0:00:05 > 0:00:07Star Wars is number one at the box office.
0:00:07 > 0:00:10Star Wars breaks box office records yet again.
0:00:10 > 0:00:13George Lucas's Star Wars is the must-see movie of the summer.
0:00:13 > 0:00:15And it's all down to director, George Lucas.
0:00:15 > 0:00:17- George Lucas.- George Lucas...
0:00:29 > 0:00:31This way, Mr Lucas. This is your room.
0:00:41 > 0:00:43Thank you.
0:00:43 > 0:00:44Have a nice stay.
0:00:44 > 0:00:46DOOR SHUTS
0:00:53 > 0:00:57- You have eight new messages. - BEEP
0:00:57 > 0:01:00Hi, George! It's Marcie calling from the production office.
0:01:00 > 0:01:04I hope you had a pleasant flight, and have arrived safe and sound at
0:01:04 > 0:01:07the, er, the Royal Tunisia Hotel.
0:01:07 > 0:01:10You'll be there for the next two weeks,
0:01:10 > 0:01:14then you're moving on to Elstree Studios in England.
0:01:14 > 0:01:19Now, I did speak to the concierge at the Royal Tunisia - a lovely man,
0:01:19 > 0:01:23Mustafa. Now, he says he knows that the room you're in at the moment is
0:01:23 > 0:01:24a little on the small side,
0:01:24 > 0:01:28however, he's looking to move you to a larger room.
0:01:28 > 0:01:33The only trouble is that the larger room has a slight issue with the
0:01:33 > 0:01:35drainage, so he's getting that fixed
0:01:35 > 0:01:38and he'll get you moved as soon as possible.
0:01:38 > 0:01:40PHONE RINGS Sorry, one moment.
0:01:40 > 0:01:41- Do you want me to take it? - No, I'll take it.
0:01:41 > 0:01:44- Hello, production office.- Oh, hi there. Do you have a few moments to
0:01:44 > 0:01:47- talk about your laundry detergent? - Thank you - no, I'm not interested.
0:01:47 > 0:01:50- Would there be a better time?- No, no - please do not call here again.
0:01:50 > 0:01:53- If I could just ask you...- Thank you, no!- Would there...- Thank you!
0:01:53 > 0:01:56Sorry about that, George. Right, where was I?
0:01:56 > 0:02:01Oh, yes. OK, so most of the principal cast have arrived.
0:02:01 > 0:02:06Harrison Ford, Mark Hamill - what a sweetheart he is -
0:02:06 > 0:02:07and who's playing the trash can?
0:02:07 > 0:02:10- Trash can?- You know, the little - who's playing the little...
0:02:10 > 0:02:12- Kenny Baker.- Oh, Kenny Baker - that's it, sorry.
0:02:12 > 0:02:16Now, Alec Guinness will be joining you, er, in the next couple of days.
0:02:16 > 0:02:22However, his agent really wanted to talk to you regarding his deal,
0:02:22 > 0:02:25and so he'll be giving you a call about that.
0:02:25 > 0:02:29Now, the latest draft of the script has been distributed,
0:02:29 > 0:02:34however, Harrison wanted to talk to you about a couple of the scenes.
0:02:34 > 0:02:37He, ah, he, ah... BANGING AND SHOUTING
0:02:37 > 0:02:40Yeah, he's not happy. But, you know, he never is, darling,
0:02:40 > 0:02:41but that's why you cast him. PHONE RINGS
0:02:41 > 0:02:44He's going to be a big star. Sorry, one moment.
0:02:44 > 0:02:45- Do you want me to take it?- No, I'll take it.
0:02:45 > 0:02:47- Production office.- Oh, hi there.
0:02:47 > 0:02:50- Do have a moment to talk about... - I'm not interested, thank you!
0:02:50 > 0:02:57Now, George, we do have a slight issue, er, regarding the Jawa scene.
0:02:57 > 0:02:58- Is that right - Jawa?- It's Jawa.
0:02:58 > 0:03:00Yeah, the Jawa scene.
0:03:00 > 0:03:03I know I promised you 15 dwarf actors by Wednesday,
0:03:03 > 0:03:08however it seems that Tunisia is suffering a dwarf actor shortage.
