0:00:02 > 0:00:07Dear Sis. I am writing to you from my new e-mail address,
0:00:07 > 0:00:12the governor, dot, who is the governor, dot, you are the governor
0:00:12 > 0:00:14at sloppy ploppy dot UK.
0:00:15 > 0:00:19It's so long I have worn out two keyboards.
0:00:24 > 0:00:26Three keyboards.
0:00:26 > 0:00:30Anyway, this week's freedom show was one of the best yet.
0:00:30 > 0:00:32Ai-ai-ai-ai-ai!
0:00:32 > 0:00:35And one of the weirdest yet.
0:00:39 > 0:00:43Oh, and we had an unexpected guest.
0:00:43 > 0:00:45HE ROARS.
0:00:45 > 0:00:46Oh, good Lord, it's you.
0:00:46 > 0:00:49Here is the whole stilly...
0:00:49 > 0:00:51stooly...
0:00:51 > 0:00:54Oh, ctrl-alt-delete. Oh...
0:00:57 > 0:01:02# You've been found guilty Of a howling showbiz crime
0:01:02 > 0:01:07# So welcome to The Slammer Where you're gonna serve your time
0:01:07 > 0:01:11# With every type of minstrel Entertainer and artiste
0:01:11 > 0:01:15# Performing to the limit To try and get released
0:01:15 > 0:01:20# So go and fetch the audience Bring them to The Slammer
0:01:20 > 0:01:24# And polish up your act With a bit of glitz and glamour
0:01:24 > 0:01:28# Your fate is in their hands So make them cheer and clamour
0:01:28 > 0:01:33# It's the only way You'll ever leave The Slammer
0:01:33 > 0:01:38# It's the only way You'll ever leave The Slammer! #
0:01:38 > 0:01:44Oh, Titch. I'm so sick of being stuck in this place.
0:01:44 > 0:01:48I've only got two friends, and one of them's Gimbert.
0:01:48 > 0:01:52I wish you and I were real best friends.
0:01:52 > 0:01:54If only you were real.
0:01:54 > 0:01:56'If only you were real.
0:01:56 > 0:01:59'If only you were real.
0:01:59 > 0:02:01'If only you were real.
0:02:01 > 0:02:03All right, look lively.
0:02:03 > 0:02:06Peter, time for your music therapy session. Ready?
0:02:06 > 0:02:10- Yeah, champion, Guv(!) - Come on then, lad. Ha, ha!
0:02:10 > 0:02:12- Mr Burgess.- Sir.
0:02:14 > 0:02:17'If only you were real.'
0:02:18 > 0:02:21Right, what's the job this time, then?
0:02:21 > 0:02:24Customer wants a puppet made human.
0:02:24 > 0:02:25Oh, same old, same old.
0:02:25 > 0:02:28Where's the puppet, then?
0:02:28 > 0:02:29Ah, this must be it.
0:02:32 > 0:02:34Right.
0:02:35 > 0:02:38Eh...hmm. What do I say again? Oh, yeah.
0:02:38 > 0:02:41Shazam! Listen, you.
0:02:41 > 0:02:45You've been made human by the love of your owner,
0:02:45 > 0:02:47blah, blah, blah, etc, etc.
0:02:47 > 0:02:50Be good. Laters!
0:02:51 > 0:02:53HE GROWLS
0:02:57 > 0:03:00# On Mother Kelly's doorstep
0:03:01 > 0:03:03# Down Paradise Row
0:03:05 > 0:03:08# I'd sit along Nellie
0:03:09 > 0:03:11# She'd sit along Joe
0:03:13 > 0:03:16# She's got a little hole in her sock
0:03:16 > 0:03:19# A hole in her shoe
0:03:19 > 0:03:22# A hole in her stocking, where her toe peeps through
0:03:22 > 0:03:29# But Nellie was the smartest down our alley
0:03:29 > 0:03:32# On Mother Kelly's do... #
0:03:32 > 0:03:34You all right? Everything OK?
0:03:34 > 0:03:37- Oh, yeah. Brilliant, Guv(!) - I do requests.
