0:00:01 > 0:00:04BLEEPING
0:00:09 > 0:00:11Nearly there.
0:00:11 > 0:00:13Almost.
0:00:13 > 0:00:15Bomb defused.
0:00:19 > 0:00:22Oscar? Whoever made the bombs is still in here with us.
0:00:22 > 0:00:24And they're coming your way.
0:00:24 > 0:00:28Suspect heading towards you, Carrie.
0:00:41 > 0:00:43How are they doing that?
0:00:44 > 0:00:47I've never seen anything like it before.
0:00:50 > 0:00:53Need back up! NEED BACK UP!
0:00:55 > 0:00:57SHE SCREAMS
0:01:07 > 0:01:09There was nothing I could do.
0:01:09 > 0:01:11It all happened so quickly.
0:01:11 > 0:01:13At least the bomb's been defused.
0:01:13 > 0:01:16And the bomb maker lives to fight another day.
0:01:17 > 0:01:20The 21st century faces a new kind of threat.
0:01:20 > 0:01:23Old-school spies have had their day,
0:01:23 > 0:01:28and MI9 must create a new breed of skilled, undercover agent.
0:01:36 > 0:01:40Hidden in a place no villain will think to look.
0:01:40 > 0:01:42Welcome to MI High.
0:01:46 > 0:01:48Hey there, I'm Steve Cobbs,
0:01:48 > 0:01:50CEO of PearNet.
0:01:50 > 0:01:54I know a lot of you parents worry about your kids sitting at home all day
0:01:54 > 0:01:57playing on their PearPads, listening to their PearPods,
0:01:57 > 0:01:59and talking on their PearPhones.
0:01:59 > 0:02:03You're concerned about their lack of exercise,
0:02:03 > 0:02:05fearful of obesity.
0:02:05 > 0:02:08Well, at Pear, we care,
0:02:08 > 0:02:12which is why we're launching the Pearental Guidance Control Kit,
0:02:12 > 0:02:15which I'd like to demonstrate now with my son, Elliot.
0:02:15 > 0:02:17Using the Pearental controller,
0:02:17 > 0:02:21I can make sure that Elliot gets all the exercise he needs.
0:02:21 > 0:02:25And the best thing, Elliot doesn't even have to know,
0:02:25 > 0:02:28because the technology puts him in a trance.
0:02:28 > 0:02:32Four million parents have bought the kits. They're sold out.
0:02:32 > 0:02:34Parents really are overrated, aren't they?
0:02:34 > 0:02:37This could end childhood obesity.
0:02:37 > 0:02:38And create parental obesity.
0:02:38 > 0:02:42Imagine parents lying on the sofa while their kids do all the chores.
0:02:42 > 0:02:49- Our mission is to protect Steve Cobbs, whatever we think.- That bomb at his warehouse was just the start.
0:02:49 > 0:02:51This morning he got this.
0:02:51 > 0:02:55"Last chance. Stop now or everything will go pear-shaped!"
0:02:55 > 0:02:59There's going to be another attack today. We have to move fast.
0:02:59 > 0:03:04I've got it under control. The kits won't work until the software's uploaded to the Pear network.
0:03:04 > 0:03:09So I've arranged for the live upload to take place here at St Hope's.
0:03:09 > 0:03:12We can be close to Steve Cobbs and intercept the attacker.
0:03:12 > 0:03:15Um, you'll do no such thing.
0:03:15 > 0:03:16You let the bomber go.
0:03:16 > 0:03:19You're confined to intelligence gathering from HQ.
0:03:19 > 0:03:24- I'll supervise the protection of Steve Cobbs.- I was trying to step up with this plan.
0:03:24 > 0:03:26We can't execute it without field work.
0:03:26 > 0:03:29Just stick to the back flips and handstands.
0:03:29 > 0:03:33- What does that mean?- Work it out. Or get Agent Gupta to do it for you.
0:03:33 > 0:03:36She's the brains to your brawn, after all.
0:03:36 > 0:03:38I'll give you one chance to apologise.
0:03:38 > 0:03:42Give me a thousand, you'll still be disappointed.
0:03:42 > 0:03:43That's settled.
0:03:43 > 0:03:45- Carrie.- You can't do this.
0:03:45 > 0:03:50He makes me sound like an idiot. I'm not coming back till he apologises!
0:03:50 > 0:03:52Ahh.
0:03:59 > 0:04:03Sorry, we've just seen that film, Beat Dance 3D.