0:03:08 > 0:03:12OK, George. Well, listen, I won't take up any more of your time.
0:03:12 > 0:03:15Have a great shoot in Tunisia,
0:03:15 > 0:03:17and I'll see you in Elstree Studios in a couple of weeks.
0:03:17 > 0:03:19SHOUTING
0:03:19 > 0:03:21Oh, and remember - it's only a movie, George! Toodles!
0:03:21 > 0:03:25- Do you want me to take that? It's Anthony Daniels.- No, I'll take it.
0:03:25 > 0:03:26Anthony, darling, how can I help?
0:03:26 > 0:03:28Next new message.
0:03:28 > 0:03:31George, hello, it's Jacques in hair and make-up.
0:03:31 > 0:03:33I need to talk to you about... KNOCK ON DOOR
0:03:33 > 0:03:36Come in? I really need to talk to you about...
0:03:36 > 0:03:37KNOCK ON DOOR Come in!
0:03:37 > 0:03:39I really need to talk about...
0:03:39 > 0:03:42KNOCK ON DOOR Come in!
0:03:42 > 0:03:45- I'm here for hair and make-up?- Yes, yes, fine. Take a seat over there.
0:03:45 > 0:03:46- I'll be with you in a moment.- Sorry?
0:03:46 > 0:03:49I said take a seat over there, I'll be with you in a moment!
0:03:49 > 0:03:50Oh, right - thank you.
0:03:50 > 0:03:52Sorry, George, my 2.30 has arrived.
0:03:52 > 0:03:54- I'm going to have to call you back. - Sorry - where?
0:03:54 > 0:03:55Next new message.
0:03:55 > 0:03:56BEEP
0:03:56 > 0:03:58Mr Lucas, hello there.
0:03:58 > 0:04:00This is John Millins.
0:04:00 > 0:04:05I represent Sir Alec Guinness, who is portraying the role of...
0:04:05 > 0:04:08..Benjamin Kenobi in your production.
0:04:08 > 0:04:12Now, the reason that I'm calling is I have spoken to Sir Alec at great
0:04:12 > 0:04:16length regarding his deal, and we feel that...
0:04:16 > 0:04:18PHONE BUZZES Sorry, one moment.
0:04:18 > 0:04:21- Yes?- Anthony Daniels is on the phone.
0:04:21 > 0:04:23- Who?- Anthony Daniels - you represent him.
0:04:23 > 0:04:24Well, tell him I'll call him back.
0:04:24 > 0:04:26Righto!
0:04:27 > 0:04:29Sorry about that, Mr Lucas.
0:04:29 > 0:04:32So as I was saying, after much deliberation with Sir Alec,
0:04:32 > 0:04:34we feel that...
0:04:34 > 0:04:37PHONE BUZZES Sorry, one moment.
0:04:37 > 0:04:40- Yes?- It's Anthony Daniels - he really needs to speak to you.
0:04:40 > 0:04:43- Well, what does he want?- He says his costume's so tight he can't
0:04:43 > 0:04:45breathe and he's being bullied by a dwarf.
0:04:45 > 0:04:47Tell him to take it up with the costume department,
0:04:47 > 0:04:49- I haven't got time!- Righto!
0:04:50 > 0:04:54Apologies. As I was saying, Mr Lucas,
0:04:54 > 0:04:57after much deliberation with Sir Alec we feel that...
0:04:57 > 0:05:00PHONE BUZZES One moment!
0:05:00 > 0:05:02- Now, look here!- No, wait, I just...
0:05:02 > 0:05:06You tell Anthony Daniels that if he'd taken his agent's advice in the
0:05:06 > 0:05:07- first place...- I just...- Instead
0:05:07 > 0:05:10of flying off to Tunisia for a silly little space film...
0:05:10 > 0:05:14- I just wanted...- He could've been earning £75 a week...- But I...
0:05:14 > 0:05:16..at Stratford-upon-Avon in repertory!
0:05:16 > 0:05:19I just wanted to know if you wanted any lunch.
0:05:19 > 0:05:24Oh. Well, I'll have a small pork pie, please.
0:05:24 > 0:05:26Small pork pie.
0:05:26 > 0:05:28- And a Vimto.- And a Vimto - righto!