0:03:37 > 0:03:40- Can you throw that in a skip? - Watch it.
0:03:40 > 0:03:43- KNOCK KNOCK - I'm not expecting visitors.
0:03:43 > 0:03:45KNOCK KNOCK
0:03:45 > 0:03:48Hello? Come in.
0:03:53 > 0:03:55No! It can't be.
0:03:55 > 0:03:57- He's alive!- Who is?
0:03:57 > 0:04:01One of my puppets. I call him Naughty Thomas.
0:04:01 > 0:04:04HE ROARS
0:04:04 > 0:04:06Will you be my friend? Ow!
0:04:06 > 0:04:09You little blighter.
0:04:09 > 0:04:14- Peter, get him off me! - Naughty Thomas, Naughty Thomas!
0:04:19 > 0:04:23Uh-oh. Guv, are you all right?
0:04:23 > 0:04:26- Oh, sir.- My entire life passed before my eyes.
0:04:26 > 0:04:30- What did you see?- Mostly repeats. Anyway, how do I look?
0:04:32 > 0:04:36Peter, find that monster and stop him getting on stage,
0:04:36 > 0:04:41because real-life puppet on the loose or not, it's show time.
0:04:41 > 0:04:45Ladies and gentlemen, welcome to HMP Slammer,
0:04:45 > 0:04:48where you decide which prisoner is to be released.
0:04:48 > 0:04:50Please welcome your host,
0:04:50 > 0:04:54he's brushed his hair and combed his teeth,
0:04:54 > 0:04:58he went to school with a bloke called Keith...it's The Governor!
0:04:58 > 0:05:00APPLAUSE
0:05:13 > 0:05:17- Who's The Governor? - CROWD:- You're The Governor!
0:05:17 > 0:05:20Everybody, it's great to see you.
0:05:20 > 0:05:23We have a fantastic show for you. Ready?
0:05:23 > 0:05:25- CROWD:- Yes!
0:05:25 > 0:05:28You'll decide who goes free at the end of the show,
0:05:28 > 0:05:31and what acts we have. We've got a weird act,
0:05:31 > 0:05:35they do great things with a wall and spray cans, it's YrWall.
0:05:35 > 0:05:37- CROWD:- Ooh!
0:05:37 > 0:05:42Marvellous dancing with the Masters of Dance.
0:05:42 > 0:05:46And a strange, very mysterious derring-do act, Ali Cook.
0:05:46 > 0:05:48- CROWD:- Ooh!
0:05:48 > 0:05:53And also, we've had a little gremlin in the works today,
0:05:53 > 0:05:55under the stage, in the wings
0:05:55 > 0:05:59and running about, so if you see anything unusual, let us know.
0:05:59 > 0:06:02But first, will you please welcome
0:06:02 > 0:06:06the incredible talents of Les Philips, yeah!
0:06:12 > 0:06:16MUSIC: "A Little Less Conversation" by Elvis Presley
0:06:25 > 0:06:28CHEERING
0:06:35 > 0:06:37Yeah, all right!
0:06:39 > 0:06:43Oh, yeah! Thank you! Wow, what an audience.
0:06:43 > 0:06:46We need two boys and two girls to...
0:06:46 > 0:06:51Hey, don't fight! Eh...please.
0:06:51 > 0:06:53Can you come, yeah? Follow me.
0:06:55 > 0:06:57- Yes, you, please.- Sorry!
0:06:57 > 0:07:00Next time, I'm there.
0:07:00 > 0:07:04- Oh, faster.- Come the other side.
0:07:04 > 0:07:08- So you just step on the line, that's it.- Ah, well, now.
0:07:08 > 0:07:10We've got a nice couple, cute couple.
0:07:10 > 0:07:13Oooh, la, la, la.
0:07:13 > 0:07:14C'est bon?
0:07:14 > 0:07:18- Ai, ai, ai, ai, ai.- Smile.
0:07:18 > 0:07:21Ooh, la, la, la, don't move!
0:07:21 > 0:07:23CHEERING
0:07:32 > 0:07:34But now we need a man.
