0:00:02 > 0:00:03Previously on The Next Step:
0:00:03 > 0:00:04Your shoe's untied.
0:00:04 > 0:00:08Maybe she'll realise that I'll pretty much do anything for her.
0:00:08 > 0:00:10Part of me wants to laugh.
0:00:10 > 0:00:12A part of me wants to disinfect my shoe.
0:00:12 > 0:00:14I want to do different things. I want to act. I want to sing.
0:00:17 > 0:00:19I always wanted to be the person in the spotlight.
0:00:19 > 0:00:23I gave these kids a chance to audition for a solo at regionals.
0:00:29 > 0:00:30- Chloe is up next.- And she's late.
0:00:30 > 0:00:32Disgraceful!
0:00:32 > 0:00:34I don't tell people about my job because
0:00:34 > 0:00:36I don't want them to think that it's a lack of commitment.
0:00:36 > 0:00:38I'm sorry. I was doing stuff.
0:00:38 > 0:00:41You're sorry? Then maybe A isn't the right place for you.
0:00:41 > 0:00:42It was really hurtful.
0:00:42 > 0:00:45Emily was starting to take things into her own hands
0:00:45 > 0:00:47and that's not OK.
0:00:47 > 0:00:49If you miss a dance practice, I can teach you the routine.
0:00:49 > 0:00:51Do you still want me to be dance captain?
0:00:51 > 0:00:54It's time for someone to step in and be a true leader.
0:01:01 > 0:01:04We just need to show Kate and Chris that nobody really wants Emily
0:01:04 > 0:01:06and her bad choreography here anymore.
0:01:06 > 0:01:08We need a new dance captain because
0:01:08 > 0:01:10the way that Emily's treating people is horrible
0:01:10 > 0:01:14and we're not going to win regionals with her choreography.
0:01:14 > 0:01:15I have an idea.
0:01:15 > 0:01:17I say we re-choreograph the regionals routine.
0:01:17 > 0:01:21Make it so good, make it better, include people's ideas.
0:01:21 > 0:01:23Yeah, and then we can show it to Kate and she'll love it so much
0:01:23 > 0:01:25that she'll have to put you as dance captain.
0:01:25 > 0:01:29- I'm down. When do we start, then? - No time like the present.
0:02:08 > 0:02:10We have rehearsal. What is this about?
0:02:10 > 0:02:12Word on the street is that you and Chloe have not been
0:02:12 > 0:02:14cooperating and we're here to discuss it.
0:02:14 > 0:02:17Emily, we know you're upset with Chloe about being late,
0:02:17 > 0:02:18but you need to take it easy on her.
0:02:18 > 0:02:20I mean, I know she's my friend, but
0:02:20 > 0:02:23get here on time. This is A-Troupe.
0:02:23 > 0:02:24Have you even asked her why she's late?
0:02:24 > 0:02:27I would love to ask her... if she was ever here.
0:02:27 > 0:02:29Sometimes Emily gets a bit out of control.
0:02:29 > 0:02:31I kind of have to reel her back in and kind of
0:02:31 > 0:02:33put her back in her place a bit.
0:02:33 > 0:02:36End of discussion, you have to apologise.
0:02:36 > 0:02:39End of discussion, I'm not apologising.
0:02:39 > 0:02:41Emily, if you want to continue as dance captain,
0:02:41 > 0:02:45- you will apologise. - You're not serious?
0:02:45 > 0:02:47Oh, I mean it.
0:02:47 > 0:02:50I had to show her who's boss and tell her that if she didn't
0:02:50 > 0:02:52apologise to Chloe, she wouldn't be dance captain anymore.
0:02:52 > 0:02:54Fine. I'll apologise.
0:02:55 > 0:02:56But I'm not going to like it.
0:02:56 > 0:03:00I don't know if Kate and Chris would bluff about something like that
0:03:00 > 0:03:02and, even so, I'm not willing to take a chance.
0:03:06 > 0:03:07I don't mean to take Emily's side
0:03:07 > 0:03:09but I don't really understand why you've been
0:03:09 > 0:03:12so distracted lately. It really takes away from the group.
0:03:12 > 0:03:14I don't want them to know about my job
0:03:14 > 0:03:17so I just want to change the subject.
