0:00:02 > 0:00:03Previously on The Next Step.
0:00:03 > 0:00:06The tenth member of A-Troupe is Giselle!
0:00:06 > 0:00:09I am so excited to be back in A-Troupe!
0:00:09 > 0:00:11I'm back!
0:00:11 > 0:00:14Because a great education is just a phone call away!
0:00:14 > 0:00:17Don't really want to ever go through that again.
0:00:17 > 0:00:19I got to go. Is it OK if I duck out early?
0:00:19 > 0:00:21Yeah, I understand.
0:00:21 > 0:00:24I haven't told anyone besides Michelle about my job.
0:00:24 > 0:00:25Emily made it to Elite and
0:00:25 > 0:00:28- she's not coming back. - I think it would be a good idea
0:00:28 > 0:00:31- if we came up with a new routine for regionals.- Why?
0:00:31 > 0:00:34Emily might share our old routine with the people at Elite.
0:00:34 > 0:00:35Yo, are you all right, man?
0:00:35 > 0:00:39I landed funny in rehearsal. I think I tweaked my ankle.
0:00:39 > 0:00:41I don't want anyone to know about my injury because
0:00:41 > 0:00:43they could take the solo away from me, and I'm going to
0:00:43 > 0:00:45make sure I keep that solo.
0:00:52 > 0:00:56DANCE MUSIC PLAYS
0:01:03 > 0:01:06'I've decided to get in some extra practice time just to make
0:01:06 > 0:01:09'sure I stay on top of my game.
0:01:12 > 0:01:16'I'm going to make sure I don't get bumped back down to B-Troupe.'
0:01:29 > 0:01:31'Giselle's solo is amazing.
0:01:31 > 0:01:35'I'm really, really happy that I caught her during rehearsal.'
0:01:35 > 0:01:37DANCE MUSIC CONTINUES
0:02:19 > 0:02:21That was really good.
0:02:21 > 0:02:22Thank you.
0:02:22 > 0:02:24Now that I'm back in A-Troupe
0:02:24 > 0:02:27I'm never going to take it for granted again.
0:02:27 > 0:02:29DANCE MUSIC PLAYS
0:03:12 > 0:03:15INDIAN MUSIC PLAYS
0:03:25 > 0:03:28'Bharatanatyam dancing is a very expressive dance style
0:03:28 > 0:03:30'originating from Southern India.'
0:03:30 > 0:03:32I brought in these dancers because they are so
0:03:32 > 0:03:33expressive and emotional,
0:03:33 > 0:03:37and that's what we need to bring into our routines.
0:03:37 > 0:03:39MUSIC CONTINUES
0:03:46 > 0:03:49'They have these things on their feet that make sound, so when they
0:03:49 > 0:03:52'move it just...it adds to it, cos they'll be doing little footwork
0:03:52 > 0:03:55'things and it will be like "ding-a-ling-a-ling" on the side.
0:03:55 > 0:03:56'So it's just awesome.'
0:04:03 > 0:04:04'They are really, really talented
0:04:04 > 0:04:07'and it seems that they're really inspiring our whole group.'
0:04:13 > 0:04:15'It was such a great idea of Michelle's to
0:04:15 > 0:04:17'bring in the Bharatanatyam dancers.'
0:04:17 > 0:04:19She's really stepping up as dance captain.
0:04:31 > 0:04:32The only thing about
0:04:32 > 0:04:34Bharatanatyam dancing is they would never
0:04:34 > 0:04:36be able to sneak up behind you
0:04:36 > 0:04:38because you're always hearing their bells jingling.
0:04:38 > 0:04:40So, you know, you turn around and just be like, "Ha-ha!
0:04:40 > 0:04:43"I saw you." Or better yet, "I heard you."
0:05:00 > 0:05:04CHEERING AND APPLAUSE
0:05:06 > 0:05:08Give it up for our Bharatanatyam dancers!