0:07:34 > 0:07:37- Me?- Please, yeah, please. Can you come?
0:07:37 > 0:07:39It's simple, don't worry. Have a seat.
0:07:41 > 0:07:45- You all right?- Oh, he's very big. - Are you happy?- Yeah.
0:07:45 > 0:07:47Tell it to your face.
0:07:47 > 0:07:50Ah, this one is not good for it.
0:07:50 > 0:07:53- It's too much. - We will put it there, don't worry.
0:07:53 > 0:07:57- So, party blower. Does it work? Yeah, it works.- Very good.
0:07:57 > 0:08:02A nice pair of sunglasses, you can see much better. What style.
0:08:02 > 0:08:07And then to cover all that, a brand new hat from France.
0:08:07 > 0:08:08So listen carefully.
0:08:08 > 0:08:12Hold the chair and don't move until the end.
0:08:12 > 0:08:14It's better for you.
0:08:14 > 0:08:16All right. Music?
0:08:16 > 0:08:19Ooh, la, la, la, la. Ai, ai, ai.
0:08:19 > 0:08:22MUSIC: "Mission Impossible Theme"
0:08:22 > 0:08:25Woah!
0:08:35 > 0:08:38Yes!
0:08:38 > 0:08:40Oh, la, la, la, la.
0:08:52 > 0:08:53At the end of the day,
0:08:53 > 0:08:57will you be saying tres bon or were they les miserables?
0:08:57 > 0:09:01Let us find out with Monsieur Burgess.
0:09:01 > 0:09:03Right, then. Les Philips.
0:09:03 > 0:09:07But were they magnifique or les enfants terrible?
0:09:07 > 0:09:09I thought that was fantastic.
0:09:09 > 0:09:12What was fantastic about it, Miss?
0:09:12 > 0:09:15- When I got on stage. - How did it feel to be involved?
0:09:17 > 0:09:20- Shocking.- Shocking? - I was scared.- Yes?
0:09:20 > 0:09:22Why were you scared?
0:09:22 > 0:09:24I thought they might hit me.
0:09:24 > 0:09:27I'd have taken care of them if that had happened.
0:09:27 > 0:09:29What did you think?
0:09:29 > 0:09:32Um, I thought Les Philips were magnificent,
0:09:32 > 0:09:36especially when they threw the clubs and took off the party popper,
0:09:36 > 0:09:39the sunglasses and the hat.
0:09:39 > 0:09:42- Could you describe it in French? - Tres bien.
0:09:42 > 0:09:44Tres bien, merci, monsieur.
0:09:44 > 0:09:48- One final word, sum that act up. - Unbelievable.
0:09:48 > 0:09:50Unbelievable, sir.
0:09:50 > 0:09:53The next act saw the writing on the wall...
0:09:53 > 0:09:57- GROWLING - ..but they're hoping to go free...
0:09:57 > 0:10:02- Oh, hi!- Jailers and jailbirds, give it up, please, for YrWall!
0:10:09 > 0:10:12MUSIC: "Get A Move On" by Mr Scruff
0:12:21 > 0:12:24Look at that, jailers and jailbirds.
0:12:24 > 0:12:28Your kind of thing? Is the writing on the wall? Let's find out.
0:12:28 > 0:12:31He's called YrWall but was it your wall?
0:12:31 > 0:12:34It was really good and...
0:12:34 > 0:12:38- He could've done better. - Why could he have done better, sir?
0:12:38 > 0:12:41With more stars, and other pictures
0:12:41 > 0:12:45and he could be better than the guy that did Mona Lisa.
0:12:45 > 0:12:47LAUGHTER
0:12:47 > 0:12:51So, if he is better than him, he'll be a famous artist.
0:12:51 > 0:12:54- Yeah, was it up on the wall for you? - Yeah, it was brilliant.
0:12:54 > 0:12:57I was wondering how he did it,
0:12:57 > 0:13:00and it looked awesome when he'd finished it.
0:13:00 > 0:13:02- Very good. Should he go free?- Yeah.
