thanks.- You're not playing that stupid gala thing, are you?- Yeah.
0:01:59 > 0:02:03- In front of the whole school? - What are you playing?- Beethoven.
0:02:03 > 0:02:09Rose, you should get into something popular - like, try being normal.
0:02:09 > 0:02:12Yeah. Classical music is so boring.
0:02:12 > 0:02:16- I bet you're just doing it to please your parents.- No.
0:02:16 > 0:02:22Music week is a dumb idea. St Hope's is full of musical talent.
0:02:22 > 0:02:24Not.
0:02:25 > 0:02:26Hey, it's Lenny.
0:02:31 > 0:02:33RAPID BEEPING
0:02:50 > 0:02:52Hurry, we haven't got much time.
0:02:52 > 0:02:54What's up?
0:02:54 > 0:02:57Teenage zombies on the rampage.
0:02:57 > 0:03:03Like, "I like to go out at night and eat human brains" zombies?
0:03:03 > 0:03:06Nothing so grave, but they are real.
0:03:06 > 0:03:08They've attacked in three towns so far.
0:03:08 > 0:03:12Going into music stores, smashing everything in their path.
0:03:12 > 0:03:15Each night their numbers are increasing
0:03:15 > 0:03:18Here's one we managed to capture.
0:03:23 > 0:03:25So unless we act,
0:03:25 > 0:03:29- every kid in the country is going to end up like that?- Gross!
0:03:29 > 0:03:31I hate that goth look.
0:03:31 > 0:03:35Your mission is to find out what's turning them into zombies
0:03:35 > 0:03:39and find an antidote. Right, gadget time.
0:03:39 > 0:03:43You'll find a miniature camera inside these false fingernails.
0:03:43 > 0:03:47- Nice shade(!) You're learning, Leonard.- Oh, no!
0:03:47 > 0:03:50I'm late for rehearsal. See you later.
0:03:50 > 0:03:53So far, we've only got one piece of evidence -
0:03:53 > 0:03:56this CCTV footage of the zombies in action.
0:03:56 > 0:04:00Be warned, though - it's pretty scary stuff.
0:04:01 > 0:04:02Ready, girls.
0:04:02 > 0:04:07After three - one, two, three...
0:04:08 > 0:04:10TUNELESS
0:04:10 > 0:04:13- Sorry.- Not to worry.
0:04:14 > 0:04:17Once again. One, two, three...
0:04:19 > 0:04:21RASPING NOTES
0:04:21 > 0:04:25- Can't do this! I don't want to play in the stupid gala!- Rose!
0:04:25 > 0:04:27DOOR SLAMS
0:04:28 > 0:04:31It's probably just nerves.
0:04:32 > 0:04:37- Look at those hollow, staring eyes. - Looks like maths class on Monday.
0:04:37 > 0:04:40They look like they've been hypnotised. Hey, look at this.
0:04:40 > 0:04:44- Check out the shirt the kid's wearing.- Crush!
0:04:45 > 0:04:48What's Crush?
0:04:48 > 0:04:53- They're some dumb boy band. Can't play live.- They're gorgeous.
0:04:53 > 0:04:58Crush have nothing to do with this zombie stuff. They're too cute.
0:04:58 > 0:05:01Three other kids are wearing the same T-shirt.
0:05:01 > 0:05:04We can't ignore that kind of evidence. Look,
0:05:04 > 0:05:06when you zoom in...
0:05:06 > 0:05:09See what they're buying?
0:05:09 > 0:05:11Time to check out the pretty boys.
0:05:11 > 0:05:15Another music store under our control.
0:05:15 > 0:05:18No competition means bigger sales,
0:05:18 > 0:05:23and bigger sales means we move closer to our target.
0:05:23 > 0:05:25After tonight's performance,
0:05:25 > 0:05:29no-one can stop us getting to the top of the charts.
0:05:29 > 0:05:30Heh-heh-heh!
0:05:31 > 0:05:36I don't believe it - Blane Whittaker's reading Girly Talk.
0:05:36 > 0:05:38Purely for research.
0:05:38 > 0:05:43There's an article on Crush. It lists their tour dates.
0:05:43 > 0:05:45Folkestone, Lowestoft, Bury St Edmunds.
0:05:45 > 0:05:49- Ring any bells?- The towns where the teen zombie attacks occurred.
0:05:49 > 0:05:54The next gig is the biggest - Wembley, the 24th.
0:05:54 > 0:05:56But...that's today.