0:04:03 > 0:04:05Oh, check out the robo moves, man!
0:04:05 > 0:04:10Re-re-re-re-re # Rewind your body, Homie
0:04:10 > 0:04:12# Rewind your body, Homie...#
0:04:12 > 0:04:14Er.
0:04:15 > 0:04:17No dancing in my corridors.
0:04:17 > 0:04:22Ah-ah. Dance can be an expressive, positive activity, Mrs King.
0:04:22 > 0:04:26Children don't choose positive activity, Mr Flatley.
0:04:26 > 0:04:32Left to their own devices, they choose stupid, mindless distractions.
0:04:32 > 0:04:35Oh, it's all gone flat!
0:04:35 > 0:04:38Clearly the people at PearNet share my sensibility,
0:04:38 > 0:04:41which is why they've chosen us as the launch venue
0:04:41 > 0:04:43for their wonderful new product.
0:04:43 > 0:04:46I've invited all of your parents to come in
0:04:46 > 0:04:51and demonstrate the new Pearental Guidance Kit on you. GROANING
0:04:51 > 0:04:53My mother would never take part in this.
0:04:53 > 0:04:55My pupils are more than capable
0:04:55 > 0:05:00of pursuing a healthy, active lifestyle without artificial assistance.
0:05:00 > 0:05:02Nonsense.
0:05:02 > 0:05:06Come with me, all of you. We have got a point to prove.
0:05:08 > 0:05:10Carrie's ignoring her communicator.
0:05:10 > 0:05:12She's just letting off steam.
0:05:12 > 0:05:14Any luck?
0:05:14 > 0:05:18I'm looking at Cobbs's background to see why someone might hold a grudge,
0:05:18 > 0:05:21but he's scrubbed out all his personal information.
0:05:21 > 0:05:23- Rose?- These are the heat signatures
0:05:23 > 0:05:26left by the feet of everybody who was there that night.
0:05:26 > 0:05:30- If I remove ours... - The attacker's footprints.
0:05:30 > 0:05:33Yes. Only they're not footprints.
0:05:33 > 0:05:34They're toe prints.
0:05:34 > 0:05:37Whoever was in there with us was moving on point.
0:05:37 > 0:05:39So we're after a ballerina bomber?
0:05:39 > 0:05:43Don't underestimate this ballerina. She outwitted us.
0:06:11 > 0:06:13ALARM
0:06:25 > 0:06:29You'll guard Steve Cobbs with your lives, but it won't be easy.
0:06:29 > 0:06:35Be assured, I shall test your reactions to their limits.
0:06:35 > 0:06:39You have to be prepared for the attack to come from anywhere.
0:06:39 > 0:06:41Anything.
0:06:41 > 0:06:43Even me!
0:06:43 > 0:06:45AARGH!
0:06:45 > 0:06:47Aaargh!
0:06:47 > 0:06:50Fantastic stuff, that!
0:06:50 > 0:06:54By comparing the samples of dust on my jacket from the warehouse
0:06:54 > 0:06:56with the Dust Database,
0:06:56 > 0:06:58I've identified three different types of particle.
0:06:58 > 0:07:02Those already in the warehouse, those we brought from HQ,
0:07:02 > 0:07:06and a third type, from the Margaret Fontana International Ballet School.
0:07:06 > 0:07:10- Sounds very grand.- So the attacker's a ballerina from this ballet school?
0:07:10 > 0:07:12Is there any way of identifying who it is?
0:07:12 > 0:07:15There's only so much dust can tell us.
0:07:15 > 0:07:17Field work is not an option.
0:07:17 > 0:07:19Anything else you can do from here?
0:07:19 > 0:07:22I suppose I could programme a diagnostic algorithm
0:07:22 > 0:07:25to extrapolate a unique identity print signature
0:07:25 > 0:07:28through the impressions left by the ballerina's big toe.
0:07:28 > 0:07:30That's a yes, is it?
0:07:30 > 0:07:31It could take some time.
0:07:31 > 0:07:33Well done.
0:07:36 > 0:07:38Chief Agent Stock, it's Frank London.
0:07:38 > 0:07:43You need a field team at the Margaret Fontana International Ballet School immediately.
0:07:43 > 0:07:46Ah... Wh... Oh...
0:07:48 > 0:07:50You want me to send my agents
0:07:50 > 0:07:52into a BALLET school?
