Run This Town

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0:00:02 > 0:00:03Previously on The Next Step...

0:00:03 > 0:00:06Not only do we only have nine dancers,

0:00:06 > 0:00:10but now we have no female soloist or small group.

0:00:10 > 0:00:11I've done my job.

0:00:11 > 0:00:15Michelle, are you coming home to The Next Step?

0:00:15 > 0:00:19- Well, I guess so! - CHEERING

0:00:19 > 0:00:21We're counting on you to win nationals.

0:00:21 > 0:00:23I guess I'll do the solo.

0:00:32 > 0:00:34Whoo!

0:00:34 > 0:00:36- Worked that out.- This guy's going in!

0:00:36 > 0:00:40- ELDON:- We're supposed be rehearsing for nationals,

0:00:40 > 0:00:41but that's not going too well.

0:00:41 > 0:00:43JAMES: We were talking about new tricks.

0:00:43 > 0:00:45We don't want to start rehearsing yet,

0:00:45 > 0:00:47we just want to catch up.

0:00:47 > 0:00:50- So, how's Riley?- Good, man. Yeah, I'm happy, man.

0:00:50 > 0:00:54- I wish I could have something good like that.- You did, man, twice!

0:00:54 > 0:00:57And you messed up both times.

0:00:57 > 0:01:00And I baked you a cake!

0:01:00 > 0:01:02- Tactically, Hunter messed up my last one.- Really?

0:01:02 > 0:01:06- You're still mad about that? - It's not completely my fault.

0:01:06 > 0:01:08There always are contributing factors.

0:01:08 > 0:01:10Guys, how is the small group coming along?

0:01:10 > 0:01:12- ALL: Good!- Great!

0:01:12 > 0:01:15I'd love to see what you've come up with so far.

0:01:15 > 0:01:18The small group was originally Amanda, Giselle and Thalia,

0:01:18 > 0:01:21but now that Amanda's gone, I asked the boys to do the small group.

0:01:21 > 0:01:22You're in for a treat.

0:01:25 > 0:01:27RAP SONG

0:01:33 > 0:01:34SHE TURNS MUSIC OFF

0:01:36 > 0:01:38Planning on moving any time soon?

0:01:38 > 0:01:41Our feet weren't moving but our eyes were.

0:01:41 > 0:01:43We were like... It was, like, moving.

0:01:44 > 0:01:46It's called eye dancing.

0:01:46 > 0:01:49Eye dancing is when you do the choreography just with your eyes.

0:01:49 > 0:01:51You want to see an example of eye dancing?

0:01:53 > 0:01:55Oh, my gosh.

0:01:55 > 0:01:59My eye is stuck. Oh, man.

0:01:59 > 0:02:02This can take hours to get rid of. I've got to go.

0:02:02 > 0:02:03I'm sorry, I've got to go.

0:02:03 > 0:02:04See ya.

0:02:05 > 0:02:07Hey, you don't like it?

0:02:09 > 0:02:11LAUGHTER

0:02:11 > 0:02:17I know that they are goofing around and trying to play a joke on me,

0:02:17 > 0:02:20but their dance is not so good right now.

0:02:20 > 0:02:23You guys need a huge lesson in taking responsibility.

0:02:23 > 0:02:25And I know just the person for the job.

0:02:25 > 0:02:26What?

0:02:28 > 0:02:30ALL EXCLAIM

0:02:30 > 0:02:33No way!

0:02:33 > 0:02:36Luther Brown is in the building. I am shocked when I see Luther.

0:02:36 > 0:02:39- KATE:- He's choreographed for so many stars

0:02:39 > 0:02:41all over the world on TV shows.

0:02:41 > 0:02:45He's just a guy who knows everything about hip-hop.

0:02:45 > 0:02:48He will be choreographing your team for nationals.

0:02:48 > 0:02:50They've been working so hard this year

0:02:50 > 0:02:52and I just think it's right to give them

0:02:52 > 0:02:55this little treat with having a choreographer coming in.

0:02:55 > 0:02:58LAUGHTER

0:02:58 > 0:03:04# We, we're going to show the world

0:03:04 > 0:03:08# Everything we're made of

0:03:08 > 0:03:14# We're going to tear the roof off this place!

0:03:21 > 0:03:22# Stand up! #

0:03:39 > 0:03:43- So, who's who?- I'm Hunter. Nice to meet you.- Yes, sir!

0:03:43 > 0:03:45- I'm Eldon.- Yes, sir!

