0:00:02 > 0:00:03Previously on...
0:00:03 > 0:00:06As most of you know, I'm Emily, your new Studio Head.
0:00:06 > 0:00:08- Whoo!- I am in charge now.
0:00:08 > 0:00:10Michelle better get used it.
0:00:10 > 0:00:12Emily just cut all of you guys.
0:00:12 > 0:00:14I'm giving you a shot at regionals.
0:00:14 > 0:00:16All we need is ten dancers.
0:00:16 > 0:00:18We still need three dancers to fill our team.
0:00:18 > 0:00:19I'm a little worried.
0:00:19 > 0:00:21This is where we belong.
0:00:21 > 0:00:22I don't want to keep lying to her,
0:00:22 > 0:00:25but I can't find the courage to tell my mum that I'm not in A-Troupe.
0:00:25 > 0:00:27The pleasure's all mine.
0:00:27 > 0:00:30The truth is, I've really only danced in my basement.
0:00:30 > 0:00:34We need dancers and Kingston could be great, but I'm not sure yet.
0:00:45 > 0:00:46She's got this. Ready?
0:00:46 > 0:00:49Right now, we're just being silly on our phones in class.
0:00:49 > 0:00:52I'm going to send it to you. We're just trying to have a bit of fun,
0:00:52 > 0:00:53we're taking silly pictures.
0:00:53 > 0:00:54It's just a nice bonding thing.
0:00:54 > 0:00:57Yeah, we're Snapchatting double chins and we're taking pictures.
0:00:59 > 0:01:01That's my best double chin right there.
0:01:01 > 0:01:03That's so bad!
0:01:03 > 0:01:07I am working in my office and when I look up I see that no-one is doing
0:01:07 > 0:01:09the same in my dance studio.
0:01:09 > 0:01:11So, I guess
0:01:11 > 0:01:14I'm looking at a bunch of perfect dancers.
0:01:16 > 0:01:22From the moment you get into the studio to the moment you leave,
0:01:22 > 0:01:24your phones belong here.
0:01:24 > 0:01:26Let's go. Pronto!
0:01:26 > 0:01:28It is important that the troupe have no distractions
0:01:28 > 0:01:30as soon as they enter Studio One.
0:01:30 > 0:01:33Dance is the number one priority.
0:01:33 > 0:01:37ALL: Whoo! Ah! You're good!
0:01:40 > 0:01:42Right now, Kingston is showing us
0:01:42 > 0:01:44some of his dance videos he posted online.
0:01:44 > 0:01:46He's definitely got some moves.
0:01:46 > 0:01:49All right, guys, Amy has some choreography for all of you,
0:01:49 > 0:01:51so maybe you should all spread out and learn it.
0:01:51 > 0:01:54- ALL: Yeah. All right. Do it! - I'm really excited to see Kingston
0:01:54 > 0:01:57pick up this choreo. I think he's going to fit right in,
0:01:57 > 0:01:59so I can't wait.
0:01:59 > 0:02:00Back up, back up. Thanks.
0:02:00 > 0:02:01This is my first rehearsal and I
0:02:01 > 0:02:03just want to show everybody what I've really got.
0:02:03 > 0:02:05They're going to be amazed when they see what I can do.
0:02:05 > 0:02:07So, first, I'm going to teach you the choreo
0:02:07 > 0:02:09and then we'll do it with music, OK?
0:02:09 > 0:02:11- Let's do it!- So you start with an inside pirouette.
0:02:11 > 0:02:13Go pas de bourree.
0:02:13 > 0:02:15Box, step, hit, hit.
0:02:15 > 0:02:17Go hitchy-koo, ball, change...
0:02:17 > 0:02:19A hitchy what?
0:02:19 > 0:02:22Wait, is she even speaking English right now?
0:02:22 > 0:02:25..ronde, ronde, pas de bourree, prep, tour...
0:02:25 > 0:02:27Do you see what's happening with Kingston?
0:02:27 > 0:02:29Why isn't he doing the right moves?