0:03:17 > 0:03:19Giselle, don't you have a rehearsal to be at or something?
0:03:19 > 0:03:21Don't you have to go?
0:03:21 > 0:03:24- Oh, yeah, I should probably go. Bye, guys. See you later.- Bye.
0:03:24 > 0:03:26I don't know why Chloe is dodging my questions.
0:03:26 > 0:03:27What is she trying to hide?
0:03:27 > 0:03:29- Hey, how are you?- Good. How are you?
0:03:32 > 0:03:33- Chloe?- Yeah?
0:03:33 > 0:03:35Can I talk to you for a second?
0:03:35 > 0:03:36Um, sure.
0:03:37 > 0:03:40I just came to apologise.
0:03:42 > 0:03:45I can't believe Emily is apologising to Chloe.
0:03:45 > 0:03:47She never apologises to anybody.
0:03:47 > 0:03:50What I did was really unprofessional and...
0:03:50 > 0:03:52and mean. I...I'm sorry.
0:03:52 > 0:03:56You're...you're part of A-Troupe and you're an amazing dancer
0:03:56 > 0:03:57and you're meant to be in A-Troupe.
0:03:57 > 0:04:00- You're also an E Girl.- Really?- Yeah.
0:04:00 > 0:04:02I accept Emily's apology
0:04:02 > 0:04:05because it takes a lot of guts to get up in front of everyone
0:04:05 > 0:04:07and admit that she's sorry.
0:04:13 > 0:04:16I'm choreographing a new dance to get rid of Emily.
0:04:16 > 0:04:19Well, when Michelle brought up the thought of me using hip-hop,
0:04:19 > 0:04:21I loved it. It was right on for me.
0:04:21 > 0:04:23I love adding that swag and I love the fact that she's
0:04:23 > 0:04:25so chill about everything.
0:04:28 > 0:04:30We're all putting in our own input
0:04:30 > 0:04:32so it's turning out great because we all have a say in it.
0:04:32 > 0:04:34It's so new and fresh and different,
0:04:34 > 0:04:36like, even better than I expected it would be.
0:04:43 > 0:04:46Ladies, please. Dance floor.
0:04:46 > 0:04:47OK, OK.
0:04:47 > 0:04:50Where is Riley, James,
0:04:50 > 0:04:52and Michelle?
0:04:52 > 0:04:54Oh, I thought I saw them in Studio B.
0:04:54 > 0:04:57- Studio B?- Yeah. - You sure? OK, I'll be back.
0:04:57 > 0:04:58Keep warming up, guys.
0:04:58 > 0:05:01When I hear that three of my best dancers aren't in the studio
0:05:01 > 0:05:03I'm kind of curious. What are they doing?
0:05:03 > 0:05:07- Eldon, do you want to get some water?- Yeah, sure!
0:05:07 > 0:05:11I think Emily is calling me over because I feel like she's
0:05:11 > 0:05:13Starting to fall for me more and more.
0:05:13 > 0:05:18So I was wondering if you could tell me what you saw in Studio B.
0:05:18 > 0:05:21I just walked by. I just saw James, Riley, and Michelle in there.
0:05:21 > 0:05:23Were they sitting or standing?
0:05:23 > 0:05:25- They were standing.- In a formation?
0:05:25 > 0:05:27I don't think Eldon knows anything. There's no way he
0:05:27 > 0:05:30could ever keep a secret from me, and there's no way he ever would.
0:05:37 > 0:05:40- Oh, my bad. - You were supposed to be there!
0:05:40 > 0:05:41Riley, James, and Michelle.
0:05:42 > 0:05:45When Chris walks into the studio, I think we're all busted.
0:05:45 > 0:05:48My heart kind of skips a beat a little.
0:05:48 > 0:05:51- Studio A is where rehearsal is. - Oh! It's supposed to be in Studio A.
0:05:51 > 0:05:53- Yes.- We were wondering where everyone was.
0:05:53 > 0:05:55You know, I covered it up good.
0:05:55 > 0:05:57I just pretended that we were waiting for him.
0:05:57 > 0:05:59No worries. Come on, hurry up! Go, go, go, go, leave.
