0:00:08 > 0:00:10ELECTRONIC WHIRRING
0:00:23 > 0:00:26COMPUTER BEEPS
0:00:26 > 0:00:28- COMPUTER:- 'Face scanning in progress.'
0:00:30 > 0:00:32'Creating face code.'
0:00:34 > 0:00:36MACHINE BEEPS
0:00:49 > 0:00:51MACHINE WHIRRS
0:00:51 > 0:00:53'Face code accepted.'
0:00:59 > 0:01:02'Transmorphing in three...'
0:01:02 > 0:01:03'two...
0:01:03 > 0:01:05'one...'
0:01:13 > 0:01:15'Face change complete.'
0:01:29 > 0:01:31MOBILE PHONE BUTTONS BEEP
0:01:33 > 0:01:36Tell the Minister we're ready for him.
0:01:36 > 0:01:37Tomorrow, midday.
0:01:46 > 0:01:49'The 21st century faces a new kind of threat,
0:01:49 > 0:01:52'and MI9 must create a new breed of skilled undercover agent.'
0:02:07 > 0:02:10'Hidden in a place no villain will think to look,
0:02:10 > 0:02:12'welcome to MI High.'
0:02:12 > 0:02:16# If you want to get down and dance tonight... #
0:02:16 > 0:02:20'And now on Squizzle FM, it's the new one from Calvin Lame.'
0:02:20 > 0:02:22# Come on down to my party
0:02:22 > 0:02:24# Yeah, yeah, yeah... #
0:02:24 > 0:02:27I love it, it's such a good song.
0:02:28 > 0:02:31So, you can write a song about anything?
0:02:31 > 0:02:34Yeah, pretty much. Like, what did you have for lunch?
0:02:34 > 0:02:36I had rice pudding.
0:02:36 > 0:02:38# Life is hard
0:02:38 > 0:02:41# Like a school rice pudding
0:02:41 > 0:02:43# When you've got no friends
0:02:43 > 0:02:46# And you're this good looking... #
0:02:46 > 0:02:49- Loser!- Terrible.- Rubbish!
0:02:49 > 0:02:52I think you're way more talented than Calvin.
0:02:52 > 0:02:54HE SCOFFS
0:02:54 > 0:02:55BUZZING
0:02:58 > 0:03:01Yeah, well, I guess the world's never going to know.
0:03:01 > 0:03:03Totally stick to your day job!
0:03:05 > 0:03:06CROWD SCREAMS
0:03:06 > 0:03:09Have you seen how many fans are out there?
0:03:09 > 0:03:11Yeah, that's because they like me.
0:03:11 > 0:03:14In fact, the only person who doesn't like me is my producer.
0:03:14 > 0:03:16Your new single, what's wrong with it?
0:03:16 > 0:03:17For a start, it's Calvin "LAHME"!
0:03:19 > 0:03:22And look at my head. It should be twice as big!
0:03:22 > 0:03:24I thought it was big enough already.
0:03:24 > 0:03:26OK. All right, I'll sort it!
0:03:26 > 0:03:29Just remember, Cuthbert, this face sells records.
0:03:31 > 0:03:33HE SIGHS
0:03:43 > 0:03:47Those fans, Spencer. Tell me those fans are going to pay.
0:04:00 > 0:04:03- COMPUTER:- 'Face scanning in progress.'
0:04:05 > 0:04:07# Come on down to my party
0:04:07 > 0:04:10# Yeah, yeah, yeah
0:04:10 > 0:04:13# Dancing all night to my party
0:04:13 > 0:04:15# Yeah, yeah, yeah
0:04:15 > 0:04:18# Come on... #
0:04:18 > 0:04:19Calvin Lame?
0:04:19 > 0:04:21I say we arrest him for writing...
0:04:21 > 0:04:23# Come on down to my party... #
0:04:23 > 0:04:26ALL: # Yeah, yeah, yeah! #
0:04:26 > 0:04:29Actually, he didn't write it. This man did.
