0:00:02 > 0:00:0313 Bannerman Road is where Sarah Jane Smith lives.
0:00:03 > 0:00:06It's home to things way beyond
0:00:06 > 0:00:10your imagination. There's an extra-terrestrial super computer in the wall,
0:00:10 > 0:00:13a genetically engineered boy genius in the attic,
0:00:13 > 0:00:17a schoolgirl investigator across the road
0:00:17 > 0:00:21and a whole universe of adventure right here on the doorstep.
0:00:25 > 0:00:28- Ready?- Always.
0:00:30 > 0:00:33Prepare to meet the Mona Lisa.
0:00:35 > 0:00:37The Mona Lisa has been stolen!
0:00:37 > 0:00:39- This is the Mona Lisa. - But it can't be.
0:00:42 > 0:00:44When I act like a real teenager you want me to be perfect again.
0:00:44 > 0:00:46The way the Bane made me!
0:00:46 > 0:00:49It's weird enough for Sarah Jane, we should call her.
0:00:49 > 0:00:51No, we don't need her, we can do this ourselves.
0:00:52 > 0:00:56- What is that?- That is my brother.
0:00:57 > 0:01:01- Sarah Jane!- Mum! - And that
0:01:01 > 0:01:04is how she'll stay forever.
0:01:21 > 0:01:22What have you done with her?
0:01:22 > 0:01:25Do you not like it? I mean I know art is subjective.
0:01:25 > 0:01:27But I think she looks as pretty as a picture.
0:01:27 > 0:01:31Well, most pictures. I think we can all agree I'm in a different league.
0:01:31 > 0:01:33- Yeah, too right.- Mmm, ta.
0:01:33 > 0:01:35He didn't mean it as a compliment!
0:01:35 > 0:01:37And you're just jealous.
0:01:37 > 0:01:39Get my mum out of that painting!
0:01:39 > 0:01:40- Now!- So you can say "Sowwy"?
0:01:40 > 0:01:43- What?- Well, only an hour ago you didn't need her.
0:01:43 > 0:01:45Nothing gets past me, kids.
0:01:45 > 0:01:47You were all, "We can do this ourselves."
0:01:47 > 0:01:49Leave him alone!
0:01:49 > 0:01:52Not such the hero now, eh?
0:01:52 > 0:01:55Don't worry, young man. Your mother is perfectly safe...
0:01:55 > 0:01:57just like Miss Trupp here. As soon as Mona Lisa
0:01:57 > 0:02:02has found her brother, she will release them both, I'm sure.
0:02:02 > 0:02:06- Her brother? - It's... another painting.
0:02:06 > 0:02:08I think.
0:02:08 > 0:02:11- You mean that? - Oh, boy, have we got trouble.
0:02:11 > 0:02:14Too right, sugar. If you know what's good for you, I'd butt out.
0:02:14 > 0:02:18I can't do that. Whatever you're doing, my mum was going
0:02:18 > 0:02:20to stop you... and that means now I have to.
0:02:20 > 0:02:23Aw, couldn't you just eat them, Harders?
0:02:23 > 0:02:26They're so sweet and they think they can handle me.
0:02:26 > 0:02:29- And you wanna know why? - Because we can!
0:02:29 > 0:02:31Come on,
0:02:31 > 0:02:34- let's go!- Luke! What are you doing?!
0:02:34 > 0:02:38- I keep forgetting I've got legs now. - My painting!- My mum!
0:02:38 > 0:02:40Don't worry, Harders...
0:02:40 > 0:02:42I've got it covered.
0:02:47 > 0:02:49Hold up!
0:02:49 > 0:02:52- It's OK... they're not following. - Have you got any idea how
0:02:52 > 0:02:55- she could've done this? - No, I don't understand any of it.
0:02:55 > 0:02:58Well, we'd better work it out. Fast.
0:02:58 > 0:03:00The Mona Lisa has existed for five centuries. There must
0:03:00 > 0:03:03be a reason she's come to life and it has to be about this gallery.
0:03:03 > 0:03:07Most likely, whatever is roaring its head off down there like a caged bear
0:03:07 > 0:03:09- with gut ache.- Her brother.
0:03:09 > 0:03:12THUD
0:03:12 > 0:03:14- What was that?- You heard it, too?
0:03:14 > 0:03:17I thought I was just getting ringing in my ears.
