0:00:02 > 0:00:05Dear Steven Spielberg. Or can I call you "Stevie Baby"?
0:00:05 > 0:00:08Course I can. Stevie Baby, have I got an idea for you!
0:00:08 > 0:00:12It's the true story of what happened in The Slammer this week,
0:00:12 > 0:00:15and like all the best movies, it's full of excitement...
0:00:17 > 0:00:19..laughter...
0:00:19 > 0:00:20# I like to move it! #
0:00:20 > 0:00:21..and tension!
0:00:23 > 0:00:26By the way, when it comes to casting my part,
0:00:26 > 0:00:28may I suggest Brad Pitt for the role?
0:00:28 > 0:00:30I look just like him,
0:00:30 > 0:00:32or his brother Cess.
0:00:32 > 0:00:36Anyway, here's how it all started.
0:00:36 > 0:00:38And action!
0:00:43 > 0:00:48# You've been found guilty of a howling show-biz crime
0:00:48 > 0:00:53# So welcome to The Slammer where you're gonna serve your time
0:00:53 > 0:00:56# With every type of minstrel, entertainer and artiste
0:00:56 > 0:01:01# Performing to the limit to try and get released
0:01:01 > 0:01:06# So go and fetch the audience, bring them to The Slammer
0:01:06 > 0:01:10# And polish up your act, with a bit of glitz and glamour
0:01:10 > 0:01:14# Your fate is in their hands, so make them cheer and clamour
0:01:14 > 0:01:19# It's the only way you'll ever leave The Slammer
0:01:19 > 0:01:24# It's the only way you'll ever leave The Slammer! #
0:01:27 > 0:01:30All right, Gibling. Move along, nothing to see here!
0:01:31 > 0:01:34Yes, yes, very good, lad, but you won't catch me out that easily.
0:01:34 > 0:01:37Who's in that cell, Mr Burgess?
0:01:37 > 0:01:39I don't ever think I've seen it opened.
0:01:39 > 0:01:42Never you mind who's in that cell, Miss Meadows!
0:01:42 > 0:01:45All you need to know is whoever's in there,
0:01:45 > 0:01:48they must never, ever be let out. Don't even talk to them.
0:01:48 > 0:01:49- But... - Ah!
0:01:49 > 0:01:51I said no talkie talkie! Sh!
0:01:51 > 0:01:56Never let out and never talked to. That's mean even for Mr Burgess.
0:01:56 > 0:02:00I wonder who's in there, they can't be that bad...
0:02:02 > 0:02:06Silly me, I seem to have locked myself in one of my own cells!
0:02:06 > 0:02:08Not again, sir!
0:02:08 > 0:02:11Again?! I mean, oh, yes! Daft as a brush, I am!
0:02:11 > 0:02:13Out you come!
0:02:13 > 0:02:16Yes! Yes! At last!
0:02:16 > 0:02:19Must be nearly biccie time.
0:02:20 > 0:02:22CUCKOO!
0:02:22 > 0:02:24I was right! Must dash!
0:02:31 > 0:02:33DRUMS FINGERS
0:02:33 > 0:02:34DRUMMING CONTINUES
0:02:36 > 0:02:37Enjoy biccie time, sir?
0:02:37 > 0:02:40Why does everyone always assume I've just had a biccie?
0:02:40 > 0:02:43Because you usually have, sir. That and the crumbs.
0:02:43 > 0:02:45When I saw you earlier, you said you were popping off for one,
0:02:45 > 0:02:48- so I thought...- What are you talking about, Meadows?
0:02:48 > 0:02:50- I haven't seen you all day. - But...
0:02:50 > 0:02:52Now, listen, I've called this emergency meeting
0:02:52 > 0:02:55because Henrico De Marco, the world's greatest impressionist,
0:02:55 > 0:02:56has escaped from his cell.
0:02:56 > 0:02:58Right, what does he look like?
0:02:58 > 0:03:00That's exactly the problem. Nobody knows!
0:03:00 > 0:03:04He can make himself look and sound exactly like anyone he's ever met!
