0:00:02 > 0:00:03Previously on The Next Step.
0:00:03 > 0:00:06Jacquie broke up with me because she thinks I'm not a good enough dancer.
0:00:06 > 0:00:07Henry's on a date.
0:00:07 > 0:00:09Henry being on a date is basically
0:00:09 > 0:00:12a flashing green light for me to go out with Jacquie.
0:00:12 > 0:00:14Did you get Miss Kate's e-mail?
0:00:14 > 0:00:16Only one troupe can represent The Next Step at Regionals.
0:00:16 > 0:00:20Let's have a competition. TNS East versus TNS West.
0:00:20 > 0:00:22Welcome to the team.
0:00:22 > 0:00:24I finally have all ten dancers.
0:00:24 > 0:00:26Sometimes it's just easier to cut the dead wood.
0:00:26 > 0:00:28This team has a lot of that.
0:00:28 > 0:00:31He's a nightmare. This guy has got to go.
0:00:33 > 0:00:36# One, two Now we've got the clothes off
0:00:36 > 0:00:39# Three, four Show us what you're made of
0:00:39 > 0:00:46# Get up off your seat Cos all this talk is cheap, yeah. #
0:00:46 > 0:00:48You wanted to talk? Make it quick.
0:00:48 > 0:00:51OK, um, I wanted to talk, dance captain to dance captain.
0:00:51 > 0:00:54We've got to decide where we're going to hold our ten-person battle
0:00:54 > 0:00:56which determines who goes to Regionals.
0:00:56 > 0:00:58I think it should be held in studio A.
0:00:58 > 0:01:01It's pretty obvious it's going to be in studio one.
0:01:01 > 0:01:04I mean, that is where A-troupe is.
0:01:04 > 0:01:06And it's just...better.
0:01:06 > 0:01:09Dancing in your home studio can give you that edge
0:01:09 > 0:01:10and put you over the top.
0:01:10 > 0:01:13I think it's really important to make sure that it's in your studio
0:01:13 > 0:01:14that you're used to dancing in.
0:01:14 > 0:01:17Then I guess we'll have a dance-off to determine home studio advantage.
0:01:17 > 0:01:21- I mean, what else are we going to do? Flip a coin?- No chance.
0:01:21 > 0:01:23Dance-off it is. Something small.
0:01:23 > 0:01:24Duets?
0:01:24 > 0:01:27Duets, agreed, great idea.
0:01:27 > 0:01:29- I think the style should be...ballet.- Hip-hop.
0:01:29 > 0:01:32We have hip-hop and Emily's troupe doesn't.
0:01:32 > 0:01:34Our team's strength is hip-hop.
0:01:34 > 0:01:36Our team's strength is technique.
0:01:36 > 0:01:38There was only one fair thing to do.
0:01:38 > 0:01:41We'll do a hip-hop and ballet mashup to determine home studio advantage.
0:01:41 > 0:01:45Get your best two dancers ready because it's about to get real.
0:01:46 > 0:01:48TNS West doesn't have a chance.
0:01:49 > 0:01:51# We
0:01:51 > 0:01:55# We're gonna show the world
0:01:55 > 0:01:58# Everything we're made of
0:01:58 > 0:02:06# We're gonna tear the roof off this place
0:02:11 > 0:02:12# Stand up! #
0:02:30 > 0:02:31- Oh!- Hey!
0:02:32 > 0:02:34Ah, good turns, y'all.
0:02:34 > 0:02:37- Maybe ballet is working out for you, isn't it?- That's what I'm saying.
0:02:37 > 0:02:40Right now we're warming up in studio A, waiting for Michelle to come.
0:02:40 > 0:02:43Once she signs the dancers for the hip-hop ballet mashup,
0:02:43 > 0:02:44then we can get rehearsing.
0:02:44 > 0:02:47- Show me again.- One more time? - Yeah, yeah. OK.- Right here.
0:02:47 > 0:02:49That's better. You know what, just get your passe a bit more,
0:02:49 > 0:02:51- like, attached.- Attached there? - Yeah, yeah.
0:02:51 > 0:02:54It's just a little floppy, know what I mean? It's just hanging around.
0:02:54 > 0:02:57Elliott's been really helpful and he's giving Kingston and I
0:02:57 > 0:02:59a lot of pointers when it comes to turns.