0:04:29 > 0:04:31His record producer, Cuthbert Peabody.
0:04:31 > 0:04:33- So, that guy's a master criminal? - Possibly.
0:04:33 > 0:04:37In recent weeks, top secret computer components have been stolen
0:04:37 > 0:04:40- from this MI9 research unit. - How? There must be cameras all over.
0:04:40 > 0:04:44Exactly. To bypass the cameras, the thief must have expert knowledge.
0:04:44 > 0:04:46So, MI9 fitted some equipment with homing beacons,
0:04:46 > 0:04:48and left it out as bait.
0:04:48 > 0:04:50Sure enough, within days, it was stolen.
0:04:50 > 0:04:52And they traced the beacon back to Peabody?
0:04:52 > 0:04:55Sorry, but how does a music producer steal stuff from MI9?
0:04:55 > 0:04:59That's your mission. Infiltrate CP Records and find out how.
0:04:59 > 0:05:00And why.
0:05:00 > 0:05:03Cool! How do we infiltrate a record company?
0:05:08 > 0:05:11Zoe, are you sure about this? It could be really dangerous.
0:05:11 > 0:05:14Oh, come on. He's going to be so excited about it.
0:05:15 > 0:05:16What?
0:05:18 > 0:05:21"Not in the diary?!" Listen, sweetie, do you know who I am?
0:05:22 > 0:05:25Aneisha Jones, Britain's hottest new music agent.
0:05:25 > 0:05:29So, either you make this happen, or Peabody's history, capisce?
0:05:31 > 0:05:33Look...
0:05:33 > 0:05:36you know I want a record deal, but what if he doesn't like me?
0:05:36 > 0:05:38Byron, just be yourself.
0:05:38 > 0:05:41And maybe floppy up your hair up a bit.
0:05:41 > 0:05:43Mr Peabody will see you now.
0:05:43 > 0:05:46Er, hello? This should have coffee in it.
0:05:46 > 0:05:48# Music
0:05:48 > 0:05:50# It's time to face
0:05:50 > 0:05:52# The music
0:05:52 > 0:05:54# The music, honey. #
0:05:57 > 0:06:00Yeah, that's great, Calvin. That's a wrap.
0:06:00 > 0:06:03And, more importantly...
0:06:03 > 0:06:08my face code is now hidden in a pretty darn good pop song.
0:06:08 > 0:06:09DOOR OPENS
0:06:12 > 0:06:15Mr Peabody? Aneisha Jones. And this...
0:06:15 > 0:06:18This is the next biggest thing in pop.
0:06:21 > 0:06:24OVER RADIO: 'Zoe, use your spy pod to scan for concealed technology.
0:06:24 > 0:06:28'We need to know what Cuthbert's doing with those stolen components.'
0:06:30 > 0:06:33MACHINE BEEPS SLOWLY
0:06:38 > 0:06:42MACHINE BEEPS FASTER
0:06:44 > 0:06:46AIR DECOMPRESSES
0:07:02 > 0:07:06# Yeah, I know that you love me... #
0:07:06 > 0:07:10THEY SNIGGER
0:07:10 > 0:07:16# Yeah, I know that you love me. #
0:07:16 > 0:07:19Wait! Why are you laughing at him?
0:07:19 > 0:07:24Because on here is Calvin's new single...
0:07:24 > 0:07:27which will doubtless be downloaded by millions of his stupid fans.
0:07:27 > 0:07:29- Hey!- So, I don't need you,
0:07:29 > 0:07:33and I don't need Mr Moany, moany, moan, moan...
0:07:33 > 0:07:36At least I write my own songs! All you care about is making money.
0:07:36 > 0:07:40OK, now why don't you just calm down and give me that back?
0:07:40 > 0:07:44All I want is a chance to record one song, and...
0:07:44 > 0:07:45- and maybe a music video.- Byron!
0:07:45 > 0:07:49I just want everyone at school to see I'm a not a loser.
0:07:49 > 0:07:50So, what'll it be?