0:05:56 > 0:06:00Yeah. Wembley Stadium holds 100,000. If we don't get this sorted,
0:06:00 > 0:06:05there'll be a whole lot more zombies roaming the streets tonight.
0:06:07 > 0:06:11- Have you been using my henna blond again?- No! Tell him, Aaron.
0:06:11 > 0:06:15Stick to your own hair-care products in future.
0:06:16 > 0:06:19Stop all this nonsense at once!
0:06:19 > 0:06:23Darren, give Gary back his hair gel! Gary, stop pushing Darren! Aaron...
0:06:25 > 0:06:29..you've got chocolate on your shirt.
0:06:30 > 0:06:34Didn't I tell you boys to learn those song lyrics?
0:06:34 > 0:06:38This is an important gig and I need you to be word perfect.
0:06:38 > 0:06:42Understand? Hm?
0:06:42 > 0:06:44- BOTH:- Yes, Mr Frisco.
0:06:54 > 0:06:57He says it helps him think.
0:06:57 > 0:07:00We need to get Crush into St Hope's to check 'em out.
0:07:00 > 0:07:06- They'd never visit a dump like this in a zillion years.- Maybe not,
0:07:06 > 0:07:09but if they're playing Wembley Stadium tonight,
0:07:09 > 0:07:13a couple of well-placed traffic diversions could send them our way.
0:07:13 > 0:07:15Crush!
0:07:15 > 0:07:18I am going to meet Crush!
0:07:18 > 0:07:22Yeah, the same Crush that have been turning kids into zombies.
0:07:22 > 0:07:26- We don't know for sure.- One of us will have to get close to them,
0:07:26 > 0:07:29study their body language,
0:07:29 > 0:07:33find out what effect they're having on people and how they're doing it.
0:07:33 > 0:07:36- That'll be moi.- No way. You're a fan.
0:07:36 > 0:07:39- We need someone objective.- Wrong.
0:07:39 > 0:07:44Going undercover needs specialist knowledge. I've got it, you haven't.
0:07:44 > 0:07:46Yeah? Prove it.
0:07:50 > 0:07:54Gary hates all vegetables except...
0:07:54 > 0:07:55Himself.
0:07:55 > 0:07:58Aaron hasn't spoken in public since...?
0:07:58 > 0:08:00May 12th 2001.
0:08:00 > 0:08:03He plugged his hairdryer into a wet socket.
0:08:03 > 0:08:06Darren is allergic to...?
0:08:06 > 0:08:07Talent.
0:08:07 > 0:08:10How many downloads of the new single have there been?
0:08:10 > 0:08:1340,006,036.
0:08:13 > 0:08:18- OK, OK, I give up.- Now can we deal with Crush's tour bus?
0:08:18 > 0:08:19Mmmm.
0:09:03 > 0:09:06Excuse me, I'm looking for Wembley Stadium.
0:09:07 > 0:09:11Kids today! They're like zombies, the lot of them!
0:09:14 > 0:09:17Here's the group I was telling you about, sir - Crush.
0:09:17 > 0:09:20If you get them to sing in the gala concert,
0:09:20 > 0:09:24- it would be the most amazing thing ever.- They're really famous, you say?
0:09:24 > 0:09:27Really famous? They're superstars!
0:09:29 > 0:09:32GIRLS SHRIEK LOUDLY
0:09:33 > 0:09:36Wait! This isn't Wembley!
0:09:41 > 0:09:45Careful! Careful! Those boys are worth a lot of money!
0:09:54 > 0:09:57Hello. Kenneth Flatley, headmaster.
0:09:57 > 0:10:03- Tony Frisco, Crush master... I mean manager.- Do come this way.
0:10:05 > 0:10:08Tony Frisco? Who's he?
0:10:08 > 0:10:13Crush's manager, some one-hit wonder. My mum used to love him.
0:10:13 > 0:10:16- He used to be a singer?- Who cares?
0:10:16 > 0:10:20The man I'm going to marry is going that way!
0:10:23 > 0:10:28- It was so kind of you to agree to perform at our gala.- What gala?
0:10:28 > 0:10:32- We've got a gig at Wembley.- You'll be finished in plenty of time.
0:10:32 > 0:10:36You'll be on stage at 1.30. We've set aside the art room for the boys.
0:10:36 > 0:10:40I don't understand how a brand-new bus could conk out like that.
0:10:40 > 0:10:43- What are you doing?- Research.
0:10:43 > 0:10:47Crush aren't behind this. They're as dense as the Amazon.