0:03:21 > 0:03:24Where did he come from?
0:03:24 > 0:03:27William Bonneville's painting, The Dark Rider.
0:03:27 > 0:03:28Painted 1802.
0:03:28 > 0:03:31- I thought you didn't know anything about art?!- I don't.
0:03:31 > 0:03:35- But I remember everything I see. I can't help it!- Ssssh!
0:03:38 > 0:03:41Run! This way!
0:03:49 > 0:03:51He's right behind us!
0:03:54 > 0:03:56He's a picture... shouldn't he be firing paint balls?
0:03:56 > 0:04:02Yeah, well... two flintlocks, two shots. He's out of ammo. Come on.
0:04:05 > 0:04:09It's a picture come to life... He can fire as many times as he likes!
0:04:12 > 0:04:15Run!
0:04:17 > 0:04:18Clyde!
0:04:18 > 0:04:21Split up he can only go for one of us!
0:04:21 > 0:04:22Clyde, no!
0:04:22 > 0:04:24He won't harm them, will he?
0:04:24 > 0:04:27They're just children. They can't do anything to stop you.
0:04:27 > 0:04:30Well, aren't you a sweetie, Harders?
0:04:30 > 0:04:33All worried about the little kiddie-winkies.
0:04:33 > 0:04:36But they're children. You must have had children!
0:04:36 > 0:04:39Children? Have you seen how small that frame of mine was?
0:04:39 > 0:04:44- Not much room for a family in there! - I meant before. The real Lisa.
0:04:44 > 0:04:46Now look here, Harders...
0:04:46 > 0:04:48Let's get this straight.
0:04:48 > 0:04:51I AM the Mona Lisa.
0:04:51 > 0:04:54Not that dreary Italian housewife that sat for Leo.
0:04:54 > 0:04:57She laughed like a camel and farted like a donkey.
0:04:57 > 0:05:01That enigmatic smile everyone bangs on about?
0:05:01 > 0:05:06Wind. So you get your head around this, Harders,
0:05:06 > 0:05:09because I won't say it again.
0:05:09 > 0:05:13I am the painting come to life!
0:05:13 > 0:05:16The most beautiful painting in the world.
0:05:16 > 0:05:19The legend made flesh.
0:05:19 > 0:05:20Finally, you're getting it.
0:05:20 > 0:05:24Now, let's go and find my brother!
0:05:24 > 0:05:30GROWLING
0:05:33 > 0:05:36What kind of art could possibly make that noise?
0:05:38 > 0:05:41What kind of art is that?
0:05:42 > 0:05:45That's not art. That's a window.
0:05:45 > 0:05:48That's the real world.
0:05:48 > 0:05:50What's it like?
0:05:50 > 0:05:52Outside.
0:05:52 > 0:05:54Well, it's roomier than in here.
0:05:54 > 0:05:57And some of it has grass on.
0:05:57 > 0:06:00Show me.
0:06:00 > 0:06:02Show me what I've missed.
0:06:02 > 0:06:03Show me the sky.
0:06:05 > 0:06:07Open it.
0:06:07 > 0:06:11I want to see...
0:06:11 > 0:06:13I want to touch...
0:06:20 > 0:06:22There's so much of it.
0:06:22 > 0:06:25An entire world to walk.
0:06:31 > 0:06:35No!
0:06:35 > 0:06:39I've not been released from wood and paint to be trapped
0:06:39 > 0:06:43in here! This is such a cheat!
0:06:47 > 0:06:49We could make a home for you here.
0:06:49 > 0:06:52Well, this wing is being refurbished.
0:06:52 > 0:06:54It could be yours.
0:06:54 > 0:06:57A suite, a whole floor,
0:06:58 > 0:07:01you could live here.
0:07:01 > 0:07:05A thinking, breathing work of art!
0:07:05 > 0:07:07I don't want to be a work of art!
0:07:08 > 0:07:10Where is the fun in hanging on walls?
0:07:10 > 0:07:13He's speaking to me.
0:07:17 > 0:07:20Yes, my brother in living paint.
0:07:20 > 0:07:23Of course. I see.
0:07:23 > 0:07:25Once we are united,
0:07:25 > 0:07:27we will both be free
0:07:27 > 0:07:30and nothing will stand in our way.
0:07:30 > 0:07:34Not gallery walls or pathetic humans!
0:07:39 > 0:07:41I hope Clyde's OK.
