0:00:02 > 0:00:03Previously on The Next Step...
0:00:03 > 0:00:05- NOAH:- 'I've seen Abi dance before.'
0:00:05 > 0:00:06I'd really like to get to know her.
0:00:06 > 0:00:08Ah, good luck, I mean, you need luck, I need luck.
0:00:08 > 0:00:10- Um, I have a cat.- Oh.
0:00:10 > 0:00:12Why am I saying these things?!
0:00:12 > 0:00:15Do you think it would be OK if my sister joined The Next Step?
0:00:15 > 0:00:16We'd love to have you join B-Troupe.
0:00:16 > 0:00:19Maybe Abi and Shannon would be able to come, too?
0:00:19 > 0:00:22OK, fine. B-Troupe will be awesome.
0:00:22 > 0:00:25WEST: Leading up to Nationals, we used to hang out all the time,
0:00:25 > 0:00:28we were bros and...now he's spending a lot of time with the band.
0:00:28 > 0:00:31I think our dance captain... is Giselle.
0:00:35 > 0:00:36What?
0:00:36 > 0:00:37I get a text from Kate.
0:00:37 > 0:00:39Wow.
0:00:39 > 0:00:40Someone is rejoining A-Troupe.
0:00:40 > 0:00:42This is not good.
0:00:50 > 0:00:54WEST: I walk into Studio A and I see Eldon practising some ballet moves.
0:00:54 > 0:00:55I correct him on a few things, you know,
0:00:55 > 0:00:57cos I'm a team player, I like to help out.
0:01:01 > 0:01:02Can I see that one more time?
0:01:02 > 0:01:04- Sure.- Yeah.
0:01:08 > 0:01:09Yeah.
0:01:09 > 0:01:11You see, next time you do that jump,
0:01:11 > 0:01:13you might want to just engage your core a bit more,
0:01:13 > 0:01:15- just so you don't fall forward.- OK.
0:01:15 > 0:01:17And also that back leg?
0:01:17 > 0:01:20You want to turn it out a bit more.
0:01:20 > 0:01:23So you think you know a little bit about ballet, huh?
0:01:23 > 0:01:26Yeah. You know, I've access to the internet.
0:01:26 > 0:01:29You know, I researched some things. I know stuff.
0:01:29 > 0:01:31And what muscle do I use to turn it out?
0:01:31 > 0:01:32The...
0:01:34 > 0:01:36..inside of your leg muscle.
0:01:36 > 0:01:37You know?
0:01:37 > 0:01:40All right. You think you know so much about ballet?
0:01:40 > 0:01:43Why don't you go audition for the Ballet de la Reine touring company?
0:01:43 > 0:01:45They have auditions for the Nutcracker coming up.
0:01:45 > 0:01:47You want me to audition for ballet?
0:01:47 > 0:01:49If it's so easy to master ballet,
0:01:49 > 0:01:52then you should have no problem landing a role.
0:01:53 > 0:01:55I'll have no problem at all.
0:01:55 > 0:01:58Just as long as I don't have to be THE Nutcracker,
0:01:58 > 0:02:00cos, you know, I'm opposed to violence.
0:02:00 > 0:02:05I've watched people do ballet. I can do ballet.
0:02:06 > 0:02:08Oh.
0:02:08 > 0:02:09Wow(!)
0:02:09 > 0:02:11OK.
0:02:11 > 0:02:13Hey, engage your core!
0:02:13 > 0:02:16'I will not only ace the ballet audition,'
0:02:16 > 0:02:18I will get an A plus...plus.
0:02:18 > 0:02:22OPENING SONG
0:03:00 > 0:03:02I'm just in the music room
0:03:02 > 0:03:04and I'm practising my ballet moves.
0:03:04 > 0:03:06How many ballet moves do I know?
0:03:07 > 0:03:12I would say I know at least 75% of them.
0:03:12 > 0:03:14You know, I think I'm good enough to audition right now.
0:03:16 > 0:03:21'I'm walking by the music room and I notice West doing something
0:03:21 > 0:03:24that looks like ballet? But I'm not really sure.
0:03:26 > 0:03:29- Hey, West.- Oh, hey, what's up?
0:03:29 > 0:03:31- What're you doing? - Just doing some ballet.
0:03:31 > 0:03:35OK, what's really going on?