0:05:15 > 0:05:18As dancers, I thought it'd be important to show you guys
0:05:18 > 0:05:21a different style of dance that we don't usually look at.
0:05:21 > 0:05:24- Bharatanatyam dancers are... - Wait, wait, wait. Bratha what?
0:05:24 > 0:05:25Bharatanatyam.
0:05:25 > 0:05:27'Where did Michelle find dancers like that?'
0:05:27 > 0:05:30I don't even know where Bharatanathia is.
0:05:30 > 0:05:32Where did Michelle go?
0:05:32 > 0:05:35So my point is, is that the way that they danced was full of soul.
0:05:35 > 0:05:37I mean, I think that's what our regionals routine is missing.
0:05:37 > 0:05:40I think we should totally do one of their moves!
0:05:40 > 0:05:42Like that...that one with the feet.
0:05:42 > 0:05:45We could do something like that, just the feeling and the heart.
0:05:45 > 0:05:48What if we do an overhead lift?
0:05:48 > 0:05:50No, absolutely not. That's way too risky.
0:05:50 > 0:05:52We can't throw that in at this point.
0:05:52 > 0:05:55Giselle and I used to do overhead lifts all the time.
0:05:55 > 0:05:56Yeah, all of the time.
0:05:56 > 0:05:59Yeah, what about like the helicopter lift or something like that?
0:05:59 > 0:06:01Yeah!
0:06:01 > 0:06:03'I think adding an overhead lift would be'
0:06:03 > 0:06:07extremely good for our routine, and also, I think it will help me
0:06:07 > 0:06:09make my mark in A-Troupe.
0:06:09 > 0:06:10Yup. Easy.
0:06:10 > 0:06:13Overhead lifts are dangerous, end of discussion.
0:06:13 > 0:06:16The girls are so high up in the air, the guys need to be
0:06:16 > 0:06:18so strong and sturdy
0:06:18 > 0:06:22and if something goes wrong, you know?
0:06:22 > 0:06:23OK. We'll think about it.
0:06:23 > 0:06:26But in the meantime get back to rehearsal, OK?
0:06:26 > 0:06:29I think adding an overhead lift to the dance would be a good idea.
0:06:29 > 0:06:32They've done it before, so why not throw it in?
0:06:32 > 0:06:35- How cool would the helicopter...? - Yeah!- Right?
0:06:35 > 0:06:36'I'm very disappointed that Kate and'
0:06:36 > 0:06:39Chris are saying no to the helicopter lift.
0:06:39 > 0:06:40I know Daniel and I can do it.
0:06:51 > 0:06:53'I really don't know why Kate and Chris'
0:06:53 > 0:06:57are against Giselle and Daniel doing a lift. They know what they're doing.
0:06:57 > 0:06:58I was kind of really disappointed, I mean,
0:06:58 > 0:07:01she hasn't seen it before and that's why I wanted to ask
0:07:01 > 0:07:04you guys if you could just take me through the helicopter lift.
0:07:04 > 0:07:06If you could just show me like how you do it and stuff?
0:07:06 > 0:07:08- Yeah.- Yeah?- Yeah, sure. - OK.
0:07:08 > 0:07:11So basically Daniel stands in a second, a wide second,
0:07:11 > 0:07:14parallel feet. And I step in front.
0:07:14 > 0:07:16I extend my right leg, he grabs underneath my right leg
0:07:16 > 0:07:17- and my left hip.- OK.
0:07:17 > 0:07:20And then Giselle jumps and I throw her in the air.
0:07:20 > 0:07:23- And her right leg is going to helicopter over my head.- OK.
0:07:23 > 0:07:25And then I catch her into the finish.
0:07:25 > 0:07:29OK. So could you guys show me right now, like full out?
0:07:29 > 0:07:31Uh...there might not be enough space -
0:07:31 > 0:07:33- the ceilings are a little low in here.- Yeah.
0:07:33 > 0:07:35We could go into studio A.
