0:00:02 > 0:00:03Previously on...
0:00:03 > 0:00:06I'm Emily. Former A-Troupe member and former dance captain.
0:00:06 > 0:00:08And now your new studio head.
0:00:10 > 0:00:12Guess who's back.
0:00:12 > 0:00:13Unfortunately, we're not going to be
0:00:13 > 0:00:15asking any of you to dance today.
0:00:15 > 0:00:17It is so unfair, she didn't even let me dance.
0:00:17 > 0:00:19She didn't let me show what I got.
0:00:19 > 0:00:23Even though Emily may not like me, my mum wants me to be on A-Troupe.
0:00:23 > 0:00:26And the last spot on A-Troupe goes to...
0:00:27 > 0:00:29Piper!
0:00:29 > 0:00:31I think you made a huge mistake today.
0:00:31 > 0:00:35It is not your position to tell me when I am wrong.
0:00:35 > 0:00:37I am in charge now.
0:00:37 > 0:00:39Michelle better get used to it.
0:00:49 > 0:00:53When I look around Studio A, I just instantly feel at home,
0:00:53 > 0:00:56because this is home. I love the new space, it is gorgeous,
0:00:56 > 0:00:59but this is where I belong and this
0:00:59 > 0:01:00is where I want to be.
0:01:10 > 0:01:14I can't deny my feelings. I am on A-Troupe.
0:01:14 > 0:01:17But it just doesn't feel like the same studio any more.
0:01:17 > 0:01:19I think it is time for me to move on.
0:01:31 > 0:01:34Michelle's dance is beautiful.
0:01:34 > 0:01:36Technically amazing,
0:01:36 > 0:01:39but I am a little confused about why she's in Studio A.
0:01:39 > 0:01:41I mean, Studio One is for A-Troupe.
0:01:48 > 0:01:50APPLAUSE
0:01:50 > 0:01:52That was beautiful.
0:01:52 > 0:01:55- Thanks. - But...what are you doing here?
0:01:55 > 0:01:57This...this is just for rec dancers.
0:01:58 > 0:02:00Emily, I need to talk to you.
0:02:04 > 0:02:05I'm quitting A-Troupe.
0:02:07 > 0:02:10What do you mean? No-one quits A-Troupe.
0:02:10 > 0:02:14I'm going to be the studio head of TNS West.
0:02:14 > 0:02:17- Right here.- Miss Kate would never allow this.
0:02:17 > 0:02:21Actually, I've already agreed to it.
0:02:21 > 0:02:23I think that competition is a fantastic thing
0:02:23 > 0:02:26and having two troupes will bring out the best in each other.
0:02:26 > 0:02:27Michelle, you will run TNS West.
0:02:27 > 0:02:30And, Emily, you will run TNS East.
0:02:30 > 0:02:33Guys, how exciting is that? We have two TNSes.
0:02:34 > 0:02:37I think this is going to be an incredible thing and, honestly,
0:02:37 > 0:02:39I am just so excited for what you guys are going to do
0:02:39 > 0:02:42and how much you are going to elevate this studio.
0:02:42 > 0:02:43- Good luck.- Thank you.
0:02:47 > 0:02:49You are in way over your head.
0:02:49 > 0:02:51Once I form my troupe, you will have
0:02:51 > 0:02:53some serious competition ahead of you.
0:02:53 > 0:02:57TNS East versus TNS West.
0:02:57 > 0:02:58It is on.
0:02:58 > 0:03:00# We
0:03:00 > 0:03:04# We're gonna show the world
0:03:04 > 0:03:07# Everything we're made of
0:03:07 > 0:03:11# We're gonna tear the roof off this place
0:03:21 > 0:03:22# Stand up! #
0:03:40 > 0:03:41Miss Emily, can I talk to you for a second?
0:03:41 > 0:03:44- Go ahead.- I heard Michelle quit A-Troupe,
0:03:44 > 0:03:46so that must mean there is an open spot. Right?
0:03:46 > 0:03:49I really need this spot.
0:03:49 > 0:03:51I never told my mum that I was cut from A-Troupe.
0:03:51 > 0:03:54If she finds out that I am not competing this year,
0:03:54 > 0:03:56she will be devastated.
0:03:57 > 0:04:00Yes, you heard correctly, but I have already filled that spot.
0:04:00 > 0:04:02With who?
0:04:02 > 0:04:03With Josh.
0:04:04 > 0:04:06Josh?