0:03:04 > 0:03:06That's why we have to keep him in a cell on his own.
0:03:06 > 0:03:08Not in cell 101...
0:03:08 > 0:03:09Exactly.
0:03:09 > 0:03:13Oops. I might have accidentally let him out.
0:03:13 > 0:03:16That means he could be impersonating any one of us here right now.
0:03:16 > 0:03:18It could even be you, Officer Meadows!
0:03:18 > 0:03:22- Well, when I let him out he looked just like The Governor.- Ah!
0:03:22 > 0:03:25Hang on! I'm not Henrico.
0:03:25 > 0:03:27That's exactly what Henrico would say.
0:03:27 > 0:03:31To be sure, you're going to have to tell us something only you know.
0:03:31 > 0:03:32Like what?
0:03:32 > 0:03:35Like, what was your nickname at school?
0:03:35 > 0:03:36I'm not answering that!
0:03:36 > 0:03:39Ha! That proves it! You are Henrico De Marco!
0:03:39 > 0:03:42All right, then. All right, then.
0:03:42 > 0:03:44If it's the only way that'll prove it.
0:03:44 > 0:03:46My nickname at school was...
0:03:46 > 0:03:47HE MUMBLES
0:03:47 > 0:03:49Come again, sir?
0:03:49 > 0:03:51HE MUMBLES
0:03:51 > 0:03:53Didn't quite catch that either, sir.
0:03:53 > 0:03:56Jellybum Wobblechops!
0:03:56 > 0:03:59Satisfied? That proves I'm not Henrico!
0:03:59 > 0:04:01Then who is?
0:04:01 > 0:04:03Can I have a word, sir?
0:04:03 > 0:04:06What is it, Frank? Can't you see that I'm...
0:04:08 > 0:04:10HE BLOWS A RASPBERRY
0:04:10 > 0:04:12Aha!
0:04:12 > 0:04:14Our Mr De Marco, sir?
0:04:14 > 0:04:17He didn't fool me for a second, did he, Meadows?
0:04:17 > 0:04:19Of course not, Jellybum... I mean Governor! Sorry!
0:04:19 > 0:04:22- He won't get very far! - Wait!
0:04:22 > 0:04:25We know that all three of us are really us, yes?
0:04:25 > 0:04:26Yes.
0:04:26 > 0:04:29So, if we give ourselves a secret mark,
0:04:29 > 0:04:32we'll always be able to tell who the real us are.
0:04:32 > 0:04:34Like this.
0:04:36 > 0:04:37Good idea, I suppose!
0:04:37 > 0:04:40So long as the person we're talking to has one of these marks,
0:04:40 > 0:04:42we'll know they're really us.
0:04:42 > 0:04:43So, how do I look?
0:04:43 > 0:04:45Divine, Jellybum...sir.
0:04:45 > 0:04:47In that case, it is Showtime!
0:04:52 > 0:04:53Ladies and gentlemen.
0:04:53 > 0:04:55Welcome to HMP Slammer,
0:04:55 > 0:04:58where you decide which prisoner is to be released.
0:04:58 > 0:05:01Now please welcome your host,
0:05:01 > 0:05:03accept no imitations,
0:05:03 > 0:05:06it's the one and only Governor!
0:05:06 > 0:05:08CHEERING
0:05:22 > 0:05:23Who's the Governor?
0:05:23 > 0:05:26- ALL:- You're the Governor!
0:05:26 > 0:05:28Yes, jailers and jailbirds, it is I, your Governor,
0:05:28 > 0:05:30and I've got the mark to prove it.
0:05:30 > 0:05:32But we have a problem in the Slammer today,
0:05:32 > 0:05:34there's an imposter running around,
0:05:34 > 0:05:37the world's greatest impressionist,
0:05:37 > 0:05:40and he could be any one of you.
0:05:40 > 0:05:44It could be you! So keep your eyes out.
0:05:44 > 0:05:47All right, will you do that, jailers and jailbirds, yes?
0:05:47 > 0:05:48ALL: Yes!