0:02:29 > 0:02:31..then you do Ozzy step...
0:02:31 > 0:02:33I have never heard any of these dance terms
0:02:33 > 0:02:35that Amy's talking about.
0:02:35 > 0:02:36OK, let's try it with music.
0:02:36 > 0:02:40- All right.- OK, well, let's see how he does with music, yeah.- Yeah.
0:02:40 > 0:02:42Five, six, seven, eight.
0:02:42 > 0:02:43UPBEAT MUSIC
0:02:45 > 0:02:47- Oh.- Oh, no.
0:02:49 > 0:02:51What is happening?
0:02:51 > 0:02:52It's actually worse.
0:02:54 > 0:02:56You can clearly see that Kingston
0:02:56 > 0:02:58has never, and I mean never,
0:02:58 > 0:02:59taken a class in his life.
0:03:02 > 0:03:03Oh!
0:03:04 > 0:03:07OK, great. Keep going with the choreo and, Kingston,
0:03:07 > 0:03:09come over here for a second.
0:03:09 > 0:03:11So, I think I know what the problem is.
0:03:11 > 0:03:15You're doing a pas de chat instead of a pas de bourree.
0:03:15 > 0:03:17Pas de chat, pas de bourree.
0:03:17 > 0:03:20Yeah, I know both of those, same thing, right?
0:03:20 > 0:03:22No. Um... How about if we go through
0:03:22 > 0:03:24- the choreo slower? - OK, guys, that's great,
0:03:24 > 0:03:26but we're going to take a five-minute break
0:03:26 > 0:03:29and then we'll come back and rehearse again, OK?
0:03:29 > 0:03:30- All right.- Go rest.- Thank you.
0:03:30 > 0:03:33It does worry me that all the other dancers know what they're doing.
0:03:33 > 0:03:35I do feel like I'm behind.
0:03:35 > 0:03:37- Kingston?- Yeah.
0:03:37 > 0:03:40Except for you. We have a problem.
0:03:40 > 0:03:43'I'm a little nervous about Kingston because it was me who brought him to
0:03:43 > 0:03:46'The Next Step and the way that things are going,'
0:03:46 > 0:03:48it doesn't really look good.
0:03:49 > 0:03:51# We
0:03:51 > 0:03:52# We're gonna show the world
0:03:55 > 0:03:58# Everything we're made of
0:03:58 > 0:04:01# We're gonna tear the roof off this place
0:04:12 > 0:04:13# Stand up! #
0:04:24 > 0:04:27Five, six, seven, eight, hit!
0:04:27 > 0:04:28Nice.
0:04:28 > 0:04:30Great sharpness.
0:04:30 > 0:04:34Piper, a little stumble on that turn. Pick it up.
0:04:34 > 0:04:35Lola, really good.
0:04:35 > 0:04:37Richelle, hit it.
0:04:38 > 0:04:40A little late, Piper.
0:04:40 > 0:04:42'I know that Emily is noticing me struggle.'
0:04:42 > 0:04:45- Other way, Pipes. - 'She keeps correcting me'
0:04:45 > 0:04:48and it's kind of making me even more stressed.
0:04:48 > 0:04:51Piper, yeah, OK, we'll work on it.
0:04:51 > 0:04:53Ah!
0:04:54 > 0:04:56OK, um...
0:04:56 > 0:04:58So it's good.
0:04:58 > 0:05:00It does need a little bit of work,
0:05:00 > 0:05:01but I think we'll get there.
0:05:01 > 0:05:03Piper, maybe see me to book some
0:05:03 > 0:05:06extra rehearsal time just to really get that choreo,
0:05:06 > 0:05:08but other than that, great job, guys.
0:05:08 > 0:05:09I am really impressed.
0:05:09 > 0:05:10And I have an announcement!
0:05:10 > 0:05:14So, gather round. Now that we've started preparing for regionals,
0:05:14 > 0:05:16there's something important we need to address.