0:05:59 > 0:06:01I feel relieve now, that we haven't been caught.
0:06:01 > 0:06:02He doesn't know,
0:06:02 > 0:06:06so, thank goodness, we're fine.
0:06:06 > 0:06:08Welcome to class! Thanks for joining us!
0:06:08 > 0:06:11It actually started five minutes ago.
0:06:11 > 0:06:13Let's get in our first positions, everyone.
0:06:13 > 0:06:15Positions. Positions.
0:06:15 > 0:06:18Guys, 100%.
0:06:18 > 0:06:19- You ready?- Yeah!
0:06:32 > 0:06:38I love Emily's choreography. Always. No matter what it is, she's brilliant
0:06:38 > 0:06:40and she always makes us look good.
0:06:42 > 0:06:44I mean, it's great and everything. Don't get me wrong.
0:06:44 > 0:06:47It's very energetic but, I don't know, I want something more.
0:06:47 > 0:06:49I want something more fun, more groovy.
0:06:54 > 0:06:56It's really just showcasing her, you know?
0:06:56 > 0:06:59It's not really incorporating anybody else's strengths or ideas.
0:07:05 > 0:07:07We're rehearsing "Addicted To You" right now
0:07:07 > 0:07:09and Emily's choreography is great.
0:07:09 > 0:07:11It's not really that challenging
0:07:11 > 0:07:17cos I'm kind of used to the way she choreographs now. It's...
0:07:17 > 0:07:18I dunno but it's good.
0:07:20 > 0:07:22I think she needs to bring in some new ideas and
0:07:22 > 0:07:24we all have great ideas in the group
0:07:24 > 0:07:26and she really doesn't consider any of them.
0:07:26 > 0:07:28It's Emily's way or no way.
0:07:32 > 0:07:35Emily's routine, I really don't like.
0:07:35 > 0:07:37It's too choppy and too bland.
0:07:46 > 0:07:49Hold! Hold...two, three, release.
0:07:49 > 0:07:52Nice! West, remember, hold that last pose, OK?
0:07:52 > 0:07:54Boys, pick up the energy.
0:07:54 > 0:07:57Riley, James, and Michelle seem particularly lazy.
0:07:57 > 0:07:59It just seems like people aren't committed.
0:08:09 > 0:08:11As soon as we're done at Emily's rehearsal,
0:08:11 > 0:08:14we're back in Studio B working on Michelle's routine.
0:08:14 > 0:08:16One, two, three, four... You can't go too far back there.
0:08:16 > 0:08:18Right, right, right.
0:08:18 > 0:08:20I'll turn around and come back to that.
0:08:20 > 0:08:22- Yo, James.- Yo, waddup, man?
0:08:22 > 0:08:25I come into B Studio, because this is where I keep my extra socks,
0:08:25 > 0:08:27and then I get suspicious because I see Riley,
0:08:27 > 0:08:29James, and Michelle rehearsing something.
0:08:29 > 0:08:31What are you guys doing in B Studio?
0:08:31 > 0:08:33Should we invite him into the dance or not?
0:08:38 > 0:08:39Uh...
0:08:40 > 0:08:43..we've kind of got something to show you, man.
0:08:43 > 0:08:45All right. So show me.
0:08:56 > 0:09:00We've been forced to show West our dance and tell him what's up.
0:09:00 > 0:09:02I just hope it works out.
0:09:09 > 0:09:12- That's all we have, bro. - That's all we have so far.
0:09:12 > 0:09:15- What do you think? - Let me get this straight.
0:09:15 > 0:09:21You guys made this new routine to show to Kate to overthrow Emily
0:09:21 > 0:09:24so that Michelle can become the new dance captain?
0:09:24 > 0:09:25Is that right? Am I right?
0:09:27 > 0:09:29- That's right.- Really?
0:09:29 > 0:09:32That's what you bright lights worked out?
0:09:32 > 0:09:34I am a little bit worried as I wait for West's reaction.
0:09:34 > 0:09:37We literally, like, just put it together not too long ago
0:09:37 > 0:09:38and, like, it was kind of messy,
0:09:38 > 0:09:41so I didn't know if he was going to be like, "This is a joke"
0:09:41 > 0:09:42and then go tell Emily or something.