0:05:48 > 0:05:51Fantastic. We've got four brilliant performing prisoner acts,
0:05:51 > 0:05:53all hoping to go free. Which one will it be?
0:05:53 > 0:05:57It could be this very first one. A marvellous magic act.
0:05:57 > 0:06:00Serving six years in the Slammer - it's quite a spell -
0:06:00 > 0:06:02which is just as well because he's a magician.
0:06:02 > 0:06:05It's Jamie Allan!
0:06:05 > 0:06:09APPLAUSE
0:06:14 > 0:06:18Thanks very much, everybody, my name's Jamie Allan.
0:06:18 > 0:06:21I was going to show you a great new trick today I've been working on,
0:06:21 > 0:06:24and it uses a newspaper, but a lot of people are now
0:06:24 > 0:06:28reading all of their newspapers and comic books online.
0:06:28 > 0:06:30So if I'm going to show you this little piece of magic,
0:06:30 > 0:06:33we're going to have to use a bit of imagination.
0:06:33 > 0:06:36Now, this trick is more of an illusion than a trick.
0:06:36 > 0:06:38An illusion is just something
0:06:38 > 0:06:41which appears to be happening when it's not.
0:06:41 > 0:06:43I'm going to demonstrate that for you
0:06:43 > 0:06:46with these couple of sheets of newspaper and nothing else.
0:06:46 > 0:06:51I call it the illusion of the torn newspaper.
0:06:51 > 0:06:55It's called an illusion because I never actually tear the newspaper.
0:06:55 > 0:06:58Now... It's good, isn't it?
0:06:58 > 0:07:02You even think you can hear it. It becomes so convincing, look.
0:07:04 > 0:07:07You'd think that you can see all the individual pieces
0:07:07 > 0:07:10of the newspaper, but you don't, it's just an illusion.
0:07:10 > 0:07:15The paper is still completely whole.
0:07:18 > 0:07:20Thank you.
0:07:20 > 0:07:23You see, because there is the newspaper. That is the front page,
0:07:23 > 0:07:26that's the middle, that's the back.
0:07:28 > 0:07:31I wanted to show you something brand-new today.
0:07:31 > 0:07:35Something which uses not one tablet computer, but actually four.
0:07:35 > 0:07:40This is a brand-new illusion, and I call this digital art.
0:07:40 > 0:07:43Please watch this carefully.
0:08:23 > 0:08:26CHEERING
0:09:19 > 0:09:23APPLAUSE
0:09:29 > 0:09:32Marvellous. Hang on, hang on...
0:09:32 > 0:09:34That's not Meadows! Her mark's gone!
0:09:34 > 0:09:36That must be Henrico!
0:09:36 > 0:09:38What? No! This is me!
0:09:38 > 0:09:39Where's your mark?
0:09:39 > 0:09:41It's on this wrist, sir.
0:09:41 > 0:09:45Oh, yes. Just checking. That's all right, carry on.
0:09:45 > 0:09:48On with your opinions of that marvellous magic act.
0:09:48 > 0:09:52What did you think of Jamie Allan - did he cast a spell on you?
0:09:52 > 0:09:54Let's find out from the wizard in chief, Mr Burgess.
0:09:54 > 0:09:57Sir! Let's get a man's perspective on this,
0:09:57 > 0:10:00you look like you've got a solid head on your shoulders, sir!
0:10:00 > 0:10:03- It was mind-blowing.- Why?
0:10:03 > 0:10:08- Because he pulled all them things... - Did your head actually explode, sir?
0:10:08 > 0:10:11Was Jamie Allan magical for you?
0:10:11 > 0:10:14- Yes.- In what way?
0:10:14 > 0:10:21Like, he used the tablets to transfer things
0:10:21 > 0:10:23into different places.
0:10:23 > 0:10:25Good, wasn't it? Very original.
0:10:25 > 0:10:27- Has he done enough to go free?- Yes.
0:10:27 > 0:10:30One final word, sum that act up for me, miss.
0:10:30 > 0:10:33- Magical.- It was, really. Magical, sir.