0:05:16 > 0:05:18All right, it is time for my
0:05:18 > 0:05:20personal favourite announcement.
0:05:20 > 0:05:22The announcement of...
0:05:22 > 0:05:24Our dance captain.
0:05:24 > 0:05:25'It is a huge honour
0:05:25 > 0:05:27'to be named dance captain,'
0:05:27 > 0:05:31but to be named the first dance captain of a new studio,
0:05:31 > 0:05:33that's your legacy.
0:05:33 > 0:05:36You are setting the standard for what needs to happen in that role.
0:05:36 > 0:05:39I have thought long and hard about this
0:05:39 > 0:05:41and I know I have picked the right person.
0:05:41 > 0:05:44So, congratulations to...
0:05:46 > 0:05:48- ..Richelle. - Oh, my gosh! Are you sure?
0:05:48 > 0:05:51Like, seriously? Like, there's no dance-off, there's nothing?
0:05:51 > 0:05:52There's nothing, it's just you.
0:05:52 > 0:05:55- I've made the decision.- I'm dance captain?- Yes. Congratulations.
0:05:55 > 0:05:58- Thank you.- Finally!- You won't regret this.- I'd better not!
0:05:58 > 0:06:00Dance captain?! This day cannot get any better.
0:06:00 > 0:06:02I mean, this whole season can't get any better.
0:06:03 > 0:06:05- Noah.- Hey.
0:06:05 > 0:06:06I'll catch up with you in a sec.
0:06:06 > 0:06:08- What's up?- Isn't this kind of a big deal?
0:06:08 > 0:06:11Like, shouldn't we take Richelle out for juice or something?
0:06:11 > 0:06:13- Ha-ha!- What?
0:06:13 > 0:06:16Yeah, Richelle doesn't really hang out with anybody.
0:06:16 > 0:06:18I didn't have friends at my old studio
0:06:18 > 0:06:20because I was too focused on dance
0:06:20 > 0:06:22and I didn't think there was time for friends,
0:06:22 > 0:06:25but I want to take this opportunity to have a fresh start.
0:06:31 > 0:06:33Hey, show me what you've got, show me what you've got.
0:06:33 > 0:06:36Whoo!
0:06:36 > 0:06:38West and I are doing some freestyle before we work on the choreo.
0:06:38 > 0:06:41I'm showing him some of my signature flash.
0:06:41 > 0:06:42Kingston and I really relate.
0:06:42 > 0:06:45I'm a self-taught dancer, he's a self-taught dancer,
0:06:45 > 0:06:48so we definitely connect on that level.
0:06:48 > 0:06:50Whoohoo! That was
0:06:50 > 0:06:52- crazy, man.- Hey, man, you know what?
0:06:52 > 0:06:53You're just like me.
0:06:53 > 0:06:56When I first started off in The Next Step, I didn't know ballet,
0:06:56 > 0:06:59I didn't know contemporary, I didn't know any of these terms.
0:06:59 > 0:07:01But here at The Next Step we include everyone.
0:07:01 > 0:07:03- Perfect. - Everyone was there to help me
0:07:03 > 0:07:05- and that's what I'm going to do for you, OK?- That would be so great.
0:07:05 > 0:07:08Yeah? My approach to teaching Kingston is kind of throw away the
0:07:08 > 0:07:10terminology and just kind of make it about the feeling.
0:07:10 > 0:07:12All right, five, six, seven,
0:07:12 > 0:07:15and we are going to kick and here, open and close.
0:07:15 > 0:07:17Jump, knee, ka!
0:07:20 > 0:07:22How come you're recording me?
0:07:22 > 0:07:23It's just that I'm a visual learner,
0:07:23 > 0:07:26so I've just got to watch the video a couple of times.
0:07:26 > 0:07:28Yeah, I get that, man. That's how I used to learn,
0:07:28 > 0:07:31but at The Next Step you've got to kind of get in your body right away.
0:07:31 > 0:07:33How long is that going to take you to learn?
