0:00:02 > 0:00:03Hey, where are you headed?
0:00:03 > 0:00:07- Um, make-up. You?- Make-up. You?
0:00:07 > 0:00:08Haven't you been done already?
0:00:08 > 0:00:11Shiny nose. Talk about Rudolph. Wait.
0:00:11 > 0:00:12Haven't you already got make-up on?
0:00:12 > 0:00:14I...like it.
0:00:14 > 0:00:17And, I've got a greasy T-zone, so...
0:00:17 > 0:00:19But you don't need make-up!
0:00:19 > 0:00:20Well, neither do you!
0:00:30 > 0:00:33- Hi, guys.- Hi, Sandy.
0:01:05 > 0:01:08So...Sandy.
0:01:08 > 0:01:11- I'm gonna ask her out. - What?! No - you can't ask her out.
0:01:11 > 0:01:15That's not fair! I...really, really like her.
0:01:15 > 0:01:16Well, so do I.
0:01:16 > 0:01:20Maybe with one less "really".
0:01:20 > 0:01:23In fact, I'm pretty much planning my moves as we speak.
0:01:23 > 0:01:26- You've got moves?- I have many moves.
0:01:26 > 0:01:32Yeah, well, I have many moves, too.
0:01:32 > 0:01:34PUNCHING SOUNDS
0:01:34 > 0:01:37BELL RINGS
0:01:37 > 0:01:40Right, I'm not getting back up, am I?
0:01:40 > 0:01:44Nope, you're pretty much kissing the canvas.
0:01:44 > 0:01:48Are you sure you'll be OK without your dad and me for a few days?
0:01:50 > 0:01:52Why is everyone looking at me?
0:01:52 > 0:01:55Because of your grade eight cello exam?
0:01:55 > 0:01:56So?
0:01:56 > 0:02:00If it's anything like grade five and six, I'm going with Mum and Dad.
0:02:00 > 0:02:03And if it's anything like grade seven, I'm not coming back!
0:02:03 > 0:02:05Relax! I've got it under control.
0:02:05 > 0:02:09I've got my practice timetable right there. Argh!
0:02:09 > 0:02:11It's not there.
0:02:11 > 0:02:14Where's it gone? I've lost my timetable!
0:02:14 > 0:02:18It's OK. I've got it.
0:02:18 > 0:02:21- Maybe we shouldn't go.- Mum...
0:02:21 > 0:02:28You and Gary need to spend time alone and, you know, cement the bonds of your marriage and stuff.
0:02:29 > 0:02:32You just want to perform without us on Friday.
0:02:32 > 0:02:35Yeah, I know. It's gonna be so cool!
0:02:35 > 0:02:38- But we'll miss you!- Hmm.
0:02:42 > 0:02:47- OK, lotta plans! - I thought we agreed no plans? Just see where the road takes us?
0:02:47 > 0:02:52Which will be the Museum of Musical Instruments on the B6347.
0:02:52 > 0:02:53Whoa, party on!
0:02:53 > 0:02:57OK, we just need the babysitter to get here and we can get off.
0:02:57 > 0:02:58Ah.
0:03:02 > 0:03:06Ladies and gentlemen, welcome The Babysitter!
0:03:06 > 0:03:08- Grandad!- 'Ello, kitchen!
0:03:12 > 0:03:17Oh, whoa, whoa... Whoa, whoa... I'm gonna need a leg up here, leg up.
0:03:17 > 0:03:19Whoa, whoa, whoa, whoa. Head-rush, head-rush.
0:03:19 > 0:03:23- OK, Gran-dude?- Yes, and less of the gran, a bit more of the dude.
0:03:23 > 0:03:25Dad's the babysitter?!
0:03:25 > 0:03:30- Relax, I've done this before. - That's what I'm scared of.- What's the big deal? You always got home.
0:03:30 > 0:03:35I'm kidding. I'm kidding. Listen, don't worry about the kids, don't worry about the show.
0:03:35 > 0:03:38- Have I ever let you down?- Well...
0:03:38 > 0:03:41Come on, you ain't got all day.
0:03:41 > 0:03:43Bye, kids! Have fun!
0:03:43 > 0:03:45Try not to break anything.
0:03:45 > 0:03:46ALL: We won't!
0:03:46 > 0:03:49I was talking to Terry.
