0:00:02 > 0:00:05Dear Mum, it's a big week. It's been five years since
0:00:05 > 0:00:08I was on The Freedom Show, so I get an automatic place this week.
0:00:08 > 0:00:09The competition is tough though...
0:00:14 > 0:00:17..but I'm feeling confident. I've spent years honing my act,
0:00:17 > 0:00:19studying the winners, and I have learnt...
0:00:19 > 0:00:22Absolutely nothing. Sorry to interrupt here,
0:00:22 > 0:00:25but your son doesn't seem to appreciate that
0:00:25 > 0:00:27without me, he doesn't stand a chance.
0:00:27 > 0:00:29- Oh, get off.- Well, it's true.
0:00:29 > 0:00:33On your own, you're nothing but a man with a rolled-up sleeve.
0:00:33 > 0:00:38- Oi, how dare you? Oi, give it back! Give it back!- You see?
0:00:38 > 0:00:40That's teamwork.
0:00:41 > 0:00:44Why do I put myself through it?
0:00:49 > 0:00:53# You've been found guilty Of a howling showbiz crime
0:00:53 > 0:00:58# So welcome to The Slammer Where you're going to serve your time
0:00:58 > 0:01:02# With every type of minstrel Entertainer and artiste
0:01:02 > 0:01:06# Performing to the limit To try and get released
0:01:06 > 0:01:11# So go and fetch the audience Bring them to The Slammer
0:01:11 > 0:01:16# And polish up your act With a bit of glitz and glamour
0:01:16 > 0:01:19# Your fate is in their hands So make them cheer and clamour
0:01:19 > 0:01:23# It's the only way You'll ever leave The Slammer
0:01:23 > 0:01:28# It's the only way You'll ever leave The Slammer! #
0:01:30 > 0:01:34I'm worried. Have you seen Peter's act for this week's show?
0:01:34 > 0:01:37- Is it any better?- It couldn't get any worse.
0:01:37 > 0:01:40What are we going to do? The lad has been in prison for ages,
0:01:40 > 0:01:45far too long. He'll never stand a chance against Hard Shoulder,
0:01:45 > 0:01:47Dazl Diamonds,
0:01:47 > 0:01:50Boldo, the cube man.
0:01:50 > 0:01:52It does seem unlikely, sir, yes.
0:01:52 > 0:01:55I suppose we could always, er...
0:01:55 > 0:02:01- What, sir?- Well, you know.
0:02:01 > 0:02:02Well, you know what, sir?
0:02:02 > 0:02:07Well, you know, sort of, tip the scales, as it were.
0:02:07 > 0:02:10Ha! Are you suggesting, sir?
0:02:10 > 0:02:14Suggesting, Mr Burgess? Suggesting? I won't here a word of it! Dear.
0:02:14 > 0:02:16I am surprised at you, Frank.
0:02:19 > 0:02:21You're the longest serving prisoner in this place
0:02:21 > 0:02:23and there's only one reason.
0:02:23 > 0:02:25- It's stuck to the end of my arm. - What?
0:02:25 > 0:02:29Don't think you're carrying me just because you're carrying me.
0:02:29 > 0:02:32- The fact is, you've held me back. - I'm sorry?
0:02:32 > 0:02:37You think you're helping me by sticking your hand up my jumper,
0:02:37 > 0:02:39when all you're doing is taking credit for all
0:02:39 > 0:02:41the funny things that I say.
0:02:41 > 0:02:47- Yeah, but it's a ventriloquist act. - So?- Well, in a ventriloquist act...
0:02:47 > 0:02:50- Yes?- Well, the person who... - Go on, say it!
0:02:50 > 0:02:54Well, I'm the one who does all the talking. You're just a puppet.
0:02:54 > 0:02:57- A load of old cloth.- How dare you?!
0:02:57 > 0:03:02- Well, you made me say it. - Take me off your arm.
0:03:02 > 0:03:08- Oh, Titch, come on.- No, this double act is over. Take me off your arm.
0:03:07 > 0:03:09Don't be like that, little Titch.
0:03:09 > 0:03:14I am not joking here, buddy. Take me off your arm, right now!
0:03:14 > 0:03:17All right, I will take you off my arm right now.
0:03:17 > 0:03:21Right, Peter. Let's have a look at this new act of yours.
0:03:21 > 0:03:24- What happened?- It's over.- Huh?