0:07:33 > 0:07:36Definitely not too long. Maybe two or three days.
0:07:36 > 0:07:37Two or three days?
0:07:37 > 0:07:39- That's...- Did I say days?
0:07:39 > 0:07:41I meant hours. Two or three hours.
0:07:41 > 0:07:43- Two or three hours?- Quick learner.
0:07:43 > 0:07:44- Quick learner.- Right here.
0:07:44 > 0:07:46OK. All right.
0:07:46 > 0:07:48I thought that his issue was just
0:07:48 > 0:07:50the dance terms that he couldn't really pick up,
0:07:50 > 0:07:54but he actually can't do choreography at all.
0:07:54 > 0:07:56That's a problem.
0:07:56 > 0:07:59The new guy, Kingston, wasn't picking up any of the choreo.
0:07:59 > 0:08:02- I'm sure you'll figure it out. - Yeah, yeah, I think so.
0:08:02 > 0:08:05Neutral Grounds is the new cafe that replaced Java Junction,
0:08:05 > 0:08:09that replaced Hidalgos, that replaced Culture Shock,
0:08:09 > 0:08:10which replaced Squeezed.
0:08:10 > 0:08:13I'm starting to think this place is cursed or something.
0:08:13 > 0:08:16But it must be nice to have a troupe full of classically trained dancers.
0:08:16 > 0:08:17It's also intimidating. You know,
0:08:17 > 0:08:19I'm starting to feel like the weak link.
0:08:19 > 0:08:21Piper, you will never be the weak link.
0:08:21 > 0:08:23Hi, sweetheart.
0:08:23 > 0:08:24- Posture.- Hey.
0:08:25 > 0:08:27Hi! What are you doing here?
0:08:27 > 0:08:30Well, you forgot your lunch, so I thought I'd bring it by.
0:08:30 > 0:08:32I know how demanding these rehearsals are,
0:08:32 > 0:08:34being an ex-dancer and all, so...
0:08:34 > 0:08:37'I'm a little scared that my mum walks in.'
0:08:37 > 0:08:40What if she caught me when I was somewhere else,
0:08:40 > 0:08:41not in A-Troupe rehearsal?
0:08:41 > 0:08:43I would be in huge trouble.
0:08:43 > 0:08:46So...
0:08:46 > 0:08:48A-Troupe!
0:08:48 > 0:08:52Amy is so excited to be dancing with you on A-Troupe.
0:08:52 > 0:08:54Yeah.
0:08:54 > 0:08:55And how's the duet going?
0:08:57 > 0:09:01'I don't like lying, and I don't like lying to people's parents...'
0:09:02 > 0:09:04..but Amy is kind of making me do this, so...
0:09:05 > 0:09:07- Great.- Great.
0:09:07 > 0:09:08It's going great, yeah.
0:09:08 > 0:09:11Great. Maybe I could see a sneak peek of it tonight
0:09:11 > 0:09:13when I come pick you up?
0:09:13 > 0:09:14Yeah, for sure.
0:09:14 > 0:09:16I cannot wait.
0:09:16 > 0:09:18Well, we should probably get back to rehearsal.
0:09:18 > 0:09:20- Of course.- So, you should leave.
0:09:20 > 0:09:24OK. I am so, so proud of you.
0:09:24 > 0:09:27Go get 'em! A-Troupe!
0:09:27 > 0:09:29Bye!
0:09:29 > 0:09:31I can't believe you haven't told your mum.
0:09:31 > 0:09:33- We need to learn a duet.- No, no, I have rehearsals.
0:09:33 > 0:09:35No, Piper, please.
0:09:35 > 0:09:37If she finds out that I'm not in A-Troupe,
0:09:37 > 0:09:38she is going to lose her mind.
0:09:38 > 0:09:41You're having trouble with choreo. I can help you with that.
0:09:41 > 0:09:43It can be a fake A-Troupe duet.
0:09:45 > 0:09:48Fine, but only because you're my best friend.
0:09:48 > 0:09:50OK.