0:13:02 > 0:13:07I hope so. He writes things about me on the wall and I don't like it.
0:13:07 > 0:13:11- What did you make of that act, sir? - I thought that it was a bit weird
0:13:11 > 0:13:16at the beginning but at the end, I knew what he was drawing.
0:13:16 > 0:13:20- What was that drawing of, sir? - Uh, a monster spitting goo.
0:13:20 > 0:13:25- Would you let him go?- Yeah.- Splendid. - This young man over here.
0:13:25 > 0:13:28It was a very good, detailed drawing but a bit boring.
0:13:28 > 0:13:31To improve it, he should do something else too,
0:13:31 > 0:13:34like riding a unicycle.
0:13:34 > 0:13:37Riding a unicycle whilst drawing on the wall?
0:13:37 > 0:13:40One final word - sum that act up for me, sir.
0:13:40 > 0:13:42- No!- Come on, don't be shy.
0:13:42 > 0:13:44HE GROWLS Oh, good lord, it's you!
0:13:44 > 0:13:47WHISTLE BLOWS
0:13:47 > 0:13:49Ooh, dear. I warned you about gremlins.
0:13:49 > 0:13:54Right, on to the act that we call Solitary Confinement.
0:13:54 > 0:13:56SCREAM
0:13:56 > 0:13:59These are the acts that we keep locked away
0:13:59 > 0:14:01in the darkest, deepest dungeon.
0:14:01 > 0:14:06We don't let them out, but if they do well, they get a little treat.
0:14:06 > 0:14:09And today's is, we'll put them in a nice cell,
0:14:09 > 0:14:10with a comfy toilet.
0:14:10 > 0:14:14With a soft seat, nice toilet paper, and it flushes, too.
0:14:14 > 0:14:18But if they don't do well, they go back to their cell
0:14:18 > 0:14:20for a cruel and unusual punishment.
0:14:20 > 0:14:24- Mr Burgess.- Sir! - What is today's punishment?
0:14:24 > 0:14:27It's being put into a popcorn machine
0:14:27 > 0:14:30and forced to sing a song called Agadoo, sir.
0:14:30 > 0:14:34Ooh, that sounds nasty, doesn't it? Well, we need a judge.
0:14:34 > 0:14:37- Mr Burgess, select... - That lady, there!
0:14:37 > 0:14:39Yes, she looks good.
0:14:39 > 0:14:42Up on to the stage. A round of applause, please.
0:14:42 > 0:14:46- What's your name?- Ruth. - Ruth, you are today's judge
0:14:46 > 0:14:48for what we call Solitary Confinement!
0:14:48 > 0:14:50Here we go.
0:15:03 > 0:15:06PLAYS FLIGHT OF THE BUMBLEBEE
0:15:36 > 0:15:38Well. There we are.
0:15:38 > 0:15:40Well, Ruth.
0:15:40 > 0:15:44You don't often see electric guitar-playing bees, do you?
0:15:44 > 0:15:47Remember, thumbs up and it's a nice posh loo,
0:15:47 > 0:15:50thumbs down and pop, pop with Agadoo.
0:15:50 > 0:15:54You've got five seconds to decide his fate, starting from now.
0:15:57 > 0:16:00Up, down, up, down, it's...
0:16:00 > 0:16:03Down! Oh, take him away. Buzz off!
0:16:03 > 0:16:06Give Ruth a round of applause, please, thank you.
0:16:06 > 0:16:08Flight Of The Bumblebee,
0:16:08 > 0:16:12flying straight back into solitary confinement.
0:16:12 > 0:16:14There he goes... Oh, hang on a minute.
0:16:14 > 0:16:18POPCORN POPS, AGADOO PLAYS
0:16:18 > 0:16:21SCREAMS
0:16:21 > 0:16:23BOOM
0:16:25 > 0:16:28But it's now time for your next prisoner act.
0:16:28 > 0:16:31They could go free, the Masters Of Dance!
0:16:41 > 0:16:46- ROBOT VOICE:- Masters Of Dance initiate B-boy sequence.