0:09:42 > 0:09:46If West doesn't like the dance, it could be all over for us.
0:09:50 > 0:09:51Love it!
0:09:51 > 0:09:54But you know what? I've got some good ideas.
0:09:54 > 0:09:56I mean, why don't we, you know, we just add a little bit of,
0:09:56 > 0:09:59- you know, some...- But you're going to have to teach us.
0:09:59 > 0:10:02- Yeah, I... - No problem, man. All right.
0:10:02 > 0:10:04I am loving West's moves.
0:10:04 > 0:10:06West being in the routine is probably one of the best
0:10:06 > 0:10:08things that's happened so far.
0:10:08 > 0:10:09I love the fact that
0:10:09 > 0:10:12Michelle lets me incorporate my own style.
0:10:12 > 0:10:14I definitely think Michelle will make a better dance captain.
0:10:23 > 0:10:27So, I'm sitting there on the bus with my mom's gift beside me
0:10:27 > 0:10:32and someone honks outside and I go look,
0:10:32 > 0:10:34and I turn back and it's gone!
0:10:34 > 0:10:38It's gone! I don't know where it went!
0:10:38 > 0:10:41What am I going to do? Her birthday's tomorrow!
0:10:47 > 0:10:52- That was amazing.- Thanks. - How do you do that?
0:10:52 > 0:10:55Tiffany is a great actress.
0:10:55 > 0:10:57I had no idea that she was that good.
0:10:57 > 0:10:58What monologue do you have for today?
0:10:58 > 0:11:01- I was supposed to have a monologue? - For your big audition with the agent?
0:11:01 > 0:11:04I can be, like, really dramatic. I know a little bit of Shakespeare.
0:11:04 > 0:11:07OK, show me what you got.
0:11:07 > 0:11:11To be or not to be, that is the question.
0:11:11 > 0:11:14Whether it is nobler in the mind to suffer the slings
0:11:14 > 0:11:17and arrows of outrageous fortune.
0:11:18 > 0:11:19Scene.
0:11:19 > 0:11:22That monologue makes me want to do this...
0:11:22 > 0:11:24What?
0:11:24 > 0:11:26SHE LAUGHS
0:11:26 > 0:11:28- Oh.- Yeah. Lot of work to do!
0:11:34 > 0:11:36I think if everyone keeps working hard,
0:11:36 > 0:11:38we have a really good shot at regionals.
0:11:38 > 0:11:39- Oh, yeah, yeah. Definitely.- Yeah.
0:11:39 > 0:11:42I don't really know what our status is but I think we're definitely
0:11:42 > 0:11:45getting closer. We're actually starting to hang out more
0:11:45 > 0:11:47so...who knows?
0:11:47 > 0:11:48How are you? How are your brothers?
0:11:48 > 0:11:51Brothers are good. We never really talk because we're mostly just
0:11:51 > 0:11:54stuffing our mouths with food and playing video games.
0:11:54 > 0:11:57My relationship with Eldon is still non-existent
0:11:57 > 0:12:01but I definitely don't hate him as much as I used to
0:12:01 > 0:12:03and maybe he's a little bit cute.
0:12:04 > 0:12:08- So, did he know it was your brother? - No, but he just, like...he knew
0:12:08 > 0:12:10it was, like, someone in the... in the basement, we were just
0:12:10 > 0:12:13playing video games and we all collapsed and fell asleep.
0:12:13 > 0:12:16- No!- Yeah.- That's so weird... Wait, just playing videogames
0:12:16 > 0:12:17- you guys fell asleep?- Yeah.
0:12:17 > 0:12:20Oh! We should prank them one time! We've never done that!
0:12:20 > 0:12:22When I see Emily touching Eldon's hand
0:12:22 > 0:12:24I just want to get out of there.
0:12:24 > 0:12:26I don't want to see them together at all.
0:12:27 > 0:12:30I'm bothered by them getting along but...
0:12:30 > 0:12:32I don't know why.
0:12:32 > 0:12:33We were up pretty late, so...
0:12:33 > 0:12:38'Emily touches my hand and I feel really happy and nervous at the same time'
0:12:38 > 0:12:44because we've never really made any physical contact, like, ever.