0:07:52 > 0:07:55Stop wasting my time
0:07:55 > 0:07:57with this fairy-tale nonsense
0:07:57 > 0:07:59and get me some proper intelligence!
0:07:59 > 0:08:01Thank you.
0:08:01 > 0:08:03Aargh! Oh!
0:08:04 > 0:08:08We know where the attacker is based. We need to do something quickly.
0:08:08 > 0:08:13- I will not disobey orders. - Your orders are to find who's threatening Steve Cobbs.
0:08:13 > 0:08:15This is the only way you can obey them.
0:08:15 > 0:08:19Carrie was right. We can't do our jobs without field work.
0:08:19 > 0:08:22Oh, hang this. Rose, go and get Carrie back.
0:08:22 > 0:08:28Oscar, get yourself undercover at the ballet school. Find our ballerina before they attack again.
0:08:29 > 0:08:31Clear.
0:08:32 > 0:08:34Clear.
0:08:34 > 0:08:39Keep clear, Agent Stewart! This whole floor could be mined! Idiot.
0:08:39 > 0:08:42There's only one thing I want to hear from you.
0:08:42 > 0:08:43How hard can it be?
0:08:43 > 0:08:47Come on! Just say it and we can both move on.
0:08:47 > 0:08:49Clear.
0:08:49 > 0:08:55I'd rather do one of your stupid forward rolls than apologise to you. So if you don't mind.
0:08:55 > 0:08:56Clear.
0:08:56 > 0:08:58No! NO!
0:08:59 > 0:09:01Oh.
0:09:01 > 0:09:02Well done. Ahem.
0:09:17 > 0:09:19Something wrong?
0:09:19 > 0:09:21I just expected, um...
0:09:21 > 0:09:24We had to move downtown when...
0:09:24 > 0:09:30Well, let's just say, our old premises were more elegante.
0:09:30 > 0:09:32What can I do for you?
0:09:32 > 0:09:34I'd like to audition for your school.
0:09:34 > 0:09:36You're a dancer?
0:09:36 > 0:09:41- Er, I'm keen. Really keen.- Keen, eh?
0:09:41 > 0:09:45Where I come from, "keen" means pain and suffering
0:09:45 > 0:09:47on a scale most people cannot imagine.
0:09:47 > 0:09:49Are you that keen?
0:09:49 > 0:09:51A bit.
0:09:51 > 0:09:53Yes. Yes.
0:09:53 > 0:09:55Then let's see what you've got.
0:10:01 > 0:10:03How hard can it be?
0:10:09 > 0:10:11You're supposed to glide.
0:10:11 > 0:10:14Not stumble.
0:10:14 > 0:10:16- You're no dancer.- But I want to be.
0:10:16 > 0:10:19Please, Miss Fontana. Give me this chance.
0:10:19 > 0:10:23- I've got big dreams. I want fame. - Fame costs.
0:10:23 > 0:10:25I'll do anything.
0:10:26 > 0:10:28Will you wear this?
0:10:28 > 0:10:30If I have to.
0:10:30 > 0:10:33Then put it on, and let's get you started.
0:10:34 > 0:10:36Mrs King would have the world believe
0:10:36 > 0:10:38that young people like yourselves
0:10:38 > 0:10:42are not capable of independently pursuing constructive activities.
0:10:42 > 0:10:45I guess what Mr Flatley's trying to say is that,
0:10:45 > 0:10:47despite what some people think,
0:10:47 > 0:10:49we all have a positive talent,
0:10:49 > 0:10:51something we can do
0:10:51 > 0:10:54that proves we don't need the Pearental Guidance Kit.
0:10:54 > 0:10:57I-I don't have nothing.
0:10:58 > 0:11:02- Yeah, well, your robo dancing.- Ah!
0:11:02 > 0:11:04And Donovan, you're a good footballer.
0:11:04 > 0:11:07I'm a GREAT footballer.
0:11:07 > 0:11:08Right.
0:11:08 > 0:11:12And Avril, you, um...
0:11:12 > 0:11:14Do interpretive dance.
0:11:14 > 0:11:16Really?
0:11:16 > 0:11:19Well, great, you know. I can't wait to see that.
0:11:19 > 0:11:21And Davina.
0:11:21 > 0:11:22Again, you, um...
0:11:22 > 0:11:24I shop.
0:11:24 > 0:11:28Now, I want all of you to practise a demonstration of your talents.
0:11:28 > 0:11:31Break up into pairs. That's it. Good.