0:10:47 > 0:10:52- Have you got any better suggestions? - I was wondering about Tony Frisco,
0:10:52 > 0:10:56the ex-pop star, but there's no sign of him on the record charts.
0:10:56 > 0:11:00What about those old talent shows? Plenty of one-hit wonders there.
0:11:00 > 0:11:02Excellent work, Rose,
0:11:02 > 0:11:05but I'm afraid you'll have to stop the investigating for now.
0:11:05 > 0:11:09The concert's about to begin and you're due on stage.
0:11:09 > 0:11:13We don't want any awkward questions, do we?
0:11:21 > 0:11:23Get back to learning those lines, boys.
0:11:27 > 0:11:29Why can't we sing our own words, like we used to?
0:11:31 > 0:11:33You boys question me?
0:11:33 > 0:11:38- No, we...- Who discovered you busking in that smelly subway?
0:11:38 > 0:11:40You, Mr Frisco.
0:11:40 > 0:11:45- Who took you and moulded you into stars?- You, Mr Frisco.
0:11:45 > 0:11:49Chose your clothes and styled your hair?
0:11:49 > 0:11:51ALL: You, Mr Frisco.
0:11:53 > 0:11:55Was it a crime
0:11:55 > 0:11:59for me to want to protect you from the cruel world out there?
0:11:59 > 0:12:02You've no idea what it's like,
0:12:02 > 0:12:05how fickle the critics can be,
0:12:05 > 0:12:10how they can eat you up and spit you out, like...
0:12:10 > 0:12:14- like...- Those nuts with the shells that Aaron likes?
0:12:14 > 0:12:17Pistachios! Something like that.
0:12:19 > 0:12:21Well, it won't happen again.
0:12:22 > 0:12:24Now get back to work.
0:12:24 > 0:12:27Hm? ALL: Yes, Mr Frisco.
0:12:27 > 0:12:30Ladies, please calm down! There's enough here for everyone!
0:12:30 > 0:12:33Official Crush merchandise!
0:12:33 > 0:12:35Rose said she'd meet us here.
0:12:35 > 0:12:41This is such a proud day, to have a real virtuoso in the family.
0:12:41 > 0:12:45And look at all these children, come to listen to her play her tuba.
0:12:45 > 0:12:48CHILDREN SCREAM
0:12:49 > 0:12:52Lock the door and don't let anyone else in.
0:12:52 > 0:12:55ALL: Yes, Mr Frisco.
0:13:04 > 0:13:07Daisy, watch out for Crush trying to hypnotise you.
0:13:07 > 0:13:10- And don't look into their eyes. - 'Hey, I am a professional.'
0:13:15 > 0:13:17Hello?
0:13:17 > 0:13:20Hi, guys, can you let me in a moment?
0:13:20 > 0:13:23We're not allowed to let anyone in.
0:13:23 > 0:13:26'It's only for an autograph. It's for my little sister.'
0:13:26 > 0:13:29She really loves you guys.
0:13:34 > 0:13:36Daisy!
0:13:38 > 0:13:40RECORDERS PLAY TUNELESSLY
0:13:46 > 0:13:47THEY FADE TO A HALT
0:13:55 > 0:13:57You haven't seen Rose anywhere?
0:13:58 > 0:14:01I do hope her nerves haven't got the better of her.
0:14:01 > 0:14:05It's just not like Rose to let everyone down.
0:14:06 > 0:14:08FEEDBACK
0:14:08 > 0:14:10Oops, sorry. Hello?
0:14:10 > 0:14:16Well done, Colin and Lindsey, for an interesting interpretation of, er...
0:14:16 > 0:14:18Three Blind Mice.
0:14:18 > 0:14:24Anyway, coming up very soon, we have our special guests, The Crush.
0:14:24 > 0:14:25CHILDREN CHEER WILDLY
0:14:25 > 0:14:28All right, all right, all right!
0:14:28 > 0:14:33Settle down. But to keep us entertained until then,
0:14:33 > 0:14:35a little Beethoven.
0:14:35 > 0:14:40Please welcome on stage Tina and Tanya Jones
0:14:40 > 0:14:43and Rose Gupta.
0:14:43 > 0:14:45APPLAUSE
0:14:49 > 0:14:51Er...Are you all right?
0:14:51 > 0:14:54Yeah, I think so.
0:14:54 > 0:14:57I must have just fainted, but I'm OK now.
0:14:57 > 0:15:02It's not like I've been... HYPNOTISED, or anything.