0:10:33 > 0:10:37Well, jailers and jailbirds, on to our next performing prisoner act.
0:10:37 > 0:10:40An act that's going to scale new heights.
0:10:40 > 0:10:42Absolutely wonderful, what a sense of balance she has.
0:10:42 > 0:10:45She's serving ten years in the Slammer,
0:10:45 > 0:10:46for having ladders in her tights.
0:10:46 > 0:10:49She put them in her tights and snuck off with them. Naughty!
0:10:49 > 0:10:52But she's brilliant. Will you please show your appreciation for
0:10:52 > 0:10:54Miss Claire Marie!
0:10:54 > 0:10:56APPLAUSE
0:10:59 > 0:11:02# It's a new dawn
0:11:02 > 0:11:04# It's a new day
0:11:04 > 0:11:07# It's a new life
0:11:07 > 0:11:11# For me
0:11:14 > 0:11:18# And I'm feeling good
0:11:24 > 0:11:28# Feeling good
0:11:32 > 0:11:34# Fish in the sea
0:11:34 > 0:11:36# You know how I feel
0:11:38 > 0:11:40# River running free
0:11:40 > 0:11:43# You know how I feel
0:11:43 > 0:11:47# Blossom on the tree
0:11:47 > 0:11:49# You know how I feel
0:11:49 > 0:11:51# It's a new dawn
0:11:51 > 0:11:52# It's a new day
0:11:52 > 0:11:54# It's a new life
0:11:54 > 0:11:58# For me
0:11:58 > 0:12:01# And I'm feeling good
0:12:05 > 0:12:08# Dragonfly out in the sun
0:12:08 > 0:12:11# You know what I mean, don't you know
0:12:11 > 0:12:15# Butterflies all having fun
0:12:15 > 0:12:17# You know what I mean
0:12:17 > 0:12:21# Sleep in peace when day is done
0:12:21 > 0:12:23# That's what I mean
0:12:23 > 0:12:26# And this old world is a new world
0:12:26 > 0:12:29# And a bold world
0:12:29 > 0:12:31# For me
0:12:35 > 0:12:37# For me
0:12:49 > 0:12:52# Stars when they shine
0:12:52 > 0:12:54# You know how I feel
0:12:54 > 0:12:58# Scent of the pine
0:12:58 > 0:13:01# You know how I feel
0:13:01 > 0:13:04# Oh, freedom is mine
0:13:04 > 0:13:07# And I know how I feel
0:13:07 > 0:13:09# It's a new dawn
0:13:09 > 0:13:10# It's a new day
0:13:13 > 0:13:15# It's a new dawn
0:13:15 > 0:13:16# It's a new day
0:13:16 > 0:13:19# It's a new life
0:13:19 > 0:13:22# For me
0:13:22 > 0:13:25# And I'm feeling
0:13:25 > 0:13:30# Good. #
0:13:30 > 0:13:34CHEERING
0:13:39 > 0:13:43Bring her back here. Let's hear it for Miss Claire Marie. Wow!
0:13:47 > 0:13:50Remember the next time you're asked to set the table for tea,
0:13:50 > 0:13:53don't go messing around like that. It'd take for ever!
0:13:53 > 0:13:55But what did you think of that as a performing prisoner act?
0:13:55 > 0:14:00Let's find out, with Mr Very Well Balanced Burgess.
0:14:00 > 0:14:03What do you call a woman with a table on her head?
0:14:03 > 0:14:05Miss Claire Marie, quite obviously.
0:14:05 > 0:14:07I thought it was shockingly fantastic.
0:14:07 > 0:14:10Shockingly fantastic? What shocked you about it in particular, sir?
0:14:10 > 0:14:14She was on a ladder with a table on her head. What more could shock you?
0:14:14 > 0:14:17Do you find Claire Marie a very exciting act?
0:14:17 > 0:14:21I was flabbergasted when she balanced...
0:14:21 > 0:14:25the drinks and the table on just her head
0:14:25 > 0:14:28and she went up and down the ladders.