0:16:46 > 0:16:49MUSIC: "The Life Of The Party" By The Jackson Five
0:16:49 > 0:16:53# All you gotta do Is clap your hands, hands, hands
0:16:53 > 0:16:56# You'll be the life of the party
0:16:56 > 0:16:58# Yes, you will, now
0:16:58 > 0:17:00# Life of the party Yes, you can
0:17:00 > 0:17:03# Hey, Miss corner sitter
0:17:03 > 0:17:04# Never left your seat
0:17:04 > 0:17:06# Now, you got the movement
0:17:06 > 0:17:09# And soon you'll be doin' it So get with it
0:17:09 > 0:17:12# Baby, get with it
0:17:12 > 0:17:14- # You'll be the life of the party - You thrill me when you dance
0:17:14 > 0:17:18# You can be, you can be Life of the party
0:17:18 > 0:17:21# You can be, you can be
0:17:21 > 0:17:23- # You can dance - Yes, you can!
0:17:23 > 0:17:28# You're a sexy momma Such a dancing dream
0:17:28 > 0:17:31# You're no longer sittin' Your train's puffin' steam
0:17:31 > 0:17:32- # The guys are lined up... # - Oh, no!
0:17:32 > 0:17:36- # They're hoping to wind up... # - Hey, stop him!
0:17:36 > 0:17:38# With you now, can't you see it?
0:17:38 > 0:17:41- # You'll be the life of the party - I love the way you dance
0:17:41 > 0:17:42# You can be, you can be
0:17:42 > 0:17:45# The life of the party
0:17:45 > 0:17:47# You can be, you can be
0:17:51 > 0:17:55# All you gotta do is dance, dance, dance
0:17:55 > 0:17:59# All you gotta do is clap your hands, hands, hands
0:17:59 > 0:18:01# You can boogie, you can boogie You can boogie, you can boogie
0:18:01 > 0:18:03# You can move, move, move
0:18:03 > 0:18:05# You can boogie, you can boogie You can boogie, you can boogie
0:18:05 > 0:18:06# You can move, move, move
0:18:06 > 0:18:09# Let's get down, down, down down, down, down
0:18:09 > 0:18:12# Life of the party
0:18:12 > 0:18:14# Yes, you can... #
0:18:14 > 0:18:17MUSIC REWINDS
0:18:17 > 0:18:21- ROBOT VOICE:- Masters Of Dance, initiate robot sequence.
0:18:46 > 0:18:51- ROBOT VOICE:- Masters Of Dance, until next time, complete.
0:18:59 > 0:19:03He's a dancer, that little fella. What did you think?
0:19:03 > 0:19:05What did you make of Masters Of Dance?
0:19:05 > 0:19:08Was it just lads squirming about?
0:19:08 > 0:19:13When they were dancing and the boy came out of the box,
0:19:13 > 0:19:15I weren't expecting that.
0:19:15 > 0:19:19- Did it totally freak you out, sir? - Yeah.
0:19:19 > 0:19:22Hello, madam. Did you like them?
0:19:22 > 0:19:26They were brilliant, they were like actual robots.
0:19:26 > 0:19:29- ROBOT VOICE:- I thought they were like robots, too.
0:19:29 > 0:19:32You've never seen anything like it, have you?
0:19:32 > 0:19:35- They should go free, you think? - Yeah.
0:19:35 > 0:19:37- Was it awesome for you, sir?- Yeah.
0:19:37 > 0:19:40All right. What did you think, sir?
0:19:40 > 0:19:45- It was fantastic.- And?- I liked the robot, and when the kid came in.
0:19:45 > 0:19:47- You liked that?- Out of the box.
0:19:47 > 0:19:51- Now, do you think they've done enough to go free?- Yeah.
0:19:51 > 0:19:56Oh, hello. You look like that little fella who was dancing there.
0:19:56 > 0:19:59What did you think of Masters Of Dance?
0:19:59 > 0:20:01Um, the robot sequence was awesome.
0:20:01 > 0:20:04And a score out of ten for them, sir?