0:04:06 > 0:04:08I don't understand why you've picked Josh. I am a much
0:04:08 > 0:04:10stronger dancer than him.
0:04:10 > 0:04:12Well, where you here at 7.30 practising?
0:04:12 > 0:04:15Did you ask for help with your technique?
0:04:15 > 0:04:18Did you book a private with Daniel?
0:04:19 > 0:04:21Because that is what Josh has done.
0:04:21 > 0:04:22Look, Amy...
0:04:23 > 0:04:25..you are a lovely dancer,
0:04:25 > 0:04:27but you simply are not mature enough
0:04:27 > 0:04:29to be on a group going to regionals.
0:04:29 > 0:04:32And that is why B-Troupe is where you need to be right now.
0:04:32 > 0:04:34I think she has totally misjudged me,
0:04:34 > 0:04:37because I know how hard I work and she just doesn't see it.
0:04:37 > 0:04:39My decision is final.
0:04:44 > 0:04:47Emily doesn't understand how important this is to me.
0:04:47 > 0:04:51I don't know how I am going to tell my mum that I am cut from A-Troupe.
0:04:58 > 0:05:00All right, everybody,
0:05:00 > 0:05:04first and foremost, I would like to welcome Josh as the tenth member of
0:05:04 > 0:05:07- our team.- I can't believe I didn't have to re-audition.
0:05:07 > 0:05:10That is pretty cool. Like, a dream come true right now.
0:05:10 > 0:05:12- Please take your spot.- Hey, everyone,
0:05:12 > 0:05:14I am so glad that all of you guys are here.
0:05:14 > 0:05:18I have some amazing news to share with all of you.
0:05:18 > 0:05:21I will be starting my own competitive troupe
0:05:21 > 0:05:22that will run out of Studio A.
0:05:22 > 0:05:27You guys have proven to be the best of the best,
0:05:27 > 0:05:29and we are going to prove it this year.
0:05:29 > 0:05:32- What do you have to offer that is better than B-Troupe?- Right.
0:05:32 > 0:05:35Well, I am offering you guys an opportunity to compete.
0:05:35 > 0:05:36Emily just cut all of you guys.
0:05:36 > 0:05:38You guys are some of the best dancers that
0:05:38 > 0:05:39The Next Step has ever seen.
0:05:39 > 0:05:43I want you to remember that there are many other people
0:05:43 > 0:05:45who are vying for your spot.
0:05:45 > 0:05:48And not only that, but coming for us as a team.
0:05:48 > 0:05:51I am giving you guys a shot at regionals.
0:05:51 > 0:05:52And I want you to take it.
0:05:52 > 0:05:54We will take regionals.
0:05:54 > 0:05:56We will take nationals.
0:05:56 > 0:05:59And then we will take internationals.
0:05:59 > 0:06:02You guys have passion, you have creativity.
0:06:02 > 0:06:03You have heart.
0:06:03 > 0:06:07You love to dance and so do I, and we are all here for the same reason.
0:06:07 > 0:06:10TNS West, live as a team...
0:06:10 > 0:06:12- Die as a team.- But always a team.
0:06:14 > 0:06:15Who wants to join my troupe?
0:06:17 > 0:06:18I'm in.
0:06:19 > 0:06:20Awesome.
0:06:22 > 0:06:24But is there anyone else that wants to join?
0:06:24 > 0:06:27I am happy to have Ozzy as the first person to step up.
0:06:27 > 0:06:29I am just hoping that other people join.
0:06:29 > 0:06:31I'm getting a little nervous.
0:06:32 > 0:06:33TNS West?
0:06:33 > 0:06:35That's right.
0:06:35 > 0:06:37That rolls off the tongue.
0:06:37 > 0:06:39I love it. Let's go.
0:06:39 > 0:06:40- I love it.- Thank you, LaTroy.
0:06:40 > 0:06:44- All right.- Appreciate it.- I believe that Michelle's Troupe is definitely
0:06:44 > 0:06:46going to be more free, fun.
0:06:46 > 0:06:50Because Emily? I don't think she knows the meaning of fun.
0:06:50 > 0:06:52You know, we've got nothing to lose.
0:06:52 > 0:06:53I'm in.
0:06:53 > 0:06:55Really? I am so excited.
0:06:55 > 0:06:57At first, I'm very sceptical about Michelle
0:06:57 > 0:06:59starting her own competitive troupe.