0:15:03 > 0:15:06Any chance of an autograph?
0:15:06 > 0:15:11You can make it to Daisy, your number one fan. The one with the cute smile.
0:15:13 > 0:15:17Ah, you're back already. How did the Beethoven go?
0:15:17 > 0:15:19Erm...
0:15:19 > 0:15:20Fine.
0:15:20 > 0:15:22- How's Daisy getting on?- OK.
0:15:22 > 0:15:26There's no sign of anyone using hypnosis.
0:15:26 > 0:15:30She lost it for a moment but that was just being so close to Crush.
0:15:30 > 0:15:33What about their recorded music?
0:15:33 > 0:15:36Looking at its waveforms, there's nothing suspicious.
0:15:36 > 0:15:38We're hoping Daisy can find something more.
0:15:38 > 0:15:42If it's not the music and it's not hypnosis, what is it?
0:15:42 > 0:15:46Tony Frisco. That's what. Check this out.
0:15:47 > 0:15:51# ..to me. #
0:15:51 > 0:15:53AUDIENCE BOOS
0:15:58 > 0:16:02- JUDGE:- It was cheesy, it was plastic,
0:16:02 > 0:16:04you're past your sell-by date.
0:16:04 > 0:16:09I'm sorry, but you've got no future in this business.
0:16:10 > 0:16:12Tony Frisco will be back.
0:16:12 > 0:16:14And one day,
0:16:14 > 0:16:18I will have the biggest-selling single of all time!
0:16:18 > 0:16:20You'll see!
0:16:20 > 0:16:21BOOING
0:16:21 > 0:16:25You...smell! I'll be back!
0:16:25 > 0:16:29Poor man. How terrible to be humiliated like that in public.
0:16:29 > 0:16:34- He got what he deserved. It's people like him that kill real music.- Yeah.
0:16:34 > 0:16:37He must have ended up very bitter and twisted.
0:16:37 > 0:16:40Time he and I had a little chat.
0:16:40 > 0:16:43Daisy's spelt D-A-I-S-Y.
0:16:45 > 0:16:48- What's this? - The words to our new single.
0:16:48 > 0:16:53Mr Frisco always makes us sing it live but it's hard to remember.
0:16:53 > 0:16:57We have to sing some bits louder than others.
0:16:57 > 0:17:00- He's obsessed with us keep singing this one song.- Really?
0:17:01 > 0:17:04Daisy, get the fingernail-cam on those lyrics.
0:17:13 > 0:17:16Hey, what are you doing?
0:17:18 > 0:17:21I just got them painted. Cool colour, huh?
0:17:23 > 0:17:27Look into my eyes, believe in only me, oh, baby, oh, baby
0:17:27 > 0:17:30I feel a kind of rush Whenever I'm by Crush
0:17:30 > 0:17:33Only you can understand Why this love cannot be banned.
0:17:33 > 0:17:37You are my number one All others now are gone.
0:17:38 > 0:17:43There's a technique for influencing people called subliminal messaging.
0:17:43 > 0:17:48Certain keywords are given undue emphasis in the rhyming pattern.
0:17:48 > 0:17:51Like the "oh, ba" part of "oh, baby".
0:17:51 > 0:17:57And "by Crush", as in purchase the single - not stand next to them.
0:17:57 > 0:18:00This isn't a song, it's an order.
0:18:00 > 0:18:05- So Crush have been creating zombies via their lyrics?- I'm sure of it.
0:18:05 > 0:18:08Now we need to find a way of overcoming the hidden messages.
0:18:08 > 0:18:11'Daisy, keep Crush in the art room.'
0:18:11 > 0:18:15'They mustn't be allowed to perform live.'
0:18:18 > 0:18:20- Are you some sort of stalker?- No...
0:18:20 > 0:18:25- I just wanna...hang out with you guys.- I'm ringing Mr Frisco.
0:18:25 > 0:18:31Rose, you have to hurry! I can't keep them in here much longer.
0:18:31 > 0:18:33- Now she's talking to herself! - She's bonkers!
0:18:33 > 0:18:36You have to let us out. Give us back the key.
0:18:39 > 0:18:41Oops!
0:18:41 > 0:18:44Sorry, it's still too noisy in here.
0:18:44 > 0:18:47Sorry. Single still number one?
0:18:47 > 0:18:49'Blane, you were right.'
0:18:49 > 0:18:53It's Tony Frisco's lyrics that are turning kids into zombies.