0:12:44 > 0:12:47So it kind of seems like she's opening up a little more to me.
0:12:53 > 0:12:55- Oh yeah.- I know.- Going to be sick.
0:12:55 > 0:12:57With West and all that cutting, it's going to be dope.
0:12:57 > 0:13:00Like, this thing, who would've thought of that?
0:13:00 > 0:13:01- I know.- It's so sick.
0:13:02 > 0:13:03I'm really excited.
0:13:03 > 0:13:06What do you think Emily would do if she found out right now?
0:13:08 > 0:13:11- She'd probably go to Kate.- She'd flip.- Yeah.- Probably rip my head off.
0:13:11 > 0:13:13- Rip all our heads off.- Whatever.
0:13:13 > 0:13:15KNOCK AT DOOR
0:13:15 > 0:13:17All right, so we have this secret knock...
0:13:17 > 0:13:21# I'm so addicted to you, to you to you. #
0:13:21 > 0:13:23..just so that we know who's coming in.
0:13:23 > 0:13:25Come in.
0:13:25 > 0:13:27- Guys!- Yo, waddup, man? - We got you juice.- Hi.
0:13:27 > 0:13:31- I, uh, kind of did something.- What?
0:13:31 > 0:13:34I...told somebody about the dance.
0:13:34 > 0:13:35- What?- Who?
0:13:44 > 0:13:46I'm really nervous. Um...
0:13:46 > 0:13:49I don't know who West told and this is getting out of hand.
0:13:49 > 0:13:51I come in to Studio B because...
0:13:51 > 0:13:54I know that they're working on a dance.
0:13:54 > 0:13:58That's huge so I really want to make sure that everyone's up for it
0:13:58 > 0:13:59and they know what they're getting into.
0:13:59 > 0:14:03Riley, Emily's your sister. It's going to be war.
0:14:03 > 0:14:05Is dance more important than my sister?
0:14:08 > 0:14:11Yeah, but my sister does not deserve to be dance captain.
0:14:11 > 0:14:12She's not...
0:14:12 > 0:14:15She's tearing us apart more than she's bringing us together.
0:14:15 > 0:14:17If I'm going to join, I have one condition.
0:14:17 > 0:14:18What is it?
0:14:19 > 0:14:21I get to keep my solo.
0:14:23 > 0:14:25- Of course!- Great, OK!
0:14:25 > 0:14:27Having Daniel join the routine is awesome, you know?
0:14:27 > 0:14:29Between his technique and West's style, I think
0:14:29 > 0:14:32we're going to have some great moves.
0:14:38 > 0:14:41OK, now you're frightened, you're frightened. Someone's scaring you.
0:14:41 > 0:14:42Someone's chasing you.
0:14:42 > 0:14:44And you're sad.
0:14:44 > 0:14:46And you're mad!
0:14:46 > 0:14:48You're mad, you're mad... and waterworks.
0:14:52 > 0:14:54I see Stephanie crying and it just breaks my heart.
0:14:54 > 0:14:57I mean, I know she wants to do this whole triple-threat thing
0:14:57 > 0:15:00but maybe she just doesn't have it in her.
0:15:00 > 0:15:02Oh, she's coming. Keep going.
0:15:02 > 0:15:04Stephanie, honey, honey, it's OK, it's OK.
0:15:04 > 0:15:06Don't cry, you're going to get an agent.
0:15:06 > 0:15:09You don't need to worry about it. You're going to get one, OK?
0:15:09 > 0:15:11Really?!
0:15:11 > 0:15:14When Kate comes up to me and thinks that me crying
0:15:14 > 0:15:18is actually real, even though I was just acting,
0:15:18 > 0:15:20I just got, like, the most excited I have
0:15:20 > 0:15:22probably ever been in my entire life.
0:15:22 > 0:15:25OK. I'm impressed. I think you can do this.
0:15:25 > 0:15:27- You're going to get an agent in no time.- Really?
0:15:27 > 0:15:30- But only if we're on time. Let's go.- OK. Thank you so much.
0:15:30 > 0:15:33- Good luck, girl.- Thank you.- See you.