0:03:45 > 0:03:47- James.- OK, OK, OK.

0:03:47 > 0:03:51- And I'm West.- Come again? - West.- Come again?

0:03:53 > 0:03:54West!

0:03:54 > 0:03:55South Side!

0:03:55 > 0:03:58I'm on it. You know, anyone can get my name right,

0:03:58 > 0:04:01but the fact that he purposely said it wrong,

0:04:01 > 0:04:03I just have chills.

0:04:03 > 0:04:07- So, what have y'all got? - We could just freestyle.- Yeah!

0:04:07 > 0:04:11- HUNTER:- Luther just wants to see us dance so that he knows what

0:04:11 > 0:04:12he can put in the number.

0:04:12 > 0:04:14RAP SONG

0:04:16 > 0:04:18Nice!

0:04:18 > 0:04:21Right now we're performing tricks for Luther

0:04:21 > 0:04:24and by the look on his face, I'm pretty sure he's loving it.

0:04:28 > 0:04:30OK!

0:04:33 > 0:04:35JAMES: We're killing it, man.

0:04:35 > 0:04:37We're busting all the tricks for Luther - lifts,

0:04:37 > 0:04:39break dancing, some hip-hop choreography,

0:04:39 > 0:04:42krumping, popping, locking. He's going to love it.

0:04:47 > 0:04:48ALL EXCLAIM

0:05:01 > 0:05:04Luther seems pretty pumped about what I'm doing,

0:05:04 > 0:05:06so I think I'm doing pretty good.

0:05:16 > 0:05:19Nice. Nice.

0:05:19 > 0:05:22I think I'm performing pretty well. I've got a trick up my sleeve.

0:05:22 > 0:05:24I'm really excited to do that.

0:05:28 > 0:05:30ALL EXCLAIM

0:05:30 > 0:05:32WHOOPING

0:05:33 > 0:05:35That was sick!

0:05:35 > 0:05:39OK, y'all like tricks. OK, so this is what's going to happen.

0:05:39 > 0:05:42I want y'all to give me a half-hour. I got some ideas.

0:05:42 > 0:05:45I see some situations that can definitely pop off.

0:05:45 > 0:05:48So go, get your lives together and come back.

0:05:48 > 0:05:49We got some work to do, OK?

0:05:51 > 0:05:53HUNTER: I could not wait to start rehearsing.

0:06:01 > 0:06:02- So, how's your mom?- She's great.

0:06:02 > 0:06:05It's been a while since she's seen you guys.

0:06:05 > 0:06:08We're warming up before we teach Michelle the nationals' routine.

0:06:08 > 0:06:13- How does it feel to be back at the studio?- Um... It's a big relief.

0:06:13 > 0:06:16I missed you guys a lot and I tried so many different things,

0:06:16 > 0:06:17but nothing was a fit.

0:06:17 > 0:06:20I tried improv, cheerleading, a debate club...

0:06:20 > 0:06:22THALIA: It really bothers me

0:06:22 > 0:06:25when Michelle starts talking about what she's done when she's away.

0:06:25 > 0:06:27Her mind needs to be on dance.

0:06:27 > 0:06:29- Maybe we should start that first routine.- Yeah.

0:06:29 > 0:06:33- Already?- We don't have that much time left before nationals.- OK.

0:06:33 > 0:06:35Coming back to the studio I thought everything with

0:06:35 > 0:06:40everyone would be fine, but Giselle and Thalia are acting weird,

0:06:40 > 0:06:43and I don't know what I did or what's up.

0:06:50 > 0:06:52What is this?

0:06:52 > 0:06:54Caution tape?

0:06:55 > 0:06:57We all see this caution tape,

0:06:57 > 0:07:01and I really have no clue what Luther's going to do with us.

0:07:01 > 0:07:03I need to see you guys in a straight line.

0:07:03 > 0:07:07- We're going to do a quick exercise.- OK, all right.

0:07:07 > 0:07:09And I'm going to need you all to race.

0:07:09 > 0:07:11OK.

0:07:11 > 0:07:13The race is going to be done in three seconds. I'm going to win.

0:07:13 > 0:07:16You're going to bring it all the way over here

0:07:16 > 0:07:18but you've got to do it in slow motion.

0:07:18 > 0:07:20- What?- Uh-huh. Slow motion.

0:07:20 > 0:07:23But you can't stop. It's got to be continuous.

0:07:23 > 0:07:26I think Luther might be a bit confused.