0:07:53 > 0:07:54HE SIGHS
0:07:58 > 0:08:01The Minister's seeing the transmorpher at noon.
0:08:01 > 0:08:03We've got an hour to get the song and get out of here.
0:08:03 > 0:08:05Look on the bright side, guys.
0:08:05 > 0:08:09What better way to promote my new single?
0:08:09 > 0:08:12Please can I have an autograph for my friend? He's called Frank.
0:08:12 > 0:08:13Get a life!
0:08:13 > 0:08:15Hey, guys, look who's here!
0:08:15 > 0:08:16CHEERING
0:08:16 > 0:08:18Maybe Byron was doing us a favour.
0:08:18 > 0:08:21At least this way we can keep an eye on Cuthbert.
0:08:21 > 0:08:24Now, look here. You're making no such pop video...
0:08:24 > 0:08:27even it is for this "Lame" character.
0:08:27 > 0:08:30Ah, but it's not for him, is it?!
0:08:30 > 0:08:31It's for...
0:08:31 > 0:08:32Byron.
0:08:34 > 0:08:35Byron?!
0:08:35 > 0:08:37I say, how exciting!
0:08:37 > 0:08:40CROWD CHANTS: Video! Video!
0:08:40 > 0:08:43# It's hard to say I love you
0:08:43 > 0:08:47# But I know that you love me. #
0:08:47 > 0:08:49CHEERING AND APPLAUSE
0:09:07 > 0:09:10Hey, Byron. Maybe I could play a backing dancer?
0:09:10 > 0:09:12And I don't know if you've noticed,
0:09:12 > 0:09:14but I'm the only one that can sing in tune around here.
0:09:14 > 0:09:16Hey, where did Cuthbert go?!
0:09:19 > 0:09:21HE GASPS
0:09:21 > 0:09:23Good question.
0:09:23 > 0:09:25Get off!
0:09:27 > 0:09:29ENGINE REVS, TYRES SQUEAL
0:09:30 > 0:09:33Cuthbert!
0:09:33 > 0:09:36You can't go without ME!
0:09:36 > 0:09:38Cuthbert?!
0:09:42 > 0:09:45- We didn't mean to let him get away. - We were being happy for Byron.
0:09:45 > 0:09:48The main thing is the designs. Tom's made progress.
0:09:48 > 0:09:52It's a face scanner, part of a machine called the transmorpher.
0:09:52 > 0:09:55Yes. It's situated at the MI9 unit where Stella's been working,
0:09:55 > 0:09:57from where those computer components were stolen.
0:09:57 > 0:10:00He could've used them to make a face scanner.
0:10:00 > 0:10:02- OK, one question. Why? - We don't know.
0:10:02 > 0:10:04The scanner turns the face into a sonic code.
0:10:04 > 0:10:07To actually use it, you need the transmorpher.
0:10:07 > 0:10:09Good luck with stealing that thing!
0:10:09 > 0:10:12But the Minister for Security is coming for a demonstration today.
0:10:12 > 0:10:14Meanwhile, you've got a security leak.
0:10:14 > 0:10:18I need you here, to protect the minister and the machine.
0:10:18 > 0:10:21- You have 15 minutes! - We need to go. Tom, stay on comms.
0:10:21 > 0:10:24Zoe, keep an eye on Calvin Lahme. He may be involved.
0:10:38 > 0:10:40Minister, it's an honour.
0:10:40 > 0:10:42Oh, please. I do love a bit of techno wizardry.
0:10:44 > 0:10:45Blue suit. Red tie.
0:10:46 > 0:10:49Honestly, the man's got no sense of style.
0:10:49 > 0:10:54The transmorpher, Minister, represents the ultimate in disguise.
0:10:54 > 0:10:57No longer must we rely on costume, make-up and prosthetics.
0:10:57 > 0:11:00Now we can change an agent's face entirely.
0:11:00 > 0:11:02So, whose face are you going to give him?
0:11:02 > 0:11:05I thought my colleague, Frank London.