0:11:32 > 0:11:35Frank's ignoring Stark's orders. Oscar's gone undercover.
0:11:35 > 0:11:37I'm no MI9 at the moment.
0:11:37 > 0:11:39You're always MI9.
0:11:39 > 0:11:41I'm taking time off.
0:11:41 > 0:11:43You should too.
0:11:43 > 0:11:47I mean, haven't you ever thought about what you might be missing?
0:11:54 > 0:11:58So, do you do many public performances?
0:12:00 > 0:12:03Guess it's all theatres and opera houses.
0:12:10 > 0:12:12Maybe the odd warehouse?
0:12:12 > 0:12:14DOOR OPENING
0:12:15 > 0:12:18You're not wearing your vest.
0:12:19 > 0:12:20Do I really need to?
0:12:20 > 0:12:22Do it now.
0:12:22 > 0:12:24Or get out of my school.
0:12:27 > 0:12:31Carrie refuses to come back till Stark apologises.
0:12:31 > 0:12:34I'll speak to her when I get a chance.
0:12:34 > 0:12:36Can you identify the ballerina?
0:12:36 > 0:12:38I can't make any sense of the pattern.
0:12:38 > 0:12:40They're there, just dense.
0:12:40 > 0:12:42Confused.
0:12:42 > 0:12:44Wait a second.
0:12:44 > 0:12:46FAST TYPING
0:12:47 > 0:12:49Overlapping patterns.
0:12:49 > 0:12:53There was more than one ballerina at the warehouse, but they moved as one.
0:12:53 > 0:12:58So Carrie wasn't under attack from a single ballerina, it was four.
0:12:58 > 0:13:01We must warn Oscar. He's walked into the lion's den.
0:13:01 > 0:13:05Oscar, get out of there now. It's all of them. They were all there.
0:13:05 > 0:13:07Things aren't right here.
0:13:07 > 0:13:10Oscar, withdraw. You're totally outnumbered.
0:13:10 > 0:13:15- I have to look into something first. - Look, I've already lost Carrie. I can't afford...
0:13:18 > 0:13:21SNIFFING
0:13:21 > 0:13:23Mm.
0:13:23 > 0:13:25Potassium deposits.
0:13:25 > 0:13:28Could be used for biological weaponry.
0:13:33 > 0:13:35You're from PearNet, aren't you?
0:13:35 > 0:13:37Yes, I'm part of the operation, madam.
0:13:37 > 0:13:43We were promised 20 Pearental Guidance Kits for our school, and none of them materialised.
0:13:43 > 0:13:46I've got parents coming in less than an hour for this launch.
0:13:46 > 0:13:49It's not really my department.
0:13:49 > 0:13:53A company like PearNet should pride themselves in good customer service.
0:13:53 > 0:13:56So whether it's your department or not,
0:13:56 > 0:13:59you should be bending over backwards to help.
0:13:59 > 0:14:02Now, see to it.
0:14:32 > 0:14:34Steve Cobbs.
0:14:42 > 0:14:43So you're behind this.
0:14:43 > 0:14:45I'm the choreographer.
0:14:45 > 0:14:47Do you expect me to talk?
0:14:47 > 0:14:51No, my dear, I expect you to dance.
0:14:58 > 0:15:00- I can't keep this up. - Oh, yes, you can.
0:15:00 > 0:15:04That little costume of yours responds to my every command.
0:15:06 > 0:15:09- I've seen this technology before. - Course you have.
0:15:09 > 0:15:11Because he sent you, didn't he?
0:15:11 > 0:15:13Well, you can come with us.
0:15:13 > 0:15:17It'll show him I mean business this time.
0:15:19 > 0:15:21Mind-control resistance.
0:15:21 > 0:15:23Remember your training.
0:15:23 > 0:15:25Remember. Uh.
0:15:25 > 0:15:27No.
0:15:27 > 0:15:29Focus on something.
0:15:29 > 0:15:31Focus.
0:15:37 > 0:15:42- Mr Cobbs, welcome. - Dad doesn't like to be disturbed when he's on an important call.
0:15:42 > 0:15:44I think he'll talk to me.
0:15:44 > 0:15:46He doesn't talk to anybody.
0:15:46 > 0:15:49Now, can we please get inside? Dad's too exposed out here.
0:15:54 > 0:15:57I'm sorry it has to be this way, but I have no choice.