0:07:26 > 0:07:30The point of a race is to see who's fastest, not the slowest.

0:07:30 > 0:07:35Part of the whole art of being amazing is control.

0:07:35 > 0:07:37We're just very explosive. We're all over the place.

0:07:37 > 0:07:39We just want to flip everywhere.

0:07:39 > 0:07:42I think he really wants us to sit back and control everything.

0:07:42 > 0:07:44On your marks...

0:07:45 > 0:07:46..get set...

0:07:48 > 0:07:49..go!

0:07:54 > 0:07:55Ha-ha-ha-ha!

0:07:58 > 0:07:59Nice!

0:07:59 > 0:08:02It's actually a lot of fun. I've never done that before.

0:08:02 > 0:08:04And he said we needed to do that

0:08:04 > 0:08:07because when we showed off our tricks we were too antsy.

0:08:07 > 0:08:10We need to learn how to slow down and have resistance in our dancing.

0:08:18 > 0:08:21- WEST:- There's a lot of punches, a lot of kicks

0:08:21 > 0:08:23and all that kind of crazy stuff being thrown.

0:08:26 > 0:08:31Mid-race, Eldon grabs my ankle and starts biting...

0:08:31 > 0:08:33in slow motion.

0:08:33 > 0:08:34HE LAUGHS

0:08:37 > 0:08:39Where is the ref in all this?

0:08:47 > 0:08:51- ELDON:- I turn around because I need to see where my competition is at.

0:08:51 > 0:08:56But because I turn around, I hit the caution tape and I lose.

0:08:56 > 0:08:58Oh, man!

0:08:58 > 0:09:01We're a few feet from the finish line and this guy grabs me,

0:09:01 > 0:09:04tosses me over the caution tape. So I guess I'm out, I lose.

0:09:04 > 0:09:06Thanks, West!

0:09:08 > 0:09:10So it's just me and West last. I'm on the ground.

0:09:10 > 0:09:12And I kind of kicked him

0:09:12 > 0:09:14and gave him a little push to the finish line.

0:09:16 > 0:09:17HE GROANS

0:09:18 > 0:09:19LAUGHTER

0:09:19 > 0:09:22So I guess West wins, but only because he cheated.

0:09:28 > 0:09:31Yes! I won! I won!

0:09:31 > 0:09:33Now that I've won the slow-mo race,

0:09:33 > 0:09:36I think I'm going to take it up another notch

0:09:36 > 0:09:38and start racing with sloths.

0:09:38 > 0:09:41Or even snails. I think... Maybe a snail.

0:09:41 > 0:09:42Might be a bit more challenging.

0:09:50 > 0:09:54Right now we just took a break from learning the choreography

0:09:54 > 0:09:57and we're just kind of talking about our futures.

0:09:57 > 0:10:00I think my biggest dream in life is to own my own company

0:10:00 > 0:10:04and, you know, just travel the world and share my love for dance.

0:10:04 > 0:10:06- That's awesome! - That sounds so fun.

0:10:06 > 0:10:11I think my biggest dream is to open a studio, like The Next Step.

0:10:11 > 0:10:14And when Miss Kate goes, maybe Giselle will come in.

0:10:14 > 0:10:16I want to see you being a studio owner, totally!

0:10:16 > 0:10:19Things seem to be going great. It's not so awkward any more.

0:10:19 > 0:10:23Giselle and Thalia have warmed up and things seem to be clicking now.

0:10:23 > 0:10:26- How about you?- Well, I don't know.

0:10:26 > 0:10:29It's always been a dream of mine to be on Broadway dancing

0:10:29 > 0:10:31and acting and singing and all different things.

0:10:31 > 0:10:32You know what I mean?

0:10:32 > 0:10:35Just incorporating different styles into dance.

0:10:36 > 0:10:37Yeah.

0:10:37 > 0:10:42We should probably start teaching you the second routine.

0:10:42 > 0:10:44- Already?- Yeah. It's a hard one. - Oh, OK.

0:10:44 > 0:10:47Giselle and Thalia are acting kind of weird again

0:10:47 > 0:10:49and awkward.

0:10:49 > 0:10:51I'm going to ignore it, but I'm hoping they trust me

0:10:51 > 0:10:54enough to come clean and tell me what it is.

0:11:01 > 0:11:05It's raw, but you're moving real powerful but real controlled.

0:11:05 > 0:11:07- Boom, boom, boom, you're going to hit him.- OK.