0:02:59 > 0:03:01- That's awesome. - Hey, could you move out the way?
0:03:01 > 0:03:02I need to do an acro pass.
0:03:02 > 0:03:04HENRY LAUGHS
0:03:04 > 0:03:06Did you think that was a request?
0:03:07 > 0:03:10See, if I'm going to carry this whole team on my back,
0:03:10 > 0:03:12you have to start doing things my way.
0:03:13 > 0:03:14So, could you move?
0:03:14 > 0:03:18Within a minute, his attitude just changes and he switches up on us.
0:03:18 > 0:03:20I don't get it. What's with this guy?
0:03:20 > 0:03:25We need Elliott on this team because his technique is insane.
0:03:25 > 0:03:26But he has a huge ego.
0:03:28 > 0:03:32Beautiful. That aerial was so high and perfect, you know,
0:03:32 > 0:03:34everyone here could definitely learn something from Elliot.
0:03:34 > 0:03:37- Totally.- You know, I'm learning everything from them.
0:03:37 > 0:03:39- They're the absolute best. - Yeah.
0:03:39 > 0:03:41Michelle thinks I actually believe this team is good.
0:03:41 > 0:03:44I'm pulling the wool over her eyes easily.
0:03:44 > 0:03:45Thank you.
0:03:45 > 0:03:47Michelle.
0:03:47 > 0:03:49As dance captain, I have the responsibility of
0:03:49 > 0:03:51telling Michelle that he has to leave.
0:03:51 > 0:03:54I know Michelle has a lot of hope pinned on Elliott,
0:03:54 > 0:03:55so it's going to be hard.
0:03:55 > 0:03:58There's something I wanted to talk to you about. It's Elliott.
0:03:58 > 0:04:00Oh, he is amazing.
0:04:00 > 0:04:02He would be perfect in the duet.
0:04:02 > 0:04:04You and him do the duet.
0:04:04 > 0:04:07- It's going to be great.- Yeah... - OK, go practise. Right?
0:04:13 > 0:04:15This just couldn't get any worse.
0:04:18 > 0:04:21Noah, I don't want the foot in coup de pied, I would like it in passe.
0:04:21 > 0:04:23I was marking, it'll be in passe, though.
0:04:23 > 0:04:25We're practising how we're going to perform, I don't want it marked.
0:04:25 > 0:04:27Again, from the beginning.
0:04:27 > 0:04:28Noah and I are working through our routine
0:04:28 > 0:04:31to prep for the home studio competition.
0:04:31 > 0:04:33Daniel is giving us a lot of pointers
0:04:33 > 0:04:35and it's a little bit overwhelming.
0:04:35 > 0:04:38Yeah, hold at the end of the turn. You're kind of leaning back
0:04:38 > 0:04:40and you don't need to lean back.
0:04:40 > 0:04:43Daniel is being pretty tough.
0:04:43 > 0:04:44Too tough.
0:04:44 > 0:04:46Also your upper body, I thought we worked on from here.
0:04:46 > 0:04:49I don't want you cheating, bringing the arm to second,
0:04:49 > 0:04:51I just want the left side to meet in with the right side.
0:04:51 > 0:04:53- Keep your core a little stronger. - I'm...pretty sure I did that.
0:04:53 > 0:04:56I'm pretty sure you didn't, that's why I gave you the correction.
0:04:56 > 0:04:58- Do it again.- OK.
0:04:58 > 0:05:00I don't get why Daniel's being so hard on Noah.
0:05:00 > 0:05:02His turns look pretty great to me.
0:05:05 > 0:05:08Uh, you changed your spot at the end of the turn, was that a choice?
0:05:08 > 0:05:09- Yeah.- Well, it was the wrong one.
0:05:09 > 0:05:12Keep it locked there. Finish the pirouette cleanly,
0:05:12 > 0:05:14and then change and go to Amy.
0:05:14 > 0:05:17- OK. Is there anything else? - Yeah, there was actually,
0:05:17 > 0:05:19you dipped in your eleve and I don't want that.
0:05:19 > 0:05:22- Pull up through the supporting leg and...- When, when did I dip?
0:05:22 > 0:05:23At the very end when you changed your spot.