0:03:24 > 0:03:27Pete and Titch are no longer a double act. I am going solo.
0:03:27 > 0:03:28But why?
0:03:28 > 0:03:31Ask him. He ended it. What am I going to do?
0:03:31 > 0:03:35Ventriloquism is all I have ever known. It's my only talent.
0:03:35 > 0:03:38That's debatable. Ahem...
0:03:38 > 0:03:43Well, maybe I could street dance, or eat fire,
0:03:43 > 0:03:45or do bird impersonations.
0:03:45 > 0:03:49Squark!
0:03:49 > 0:03:53This could be the best thing that has ever happened to me.
0:03:53 > 0:03:55I am going to reinvent myself.
0:03:56 > 0:03:59Oh, dear, oh, dear, oh, dear.
0:04:08 > 0:04:11Now, look, lad, let's be realistic about this.
0:04:11 > 0:04:14There's no way you're going to learn this before the show.
0:04:14 > 0:04:18What do you mean, Mr B? It doesn't look so hard.
0:04:21 > 0:04:24SCREAMING AND SIRENS WAIL
0:04:29 > 0:04:32Now, listen, lad, this sort of thing takes years of training.
0:04:32 > 0:04:35Both of these circus acts, they've been doing it
0:04:35 > 0:04:39- since they were kids. You've left it too late.- No, that's rubbish, Mr B.
0:04:39 > 0:04:41The thing about trapeeeeze... Agh!
0:04:41 > 0:04:43GLASS PANE SMASHES Told you so.
0:04:43 > 0:04:49I know it must be hard, but don't give up all hope, not yet.
0:04:52 > 0:04:55Show business, eh? Like no business.
0:04:57 > 0:04:59Like no business I know.
0:05:01 > 0:05:06We had a chap in here once. Sword swallower, he was. In for years.
0:05:06 > 0:05:09He ate most of the cutlery in this place.
0:05:09 > 0:05:12Anyway, halfway through his act, he threw up.
0:05:12 > 0:05:18Didn't win, mind, but he did lay 15 tables for the supper.
0:05:18 > 0:05:21He does silver service now.
0:05:21 > 0:05:22You think on that.
0:05:27 > 0:05:29ROAR!
0:05:29 > 0:05:33Now, Nokio, I promise this isn't for you, lad.
0:05:33 > 0:05:36No, I have got a good feeling about this one, Mr Burgess.
0:05:36 > 0:05:37Look, son, you've lost your way.
0:05:37 > 0:05:41Stop all this silliness and go and get yourself some lunch.
0:05:43 > 0:05:45SCREAMING AND ROARING I told you so.
0:05:49 > 0:05:50Ooh. Oh. Ow.
0:05:50 > 0:05:55I've had enough of this nonsense. You and Titch are getting back
0:05:55 > 0:05:59- together again.- No way.- Look what you've done to the little lad.
0:05:59 > 0:06:02I've made a new start and there's no turning back no-ooow.
0:06:02 > 0:06:09Peter, listen to me. You have to face facts. You are hopeless.
0:06:09 > 0:06:14In all my years in the Slammer, I have never encountered an act
0:06:14 > 0:06:16whose lack of talent extends
0:06:16 > 0:06:23across the entire spectrum of British showbiz.
0:06:23 > 0:06:26You are the most uncharismatic, uncoordinated,
0:06:26 > 0:06:30unfunny, unengaging, unsophisticated, and uninspiring
0:06:30 > 0:06:36act that has ever had the misfortune to set foot upon that stage.
0:06:36 > 0:06:39You are, to put it plainly, Pete, without a doubt, completely
0:06:39 > 0:06:42and utterly useless.
0:06:42 > 0:06:45Well, that's just your opinion.
0:06:45 > 0:06:46Anyone else agree with me?
0:06:46 > 0:06:48We do!
0:06:48 > 0:06:51Which is why your only hope of getting out of here is to put
0:06:51 > 0:06:53the old act back together again.
0:06:53 > 0:06:56Perhaps the two of you might be able to come up with
0:06:56 > 0:07:00something that might just about pass for entertainment.
0:07:00 > 0:07:05- OK.- Good stuff. Now perhaps, finally, we can have some lunch.
0:07:05 > 0:07:07Come on. Grab one of these.
0:07:10 > 0:07:13Oh, I've found my talent!