0:11:05 > 0:11:08But don't worry, sir. The process is completely reversible.
0:11:08 > 0:11:10Yes. Very funny.
0:11:10 > 0:11:13- Again?- No, you're my favourite singer just now.
0:11:13 > 0:11:15Hey, Byron, have you seen Calvin?
0:11:17 > 0:11:20Byron? Byron!
0:11:20 > 0:11:22Zoe, can you get a life?!
0:11:22 > 0:11:24- GIRL GIGGLES - Just sign here...
0:11:32 > 0:11:34Thank you for agreeing to be the test subject
0:11:34 > 0:11:36for this demonstration, Minister.
0:11:36 > 0:11:38Frank?
0:11:38 > 0:11:41First, Frank's face is converted into a sonic face code...
0:11:41 > 0:11:43- COMPUTER:- 'Face scanning in progress.'
0:11:51 > 0:11:54# You're beautiful inside You know... #
0:11:54 > 0:11:56'Creating face code...'
0:11:56 > 0:11:59The code is then loaded into the transmorpher,
0:11:59 > 0:12:02which converts it into transmorphic sonic waves.
0:12:02 > 0:12:06Those alter your entire appearance.
0:12:06 > 0:12:07So, if you're ready, sir?
0:12:07 > 0:12:09'Face code accepted.'
0:12:09 > 0:12:10Activate!
0:12:12 > 0:12:15'Transmorphing in three...'
0:12:15 > 0:12:16'two...'
0:12:16 > 0:12:18'one.'
0:12:18 > 0:12:20MUSIC PLAYS SOFTLY
0:12:31 > 0:12:33'Face change complete.'
0:12:41 > 0:12:43So...
0:12:48 > 0:12:50How do I look?
0:12:54 > 0:12:57Now, why don't you listen to me, Mr McNab?
0:12:57 > 0:13:00I need you to get me a limo, pronto.
0:13:00 > 0:13:04Do you think you can do that? Do you think you could manage that?!
0:13:04 > 0:13:07Just pick up the phone and say, "I need a limo for Mr Lame."
0:13:07 > 0:13:10It's not "Lame", it's "Lahme", do you understand that?
0:13:13 > 0:13:15Why are you hiding?
0:13:15 > 0:13:19Everybody thinks I'm interesting, have cool stuff to say...
0:13:19 > 0:13:22- Like, "Get a life."- No, look...
0:13:22 > 0:13:25I'm sorry. That wasn't me.
0:13:25 > 0:13:26You know how...
0:13:27 > 0:13:32..sometimes you're someone, and in school, you're someone else?
0:13:32 > 0:13:33I can relate to that.
0:13:35 > 0:13:38At home, I'm just Brian.
0:13:38 > 0:13:40Brian Ditchwater.
0:13:40 > 0:13:43Dull as ditchwater.
0:13:43 > 0:13:46I thought if I was Byron, people would like me more.
0:13:46 > 0:13:48Well, they seem to now.
0:13:48 > 0:13:50It's only cos I made a pop video.
0:13:51 > 0:13:54You were the only one that listened to me before.
0:13:54 > 0:13:56I told you to get a life.
0:13:56 > 0:13:58I'm just as bad as him.
0:13:58 > 0:14:01Just listen to me, actually. I have to get out of here!
0:14:01 > 0:14:05Do you have any idea what it's like to have hundreds of screaming fans?
0:14:05 > 0:14:08"Oh, we love you, Calvin! Oh, we love you, Calvin!"
0:14:08 > 0:14:10They're driving me bonkers!
0:14:10 > 0:14:12CROWD SIGHS
0:14:13 > 0:14:15Guys...
0:14:15 > 0:14:19Guys! Come on. Joke.
0:14:19 > 0:14:21Please, I was joking.
0:14:21 > 0:14:23I'm guessing Cuthbert's involved.
0:14:23 > 0:14:27I don't understand. The transmorpher should've contained Frank's code.