0:05:31 > 0:05:35As I was saying, after much deliberation with Sir Alec,
0:05:35 > 0:05:40we have decided to accept your measly, pathetic,
0:05:40 > 0:05:45paltry little offer of 1% of all profits from this production,
0:05:45 > 0:05:47and any subsequent sequels,
0:05:47 > 0:05:51televisual exploitations, merchandising, etc,
0:05:51 > 0:05:55ad finitum - should it make a profit, of course,
0:05:55 > 0:05:58although judging by the latest draft of the script,
0:05:58 > 0:06:01I won't be holding my breath.
0:06:01 > 0:06:04Have a good shoot, Mr Lucas, and, er, see you at the premiere...
0:06:04 > 0:06:07..if there is one. Goodbye!
0:06:07 > 0:06:10Next new message.
0:06:12 > 0:06:14Mr Lucas, hello there.
0:06:14 > 0:06:17This is Mustafa, concierge of the Royal Tunisia Hotel.
0:06:17 > 0:06:21But the reason I wanted to give you a call is just to welcome you to the
0:06:21 > 0:06:23Royal Tunisia Hotel, and also to say...
0:06:23 > 0:06:25PHONE RINGS Sorry, one moment, please.
0:06:25 > 0:06:28- Royal Tunisia Hotel. - Hi, this is Carrie Fisher -
0:06:28 > 0:06:30can you tell me which room Mr Ford is in, please?
0:06:30 > 0:06:32Mr Ford? Ah, yes.
0:06:32 > 0:06:34- Gibril?- Yeah? - Which room Mr Ford in?
0:06:34 > 0:06:38- 216.- Mr Ford in room 216, Madame.
0:06:38 > 0:06:39Would you like to leave a...
0:06:39 > 0:06:41SHE HANGS UP
0:06:41 > 0:06:44Sorry about that, Mr Lucas.
0:06:44 > 0:06:47As I was saying, basically the room we have put you in at the moment,
0:06:47 > 0:06:51er, what we are planning to do is to put you in a far superior room,
0:06:51 > 0:06:53however, the far superior room we wish to move you to is...
0:06:53 > 0:06:57PHONE RINGS Sorry - one moment, please.
0:06:57 > 0:06:58Royal Tunisia Hotel.
0:06:58 > 0:06:59Yeah, this is Carrie Fisher again.
0:06:59 > 0:07:02- Are you sure he's in that room? - Yes, Mr Ford definitely in room 216.
0:07:02 > 0:07:05- Well, no-one there.- You have knocked?- Yeah, I fucking knocked.
0:07:05 > 0:07:07Madame, would you like to leave a... SHE HANGS UP
0:07:07 > 0:07:10Sorry about that, Mr Lucas. As I was saying,
0:07:10 > 0:07:13the room that we are planning to move you to, a very superior room,
0:07:13 > 0:07:16however, the superior room we are planning to do put you in,
0:07:16 > 0:07:19it has a slight issue with drainage,
0:07:19 > 0:07:22which we have one of our most talented plumbers working on to fix
0:07:22 > 0:07:26the situation, and we'll be giving you a call as soon as the problem is
0:07:26 > 0:07:29- resolved. So I... - Hello?- Sorry - one moment, please.
0:07:29 > 0:07:31- Hello?- Hello?- Hello?- Hello?- Hello.
0:07:31 > 0:07:34- Hello!- Ah! Hello there, sir - sorry, I did not see you down there.
0:07:34 > 0:07:37- How can I help?- Yeah, can you tell me where the toilet is, please?
0:07:37 > 0:07:41Ah, toilets - yes, certainly. Down the corridor, second on the left.
0:07:41 > 0:07:42- Thank you.- Second on the left?
0:07:42 > 0:07:44- Yeah, second on the left.- Right. Does it have a step?
0:07:44 > 0:07:46- Sorry about that, Mr Lucas.- Sorry, does it have a step?
0:07:46 > 0:07:49- Yeah, anyway, I hope you have... - Hello!- ..a wonderful stay with us...
0:07:49 > 0:07:51- Hello?- ..at the Royal Tunisia Hotel...
0:07:51 > 0:07:53And very good luck with your Hollywood filming.