0:05:23 > 0:05:26I don't know why Noah's giving Daniel so much attitude.
0:05:26 > 0:05:28I mean, Daniel knows what he's talking about.
0:05:28 > 0:05:30I don't think they realise how high the stakes are here.
0:05:30 > 0:05:33This is our first chance to prove ourselves as a studio.
0:05:33 > 0:05:35TNS East versus TNS West.
0:05:35 > 0:05:37And TNS East has to win.
0:05:37 > 0:05:39Now, next time we work together, I don't want the attitude.
0:05:39 > 0:05:41I'm the choreographer, you're the dancer.
0:05:41 > 0:05:43OK.
0:05:43 > 0:05:46- Understood? - Yep.- Again, from the beginning.
0:05:46 > 0:05:47I'm getting a little frustrated.
0:05:47 > 0:05:50The expectations that Daniel and Emily are putting on me
0:05:50 > 0:05:53are just way too much and it's not fair.
0:06:02 > 0:06:03You know what boggles my mind?
0:06:03 > 0:06:07How do you get so much juice out of such a small kiwi?
0:06:07 > 0:06:08That's a lime.
0:06:09 > 0:06:11Sorry. I mean this.
0:06:11 > 0:06:13- It's still a lime.- Oh.
0:06:13 > 0:06:16- They're all limes.- Oh, OK. - No kiwis.
0:06:16 > 0:06:19Heather knows an awful lot about fruit. Like, a lot.
0:06:19 > 0:06:21That guy doesn't know a lime from a kiwi.
0:06:21 > 0:06:24True enough, true enough, makes sense.
0:06:24 > 0:06:26Can I get a lemonade? Thanks.
0:06:26 > 0:06:28You guys make a cute pair.
0:06:28 > 0:06:30Noah instantly thinks that Heather's my girlfriend
0:06:30 > 0:06:33because another woman is making me smile.
0:06:33 > 0:06:34It doesn't work like that.
0:06:34 > 0:06:36Listen, Heather and I are just friends,
0:06:36 > 0:06:38I don't move as fast as you and Jacquie do.
0:06:39 > 0:06:43I don't get it. Kingston and Ozzy told me Henry was dating Heather,
0:06:43 > 0:06:44but apparently not.
0:06:44 > 0:06:46- Thank you.- Can I get you anything?
0:06:46 > 0:06:48Oh, he'll just take whatever I had,
0:06:48 > 0:06:50because, you know, Noah wants whatever I've had.
0:06:51 > 0:06:53Uh, so, I'll come back.
0:06:53 > 0:06:54NOAH CLEARS HIS THROAT
0:06:54 > 0:06:56All right. I've had enough.
0:06:56 > 0:06:58I've tried to repair things with us
0:06:58 > 0:07:02but if you keep acting like this, it's your own fault you're unhappy.
0:07:02 > 0:07:05You and Jacquie broke up two years ago.
0:07:05 > 0:07:07Are you going to be here two years from now
0:07:07 > 0:07:09still talking about Jacquie?
0:07:09 > 0:07:12Man, when you're ready to grow up, I'll be around.
0:07:16 > 0:07:17Five, six, seven
0:07:17 > 0:07:20and one, two, three, four, five, six, seven
0:07:20 > 0:07:22and a one...
0:07:22 > 0:07:25I'm very confident Elliot and Piper can pick up the choreography.
0:07:25 > 0:07:27They work very hard, so I have no doubt in my mind
0:07:27 > 0:07:28they can beat Emily's team.
0:07:28 > 0:07:30OK, great. Uh, Piper, do you remember,
0:07:30 > 0:07:35you have to act through the dance. This is a happy hip-hop ballet, OK?
0:07:35 > 0:07:37It's hard to put a smile on when you're working with
0:07:37 > 0:07:39an egomaniac like Elliot.
0:07:39 > 0:07:41I think you should clean up the partnering work a little more,
0:07:41 > 0:07:44- so, we'll leave you to rehearse. - Yeah.- It's looking good, though.
0:07:44 > 0:07:48West's choreography is about as bland as a piece of toast.
0:07:48 > 0:07:50I mean, I'm bored doing it.
0:07:50 > 0:07:52Imagine for the people that are going to watch.
0:07:52 > 0:07:54Do you even know what a developpe is?