0:15:57 > 0:15:58He's cut me off.
0:15:58 > 0:16:02You're the only way I can get to him and teach him a lesson.
0:16:02 > 0:16:04One last practise run.
0:16:04 > 0:16:09And then, we can embark on our mission of mercy, my darlings.
0:16:19 > 0:16:22Oscar's communicator is still off and I can't contact him.
0:16:22 > 0:16:26First Carrie, now this. We're supposed to be a team.
0:16:26 > 0:16:28Get to the ballet school and retrieve him.
0:16:28 > 0:16:31Your agents aren't supposed to be in the field, Frank.
0:16:31 > 0:16:34- You've disobeyed! - The ballerinas' threat is real.
0:16:34 > 0:16:37You shouldn't be here. Get out right now.
0:16:37 > 0:16:40How dare you?
0:16:40 > 0:16:43She keeps appearing. It's like she's had stealth training.
0:16:43 > 0:16:47Might I remind you that you are a guest at this school?
0:16:47 > 0:16:50You will treat my pupils with respect.
0:16:50 > 0:16:54Rose, why don't you go to my office and look after the VIPs in there?
0:16:54 > 0:16:59I think Rose might have something else she needs to be doing, madam.
0:16:59 > 0:17:02I think that this is my school,
0:17:02 > 0:17:04and what I say goes.
0:17:06 > 0:17:08I don't know how you tolerate it.
0:17:08 > 0:17:09Come back here!
0:17:09 > 0:17:12I said, come back here right now!
0:17:13 > 0:17:16- You'd better do as she says. - What about Oscar?
0:17:16 > 0:17:18I'll speak to Carrie myself.
0:17:19 > 0:17:22Dance, my darlings. Chaine.
0:17:25 > 0:17:27- Remember.- Chaine.
0:17:27 > 0:17:30Chaine!
0:17:30 > 0:17:32Remember.
0:17:32 > 0:17:34Faster.
0:17:39 > 0:17:41Remember!
0:17:45 > 0:17:48You've broken the synaptic control mechanism. How?
0:17:48 > 0:17:50- I've been trained. - But not classically.
0:17:50 > 0:17:53You may have got round the mind control,
0:17:53 > 0:17:55but while you're wearing that vest,
0:17:55 > 0:17:59your movements are at my command.
0:18:01 > 0:18:03Chasse, girls.
0:18:08 > 0:18:10Dance until you drop.
0:18:11 > 0:18:13FURIOUS BALLET MUSIC
0:18:21 > 0:18:25Er, what's it supposed to be again?
0:18:25 > 0:18:28She said it was called...tree.
0:18:29 > 0:18:31It's not exactly a dance, is it?
0:18:31 > 0:18:34She's just standing there doing nothing.
0:18:34 > 0:18:35Oh, no, no, no, no, no.
0:18:35 > 0:18:38You can hardly call this "nothing", Davina.
0:18:38 > 0:18:41See how Avril sculpts her form and shape
0:18:41 > 0:18:45to capture the impression of a gentle summer breeze?
0:18:47 > 0:18:50Now, now, now, notice how the squirrels
0:18:50 > 0:18:52gather nuts in the upper bough.
0:18:57 > 0:19:00The situation is becoming impossibly dangerous.
0:19:00 > 0:19:05- Has Stark apologised? - Sometimes being in a team means putting feelings aside
0:19:05 > 0:19:08It's also about thinking of other people's feelings.
0:19:08 > 0:19:13Which is why I know you won't be happy to leave Oscar in mortal danger at the ballet school.
0:19:14 > 0:19:17To be honest, you had me at "impossibly dangerous".
0:19:17 > 0:19:19Good. Come on.
0:19:20 > 0:19:22Are you our security?
0:19:22 > 0:19:26Some crazy woman just hijacked us and dragged us in here.
0:19:26 > 0:19:28Is your dad OK?
0:19:28 > 0:19:30Er, important call.
0:19:34 > 0:19:36Sure, I'll tell her.
0:19:36 > 0:19:39Dad says we're fine now. You'd better go.
0:19:45 > 0:19:47Dance.
0:19:57 > 0:19:58Carrie, help!
0:19:58 > 0:20:01- Get this vest off me! - Right, hold on.
0:20:05 > 0:20:07Right. One, two...
0:20:15 > 0:20:18Admit it. You missed me.
0:20:18 > 0:20:19Welcome back.
0:20:29 > 0:20:31I've got Oscar. He's fine.