0:18:53 > 0:18:55I'm onto him now.
0:18:57 > 0:19:02We're getting even closer to having the biggest single of all time.
0:19:02 > 0:19:05We'll have even more zombies after the Wembley gig.
0:19:05 > 0:19:08Great. Bye.
0:19:09 > 0:19:11Oh...
0:19:13 > 0:19:16PLAYS PIANO # Boogie Man is number one
0:19:16 > 0:19:20# The rising sales go on and on. #
0:19:20 > 0:19:22Not any more.
0:19:23 > 0:19:25Says who?
0:19:25 > 0:19:30Says many critics. No-one chooses to buy the rubbish Crush churn out.
0:19:30 > 0:19:32Ah, that's big talk, indy kid.
0:19:34 > 0:19:37But you're going nowhere.
0:19:40 > 0:19:44Rose, how's it going?
0:19:44 > 0:19:47- Can I let them go yet? - She's talking to herself again.
0:19:48 > 0:19:51Look, let us out and we won't press charges.
0:19:51 > 0:19:55We'll try to get you help. Mr Frisco knows all the top showbiz shrinks.
0:19:57 > 0:19:59The lyrics!
0:20:04 > 0:20:06KEY TURNS IN LOCK
0:20:06 > 0:20:08- ALL:- Help!
0:20:08 > 0:20:12Ah, loosening up the old vocal cords, I hear.
0:20:12 > 0:20:14HE SINGS A SCALE
0:20:14 > 0:20:17I hope you weren't trying to keep them all to yourself.
0:20:17 > 0:20:20SHE BELCHES
0:20:21 > 0:20:23Bad luck, psycho.
0:20:23 > 0:20:26Ah - showtime!
0:20:29 > 0:20:33Rose, I have some bad news.
0:20:33 > 0:20:35Tony Boogie Man Frisco,
0:20:35 > 0:20:39- failed Pop Factor contestant. - Oh, I didn't fail.
0:20:39 > 0:20:42Those idiot judges were tone deaf.
0:20:45 > 0:20:49Lowest score in the history of the show, wasn't it?
0:20:49 > 0:20:52That's what your rubbish music deserves.
0:20:52 > 0:20:55And now you brainwash kids into buying your cheesy pop.
0:20:55 > 0:20:59How can you brainwash someone who doesn't have a brain to begin with?
0:21:00 > 0:21:03Think of it as re-educating the public.
0:21:04 > 0:21:06You're a useless old has-been.
0:21:07 > 0:21:12We're about to have the biggest-selling single of all time,
0:21:12 > 0:21:15then we'll be working on operas and easy listening ballads
0:21:15 > 0:21:18and pretty soon the whole world will be listening to my music.
0:21:18 > 0:21:22Music is about self-expression, freedom of choice.
0:21:22 > 0:21:26I don't think so, as my boys are about to prove.
0:21:27 > 0:21:29CHILDREN SHRIEK WITH EXCITEMENT
0:21:37 > 0:21:39CHANTING: We want Crush, we want Crush!
0:21:40 > 0:21:42Hey! Just cos Gary fancies me!
0:21:42 > 0:21:47- D'you mean me?!- Girls, girls, I don't like this popular music either
0:21:47 > 0:21:50but please, return to your seats.
0:21:55 > 0:21:57# Look into my eyes Look into my eyes
0:21:57 > 0:22:01# Believe in only me
0:22:02 > 0:22:04# Oh baby
0:22:04 > 0:22:07# Oh baby, oh baby
0:22:09 > 0:22:13# I feel a kind of rush
0:22:14 > 0:22:17# Whenever I'm by Crush
0:22:17 > 0:22:21# Only you can understand
0:22:21 > 0:22:27# Why this love cannot be banned
0:22:29 > 0:22:32# So look into my eyes
0:22:32 > 0:22:37# Look into my eyes Believe in only me
0:22:37 > 0:22:40# Oh baby, oh baby... #
0:22:40 > 0:22:42Blane? Rose?
0:22:42 > 0:22:44Where are you?
0:22:46 > 0:22:49Negation factor, three over ten.
0:22:49 > 0:22:51Positive imagery...
0:22:51 > 0:22:522.8.
0:22:52 > 0:22:55This antidote song had better work.
0:22:59 > 0:23:02- GUITARS SCREECH - Aaaargh! Aaargh!
0:23:04 > 0:23:06Stop that!
0:23:06 > 0:23:09That's not music! Where's the melody?!