0:07:54 > 0:07:56Of course.
0:07:56 > 0:07:58Hey, have you guys seen Kingston in here?
0:07:58 > 0:07:59Why are you in the studio?
0:08:01 > 0:08:02Just looking for Kingston.
0:08:02 > 0:08:05Yeah, well, he's not here. So...
0:08:05 > 0:08:06OK.
0:08:06 > 0:08:09I just came to tell Kingston that his ballet classes cancelled
0:08:09 > 0:08:10because I have to rehearse with Amy.
0:08:10 > 0:08:12This guy just shut me down.
0:08:12 > 0:08:13What's up with him?
0:08:13 > 0:08:15This next part isn't really doing it for me,
0:08:15 > 0:08:17so, you're going to have to do what I say, follow my lead,
0:08:17 > 0:08:19we're changing the choreography.
0:08:19 > 0:08:22Um, no, West's choreography's great, we just need to rehearse it more.
0:08:22 > 0:08:25Believe me, we can do better than this dance pageant choreography.
0:08:25 > 0:08:27You probably shouldn't change West's choreography, you know,
0:08:27 > 0:08:29he's pretty serious about that kind of stuff.
0:08:29 > 0:08:31Shouldn't you be practising your little duet?
0:08:31 > 0:08:33Getting prepared to lose this afternoon?
0:08:36 > 0:08:37- I'll see you later, Piper.- See you.
0:08:37 > 0:08:39This guy.
0:08:39 > 0:08:41I don't know what Michelle was thinking
0:08:41 > 0:08:43putting this guy in the troupe.
0:08:43 > 0:08:46If you want to listen to the competition and lose, that's fine.
0:08:46 > 0:08:49But I think this could really help us.
0:08:50 > 0:08:51So, do what I say.
0:08:53 > 0:08:55I don't want to change the choreo
0:08:55 > 0:08:58but Michelle needs Elliot to win and there's no time to argue.
0:08:58 > 0:09:02I have to put up with Elliot or we're never going to beat TNS East.
0:09:13 > 0:09:15There's so much more support.
0:09:15 > 0:09:16Yeah.
0:09:16 > 0:09:19This duet competition is to decide who has home studio advantage
0:09:19 > 0:09:21for our big dance-off.
0:09:21 > 0:09:23Each team gets a chance to dance in their own studio.
0:09:23 > 0:09:25- Yeah, that's better. - Better, yeah.- It's cleaner.
0:09:25 > 0:09:27Very pretty. How are the shoes feeling, Amy?
0:09:27 > 0:09:28They're better, those are good.
0:09:28 > 0:09:30And whichever studio is better wins.
0:09:30 > 0:09:34Michelle and I will both decide who gets home team advantage.
0:09:34 > 0:09:36We are bound by the honour code.
0:09:36 > 0:09:39The best dance wins, no matter what.
0:09:55 > 0:09:57I'm kind of nervous competing against Amy.
0:09:57 > 0:10:00It's so weird because we're on different teams.
0:10:00 > 0:10:04She's an amazing dancer, so we just have to wait and see what happens.
0:10:10 > 0:10:14I have really high hopes that Noah and Amy will beat Elliott and Piper.
0:10:14 > 0:10:17They've been working so hard and the duet is absolutely beautiful.
0:10:22 > 0:10:24After this performance, I know we're going to win.
0:10:28 > 0:10:31The dance Noah and I are doing is kind of like
0:10:31 > 0:10:34a pas de deux ballet hip-hop fusion.
0:10:38 > 0:10:42At the beginning we have some very nice technical ballet.
0:10:42 > 0:10:45And then we just break out into a really awesome animated
0:10:45 > 0:10:46hip-hop section.
0:11:05 > 0:11:07We showed professional ballet partnering,
0:11:07 > 0:11:12then we showed that we can get down and hit really hard choreography.
0:11:18 > 0:11:21Amy and Noah are amazing dancers
0:11:21 > 0:11:24and I've never seen Amy dance better than this.
0:11:24 > 0:11:25But I believe in my dancers.
0:11:25 > 0:11:27Piper and Elliott are going to bring it
0:11:27 > 0:11:30and I'm pretty confident that we will win.
0:11:35 > 0:11:39My conversation with Noah has been playing in my mind over and over,
0:11:39 > 0:11:41and maybe he's right.