0:20:04 > 0:20:06Uh...nine and a half.
0:20:06 > 0:20:09Nine and a half! That's marvellous.
0:20:09 > 0:20:10Sum that act up for me, sir.
0:20:10 > 0:20:12Um...good?
0:20:12 > 0:20:15LAUGHTER
0:20:15 > 0:20:17That's all right. Good.
0:20:17 > 0:20:19Here in The Slammer, we get lots of acts.
0:20:19 > 0:20:23One thing that they've all done is spent years practising.
0:20:23 > 0:20:26Some acts are very, very risky.
0:20:26 > 0:20:28I do not want to hear of any of you ever trying
0:20:28 > 0:20:33an act like this one, because it's specially for the people doing it.
0:20:33 > 0:20:35Jailers and jailbirds,
0:20:35 > 0:20:40please welcome the derring-do, the mystery of Ali Cook!
0:20:48 > 0:20:51I'll show you the world's most dangerous escape.
0:20:51 > 0:20:55Harry Houdini's water torture cell.
0:20:55 > 0:20:57This is actually a steel lid,
0:20:57 > 0:21:01and this here is made of reinforced plastic,
0:21:01 > 0:21:04so you'll see me trapped underneath the water.
0:21:04 > 0:21:07I also have some packing straps here,
0:21:07 > 0:21:09and these packing straps,
0:21:09 > 0:21:14they wrap all the way around until the reverse of the case, just here.
0:21:14 > 0:21:18As well as that, we've also got some heavy-duty shackles,
0:21:18 > 0:21:22one at the front, one at the back, and they both have
0:21:22 > 0:21:26heavy duty padlocks on, trapping me under the water.
0:21:26 > 0:21:29Duncan, here, will get all the straps off,
0:21:29 > 0:21:31and all of the padlocks.
0:21:31 > 0:21:34Bear in mind, this is a very heavy lid.
0:21:34 > 0:21:37All right, here comes the dangerous bit.
0:21:42 > 0:21:46Some people don't believe this is actually full of water,
0:21:46 > 0:21:49but as you can see, it's a full tank.
0:21:49 > 0:21:53And Tia, here, has a wetsuit on in case anything goes wrong,
0:21:53 > 0:21:56she's been trained to drag me out of the water.
0:21:56 > 0:22:00Firstly, the handcuffs go on. Tight... Ow. Really tight.
0:22:00 > 0:22:03These are police regulation handcuffs.
0:22:03 > 0:22:06Duncan, if you check those.
0:22:08 > 0:22:11Welded to the bottom of the tank is a short chain.
0:22:11 > 0:22:14Attached to that is a neck brace
0:22:14 > 0:22:17that will leave me trapped under the water.
0:22:17 > 0:22:19When Harry Houdini did this,
0:22:19 > 0:22:22he managed it in about 20 minutes.
0:22:22 > 0:22:26We'll try and do it quicker and beat his record.
0:22:26 > 0:22:30As soon as my head goes under, we'll start the countdown.
0:22:30 > 0:22:32Ready?
0:22:32 > 0:22:34Ready?
0:23:19 > 0:23:24Wow! Ali Cook and company, give them a big hand, please. Fantastic.
0:23:24 > 0:23:28Well, jailers and jailbirds, a sensational act.
0:23:28 > 0:23:30Needless to say, don't ever
0:23:30 > 0:23:34try anything like that, but they were great.
0:23:34 > 0:23:35Should they go free?
0:23:35 > 0:23:38They could escape free any time.
0:23:38 > 0:23:43The escapology of Ali Cook. But was it water world or waterworks?
0:23:43 > 0:23:45I couldn't do that.
0:23:45 > 0:23:49Don't panic, sir, calm down, speak nice and clearly.
0:23:49 > 0:23:52- I could not do that. - I wouldn't want you to, sir.
0:23:52 > 0:23:56- Is that your type of act? - Yeah, it was weird, but amazing.
0:23:56 > 0:23:58And the most amazing part?
0:23:58 > 0:24:01When the man and woman swapped in such a short time.