0:07:41 > 0:07:42- Clyde can look after himself.- Yeah.
0:07:44 > 0:07:46Euch, that woman's face is everywhere.
0:07:48 > 0:07:50We have to find a way to release Mum.
0:07:50 > 0:07:52Why did we have that stupid row about my room?
0:07:52 > 0:07:54Because that's what happens. Sometimes
0:07:54 > 0:07:56parents, they just get on your case.
0:07:56 > 0:07:58Mum and me, we've never argued before.
0:08:00 > 0:08:02Don't worry, Luke.
0:08:02 > 0:08:04You'll get a chance to make it up.
0:08:05 > 0:08:07He has spoken.
0:08:07 > 0:08:09Now I know who my brother is.
0:08:09 > 0:08:12He is a work so terrible
0:08:12 > 0:08:17that no-one has laid eyes on it since it was first created!
0:08:17 > 0:08:21No, it can't be... That's just a legend.
0:08:21 > 0:08:25A story the cleaners and night staff scare each other with...
0:08:25 > 0:08:28It doesn't really exist.
0:08:28 > 0:08:32My brother and I have waited all these years to be brought together.
0:08:32 > 0:08:35Five centuries, Harders.
0:08:35 > 0:08:38And now you
0:08:38 > 0:08:41are the man for the job.
0:08:41 > 0:08:45So you take me to him, and we will set him free!
0:08:50 > 0:08:53Mona Lisa's looking for her brother.
0:08:53 > 0:08:56Another painting in the gallery with some sort of connection to her.
0:08:56 > 0:09:00Could that be why she's come to life... the two of them so close?
0:09:00 > 0:09:02It's the logical explanation.
0:09:02 > 0:09:05Perhaps if we can find it before she does, we can stop her.
0:09:06 > 0:09:10There has to be something in these books to help.
0:09:10 > 0:09:15And now he calls to me, from the vaults below...
0:09:15 > 0:09:18and now look what we have to bring him...
0:09:18 > 0:09:23After five centuries, he might just feel a little bit peckish.
0:09:25 > 0:09:27What is that thing?
0:09:27 > 0:09:32- Tell him, Harders. - A painting that shouldn't exist.
0:09:32 > 0:09:34And now it's time for a viewing.
0:09:36 > 0:09:38Bring him!
0:09:38 > 0:09:41There's nothing.
0:09:41 > 0:09:44No clue to any painting linked to the Mona Lisa or Leonardo.
0:09:44 > 0:09:48What about a painting that isn't supposed to exist?
0:09:48 > 0:09:50- What?- A legend.
0:09:50 > 0:09:54A painting too terrifying to be exhibited, even to look at.
0:09:54 > 0:09:57The Abomination.
0:10:03 > 0:10:07The story says that it was painted by Giuseppe Di Cattivo,
0:10:07 > 0:10:12known in 15th Century Florence as the Artist of Nightmares.
0:10:12 > 0:10:15So he didn't paint fluffy lambs and bunny rabbits, then?
0:10:15 > 0:10:17Even at the time his paintings
0:10:17 > 0:10:21were considered disturbing, an affront to Creation.
0:10:21 > 0:10:25The Abomination was said to have been his masterpiece.
0:10:25 > 0:10:29"But when Guiseppe saw what he had painted, a terror gripped him.
0:10:29 > 0:10:32"He realised no-one could look on his creation without losing their sanity.
0:10:32 > 0:10:35"And he locked the painting in a special case, made with wood
0:10:35 > 0:10:38"from a hangman's gallows to keep the Abomination
0:10:38 > 0:10:40"from human eyes for all eternity."
0:10:40 > 0:10:44He secured the case with a complex Chinese puzzle-lock.
0:10:44 > 0:10:48The next morning he was found in his Florence apartments
0:10:48 > 0:10:51beside the wooden case.
0:10:51 > 0:10:54He had gone completely insane.
0:10:54 > 0:10:56"The secret of the puzzle was
0:10:56 > 0:11:00"lost to his ravaged mind, and the painting has never been unlocked."
0:11:02 > 0:11:05Isn't that just a corker of a story?
0:11:05 > 0:11:08Except it's not just a story, is it?
0:11:08 > 0:11:11We're about to find out.
0:11:11 > 0:11:14The gallery took possession of a collection of
0:11:14 > 0:11:17Giuseppe's works in Victorian times.