0:14:28 > 0:14:31- One final word, sum that act up for me, sir.- Brilliant!
0:14:31 > 0:14:34BRILLIANT!
0:14:35 > 0:14:37Now, performing prisoner appreciators,
0:14:37 > 0:14:40it's time for the part of the Slammer Freedom Show
0:14:40 > 0:14:42that we call solitary confinement!
0:14:45 > 0:14:46Yes, a chance for the acts
0:14:46 > 0:14:49who are locked away in the vaults to perform.
0:14:49 > 0:14:51They don't go free, but if they do well, they get the thumbs up.
0:14:51 > 0:14:54They get a nice little treat, and today's treat is
0:14:54 > 0:14:56a lovely colour picture of Norwich.
0:14:56 > 0:14:58Lovely place, Norwich.
0:14:58 > 0:15:00But if not, if they get the thumbs down,
0:15:00 > 0:15:03then it's a cruel and unusual punishment. Mr Burgess!
0:15:03 > 0:15:05- Sir!- What is today's cruel and unusual punishment?
0:15:05 > 0:15:10Today, sir, it's the old sack and porridge routine, sir.
0:15:10 > 0:15:11Oh, the old sack and porridge.
0:15:11 > 0:15:13Nobody wants the old sack and porridge.
0:15:13 > 0:15:16Well, jailers and jailbirds, we need a judge.
0:15:16 > 0:15:20Certainly do, sir. Got my eye on this young man here, sir.
0:15:20 > 0:15:22- Looks full of discernment.- Give him a round of applause, please.
0:15:22 > 0:15:25APPLAUSE
0:15:25 > 0:15:27- Your name, sir?- Ian.
0:15:27 > 0:15:30You're to be the judge, apply the wig of justice,
0:15:30 > 0:15:34as we welcome - if that's the right word - the solitary confinement act
0:15:34 > 0:15:38that we call Competitive Nose Blowing!
0:15:51 > 0:15:53HONK!
0:15:57 > 0:15:59FOGHORN
0:16:05 > 0:16:08TRUMPET PLAYS
0:16:12 > 0:16:15MUSIC: Flight Of The Bumblebee by Rimsky-Korsakov
0:16:18 > 0:16:22TRUMPET PLAYS
0:16:30 > 0:16:31FOGHORN
0:16:31 > 0:16:32RICOCHET
0:16:34 > 0:16:36He's blown his nose off.
0:16:36 > 0:16:40That'll do. Come on. Give them a something, I don't know what.
0:16:40 > 0:16:42I don't know what you do with an act like that.
0:16:42 > 0:16:46Competitive Nose Blowing - an act not to be sneezed at.
0:16:46 > 0:16:48But will it be the thumbs up or the thumbs down?
0:16:48 > 0:16:50Ian, it's up to you to decide.
0:16:50 > 0:16:53Remember, thumbs up, nice picture of Norwich.
0:16:53 > 0:16:55Thumbs down, and it's the sack and porridge.
0:16:55 > 0:16:58Your five seconds starts now.
0:16:58 > 0:17:00Hold your thumb up, sir.
0:17:00 > 0:17:02Oh, straightaway, it's down! It's down!
0:17:02 > 0:17:07That's it! Your act was weak and sloppy, so for you it's...
0:17:07 > 0:17:10ALL: Sloppy ploppy porridge!
0:17:10 > 0:17:14How many buckets? Both buckets! Come on, yes!
0:17:14 > 0:17:15Sloppy, ploppy!
0:17:15 > 0:17:19ALL: Sloppy, ploppy!
0:17:24 > 0:17:27- Sir. Sir!- What is it?
0:17:27 > 0:17:31Sorry, Mr Burgess, yes, sorry. Take them away.
0:17:34 > 0:17:38- Mr Burgess.- Sir. - On with the Freedom Show.
0:17:38 > 0:17:42Now, the next act, jailers and jailbirds, is unbelievable.
0:17:42 > 0:17:46He's a beat boxer, he makes all the sounds himself, no special effects,
0:17:46 > 0:17:49so will he be staying in the Slammer? Will he be
0:17:49 > 0:17:54boxed up any longer? Let's find out as we welcome Lee Gibling!