0:15:33 > 0:15:35Last night I was watching a video on YouTube
0:15:35 > 0:15:38and it was this guy, and he was doing 24 different accents.
0:15:38 > 0:15:40- I've seen that.- Is he good? - Yeah, he's so good.
0:15:40 > 0:15:42- What?- From England alone.
0:15:42 > 0:15:45We're sitting around, um, talking and doing funny accents.
0:15:45 > 0:15:48Because we don't want to deal with what we have to deal with.
0:15:48 > 0:15:51Which is who should be added into the group next?
0:15:51 > 0:15:53- BRITISH ACCENT:- Allo, allo!
0:15:53 > 0:15:54You sound Australian!
0:15:54 > 0:15:56- BRITISH ACCENT:- Crumpets and tea.
0:15:56 > 0:15:58- BRITISH ACCENT: - May I please have some more?
0:15:58 > 0:15:59That was so bad!
0:16:01 > 0:16:04Guys, this would be so much better with more people.
0:16:04 > 0:16:07We need at least one more person to balance out the team.
0:16:07 > 0:16:09I'm just not too sure who it could be.
0:16:09 > 0:16:12I think it would be great for Eldon to join the routine but
0:16:12 > 0:16:14I don't think he'd ever turn on Emily like that.
0:16:14 > 0:16:16- We'd be able to do partnering. - I know, I don't have a partner.
0:16:16 > 0:16:20If we get three boys, three girls, it's even. Formations would be better.
0:16:20 > 0:16:21Not Emily, Stephanie...
0:16:21 > 0:16:22Maybe Chloe.
0:16:22 > 0:16:24Even if we just added one more.
0:16:24 > 0:16:26- Yeah, we need an even number. - We need a girl.
0:16:26 > 0:16:28All I know is that it won't be Emily.
0:16:28 > 0:16:32The chances of her joining our dance to overthrow herself?
0:16:32 > 0:16:34Very, very unlikely.
0:16:34 > 0:16:36Guys, we're missing rehearsal.
0:16:36 > 0:16:38- Ugh.- Let's go!- Uh.
0:16:43 > 0:16:45Can I get everyone's attention, please?
0:16:45 > 0:16:47Where the heck is everybody?
0:16:47 > 0:16:49I'm not sure,
0:16:49 > 0:16:52but I think something's going on. I'll play it cool now, but
0:16:52 > 0:16:53I'm keeping my eye on them.
0:16:53 > 0:16:57Let's take it from the ball chain step. Here we go.
0:16:57 > 0:16:59- Hey, Chris?- Hey.
0:16:59 > 0:17:01- Could I ask you something?- Hit me.
0:17:01 > 0:17:03- I've been practising a new move. - OK. New move?
0:17:03 > 0:17:05Yeah. I think that we should put it in Emily's routine.
0:17:05 > 0:17:08I want to show Chris my new move because I want to show him
0:17:08 > 0:17:11and everyone else in A-Troupe that I am dedicated to the troupe.
0:17:11 > 0:17:13- So you know that ball change kick, right?- Yup.
0:17:13 > 0:17:14I'm thinking maybe one, two, up
0:17:14 > 0:17:18instead of, you know, just a regular old kick.
0:17:18 > 0:17:19You know, that's a great idea.
0:17:19 > 0:17:21Sorry, I just couldn't help overhearing.
0:17:21 > 0:17:25As the dance captain, just because it's my dance, maybe could I see it?
0:17:25 > 0:17:29When Emily approaches me, I get really nervous because I know how
0:17:29 > 0:17:31Emily is, and she's really judgmental.
0:17:31 > 0:17:34We should do this - up.
0:17:34 > 0:17:37That's really pretty and looks great on you, but put it in
0:17:37 > 0:17:40one of your routines, not one of my routines.
0:17:40 > 0:17:43- All right.- OK.
0:17:43 > 0:17:47I thought that once Emily apologised to me, that it would be a start to a whole new
0:17:47 > 0:17:50friendship, but now I realise that maybe things are never going to change.
0:17:52 > 0:17:55All right, everybody, let's take it from the ball change kick again.
0:17:55 > 0:17:58Right now is the time to approach Chloe because I'm assuming that
0:17:58 > 0:18:03she feels really horrible about the way that Emily's treating her.