0:06:59 > 0:07:01But I know we lost last year,
0:07:01 > 0:07:02but I feel like I am ready.
0:07:02 > 0:07:04I have unfinished business.
0:07:04 > 0:07:05Amy?
0:07:08 > 0:07:10So we can compete, right?
0:07:10 > 0:07:11Yes, you can compete.
0:07:13 > 0:07:15Thank you.
0:07:15 > 0:07:19All right, let's bring it in, bring it in. TNS West on three, OK?
0:07:19 > 0:07:20One, two, three...
0:07:20 > 0:07:21- ALL:- TNS West!
0:07:22 > 0:07:25As of right now, we are three dancers short of having a
0:07:25 > 0:07:30regionals team. We may not have all of our dancers yet, but when we do,
0:07:30 > 0:07:32we will take Emily's team down.
0:07:39 > 0:07:42Four, five. And seven, eight.
0:07:42 > 0:07:43Ah, one, two.
0:07:43 > 0:07:44Nice, Noah. Right now,
0:07:44 > 0:07:47I am working with the dancers on our first regionals routine.
0:07:47 > 0:07:50I've got them repeating a piece of choreography over and over again.
0:07:50 > 0:07:53Repetition guarantees precision.
0:07:53 > 0:07:54Good, Michelle.
0:07:55 > 0:07:57Piper, good.
0:08:00 > 0:08:02Try again. Try... Just go back, go round.
0:08:02 > 0:08:05- Try again.- It definitely worries me that this team is so acro-focused.
0:08:05 > 0:08:07That is not my strong suit,
0:08:07 > 0:08:09and Daniel is a very tough choreographer.
0:08:09 > 0:08:11It is a little intimidating.
0:08:11 > 0:08:13Good. Stretch your knees, Piper.
0:08:14 > 0:08:16And up. Yeah, good.
0:08:16 > 0:08:17Six, seven, eight.
0:08:17 > 0:08:19Stop, stop. OK, why is that a cartwheel?
0:08:20 > 0:08:21It is a front walkover.
0:08:21 > 0:08:23What is going on with your tumbling?
0:08:23 > 0:08:25- Are you working on your front? - Yeah, yeah.
0:08:25 > 0:08:26I...
0:08:26 > 0:08:29- I'm working on it. - Do you have it yet?
0:08:29 > 0:08:30- Soon.- When is that?
0:08:31 > 0:08:35- I'm going... I am practising all the time. Yeah.- OK.
0:08:35 > 0:08:37I am struggling with his choreography
0:08:37 > 0:08:39because I can't do acro.
0:08:39 > 0:08:40I can't do a front walkover.
0:08:40 > 0:08:44And it always stresses me out, and I just can't get it.
0:08:49 > 0:08:50Michelle has called a meeting.
0:08:50 > 0:08:52I'm not sure what it is about,
0:08:52 > 0:08:53but I hope she has found three more dancers
0:08:53 > 0:08:55so our team can compete at regionals.
0:08:55 > 0:08:59Amy. I'm so glad you are here, now I can finally announce the great news.
0:08:59 > 0:09:02West is going to be our troupe's head choreographer.
0:09:02 > 0:09:03Awesome.
0:09:03 > 0:09:06I'm pretty excited when Michelle announces that West is our, you
0:09:06 > 0:09:08know, head choreographer. He is an amazing dancer
0:09:08 > 0:09:11and the fact that we get to learn from him, that is even better.
0:09:11 > 0:09:12Nothing against West,
0:09:12 > 0:09:15but Daniel has amazing technical training.
0:09:15 > 0:09:17And West doesn't.
0:09:17 > 0:09:20Daniel is going to help A-Troupe win regionals.
0:09:20 > 0:09:22And I am not sure if West is capable of that.
0:09:22 > 0:09:24Yeah, I am really excited. Really excited.
0:09:24 > 0:09:27It is going to be a lot of fun. Some new faces. It will be great.
0:09:27 > 0:09:28What is wrong, Amy?
0:09:28 > 0:09:29Oh, it's just...
0:09:30 > 0:09:32I'm worried about not having a full troupe.
0:09:32 > 0:09:34There is only seven dancers.
0:09:34 > 0:09:36Yeah, but The Next Step has plenty of dancers,
0:09:36 > 0:09:38and there are so many people to choose from.
0:09:38 > 0:09:40I come into studio A because I have
0:09:40 > 0:09:42a very important message for Michelle.