0:03:36 > 0:03:40All right, well, if you may know, I have an audition for the Nutcracker
0:03:40 > 0:03:43this week at the Ballet de la Reine touring company.
0:03:45 > 0:03:48Have you ever even taken a ballet class before?
0:03:48 > 0:03:50No, why?
0:03:50 > 0:03:52Well, it takes a lot of hard work and practice
0:03:52 > 0:03:55- to get into a production like that. - OK, you look a bit worried.
0:03:55 > 0:03:57I'm not leaving the Next Step,
0:03:57 > 0:03:59if that's what you're worried about, so just relax, OK?
0:03:59 > 0:04:01Cos that's what I was worried about(!)
0:04:01 > 0:04:05You know, I'm just doing it to prove to Eldon that I can get better
0:04:05 > 0:04:08at ballet in a week so I can make the show.
0:04:08 > 0:04:10Well, in that case...
0:04:12 > 0:04:14..I think you're going to need a little help.
0:04:14 > 0:04:16I trained a lot in ballet before I came to The Next Step,
0:04:16 > 0:04:19so I really think I can help West out with this audition.
0:04:19 > 0:04:22OK, I mean, if that's what you think I need.
0:04:22 > 0:04:25'Chloe seems to think I need I help,'
0:04:25 > 0:04:27so I'll humour her for a bit.
0:04:28 > 0:04:31How can you even be thinking about this right now?
0:04:31 > 0:04:32It should be a no-brainer.
0:04:32 > 0:04:35Shantel left A-Troupe and there's a spot open.
0:04:35 > 0:04:39So the Next Step offered me that spot.
0:04:39 > 0:04:43The thing is, I'm really into the band right now and I'm loving it.
0:04:43 > 0:04:46Riley, there's so much going on with the band right now.
0:04:46 > 0:04:48What, like a gig?
0:04:48 > 0:04:52Ha. A, touche and B, you don't have to be so mean about it.
0:04:52 > 0:04:54Look, I understand that,
0:04:54 > 0:04:57but this is Internationals that we're talking about.
0:04:57 > 0:05:00I've got band practice. I've got to go. We'll talk about this later.
0:05:00 > 0:05:02'And if I'm not 100% sure...'
0:05:02 > 0:05:04then why should I take this spot on A-Troupe over someone
0:05:04 > 0:05:06who really, really wants it?
0:05:06 > 0:05:09'I kind of thought that James would want to rejoin
0:05:09 > 0:05:11'the Internationals team.'
0:05:11 > 0:05:13I don't know, I just thought that he would want
0:05:13 > 0:05:14to spend more time with me.
0:05:21 > 0:05:23Thank you, guys, so much for helping me out.
0:05:23 > 0:05:25- I'm sure West will appreciate it. - No problem.
0:05:25 > 0:05:28I set up a mock ballet class to help West get ready for his audition
0:05:28 > 0:05:31and I asked Noah and Abi to help me out.
0:05:31 > 0:05:33Happy to help out my fellow man.
0:05:33 > 0:05:35'I was so happy to hear that Abi joined B-Troupe'
0:05:35 > 0:05:38and, to be honest, I don't really care if West learns ballet or not,
0:05:38 > 0:05:41I just really want to look good in front of Abi.
0:05:41 > 0:05:42Hey, Chloe, come here.
0:05:44 > 0:05:47- I need you to do a favour for me, OK?- Hmm-mmm.
0:05:47 > 0:05:50OK, whatever I do, make me look good...
0:05:50 > 0:05:52(in that direction.)
0:05:52 > 0:05:54- OK?- OK, Noah.
0:05:54 > 0:05:57Just make sure you guys are warm for when West gets here.
0:05:57 > 0:05:58OK.
0:05:58 > 0:06:01Yo! OK, Chloe, it's a party! Abi? Noah!
0:06:01 > 0:06:04- What's going on, man? - Not much, bro.- Oh!
0:06:04 > 0:06:07West, this is a ballet mock audition.
0:06:07 > 0:06:09Ballet is much more refined.
0:06:09 > 0:06:11Instead of saying, "What's up,"
0:06:11 > 0:06:14try saying, "Good afternoon, friends."
0:06:14 > 0:06:16Good afternoon.
0:06:16 > 0:06:17Good afternoon, my friend.
0:06:17 > 0:06:20Great. All right, let's start with a stretch at the bar.
