0:00:02 > 0:00:03This is where Sarah Jane Smith lives.
0:00:03 > 0:00:07And it's home to things way beyond your imagination.
0:00:07 > 0:00:10There's an extra-terrestrial super computer in the wall,
0:00:10 > 0:00:13a genetically engineered boy genius in the attic,
0:00:13 > 0:00:17a schoolgirl investigator across the road,
0:00:17 > 0:00:21and a whole universe of adventure right here on the doorstep.
0:00:25 > 0:00:26Ready?
0:00:26 > 0:00:28Always.
0:00:33 > 0:00:35I don't know how you do that.
0:00:35 > 0:00:37You've either got it, or you haven't Lukey-boy.
0:00:37 > 0:00:39You see, art isn't something you can learn.
0:00:39 > 0:00:45Surely it's a matter of bio-mechanical transference of what the eye sees to paper? Geometry.
0:00:45 > 0:00:49You see, there's your problem, you work up here, you're all science
0:00:49 > 0:00:51and logic and Spocky stuff like that,
0:00:51 > 0:00:53but you can't break art down into maths.
0:00:53 > 0:00:57- Everything comes down to maths. - See, not art. Art is in the soul.
0:00:57 > 0:00:59You don't think it..
0:00:59 > 0:01:01you feel it.
0:01:02 > 0:01:03Morning 11T.
0:01:03 > 0:01:05Someone's in trouble.
0:01:05 > 0:01:06That's Dad's serious face.
0:01:06 > 0:01:08Yeah, like he's got any other sort.
0:01:08 > 0:01:10All right, you lot, settle down.
0:01:10 > 0:01:12If I may, Mrs Taylor?
0:01:12 > 0:01:16I have an important announcement to make.
0:01:16 > 0:01:17Told you.
0:01:17 > 0:01:18Concerning you, Clyde Langer.
0:01:18 > 0:01:20Me?
0:01:20 > 0:01:22Oh, what have I done now?
0:01:22 > 0:01:25Ah, no, no, don't tell me... I turned up.
0:01:25 > 0:01:27All I have to do to get some teacher's back up.
0:01:27 > 0:01:31You aren't in trouble, Clyde. For once, quite the opposite.
0:01:31 > 0:01:34I've just had an e-mail, from a Mr Harding,
0:01:34 > 0:01:37- Curator of the International Gallery.- Who?
0:01:38 > 0:01:41At last!
0:01:41 > 0:01:44Indeed, Mr Harding.
0:01:44 > 0:01:48I never thought I would see the day when she came into my care.
0:01:48 > 0:01:51So, so beautiful.
0:01:51 > 0:01:53No-one else could have achieved this.
0:01:53 > 0:01:55The years of dedicated planning.
0:01:55 > 0:01:58No-one would have been man enough.
0:01:58 > 0:02:01We got there in the end, Miss Trupp.
0:02:01 > 0:02:04After all our tribulations.
0:02:04 > 0:02:07Yours. I only assisted.
0:02:07 > 0:02:11True, true. You did.
0:02:11 > 0:02:12And here she is...
0:02:14 > 0:02:16..the Mona Lisa!
0:02:20 > 0:02:24Tomorrow morning, this entire class will be the first members
0:02:24 > 0:02:30of the public to see the Mona Lisa here in the UK.
0:02:30 > 0:02:32And all thanks to Clyde.
0:02:32 > 0:02:33You won first prize!
0:02:33 > 0:02:35THEY CHEER
0:02:35 > 0:02:37You won!
0:02:37 > 0:02:40Wait, wait, wait, wait, as much as I appreciate the adulation
0:02:40 > 0:02:44and missing double maths tomorrow - there's been a mistake.
0:02:44 > 0:02:49- I never put my work into any competition.- Someone did.
0:02:50 > 0:02:52Well, I wonder who?
0:02:52 > 0:02:54They were looking for a promising young artist.
0:02:54 > 0:02:56- And you really are good. - Brilliant.
0:02:56 > 0:02:58I knew you wouldn't enter.
0:02:58 > 0:03:01Well, it's not good for the image is it, some nerdy competition.