0:17:54 > 0:17:57APPLAUSE
0:17:59 > 0:18:02IMITATES SIREN
0:18:12 > 0:18:16IMITATES DRUM KIT
0:18:31 > 0:18:33RECORD SCRATCHING
0:18:33 > 0:18:36DRUMS WITH SCRATCHING
0:18:47 > 0:18:51APPLAUSE
0:18:51 > 0:18:53IMITATES DRUM PATTERN
0:19:10 > 0:19:12APPLAUSE
0:19:14 > 0:19:17RECORD SCRATCHING
0:19:17 > 0:19:21HUMS BASS LINE FROM "I LIKE TO MOVE IT"
0:19:24 > 0:19:26CLAPPING
0:19:34 > 0:19:36# I like to move it, move it
0:19:36 > 0:19:37# I like to move it, move it
0:19:37 > 0:19:39# I like to move it, move it
0:19:39 > 0:19:41# I like to move it!
0:19:41 > 0:19:43# I like to move it, move it
0:19:43 > 0:19:44# I like to move it, move it
0:19:44 > 0:19:46# I like to move it, move it
0:19:46 > 0:19:48# You like to move it!
0:20:06 > 0:20:08APPLAUSE
0:20:13 > 0:20:16He liked to move it, but will he be moving it out of The Slammer?
0:20:16 > 0:20:20Let's find out with Mr Boo-bip-beep-beep Burgess.
0:20:20 > 0:20:23Lee Gibling, Human Beatbox. Was he?
0:20:23 > 0:20:24Yeah.
0:20:24 > 0:20:28Very, very good. Epic.
0:20:28 > 0:20:30What did you think of Lee Gibling?
0:20:30 > 0:20:33I loved him. He was dead good when he went...
0:20:33 > 0:20:35Sounds like a duck, but it's very good.
0:20:35 > 0:20:37Fantastic, that.
0:20:37 > 0:20:41And for one final word, you, young man, will have to sum up
0:20:41 > 0:20:42that act.
0:20:42 > 0:20:44Astonishing!
0:20:44 > 0:20:47Astonishing, sir!
0:20:48 > 0:20:52Well, prancing prisoner appraisers, on to one more act.
0:20:52 > 0:20:55Yes, this act could be going free. Absolutely tremendous.
0:20:55 > 0:20:57They're called The Shockerellas, and it was quite a shock
0:20:57 > 0:21:00when they got six months in The Slammer. What will you make of them?
0:21:00 > 0:21:03Make some noise, please, for Shockarellas!
0:21:03 > 0:21:07CHEERING
0:21:13 > 0:21:17MUSIC: "#thatPOWER" by will.i.am
0:21:28 > 0:21:30# I know
0:21:30 > 0:21:34# I'm alive, I'm alive, I'm alive
0:21:34 > 0:21:37# And I'm loving every second
0:21:37 > 0:21:39# Minute, hour
0:21:39 > 0:21:40# Bigger, better
0:21:40 > 0:21:43# Stronger power
0:21:48 > 0:21:51# I got that power
0:21:53 > 0:21:57# I got that power, power, power, power
0:21:57 > 0:22:00# They call me Will-A
0:22:00 > 0:22:01# Stay so cool, I'm chilli
0:22:01 > 0:22:03# I done made that milli
0:22:03 > 0:22:05# On my way to that billi
0:22:05 > 0:22:06# Used to have a piggy bank
0:22:06 > 0:22:08# But now I got that bigger bank
0:22:08 > 0:22:10# Who-who cares what the haters say
0:22:10 > 0:22:13# They hate on me cos we doing what they can't
0:22:13 > 0:22:14# I stay on that hustle
0:22:14 > 0:22:16# I flex that little muscle
0:22:16 > 0:22:18# Hate to bust your bubble
0:22:18 > 0:22:20# I'm on that other level
0:22:20 > 0:22:22# Imma take it higher
0:22:22 > 0:22:24# And high and high and higher
0:22:24 > 0:22:25# I stay and buy attire
0:22:25 > 0:22:27# Keep burning like that fire
0:22:27 > 0:22:30# I know
0:22:30 > 0:22:35# I'm alive, I'm alive, I'm alive
0:22:35 > 0:22:37# And I'm loving every second
0:22:37 > 0:22:39# Minute, hour
0:22:39 > 0:22:41# Bigger, better
0:22:41 > 0:22:43# Stronger power
0:22:49 > 0:22:52# I got that power
0:22:52 > 0:22:57# I got that power, power, power, power. #
0:22:59 > 0:23:02CHEERING
0:23:05 > 0:23:08Let's hear it for Shockarella, yeah!