0:11:17 > 0:11:21- This is the door to the vaults. - You don't really think this is
0:11:21 > 0:11:24all going to work out happily ever after, do you?
0:11:24 > 0:11:29Ever since man first drew on cave walls, all any artist ever
0:11:29 > 0:11:34wanted to do was breathe life into what they created.
0:11:34 > 0:11:38Can't you appreciate the wonder of what has happened today?
0:11:38 > 0:11:41Can't you appreciate that she's nuts?
0:11:43 > 0:11:45Standing right here, boys.
0:12:12 > 0:12:14Right, Harders,
0:12:14 > 0:12:16you first.
0:12:20 > 0:12:22Giuseppe Di Cattivo...
0:12:22 > 0:12:26- Why does that name mean something? - I don't know.
0:12:26 > 0:12:27I do know one thing.
0:12:27 > 0:12:31He was in Florence. And that's where Leonardo painted the Mona Lisa.
0:12:31 > 0:12:34Plus, earlier she said something about Leonardo using
0:12:34 > 0:12:36paint from his "weirdo neighbour".
0:12:36 > 0:12:40That's it! That's where I've seen the name before! Come on!
0:12:54 > 0:12:57Leonardo da Vinci and Giuseppe di Cattivo were both in Florence...
0:12:57 > 0:12:59and must have used the same paint for both pictures.
0:12:59 > 0:13:01That still doesn't explain how both of them are coming to life.
0:13:01 > 0:13:03Paint is a mineral pigment held in oil.
0:13:03 > 0:13:05What if the minerals came from a rock that fell from space?
0:13:05 > 0:13:08- A meteorite?- Like the one that created Odd Bob the Clown.
0:13:08 > 0:13:10An energy that survived on emotion.
0:13:10 > 0:13:13For five centuries they were apart and inactive. Dormant.
0:13:13 > 0:13:15Bringing them together has brought them to life.
0:13:15 > 0:13:18Clyde said it sounded like a caged bear and that's exactly what it is.
0:13:18 > 0:13:22- And we think the Mona Lisa is bad news.- Look! Clyde's bag.
0:13:28 > 0:13:30Don't worry.
0:13:30 > 0:13:31We can stop this.
0:13:34 > 0:13:37I've never been as far inside the old vaults before,
0:13:37 > 0:13:40it's filthy.
0:13:40 > 0:13:41You don't say.
0:13:41 > 0:13:46But the stories say the Abomination is down here somewhere.
0:13:46 > 0:13:48Well, I don't see my brother!
0:13:48 > 0:13:51If you're playing games with me, Harders,
0:13:51 > 0:13:53I'll feed you to him, as well,
0:13:53 > 0:13:55feet first!
0:13:55 > 0:13:59I think that's your brother calling. GROWLING
0:13:59 > 0:14:00Move it!
0:14:06 > 0:14:09Once she's unlocked her brother, she'll be finished with you.
0:14:09 > 0:14:12Helping her isn't going to make any difference.
0:14:12 > 0:14:16Believe me, we're both going to get abominated.
0:14:16 > 0:14:20I know. But what can I do now?
0:14:25 > 0:14:29GROWLING
0:14:46 > 0:14:50If you ask me he doesn't seem all that pleased to see you.
0:14:50 > 0:14:53Show some respect for my brother in living paint.
0:14:53 > 0:14:57Cos once he's out of there... then you'll see some fireworks!
0:14:59 > 0:15:02Lisa, you can't do this!
0:15:02 > 0:15:04- He's right, you can't. - What's this, Harders?
0:15:04 > 0:15:07Remember where you left your backbone all of a sudden?
0:15:07 > 0:15:09No.
0:15:09 > 0:15:12The puzzle-lock is missing.
0:15:13 > 0:15:15Where is it?!
0:15:15 > 0:15:20Giuseppe's Chinese puzzle-lock. I knew I'd seen it.
0:15:20 > 0:15:22I remember everything I see.
0:15:22 > 0:15:24I don't really get art.
0:15:24 > 0:15:27Whoa, it's an art gallery.
0:15:27 > 0:15:29But I knew this was something else.
0:15:29 > 0:15:30Not art.
0:15:30 > 0:15:33- Part of a complex locking mechanism. - Part?
0:15:33 > 0:15:35This is the key to the Abomination.