0:03:01 > 0:03:03I've gotta text Mum.
0:03:05 > 0:03:08How many times? No mobiles in the classroom.
0:03:08 > 0:03:11Or at the gallery tomorrow.
0:03:12 > 0:03:13Their rules, not mine.
0:03:14 > 0:03:16You're not annoyed with me, are you?
0:03:16 > 0:03:18Are you serious?
0:03:18 > 0:03:20It's the Mona Lisa!
0:03:25 > 0:03:26We should press on.
0:03:28 > 0:03:30Yes.
0:03:32 > 0:03:36Oh, tomorrow will be such a day for me!
0:04:07 > 0:04:09Mum? You won't believe what's happened.
0:04:09 > 0:04:13- Mum?- I'm in your room.
0:04:17 > 0:04:19Look at the state of this place.
0:04:19 > 0:04:21- Yeah, I know, but... - I thought I told you to tidy it.
0:04:21 > 0:04:23- I will. Just listen.- When?
0:04:23 > 0:04:27Oh, I hate to think how long all these cups have been here. Ugh.
0:04:27 > 0:04:29OK.
0:04:30 > 0:04:33No, it isn't. And you can forget any other plans you had for this evening
0:04:33 > 0:04:37because you're blitzing this place. Don't think K9's zapping it.
0:04:37 > 0:04:40He's out of bounds till it's done. I am so disappointed in you.
0:04:40 > 0:04:42I don't know what you want from me.
0:04:42 > 0:04:44You try to give me a normal life, but when I act like
0:04:44 > 0:04:48a real teenager you want me to be perfect, the way the Bane made me.
0:04:54 > 0:04:55I'm sorry you feel like that.
0:04:55 > 0:04:57So am I.
0:05:11 > 0:05:14Hand in your mobile phones at reception and no running.
0:05:14 > 0:05:19No running! We're here as honoured guests, not like some hormonal SAS.
0:05:22 > 0:05:24Oh, what's the use?
0:05:32 > 0:05:34Ah freebies!
0:05:39 > 0:05:41No, I'll pass, thanks.
0:05:41 > 0:05:44Your loss. Anyway, what did Sarah Jane say
0:05:44 > 0:05:46about me winning this prize?
0:05:46 > 0:05:49Nothing. We're not really talking.
0:05:49 > 0:05:51She's being such a mum.
0:05:51 > 0:05:54Yeah, well, it's probably best she doesn't know.
0:05:54 > 0:05:58Careful, Clyde. Even star pupils need to watch where they're going.
0:05:58 > 0:06:01- Sir.- So, how're you feeling? Erm, nervous?
0:06:01 > 0:06:04Weirded out. I mean teachers are never this friendly.
0:06:04 > 0:06:08You see, diligence has its rewards.
0:06:08 > 0:06:10Perhaps now you'll put the same enthusiasm
0:06:10 > 0:06:12into your other school work.
0:06:12 > 0:06:15- Mr Chandra? Park Vale?- Yes.
0:06:15 > 0:06:17- Mr Harding will receive you upstairs.- Great.
0:06:17 > 0:06:19Come this way.
0:06:19 > 0:06:21OK, everyone follow me.
0:06:21 > 0:06:23- It's very exciting. - I'm very excited, as well.
0:06:27 > 0:06:30- Actually much, much smaller than you'd imagine.- Really?
0:06:30 > 0:06:32It's very surprising because you always...
0:06:34 > 0:06:38What d'you reckon, Luke? Who's got the more enigmatic smile,
0:06:38 > 0:06:40me or Lisa?
0:06:41 > 0:06:46I really don't understand, why is the Mona Lisa so special?
0:06:46 > 0:06:47It's just brown.
0:06:47 > 0:06:50Maybe when you see the real thing, you'll understand.
0:06:50 > 0:06:55- I don't really get art. - Careful, it's an art gallery,
0:06:55 > 0:06:58you're not supposed to pick it up either, OK.
0:06:58 > 0:07:00You look, you don't touch.
0:07:00 > 0:07:03But this isn't art... it's something else.
0:07:03 > 0:07:05Clyde.