0:03:49 > 0:03:50Swann family rulebook.
0:03:50 > 0:03:55Cleaning rotas, bedtimes, dos and don'ts. Read it. Bye!
0:03:55 > 0:03:57Bye!
0:03:59 > 0:04:04Rules? Where we're going, we don't need any rules.
0:04:07 > 0:04:08Hey!
0:04:11 > 0:04:17C'mon, move it. This is our first show without the oldies and I wanna make the most of it.
0:04:17 > 0:04:19We can do whatever we want!
0:04:19 > 0:04:26How about we try something a little bit crazy, a little bit out there, a bit...baroque?
0:04:26 > 0:04:28SHE PLAYS CLASSICAL STYLE MUSIC
0:04:31 > 0:04:34- Grade eight-stylee. - OK, let me explain.
0:04:34 > 0:04:38We can do whatever we want...that's not dorky.
0:04:38 > 0:04:44So, I see a single spotlight, you guys in the shadows, and me doing this...
0:04:46 > 0:04:48And then...hit it, Isaac!
0:04:48 > 0:04:50THEY START TO PLAY
0:04:54 > 0:04:57Hold up! Hold up!
0:04:57 > 0:05:00I haven't missed anything, have I? Just give me a moment.
0:05:02 > 0:05:05This baby's seen some action.
0:05:05 > 0:05:07Sorry, Terry.
0:05:07 > 0:05:11We're actually trying to rehearse at the moment, for the show.
0:05:11 > 0:05:13Yeah. By ourselves.
0:05:13 > 0:05:16That's why I'm here. I've been on the phone to your producer.
0:05:16 > 0:05:19We're going to be doing one of my old numbers.
0:05:19 > 0:05:22SHE LAUGHS HYSTERICALLY
0:05:24 > 0:05:26You're serious?
0:05:26 > 0:05:28I thought we'd do my classic, On The Road.
0:05:28 > 0:05:32Follow me. This is how she goes...
0:05:35 > 0:05:38# I'm on the road again
0:05:38 > 0:05:41# That much is true
0:05:41 > 0:05:45# I'm on the road again
0:05:45 > 0:05:47# It's taking me away from you... #
0:05:47 > 0:05:50Hadley, that's where you come in.
0:05:50 > 0:05:53It's all right - I got it covered. It's all right.
0:05:53 > 0:05:57Isaac, on the drums. Get some skins going. Bah dah boom bam bam...
0:05:57 > 0:06:01Aretha, it's more like, "Aaaaah!"
0:06:01 > 0:06:03# I'm on the road again
0:06:03 > 0:06:06# That much is true
0:06:07 > 0:06:09# I'm on the road again
0:06:09 > 0:06:14# It's taking me away from you. #
0:06:27 > 0:06:32I think we took a wrong turn. Are you sure this is the B6347?
0:06:32 > 0:06:36I don't know, I thought we were just following the open road.
0:06:36 > 0:06:40Would you please, for me, look at the map?
0:06:42 > 0:06:44This isn't about the map, is it?
0:06:44 > 0:06:49- You're mad at me for leaving your dad in charge of the kids.- No!
0:06:49 > 0:06:53- Yes!- People change, Gary.
0:06:53 > 0:06:58Your dad needs the space to grow his relationship with his grandchildren.
0:06:58 > 0:07:00- Trust me, OK?- OK.
0:07:02 > 0:07:06But the first thing I'm doing when I get home is counting the children.
0:07:06 > 0:07:10Gary, why are we going right? I said the open road, honey.
0:07:14 > 0:07:16Hey, Sandy!
0:07:16 > 0:07:17Ah, just the man.
0:07:17 > 0:07:21A little forward, but hey.
0:07:24 > 0:07:26This isn't quite how I remembered it.
0:07:26 > 0:07:29Testing a new lipstick. I've got loads of new colours.
0:07:32 > 0:07:33So cool how you do that.
0:07:33 > 0:07:36Well, I could give you lessons if you want.
0:07:36 > 0:07:42That would be great. Cos you know I always wanted to grow up and be a professional drumstick twirler.
0:07:42 > 0:07:44Really? Me too!
0:07:44 > 0:07:49How about you come round my house tomorrow night I'll show you my whole drumstick collection?
0:07:49 > 0:07:52Oh, yeah? That would be so much fun!