0:23:09 > 0:23:12Where's the catchy chorus?!
0:23:25 > 0:23:28Hold on, Daisy, I'm on my way.
0:23:33 > 0:23:36# So look into my eyes
0:23:36 > 0:23:41# Look into my eyes Believe in only me... #
0:23:42 > 0:23:45Hey! Crush are over there!
0:23:46 > 0:23:49- We'll never be able to hold them! - Where's Rose?
0:23:50 > 0:23:53- She's a zombie! - No, it's just bad makeup.
0:23:53 > 0:23:55Get in!
0:23:56 > 0:23:58Mum? Dad? I'm so sorry.
0:23:58 > 0:24:02- Do you have the antidote? - Yeah, a new set of lyrics.
0:24:02 > 0:24:05- For Crush to sing?- No, it's all about which words you stress,
0:24:05 > 0:24:07and when...
0:24:08 > 0:24:12..and when you sing them. It has to be me.
0:24:12 > 0:24:15Well, let's go. We have to kick them off stage fast.
0:24:15 > 0:24:18MUSIC STOPS
0:24:20 > 0:24:23- I can't sing in public. - Don't be stupid, course you can.
0:24:25 > 0:24:27Knock 'em dead! Undead.
0:24:27 > 0:24:29Er, hi.
0:24:29 > 0:24:32Since this is the end of our school gala,
0:24:32 > 0:24:37one of us has to sing a song with you - and it's me.
0:24:37 > 0:24:4216/8 time signature, metronome marking 92, allegro.
0:24:42 > 0:24:44Huh?
0:24:44 > 0:24:47- Just give me some heavy beats. - What, play live?
0:24:47 > 0:24:50HEAVY DRUMBEAT
0:25:00 > 0:25:02# Look away from their eyes
0:25:02 > 0:25:05# Look away from their eyes
0:25:05 > 0:25:08# Look away from their eyes
0:25:08 > 0:25:10# Look away from their eyes
0:25:10 > 0:25:13# Believe in only yourself
0:25:13 > 0:25:17# Leave their CDs on the shelf Look away from their eyes
0:25:17 > 0:25:21# Look away from their eyes Look away from their eyes
0:25:21 > 0:25:24# Look away from their eyes
0:25:24 > 0:25:29# And always you'll be free If you listen up to me
0:25:29 > 0:25:31# Look away from their eyes
0:25:38 > 0:25:41# And always you'll be free
0:25:41 > 0:25:45# It's the only way to be Look away from their eyes
0:25:45 > 0:25:49# Look away from their eyes Look away from their eyes
0:25:50 > 0:25:52# Look away from their eyes
0:25:57 > 0:25:58# Look away. #
0:26:20 > 0:26:21You were awesome.
0:26:21 > 0:26:23Really?
0:26:23 > 0:26:25- Yeah!- That was real music.
0:26:26 > 0:26:30That was our best gig ever.
0:26:30 > 0:26:32It's all down to you, Rose. You rock!
0:26:32 > 0:26:35We didn't need Mr Frisco's help after all.
0:26:35 > 0:26:37He's definitely gone, hasn't he?
0:26:37 > 0:26:41Yeah, I promise you. You won't be seeing Tony Frisco again.
0:26:41 > 0:26:44Here's a couple of comps for tonight's gig.
0:26:44 > 0:26:47Just don't give any to that kooky friend of yours.
0:26:47 > 0:26:50We'd better be going. Bye.
0:26:53 > 0:26:56They still think I'm a crazy stalker, don't they?
0:26:58 > 0:27:01Well done, team. The teenage zombie threat is over,
0:27:01 > 0:27:06Crush are going to be touring the UK, playing Rosie's antidote song
0:27:06 > 0:27:10and we've saved the world from a cultural dictatorship.
0:27:10 > 0:27:12Come on.
0:27:15 > 0:27:19Well, had enough of the tuba. Think I'll try something else.
0:27:19 > 0:27:22- Death metal?- Rap?
0:27:24 > 0:27:26Good luck(!)
0:27:26 > 0:27:29You might be going inside for a long time.
0:27:29 > 0:27:32At least you can write some decent songs in there.
0:27:37 > 0:27:40That's the something new she's taken up.
0:27:41 > 0:27:42Clarinet.
0:27:42 > 0:27:45Rock'n'roll!
0:27:54 > 0:27:56Subtitles by Red Bee Media - 2007
0:27:56 > 0:27:58E-mail us at subtitling@bbc.co.uk