0:11:41 > 0:11:44I've dragged things on way too long and it's time to get past it.
0:11:44 > 0:11:46Starting by making things right with Jacquie.
0:11:49 > 0:11:50Hey.
0:11:52 > 0:11:55Uh, I was just, um, you know, doing my schoolwork.
0:11:55 > 0:11:59Kind of anxious about the whole duet competition going on, you know,
0:11:59 > 0:12:01- waiting for the results and stuff. - I know how you feel.- Yeah.
0:12:01 > 0:12:03Do you want to sit down?
0:12:03 > 0:12:06- Sure.- Good, I could use a distraction.
0:12:06 > 0:12:08Yeah, I hear you.
0:12:08 > 0:12:10Who has a head for algorithms at a time like this, right?
0:12:10 > 0:12:12Totally, I can't even concentrate.
0:12:15 > 0:12:18I just want to say that I'm sorry about everything.
0:12:20 > 0:12:22I'm really sorry, too.
0:12:22 > 0:12:23For what?
0:12:24 > 0:12:27For telling you that you weren't a good enough dancer.
0:12:27 > 0:12:29You're a great dancer.
0:12:29 > 0:12:31Thank you. That means a lot.
0:12:34 > 0:12:38So, do you still have your goldfish?
0:12:38 > 0:12:43- Jimmy and... What was the other one? - Gerald.- Gerald! That's it, my fave.
0:12:43 > 0:12:46It's been way too long since
0:12:46 > 0:12:48I've got to talk to Henry like this.
0:12:48 > 0:12:50I just feel like I have my old friend back.
0:12:50 > 0:12:53How about your room, is it still plastered with all those boybands?
0:12:53 > 0:12:56- That stage is gone, don't worry. - You've passed that phase?- Yeah.
0:12:56 > 0:12:58You had, like, shrines of them in your closet.
0:12:58 > 0:13:01Or you, like, wake up and they're there.
0:13:01 > 0:13:03- Yeah. We're past that stage. We're good, yeah.- OK. Cool.
0:13:03 > 0:13:06Hanging out with Jacquie reminds me of all the things
0:13:06 > 0:13:10that I liked about her. But it's different now. In a good way.
0:13:10 > 0:13:12- I miss talking to you.- Same.
0:13:12 > 0:13:15It's really good, talking to you again.
0:13:18 > 0:13:20# One and the same
0:13:20 > 0:13:23# Just you and me
0:13:23 > 0:13:26# Day after day. #
0:13:26 > 0:13:29I really want you guys to breathe through the movement, all right?
0:13:29 > 0:13:31I feel really bad for changing West's choreo.
0:13:31 > 0:13:33I want to say something, but we need to win,
0:13:33 > 0:13:36and I don't want to cause any drama before we dance.
0:13:36 > 0:13:38- Get out there.- Let's do it.
0:13:38 > 0:13:40We got this, it's in the bag.
0:13:40 > 0:13:43Noah and Amy are good. But they're nowhere near my level.
0:13:43 > 0:13:46I can't wait to get this over with.
0:13:59 > 0:14:03If we win this, this will prove that our team is legitimate.
0:14:03 > 0:14:05TNS West is here to stay.
0:14:22 > 0:14:24I'm starting to get nervous.
0:14:24 > 0:14:28I mean, who is this guy? He's amazing.
0:14:28 > 0:14:30If there's one thing I don't need to worry about Elliott,
0:14:30 > 0:14:33it's his dancing, he's unbelievable.
0:14:40 > 0:14:42Piper's doing pretty good. Way better than I expected.
0:14:42 > 0:14:45I guess competition brings out the best in all of us.
0:14:58 > 0:15:01I absolutely love the last-minute choreo changes.
0:15:01 > 0:15:03It's not my choreo.
0:15:04 > 0:15:05Had much more hip-hop.
0:15:09 > 0:15:12- PIPER:- The changes Elliott made were great,
0:15:12 > 0:15:14and I think it did make the dance better.
0:15:37 > 0:15:39APPLAUSE
0:15:47 > 0:15:49I guess we should head to my office to make the deliberations.
0:15:49 > 0:15:50No need.
0:15:51 > 0:15:53We'll have the dance battle here.