0:11:07 > 0:11:09So you're going to react.

0:11:09 > 0:11:11Right now we're learning the routine from Luther

0:11:11 > 0:11:14and so far it looks so sick.

0:11:14 > 0:11:19- Boom, to him. Then boom to him. Then you're going to turn that way.- Hey!

0:11:19 > 0:11:21But on the turn, boom.

0:11:21 > 0:11:25Because I won the slow-mo race, Luther is giving me

0:11:25 > 0:11:27a solo part right off the top.

0:11:27 > 0:11:29Front and centre.

0:11:29 > 0:11:32Seven and boom, boom, boom.

0:11:32 > 0:11:36- WEST:- Working with Luther is awesome. He's really big on dynamic.

0:11:36 > 0:11:39He's really big on fast, slow.

0:11:39 > 0:11:41RAP SONG

0:11:47 > 0:11:49Bring it on up!

0:11:49 > 0:11:54We're all picking it up so fast and his choreo was just swag dope.

0:12:03 > 0:12:06We just kind of dropped and we just kind of run back and forth

0:12:06 > 0:12:11and we back up and it's right back into all this hard stuff again.

0:12:11 > 0:12:13So it's really cool.

0:12:14 > 0:12:17At one point all three of us start at West's ankles, slide it up

0:12:17 > 0:12:19and he brings it through his body.

0:12:19 > 0:12:21That's so sick.

0:12:33 > 0:12:34The choreo's amaze.

0:12:34 > 0:12:37I think we're going to do really good in nationals.

0:12:37 > 0:12:39Is there anything that y'all want in there? Any moves?

0:12:39 > 0:12:42I've been working on this move, the B-Twist.

0:12:42 > 0:12:44I recommend the B-Twist because it's a sweet trick

0:12:44 > 0:12:46and if we can all do it that would be so sick.

0:12:46 > 0:12:48I don't think you're ready for that.

0:12:49 > 0:12:51You ain't ready.

0:12:51 > 0:12:54When Luther says I'm not ready it's kind of disappointing.

0:12:54 > 0:12:56How will I know when I'm ready?

0:12:56 > 0:12:58When it's time, you'll know, know what I'm sayin'?

0:12:58 > 0:13:01You're going to wake up one day and it'll be like,

0:13:01 > 0:13:03"Hey, man, it's me, the B-Twist. It's time to do it."

0:13:03 > 0:13:07Can you hear it talking to you? Listen, listen, listen.

0:13:07 > 0:13:09Can you hear it talking to you?

0:13:10 > 0:13:13- No, no.- Exactly. You're not ready.- Oh.

0:13:13 > 0:13:16I don't understand what Luther is saying

0:13:16 > 0:13:18when he says that the move will talk to me.

0:13:18 > 0:13:22Only humans talk to me, I've never had a move talk to me.

0:13:22 > 0:13:24- You'll get it, dude.- Yeah.

0:13:24 > 0:13:27One day you'll do it like the rest of us!

0:13:27 > 0:13:30The B-Twist has definitely talked to me.

0:13:30 > 0:13:34And it actually talk to me in Swedish. I have no clue why.

0:13:34 > 0:13:37- OK.- You'll know.- We knew. We've all been there.- You've got to hear it.

0:13:37 > 0:13:39OK, I'll listen for that.

0:13:39 > 0:13:42Luther doesn't think I can handle the B-Twist,

0:13:42 > 0:13:44but I'm going to prove to him that I can do this.

0:13:55 > 0:13:56Yo.

0:13:56 > 0:13:59Do you think I really ruined my relationships with Emily

0:13:59 > 0:14:01and Michelle?

0:14:02 > 0:14:03Yeah. 100%, man.

0:14:03 > 0:14:08When James tells me that I've ruined both of my relationships,

0:14:08 > 0:14:11hearing this over and over again, it's...

0:14:11 > 0:14:12it's starting to hurt.

0:14:12 > 0:14:14Listen, don't come to me for advice,

0:14:14 > 0:14:17because I literally just got back together with Riley.

0:14:17 > 0:14:22Think of it this way, you kissed Beth, Riley saw you kissing Beth.

0:14:22 > 0:14:25Second of all, you got Riley back.

0:14:26 > 0:14:30If you can do that, you're a lot better than I am.

0:14:30 > 0:14:33Yeah, if you think about it that way...

0:14:33 > 0:14:36You know what? You need to figure out what your problem is, man.