0:06:20 > 0:06:23I didn't know this was going to be an English class.
0:06:23 > 0:06:24Ready?
0:06:24 > 0:06:26Five, six, seven, eight.
0:06:26 > 0:06:29Grab the heel, one, two.
0:06:29 > 0:06:30Stretch, three, four.
0:06:30 > 0:06:34To the side, five, six, that's it, seven, eight, repeat.
0:06:34 > 0:06:38One... Repeat! Three, four.
0:06:38 > 0:06:41- Good job, Noah, you're just so cute! - I'm not cute!
0:06:41 > 0:06:43- Who's my ballerina?- I'm not cute!
0:06:43 > 0:06:44Ugh.
0:06:44 > 0:06:46What position is this?
0:06:46 > 0:06:49It's a very uncomfortable second position.
0:06:49 > 0:06:52- So let's stretch our knee, point the foot.- Point.
0:06:52 > 0:06:54- And let's carry our arm up to fifth. - Fifth, OK.
0:06:54 > 0:06:56- Yeah, now hold.- Hold. OK.
0:06:56 > 0:07:00- You just got to let me know when... - Yeah.- OK.
0:07:00 > 0:07:03Here, I'll show you, bro. Watch, watch this.
0:07:05 > 0:07:06Uh!
0:07:06 > 0:07:08Chloe, do you see this?
0:07:08 > 0:07:12You're supposed to be teaching me and not making me feel inferior, OK?
0:07:12 > 0:07:14'I think I was doing a pretty good job impressing Abi
0:07:14 > 0:07:16'until West called me out on it,'
0:07:16 > 0:07:19and kind of made me feel embarrassed.
0:07:19 > 0:07:21We'll do degages from fifth.
0:07:21 > 0:07:23You know what? I had that for lunch.
0:07:23 > 0:07:25Gave me a bit of gas and not the good kind.
0:07:25 > 0:07:27You don't want that.
0:07:27 > 0:07:30We'll prepare on five, six, seven, eight.
0:07:30 > 0:07:31We'll do two to the front.
0:07:31 > 0:07:33One, two, then we'll go...
0:07:33 > 0:07:36OK, maybe I might need a little more work. Just a little.
0:07:50 > 0:07:52- GISELLE:- 'Since Shantel left, I just want to make sure Max
0:07:52 > 0:07:54'feels like he's a part of the team'
0:07:54 > 0:07:57and, as the new dance captain, I need to make sure
0:07:57 > 0:07:58that no-one else leaves.
0:07:58 > 0:07:59Hey, Max.
0:08:01 > 0:08:04We're going for pizza later, if you want to join.
0:08:07 > 0:08:10OK. I'm putting an acro workshop together tomorrow morning,
0:08:10 > 0:08:12maybe you'd like to join me there.
0:08:14 > 0:08:15I'm good...
0:08:15 > 0:08:17at acro...
0:08:17 > 0:08:18and in general.
0:08:20 > 0:08:22I know you were good friends with Shantel
0:08:22 > 0:08:24and I just really wanted to make sure you were OK.
0:08:26 > 0:08:28I'm good.
0:08:29 > 0:08:31'Maybe it's worse than I thought.
0:08:31 > 0:08:33'He doesn't seem to be OK,'
0:08:33 > 0:08:36but he didn't really say much, so I don't know.
0:08:39 > 0:08:41Pirouettes?
0:08:41 > 0:08:44- CHLOE:- 'My new approach to teaching West is to show him some moves
0:08:44 > 0:08:46'and let him copy me.
0:08:46 > 0:08:48'West is mostly a self-taught dancer,'
0:08:48 > 0:08:50so it's pretty cool that he can just pick things up
0:08:50 > 0:08:51by looking at somebody.
0:08:56 > 0:08:57That's so good!
0:08:57 > 0:08:59That's actually really good.
0:08:59 > 0:09:02I feel that I'm dancing really well right now
0:09:02 > 0:09:04and I owe a lot of that to Chloe.
0:09:07 > 0:09:09That was good!
0:09:09 > 0:09:10- That was good.- Thank you.
0:09:10 > 0:09:12- It's getting better.- Yeah!
0:09:12 > 0:09:14- It's getting better, for sure. - Awesome.
0:09:14 > 0:09:17So, ready for the big audition?