0:07:13 > 0:07:15Well, what are we going to do, sir?
0:07:15 > 0:07:19They've still got a spot in the Freedom Show.
0:07:19 > 0:07:23I don't know. How do I look?
0:07:23 > 0:07:25Divine!
0:07:25 > 0:07:30Thank you very much. In that case, it's show time! Oh, yes.
0:07:30 > 0:07:34Ladies and gentlemen, welcome to HMP Slammer,
0:07:34 > 0:07:38where you decide which prisoner is to be released.
0:07:38 > 0:07:43Now, please, welcome your host, bringing hope where there's despair.
0:07:43 > 0:07:47Bringing seats where there's no chair.
0:07:47 > 0:07:51Bringing wigs where there's no hair. Oh, blimey!
0:07:51 > 0:07:55It's the Governor!
0:08:10 > 0:08:13- Who's the Governor? - You're the Governor!
0:08:13 > 0:08:15Oh, fantastic, jailers and jailbirds.
0:08:15 > 0:08:18We've got a dazzling act called Dazl Diamonds.
0:08:18 > 0:08:20Wooooo!
0:08:20 > 0:08:24A most unusual man in all senses, very shapey,
0:08:24 > 0:08:28- he's Boldo, the Cube Man. Woo!- Wooo!
0:08:28 > 0:08:30And our very own Pete and Titch.
0:08:30 > 0:08:31Woo!
0:08:31 > 0:08:37But first, starting us off, the unique talent of Hard Shoulder.
0:11:02 > 0:11:04Hard Shoulder.
0:11:04 > 0:11:08Do you like them, or are you going to give them the cold shoulder?
0:11:08 > 0:11:11Let's find out with the very athletic Mr Burgess.
0:11:11 > 0:11:14Right, then, Hard Shoulder, or soft as a baby's bottom?
0:11:14 > 0:11:17It was amazing, like two rubber bands on string.
0:11:17 > 0:11:21Like two rubber bands on string. Is that a fair assessment, boys?
0:11:21 > 0:11:23GIGGLING Yes?
0:11:23 > 0:11:25Tell me all about Hard Shoulder.
0:11:25 > 0:11:29I thought they were very flexible, bendy and talented.
0:11:29 > 0:11:33They've been in the Slammer for a while. Would you let them go free?
0:11:33 > 0:11:36- Yeah.- Now, sir, during that act, I heard you scream out.
0:11:36 > 0:11:39"I would never do that in my life."
0:11:39 > 0:11:42It was scary. Very, very scary.
0:11:42 > 0:11:48- What were you doing, hiding?- No. - Behind these ladies? Man up, sir!
0:11:50 > 0:11:55It's only a couple of blokes on a bit of rope. What's wrong with you?
0:11:55 > 0:12:00- Now that was an acrobatic act. Could you do that?- Well, yeah.- Yeah?
0:12:00 > 0:12:02- Does anyone know this young man? - Yes.
0:12:02 > 0:12:06- Can he do that sort of thing? - Yes.- Yes?!
0:12:06 > 0:12:10So, speaking as an expert, what did you think of that act then?
0:12:10 > 0:12:11It was legendary.
0:12:11 > 0:12:15And what advice would you give people swinging on a rope?
0:12:15 > 0:12:16Don't fall.
0:12:16 > 0:12:20- Don't fall?- And for one final word, sum that act up.
0:12:20 > 0:12:23- Acrobatic.- Acrobatic!
0:12:23 > 0:12:27Well, Hard Shoulder could be going free. It's early days yet.
0:12:27 > 0:12:33Would you please show your appreciation for Dazl Diamonds?
0:14:12 > 0:14:14Well, Dazl Diamonds there.
0:14:14 > 0:14:17Were they diamonds, or will they be staying inside, in fact,
0:14:17 > 0:14:20here in the Slammer, just eating carrots?
0:14:20 > 0:14:23Carats. Diamonds. Oh, Mr Burgess, help me out.
0:14:23 > 0:14:25Dazl Diamonds, there.
0:14:25 > 0:14:28But, were they razzle-dazzle, or razzle-frazzle?
0:14:28 > 0:14:32- It was cool.- Cool?- Yeah.- I see you've drawn a pair of feet.- Yeah.
0:14:32 > 0:14:35- What's that about? - I don't know. She drew it.