0:07:35 > 0:07:37Yeah, if it's empty we could totally do it, right?
0:07:37 > 0:07:39- Yeah, yeah. - I don't know.
0:07:39 > 0:07:42Are you not comfortable with doing it? Or...?
0:07:42 > 0:07:45I'm just a little worried now that Kate and Chris said no.
0:07:45 > 0:07:48Listen, I just came from B and I don't want to go back there.
0:07:48 > 0:07:50I'm unsure about doing the lift
0:07:50 > 0:07:52'mainly because my ankle has just started to heal.
0:07:52 > 0:07:56'This is a really risky lift and I don't want to possibly upset the'
0:07:56 > 0:07:58injury or injure it further.
0:07:58 > 0:08:00You want to shine, Daniel, right?
0:08:02 > 0:08:04- Yeah, OK. She's right. We'll do it.- Yeah?
0:08:04 > 0:08:07'I can't tell Michelle or Giselle about the real reason
0:08:07 > 0:08:09'I don't want to do the lift'
0:08:09 > 0:08:11because Kate has just threatened to
0:08:11 > 0:08:12take my solo away and if Michelle finds
0:08:12 > 0:08:16out that I'm injured she could go to Kate and that solo could be gone.
0:08:30 > 0:08:32Hey, how was the audition?
0:08:32 > 0:08:36After my talk with Tiffany, I decided to go to the audition.
0:08:36 > 0:08:38I don't know how it'll turn out, but I'm glad I went.
0:08:38 > 0:08:40I don't know, I don't think it went
0:08:40 > 0:08:42too well but at least they didn't laugh at me this time.
0:08:42 > 0:08:45Even though Stephanie doesn't feel as if she did well,
0:08:45 > 0:08:46I'm sure she did amazingly.
0:08:46 > 0:08:49'It always is like that, you can just never tell.'
0:08:49 > 0:08:52I dunno, I'm just happy to be back at the studio.
0:08:52 > 0:08:55- This is where I always feel safest. - Totally. You know what?
0:08:55 > 0:08:58Just focus on regionals, that way you won't think about the audition.
0:08:58 > 0:09:02Tiffany's right, I have to focus on regionals and not on the audition.
0:09:02 > 0:09:03Whatever happens happens.
0:09:07 > 0:09:10Look at this pomegranate. Just the way the red emphasises the fruit,
0:09:10 > 0:09:14this is probably one of Mother Nature's best cre...
0:09:14 > 0:09:15I know-I know you're a busy lady. All right.
0:09:15 > 0:09:18All right. So...it's cool.
0:09:18 > 0:09:20Uh...
0:09:20 > 0:09:22Uh...aim to your left - go!
0:09:22 > 0:09:25'So I'm in the juice bar and I see this guy, his name is Marcel.'
0:09:25 > 0:09:28I kind of just left his dance troupe without telling him
0:09:28 > 0:09:31and I just don't have the guts to confront him about it.
0:09:31 > 0:09:33'So I hide behind this little girl.
0:09:33 > 0:09:36'I mean, I'm not proud of it but'
0:09:36 > 0:09:39sometimes you've got to do what you've got to do.
0:09:39 > 0:09:42- (Stay right there. Stay right there.) - Compass! What's up?
0:09:42 > 0:09:46Hey, uh, here's your juice, kid.
0:09:46 > 0:09:47'He has a nickname for me'
0:09:47 > 0:09:49it's called Compass.
0:09:49 > 0:09:52You know, West, North, South - it's direction.
0:09:52 > 0:09:54So, Compass kind of makes sense.
0:09:54 > 0:09:57- What are you doing? - Uh, you know, I just...
0:09:57 > 0:09:59I just like to give, you know, kids juices.
0:09:59 > 0:10:02I like to help out in the community sometimes.
0:10:02 > 0:10:03It's been a while.
0:10:03 > 0:10:05- Yeah! You know, it's been a while! - Yeah.- How time flies.