0:24:01 > 0:24:03- That was incredible.- Young sir?
0:24:03 > 0:24:08It was incredible because I was so scared how that happened
0:24:08 > 0:24:12and if they got stuck, and I had no idea how they did it.
0:24:12 > 0:24:14- But did you enjoy the act?- Yes.
0:24:14 > 0:24:19- Do you think they'd be worthy winners, today?- Probably.
0:24:19 > 0:24:23OK, this young lady here, with a lovely flower in your hair.
0:24:23 > 0:24:27That was astonishing. I thought they would get stuck, otherwise...
0:24:27 > 0:24:29Did it make you nervous?
0:24:29 > 0:24:33Yeah, look at that face. Ooh, that's nervous!
0:24:33 > 0:24:35Finally, sum that act up for me.
0:24:35 > 0:24:37- Astonishing.- Astonishing.
0:24:37 > 0:24:41Well, four fabulous performing prisoner acts,
0:24:41 > 0:24:43only one can go free.
0:24:43 > 0:24:46Let's welcome them back on to the stage. Come on down.
0:24:48 > 0:24:53Ah, Les Philips. YrWall. The Masters Of Dance.
0:24:53 > 0:24:57And, of course, Ali Cook and his company. Well, there they are.
0:24:57 > 0:25:01You decide who goes free with the Clap-o-meter.
0:25:01 > 0:25:04The more noise, the higher the score.
0:25:04 > 0:25:07So, please, make lots of noise for Les Philips.
0:25:13 > 0:25:1776.7, not bad, lads, not bad. Let's see...
0:25:17 > 0:25:21The next act, never seen an act like this before.
0:25:21 > 0:25:24Let's hear it, please, for YrWall.
0:25:30 > 0:25:35That's a good score. 90 is a very good score on the Clap-o-meter.
0:25:35 > 0:25:38Next up, with a gremlin, did you like them?
0:25:38 > 0:25:40It's the Masters Of Dance.
0:25:48 > 0:25:53Woah. Into the lead, 91, it's the Masters Of Dance.
0:25:53 > 0:25:58Only one act could beat Masters Of Dance, it is Ali Cook.
0:26:04 > 0:26:07It's a good score. 76.7 - not enough. Going free,
0:26:07 > 0:26:10just ahead of YrWall, it's Masters Of Dance!
0:26:13 > 0:26:15Go, go, go!
0:26:18 > 0:26:22The bad news is, you haven't gone free, but the good news is,
0:26:22 > 0:26:25and you'll enjoy this, you stay in time for tea.
0:26:25 > 0:26:30- Mr Burgess, what's for tea?- Well, I couldn't possibly say, sir.- What?
0:26:30 > 0:26:34- I couldn't tell you what's for tea. - It could be different.
0:26:34 > 0:26:36- What is it?- Pinocchio can tell you.
0:26:36 > 0:26:40- Sloppy, ploppy porridge, sir. - Oh, no.
0:26:40 > 0:26:42Take them to the cells. Off you go.
0:26:42 > 0:26:46Give them a round of applause.
0:26:46 > 0:26:49That's it for another Freedom Show.
0:26:49 > 0:26:51And if you can't sing, dance or rhyme...
0:26:51 > 0:26:54- CROWD:- Don't do the crime.
0:26:54 > 0:26:58Take care, everyone, give yourselves a round of applause.
0:26:58 > 0:27:01Bye-bye, everybody. Bye-bye
0:27:05 > 0:27:09# It's the only way You'll ever leave The Slammer. #
0:27:11 > 0:27:16- Well, Peter. Today's chaos has completely worn me out.- Yeah!
0:27:16 > 0:27:22- I'm sorry, Guv.- Sometimes, I wish there was more than just one of me.
0:27:22 > 0:27:25I'm off to bed. Night-night.
0:27:27 > 0:27:31'I wish there was more than just one of me.'
0:27:31 > 0:27:33Extra Governors coming up.
0:27:39 > 0:27:41Ta-ra!
0:27:43 > 0:27:45- TOGETHER:- Now what?