0:14:35 > 0:14:37Oh, you drew the feet.
0:14:37 > 0:14:44- Signifying what?- Cats. - Of course it is. Of course.
0:14:44 > 0:14:48Drawing a pair of feet while watching a dance act, signifying cats.
0:14:48 > 0:14:50Did the Dazl Diamonds dazzle you?
0:14:50 > 0:14:52Yes, certainly, they did.
0:14:52 > 0:14:56- Is it the sort of thing that you could do?- Most probably, yes.
0:14:56 > 0:14:58Right, give us one of your things, there you go. Stand up, mate.
0:14:58 > 0:15:02Stand up, there you are. # Dum, Dum, Dum... #
0:15:07 > 0:15:11Very good, give him a big hand there, yes.
0:15:11 > 0:15:13One final word to sum that act up for me, miss.
0:15:13 > 0:15:17- Coolelicious.- Coolelicious, sir.
0:15:17 > 0:15:19Jailers and jailbirds,
0:15:19 > 0:15:22on now to that special act we call, you know it, yes,
0:15:22 > 0:15:24it's Solitary Confinement!
0:15:27 > 0:15:30Mad Edna up on the roof of the Slammer,
0:15:30 > 0:15:32as she gazes down on the act
0:15:32 > 0:15:36that we keep hidden away in the darkest dungeon.
0:15:36 > 0:15:40We let them out occasionally to perform. If they get the thumbs up,
0:15:40 > 0:15:42they get a little treat just for the day.
0:15:42 > 0:15:45And today's treat is a ride on the Slammer bus,
0:15:45 > 0:15:48- round the grounds of the prison. - Oooh!
0:15:48 > 0:15:50But if they get the thumbs down,
0:15:50 > 0:15:53it's back to the cell for a cruel and unusual punishment.
0:15:53 > 0:15:56- Oh, yes. Mr Burgess.- Sir!
0:15:56 > 0:15:58What is today's cruel and unusual punishment?
0:15:58 > 0:16:02Today, sir, it's being strapped to a bungee rope
0:16:02 > 0:16:05and thrown into a skip-load of pimple puss, sir.
0:16:05 > 0:16:07Woah!
0:16:07 > 0:16:09Before we go any further, we need a judge.
0:16:09 > 0:16:12Mr Burgess, using your wisdom and discernment.
0:16:12 > 0:16:14- Right, you sir.- Yes, give him a round of applause.
0:16:14 > 0:16:17- This way.- Thank you, Mr Burgess.
0:16:17 > 0:16:21- Your name, sir?- Michael.- Michael, what a splendid memory you have.
0:16:21 > 0:16:23Just show everyone you've got a thumb.
0:16:23 > 0:16:27You'll need that later. Here we go, it's time for Solitary Confinement.
0:16:27 > 0:16:31Come on, Michael. Here we go, sit down.
0:16:37 > 0:16:40I am the blindfolded balloon barber.
0:16:40 > 0:16:43I have to shave these three dummies
0:16:43 > 0:16:47in one minute, blindfolded, using this.
0:16:51 > 0:16:53Start the music!
0:17:02 > 0:17:04He's got a moustache.
0:17:13 > 0:17:17Who's next? Madam, yes, yes. A little off the top, perhaps.
0:17:36 > 0:17:39Well, Michael, you watched that act.
0:17:39 > 0:17:43It's up to you to decide. Remember, thumbs up, trip on the bus.
0:17:43 > 0:17:46Thumbs down, head in the puss.
0:17:46 > 0:17:49Ready? Your five seconds to decide starts now.
0:17:51 > 0:17:55That's up. It's up. You've got a trip on a bus. Wonderful.
0:17:55 > 0:17:58Give him a round of applause. They've done well.
0:17:58 > 0:18:02And give Michael a big hand, as well. Thank you, off you go.
0:18:02 > 0:18:07And now on to our next performing prisoner, Boldo, the Cube Man!
0:20:08 > 0:20:13Were you bowled over by Boldo, or was he a bit of a square?
0:20:13 > 0:20:19- Right, miss.- He was very flexible when he did the splits.
0:20:19 > 0:20:22- Very flexible?- Yes. - Do you like that in an acrobat?
0:20:22 > 0:20:25- Yeah.- Yeah, flexibility? Yeah. What about the Cube?
0:20:25 > 0:20:27- He was very strong holding it on his head.- Yes.