0:07:53 > 0:07:55- Typical!- If you ever need a Tunisian actor,
0:07:55 > 0:07:59then look no further than concierge Mustafa...
0:07:59 > 0:08:01Are you looking with me, are you looking with me?
0:08:01 > 0:08:04Yes, I am! Yeah.
0:08:04 > 0:08:08Anyway. Lovely to speak to you, and see you soon, I hope. Bye-bye!
0:08:08 > 0:08:10PHONE RINGS Royal Tunisia Hotel!
0:08:10 > 0:08:12Next new message.
0:08:13 > 0:08:15Do we have him?
0:08:15 > 0:08:16Is he there?
0:08:16 > 0:08:18- We have him?- OK, you're on.
0:08:18 > 0:08:19Hey, George!
0:08:19 > 0:08:21How's it going, buddy?
0:08:21 > 0:08:23Mike Barillion here at the studio.
0:08:23 > 0:08:26Hope you had a pleasant flight to, er...
0:08:26 > 0:08:27- Where'd he fly to?- Tunisia.
0:08:27 > 0:08:30Tunisia - awesome! And you're going to be there for, er...
0:08:30 > 0:08:33- How long is he there for?- Two weeks. - Two weeks!
0:08:33 > 0:08:35Wow. This is gonna rock!
0:08:35 > 0:08:38So, dude, er, listen, I got a couple of people here with me -
0:08:38 > 0:08:40they want to say hello.
0:08:40 > 0:08:42Dave Lambert is here.
0:08:42 > 0:08:45- Hi, George.- The wonderful Suzanne Maher is also joining us.
0:08:45 > 0:08:47Hey, George, lovely to have you.
0:08:47 > 0:08:50And, last but not least, Rudy Weinbag is here.
0:08:50 > 0:08:53- Hi, George.- OK, George.
0:08:53 > 0:08:56So, we've all read the latest draft of the script.
0:08:56 > 0:08:58Great script. And we loved it - right?
0:08:58 > 0:09:00- Loved it!- Right, right - am I right?
0:09:00 > 0:09:02- Terrific.- Awesome.- Well done. - Really, incredible.
0:09:02 > 0:09:04Just the way that you - oh!
0:09:04 > 0:09:06It's just so...
0:09:06 > 0:09:08- Spacey.- Yeah, and the scene...
0:09:08 > 0:09:09- Love that space.- With the big dog...
0:09:09 > 0:09:11- Love that dog.- Ah, hilarious.
0:09:11 > 0:09:13- Genius!- Is he going to bark? I hope so.- He's gotta bark.
0:09:13 > 0:09:16- This film is going to rock. - Absolutely.
0:09:16 > 0:09:20Now, listen, OK, we wanted to talk soundtrack for the movie.
0:09:20 > 0:09:24- Very important.- Now, look. I know you've had your heart set
0:09:24 > 0:09:26- on John Williams.- Great guy.
0:09:26 > 0:09:27We love John, don't we?
0:09:27 > 0:09:28- Love him!- We love John, right?
0:09:28 > 0:09:31- Oh, yeah.- John is awesome. - Awesome.- John is incredible.
0:09:31 > 0:09:33- He's incredible.- The only thing about John is...
0:09:33 > 0:09:34- He's not right.- He's a little too...
0:09:34 > 0:09:36- He's not right. - He's kind of a bit more...
0:09:36 > 0:09:39- He's not right.- You know...
0:09:39 > 0:09:42- He's not right.- Disaster movie, killer-sharky type of guy.
0:09:42 > 0:09:46- Too classical.- So what we were thinking - hear us out...
0:09:46 > 0:09:49- Hear us out, George.- OK? Two words - ready?
0:09:49 > 0:09:50Space funk.
0:09:50 > 0:09:52- It's a winner.- Sure-fire hit.
0:09:52 > 0:09:55Two weeks ago, I meet a guy at a party in Malibu,
0:09:55 > 0:09:57he tells me he's a musician.
0:09:57 > 0:09:59I say, "Oh, yeah, what kind of stuff?"
0:09:59 > 0:10:01He says, "Blaxploitation movies."
0:10:01 > 0:10:05I say, "Really? That's strange, cos I'm doing this movie set in space."
0:10:05 > 0:10:07I gave him a copy of the script.