0:14:27 > 0:14:30My ears! What have you done to me?!
0:14:30 > 0:14:34We've already scanned your face. I CAN change you back, I promise!
0:14:37 > 0:14:40It's just a smoke grenade.
0:14:40 > 0:14:41It does make a bit of a bang.
0:14:44 > 0:14:46EXPLOSION, ALARMS WAIL
0:14:46 > 0:14:48You two, outside. We'll guard the Minister.
0:14:55 > 0:14:58Minister. I thought we left you inside.
0:14:58 > 0:15:00I snuck out the back to give you chaps a hand.
0:15:00 > 0:15:02Hey, maybe I should have one of those.
0:15:04 > 0:15:05I'm the Minister for Security!
0:15:08 > 0:15:09Look out!
0:15:09 > 0:15:11BUZZING
0:15:11 > 0:15:12HE WHISTLES
0:15:15 > 0:15:18Relax, Minister. Those guards are ready for anything.
0:15:18 > 0:15:20Freeze! Nobody move.
0:15:20 > 0:15:23I thought you said they were ready for anything!
0:15:23 > 0:15:24Good afternoon.
0:15:26 > 0:15:28Oh, yes, but perhaps not ready for that.
0:15:28 > 0:15:30Spencer...
0:15:35 > 0:15:38Good old-fashioned disguises. Always the best.
0:15:38 > 0:15:40And guess who stole those computer parts.
0:15:40 > 0:15:42Hands up!
0:15:42 > 0:15:45Or whatever people do in these situations...
0:15:46 > 0:15:48PENCIL BEEPS
0:15:49 > 0:15:51COMPUTER BEEPS LOUDLY
0:15:53 > 0:15:55Yo, Danny boy. How's it going?
0:15:57 > 0:16:00Dan? Dan?
0:16:00 > 0:16:02- OVER RADIO:- 'Tie them up, and make it tight.'
0:16:02 > 0:16:05'What better way to breach your defences'
0:16:05 > 0:16:08than making the Minister for Security look like me?
0:16:08 > 0:16:13And I'd imagine you'd like to know HOW I did this.
0:16:13 > 0:16:15Spencer, I feel like a tune.
0:16:15 > 0:16:17Don't you?
0:16:17 > 0:16:21# You're beautiful inside You know... #
0:16:21 > 0:16:22It's Calvin's new song.
0:16:22 > 0:16:27Written by me, and containing my very own face code...
0:16:27 > 0:16:30which, by the looks of things, got into the machine before yours did.
0:16:32 > 0:16:34Blimey, my ears are big!
0:16:38 > 0:16:40(I hope you're getting all this.)
0:16:40 > 0:16:42I'll arrange for a SWAT team.
0:16:42 > 0:16:44- Tom, what's happening? - A hostage situation.
0:16:44 > 0:16:48I don't know if Calvin's involved. Keep an eye on him just in case.
0:16:56 > 0:16:57You know...
0:16:58 > 0:17:00..when I was young...
0:17:02 > 0:17:03..all I wanted to be...
0:17:04 > 0:17:06..was a pop star.
0:17:07 > 0:17:08But, apparently...
0:17:08 > 0:17:10MICROPHONE FEEDBACK
0:17:10 > 0:17:12"..I didn't have the right face."
0:17:12 > 0:17:14Here we go. Issues.
0:17:14 > 0:17:21Yes, "issues," and my "issue" is that people are morons.
0:17:21 > 0:17:23They don't care about music,
0:17:23 > 0:17:25they just want some chisel-jawed poster boy.
0:17:25 > 0:17:29- I get it. So, you started writing songs for Calvin instead?- Exactly.
0:17:29 > 0:17:3215 number ones, I've written.
0:17:34 > 0:17:38And yet, how many people recognise me out in the street?
0:17:38 > 0:17:39Huh?
0:17:39 > 0:17:41They think I'm a nobody.
0:17:41 > 0:17:43But I'm not a nobody!
0:17:45 > 0:17:47I'm a...