0:07:52 > 0:07:55Great! It's a date.
0:07:55 > 0:07:57So Sandy, what cocktails do you like?
0:08:01 > 0:08:04GLASSES SMASH
0:08:06 > 0:08:10Don't tell me. You asked Sandy out, didn't you?
0:08:10 > 0:08:13How do you do that?
0:08:13 > 0:08:16It's written all over your face...
0:08:16 > 0:08:21in midnight pearl eyeshadow and twilight teaser lipstick, if I'm not mistaken.
0:08:22 > 0:08:24Ah.
0:08:24 > 0:08:27Pretty!
0:08:27 > 0:08:29I kinda like it.
0:08:29 > 0:08:34- Great, so you win and I'm the loser again.- Don't beat yourself up.
0:08:34 > 0:08:37Sandy just couldn't help herself.
0:08:37 > 0:08:39I'm irresistible.
0:08:39 > 0:08:42- Do you feel better now? - Oh, much better.
0:08:42 > 0:08:47Good. Cos I may have been born a babe-magnet but I don't want it to come between us.
0:09:12 > 0:09:14LOUD GUITAR PLAYING DOWNSTAIRS
0:09:14 > 0:09:16No! Arghh!
0:09:22 > 0:09:24Ooh.
0:09:24 > 0:09:30And that's how you ask a girl out. You can spin the guitar around your head of course, but that's optional.
0:09:30 > 0:09:34OK... I mean, I might try and find a way of asking her
0:09:34 > 0:09:40- out that isn't quite so bad for your posture, but thanks anyway.- Grandad?
0:09:42 > 0:09:44Terry!
0:09:44 > 0:09:46You're playing too loud!
0:09:46 > 0:09:49You call that loud? THIS is loud.
0:09:56 > 0:09:59Terry? It's off.
0:09:59 > 0:10:02Yeah, well sometimes the music continues in my brain.
0:10:02 > 0:10:07I'm scheduled to practice my cello and I need peace and quiet.
0:10:07 > 0:10:12With a few amendments, I've made some time, you know, for you to practice and "rock."
0:10:12 > 0:10:14See these red sections? They're you.
0:10:14 > 0:10:16Oh, you're so kind.
0:10:16 > 0:10:17Let me have a look.
0:10:27 > 0:10:30You can't contain music in a schedule, you crazy chick.
0:10:30 > 0:10:34Now, go and make some unscheduled music.
0:10:44 > 0:10:48See, this is what following the road gets you.
0:10:48 > 0:10:51The road wants us to meet that cow.
0:10:51 > 0:10:54We're avoiding scenic cliche, Gary.
0:10:54 > 0:10:57We're off the beaten track, ploughing our own furrow...
0:10:57 > 0:11:01Look at that spectacular view!
0:11:01 > 0:11:03She's actually pooing.
0:11:03 > 0:11:07I'm thinking...fresh air, green fields...
0:11:07 > 0:11:09BELLOWING
0:11:09 > 0:11:12..massive bull! Argghh!
0:11:12 > 0:11:15- Why did you take us off the beaten track?- Me?!
0:11:15 > 0:11:18It's OK, darling. I forgive you.
0:11:19 > 0:11:21Come on!
0:11:23 > 0:11:26Oh!
0:11:26 > 0:11:28Quickly!
0:11:30 > 0:11:32I'm getting out the door.
0:11:32 > 0:11:34Get us out of here!
0:11:37 > 0:11:40LOUD CRASH, THEY BOTH SCREAM
0:11:49 > 0:11:54- Ugh!- I felt bad about eating your timetable earlier.
0:11:54 > 0:11:57And you can't be rehearsing on an empty stomach.
0:11:57 > 0:12:00Now, this has got all the nutrients a musician needs.
0:12:00 > 0:12:03Including extra chilli sauce.
0:12:05 > 0:12:07Don't you like chilli sauce?
0:12:07 > 0:12:10All right, all right.
0:12:17 > 0:12:21Waste not, want not.
0:12:31 > 0:12:34Hi, Hadley.
0:12:34 > 0:12:40Hey, babe. You can call me "H." It stands for hot.
0:12:40 > 0:12:41Tssssss!