0:10:07 > 0:10:11He gives me a call two days ago, says, "You got to hear this."
0:10:11 > 0:10:13I said, "You got to hear what?"
0:10:13 > 0:10:15Well, you got to hear this, George.
0:10:15 > 0:10:17Are you ready? Are you ready?
0:10:17 > 0:10:19OK. In your own time, guys. Hit it.
0:10:22 > 0:10:25# In a galaxy far, far away
0:10:25 > 0:10:27# There was a kid called Luke Skywalkay
0:10:27 > 0:10:30# He met an Obi-Wan A Han Solay
0:10:30 > 0:10:32# Darth Vader his warmth to betray
0:10:32 > 0:10:34# The Star Wars
0:10:34 > 0:10:35# This is the Star Wars
0:10:37 > 0:10:38# Is that the Star Wars?
0:10:38 > 0:10:40# This is the Star Wars
0:10:40 > 0:10:41# Right
0:10:42 > 0:10:46# Now from Tatooine is where Luke is came
0:10:46 > 0:10:48# All aboard the Millenium Falkay
0:10:48 > 0:10:50# Along with Obi-Wan
0:10:50 > 0:10:51# A Princess Leia
0:10:51 > 0:10:53# Forget the Dark Side use the Force in the day
0:10:53 > 0:10:54# That's the Star Wars
0:10:55 > 0:10:56# This is the Star Wars
0:10:58 > 0:10:59# Is that the Star Wars?
0:10:59 > 0:11:01# This is the Star Wars
0:11:01 > 0:11:02# Right. #
0:11:07 > 0:11:09Yes!
0:11:09 > 0:11:11Yeah, whoo!
0:11:11 > 0:11:13Awesome, dude! Great job, baby!
0:11:13 > 0:11:16Great job! Was I right, George? Was I right?
0:11:16 > 0:11:18This guy's going to rock your movie, man!
0:11:18 > 0:11:20I got a good feeling about this, yeah!
0:11:20 > 0:11:21Take it easy, buddy.
0:11:23 > 0:11:24You guys do Bar Mitzvahs?
0:11:24 > 0:11:26Next new message.
0:11:27 > 0:11:29What an incredible hotel you've discovered.
0:11:29 > 0:11:33Yeah, it's Harrison. I just got the latest draft of the script, George.
0:11:33 > 0:11:37"She's the ship that made the Kessel Run in less than 12 parsecs"?
0:11:37 > 0:11:39- What's a parsec?- I think it's a unit of distance.
0:11:39 > 0:11:43Shut up. Listen, George, I respect you, OK?
0:11:43 > 0:11:45So don't take this the wrong way.
0:11:45 > 0:11:48You can type this shit, George, you can't say it.
0:11:48 > 0:11:50- I love you.- I know.
0:11:51 > 0:11:57- Next new message.- Mr Lucas, hello there. This is Mike O'Malley.
0:11:57 > 0:11:59I'm chief set builder at Elstree Film Studios.
0:11:59 > 0:12:01BANGING AND HAMMERING
0:12:01 > 0:12:04I've been asked to give you a little tinkle by your lovely production
0:12:04 > 0:12:07manager just to give you an update on the...
0:12:07 > 0:12:10Do you mind keeping it down for a second?!
0:12:10 > 0:12:11I'm on the blower!
0:12:11 > 0:12:14- Huh?- I said, I'm on the blower, do you mind keeping it down?!
0:12:14 > 0:12:17- Oh, right, sorry.- It's all right, thanks.
0:12:17 > 0:12:18Huh?
0:12:18 > 0:12:19I said, thanks!
0:12:21 > 0:12:23Sorry about that, Mr Lucas.
0:12:23 > 0:12:26So, anyway, yeah, I've been asked to give you an update on the state of
0:12:26 > 0:12:28the sets being built at present.
0:12:28 > 0:12:31We're currently about to finish building on the Minnel...
0:12:31 > 0:12:34The Minnel... The Minnely...
0:12:34 > 0:12:35..the spaceship.
0:12:35 > 0:12:39And to be honest, it's looking absolutely fantastic.
0:12:39 > 0:12:41We're just putting the finishing touches to the cockpit.