0:20:31 > 0:20:35Margaret uses her cane to control whoever's wearing the ballet vest.
0:20:35 > 0:20:37I'm sending a Spypod scan.
0:20:37 > 0:20:39There are nano-receptors hidden in the fabric.
0:20:39 > 0:20:44- Nano-receptors? - The Pearental Guidance Kit. It's got the same technology.
0:20:44 > 0:20:46Some sort of early prototype.
0:20:46 > 0:20:48Margaret knows Steve Cobbs.
0:20:48 > 0:20:51I saw them in a photo together with Cobbs's son Elliot.
0:20:51 > 0:20:55I think maybe she was Elliot's ballet teacher.
0:20:55 > 0:20:58No. Margaret Fontana is married to Steve Cobbs.
0:20:58 > 0:21:02- She must have kept her maiden name. - They recently split up,
0:21:03 > 0:21:07and she's going to ruin his launch with weaponised ballerinas at her command.
0:21:07 > 0:21:09Get back to HQ now.
0:21:09 > 0:21:13We must stop them reaching Steve Cobbs without raising suspicions.
0:21:13 > 0:21:15Couru.
0:21:15 > 0:21:17Couru.
0:21:19 > 0:21:21Hello there. I'm the School Liaison.
0:21:21 > 0:21:24If you'll come with me, I'll take you to the launch.
0:21:32 > 0:21:34Just in there.
0:21:34 > 0:21:36Join you in a minute.
0:21:36 > 0:21:38That's right.
0:21:44 > 0:21:46Ballerinas secure.
0:21:48 > 0:21:50LOUD CRASH
0:21:50 > 0:21:51WOOD SPLINTERING
0:21:56 > 0:22:00Ballerinas not secure. Ballerinas really, really ANGRY!
0:22:00 > 0:22:02Rose, I'm on my way.
0:22:05 > 0:22:09This 3D effect is going to blow your minds.
0:22:09 > 0:22:11Ready?
0:22:11 > 0:22:12Hit it.
0:22:12 > 0:22:15HUMAN BEAT BOXING
0:22:15 > 0:22:17One, two, three.
0:22:17 > 0:22:19One, two, three. 3D!
0:22:19 > 0:22:21Whoo! Whoo!
0:22:22 > 0:22:25Ah, Rose. Do you have a contribution?
0:22:25 > 0:22:28Oh, bravo, Rose. Ballet.
0:22:30 > 0:22:33A pique turn combination now, my dears.
0:22:35 > 0:22:38Let's see what you can do. Express yourself.
0:22:40 > 0:22:42Oh, a performance piece. How marvellous!
0:22:42 > 0:22:45Changement de pieds, deux.
0:22:47 > 0:22:49Oh, I know this ballet.
0:22:49 > 0:22:54It's Duck Pond. And Rose is the duck that's about to get quacked.
0:22:54 > 0:22:56And now, my dear,
0:22:56 > 0:22:59let's finish this little dance of ours.
0:23:00 > 0:23:02Oh!
0:23:09 > 0:23:11Bravo!
0:23:12 > 0:23:14Well done, team.
0:23:14 > 0:23:18I'll tell Chief Agent Stark the attacker has been apprehended.
0:23:18 > 0:23:19You've got this all wrong.
0:23:19 > 0:23:23News flash. You're not the first criminal to say that to us.
0:23:23 > 0:23:25I'm no criminal.
0:23:25 > 0:23:27This was never about me and Steve.
0:23:27 > 0:23:29- Who was it about?- My son.
0:23:29 > 0:23:33Elliot? He used to do ballet, right? I saw him in the picture.
0:23:33 > 0:23:39Steve made the prototype device and I used it to force Elliot into ballet. It's my life, you see.
0:23:39 > 0:23:41But Elliot rebelled.
0:23:41 > 0:23:44He found a way of reversing the technology.
0:23:44 > 0:23:47The wearer of the T-shirt controls
0:23:47 > 0:23:49whoever is holding the Pearental controller.
0:23:49 > 0:23:52He's been controlling Steve for months.
0:23:52 > 0:23:56Hurry up. Hurry up! We're seconds away.
0:23:57 > 0:24:00You're a totalitarian techno-despot, mother.
0:24:00 > 0:24:04It doesn't co-ordinate with anything.
0:24:04 > 0:24:05I knew something was wrong.