0:12:41 > 0:12:43HE RAPS # The H Man is here with a little inquiry
0:12:43 > 0:12:46# You're free tonight, no need to check your diary
0:12:46 > 0:12:47# I'll make it clear so there ain't no doubt
0:12:47 > 0:12:50# You and me girl, we're going out
0:12:50 > 0:12:52# It's what you want, don't try to fight it
0:12:52 > 0:12:54# Your love could explode, let me ignite it
0:12:54 > 0:12:56# The way you feel, there's no way to fake it
0:12:56 > 0:12:59# I'm giving you the chance, I suggest you take it
0:12:59 > 0:13:02# He is the Hadster
0:13:02 > 0:13:03# The name is Hadley
0:13:03 > 0:13:06# He is the badster
0:13:06 > 0:13:07# And he wants to badly
0:13:07 > 0:13:09# You're looking at the man of your dreams
0:13:09 > 0:13:12# The one with the way-cool wicked rhyme schemes
0:13:12 > 0:13:14# This is a chance not to be missed
0:13:14 > 0:13:17# Prepare your lips, you're about to be...kissed. #
0:13:17 > 0:13:19Hi, Hadley.
0:13:19 > 0:13:22- Sandy!- Was there something you wanted to ask me?
0:13:22 > 0:13:24No.
0:13:42 > 0:13:46Ow! How am I supposed to get comfy in this?
0:13:48 > 0:13:53How am I supposed to get to sleep with you complaining all the time?
0:13:53 > 0:13:57Just relax, sit back and enjoy...oof!
0:13:57 > 0:13:58HE CHUCKLES
0:13:58 > 0:14:00Darling, are you OK?
0:14:01 > 0:14:03# I'm going in the wrong direction
0:14:03 > 0:14:06# From where I wanna be
0:14:06 > 0:14:09# Sadness is my destiny
0:14:09 > 0:14:12# Sadness is my destiny... #
0:14:12 > 0:14:14- Arggghhh!- That's more like it.
0:14:14 > 0:14:17I hate this song! And so does my voice!
0:14:17 > 0:14:19A bad singer always blames the song.
0:14:19 > 0:14:22It's not a song. It's a...howl-along for dogs.
0:14:22 > 0:14:25Oh, really? Thanks(!)
0:14:25 > 0:14:26We can't do this, OK?!
0:14:26 > 0:14:28We'll be humiliated.
0:14:28 > 0:14:33The vocal, the tune... if you can call it a tune... They're so past-it.
0:14:33 > 0:14:35- You mean I'm past-it?- Yeah.
0:14:35 > 0:14:36But in a good way.
0:14:36 > 0:14:39Look, I know your "fans"
0:14:39 > 0:14:41like this "music",
0:14:41 > 0:14:44but most of them can't hear too good.
0:14:44 > 0:14:46You should be taking it easy.
0:14:46 > 0:14:51You know, get a yappy dog or, ooh, one of those cute little shopping buggies.
0:14:51 > 0:14:54- Y'know, act your age?- I am.
0:14:54 > 0:15:01Now listen, I may look like an old boiled chicken but in here...I'm 16.
0:15:01 > 0:15:05No, in there you're really an old boiled chicken!
0:15:08 > 0:15:10I can't believe I got a date with Sandy!
0:15:10 > 0:15:14- You really like her, don't you?- No.
0:15:14 > 0:15:17I really, really like her.
0:15:17 > 0:15:21Well, look. I just like her. So why don't you go over there instead?
0:15:21 > 0:15:23I'll let her down slowly and then you make your move.
0:15:23 > 0:15:29- But do not think a move can involve no thought whatsoever. Here she comes. Hey, Sandy.- Hi, guys.
0:15:29 > 0:15:33So, about you coming over to mine tonight to check out my drumsticks.
0:15:33 > 0:15:36You were being serious about that?
0:15:36 > 0:15:41Oh, I'm trying to get tickets for this Dire Straits tribute band on tonight. If there's one left.
0:15:41 > 0:15:44- You like the Straits? Snap!- Snap!
0:15:44 > 0:15:46We could go together, if you like?
0:15:46 > 0:15:50- Oh, I'd love to. - Yeah, but you don't have any tickets. - It's OK. I...know people.
0:15:50 > 0:15:52I am the bad boy of rock, after all.
0:15:52 > 0:15:54That's funny.
0:15:54 > 0:15:56I'll see you guys later.