0:07:06 > 0:07:11This is Mr Harding. Curator of the gallery. Clyde Langer.
0:07:11 > 0:07:13- We're really proud of him. - Congratulations, Clyde.
0:07:13 > 0:07:16- You're very talented. - Such a handsome boy.
0:07:18 > 0:07:20Oh. This is my assistant, Miss Trupp.
0:07:20 > 0:07:23- Now...- You really are so gifted, Clyde.
0:07:23 > 0:07:25- Cheers.- When I saw your picture, I knew you'd win.
0:07:25 > 0:07:28It wasn't up to me, but if it had been you'd definitely have won.
0:07:28 > 0:07:32Well, you did! So... it's all turned out for the best.
0:07:32 > 0:07:36Miss Trupp, perhaps you should go and check the final preparations.
0:07:36 > 0:07:37Oh. Yes.
0:07:39 > 0:07:40Big day for all of us.
0:07:41 > 0:07:42Clyde, follow me.
0:07:45 > 0:07:48Your masterpiece awaits.
0:07:51 > 0:07:55Come along, chop-chop, this place should be clear by now.
0:08:10 > 0:08:13Do you know how lucky you are?
0:08:13 > 0:08:16Lionel worships you.
0:08:18 > 0:08:21If only he looked at me with the same eyes.
0:08:22 > 0:08:24Oh, quit your moaning, love...
0:08:24 > 0:08:26do us all a favour.
0:08:37 > 0:08:38Who said that?
0:08:40 > 0:08:42You can hear me?
0:08:43 > 0:08:44Well, now there's a first.
0:08:44 > 0:08:47So let's try this for another.
0:08:49 > 0:08:50SHE SCREAMS
0:08:50 > 0:08:51SHE LAUGHS
0:08:55 > 0:08:59And here we are. In pride of place.
0:09:02 > 0:09:03No way.
0:09:03 > 0:09:05Is something wrong?
0:09:05 > 0:09:07It's just...
0:09:09 > 0:09:11..my work in a proper gallery.
0:09:11 > 0:09:14We told you, Clyde, it's brilliant.
0:09:18 > 0:09:21CHEERING AND CHANTING
0:09:24 > 0:09:28- Shut up!- Agreed. Some order, please.
0:09:28 > 0:09:29Mrs Taylor.
0:09:32 > 0:09:35Apart from the obvious artistic flair,
0:09:35 > 0:09:38your imagination is so impressive.
0:09:38 > 0:09:42The detail in the weaponry!
0:09:42 > 0:09:44I don't know where you get your inspiration.
0:09:44 > 0:09:47Please.
0:09:48 > 0:09:50They're Sontaran blasters, aren't they?
0:09:50 > 0:09:53- Well, spotted.- That's why you didn't want Mum to know.
0:09:53 > 0:09:56Yeah, oh, and don't tell her I've been drawing K9, either.
0:09:58 > 0:10:01You know, I always used to play this sort of stuff down.
0:10:01 > 0:10:04I thought people'd laugh at me.
0:10:04 > 0:10:07- You mean you thought drawing wasn't cool.- Something like that.
0:10:07 > 0:10:11Well, it is cool and believe me no-one's laughing.
0:10:11 > 0:10:14When I was younger, no brothers or sisters...
0:10:14 > 0:10:18I used to draw, for company.
0:10:18 > 0:10:20But maybe I could really do something with this.
0:10:20 > 0:10:23And so to the prize.
0:10:24 > 0:10:28Prepare to meet the Mona Lisa!
0:10:33 > 0:10:37The Mona Lisa, a painting begun by Leonardo da Vinci in 1503
0:10:37 > 0:10:43in Florence, but finished only shortly before he died in 1519.
0:10:43 > 0:10:49For over 500 years the Mona Lisa's beauty has remained undimmed.
0:10:49 > 0:10:53She has been gazed upon by millions in her Paris home,
0:10:53 > 0:10:57now, she is here.
0:10:58 > 0:11:02Feast your eyes, and lose your hearts...
0:11:02 > 0:11:05I give you...
0:11:05 > 0:11:07the Mona Lisa!