0:20:27 > 0:20:31Baldo, the Cube Man. Can you give me your thoughts on that act, sir?
0:20:31 > 0:20:35Yeah, he was absolutely amazing.
0:20:35 > 0:20:40He was incredible, awesome, talented, excellent.
0:20:40 > 0:20:44- You liked that act.- Yeah. - He should go free?
0:20:44 > 0:20:48- Yeah.- Sir?- I thought he was sick, cool, and awesome.
0:20:48 > 0:20:51- Sick. Shall we get a doctor?- No.
0:20:51 > 0:20:54- Get him some special medical attention?- No.
0:20:54 > 0:20:56- Do you think he needs surgery, sir?- No.
0:20:56 > 0:20:59- None of the above, then, sir? - No.- Thank you.
0:20:59 > 0:21:01- Should Boldo go free?- Yes. - Why is that?
0:21:01 > 0:21:03Because it was very cool.
0:21:03 > 0:21:05Tell us what you wrote.
0:21:05 > 0:21:10- Cubelicious.- Cubelicious. But most unusual?- Yes.- A score out of ten?
0:21:10 > 0:21:12Eight.
0:21:12 > 0:21:15- One final word, miss.- Unthinkable. - Unthinkable, sir.
0:21:15 > 0:21:20Jailers and jailbirds, just one more performing prisoner act to see.
0:21:20 > 0:21:23And I have been checking up in the Freedom Show rulebook here,
0:21:23 > 0:21:25and it says here
0:21:25 > 0:21:29- in paragraph five, subsection... - RASPBERRY BLOWS
0:21:29 > 0:21:32It says that all prisoners who have served over five years
0:21:32 > 0:21:36without performing get an automatic place on the show.
0:21:36 > 0:21:39- But then it says in subsection... - RASPBERRY BLOWS
0:21:39 > 0:21:43It says we can only have four main acts.
0:21:43 > 0:21:45So, erm, who do you want to see, Pete or Titch?
0:21:45 > 0:21:47- Who should it be?- Titch!
0:21:47 > 0:21:52All right, then, for one performance only, the one and only Titch!
0:22:11 > 0:22:13'What am I going to do?'
0:22:18 > 0:22:21Woo!
0:22:21 > 0:22:25I'm sorry, Titch, I let you down.
0:22:25 > 0:22:28It's OK, Peter I knew you'd never leave me.
0:22:28 > 0:22:30# You know
0:22:30 > 0:22:35# I can't smile without you
0:22:35 > 0:22:39# I can't smile without you
0:22:39 > 0:22:43# I can't laugh and I can't sing
0:22:43 > 0:22:47# I'm finding it hard to do anything
0:22:47 > 0:22:53# You know I feel sad when you're sad
0:22:53 > 0:22:58# I feel glad when you're glad
0:22:58 > 0:23:02# If you only knew what I'm going through
0:23:02 > 0:23:06# I just can't smile...
0:23:06 > 0:23:10# At the Copa, Copa Cabana...
0:23:16 > 0:23:19# ..At the Copa, Copa Cabana
0:23:19 > 0:23:23# Music and passion were always the fashion
0:23:23 > 0:23:26# At the Copa...
0:23:26 > 0:23:33# You know I can't smile without you. #
0:23:33 > 0:23:36Oh, I love you, Titch. Thank you very much, ladies and gentlemen.
0:23:43 > 0:23:46There they are, Pete and Titch.
0:23:46 > 0:23:49The night Variety died, those two were taken in for questioning.
0:23:49 > 0:23:53But what did you think, jailers and jailbirds? Let's find out
0:23:53 > 0:23:55with the long-suffering Mr Burgess.
0:23:55 > 0:24:00- Pete and Titch, poor? - It was absolutely beautiful.
0:24:00 > 0:24:04- Really?- It's been the best act I have seen all night.
0:24:04 > 0:24:09- Really?- I loved it.- You think that man should go free?- Yes.- Fair enough.
0:24:09 > 0:24:11What did you think of Pete and Titch?
0:24:11 > 0:24:15I thought they were like puppet masters
0:24:15 > 0:24:18and they were pretty good singers.
0:24:18 > 0:24:20- Done enough to go free?- Yeah.- Right.
0:24:20 > 0:24:26- It was really poor and rubbish.- Poor and rubbish.- The singing was awful.