0:10:05 > 0:10:08Anyways, I've been texting you, calling you. I mean...
0:10:08 > 0:10:11You know, Seeds have been practising hard for that show, and we need you.
0:10:11 > 0:10:16Seeds is a street hip-hop dance crew that I used to be in.
0:10:16 > 0:10:19I left Seeds because I really wanted to better myself as a dancer.
0:10:19 > 0:10:20I really wanted to get formal training.
0:10:20 > 0:10:22I wanted to just be well-rounded.
0:10:22 > 0:10:25We've been trying to call you and we haven't heard from you, I mean...
0:10:25 > 0:10:27- Well, I mean...- What have you been up to?
0:10:27 > 0:10:29I dropped my phone and it just hasn't...
0:10:29 > 0:10:31PHONE BUZZES
0:10:31 > 0:10:33..but I mean yesterday I got it fixed.
0:10:33 > 0:10:34So, I mean, I'm all good now.
0:10:34 > 0:10:38- Perfect. So... - PHONE BEEPS AND BUZZES
0:10:38 > 0:10:42Ooh! I got a text from my girlfriend!
0:10:42 > 0:10:44- You've got a girlfriend? - Yeah, you know, it's on and...
0:10:44 > 0:10:46I mean, no, I mean we're fighting right now, so it's...
0:10:46 > 0:10:49- No, I don't have a girlfriend, actually.- Oh! So come...
0:10:49 > 0:10:53- What?- Let's have a drink or... - No! I mean, she...- We need you.
0:10:53 > 0:10:54I mean, I want her back.
0:10:54 > 0:10:56So I've got to go and, you know, console her...
0:10:56 > 0:10:58Come on. We'll have a drink or something...
0:10:58 > 0:11:00- I'm sorry, man I've got to... - Compass, come on!
0:11:00 > 0:11:01'I don't have a girlfriend'
0:11:01 > 0:11:05but if Marcel found out that I was in A-Troupe,
0:11:05 > 0:11:07I wouldn't be able to live with that.
0:11:21 > 0:11:22Let's just tell him.
0:11:22 > 0:11:24- Hey.- Hey.
0:11:24 > 0:11:27OK, we need two things - you can't tell anyone what we're going to
0:11:27 > 0:11:30do right now, and we need you to spot us.
0:11:32 > 0:11:34Yes and yes.
0:11:34 > 0:11:37I have no idea what I am agreeing to right now.
0:11:38 > 0:11:41We're going to do the helicopter lift.
0:11:41 > 0:11:43Really?
0:11:43 > 0:11:45Yeah, really.
0:11:46 > 0:11:47OK.
0:11:47 > 0:11:50'I'm kind of excited that they're doing the lift.
0:11:50 > 0:11:52'I think once they show Kate that they'
0:11:52 > 0:11:55can do it she'll put it in the dance right away.
0:11:55 > 0:11:58I'm really happy Eldon's there. Uh, it's kind of a safety net for me.
0:11:58 > 0:11:59Are you guys ready?
0:11:59 > 0:12:01'I'm pushing myself to do'
0:12:01 > 0:12:04the lift because that's what great dancers do.
0:12:04 > 0:12:07- Yeah, let's do it. - I think we're good.
0:12:07 > 0:12:08OK.
0:12:08 > 0:12:10We got this.
0:12:10 > 0:12:12Five, six...
0:12:12 > 0:12:13seven, eight...
0:12:14 > 0:12:16Perfect.
0:12:16 > 0:12:19'I'm really relieved that we did the helicopter.
0:12:19 > 0:12:20'My ankle feels totally fine'
0:12:20 > 0:12:23and I think that we could totally add this in to the routine.
0:12:23 > 0:12:25Now all we need to do is find a place in the dance to put it in,
0:12:25 > 0:12:27and then we're good.