0:15:58 > 0:16:01- You made a move.- I made...
0:16:01 > 0:16:03I made a move!
0:16:03 > 0:16:06And you didn't even break out in a sweat.
0:16:11 > 0:16:13What do you mean, you've sold out?
0:16:13 > 0:16:16Would it make any difference if I told you this was Hadley Swann calling?
0:16:16 > 0:16:19Yeah right, very funny. Er...
0:16:19 > 0:16:22We'd actually like to do a feature on the band on the Annabelle Show.
0:16:22 > 0:16:26Oh, so you do have tickets! Great! Courier them to me at the studio?
0:16:26 > 0:16:30Brilliant. Thanks! Yes!
0:16:30 > 0:16:33CELLO PLAYING FALTERINGLY
0:16:38 > 0:16:40Argghhh!
0:16:43 > 0:16:47I don't understand. I've been practising for hours!
0:16:47 > 0:16:49There's too many semi-quavers!
0:16:56 > 0:16:58Oh, no! Arghh!
0:16:58 > 0:17:01Argh! You!
0:17:01 > 0:17:04I can feel a lecture coming on.
0:17:04 > 0:17:05Quelle surprise.
0:17:05 > 0:17:08Oh, no. And it's in French.
0:17:08 > 0:17:13I have just spent hours learning notes that don't even exist!
0:17:13 > 0:17:15I used to do that all the time when I was on tour in the '70s.
0:17:15 > 0:17:18Well, you're not on tour now, are you?
0:17:18 > 0:17:22This isn't Wembley Stadium, and you are not some timelord
0:17:22 > 0:17:25who's travelled back to the '70s, when you used to "wah wah wah"
0:17:25 > 0:17:32your Gibson. You're just a fully grown man who still relies on three very basic, loud, discordant chords.
0:17:32 > 0:17:36- You're Grandad.- It's Terry. - No, Grandad. It's Grandad.
0:17:36 > 0:17:40And we are your grandchildren, and we need a grown-up to look after us,
0:17:40 > 0:17:43and not just constantly try to be us!
0:17:55 > 0:17:56Jill?
0:17:58 > 0:17:59Jill!
0:17:59 > 0:18:01- Jill!- OK, yes, I can hear you.
0:18:01 > 0:18:04It's about Terry!
0:18:14 > 0:18:17- I'm listening.- You cannot let him play on the show with us.
0:18:17 > 0:18:19OK, let me rephrase that.
0:18:19 > 0:18:22He wants to sing On The Road. It's more like On The Roadkill!
0:18:22 > 0:18:26- He's going to do On The Road? On my show?- Well, Annabelle's show.
0:18:26 > 0:18:29Potato, potahto. I don't believe it.
0:18:29 > 0:18:30SHE SCREAMS
0:18:30 > 0:18:31You need me to call the paramedics?
0:18:31 > 0:18:34Track three, side two, Darkness Over Moon Rising.
0:18:34 > 0:18:35Stop spouting random words!
0:18:35 > 0:18:38He has never played On The Road live before.
0:18:38 > 0:18:42Even when I went to see him on his 19...hm tour, he refused to play it.
0:18:42 > 0:18:46You saw Terry on his 19...hm tour? Why?
0:18:46 > 0:18:50Publicity will go crazy when they hear he's going to play On The Road.
0:18:50 > 0:18:53I must call them. We might even nudge the seven million barrier.
0:18:55 > 0:18:58Seven million viewers?
0:18:58 > 0:18:59To see me?!
0:18:59 > 0:19:01Oh, and Terry.
0:19:01 > 0:19:03SHE SCREAMS
0:19:09 > 0:19:11TERRY PLAYS HIS GUITAR
0:19:31 > 0:19:33Martha!
0:19:33 > 0:19:38This isn't helping me practise my double stop scale in sixth in C major.
0:19:38 > 0:19:40Yeah, and me neither!
0:19:40 > 0:19:42Without the geeky part.
0:19:51 > 0:19:53Nothing.