0:17:47 > 0:17:49- I'm a...- Peabody?
0:17:53 > 0:17:55Spencer...
0:17:56 > 0:17:59Tell me you've hacked into Squizzle FM.
0:18:09 > 0:18:11No. No.
0:18:11 > 0:18:12No, he can't.
0:18:14 > 0:18:17He's sending transmorphic waves down the radio.
0:18:17 > 0:18:20Millions will be listening. They'll all be transmorphed!
0:18:20 > 0:18:22- COMPUTER:- 'Face code accepted.'
0:18:30 > 0:18:32'Transmorphing in three...'
0:18:32 > 0:18:34Now, the whole world...
0:18:34 > 0:18:36'..two...'
0:18:36 > 0:18:39- ..will know my face! - '..one.'
0:18:39 > 0:18:43# You're beautiful inside, you know
0:18:43 > 0:18:47# It matters more than what's on show
0:18:47 > 0:18:51# Even though you hide in the crowd
0:18:51 > 0:18:55# We can't all be upfront and loud
0:18:55 > 0:18:58# Everybody knows my face and name...#
0:18:58 > 0:19:00SHE SCREAMS
0:19:00 > 0:19:04# Going to be a winner in the fame game
0:19:04 > 0:19:06# Come on, baby, feel the vibe
0:19:06 > 0:19:09# Every time... #
0:19:09 > 0:19:11You've got to do something!
0:19:11 > 0:19:15- I know. I heard the song over comms. - 'How come our faces weren't changed?'
0:19:15 > 0:19:18The waves only went over Squizzle. But millions listen to that.
0:19:18 > 0:19:21- You'll never get away with this! - Oh, really?
0:19:22 > 0:19:26But if millions of people look like me,
0:19:26 > 0:19:27how will you find me?
0:19:27 > 0:19:30The most famous face ON THE PLANET...
0:19:32 > 0:19:34..and there's nothing you can do about it.
0:19:37 > 0:19:39If I could work out the opposite code,
0:19:39 > 0:19:41I could change everyone's faces back.
0:19:41 > 0:19:42But that could take years!
0:19:42 > 0:19:46'Pity we can't just play the opposite song.'
0:19:46 > 0:19:47Say that again?
0:19:47 > 0:19:50Shame we can't just play the opposite song.
0:19:50 > 0:19:52Wait! Maybe we could.
0:19:52 > 0:19:53The code makes up the song.
0:19:53 > 0:19:56So, the opposite notes would make the opposite code.
0:19:56 > 0:19:58Did I just have a better idea than you?
0:19:58 > 0:20:01There's only one problem. I can't play music.
0:20:01 > 0:20:03No. But we know someone who can.
0:20:05 > 0:20:08We should get out of here. Destroy the machine!
0:20:16 > 0:20:18Zoe, we need you quick!
0:20:18 > 0:20:19I'm on it!
0:20:19 > 0:20:22This is all Donaldson's fault.
0:20:22 > 0:20:24Donaldson!
0:20:24 > 0:20:25Mother, it's me, Kenneth.
0:20:25 > 0:20:29You know you said you'd love me no matter what...?
0:20:32 > 0:20:34At least you're not listening to Squizzle.
0:20:34 > 0:20:35Byron, I need you...
0:20:35 > 0:20:38Byron? What's with your hair?
0:20:38 > 0:20:40Today made me realise...
0:20:40 > 0:20:41Byron was an idiot.
0:20:41 > 0:20:44So, from now on, it's Brian...
0:20:44 > 0:20:47and no more stupid songs.
0:20:47 > 0:20:49ELECTRICITY CRACKLES
0:20:54 > 0:20:56Get out.
0:20:59 > 0:21:01I've got it.
0:21:02 > 0:21:04- COMPUTER:- 'Warning. Warning. Warning. Warning.'
0:21:04 > 0:21:06'Error. Error'
0:21:06 > 0:21:08'Warning. Warning. Warning. Warning..'