0:23:08 > 0:23:11Yes, marvellous.
0:23:11 > 0:23:14Well, Shockarella, were they shockingly good?
0:23:14 > 0:23:18Will they be going free? Let's find out with our very own live wire,
0:23:18 > 0:23:20Mr Burgess!
0:23:20 > 0:23:22- Shockarellas there. Miss, did they do it for you?- Yeah.
0:23:22 > 0:23:24I think the Shockarellas were amazing
0:23:24 > 0:23:25and they're my favourite act.
0:23:25 > 0:23:27- They're your favourite act today. - Yeah.
0:23:27 > 0:23:31- They've done enough, as far as you're concerned, to set them free.- Yeah.
0:23:31 > 0:23:33What bit did you like about it the best?
0:23:33 > 0:23:34I liked it when they did, like...
0:23:34 > 0:23:37when they took it in turns to do their own separate bit.
0:23:37 > 0:23:40One final word to sum that act up for me, miss.
0:23:40 > 0:23:42Shockalicious.
0:23:42 > 0:23:43Shockalicious, that'll do.
0:23:43 > 0:23:44Well, there we are.
0:23:44 > 0:23:47Your views and opinions on all our performing prisoners.
0:23:47 > 0:23:49Who's going free? Let's find out.
0:23:49 > 0:23:52But before we do that, welcome them back on the stage, please.
0:23:52 > 0:23:54CHEERING
0:23:54 > 0:23:56Jamie Allan...
0:23:56 > 0:23:57Miss Claire Marie...
0:23:57 > 0:24:01Lee Gibling and Shockarellas.
0:24:01 > 0:24:03Well, there they are, four brilliant performing prisoner acts,
0:24:03 > 0:24:07I think you'll agree. Only one act will be stepping out of The Slammer,
0:24:07 > 0:24:10their debt to society paid, and we'll find out with this.
0:24:10 > 0:24:12Yes, Miss Meadows' Clap-o-meter.
0:24:12 > 0:24:14The more noise you make, the higher the score,
0:24:14 > 0:24:16it's as simple as that.
0:24:16 > 0:24:18Well, he mesmerised you with magic old and new.
0:24:18 > 0:24:20Will he be going free?
0:24:20 > 0:24:24Let's find out from the iMagician Jamie Allan!
0:24:24 > 0:24:26CHEERING
0:24:29 > 0:24:3271's a good score, Jamie.
0:24:32 > 0:24:34Can it be bettered now by this young lady?
0:24:34 > 0:24:38She soared to the heights while balancing a table on her head,
0:24:38 > 0:24:41and you don't see that every day of the week.
0:24:41 > 0:24:43Your views, please, for Claire Marie.
0:24:43 > 0:24:46CHEERING
0:24:49 > 0:24:51Claire goes into the lead, top hat and all.
0:24:51 > 0:24:5372.4.
0:24:53 > 0:24:56Well, next, he was a ba-ba-ba-ba-beat boxer.
0:24:56 > 0:24:58Will he be getting out of The Slammer today?
0:24:58 > 0:25:01Will he be avoiding the sloppy, ploppy porridge?
0:25:01 > 0:25:03Your appreciation for Lee Gibling!
0:25:03 > 0:25:05CHEERING
0:25:09 > 0:25:12Big score. 91.1 for Lee.