0:14:36 > 0:14:38I don't know what my problem is, though.

0:14:38 > 0:14:39You know what I think it is?

0:14:39 > 0:14:42I think it's because you're such an amazing dancer.

0:14:42 > 0:14:43Once he starts to get to know the girl

0:14:43 > 0:14:45and they get to know him,

0:14:45 > 0:14:46he can't handle the relationship

0:14:46 > 0:14:50because his dancing is more mature than him.

0:14:50 > 0:14:54It sounds wack, but when girls see you dance, they fall for you.

0:14:54 > 0:14:56But when they get to know you and your personality,

0:14:56 > 0:15:00it kind of falls apart, then they un-fall for you.

0:15:00 > 0:15:04So my personality has to catch up to my dancing...

0:15:04 > 0:15:06Yeah.

0:15:06 > 0:15:10When will I know... when my personality has caught up?

0:15:12 > 0:15:13It's going to take time.

0:15:13 > 0:15:15OK, how many turns can you do?

0:15:15 > 0:15:18If you took off right now and hit a bunch of turns,

0:15:18 > 0:15:19how many could you do?

0:15:19 > 0:15:23Normally I can do about 15 or 16 but I've done 22.

0:15:23 > 0:15:28OK, so let's say 30, which will probably take you about five years.

0:15:28 > 0:15:31Maybe by then you'll be ready, when you hit 30 pirouettes.

0:15:31 > 0:15:35When James says that my personality has to mature

0:15:35 > 0:15:38up to the level of my dancing, it kind of makes sense,

0:15:38 > 0:15:40so by the time I can do 30 pirouettes

0:15:40 > 0:15:43I should be ready to date, I guess.

0:15:43 > 0:15:46- Go on! You got it, bro.- Thanks, man. - You good?- Yeah.- Let's hop in here.

0:15:46 > 0:15:48Looks good!

0:15:54 > 0:15:57One, two, three, four, five, six, seven, eight.

0:15:57 > 0:16:00I'm showing Giselle and Thalia the choreography just

0:16:00 > 0:16:04so they can make sure I'm doing it right and I have it down perfect.

0:16:04 > 0:16:07One, two, three, four, five, six, seven, eight.

0:16:07 > 0:16:08Nice!

0:16:08 > 0:16:12- That was good.- Are you sure? - It was perfect.

0:16:13 > 0:16:18- There's nothing I need to change? - No, it was fine.- Seriously?

0:16:18 > 0:16:22How many times are Giselle and Thalia going to act weird?

0:16:22 > 0:16:24I have to deal with this. It's bothering me.

0:16:24 > 0:16:26You guys have been acting weird all day.

0:16:27 > 0:16:30There's something wrong. Why can't you just tell me?

0:16:30 > 0:16:33It doesn't matter how good Michelle's dance is

0:16:33 > 0:16:34if she's not committed.

0:16:34 > 0:16:39She said she'll come back but is she 100% committed to the team?

0:16:39 > 0:16:41Michelle, you're an amazing dancer

0:16:41 > 0:16:43and you're amazing in everything you do,

0:16:43 > 0:16:46and you've been trying all these new things and it's...

0:16:46 > 0:16:50What Thalia and I are trying to say is that you've been doing all

0:16:50 > 0:16:52these different things and that's great, but...

0:16:52 > 0:16:55we're your family and we need you right now.

0:16:55 > 0:16:58- We don't want you to leave again. - Nationals is around the corner.

0:16:58 > 0:17:01I understand what Michelle and Thalia are saying about me

0:17:01 > 0:17:05leaving again, but they don't have to worry.

0:17:05 > 0:17:09Look, guys, I know I left at a bad time

0:17:09 > 0:17:11and I am really sorry. It's just...

0:17:11 > 0:17:13Now that I'm back here,

0:17:13 > 0:17:17it makes me realise you guys are my friends and my family.

0:17:17 > 0:17:21- I don't know where else I would be other than dancing and...- And?

0:17:21 > 0:17:24I'm not going anywhere for a long time.

0:17:24 > 0:17:26I feel a lot better that Giselle and Thalia finally told me

0:17:26 > 0:17:27what was wrong.

0:17:27 > 0:17:30It's like a weight has been lifted off my chest.

0:17:30 > 0:17:34I feel so much better now that we have everything out in the open.

0:17:34 > 0:17:38Michelle is not leaving, she is staying at The Next Step.

0:17:38 > 0:17:40Cool!