0:21:08 > 0:21:10GRUNTING AND GASPING
0:21:11 > 0:21:14I'll handle him. You take care of the machine.
0:21:30 > 0:21:34'Warning. Warning. Warning. Warning.'
0:21:37 > 0:21:39The transmorpher! It's malfunctioning!
0:21:39 > 0:21:41- I can't get out!- Aneisha?!
0:21:41 > 0:21:43'Transmorphing in three...'
0:21:43 > 0:21:45'two...'
0:21:45 > 0:21:46'one...'
0:21:47 > 0:21:50Zoe, come on! We need that music!
0:21:50 > 0:21:52Brian, please. Just because you're famous,
0:21:52 > 0:21:55doesn't mean you have to turn into Calvin Lame.
0:21:55 > 0:21:57No! It's a slippery slope.
0:21:57 > 0:21:59I'm not ending up like that.
0:21:59 > 0:22:02Brian, please. Just play one last song...
0:22:02 > 0:22:03Just for me?
0:22:05 > 0:22:07I can't. I don't even have a guitar.
0:22:07 > 0:22:09How about this one?
0:22:13 > 0:22:16Figured I should make at least one friend around here.
0:22:16 > 0:22:19- Yeah. Now you can play the song together!- Yeah!
0:22:19 > 0:22:21- What song?- Your new single.
0:22:21 > 0:22:23I've had enough of that cheesy rubbish.
0:22:23 > 0:22:26No, not the cheesy pop version. What would be the exact opposite?
0:22:26 > 0:22:30Well, I could change the happy major notes to sad minor notes, I guess.
0:22:30 > 0:22:32If only I had the music...
0:22:34 > 0:22:37- COMPUTER:- 'Error, error. System critical. Overload imminent.'
0:22:37 > 0:22:40It's everybody who's ever been scanned into the machine!
0:22:40 > 0:22:43Never mind that. It's going to explode!
0:22:43 > 0:22:44Dan, you've got to get her out!
0:22:46 > 0:22:49It's been a while since I jammed...
0:22:49 > 0:22:51One, two, three, four...
0:22:57 > 0:22:59# You're beautiful... #
0:22:59 > 0:23:02The opposite song, and it's creating the reverse face code.
0:23:03 > 0:23:07Never thought I'd say this, but let's play Byron loud!
0:23:08 > 0:23:12# Even though you hide in the crowd... #
0:23:12 > 0:23:14'Warning. Error. Error.'
0:23:14 > 0:23:17# We can't all be upfront and loud... #
0:23:17 > 0:23:19That noise. What is that?
0:23:19 > 0:23:24# Everybody knows my face and name
0:23:24 > 0:23:29# Going to be a winner in this fame game
0:23:29 > 0:23:31# Every time... #
0:23:31 > 0:23:34The music. Where's it coming from?!
0:23:34 > 0:23:37# NY City
0:23:37 > 0:23:39# I'm sitting pretty... #
0:23:39 > 0:23:41- COMPUTER:- 'Face code accepted.'
0:23:41 > 0:23:45'Reversing transmorphing. In three...
0:23:45 > 0:23:47'two,
0:23:47 > 0:23:48'one...'
0:23:48 > 0:23:50No!
0:23:50 > 0:23:52# It matters more
0:23:52 > 0:23:56# Than what's on show
0:23:56 > 0:24:01# Even though you hide in the crowd
0:24:01 > 0:24:04# We can't all be upfront and loud... #
0:24:04 > 0:24:06'Dan, to change everyone back,'
0:24:06 > 0:24:08you have to make sure this is going through Squizzle.
0:24:08 > 0:24:10# Everybody knows my face and name... #
0:24:10 > 0:24:12It's going down Squizzle FM.
0:24:12 > 0:24:15# I'm going to be a winner in this fame game... #
0:24:15 > 0:24:17Donaldson...