0:09:17 > 0:09:19- Yeah.- Yeah?
0:09:19 > 0:09:21I wish I could be there to see the artistic director
0:09:21 > 0:09:24correct your core.
0:09:24 > 0:09:26Dude, I'm just trying to, like, improve.
0:09:26 > 0:09:29Well, he's actually been doing really good.
0:09:29 > 0:09:30Oh, yeah?
0:09:30 > 0:09:32Yeah, you'd be surprised.
0:09:32 > 0:09:36Hm. We'll see about that. Good luck(!)
0:09:36 > 0:09:39'Then Eldon comes in and...'
0:09:39 > 0:09:42he totally just kills my confidence.
0:09:42 > 0:09:45You know what? I think this is a bad idea.
0:09:45 > 0:09:47But, what do you mean? You're going to be fine.
0:09:47 > 0:09:50I can't even properly get a fifth and I'm so nervous,
0:09:50 > 0:09:53I don't even know what to expect.
0:09:53 > 0:09:56Well, if you're so nervous, I could come with you.
0:09:58 > 0:09:59To audition?
0:09:59 > 0:10:02Well, I hadn't really thought about that, but...
0:10:02 > 0:10:05Come on, Chloe! I need you in the room with me.
0:10:05 > 0:10:07- OK.- Yes!
0:10:07 > 0:10:10I kind of like the idea of going to the audition.
0:10:10 > 0:10:13It'll be good practice for Internationals.
0:10:13 > 0:10:15'Chloe and I together...'
0:10:15 > 0:10:17we're going to kill this audition.
0:10:30 > 0:10:32You seem really anxious. What's up?
0:10:32 > 0:10:34RILEY SIGHS
0:10:34 > 0:10:37I'm supposed to meet James here at two to talk about
0:10:37 > 0:10:39whether or not he's joining the team and he's not here yet.
0:10:39 > 0:10:43James is still in band practice right now.
0:10:43 > 0:10:45We were supposed to meet at Hidalgo's.
0:10:45 > 0:10:46But of course he's late.
0:10:46 > 0:10:50I have to meet Emily now, so I've got to go.
0:10:50 > 0:10:53All right. If James comes, I'll tell him that you left.
0:10:53 > 0:10:54OK, thanks.
0:10:54 > 0:10:56I can understand where Riley's coming from.
0:10:56 > 0:10:58I mean, James would be perfect for Internationals.
0:10:58 > 0:11:02But time's ticking, we need to know what he's going to do.
0:11:07 > 0:11:10West and I are getting ready for the first round of the ballet auditions
0:11:10 > 0:11:12and I'm not really that nervous.
0:11:12 > 0:11:14I'm mostly just here for West.
0:11:18 > 0:11:19Good morning.
0:11:19 > 0:11:21'Sonia Rodriguez walks in.'
0:11:21 > 0:11:24She's the artistic director. Right away, all my nerves kick in.
0:11:24 > 0:11:27Please take your places at the bar.
0:11:27 > 0:11:30'I have no idea who Sonia Rodriguez is.'
0:11:30 > 0:11:32Those of you wearing warm-ups,
0:11:32 > 0:11:34this will be a good time to remove them.
0:11:34 > 0:11:37'I remember seeing her in the Nutcracker when I was, like, 12.
0:11:37 > 0:11:40'When I saw her on stage in her beautiful costume...'
0:11:40 > 0:11:43I knew that that's where I wanted to be.
0:11:43 > 0:11:46We are going to start with plies at the bar.
0:11:46 > 0:11:48Left hand on the bar.
0:11:48 > 0:11:50Thank you.
0:11:52 > 0:11:55We'll do two demi-plies in each position.
0:11:55 > 0:11:56Starting in first.
0:11:56 > 0:12:00She has already cut one person and we haven't done an exercise yet.
0:12:00 > 0:12:03BALLET MUSIC PLAYS
0:12:03 > 0:12:07Two, three, four,
0:12:07 > 0:12:09and five, six...
0:12:11 > 0:12:14'As Sonia eliminates people, all that is going through my mind is,'
0:12:14 > 0:12:17"I hope that she does not eliminate me."
0:12:17 > 0:12:18..other side, fourth position.
0:12:20 > 0:12:23Fourth position.
0:12:23 > 0:12:24Thank you.
0:12:26 > 0:12:29Three and four.