0:15:53 > 0:15:55Great.
0:15:55 > 0:15:58Noah and Amy did their best and they were beautiful.
0:15:58 > 0:16:01They were just out-danced.
0:16:01 > 0:16:04Just because you won this one doesn't mean you'll win it all.
0:16:04 > 0:16:06I know A-troupe will win on the day.
0:16:08 > 0:16:09We'll see.
0:16:09 > 0:16:11Let's get out of here.
0:16:13 > 0:16:15That was awesome.
0:16:15 > 0:16:18- I guess you were right about changing the choreo.- Yeah, I know.
0:16:18 > 0:16:20Next time, just listen to me in the first place, OK?
0:16:20 > 0:16:22Guys, congrats.
0:16:22 > 0:16:24Thanks.
0:16:24 > 0:16:26Why aren't you smiling? We just won.
0:16:26 > 0:16:28She has been moody all day.
0:16:28 > 0:16:32- Really?- Yeah.- Is that why you guys changed the choreography?
0:16:32 > 0:16:35Oh, well, Piper and I both agreed that the choreography needed
0:16:35 > 0:16:38- a little spice, something extra. - Spice?- Yeah.- OK.
0:16:38 > 0:16:40Piper, is this true?
0:16:40 > 0:16:41I don't know what to do right now.
0:16:41 > 0:16:42I don't want to sell out a team-mate,
0:16:42 > 0:16:46but he's put me in a really awkward position.
0:16:46 > 0:16:49- You see...- Piper wanted to keep your choreo, West,
0:16:49 > 0:16:54- but he called it a "dance pageant". - I did?- Basically gave her no choice.
0:16:54 > 0:16:56I did not call it "dance pageant".
0:16:56 > 0:16:59Piper. Is this true?
0:17:00 > 0:17:04I can't take it any more. Michelle, Elliott is the worst.
0:17:04 > 0:17:06And he just lied to your face.
0:17:06 > 0:17:08Without me, you wouldn't have a team.
0:17:08 > 0:17:10It would just be Emily going to Regionals.
0:17:10 > 0:17:12West, your choreography was horrible.
0:17:12 > 0:17:13I just carried that whole duet.
0:17:13 > 0:17:15I don't need liars and cheaters on my team.
0:17:15 > 0:17:18We need team players on this troupe, and he's clearly for himself.
0:17:18 > 0:17:20We don't need him.
0:17:20 > 0:17:22Get your things and get out.
0:17:23 > 0:17:26- You need me. - No, we don't.
0:17:26 > 0:17:28You're off the team.
0:17:29 > 0:17:31Fine.
0:17:33 > 0:17:35Michelle has made a huge mistake.
0:17:35 > 0:17:38If she has the idea in her head that she's going to Regionals,
0:17:38 > 0:17:41she's crazy. Cos, without me. she's going nowhere.
0:17:49 > 0:17:52I can't stop thinking about what happened earlier.
0:17:52 > 0:17:55Michelle didn't care that Elliot was an amazing dancer,
0:17:55 > 0:17:57she cared about Piper's feelings.
0:17:57 > 0:17:59I wonder if Emily would have done the same.
0:17:59 > 0:18:02Hey, bro, I was wondering if I could talk to you.
0:18:02 > 0:18:05OK, why not?
0:18:07 > 0:18:10I just really took to heart what we were talking about earlier,
0:18:10 > 0:18:12and what you said, and just about the whole Jacquie thing.
0:18:12 > 0:18:15- Honestly, I just wanted to say that...- You don't got to say it.
0:18:15 > 0:18:17No, I need to say it.
0:18:17 > 0:18:19No, no, you really don't.
0:18:19 > 0:18:21- No...- I'm serious. - I'm going to say it.
0:18:21 > 0:18:23- It's not necessary.- It is. Bro, I'm saying it.- Don't you dare say it.
0:18:23 > 0:18:26- I'm saying it.- Don't you dare say it.- I'm going to say it.
0:18:26 > 0:18:28- Do not say...- Three, two, one... - Do not say it.
0:18:28 > 0:18:30I'm sorry.
0:18:31 > 0:18:33What took you so long?
0:18:33 > 0:18:35HENRY LAUGHS
0:18:36 > 0:18:38- Boom.- I miss you, man.