0:24:17 > 0:24:20# LA town
0:24:20 > 0:24:23# You can't keep me down
0:24:23 > 0:24:26# NY City
0:24:26 > 0:24:28# I'm sitting pretty
0:24:28 > 0:24:33# It's time to face the music
0:24:33 > 0:24:38# It's time to face the music
0:24:38 > 0:24:41# The music now. #
0:24:47 > 0:24:48Well, you were rubbish.
0:24:52 > 0:24:53What's going on?!
0:24:53 > 0:24:55THEY LAUGH
0:24:56 > 0:24:59Hey! Keep your hands off me. Behave yourself.
0:24:59 > 0:25:01Weird person.
0:25:04 > 0:25:06- Freeze!- MI9, nobody move!
0:25:06 > 0:25:08Stay where you are, you're under arrest.
0:25:10 > 0:25:11Hands up...
0:25:11 > 0:25:13or whatever they say in this situation.
0:25:18 > 0:25:20HE GROWLS
0:25:23 > 0:25:25Hey, look who it is.
0:25:25 > 0:25:27Listen, guys, I was an idiot.
0:25:27 > 0:25:31I know I disrespected the people who got me where I am today.
0:25:31 > 0:25:32You know, the top.
0:25:32 > 0:25:35So, to say I'm sorry...
0:25:35 > 0:25:39how about...free tickets to my next concert?
0:25:39 > 0:25:41For everyone.
0:25:41 > 0:25:43CROWD CHEERS AND SHOUTS
0:25:44 > 0:25:47Maybe we could go together?
0:25:47 > 0:25:48Yeah, that would be great!
0:25:53 > 0:25:55I thought he was never going to ask you out on a date.
0:25:55 > 0:25:57A date?
0:26:00 > 0:26:02And Byron...
0:26:02 > 0:26:04I posted your video on the internet.
0:26:04 > 0:26:06And guess what?
0:26:06 > 0:26:08You went straight to number one!
0:26:08 > 0:26:10CHEERING AND APPLAUSE
0:26:10 > 0:26:12Number one in Boldovia, but, you know...
0:26:14 > 0:26:16Look at that!
0:26:22 > 0:26:24You should have it.
0:26:26 > 0:26:27Don't let it get to your head.
0:26:27 > 0:26:29Thanks, Brian.
0:26:29 > 0:26:32I think it's really cool that you're still able to be yourself.
0:26:32 > 0:26:33Are you kidding?!
0:26:35 > 0:26:38People don't want Brian. They want Byron.
0:26:38 > 0:26:42Now, if you'll excuse me, I've got to mingle and stuff.
0:26:44 > 0:26:47You know, I never did see his music video.
0:26:47 > 0:26:49I mean, seriously, can you imagine?
0:26:49 > 0:26:50THEY CHUCKLE
0:26:50 > 0:26:53# Life is hard
0:26:53 > 0:26:57# Like a school rice pudding
0:26:57 > 0:26:59# When you've got no friends
0:26:59 > 0:27:02# And you're this good-looking
0:27:03 > 0:27:06# I'm feeling like an orange
0:27:06 > 0:27:09# I'm peeling my soul bare
0:27:09 > 0:27:12# And you know that I'm deep
0:27:12 > 0:27:16# Cos I've got floppy hair
0:27:16 > 0:27:18# It's hard to be a teen
0:27:18 > 0:27:22# But harder to be me
0:27:22 > 0:27:25# Harder than exams
0:27:25 > 0:27:28# Or than a frozen pea
0:27:28 > 0:27:31# It's hard to be a teen
0:27:31 > 0:27:34# But harder to be me
0:27:34 > 0:27:37# Harder than Pythagoras
0:27:37 > 0:27:40# And harder than PE
0:27:40 > 0:27:43# It's hard to be amazing
0:27:43 > 0:27:46# And harder to be free
0:27:46 > 0:27:49# Hard to say I love you
0:27:49 > 0:27:54# But I know that you love me
0:27:58 > 0:28:04# Yeah, I know that you love me. #
0:28:07 > 0:28:10Subtitles by Red Bee Media Ltd