0:25:12 > 0:25:16He's in the lead. There's only one act that can catch him now.
0:25:16 > 0:25:19Steady, jailers and jailbirds. Steady. The excitement's...
0:25:19 > 0:25:21The tension's almost alive.
0:25:21 > 0:25:23Will they be going free?
0:25:23 > 0:25:25Let's hear it for Shockarellas!
0:25:25 > 0:25:28CHEERING
0:25:29 > 0:25:31Wow!
0:25:31 > 0:25:32Oh!
0:25:32 > 0:25:34Oh, there's no doubt there.
0:25:34 > 0:25:37Four tremendous acts, four great scores, but going free,
0:25:37 > 0:25:41with 95.1, is the Shockarellas.
0:25:41 > 0:25:44- CHEERING - Stop! Stop!
0:25:44 > 0:25:47- Wait a minute. What is it, Meadows? - Don't let them leave.- Why not?
0:25:47 > 0:25:50Well, because one of them is Henrico De Marco.
0:25:50 > 0:25:53- But they've just won the Freedom Show.- Exactly.
0:25:53 > 0:25:56And what better way for Henrico to escape?
0:25:56 > 0:25:58If that's Henrico, where's the real Shockarella?
0:25:58 > 0:26:01I've got an idea where they might be, sir.
0:26:01 > 0:26:02- Excuse me. - Well done, Mr Burgess.
0:26:02 > 0:26:05Ah, found you. Right...
0:26:05 > 0:26:07come with me.
0:26:07 > 0:26:12- Right, out you go. - Oh, well done, Mr Burgess.
0:26:12 > 0:26:14There's the real Shockarella.
0:26:14 > 0:26:17Oh, that's marvellous. That means you can now go free.
0:26:17 > 0:26:20Jailers and jailbirds, Shockarellas are all going free.
0:26:20 > 0:26:23CHEERING
0:26:23 > 0:26:27Well done. Well done. Well, that's...great news for them.
0:26:27 > 0:26:30And we've recaptured Henrico as well, which is marvellous.
0:26:30 > 0:26:34The bad news for everybody else is you're staying for tea.
0:26:34 > 0:26:36- What's for tea, Mr Burgess? - Nothing, sir.
0:26:36 > 0:26:38- What do you mean, nothing?- Nothing.
0:26:38 > 0:26:40I haven't got a scrap in the kitchen, sir.
0:26:40 > 0:26:41We must have something!
0:26:41 > 0:26:44Well, we might have a bit of something, I suppose. There's...
0:26:44 > 0:26:46Oh, I tell you what we have got. We've got that...
0:26:46 > 0:26:49- The sloppy, ploppy porridge. - That's it, sir. Right, you lot...
0:26:49 > 0:26:51Oh, I don't believe it. Give them a big cheer, everybody.
0:26:51 > 0:26:53CHEERING
0:26:53 > 0:26:56Claire Marie, Lee Gibling, Shockarellas, they've gone through,
0:26:56 > 0:26:57Jamie Allan's staying.
0:26:57 > 0:27:00And you, jailers and jailbirds, have been brilliant.
0:27:00 > 0:27:02Join us again soon for another Freedom Show,
0:27:02 > 0:27:03here at The Slammer.
0:27:03 > 0:27:05And remember, if you can't sing, dance or rhyme...
0:27:05 > 0:27:08- ALL:- Don't do the crime!
0:27:08 > 0:27:10Bye-bye, everybody! Bye-bye!
0:27:10 > 0:27:13CHEERING
0:27:36 > 0:27:38Well, you better settle in, De Marco.
0:27:38 > 0:27:41You're going to be in there for a long time, son.
0:27:44 > 0:27:45Well done, both of you.
0:27:45 > 0:27:48We can all sleep safely in our beds tonight.
0:27:48 > 0:27:51- Now, who's up for a nice cup of tea and a biccie?- Why not?
0:27:51 > 0:27:54I'll be with you in just one tick.
0:27:54 > 0:27:55Sir.
0:28:00 > 0:28:02KLAXON