0:12:29 > 0:12:31Grand plie.
0:12:34 > 0:12:36Come right back.
0:12:39 > 0:12:43'When Sonia approaches me and touches my arm,'
0:12:43 > 0:12:47I think that's it for me. I'm done, I'm a goner.
0:12:47 > 0:12:50But she just adjusts me and she doesn't tap me out.
0:12:54 > 0:12:56Very nice.
0:12:56 > 0:12:58I guess I'm doing something right.
0:13:02 > 0:13:05Guys, has anyone heard anything about West and Chloe?
0:13:05 > 0:13:07I haven't heard anything.
0:13:07 > 0:13:08Well, if no-one's heard from them,
0:13:08 > 0:13:11then that probably means West made it past the first round.
0:13:11 > 0:13:14Really? Wow.
0:13:14 > 0:13:15Who is running this audition?
0:13:15 > 0:13:18I might have to go out and get me a flying pig.
0:13:18 > 0:13:20Eldon!
0:13:20 > 0:13:22He's a hip-hop dancer.
0:13:22 > 0:13:23Do you guys want to go to Hidalgo's?
0:13:23 > 0:13:25Yeah.
0:13:25 > 0:13:26Only if Noah's going.
0:13:26 > 0:13:28Well, I'm going.
0:13:28 > 0:13:29All right. Let's go, bro.
0:13:29 > 0:13:32- GISELLE:- 'Max is a complete mystery.'
0:13:34 > 0:13:36Max, are you going to be here for long?
0:13:36 > 0:13:38I'll be around.
0:13:38 > 0:13:40I just hope he's OK.
0:13:40 > 0:13:44DANCE MUSIC
0:13:54 > 0:13:57MAX: 'I dance because I love it.'
0:14:00 > 0:14:03It's my favourite thing to do in the world.
0:14:03 > 0:14:06It's a way to communicate without talking.
0:14:09 > 0:14:13'Max is a really good dancer and to know that he's in the studio,
0:14:13 > 0:14:16'working something out by himself...'
0:14:16 > 0:14:18it's great work ethic.
0:14:18 > 0:14:20'It's nice to have on our team.
0:14:20 > 0:14:22'He seems to be doing OK, so I'm going to'
0:14:22 > 0:14:25let him have his space and do his thing at the Next Step.
0:14:30 > 0:14:32Thank you.
0:14:32 > 0:14:34Next, please?
0:14:34 > 0:14:37- CHLOE:- 'I'm so proud of West for making it to the final round.'
0:14:37 > 0:14:40He's worked so hard and he definitely deserves it.
0:14:41 > 0:14:45'Chloe did a really good job with helping me out with this solo.'
0:14:45 > 0:14:47I just want to make her proud.
0:14:47 > 0:14:51NUTCRACKER SONG PLAYS
0:15:06 > 0:15:07I'm not going to lie.
0:15:07 > 0:15:10Ballet is maybe a bit harder than hip-hop.
0:15:12 > 0:15:16Even if I don't get in, I am really proud of my progress
0:15:16 > 0:15:17and where I've got to.
0:15:35 > 0:15:40Honestly, this decision is a lot harder than I thought.
0:15:40 > 0:15:42I think you can have many passions.
0:15:42 > 0:15:44Dance is one of them, but drumming is, too.
0:15:46 > 0:15:49I want to be able to dance and play in the band.
0:15:49 > 0:15:51Is that realistic?
0:15:51 > 0:15:54POP MUSIC PLAYS
0:16:04 > 0:16:06I'm kind of just jamming out, just dancing,
0:16:06 > 0:16:08how I do when I'm alone.
0:16:15 > 0:16:18I love it. I mean, I've always loved to dance. It's amazing.
0:16:29 > 0:16:30It's the best feeling.
0:16:52 > 0:16:54I think I know what I want to do now.
0:17:05 > 0:17:08- CHLOE:- 'Now that West has completed his solo,
0:17:08 > 0:17:11'it's my turn to go and there's no pressure.'
0:17:11 > 0:17:12I'm glad that West did well
0:17:12 > 0:17:15and this is just going to be so much fun.
0:17:26 > 0:17:29'It's so awesome to just do ballet.'
0:17:29 > 0:17:32No tricks, no flips, just ballet.
0:17:42 > 0:17:43It's going really well.