0:18:38 > 0:18:39Yeah, right back at you.
0:18:39 > 0:18:41It feels great to have Noah back.
0:18:41 > 0:18:44We're supposed to be tough and manly but, sometimes, you know,
0:18:44 > 0:18:47the feelings come out and that's the truth.
0:18:47 > 0:18:50- First things first, you need to close your shirt.- Really?- Yes.
0:18:50 > 0:18:52- Why's that?- Because we're in public.
0:18:52 > 0:18:55It really makes me feel a lot better to hear Henry say he's sorry.
0:18:55 > 0:18:58I needed my buddy back. He's like my best friend.
0:19:02 > 0:19:03Hey, Michelle, um...
0:19:03 > 0:19:06I'm just a tad worried about competing against Emily's team
0:19:06 > 0:19:08when we're short a dancer.
0:19:08 > 0:19:11We don't have enough dancers to compete for the dance battle.
0:19:11 > 0:19:14And I feel like I'm responsible for that.
0:19:14 > 0:19:17I have everything under control. Don't stress.
0:19:17 > 0:19:19- OK.- It's going to be good.- OK, have a goodnight, then.- OK, you too.
0:19:19 > 0:19:21- Thank you.- Bye.
0:19:21 > 0:19:23I'm putting on a game face for Piper,
0:19:23 > 0:19:25because I don't want my dancers to worry about this.
0:19:25 > 0:19:27This is my responsibility.
0:19:27 > 0:19:30I'm going to have to talk to Emily about pushing the battle.
0:19:32 > 0:19:34Everything with Henry and I is resolved.
0:19:34 > 0:19:36And I still feel off.
0:19:36 > 0:19:39So, I'm just trying to work it out in studio one.
0:19:39 > 0:19:43Emily, I'm going to need to postpone the battle by two weeks.
0:19:43 > 0:19:45No, absolutely not.
0:19:45 > 0:19:47- Really, Emily? - "Really, Emily" what, Michelle?
0:19:47 > 0:19:49How long are you going to keep doing this?
0:19:49 > 0:19:51I have a full team. You don't.
0:19:51 > 0:19:55This isn't worth my time any more. It's not worth my dancers' time.
0:19:55 > 0:19:58We have Regionals to prepare for and we are a serious troupe.
0:19:58 > 0:20:00Stop stringing your dancers along.
0:20:00 > 0:20:02We both knew this is how it's going to end.
0:20:02 > 0:20:06I'm out of options. I think we might have to forfeit.
0:20:06 > 0:20:09This is it. It's game over.
0:20:09 > 0:20:11Actually, she is not stringing her dancers along.
0:20:11 > 0:20:14Noah, we're talking right now, can you come back a little bit later...
0:20:14 > 0:20:16No, no, no, no. This can't wait.
0:20:16 > 0:20:20I think it's pretty amazing that Michelle puts
0:20:20 > 0:20:22her dancers' feelings ahead of winning.
0:20:22 > 0:20:24TNS West is a great team.
0:20:24 > 0:20:26I don't want to see them forfeit.
0:20:28 > 0:20:30I going to be joining Michelle's troupe.
0:20:33 > 0:20:35Michelle's troupe is where I belong.
0:20:35 > 0:20:38That whole environment, that's what I remember about The Next Step.
0:20:38 > 0:20:42I guess I'm the tenth member of TNS West.
0:20:42 > 0:20:45Looks like we won't have to postpone the battle after all.
0:20:45 > 0:20:47No, it looks like we won't.
0:20:47 > 0:20:49Please get out of my office. The both of you.
0:20:49 > 0:20:51Gladly. Let's go.
0:20:53 > 0:20:57If Michelle thinks stealing my best dancer is going to stop me,
0:20:57 > 0:20:59she's wrong.
0:20:59 > 0:21:01This is not the end.
0:21:05 > 0:21:08# We
0:21:08 > 0:21:11# We're gonna show the world
0:21:11 > 0:21:15# Everything we're made of
0:21:15 > 0:21:20# We're gonna tear the roof off this place
0:21:20 > 0:21:22# You
0:21:22 > 0:21:25# You can never fade us out
0:21:25 > 0:21:29# Don't even ask the DJ
0:21:29 > 0:21:32# Everybody knows we own this sound. #