0:12:41 > 0:12:43You've got your blinky lights in there,
0:12:43 > 0:12:46- you've got your flashy lights... - Fancy a cup of tea, darling?
0:12:46 > 0:12:47I'd love one. Milk, three sugars, please.
0:12:47 > 0:12:49- Milk, three sugars coming up. - How are you, darling?
0:12:49 > 0:12:51You all right? I'll have an apricot tart as well.
0:12:51 > 0:12:54- Oh, I bet you will, darling.- And a Mint Club.- And a Mint Club.
0:12:54 > 0:12:55Sorry about that, Mr Lucas.
0:12:55 > 0:12:59So, anyway, the cockpit's looking fantastic. The only thing
0:12:59 > 0:13:01I would say is... DRILLING
0:13:01 > 0:13:03Do you mind keeping it down for a second?! I'm on
0:13:03 > 0:13:06- the blower!- Oh, right, sorry! - Thank you!
0:13:06 > 0:13:09- Three sugars, darling. - Thanks very much.
0:13:09 > 0:13:12The only thing I would say, Mr Lucas, regarding the cockpit,
0:13:12 > 0:13:17is that when you're stood inside the cockpit of the Minnel...
0:13:17 > 0:13:22The Minnel... The spaceship, it's looking a little blue.
0:13:22 > 0:13:24- What are you doing?!- I hope you don't mind.
0:13:24 > 0:13:27I got one of the boys to give it a nice lick of black paint for you.
0:13:27 > 0:13:31That should give it that outer space look you're going for.
0:13:31 > 0:13:35OK, Mr Lucas, I've got to get back to it, my tea's getting cold.
0:13:35 > 0:13:38SHOUTING IN BACKGROUND Have a lovely shoot in Tunisia
0:13:38 > 0:13:40and I'll see you when you get to Elstree.
0:13:40 > 0:13:42I said a Mint Club! This is orange!
0:13:42 > 0:13:43MAN SCREAMS
0:13:43 > 0:13:45THUD!
0:13:45 > 0:13:46Bye.
0:13:46 > 0:13:48Next new message.
0:13:48 > 0:13:53Mr Lucas, hello there. This is the hotel handyman. Listen, I'm just in
0:13:53 > 0:13:58your new suite at the moment, but it's not looking too pretty,
0:13:58 > 0:14:02to be honest. Just give it a one flush, please.
0:14:02 > 0:14:04PLUMBING GROANS LIKE A WOOKIEE
0:14:04 > 0:14:07I try the sink tap. GROANING CONTINUES
0:14:07 > 0:14:13It's not sounding too pretty. So I would suggest perhaps that you
0:14:13 > 0:14:16stay in the room that you have for the time being. Most apologies
0:14:16 > 0:14:18and we'll try and get this fixed first thing tomorrow.
0:14:18 > 0:14:20OK, Mr Lucas.
0:14:20 > 0:14:22Next new message.
0:14:23 > 0:14:25Hello there.
0:14:25 > 0:14:27This is a message for Mr Lucas.
0:14:27 > 0:14:30Um, hello there, Mr Lucas, this is Colin,
0:14:30 > 0:14:33head of security at Elstree Film Studios.
0:14:33 > 0:14:36How are you today, sir? I'm very fine, thanks for asking!
0:14:36 > 0:14:38You're not really asking cos I'm talking to a...
0:14:38 > 0:14:40Yeah, anyway, never mind.
0:14:40 > 0:14:44According to the timetable here, sir, yeah,
0:14:44 > 0:14:50your production will be starting with us in two weeks today in fact.
0:14:50 > 0:14:51Oh, that's 14 days.
0:14:51 > 0:14:5414 days till our next production, Norman.
0:14:54 > 0:14:56Norman? Yeah, never mind.
0:14:56 > 0:14:58Yeah, so the reason that I'm calling, sir, is...
0:14:58 > 0:15:00PHONE BUZZES Sorry, one second.
0:15:03 > 0:15:05Elstree Studios security, hi, how can I help?
0:15:06 > 0:15:09- Say something.- You say something.
0:15:09 > 0:15:11Elstree Studios?
0:15:11 > 0:15:12You say something.
0:15:12 > 0:15:13Ah...
0:15:15 > 0:15:17Sorry about that, Mr Lucas.