0:09:50 > 0:09:52- OK.- Let's go.
0:09:52 > 0:09:56Hey, Michelle, what's up? What do you need to talk to me about?
0:09:56 > 0:10:00OK, West and I have discussed your future at The Next Step and,
0:10:00 > 0:10:03unfortunately, we don't think it's going to work out.
0:10:03 > 0:10:05We think you should come back with more experience
0:10:05 > 0:10:07- and audition again next year.- We know you've been working hard,
0:10:07 > 0:10:11but we just need someone who can deliver right now.
0:10:11 > 0:10:12Yeah.
0:10:12 > 0:10:15'When Michelle tells me that they don't want me on A-Troupe,
0:10:15 > 0:10:16'I'm heartbroken.'
0:10:17 > 0:10:20This is my one shot to be a part of something and...
0:10:24 > 0:10:27..I don't want to go back to dancing alone.
0:10:27 > 0:10:28When West first came to The Next Step,
0:10:28 > 0:10:30he didn't have that much technique,
0:10:30 > 0:10:32but look at him now. He's such an incredible dancer.
0:10:32 > 0:10:34And that's what I want to happen to me.
0:10:34 > 0:10:36I want to grow as a dancer, just like he did.
0:10:36 > 0:10:38Please, just give me that same chance.
0:10:46 > 0:10:49All right.
0:10:49 > 0:10:51You have until the end of the day to pick up the choreography and that
0:10:51 > 0:10:55means that you are going to have to dance for your life.
0:10:55 > 0:10:57Thank you! Thank you guys both so much!
0:10:57 > 0:11:00- Good luck, man.- I'll see you guys later. OK.
0:11:00 > 0:11:02Learning the choreo is not going to be easy,
0:11:02 > 0:11:04but I'm going to prove to everyone that I deserve to be here.
0:11:15 > 0:11:18I don't really have a close friend at The Next Step yet,
0:11:18 > 0:11:21but I see Richelle and I think that her and I would really hit it off.
0:11:22 > 0:11:25Richelle, why are you here by yourself?
0:11:25 > 0:11:28You're the dance captain, we should be celebrating.
0:11:29 > 0:11:31Lola, you're not fooling anyone.
0:11:31 > 0:11:33I know exactly what you're trying to do.
0:11:33 > 0:11:36You're just trying to butter me up, so that you'll get me to like you
0:11:36 > 0:11:38and then when this dance captain gets to choose a solo,
0:11:38 > 0:11:40you'll get it.
0:11:40 > 0:11:43Fat chance. This dance captain wasn't born yesterday.
0:11:43 > 0:11:47Richelle, no, I don't want any favours, I just want to be friends.
0:11:47 > 0:11:49Friends? I don't have time for friends.
0:11:49 > 0:11:52Once you get to know me, you'll want to be my friend.
0:11:52 > 0:11:53You just wait.
0:11:54 > 0:11:57I know Lola is just trying to kiss up to the dance captain.
0:11:57 > 0:11:59She does not want to be my friend.
0:11:59 > 0:12:01I know those games.
0:12:02 > 0:12:04- What is he doing?- What?
0:12:04 > 0:12:06He's on his phone.
0:12:07 > 0:12:09Oh, that's the way he learns.
0:12:09 > 0:12:11Yeah, by the way, I have two really good leads for our new dancers.
0:12:11 > 0:12:13Yeah, it might need to be three,
0:12:13 > 0:12:15if Kingston doesn't get his act together.
0:12:15 > 0:12:17But I thought you wanted to include everyone.
0:12:17 > 0:12:19You know, the opposite of Emily's studio.
0:12:21 > 0:12:23But I'll broaden my search.
0:12:23 > 0:12:25'I haven't given up on Kingston yet.
0:12:25 > 0:12:26'I know he's very talented,'
0:12:26 > 0:12:28but is he good enough to be on this team?
0:12:30 > 0:12:32I mean, I really hope that he can do it.