0:15:35 > 0:15:38Somehow, it was separated from the painting and catalogued by
0:15:38 > 0:15:40the gallery as just another work of art.
0:15:40 > 0:15:42No-one ever realized what it really was.
0:15:44 > 0:15:47But if Mona Lisa wants to free The Abomination she's going to need this.
0:15:47 > 0:15:49And we can use that to force her to release Mum.
0:15:49 > 0:15:52- You're going to bargain with her? - It's a nice idea, kid.
0:15:52 > 0:15:54But I don't do deals.
0:15:54 > 0:15:56Not while I'm packing heat.
0:15:56 > 0:15:58Go fetch.
0:16:02 > 0:16:04If you fire that blaster at us, you'll destroy the puzzle-lock.
0:16:04 > 0:16:06That's why I'm not going to fire it then.
0:16:06 > 0:16:11Unless you do something stupid like smash the puzzle. Which you won't.
0:16:11 > 0:16:13Because I've got your friend, Clydey.
0:16:13 > 0:16:15Where is he? What have you done to him?
0:16:15 > 0:16:18Don't worry. He's all right.
0:16:18 > 0:16:21But you'd better give me the puzzle-lock.
0:16:31 > 0:16:35Now it's me you're bargaining with.
0:16:36 > 0:16:38What?!
0:16:38 > 0:16:41- I've been a fool.- Well, I could've told you that any day.
0:16:41 > 0:16:45- Now give me the puzzle. - I thought you were wonderful.
0:16:45 > 0:16:48I dedicated my professional life -
0:16:48 > 0:16:51no, my life - to bringing you to this gallery.
0:16:51 > 0:16:53I know, I know, you're my Number One Fan...
0:16:55 > 0:16:58..now give me the puzzle-lock.
0:17:00 > 0:17:06Not until you have released Miss Trupp, and this young man's mother.
0:17:06 > 0:17:10Oh, you can threaten me with your ray gun, it makes no difference.
0:17:10 > 0:17:12I'm responsible for this mess.
0:17:12 > 0:17:14It's time I took a stand.
0:17:16 > 0:17:18You won't. You wouldn't dare.
0:17:21 > 0:17:23All these pretty pictures are too precious to you...
0:17:23 > 0:17:28all that history, all the colours...
0:17:29 > 0:17:32No!!!
0:17:32 > 0:17:36ABOMINATION GROWLS
0:17:39 > 0:17:43Oh, you're so gonna wish you hadn't done that,
0:17:43 > 0:17:45well, for about a second, anyway!
0:17:45 > 0:17:47No! Don't!
0:17:47 > 0:17:50There's another way to release the Abomination. I can help you!
0:17:50 > 0:17:52You?
0:17:52 > 0:17:53Luke?
0:17:53 > 0:17:55But first you have to take me to Clyde.
0:17:57 > 0:18:01So, did you know Dick Turpin, then?
0:18:04 > 0:18:06You don't say a lot, do you?
0:18:06 > 0:18:09Of course you can't talk...
0:18:09 > 0:18:11you only got painted with that mask.
0:18:11 > 0:18:14You don't have a mouth.
0:18:14 > 0:18:17A highwayman that can't say "Stand and deliver".
0:18:17 > 0:18:20Not much of a highwayman, really, are you?
0:18:22 > 0:18:24- Clyde!- Guys!
0:18:24 > 0:18:26I knew you'd show up.
0:18:26 > 0:18:29Trouble is, I've still got Silent Bob here.
0:18:29 > 0:18:31SOMETHING SNARLS
0:18:31 > 0:18:32Oh, and him.
0:18:32 > 0:18:36Oh, ey up, I do love a good reunion, me.
0:18:36 > 0:18:40Now whatever it is you're going to do, you get on with it.
0:18:42 > 0:18:45SHE TUTS
0:18:43 > 0:18:45My brother's becoming restless.
0:18:45 > 0:18:49- What's going on?- Luke's got a plan.
0:18:49 > 0:18:52- You're going to release the Abomination.- I'm what?!
0:18:52 > 0:18:55Mr Harding destroyed the puzzle lock. You can draw a new one.
0:18:55 > 0:18:57I can?
0:18:57 > 0:19:00OK. I can. But why would I?
0:19:00 > 0:19:03Mona Lisa will make the picture real and use it to unlock the Abomination.