0:12:27 > 0:12:30'I'm really excited to prove that we can do this lift to'
0:12:30 > 0:12:32Ms Kate and Chris.
0:12:32 > 0:12:34PHONE RINGS
0:12:34 > 0:12:37'I hear my phone ring and I rush to the phone.'
0:12:37 > 0:12:39I've been waiting for my agent to
0:12:39 > 0:12:41call to let me know about this audition.
0:12:41 > 0:12:43Really? That's amazing! When do I start shooting?
0:12:43 > 0:12:46'So I'm on the phone with my agent and he tells me'
0:12:46 > 0:12:49that I got the part in the TV show and I'm so excited!
0:12:49 > 0:12:52And then I find out that it shoots the same weekend as regionals.
0:12:52 > 0:12:54What am I supposed to do?
0:12:54 > 0:12:57I just have to figure some things out and I'll give you a call
0:12:57 > 0:12:58when I know what's going on.
0:12:58 > 0:13:00Thanks, you too.
0:13:07 > 0:13:12# The weight of the world is pushing you down. #
0:13:18 > 0:13:20Chloe, I need your money for regionals.
0:13:20 > 0:13:24I know, I'll get it to you by the end of the week just like you asked.
0:13:24 > 0:13:26'I haven't been able to work enough shifts'
0:13:26 > 0:13:29and to make enough money in order to pay for the rest of regionals.
0:13:29 > 0:13:32- Is there something going on? - No, I promise everything's fine.
0:13:32 > 0:13:35- You sure?- Yeah.- Because you know my door's always open.
0:13:35 > 0:13:36You can come to me about anything.
0:13:36 > 0:13:39- Yes, I know. Don't worry, end of the week.- OK.- OK.
0:13:39 > 0:13:43'I'm really worried that I'm not going to be able to pay.
0:13:43 > 0:13:46'But I'm just going to brush it off and take a few extra shifts and'
0:13:46 > 0:13:48hope and pray that I'll be able to make enough
0:13:48 > 0:13:50money by the end of the week.
0:13:50 > 0:13:52If Chloe doesn't give me the money, I mean,
0:13:52 > 0:13:55I have no other choice but to say she can't come to regionals.
0:14:04 > 0:14:07'We are working on the new version of our regionals routine to
0:14:07 > 0:14:08'More Than That.'
0:14:22 > 0:14:24'I'm really proud of everyone.
0:14:24 > 0:14:28'It really came together and the dancers are looking amazing.'
0:14:33 > 0:14:35# I left to plead and fight
0:14:35 > 0:14:37# Came back to stop the war
0:14:37 > 0:14:40# I danced to the revolution
0:14:40 > 0:14:43# You kept me on the floor... #
0:14:43 > 0:14:45'Daniel and I are going to spring the lift'
0:14:45 > 0:14:47on Ms Kate and Chris.
0:14:47 > 0:14:50I've choreographed Giselle and Daniel to do their helicopter lift.
0:14:50 > 0:14:52'I think they're just going to be so surprised that they really
0:14:52 > 0:14:55'have no option but to put the lift in the routine.'
0:14:55 > 0:14:58Sometimes you just got to take risks.
0:14:58 > 0:15:00'All of the sudden, Daniel and Giselle break formation.
0:15:00 > 0:15:03'What are they doing? This is not what we've rehearsed.'
0:15:03 > 0:15:05'I know they're going to nail the lift and'
0:15:05 > 0:15:07I know Ms Kate is going to be impressed.
0:15:07 > 0:15:09'I feel really confident that Giselle and I can pull this off.'
0:15:09 > 0:15:12We've practised and the lift is flawless.
0:15:19 > 0:15:21'As soon as I hear a thud'
0:15:21 > 0:15:23I know something must've happened.
0:15:25 > 0:15:27'Daniel's on the ground'
0:15:27 > 0:15:31in so much pain I don't even know what to do.
0:15:31 > 0:15:34I don't know if he, if he broke his foot.