0:12:43 > 0:12:47Right now, Amy and I are in Studio One and she's helping me with the
0:12:47 > 0:12:50choreo and I'm teaching her the duet to show her mum.
0:12:50 > 0:12:51BOTH: One, two, three.
0:12:51 > 0:12:52On the fourth one we do the double.
0:12:52 > 0:12:55On the fourth one we pump into double this, into an attitude.
0:12:59 > 0:13:03Dancing in Studio One is magical.
0:13:03 > 0:13:05This is where I should be.
0:13:05 > 0:13:08- You're doing a cartwheel on my shoulders.- On your shoulders, yeah.
0:13:08 > 0:13:09- Back here or here?- Back here, just
0:13:09 > 0:13:12because you are more open and it will steady your base.
0:13:12 > 0:13:14- Nice.- Around.- Nice.
0:13:15 > 0:13:18I really enjoyed dancing in Studio One with Amy.
0:13:18 > 0:13:21We should have been dancing together all along in Studio One.
0:13:21 > 0:13:23She was supposed to be in A-Troupe with me.
0:13:23 > 0:13:27But even a little tiny piece of dancing together, makes me so happy.
0:13:30 > 0:13:33- Then walk. - OK.
0:13:54 > 0:13:58SLOW APPLAUSE
0:13:59 > 0:14:01Piper, that was really good.
0:14:01 > 0:14:02I'm so proud of you.
0:14:02 > 0:14:06It looks like you're really starting to handle that choreography nicely.
0:14:06 > 0:14:08I'm just...
0:14:08 > 0:14:10I'm just confused about one thing.
0:14:10 > 0:14:14Why are you teaching our choreography to an outsider?
0:14:16 > 0:14:18'I can't believe that Amy isn't saying anything.
0:14:18 > 0:14:20'I just did this for her.'
0:14:20 > 0:14:21- Get to my office, pronto.- Sorry.
0:14:23 > 0:14:26And why are you still here?
0:14:28 > 0:14:30I feel really bad about getting Piper in trouble,
0:14:30 > 0:14:34but I don't want anyone knowing that I'm lying about being on A-Troupe,
0:14:34 > 0:14:35especially Emily.
0:14:37 > 0:14:38OK, who wants to start?
0:14:38 > 0:14:40Got you.
0:14:40 > 0:14:42Awesome. Great.
0:14:42 > 0:14:44Right now, I'm actually working on a new dance and I need to see what
0:14:44 > 0:14:46everyone can do, to place them in the right spots.
0:14:51 > 0:14:55What was that? In A-Troupe you know we give 100% into everything.
0:14:55 > 0:14:57'Richelle is so serious.
0:14:57 > 0:14:59'I'm goofing off to lighten the mood.'
0:14:59 > 0:15:02I didn't know that was such a bad thing.
0:15:02 > 0:15:03Jeez, someone's on a power trip.
0:15:03 > 0:15:06She's the dance captain, show her some respect.
0:15:06 > 0:15:07When I see Lola stand up to Josh like that,
0:15:07 > 0:15:10it makes me think that I might have misjudged her.
0:15:10 > 0:15:11Maybe this friend thing
0:15:11 > 0:15:13isn't such a bad idea.
0:15:15 > 0:15:16All right,
0:15:16 > 0:15:18- are you ready?- Yeah.
0:15:18 > 0:15:21'This is my last chance to impress Michelle and West.'
0:15:21 > 0:15:23I need to show them that I belong on this team.
0:15:30 > 0:15:33'Kingston is an amazing dancer and we saw that online,
0:15:33 > 0:15:36'but he's not doing the right choreography.'
0:15:36 > 0:15:39Like, he's supposed to do a tour and land on the ground and he just jumps
0:15:39 > 0:15:41up like a burpee and lands on the ground.
0:15:41 > 0:15:44It's not the right stuff and it's not good.
0:15:47 > 0:15:50As I'm dancing, I'm having a hard time sticking some of this choreo.