0:24:26 > 0:24:32- Yes.- The music was awful. - What else was awful?- Everything.
0:24:32 > 0:24:37- Peter Nokio, himself?- Yes.- Just one big pile of awful, then, sir.- Yeah.
0:24:37 > 0:24:40What about you, did you like that double act?
0:24:40 > 0:24:41Yeah, I really enjoyed it.
0:24:41 > 0:24:44- Good, what was the best part of it? - When Pete threw Titch off the stage.
0:24:44 > 0:24:48- And which was the stronger performer of the two?- Er, Titch, definitely.
0:24:48 > 0:24:52- So, Titch to go free, as far as you're concerned?- And Pete.
0:24:52 > 0:24:56- Pete, as well? Hurray!- One final word to sum that act up, sir.
0:24:56 > 0:24:59- Dummytastic.- Dummytastic, sir.
0:24:59 > 0:25:02You've seen all the performing prisoners.
0:25:02 > 0:25:05Welcome them back, because it's time to decide who goes free.
0:25:05 > 0:25:09Let's hear it for Hard Shoulder!
0:25:09 > 0:25:11Dazl Diamonds!
0:25:11 > 0:25:14Boldo, the Cube Man!
0:25:14 > 0:25:17And Pete and Titch!
0:25:21 > 0:25:23Yes, they all hope to go free.
0:25:23 > 0:25:26Only one act can get out, of course.
0:25:26 > 0:25:30And you'll decide with the aid of this, the Clap-o-meter.
0:25:30 > 0:25:32Well, they're a marvellous act.
0:25:32 > 0:25:35They were very high up there on the flying trapeze.
0:25:35 > 0:25:39What did you think of, let's hear it, for Hard Shoulder!
0:25:39 > 0:25:40Look at that.
0:25:44 > 0:25:45Brilliant score. 90.
0:25:45 > 0:25:49Brilliant, give them a big hand, wonderful. Hard Shoulder.
0:25:49 > 0:25:52What did you think of this next performing prisoner act?
0:25:52 > 0:25:58There were eight of them, they were the Dazl Diamonds.
0:26:02 > 0:26:06Oh, good score, folks. Good score, but only 81,
0:26:06 > 0:26:10which means that Hard Shoulder stay in pole position, as it were.
0:26:10 > 0:26:13Well, the next act, I have never seen an act like this before,
0:26:13 > 0:26:16but he was Boldo the Cube Man. Let's hear it for him, please.
0:26:20 > 0:26:24Oh, Boldo, you're staying with us for supper.
0:26:24 > 0:26:27One more performing prisoner actor to see.
0:26:27 > 0:26:30They've been in the Slammer as long as I remember.
0:26:30 > 0:26:33What did you think, though, of Pete and Titch?
0:26:41 > 0:26:43I don't believe it. He's scored a 91.7.
0:26:43 > 0:26:46This has utterly dumbfounded us because it means,
0:26:46 > 0:26:51going free at last, it's Pete and Titch with 91.7.
0:26:53 > 0:26:57He's going free. He's going free. Off you go, Pete and Titch.
0:26:57 > 0:27:00It means, though, the other performing prisoners,
0:27:00 > 0:27:05you're staying in time for tea. Mr Burgess, I ask you this question
0:27:05 > 0:27:08after the Freedom Show, what are they having for tea?
0:27:08 > 0:27:10It's always the same old thing, sloppy-ploppy porridge.
0:27:10 > 0:27:11What is it tonight? Something different?
0:27:11 > 0:27:16- Tonight, sir, it's, ahem... - What's that, Mr Burgess?
0:27:16 > 0:27:21- I said, ahem, sir.- I can't hear you, can you please speak clearly?
0:27:21 > 0:27:23Oh, sloppy-ploppy porridge, sir.
0:27:23 > 0:27:27I thought so. Take them back to the cells. Go on, off you go.
0:27:27 > 0:27:30There you are. Give them all a big round of applause, please.
0:27:32 > 0:27:34Well, jailers and jailbirds, that's it for another Freedom Show.
0:27:34 > 0:27:38Bye-bye, everybody. Bye-bye!
0:27:47 > 0:27:51# It's the only way you'll ever leave The Slammer! #
0:27:51 > 0:27:58# You know I can't smile without you. #
0:27:58 > 0:28:00Freedom!