0:09:42 > 0:09:43- Hey, Michelle.- Hey.
0:09:43 > 0:09:46Emily sent me with a very simple message.
0:09:46 > 0:09:50- OK.- If you steal one more of our dancers, you will regret it.
0:09:50 > 0:09:54We haven't stolen anything, I don't know what you are talking about.
0:09:54 > 0:09:56Well, by the looks of it, I do see a
0:09:56 > 0:09:58lot of ex-B-Troupers in your troupe.
0:09:58 > 0:10:01Well, that shouldn't matter.
0:10:01 > 0:10:03I mean, they are not like Emily's property.
0:10:03 > 0:10:07Any B-Troupers that have joined you are blacklisted from Emily's troupe.
0:10:07 > 0:10:10So, if I were you, I would just find new dancers from somewhere else.
0:10:12 > 0:10:15If we can't have dancers from The Next Step,
0:10:15 > 0:10:17I don't know where we are going to find dancers.
0:10:17 > 0:10:19Without a full troupe, we can't go to regionals.
0:10:19 > 0:10:23And now, we are all blacklisted from ever rejoining Emily's studio.
0:10:23 > 0:10:26I just hope joining Michelle's team wasn't a mistake.
0:10:39 > 0:10:41I'm really stressed about Daniel's combo.
0:10:41 > 0:10:43I didn't get it, I was struggling,
0:10:43 > 0:10:46so I just need to work on it on my own without anyone judging me.
0:10:54 > 0:10:56I walk into Studio One and I see Piper
0:10:56 > 0:10:58struggling with one of the steps.
0:10:58 > 0:10:59I want to help her.
0:10:59 > 0:11:02Hey, Piper, how's everything going?
0:11:02 > 0:11:03Pretty rough.
0:11:04 > 0:11:06What's...? What's the problem?
0:11:06 > 0:11:08I can't do a front walkover.
0:11:08 > 0:11:09Probably never will.
0:11:12 > 0:11:15Well, why don't you just change that part of the choreo?
0:11:16 > 0:11:17Are you allowed to do that?
0:11:18 > 0:11:20Yeah, I mean, I don't see why not.
0:11:21 > 0:11:23- OK.- OK, well, let's just change it.
0:11:23 > 0:11:25- OK.- So step on the right leg.
0:11:25 > 0:11:27OK, weight's on right foot.
0:11:27 > 0:11:29Right, OK. You're a wicked turner, so...
0:11:30 > 0:11:33..why don't you just step on the left,
0:11:33 > 0:11:34hit, like, a double attitude.
0:11:34 > 0:11:37As long as you just make sure you hit eight, everything's good.
0:11:37 > 0:11:39- Eight. OK.- Yeah. So, like, four...
0:11:40 > 0:11:43..four, five, six, seven, eight.
0:11:43 > 0:11:44- Exactly.- OK.- That's it.
0:11:44 > 0:11:46- OK. - Try that part one more time. Ready?
0:11:46 > 0:11:50At least I'm good at something. I was starting to doubt myself, but it
0:11:50 > 0:11:53makes me feel a little bit better that Noah says I'm a wicked turner.
0:11:59 > 0:12:02All right, guys, so I actually have a change to the choreography.
0:12:02 > 0:12:04- Piper, do you want to show it?- Yes.
0:12:04 > 0:12:06So, instead of the front walkover,
0:12:06 > 0:12:08we're going to do a double attitude turn.
0:12:08 > 0:12:13- Go ahead.- So we step four, five, six, seven and eight.
0:12:13 > 0:12:17I'm confused why Noah changed the choreography.
0:12:17 > 0:12:20I mean, this is A-Troupe, we need to keep this choreography difficult.
0:12:20 > 0:12:22Five, six, seven, eight.
0:12:22 > 0:12:27One, two, three, four, five, six, seven, hit, eight.
0:12:27 > 0:12:29What was that?
0:12:29 > 0:12:30That was not my choreography.
0:12:30 > 0:12:33- Wait, what's going on?- Yeah, Noah, what's going on?
0:12:34 > 0:12:35Explain, Noah.
0:12:37 > 0:12:40- I just thought that...- Noah changed the choreo because of me.
0:12:40 > 0:12:42I see.
0:12:42 > 0:12:44Daniel, make it right.
0:12:44 > 0:12:47Noah, my office, now.
0:12:48 > 0:12:50Let's go from the corner again.