0:15:34 > 0:15:37My heart breaks for him because he's worked so hard
0:15:37 > 0:15:39for so long and he could be out now.
0:15:54 > 0:15:56- This is really bad. - I know. I'm so scared.
0:15:56 > 0:15:58'Right now we're just waiting around in Studio A,'
0:15:58 > 0:16:00waiting for Kate and Chris to come
0:16:00 > 0:16:02back and tell us what's going on with Daniel.
0:16:07 > 0:16:12I don't really want to leave at a time like this but,
0:16:12 > 0:16:15I've got a shift and I've got to go.
0:16:15 > 0:16:17- I have to do it. - It's fine, I'll cover for you.
0:16:17 > 0:16:20Thank you. Can you text me and let me know what happens?
0:16:20 > 0:16:23I'll let you know everything that happens, don't worry.
0:16:23 > 0:16:24- Thank you.- Bye.
0:16:24 > 0:16:27'I let Chloe leave because I know she has to go to work
0:16:27 > 0:16:29'and working is a big part of her life.'
0:16:29 > 0:16:31How could she leave at a time like this?
0:16:31 > 0:16:32How does she always leave?
0:16:32 > 0:16:35She has to go somewhere don't worry about it,
0:16:35 > 0:16:36it's no-one else's business.
0:16:40 > 0:16:44Daniel's injury is serious. It's a grade-three ankle sprain.
0:16:44 > 0:16:47'A grade-three ankle sprain means that there are torn ligaments.'
0:16:47 > 0:16:50If he doesn't heal properly it could be a career ender.
0:16:50 > 0:16:52How long is he out for?
0:16:52 > 0:16:55Well the doctors are still running tests but...
0:16:56 > 0:16:59..he's definitely out of regionals.
0:16:59 > 0:17:01- What?- Really?- I'm sorry.
0:17:01 > 0:17:02'As soon as Chris tells us
0:17:02 > 0:17:05'that Daniel is out for regionals I'm completely bummed.'
0:17:08 > 0:17:09That's his career on the line.
0:17:09 > 0:17:12'A sprained ankle is serious business.'
0:17:12 > 0:17:17'I'm feeling horrible about what I...what I did to Daniel.'
0:17:17 > 0:17:18I just took it too far.
0:17:19 > 0:17:22This is all your fault! Are you happy now?
0:17:22 > 0:17:24Cos if you just listened to Kate and Chris
0:17:24 > 0:17:26and not let them do the lift this wouldn't have happened.
0:17:26 > 0:17:28You're the dance captain.
0:17:28 > 0:17:30'As a dance captain, Michelle's failing.'
0:17:30 > 0:17:34She's not putting the team's best interests are heart.
0:17:34 > 0:17:36This is not Michelle's fault.
0:17:36 > 0:17:38Giselle and Daniel said they could do the lift.
0:17:38 > 0:17:40Daniel clearly couldn't do the lift
0:17:40 > 0:17:41so Michelle shouldn't have let them do it.
0:17:41 > 0:17:44Guys, I don't think it's fair to blame Daniel in this.
0:17:44 > 0:17:47No, no! It's definitely Daniel's responsibility!
0:17:47 > 0:17:50He knew his ankle was hurt he should've said no to the lift.
0:17:50 > 0:17:52You're saying you knew he was injured, and didn't tell us?
0:17:52 > 0:17:53You didn't tell me?
0:17:54 > 0:17:58'I-I wish that I mentioned Daniel's injury a little earlier,'
0:17:58 > 0:18:00but I honestly thought that he had it under control.
0:18:00 > 0:18:02He should've known his limits as a dancer -
0:18:02 > 0:18:05that's the first rule in dance.
0:18:05 > 0:18:08Regardless, Michelle, you're the dance captain and that's your job.
0:18:08 > 0:18:11It's your job to know what's going on...
0:18:11 > 0:18:13Guys, this is not Michelle's fault.