0:20:00 > 0:20:03# Maybe, just maybe I came on a bit strong
0:20:03 > 0:20:08# Told him there's no way I'd sing his so-called song
0:20:08 > 0:20:12# Maybe, just maybe I have some small regrets
0:20:12 > 0:20:16# Told him his music was only audible to pets
0:20:16 > 0:20:19# May have told a rock star he should grow up
0:20:19 > 0:20:20# And told him his song made me throw up
0:20:20 > 0:20:22# May have told my grandad to act his age
0:20:22 > 0:20:27# Rather eat my cello than appear on stage with him
0:20:27 > 0:20:30# Maybe, just maybe it's something that we said...
0:20:36 > 0:20:38Oh, what are we going to do?
0:20:38 > 0:20:40This is all our fault.
0:20:40 > 0:20:43- Well, I wouldn't say I...- Er...
0:20:43 > 0:20:45OK. This is our fault.
0:20:45 > 0:20:51Where is Shalondra when you need good wholesome psychobabble advice?
0:20:51 > 0:20:54Ooh, I know, role-play! You be Mom.
0:20:54 > 0:20:57Why can't you be Shalondra?
0:20:57 > 0:20:59Do you want me to end up in therapy?
0:21:01 > 0:21:03PHONE RINGS
0:21:03 > 0:21:06Hi. I've had some tickets delivered. Dire Straits, actually.
0:21:06 > 0:21:09- Well, a tribute band, but pretty cool.- Yeah, they've gone.- What?
0:21:09 > 0:21:13They said Hadley and Annabelle on the envelope, so I gave them to her.
0:21:17 > 0:21:20Oh! I can't believe you got us tickets to a concert!
0:21:20 > 0:21:23- Hadley, you know what this means, don't you?- Er, no.
0:21:23 > 0:21:27It's our first proper date! What time are you picking me up?
0:21:27 > 0:21:29Bearing in mind I'm going to be fashionably late.
0:21:29 > 0:21:32Er, right, OK. There's been a teeny mistake
0:21:32 > 0:21:35and you are going to find this hilarious, but...
0:21:35 > 0:21:40What's the phrase? "Those tickets aren't for you?"
0:21:41 > 0:21:43What?!
0:21:43 > 0:21:47- Yeah.- You mean...we're not going on our first proper date?
0:21:47 > 0:21:50- Er...- Why?! Why aren't we going on our first proper date?!
0:21:50 > 0:21:53Who are you taking to the concert instead?
0:21:53 > 0:21:55- I want her name! Now!- Isaac.
0:21:55 > 0:22:01Yep. Isaac. Yeah, he's a really big Dire Straits fan.
0:22:01 > 0:22:04Huge. Massive. Gigantic.
0:22:04 > 0:22:06OK! I get that he's a fan!
0:22:06 > 0:22:09So...tickets?
0:22:10 > 0:22:13Only if you promise to go on a date with me first.
0:22:13 > 0:22:16Er... Yeah. Sure. Some day.
0:22:21 > 0:22:25There you go, falling at my feet again.
0:22:25 > 0:22:30- It's Terry.- There's a man with a whole lotta catsuits.- Mom!
0:22:30 > 0:22:35- Sorry.- We kinda said some mean things about acting his age
0:22:35 > 0:22:37and now he's acting his age.
0:22:37 > 0:22:41Well, what d'you expect, sweetie?
0:22:41 > 0:22:44People aren't just entombed Egyptian mummies
0:22:44 > 0:22:48with ancient shells and disintegrated internal voids.
0:22:48 > 0:22:50You don't say.
0:22:50 > 0:22:52So what should we do?
0:22:54 > 0:22:57Find out what's in his tomb.
0:23:00 > 0:23:03OK, you're just making this up now.
0:23:03 > 0:23:06Terry keeps all his stuff in here.
0:23:07 > 0:23:11Maybe there's something in here that will get him interested again.
0:23:11 > 0:23:14What, other than the pirate gold?
0:23:16 > 0:23:17Look!
0:23:17 > 0:23:22Dark Over Moon Rising, side 2, track 3, On The Road.
0:23:22 > 0:23:25Suddenly she's a Glamasaurus aficionado.
0:23:25 > 0:23:27Dark Over Moon Rising tour list.
0:23:27 > 0:23:30Jill was right - they played every other song but not On The Road.
0:23:30 > 0:23:32OK, now you're just showing off.
0:23:34 > 0:23:36Hey, listen to this.
0:23:36 > 0:23:40"The dawning of a brand-new day doesn't warm my soul.
0:23:40 > 0:23:42"The distant son..."