0:12:50 > 0:12:52I feel really bad because I know
0:12:52 > 0:12:55that Noah was just doing a nice thing for me
0:12:55 > 0:12:57and it's my fault that it's changed.
0:12:57 > 0:13:00OK, listen, I was just trying to help Piper.
0:13:00 > 0:13:02She was struggling with the choreography.
0:13:02 > 0:13:06So you made the choreography easier for Piper to help her.
0:13:07 > 0:13:09Oh, well, that makes her a better dancer in the long run.
0:13:10 > 0:13:12No, see, you don't understand.
0:13:12 > 0:13:14See, Piper was really struggling.
0:13:14 > 0:13:16- And I just thought it would...- Stop.
0:13:17 > 0:13:20First and foremost, I know every one of my dancers.
0:13:20 > 0:13:22I know what they're good at and I know what they need to work on.
0:13:22 > 0:13:23I have faith in Piper,
0:13:23 > 0:13:25I have faith that she will get this
0:13:25 > 0:13:29choreography because she is an amazing dancer and a hard worker.
0:13:29 > 0:13:35But you didn't. What you did didn't help her, it hindered her.
0:13:35 > 0:13:36Emily is right.
0:13:36 > 0:13:38I guess I didn't have faith in Piper.
0:13:39 > 0:13:42I should have helped her with the move rather than just change it.
0:13:42 > 0:13:44Have faith in the framework.
0:13:44 > 0:13:46OK. It won't happen again.
0:13:47 > 0:13:50- You can go.- All right.
0:13:50 > 0:13:52I know my dancers see me as tough,
0:13:52 > 0:13:56I know they don't understand a lot of the things I do,
0:13:56 > 0:13:58but I do everything for a reason.
0:13:58 > 0:14:00A really thought-out reason.
0:14:13 > 0:14:15Since Emily never let me dance at the audition,
0:14:15 > 0:14:17I've decided to perform my solo right now.
0:14:22 > 0:14:24I train in everything, but I'd say, like,
0:14:24 > 0:14:27one of my stronger fortes is hip-hop
0:14:27 > 0:14:30and all, like, the groovy type stuff.
0:14:37 > 0:14:40I started dancing when I was four years old,
0:14:40 > 0:14:41I had a friend that was doing it too,
0:14:41 > 0:14:43so I just joined along with her.
0:14:43 > 0:14:46I kept training and then eventually I found myself at The Next Step.
0:14:49 > 0:14:51Ozzy's freestyle is so good.
0:14:51 > 0:14:53He's got a lot of versatility.
0:14:55 > 0:14:58I dance because there's no better feeling in the whole world.
0:14:58 > 0:15:01It helps me forget about all the stress and problems in my life.
0:15:09 > 0:15:11Nice!
0:15:11 > 0:15:12OK, Ozzy!
0:15:12 > 0:15:15I think Ozzy's dance is amazing.
0:15:15 > 0:15:18This is the first time I've seen him dance and I'm really impressed.
0:15:18 > 0:15:21All right, guys. Let's bring it in.
0:15:21 > 0:15:23We're just going to workshop some moves.
0:15:25 > 0:15:26OK. Follow me.
0:15:26 > 0:15:27Hit!
0:15:27 > 0:15:28Hit!
0:15:28 > 0:15:29Hit!
0:15:34 > 0:15:35Switch it up!
0:15:44 > 0:15:45Who is this kid?
0:15:45 > 0:15:48Who does he think he is, he just rides up here
0:15:48 > 0:15:51and hover in my face, like, what?
0:15:52 > 0:15:55When this guy comes rolling in on his hover board, it's cool and all.
0:15:55 > 0:15:58But, you know, it's a dance studio, not a hover studio.
0:16:01 > 0:16:02Who is that?
0:16:04 > 0:16:06I brought Kingston into the studio because, I mean,
0:16:06 > 0:16:08we needed a few extra dancers and
0:16:08 > 0:16:10we're not allowed to get any more dancers
0:16:10 > 0:16:12from the studio, so I had to expand my search.
0:16:12 > 0:16:14This is Kingston.
0:16:16 > 0:16:17Pleasure's all mine.
0:16:17 > 0:16:19- Hey.- He's the dancer I found online.
0:16:19 > 0:16:21My hover board completes me and I
0:16:21 > 0:16:23just want to show everybody my personality.
0:16:23 > 0:16:26So, Kingston, what training have you had in the past?