0:24:05 > 0:24:07When that launch button is pressed,
0:24:07 > 0:24:11millions of kids will actually be controlling their parents.
0:24:11 > 0:24:13Pearental Guidance. Think of it.
0:24:13 > 0:24:17The chaos. Kids in charge, no offence.
0:24:17 > 0:24:21This could be lethal in the wrong hands. Look what happened to me.
0:24:21 > 0:24:24What I did to Elliot was wrong.
0:24:24 > 0:24:26I'd give anything to say I'm sorry.
0:24:26 > 0:24:28Three minutes to go.
0:24:28 > 0:24:31We need a gadget to stop the Pearware upload.
0:24:31 > 0:24:35Actually, we've got the perfect gadget.
0:24:37 > 0:24:39APPLAUSE
0:24:45 > 0:24:4730 seconds!
0:24:47 > 0:24:49Thanks to the Pearental Guidance Kit, my life changed,
0:24:49 > 0:24:54and now we're going to change the lives of kids all over the world.
0:24:54 > 0:24:56Stop! Stop this, Elliot!
0:24:56 > 0:24:59Mum? How did you get here?
0:24:59 > 0:25:02Talk to him. Tell him how you feel.
0:25:03 > 0:25:06You used your father's fortune and influence against me.
0:25:06 > 0:25:10You threw me out of my ballet school and our home.
0:25:10 > 0:25:14I know you only did that so I wouldn't hurt you again.
0:25:14 > 0:25:18I've been trying to get to you, trying to explain.
0:25:18 > 0:25:21You can't stop me, mum. You can't make me do anything any more.
0:25:21 > 0:25:26In a few seconds, millions of kids will be like me.
0:25:26 > 0:25:30They'll be able to tell their parents what to do and the world will be a better place.
0:25:30 > 0:25:33I can't make you do anything.
0:25:33 > 0:25:35You're right.
0:25:37 > 0:25:41I thought you'd love the ballet, the way I do.
0:25:41 > 0:25:44I thought it would be good for you.
0:25:44 > 0:25:47But when you wouldn't come to lessons, when you refused...
0:25:47 > 0:25:51- You forced me.- Yes, and I was wrong.
0:25:51 > 0:25:55I know that now. You're free to make your own choices.
0:25:55 > 0:25:59- I'm free to push this button and activate the software. - Then push it, hurry up.
0:25:59 > 0:26:01Shut up, Scoop!
0:26:02 > 0:26:04Keep talking to him.
0:26:04 > 0:26:07You might be free to push that button, but is Dad?
0:26:09 > 0:26:12You know what it feels like, don't you?
0:26:12 > 0:26:16To be forced to do something against your will.
0:26:16 > 0:26:18To be bullied.
0:26:18 > 0:26:21Is that what you want for him?
0:26:31 > 0:26:34APPLAUSE
0:26:41 > 0:26:45I guess there's something to be said for parental guidance after all.
0:26:52 > 0:26:54Hiding from someone?
0:26:54 > 0:26:57Just checking the area's secure.
0:26:57 > 0:27:02You'll be pleased to know we completed the mission with both desk work AND field work.
0:27:02 > 0:27:07Your decision to bring the launch to this location was a total disaster.
0:27:07 > 0:27:10We saved the day, and you owe me that apology.
0:27:10 > 0:27:15Your stupidity has led to me being harassed by a neurotic mad woman
0:27:15 > 0:27:17with some sort of dictator complex.
0:27:17 > 0:27:22A woman so horrendous... She's standing behind me, isn't she?
0:27:22 > 0:27:28I will NOT have people insulting my students in this school.
0:27:29 > 0:27:32Just go back to your little corner and keep sulking.
0:27:32 > 0:27:35Nobody puts Carrie in the corner.
0:27:38 > 0:27:39Sorry.
0:27:39 > 0:27:41I can't hear you.
0:27:41 > 0:27:43Sorry.
0:27:43 > 0:27:45To Carrie's face, please.
0:27:49 > 0:27:51I'm sorry.
0:27:52 > 0:27:56And now you can come with me because your men have left a right mess,
0:27:56 > 0:28:00and I am not having my caretaker wasting his time cleaning it up.
0:28:00 > 0:28:02Thank you, Frank.
0:28:02 > 0:28:05Aargh! Ow! Owww!
0:28:05 > 0:28:08Subtitles by Red Bee Media Ltd
0:28:08 > 0:28:10E-mail subtitling@bbc.co.uk