0:23:42 > 0:23:45I just realised. The distant son.
0:23:45 > 0:23:48- That's my dad!- Let's see.
0:23:48 > 0:23:52"The distant son is too far away, and I don't feel whole."
0:23:54 > 0:23:58Gary, it was a classic father-son abandonment dream you had last night.
0:23:58 > 0:23:59Pterodactyl?! Hello!
0:23:59 > 0:24:01If you don't get a wiggle on, we won't catch the show.
0:24:03 > 0:24:07So, you're my competition, are you?
0:24:07 > 0:24:11And there was me thinking he could have done so much better for himself.
0:24:11 > 0:24:14Are you talking into a Bluetooth or something?
0:24:14 > 0:24:18- I know about Hadley and the Dire Straits concert.- Ah, he got tickets?
0:24:18 > 0:24:21Obviously. For your little boy date.
0:24:21 > 0:24:23I know he's taking you.
0:24:23 > 0:24:26Why would he take me if Sandy's the big fan?
0:24:29 > 0:24:31SHE SCREAMS
0:24:35 > 0:24:38DOORBELL RINGS I want you back by ten, no later.
0:24:38 > 0:24:40Cheers, bro.
0:24:40 > 0:24:43Hi, Haddikins, you ready to go?
0:24:44 > 0:24:46Annabelle, what are you doing here?
0:24:46 > 0:24:52Oh, Isaac told me about your little date with the make-up artist. Or should I say ex-make-up artist?
0:24:52 > 0:24:56- What have you done?! - I did not say anything! I...
0:24:56 > 0:24:59Except when I did say something in the corridor.
0:24:59 > 0:25:01I thought you were happy for me!
0:25:01 > 0:25:03I was! I mean, I am.
0:25:03 > 0:25:05Oh, I bet you are. You stitched me up.
0:25:05 > 0:25:09OK, if we could have less of the EastEnders episode and more focus on me, please!
0:25:09 > 0:25:13- If this was a different century I would challenge you to a dual. - Oh, yeah?
0:25:13 > 0:25:16You and whose merry men?
0:25:16 > 0:25:18Oh, you wanna play rough, do you?
0:25:24 > 0:25:26Hadley!
0:25:26 > 0:25:30Get off me! My back's not touching the floor, it's arched!
0:25:30 > 0:25:35Hadley! If you don't stop this right now and take me to the concert, the tickets get it!
0:25:35 > 0:25:36I'm warning you.
0:25:36 > 0:25:37Right!
0:25:54 > 0:25:56Weird!
0:26:05 > 0:26:07Oh, we've got something to play you.
0:26:15 > 0:26:18# I'm on the road again
0:26:19 > 0:26:23# That much is true
0:26:23 > 0:26:26# I'm on the road again
0:26:28 > 0:26:31# It's taking me away from you. #
0:26:34 > 0:26:37That's lovely girls, that's really beautiful.
0:26:37 > 0:26:39Well, what we're trying to say, Terry, is...
0:26:39 > 0:26:43We'd be really proud if you'd perform on the show with us.
0:26:43 > 0:26:45Oh, I called you Terry then, Grandad!
0:26:45 > 0:26:46Uh, sorry.
0:26:47 > 0:26:49I'd love to, girls.
0:26:49 > 0:26:54But your version of the song is gonna need just one or two tweaks.
0:27:00 > 0:27:02Yeah!
0:27:06 > 0:27:09# I'm on the road again
0:27:09 > 0:27:11# That much is true
0:27:13 > 0:27:15# I'm on the road again
0:27:15 > 0:27:18# It's taking me away from you
0:27:19 > 0:27:21# I'm heading in the wrong direction
0:27:23 > 0:27:24# From where I wanna be
0:27:24 > 0:27:27# So this is my destiny
0:27:32 > 0:27:35# The dawning of a brand-new day
0:27:35 > 0:27:37# Doesn't warm my soul
0:27:38 > 0:27:41# The distant son's too far away
0:27:41 > 0:27:43# And I don't feel whole
0:27:44 > 0:27:46# I'm on the road again. #
0:27:49 > 0:27:51APPLAUSE
0:28:00 > 0:28:01Subtitles by Red Bee Media Ltd
0:28:01 > 0:28:04E-mail subtitling@bbc.co.uk