0:11:11 > 0:11:14She has let herself go.
0:11:16 > 0:11:18Isn't that his assistant?
0:11:20 > 0:11:21Security.
0:11:21 > 0:11:24The Mona Lisa has been stolen.
0:11:26 > 0:11:30Excuse me, Sarah Jane, I am detecting unusual brain
0:11:30 > 0:11:35pattern activity and your ability to concentrate appears compromised.
0:11:35 > 0:11:37- Are you unwell? - No. I'm fine, Mr Smith.
0:11:39 > 0:11:42- It's Luke. - But Luke has perfect health.
0:11:42 > 0:11:44That is how he was made by the Bane.
0:11:44 > 0:11:47Yes, I know. The perfect human being.
0:11:47 > 0:11:50- But nothing stays perfect for ever, does it?- I am sorry.
0:11:50 > 0:11:52I'm not sure that I understand.
0:11:52 > 0:11:55Luke isn't ill. He's growing up.
0:11:55 > 0:11:58I believe it is a normal part of breeding patterns in most species.
0:11:58 > 0:12:00Yes, I know.
0:12:00 > 0:12:05And I've tried so hard to make Luke's life as normal as possible.
0:12:05 > 0:12:09In a way it helped make mine a little more normal, too.
0:12:09 > 0:12:12Before I met Luke, who was I?
0:12:12 > 0:12:14A lonely, frosty woman in the big house
0:12:14 > 0:12:18who knew more about creatures from outer-space than she did humans.
0:12:18 > 0:12:20I have always considered the intricacy of human
0:12:20 > 0:12:24nature excessively complicated in comparison to most other life forms.
0:12:24 > 0:12:27You and me both, old friend.
0:12:27 > 0:12:31And being a mum is just about as complicated as it gets.
0:12:31 > 0:12:34Most parents have years to get used to it. I'm still finding my feet
0:12:34 > 0:12:38and already I'm realising that one day it's going to be over.
0:12:38 > 0:12:41One day Luke will be gone.
0:12:41 > 0:12:42One day, perhaps, very soon.
0:12:46 > 0:12:49I told them security had to be improved here.
0:12:49 > 0:12:53I told them, after that Cup of Athelstan fiasco at Easter.
0:12:53 > 0:12:57Oh, my beautiful Mona Lisa!
0:12:57 > 0:12:59The French will have my head!
0:12:59 > 0:13:02If you could all stay calm as we move out
0:13:02 > 0:13:04and let the police do their job.
0:13:04 > 0:13:06There's something freaky about this.
0:13:06 > 0:13:09Just because something shady happens doesn't mean
0:13:09 > 0:13:10there are aliens behind it.
0:13:10 > 0:13:12When my bike got nicked,
0:13:12 > 0:13:15did you think that was ET the ASBO, cycling home?
0:13:15 > 0:13:17- Did I mention aliens?- Rani's right.
0:13:17 > 0:13:20Why would they put a picture of Miss Trupp in the Mona Lisa's place?
0:13:20 > 0:13:22Maybe she's behind it all.
0:13:22 > 0:13:25Maybe it's her calling card? "The Truppmeistress has struck!"
0:13:25 > 0:13:29Even if this isn't alien, it's weird enough for Sarah Jane.
0:13:29 > 0:13:32- We should call her. - No. We don't need her. We can...
0:13:32 > 0:13:33do this ourselves.
0:13:33 > 0:13:36OK, then.
0:13:36 > 0:13:39But first we need to lose my dad.
0:13:40 > 0:13:43Have you seen Jonathan, no? Are you sure?
0:13:45 > 0:13:46Excuse me, Mr Chandra.
0:13:46 > 0:13:48- Yes, what is it, Luke? - I need the toilet.
0:13:48 > 0:13:50Me too, sir, I'm busting.
0:13:50 > 0:13:51- And me.- OK. But be quick.
0:13:51 > 0:13:55- Sir.- And then straight to the coach. - Nice one, Luke.
0:13:55 > 0:13:57- What? - Good cover story.
0:13:57 > 0:14:00No, I really need the loo.