0:18:03 > 0:18:05So why not give her an opportunity to become
0:18:05 > 0:18:09part of a dance where she can include her own ideas.
0:18:09 > 0:18:10- Hey, Chloe?- Yeah?
0:18:10 > 0:18:14- Can I talk to you in Studio B later? It's really important.- Sure.
0:18:14 > 0:18:17- But you can't tell anyone. It's secret.- All right.
0:18:23 > 0:18:25- Don't worry, OK?- You sure?- Yes.
0:18:25 > 0:18:28So, Red Carpet Girl, what's up? How was it?
0:18:28 > 0:18:30It was OK. Whatever.
0:18:30 > 0:18:33Ugh! You did phenomenal! You have nothing to worry about. You should be proud.
0:18:33 > 0:18:35- I'm sure it was amazing. - How was rehearsal?
0:18:35 > 0:18:37- You didn't miss a thing. - You sure?
0:18:37 > 0:18:39- I'm positive. Like, nothing. - PHONE RINGS
0:18:39 > 0:18:41Excuse me.
0:18:41 > 0:18:43So what did you do? Which monologue?
0:18:43 > 0:18:45Well I did a little bit of Shakespeare
0:18:45 > 0:18:48- and then, like, improvised and did other things.- Did you...
0:18:48 > 0:18:51- Oh.- I wonder what she wants.
0:18:51 > 0:18:54I don't know. But, like, I don't feel the best about it, you know?
0:18:54 > 0:18:55No, I'm sure you were amazing.
0:18:55 > 0:18:58- There's a phone call for you. - Really? Who is it?
0:18:58 > 0:19:00When Kate passes Stephanie the phone,
0:19:00 > 0:19:03like, I wish I knew. Like, I have no idea who's on the line.
0:19:03 > 0:19:06OK. Cool. I totally appreciate it. Thank you.
0:19:06 > 0:19:08- OK, you too. Bye.- So who was that?
0:19:11 > 0:19:15- I have an agent!- What?- Yeah!
0:19:15 > 0:19:18- Congrats! Yes!- Congratulations!
0:19:18 > 0:19:20Getting that phone call and finding out that
0:19:20 > 0:19:24I have an agent now is the most amazing feeling in the world.
0:19:24 > 0:19:26And you know what? I'm officially a double threat.
0:19:29 > 0:19:32When I'm watching the new dance, it's awesome.
0:19:32 > 0:19:35There's some of every person's style of dance in the groove.
0:19:35 > 0:19:39It looks like a lot of fun and nothing like we do with Emily.
0:19:51 > 0:19:54- So, what do you think?- It's amazing! - Yeah?
0:19:54 > 0:19:56It's so good. But what's it for?
0:19:59 > 0:20:03I don't know. I still don't think we can trust Chloe with this.
0:20:04 > 0:20:08- It's for regionals.- I'm sorry, what?
0:20:08 > 0:20:09Does Emily know about this?
0:20:13 > 0:20:14Not exactly.
0:20:14 > 0:20:17And we'd like to keep it that way.
0:20:17 > 0:20:22I'm already on pretty bad terms with Emily so joining this dance
0:20:22 > 0:20:25and being a part of this group is probably a really bad idea.
0:20:25 > 0:20:27Guys, do you know how mad Emily would be
0:20:27 > 0:20:29if she found out you were doing a dance behind her back?
0:20:29 > 0:20:30Do you?
0:20:33 > 0:20:36I knew this was... It was too early to tell Chloe.
0:20:36 > 0:20:38I'm sorry but I'm not interested.
0:20:38 > 0:20:40And if you guys knew what was good for you,
0:20:40 > 0:20:42you wouldn't even be doing this right now.
0:20:45 > 0:20:48We could have just ruined everything by telling her.
0:20:51 > 0:20:57# We, we're going to show the world
0:20:57 > 0:21:01# Everything we're made of
0:21:01 > 0:21:05# We're going to tear the roof off this place
0:21:05 > 0:21:11# You, you can never fade us out
0:21:11 > 0:21:15# Don't even ask the DJ
0:21:15 > 0:21:18# Everybody knows we own this dance. #