0:15:50 > 0:15:52I know the only way I'm going to be able
0:15:52 > 0:15:54to pull this off is to bring the flash.
0:15:56 > 0:15:57Hey!
0:16:00 > 0:16:03'Kingston is very charming and I appreciate that,'
0:16:03 > 0:16:05but for me right now it's not enough.
0:16:05 > 0:16:08Sorry about that last part. I knew it wasn't choreographed,
0:16:08 > 0:16:09but I was really feeling it.
0:16:09 > 0:16:10Yeah, of course.
0:16:10 > 0:16:14I mean, we always want our dancers to bring their own personality to
0:16:14 > 0:16:16- their dancing. - I have personality to spare.
0:16:16 > 0:16:19Yeah, I can totally see that.
0:16:19 > 0:16:24And unfortunately, I can also see that you're not quite good enough.
0:16:24 > 0:16:26At the end of the day, all of these dancers
0:16:26 > 0:16:27have been training for years,
0:16:27 > 0:16:30doing baby ballet, doing basic technique.
0:16:30 > 0:16:33I think you should take this experience
0:16:33 > 0:16:34and maybe come back next year.
0:16:36 > 0:16:37Thanks for coming out.
0:16:41 > 0:16:42'I'm heartbroken.
0:16:43 > 0:16:47'It hurts to know that Michelle thinks I'm not good enough.'
0:17:03 > 0:17:07Emily just made me to 200 military-style push-ups as
0:17:07 > 0:17:11punishment for leaking our studio's choreo to an outsider.
0:17:11 > 0:17:13I hate that Amy put me in this position.
0:17:16 > 0:17:18Hey, how did it go with Emily?
0:17:18 > 0:17:20How do you think it went?
0:17:20 > 0:17:22Yeah...
0:17:22 > 0:17:25But we should probably get back to the duet?
0:17:25 > 0:17:27My mum's still going to want to see it when she comes...
0:17:27 > 0:17:30Amy! You are being selfish.
0:17:30 > 0:17:31It's just, if my mum finds out...
0:17:31 > 0:17:34I'm not going to lie for you any more.
0:17:34 > 0:17:36If your mum asks whether or not you
0:17:36 > 0:17:38are in A-Troupe, I'm going to tell her the truth.
0:17:38 > 0:17:39I can't...
0:17:39 > 0:17:41I can't believe you would do that.
0:17:41 > 0:17:43Until you talk to your mum,
0:17:43 > 0:17:44I'm not talking to you.
0:17:47 > 0:17:51I feel really bad that Piper's not going to talk to me any more.
0:17:51 > 0:17:53I didn't want it to end this way.
0:17:53 > 0:17:55I just needed her help.
0:17:55 > 0:17:56I don't know what I'm going to do.
0:18:00 > 0:18:02Hey, Lola,
0:18:02 > 0:18:05I was thinking of adding a solo into the group and I was wondering if you
0:18:05 > 0:18:07wanted to take the solo part in it.
0:18:07 > 0:18:10I don't think the dance needs a solo.
0:18:10 > 0:18:12'When Lola turns down the solo,'
0:18:12 > 0:18:14I'm impressed.
0:18:14 > 0:18:15Maybe she actually truly
0:18:15 > 0:18:16does want to be my friend.
0:18:16 > 0:18:17Lola, wait.
0:18:18 > 0:18:21What are you doing right now?
0:18:21 > 0:18:22I don't have any plans, why?
0:18:24 > 0:18:27I was wondering if you wanted to go get a juice with me...
0:18:27 > 0:18:29Pardon?
0:18:30 > 0:18:32I was wondering...
0:18:32 > 0:18:34..if you wanted to go get a juice with me.
0:18:36 > 0:18:38You want to get juice with me?
0:18:38 > 0:18:40I mean, I'm pretty busy right now
0:18:40 > 0:18:43and you have all these dance captain duties to do
0:18:43 > 0:18:46and Neutral Grounds is so far away...
0:18:46 > 0:18:49I knew this was a bad idea.