0:14:00 > 0:14:03Oh, well, like Dad says...be quick!
0:14:08 > 0:14:12I am picking up news reports from the International Gallery.
0:14:12 > 0:14:14The Mona Lisa has been stolen.
0:14:14 > 0:14:15The Mona Lisa? I don't believe it.
0:14:15 > 0:14:19The security at the International Gallery was supposed to be massive.
0:14:19 > 0:14:21So the reports suggest.
0:14:21 > 0:14:24All the same, if it hasn't been taken by inter-galactic art thieves,
0:14:24 > 0:14:26it's not really my thing.
0:14:26 > 0:14:28Or are you trying to distract me, Mr Smith?
0:14:28 > 0:14:31I simply thought the news report would be of interest.
0:14:31 > 0:14:34OK. Show me.
0:14:35 > 0:14:38It's understood that the theft was discovered
0:14:38 > 0:14:42as the Mona Lisa was about to be unveiled for a party of students
0:14:42 > 0:14:44from Park Vale Comprehensive in Ealing.
0:14:44 > 0:14:46- What?- Park Vale pupil, Clyde Langer
0:14:46 > 0:14:52won first prize in the gallery's Artists of the Future competition.
0:14:52 > 0:14:56This is Lizo Mzimba reporting from the International Gallery.
0:14:56 > 0:14:59Then Luke must have been there too.
0:14:59 > 0:15:01He never said anything.
0:15:01 > 0:15:03- Not a word.
0:15:05 > 0:15:07Police!
0:15:08 > 0:15:12- We'll never get past them. - There has to be another way in.
0:15:12 > 0:15:15- We need a map.- Like this one?
0:15:15 > 0:15:18You see, you never turn down a freebie, Luke.
0:15:26 > 0:15:27Luke's not answering.
0:15:27 > 0:15:30The gallery prohibits the use of mobile telephones.
0:15:30 > 0:15:33But I have info from the Metropolitan Police
0:15:33 > 0:15:35computer system that you may find of interest.
0:15:35 > 0:15:37What exactly am I looking at?
0:15:37 > 0:15:39This is a Crime Scene photograph of the Mona Lisa.
0:15:39 > 0:15:41Mr Smith, that isn't the Mona Lisa.
0:15:41 > 0:15:45My infra-red analysis confirms the brush-stroke patterns
0:15:45 > 0:15:47of Leonardo da Vinci. This is the Mona Lisa.
0:15:47 > 0:15:49But it can't be. Who is that woman?
0:15:49 > 0:15:53Phyllis Trupp, personal assistant to the gallery's curator.
0:15:53 > 0:15:57Her most detailed personal profile can be found on Peapodsoulmates.com
0:15:57 > 0:16:00where she lists her interests as "salsa dancing."
0:16:00 > 0:16:03She says she is open minded and willing to try...
0:16:03 > 0:16:05Thank you, Mr Smith. What's happened to her?
0:16:05 > 0:16:08I can only surmise molecular trans-placement.
0:16:08 > 0:16:10She is still alive and conscious...
0:16:10 > 0:16:13but trapped in the canvas of a 500 year old painting.
0:16:13 > 0:16:15- What could have caused this? - Insufficient data.
0:16:15 > 0:16:19So this isn't anything like a straight-forward art theft, is it?
0:16:19 > 0:16:20It would seem not.
0:16:20 > 0:16:25Which means, the other question is, if that's Phyllis Trupp...
0:16:25 > 0:16:27where on earth is the Mona Lisa?
0:16:32 > 0:16:34This place is like a maze!
0:16:34 > 0:16:37Or like finding your way through Level Four
0:16:37 > 0:16:39of Alien Devastation Three.
0:16:39 > 0:16:42I thought you said you could find your way with that map?
0:16:42 > 0:16:43- Men and maps!- Hey!
0:16:43 > 0:16:45I can read a map. I was in the cubs...
0:16:45 > 0:16:48well until they kicked me out. But you don't want to hear about that.
0:16:48 > 0:16:52- Clyde.- Yes, I know my picture would look great in your lounge.
0:16:52 > 0:16:54Just get your dad to make me an offer.