0:17:40 > 0:17:43- But seriously, that arm was crazy. - Which one?

0:17:43 > 0:17:45Yeah, and you need to get your jump just a little bit higher.

0:17:45 > 0:17:48- Which one?- Don't worry, we'll go over it.

0:17:48 > 0:17:52Michelle will definitely have all the choreo down before nationals

0:17:52 > 0:17:55but she needs a little help from us.

0:18:10 > 0:18:12Why are you all looking at me?

0:18:13 > 0:18:20You know what, B-Twist. One man, one floor, one flip and let's go!

0:18:20 > 0:18:23I want to help James with the B-Twist because

0:18:23 > 0:18:26it would just give us that much more of an edge at nationals.

0:18:26 > 0:18:27All right, let's do it!

0:18:27 > 0:18:30I think West is right, I should go for this.

0:18:32 > 0:18:37Yeah, OK, so you got the spin but your body is like this.

0:18:37 > 0:18:40You've got to get it like this.

0:18:40 > 0:18:42It's the back leg that you have to throw up.

0:18:42 > 0:18:44Boom, ha.

0:18:44 > 0:18:46- See that right there?- Yeah.

0:18:46 > 0:18:48It's weird, cos usually James can do all the tricks that me

0:18:48 > 0:18:51and West can do and even Hunter can do B-Twist.

0:18:51 > 0:18:53OK, let's do it.

0:18:56 > 0:18:59W-W-W-W... What are you doing?

0:18:59 > 0:19:02When Luther walks in, I get kind of scared,

0:19:02 > 0:19:06because we're not supposed to be helping James with his B-Twist.

0:19:06 > 0:19:08He's just tying his shoe!

0:19:08 > 0:19:10- ALL TALK AT ONCE - OK.

0:19:10 > 0:19:12When Luther walks in, I kind of pretend I'm tying my shoe.

0:19:12 > 0:19:15Hopefully he doesn't know we're trying the B-Twist.

0:19:15 > 0:19:18It's kind of cool to see you guys trying to cover up for each other.

0:19:18 > 0:19:22- Teamwork make a dream work. - ALL: Yeah!

0:19:22 > 0:19:24Just keep your boy in check.

0:19:24 > 0:19:27OK, fine. Maybe Luther was right,

0:19:27 > 0:19:30but I think the B-Twist will start talking to me soon.

0:19:30 > 0:19:32I think.

0:19:32 > 0:19:34- ALL:- Pizza!

0:19:34 > 0:19:36We're coming to studio A to see how the small-group

0:19:36 > 0:19:38routine is going for nationals.

0:19:38 > 0:19:39ALL TALK AT ONCE

0:19:39 > 0:19:42The real reason we're going to studio A

0:19:42 > 0:19:46is we really just want to meet Luther. I mean, he's so cool.

0:19:46 > 0:19:49- OK, how did it go today? - Good!- It was unreal.

0:19:49 > 0:19:51Luther is amazing, so...

0:19:51 > 0:19:53It's so great to see how excited

0:19:53 > 0:19:55the guys are about their experience with Luther.

0:19:55 > 0:19:57My day with Luther was amazing.

0:19:57 > 0:20:00The choreography and working with him was so sick. So sweet.

0:20:00 > 0:20:04We want to make sure that everything is clean and perfect for nationals.

0:20:04 > 0:20:07- No, no, you guys WILL make sure! - ALL: Yeah!

0:20:07 > 0:20:12- Perfect for nationals.- Yeah! - Here we go, here we go. Hands in.

0:20:12 > 0:20:16ALL: One, two, three...nationals!

0:20:16 > 0:20:18RAP SONG

0:20:22 > 0:20:25- GISELLE:- I can't believe we're almost at nationals.

0:20:25 > 0:20:28Right now we are in such a good place with the team

0:20:28 > 0:20:29and we're going to nail it.

0:20:29 > 0:20:32- KATE:- I'm so proud of how quickly the team has come together

0:20:32 > 0:20:34and in time for nationals.

0:20:34 > 0:20:36We might actually have a shot at winning.

0:20:44 > 0:20:47Now we have this Luther Brown choreography, I think

0:20:47 > 0:20:49we're going to do some damage at nationals.

0:20:50 > 0:20:53- MICHELLE:- A-Troupe has gone through so much this year.

0:20:53 > 0:20:54I'm ready to go to nationals...

0:20:57 > 0:20:59..and kill it!