0:19:03 > 0:19:08Which will then rampage across Earth and everyone that sees it will go mad or die.
0:19:08 > 0:19:09Probably both.
0:19:09 > 0:19:12- I want Mum back. - You can't trust her.
0:19:12 > 0:19:13Even I realise that now.
0:19:13 > 0:19:17- He's right mate.- You know, Clydey, this Sultana blaster.
0:19:17 > 0:19:18I think you mean Sontaran.
0:19:18 > 0:19:23Woteva! It hasn't seen much use, that could easily change.
0:19:23 > 0:19:25Do it, Clyde. She can't use the photograph.
0:19:25 > 0:19:30She has to use something that's been drawn, something that's been invested with human energy!
0:19:30 > 0:19:32Luke, are you sure about this?
0:19:32 > 0:19:34I know you're upset, but this seems wrong.
0:19:34 > 0:19:37Sarah Jane wouldn't want us doing this. It's not her way.
0:19:37 > 0:19:39You're right. I'm not doing this Mum's way.
0:19:39 > 0:19:43This is my way. Draw it. Please.
0:19:44 > 0:19:46Just do it.
0:19:46 > 0:19:48That's the way, Clydey.
0:19:48 > 0:19:52Now you make this your best work, in fact,
0:19:52 > 0:19:55you make it a masterpiece.
0:19:55 > 0:19:58- I can't believe you're doing this. - Just trust me.
0:19:58 > 0:20:00ABOMINATION GROWLS
0:20:00 > 0:20:03My brother in living paint!
0:20:03 > 0:20:05Your wait will soon be over,
0:20:05 > 0:20:08and then your reign of fire and sulphur shall begin.
0:20:08 > 0:20:13And the world will be a rage of flames at our feet.
0:20:13 > 0:20:15You have to stop this, Mona Lisa.
0:20:15 > 0:20:20I thought you wanted to experience the world, not destroy it?
0:20:20 > 0:20:21What use is that to me?
0:20:21 > 0:20:25A world of flowers and trees,
0:20:25 > 0:20:30or ablaze with fire and torrents of molten lava?
0:20:32 > 0:20:35- That's it! You mustn't do this, Clyde. Tear it up!- No!
0:20:35 > 0:20:38It's finished. I'm sorry.
0:20:40 > 0:20:44And now it is time to release my brother!
0:20:44 > 0:20:45Give it to me.
0:20:49 > 0:20:54Oooh, that's not bad, Clydey, that's not bad at all.
0:20:56 > 0:20:57I hope you know what you're doing, my padawan.
0:20:57 > 0:21:00You've gone right over to the dark side.
0:21:06 > 0:21:09- I have it!- I really hope you know what you're doing!
0:21:25 > 0:21:29Here, my brother... your deliverance!
0:21:37 > 0:21:38You are free!
0:21:50 > 0:21:53- It's coming out!!- Don't look at it!
0:21:53 > 0:21:55My brother!
0:22:01 > 0:22:03- K9? Now!- What is that?
0:22:03 > 0:22:06- Where did you come from?! - Who let that metal mutt in here?
0:22:06 > 0:22:07Don't mess with my dog, Lisa!
0:22:12 > 0:22:13No!!!
0:22:19 > 0:22:22No, my brother. Don't abandon me. No!
0:22:24 > 0:22:26Maximum pigmentation dispersal.
0:22:26 > 0:22:28I'm not having this!
0:22:28 > 0:22:30K9...look out!
0:22:32 > 0:22:36What's happening! You...shoot 'em!
0:22:42 > 0:22:44NO!!!
0:22:44 > 0:22:45Everything it did is being reversed.
0:22:45 > 0:22:49- Oh, good work, K9! - Thank you, Mistress Rani.
0:22:49 > 0:22:51I can't go back into that frame!
0:22:51 > 0:22:54- I won't!- You've got no choice.
0:22:54 > 0:22:56Please! That room that you promised me.
0:22:56 > 0:23:01A living work of art, that's what you said.
0:23:01 > 0:23:08I'll do it! I'll do anything if you let me stay here and you let me live...
0:23:08 > 0:23:09He can't help you, Lisa.
0:23:09 > 0:23:13No-one can. You're going back to the way Leonardo created you...
0:23:13 > 0:23:15paint and board.
0:23:15 > 0:23:17But I've always been able to think...
0:23:17 > 0:23:19- and to feel...- And you still will.