0:16:54 > 0:16:56I don't want your painting, Clyde.
0:16:56 > 0:17:01- I want to know what happened to the gun that was in it.- Galaxia's gun!
0:17:01 > 0:17:02Whose?
0:17:03 > 0:17:07OK, so I gave them names. Can we move on now? What matters is...
0:17:07 > 0:17:09What are you doing here?
0:17:09 > 0:17:12The police are conducting an investigation.
0:17:12 > 0:17:14they don't need a bunch of schoolchildren
0:17:14 > 0:17:16roaming around, disturbing evidence.
0:17:16 > 0:17:20Well, it isn't just your Mona Lisa that's been stolen now, is it?
0:17:20 > 0:17:23One of the guns in Clyde's painting has vanished. Look.
0:17:34 > 0:17:37It's dry.
0:17:37 > 0:17:39The gun wasn't painted out, Mr Harding. It was taken.
0:17:39 > 0:17:42Whatever we're dealing with it's more than just an art thief.
0:17:42 > 0:17:47- Oh, you better believe it, sugar. - She's got my gun!
0:17:50 > 0:17:53She went to the toilet and that's the last I saw of her.
0:17:53 > 0:17:56No, Gita, the police won't let me back in. No, I can't ring her.
0:17:56 > 0:17:59No phones allowed inside. Look, I'll call you back.
0:17:59 > 0:18:03- Haresh, hello.- Sarah Jane. I suppose you know about the Mona Lisa?
0:18:03 > 0:18:06Of course. The crime of the century and story of the year.
0:18:06 > 0:18:09- Where's Luke?- The thing is they've closed the gallery
0:18:09 > 0:18:11and Luke, Rani and Clyde are still inside so...
0:18:11 > 0:18:14Why don't you look after the rest of the kids,
0:18:14 > 0:18:15and I'll see what I can do.
0:18:15 > 0:18:18In my line of work you get a knack for opening closed doors.
0:18:18 > 0:18:20- You sure?- Mmm.- Thank you.
0:18:20 > 0:18:26Mrs Taylor, kids, come on. Quickly. Move. Phones away. Are you chewing?
0:18:26 > 0:18:28Put your phones away please.
0:18:28 > 0:18:32- Thank you.- OK.- Come on.
0:18:37 > 0:18:39Who are you?
0:18:40 > 0:18:43And I thought you were supposed to be an art expert!
0:18:44 > 0:18:48I am the Mona Lisa.
0:18:50 > 0:18:53- No, but really?- Yeah, really.
0:18:53 > 0:18:55You can't fake this kinda class.
0:18:55 > 0:18:57You can't be the Mona Lisa,
0:18:57 > 0:19:00you have to be some sort of alien manifestation.
0:19:00 > 0:19:02Whoooh. And why's that, then?
0:19:02 > 0:19:04Because, on Earth, women in paintings
0:19:04 > 0:19:05don't just jump out of their frames.
0:19:05 > 0:19:08And nick guns from someone's painting.
0:19:08 > 0:19:10Do you know how long that took me to paint?
0:19:10 > 0:19:11SHE SHIVERS
0:19:17 > 0:19:21Not bad. Not in my league, of course.
0:19:21 > 0:19:25But then Leo was a bit of a ledge even back then.
0:19:25 > 0:19:30Although he had to blag the oils off his weirdo neighbour to paint me.
0:19:30 > 0:19:34OK. Say that's true. Now you're out of your frame, what is it you want?
0:19:34 > 0:19:38I've just had five centuries hanging on a wall, sugar.
0:19:38 > 0:19:40What is it you think I want?
0:19:40 > 0:19:44It's time I had a bit of fun.
0:19:45 > 0:19:49- And I think I'll start with some target practice.- Run for it!
0:19:57 > 0:20:01So it's just you and me now, Harders.
0:20:09 > 0:20:11Sonic Scarlet,
0:20:11 > 0:20:13my favourite shade.
0:20:15 > 0:20:18Oh, boy. That's it... now I have seen everything.
0:20:18 > 0:20:21We so have to get hold of Sarah Jane. And I mean now.