0:18:13 > 0:18:15Dude, why are you defending Michelle?
0:18:15 > 0:18:17Because Daniel should've known his limits.
0:18:17 > 0:18:19'I thought the lift was a good idea too,
0:18:19 > 0:18:21'I don't think Michelle deserves'
0:18:21 > 0:18:23everything that Stephanie's saying to her.
0:18:23 > 0:18:26I'm really sorry, guys, it's all my fault.
0:18:26 > 0:18:27It's no-one's fault.
0:18:27 > 0:18:29- It's hers.- It's not her fault!
0:18:29 > 0:18:35THEY TALK OVER EACH OTHER
0:18:35 > 0:18:36HEY! Everyone, enough! Stop!
0:18:36 > 0:18:38Everyone needs to stop blaming everyone else!
0:18:38 > 0:18:41OK? It was an accident!
0:18:41 > 0:18:45It puts us in a tough position, but stop throwing the blame around.
0:18:55 > 0:18:57# Beautiful
0:18:57 > 0:19:01# Beautiful... #
0:19:01 > 0:19:05'James not doing his homework right now is not good.'
0:19:05 > 0:19:07We're always at the studio rehearsing and
0:19:07 > 0:19:11we just have to find time to finish our work.
0:19:11 > 0:19:13'I'm already practising the solo.
0:19:13 > 0:19:15'Since Daniel's not going to regionals,
0:19:15 > 0:19:17'it falls on my shoulders now.'
0:19:22 > 0:19:24Daniel!
0:19:24 > 0:19:26Daniel!
0:19:28 > 0:19:30How are you, Daniel?
0:19:30 > 0:19:34I'm OK. Um...
0:19:34 > 0:19:36I ripped the ligaments pretty badly
0:19:36 > 0:19:38and it looks like I'm going to need surgery.
0:19:38 > 0:19:41And the doctors say I won't be able to dance for months.
0:19:41 > 0:19:44'It's really upsetting coming back to the studio and seeing everyone'
0:19:44 > 0:19:48because even though I'm injured I know they're going to
0:19:48 > 0:19:51move on with their lives, they're going to go to regionals without me.
0:19:51 > 0:19:54Daniel is one of my best, best friends
0:19:54 > 0:20:00'and we finally got the chance to dance in A-Troupe together'
0:20:00 > 0:20:01and now he's out.
0:20:03 > 0:20:05I'm sorry.
0:20:05 > 0:20:06Thanks.
0:20:06 > 0:20:09'He's a great dancer and he's definitely part of our team
0:20:09 > 0:20:11'and it just disappoints me because'
0:20:11 > 0:20:15it kinda makes me rethink our chances of winning regionals.
0:20:17 > 0:20:19'I won't ever push a dancer as hard as I did to Daniel,'
0:20:19 > 0:20:22I mean, it's the worst thing to do.
0:20:23 > 0:20:25I'm sorry I let you guys down.
0:20:26 > 0:20:28'He was determined to go to regionals'
0:20:28 > 0:20:33with us and win regionals, and now he can't even dance.
0:20:33 > 0:20:37'Saying bye to Daniel is really hard. I mean, I know'
0:20:37 > 0:20:41it's hurting him inside because he has to let go of the studio.
0:20:42 > 0:20:45'This will probably end my dance career.
0:20:45 > 0:20:48'I worked so hard to get to the point I'm at now,
0:20:48 > 0:20:51'I've trained so many years...'
0:20:52 > 0:20:56and I got the solo and everything was falling into place
0:20:56 > 0:20:57and now it's all ruined.
0:21:04 > 0:21:09# We're going to show the world
0:21:09 > 0:21:12# Everything we're made of
0:21:12 > 0:21:18# We're going to tear the roof off this place
0:21:18 > 0:21:22# You can never fade us out
0:21:22 > 0:21:26# Don't even ask to change it
0:21:26 > 0:21:33# Everybody knows we own this town. #