0:16:26 > 0:16:29All the best, I've only trained at the best studios around.
0:16:29 > 0:16:30Could you name one?
0:16:30 > 0:16:31Erm...
0:16:32 > 0:16:36Miss Abigail's Dancitorium School Of Dance.
0:16:36 > 0:16:38Miss Abigail's Dancitorium School Of Dance!
0:16:38 > 0:16:41That one! They totally bought it, but the truth is,
0:16:41 > 0:16:44I've actually learned everything I know from watching videos online.
0:16:44 > 0:16:47Nice try, Kingston, you don't lie as well as you hover board.
0:16:47 > 0:16:51Did Miss Abigail let you hover board around her dance studio, too?
0:16:51 > 0:16:53Erm...
0:16:54 > 0:16:56Yeah, sometimes.
0:16:56 > 0:16:58Casual Fridays, usually.
0:16:58 > 0:17:01All right. Well, we don't do that at The Next Step.
0:17:01 > 0:17:04But something that you could do for us is show us what you've got.
0:17:04 > 0:17:06- Please.- Let's do it.- OK.
0:17:06 > 0:17:08I'm a bit worried that Kingston doesn't have any studio
0:17:08 > 0:17:11training, but when I got to The Next Step, I didn't either.
0:17:11 > 0:17:13We desperately need dancers right now.
0:17:13 > 0:17:15So, we should give him a shot.
0:17:21 > 0:17:24I'm a little bit nervous to audition, but on the other hand,
0:17:24 > 0:17:26I'm really excited to show everyone what I got.
0:17:40 > 0:17:43To impress Michelle, I'm pulling all my best tricks.
0:17:55 > 0:17:57Kingston's got some pretty sweet moves, I must say.
0:17:57 > 0:17:59Flash, it's definitely there.
0:17:59 > 0:18:01The performance, it's definitely there.
0:18:01 > 0:18:03I think Kingston looks great up there.
0:18:03 > 0:18:06I mean, he's pulling out all these flips and he's really groovy.
0:18:11 > 0:18:14Even though this isn't where I thought I would end up,
0:18:14 > 0:18:16and having a lot of fun and
0:18:16 > 0:18:18dancing's supposed to be fun, right?
0:18:26 > 0:18:28Right? He's good.
0:18:29 > 0:18:32Pretty good. The whole hover board thing?
0:18:32 > 0:18:33Yeah, we can work on that.
0:18:35 > 0:18:37I think Kingston does have a lot of charisma.
0:18:37 > 0:18:40I'm into it and I think this could be good.
0:18:40 > 0:18:42One down, two to go.
0:19:21 > 0:19:24I want you to go home and rest, you did a really, really good job today.
0:19:24 > 0:19:26Thank you.
0:19:30 > 0:19:31It's getting a lot better.
0:19:32 > 0:19:35Thank you. I'm starting to get the hang of it.
0:19:35 > 0:19:37It's been a long day and I've struggled,
0:19:37 > 0:19:40but it makes me feel a lot better when Daniel says that I'm improving.
0:19:58 > 0:19:59Oh, Amy.
0:20:00 > 0:20:03The studio looks incredible!
0:20:03 > 0:20:06It's beyond my wildest dreams!
0:20:06 > 0:20:08Look at this place!
0:20:10 > 0:20:11I can't believe you're dancing here.
0:20:15 > 0:20:20So...how was your first day on A-Troupe?
0:20:20 > 0:20:22It was great.
0:20:22 > 0:20:25- Still practising?- Yep.
0:20:25 > 0:20:26How could you not?
0:20:26 > 0:20:29I'd never want to leave this place.
0:20:30 > 0:20:33I can't find the courage to tell my mum that I am not in A-Troupe.
0:20:33 > 0:20:36She has so many dreams of me being on A-Troupe
0:20:36 > 0:20:38and I feel that if I tell her,
0:20:38 > 0:20:40she'd be really disappointed in me and...
0:20:41 > 0:20:42It just wouldn't be good.
0:20:42 > 0:20:45I'm hungry and tired, so we should get going.
0:20:46 > 0:20:48OK.
0:20:48 > 0:20:50I could stay here all night.
0:20:50 > 0:20:53Oh, Amy.
0:20:53 > 0:20:54This is where we belong.
0:20:55 > 0:20:57I just don't want to keep lying to her,
0:20:57 > 0:21:00but I can't let her find out that I'm not in A-Troupe.