0:18:49 > 0:18:51Wait...
0:18:51 > 0:18:52Of course I'll get a juice with you.
0:18:52 > 0:18:54Really?
0:18:54 > 0:18:57Shouldn't we hug now since we are, like, basically, BFFs?
0:18:57 > 0:18:59Don't say BFFs.
0:18:59 > 0:19:01OK.
0:19:01 > 0:19:03Are you coming?
0:19:03 > 0:19:05I think Richelle and I are going to be BFFs.
0:19:05 > 0:19:08Sorry, not BFFs.
0:19:08 > 0:19:10Best friends.
0:19:10 > 0:19:12Now we're going to do plies, all right?
0:19:12 > 0:19:17Five, six, seven, eight and plie.
0:19:17 > 0:19:21Arm out. Plie, arm up and down.
0:19:21 > 0:19:23Again. Plie. First position.
0:19:23 > 0:19:25Plie.
0:19:25 > 0:19:28Arm up. Again.
0:19:28 > 0:19:33Plie. First position, plie and up. Then we rise up.
0:19:33 > 0:19:36These baby ballerina classes are really going to help me learn the
0:19:36 > 0:19:38fundamentals and the basics of dance.
0:19:38 > 0:19:40If Michelle wants to see a technical dancer,
0:19:40 > 0:19:42I'm going to be that technical dancer.
0:19:42 > 0:19:43Plie, arm up. And down.
0:19:43 > 0:19:45Tondu to second.
0:19:45 > 0:19:46Here we go.
0:19:46 > 0:19:50I just came back into the studio to grab some things and I see
0:19:50 > 0:19:54Kingston in baby ballet with Noah and all the little ballerinas.
0:19:54 > 0:19:57I'm actually really impressed that he's here.
0:19:57 > 0:19:59I've never seen commitment like this before.
0:19:59 > 0:20:01Second position. Here we go.
0:20:02 > 0:20:06Hey, you need to point your foot out.
0:20:06 > 0:20:09- Thanks!- Don't worry, you'll get it.
0:20:09 > 0:20:13The fact that Kingston is in this baby ballet class and dancing with a
0:20:13 > 0:20:15bunch of six-year-olds, to me,
0:20:15 > 0:20:18it just really shows that he wants this and that's
0:20:18 > 0:20:20the type of dancer that I want on my team.
0:20:20 > 0:20:22Hold, stretch your feet.
0:20:22 > 0:20:24Stretchy, stretch! Here we go!
0:20:24 > 0:20:26So, you're going back to the basics, I see.
0:20:26 > 0:20:30- Yeah.- Plie. One more time. Plie.
0:20:30 > 0:20:31First position.
0:20:31 > 0:20:35Well, if you continue to work hard,
0:20:35 > 0:20:40you're back in. I'll see you Monday morning for rehearsal.
0:20:40 > 0:20:41Thank you so much!
0:20:41 > 0:20:45I'll be the first one in and the last one to leave.
0:20:45 > 0:20:47Good to hear.
0:20:47 > 0:20:48I changed my mind about Kingston
0:20:48 > 0:20:50because I know that the potential's there,
0:20:50 > 0:20:53but if he wants to be on the team, he needs to be up in the studio
0:20:53 > 0:20:55practising and practising.
0:20:55 > 0:20:58'I know I have a lot to learn, but I'm not going to give up.'
0:20:58 > 0:20:59Reach for the stars.
0:20:59 > 0:21:02I'm at The Next Step and nothing is going to stop me.
0:21:05 > 0:21:07# We
0:21:07 > 0:21:10# We're gonna show the world
0:21:11 > 0:21:15# Everything we're made of
0:21:15 > 0:21:20# We're gonna tear the roof off this place
0:21:20 > 0:21:22# You
0:21:22 > 0:21:26# You can never fade us out
0:21:26 > 0:21:29# Don't even ask the DJ
0:21:29 > 0:21:36# Everybody knows we own this so-o-o-o-ound... #