0:20:21 > 0:20:23- No.- What's got in to you?
0:20:23 > 0:20:26Why are you being so weird about your mum?
0:20:26 > 0:20:29Luke and Sarah Jane have had a barney....Rani.
0:20:29 > 0:20:31Never mind that. Where is everyone?
0:20:31 > 0:20:34On the coach. My dad'll be going mental by now.
0:20:34 > 0:20:36What about the police. Forensics should be
0:20:36 > 0:20:38crawling all over this place.
0:20:38 > 0:20:41Something's wrong.
0:20:41 > 0:20:43It is.
0:20:43 > 0:20:46So very, very wrong.
0:20:58 > 0:21:01A whole new kind of wrong.
0:21:04 > 0:21:06Mia Bella!
0:21:09 > 0:21:11Is it...
0:21:11 > 0:21:13is it really you?
0:21:13 > 0:21:16Oh, go on then, touch me.
0:21:16 > 0:21:17I know you want to.
0:21:17 > 0:21:20I've seen the way you look at me.
0:21:20 > 0:21:25- I remember when you came to the Louvre.- The Louvre?
0:21:25 > 0:21:28Actually, every time you came.
0:21:28 > 0:21:32Twenty seconds, that's all anyone gets to see me
0:21:32 > 0:21:34and then, move along s'il vous plait.
0:21:34 > 0:21:37You always put up quite a struggle.
0:21:37 > 0:21:40It's a shame they had to ban you in the end.
0:21:41 > 0:21:44It is you!
0:21:44 > 0:21:46It really is you!
0:21:46 > 0:21:49And you are going to have to get used to that
0:21:49 > 0:21:51because we've got a lot of work to do.
0:21:51 > 0:21:53I don't understand.
0:21:53 > 0:21:57We have to find my brother.
0:21:58 > 0:22:01Definite traces of alien energy.
0:22:05 > 0:22:06Two of them.
0:22:10 > 0:22:13He's here somewhere...
0:22:13 > 0:22:15I know he is.
0:22:15 > 0:22:18But there's nothing to suggest in any academic work
0:22:18 > 0:22:20that you had a brother.
0:22:20 > 0:22:24Not had, Harders, have.
0:22:24 > 0:22:30And he's here somewhere amongst this tat just waiting for me.
0:22:30 > 0:22:33You mean another painting.
0:22:35 > 0:22:38Yes, I can see how you got the job here, Harders.
0:22:38 > 0:22:40And that's why I need you.
0:22:40 > 0:22:43You know every brush stroke in this place.
0:22:45 > 0:22:47Well, what does he look like, your brother?
0:22:50 > 0:22:53I've never seen him so I haven't got a clue.
0:22:53 > 0:22:56But he'll have been painted around the same time as me,
0:22:56 > 0:22:58the same place as me.
0:22:58 > 0:23:03- Next door, in fact.- I've got it!
0:23:03 > 0:23:04Follow me!
0:23:11 > 0:23:14- Oh, it's locked. - We have to find a phone.
0:23:14 > 0:23:15I don't care what you say, Luke,
0:23:15 > 0:23:18what's happened to those people is beyond freaky.
0:23:18 > 0:23:19We're calling your mum.
0:23:19 > 0:23:21I don't think there's any need.
0:23:23 > 0:23:25Her car's here.
0:23:30 > 0:23:32Residual alien energy.
0:23:32 > 0:23:35But if this is, or was, a painting by Leonardo,
0:23:35 > 0:23:38how is that possible?
0:23:38 > 0:23:40Do you know, Phyllis?
0:23:40 > 0:23:43I know you can hear me, even though you can't answer.
0:23:43 > 0:23:45I promise you, I'm going to get you out of there.
0:23:48 > 0:23:51If he was painted at the same time as you, his has to be him.
0:23:54 > 0:23:56Has to be.
0:23:56 > 0:24:00Not only a contemporary of Leonardo, but a neighbour in Florence.
0:24:04 > 0:24:08- Him? He's not much of a looker, is he?- Giuseppe Di Cattivo.
0:24:08 > 0:24:121450 to 1518, whose work is often compared to his more
0:24:12 > 0:24:15famous contemporary Hieronymus Bosch.