0:17:43 > 0:17:46It kind of reminds me how much I really love ballet.
0:17:49 > 0:17:52I'm watching Chloe perform and I never really realised
0:17:52 > 0:17:54how good she was at ballet.
0:18:00 > 0:18:03She just totally blew me right out of the water.
0:18:11 > 0:18:14'So I'm heading into studio A and I'm really excited
0:18:14 > 0:18:17'because an envelope came in from the Ballet de la Reine touring company.'
0:18:17 > 0:18:20I just can't wait to show Eldon.
0:18:20 > 0:18:23Look what I just...got.
0:18:24 > 0:18:27This just came in the mail in care of The Next Step.
0:18:27 > 0:18:29Kate just gave it to me.
0:18:29 > 0:18:32It's from the Ballet de la Reine touring company.
0:18:32 > 0:18:35I suspect this to be my acceptance letter.
0:18:35 > 0:18:37I thought it would be better to open it in front of you.
0:18:37 > 0:18:39'I think it's good news.'
0:18:39 > 0:18:41I'm pretty confident in getting in.
0:18:42 > 0:18:45WEST CLEARS HIS THROAT
0:18:45 > 0:18:47'I think the letter will say...'
0:18:47 > 0:18:48"Thanks for coming out."
0:18:50 > 0:18:51That's it.
0:18:54 > 0:18:56You know what?
0:18:56 > 0:18:58Who really cares what the letter says anyway, you know?
0:18:58 > 0:19:00Yeah, yeah.
0:19:00 > 0:19:01West crumples up the paper.
0:19:03 > 0:19:05Victory is mine.
0:19:05 > 0:19:08I can't tell Eldon about what this letter says.
0:19:08 > 0:19:10I'm even a bit shocked right now.
0:19:17 > 0:19:19There you are. Can we talk now?
0:19:19 > 0:19:22- Ah, no. I already know what I'm doing. You come with me.- But...
0:19:23 > 0:19:26MICHELLE: 'Right now, we're having a meeting about Internationals,'
0:19:26 > 0:19:29about the fact that we're missing one dancer
0:19:29 > 0:19:31and we don't know what to do.
0:19:31 > 0:19:32Well, guys, we need a plan.
0:19:32 > 0:19:36'We've invited James back but we haven't heard an answer,
0:19:36 > 0:19:38'so it's just really stressful.'
0:19:39 > 0:19:41Yo, what's up?
0:19:41 > 0:19:44Oh, we are just having a meeting for Internationals.
0:19:44 > 0:19:48Oh, for Internationals. Yeah, that explains all the mopey faces.
0:19:48 > 0:19:50- I don't need this.- Yeah, you do.
0:19:50 > 0:19:52Oh, yeah, that's right. I'm on the Internationals team.
0:19:52 > 0:19:55- What?!- What?- Are you serious? - Yeah, for real.
0:19:56 > 0:20:00I'm just so happy cos I finally have my best friend back.
0:20:00 > 0:20:04Everything just feels right again.
0:20:04 > 0:20:06I didn't even realise James was gone.
0:20:06 > 0:20:09- RILEY:- 'I'm just so happy that'
0:20:09 > 0:20:12we can both be a part of this team together, finally.
0:20:12 > 0:20:13Juice is on me!
0:20:13 > 0:20:16'It feels amazing to be welcomed back to A-Troupe.'
0:20:16 > 0:20:18I'm very happy with this decision.
0:20:18 > 0:20:20Chloe, I need to talk to you.
0:20:20 > 0:20:22'I pulled Chloe aside because'
0:20:22 > 0:20:25there's something really important that I need to show her.
0:20:25 > 0:20:27I think you're going to want to see this.
0:20:37 > 0:20:39'I can't believe it. La Ballet de la Reine offered me'
0:20:39 > 0:20:41a touring company position.
0:20:41 > 0:20:44That would mean I'm a professional dancer
0:20:44 > 0:20:46and that is what I've always wanted.
0:20:46 > 0:20:48'Even though I didn't get the Nutcracker,'
0:20:48 > 0:20:51I'm just so happy for Chloe.
0:20:51 > 0:20:53There's no way that I can choose the Nutcracker position
0:20:53 > 0:20:55and go to Internationals.
0:20:55 > 0:20:58I have to choose between myself and the team.
0:20:58 > 0:21:00And I have no idea what I'm going to do.