0:23:19 > 0:23:22- Just back in your painting. - Where you belong.
0:23:22 > 0:23:27I want to be flesh...
0:23:27 > 0:23:29NO!!!
0:23:36 > 0:23:37NO!!!
0:23:46 > 0:23:50And that's the last of her, I hope.
0:23:50 > 0:23:53With the Abomination destroyed, she's never coming back.
0:23:53 > 0:23:54K9, my man...
0:23:57 > 0:23:59He was just a drawing too?!
0:23:59 > 0:24:01From my sketchbook.
0:24:01 > 0:24:04It was the picture underneath.
0:24:04 > 0:24:08Luke wanted me to draw it so when Lisa brought the lock into existence,
0:24:08 > 0:24:10she brought K9 to life, too.
0:24:10 > 0:24:13- You mean you knew what he was up to?!- Of course I didn't.
0:24:13 > 0:24:15But I trusted him.
0:24:17 > 0:24:18My man!
0:24:19 > 0:24:22Come on, we've got to find Mum.
0:24:28 > 0:24:30Mia bella.
0:24:33 > 0:24:34Miss Trupp!
0:24:39 > 0:24:40Mum!
0:24:40 > 0:24:42Oh, Luke!
0:24:46 > 0:24:47You're safe!
0:24:55 > 0:24:57Where's he going?
0:25:09 > 0:25:10Oh, Miss Trupp!
0:25:11 > 0:25:13Phyllis!
0:25:14 > 0:25:16I've...had the most bizarre dream.
0:25:16 > 0:25:18So have I.
0:25:18 > 0:25:24The most bizarre, frightening dream for 25 years.
0:25:24 > 0:25:27When true happiness was right there under my nose.
0:25:27 > 0:25:30Call me Lionel.
0:25:30 > 0:25:32Lionel?
0:25:32 > 0:25:35- Call you Lionel? - It's my name, Miss Trupp.
0:25:35 > 0:25:37I mean, Phyllis.
0:25:37 > 0:25:40My first name.
0:25:41 > 0:25:43I know it's your name,
0:25:43 > 0:25:46"Harders".
0:25:46 > 0:25:48Mona Lisa dumped you, did she?
0:25:50 > 0:25:53- I'm sorry. I don't understand. - Oh, I heard you. "Mia bella!"
0:25:54 > 0:26:01That...trollop imprisoned me. And you were all over her!
0:26:01 > 0:26:03You... You...
0:26:03 > 0:26:06art tart!
0:26:07 > 0:26:08Phyllis!
0:26:08 > 0:26:11- Wait...please!- Uh-oh!
0:26:11 > 0:26:15Looks like you've painted yourself into a corner there, Harders.
0:26:18 > 0:26:21A living consciousness imprisoned like that.
0:26:21 > 0:26:24I almost feel sorry for her.
0:26:24 > 0:26:28- Almost?- Well, you can go off someone when they trap you in a picture.
0:26:28 > 0:26:30But I knew you three would be there for me.
0:26:30 > 0:26:34- I knew you wouldn't let me down. - Well, it was all down to Luke, really.
0:26:34 > 0:26:36I know. And I am so proud of you.
0:26:36 > 0:26:41My wonderful, clever, resourceful, dependable son.
0:26:41 > 0:26:43- And messy?- Oh, yes, that as well.
0:26:43 > 0:26:46But then nobody's perfect.
0:26:46 > 0:26:48Yeah, look at Mona Lisa.
0:26:50 > 0:26:53And I'll sort out my room when we get home. I promise.
0:26:53 > 0:26:58And while you're doing that, Clyde and I will be having a little chat about Sontaran blasters.
0:27:05 > 0:27:07Slitheen! They're back.
0:27:08 > 0:27:10Slitheen back on Earth, it means mayhem.
0:27:10 > 0:27:13Switch it off, boys! I won't ask you again.
0:27:13 > 0:27:15- No chance!- Stand back, Miss Smith!
0:27:15 > 0:27:19- But who are you? - We are Blathereen.
0:27:19 > 0:27:23This little plant could save millions of lives.
0:27:23 > 0:27:26Do you really think we can trust the Blathereen?
0:27:26 > 0:27:27- Let her go!- No!
0:27:39 > 0:27:41Subtitles by Red Bee Media
0:27:41 > 0:27:43Email subtitling@bbc.co.uk