0:24:15 > 0:24:16Poor Giuseppe
0:24:16 > 0:24:19he died in a lunatic asylum.
0:24:23 > 0:24:27No... no, this isn't him. But...
0:24:31 > 0:24:34Come out, come out, whoever you are!
0:24:36 > 0:24:39I can hear you breathing!
0:24:40 > 0:24:44Who would've thought a painting would have such good hearing,
0:24:44 > 0:24:48Mona Lisa? But then Leonardo was such a stickler for detail.
0:24:48 > 0:24:51On the subject of detail...
0:24:51 > 0:24:53mind filling in the obvious blank?
0:24:53 > 0:24:56My name is Sarah Jane Smith. And that is a Sontaran blaster,
0:24:56 > 0:24:59do you mind telling me where you got it?
0:24:59 > 0:25:01Oooh, I just took it from the painting
0:25:01 > 0:25:04that lad Clyde did, cos I thought it looked a little bit flash.
0:25:04 > 0:25:07Oh, Clyde. You'd better not have harmed him or his friends!
0:25:07 > 0:25:10Oh, no, don't concern yourself. They're perfectly safe.
0:25:10 > 0:25:13I'm Lionel Harding curator of the museum.
0:25:13 > 0:25:17Mr Harding, whatever is happening here, don't worry. I can help you.
0:25:17 > 0:25:20Thank you, I'm not sure I need it.
0:25:20 > 0:25:24Ah, you see Harders here, he's my number one fan.
0:25:24 > 0:25:27Listen to me, she is dangerous. Look what she did to Miss Trupp.
0:25:29 > 0:25:33Now you don't want to worry about that old trout do you Harders?
0:25:33 > 0:25:35I mean, you never did before, did you?
0:25:35 > 0:25:39And, let's face it, she never was an oil painting.
0:25:39 > 0:25:41At least not till now!
0:25:43 > 0:25:45Release her. Now!
0:25:45 > 0:25:47Oooh, I might think about it.
0:25:47 > 0:25:49Depends if you stay out of my way.
0:25:49 > 0:25:51Sarah Jane Smith?
0:25:51 > 0:25:55Sarah Jane,
0:25:55 > 0:25:56where do I know that name?
0:25:59 > 0:26:04Oh! oohh that Sarah Jane.
0:26:04 > 0:26:09Seems like no-one wants you around, Sazza. Not even your son.
0:26:09 > 0:26:13- What? - Hmmm, heard him talking before...
0:26:13 > 0:26:16he'd like you to keep your nose out. And so would I.
0:26:16 > 0:26:19I'm sorry, whatever you're planning I am not stepping aside.
0:26:19 > 0:26:21- That's your choice.- No, Mia Bella!
0:26:21 > 0:26:23DEEP GROWLING
0:26:29 > 0:26:33- What is that?- That is my brother.
0:26:33 > 0:26:36Is it me, or did things just get uncomfortable?
0:26:43 > 0:26:45What's going on?
0:26:46 > 0:26:49Well, give me a second, and I'll put you in the picture.
0:26:50 > 0:26:52No.
0:26:52 > 0:26:54That's Mum!!
0:27:01 > 0:27:03- Sarah Jane?- Mum?
0:27:04 > 0:27:05Luke?
0:27:06 > 0:27:08I've found her.
0:27:12 > 0:27:14No, Mum!
0:27:19 > 0:27:21EVIL LAUGHING
0:27:21 > 0:27:23And that is how she'll stay...
0:27:24 > 0:27:26..forever!
0:27:35 > 0:27:37Run!
0:27:37 > 0:27:42I have not been released from wood and paint to be trapped in here.
0:27:42 > 0:27:45A legend, a painting too terrifying to be exhibited.
0:27:45 > 0:27:49Once we are united your reign of fire and sulphur shall begin
0:27:49 > 0:27:54and the world will be a rage of flames at our feet.
0:28:10 > 0:28:13Subtitles by Red Bee Media Ltd
0:28:13 > 0:28:16E-mail subtitling@bbc.co.uk