0:15:17 > 0:15:21As I'm sure you know, we do have a number of very high-profile
0:15:21 > 0:15:23celebrity guests working with us
0:15:23 > 0:15:26here at Elstree International Film Studios,
0:15:26 > 0:15:30and that is why, sir, we value security very highly indeed.
0:15:30 > 0:15:34You don't get more vigilant in this business than Norman and myself,
0:15:34 > 0:15:38especially, you know, in the current climate, where every Tom,
0:15:38 > 0:15:39Dick and Paddy is...
0:15:39 > 0:15:41PHONE BUZZES Sorry, two seconds.
0:15:43 > 0:15:45Elstree Studios security here.
0:15:45 > 0:15:47- IRISH ACCENT: - Aye, it's Bruce Forsyth here.
0:15:47 > 0:15:48Mr Forsyth, sir, how are you today, sir?
0:15:48 > 0:15:51Good game, good game. Listen, yous wouldn't happen to have
0:15:51 > 0:15:54- a parking space for me van? - Parking space, absolutely, sir.
0:15:54 > 0:15:58- Norman, what parking space do we have for Mr Forsyth today?- 12.
0:15:58 > 0:16:00Parking space number 12 for you, sir.
0:16:00 > 0:16:04- Didn't you do well? Thanks very much.- My pleasure, sir, absolutely.
0:16:04 > 0:16:06Have a lovely day, and nice to see you, to see you nice.
0:16:06 > 0:16:08Yeah, good one, mate.
0:16:08 > 0:16:10TYRES SCREECH
0:16:10 > 0:16:11Sorry about that, Mr Lucas.
0:16:11 > 0:16:13As I was saying, very much looking forward to seeing you
0:16:13 > 0:16:15in a couple of weeks, and in the meantime,
0:16:15 > 0:16:19if you do need any help with directing tips,
0:16:19 > 0:16:21then look no further than Colin, innit?
0:16:21 > 0:16:22Action, cut.
0:16:22 > 0:16:24Do it again, but do it a bit faster.
0:16:26 > 0:16:28I'm sure you're more sophisticated than that.
0:16:28 > 0:16:31Anyway, have a nice shoot and I'll see you in a couple of weeks.
0:16:31 > 0:16:32Bye-bye!
0:16:32 > 0:16:33Next new message.
0:16:35 > 0:16:36George, how are you today?
0:16:36 > 0:16:38It's Jack again calling from hair and make-up.
0:16:38 > 0:16:40Listen, I'm really sorry, but I need to talk to you
0:16:40 > 0:16:42about Carrie Fisher's haircut for the film.
0:16:42 > 0:16:44- You see... Eyes forward, thank you. - Sorry.- I said to Carrie,
0:16:44 > 0:16:47"How do you want your hair for the film?" She says, "I don't know."
0:16:47 > 0:16:49I say, "Up? I put it up." She says, "I don't like it."
0:16:49 > 0:16:51Put it down, she don't like it. I say, "Round the ears?"
0:16:51 > 0:16:54- Eyes forward, thank you.- Sorry.- I say, "Around the ears." She says,
0:16:54 > 0:16:57"I'll think about it." I say, "Think about it? You're filming next week."
0:16:57 > 0:16:59Eyes forward, please, thank you!
0:16:59 > 0:17:02- Sorry.- I'm very stressed. You're going to have to call me back.
0:17:02 > 0:17:03Next new message.
0:17:04 > 0:17:07Mr Lucas, how you doing, man!
0:17:07 > 0:17:11It's myself, myself! Now listen, Mr Lucas,
0:17:11 > 0:17:16a little birdie tells me that you're in Tunisia making a Hollywood film
0:17:16 > 0:17:19and somebody needs little peoples!
0:17:19 > 0:17:24Listen, Mr Lucas, why you no come to myself before, huh?
0:17:24 > 0:17:27I always make the little people for the Hollywood film.
0:17:27 > 0:17:30I do the Oompa Loompas, I do the Knicknacks.
0:17:30 > 0:17:34Hey, hey. I also do the little person in the red coats...
0:17:34 > 0:17:37Hey, hey. More champagne here, please!
0:17:37 > 0:17:39Listen, when you come down here,
0:17:39 > 0:17:42I'm going to bring you to the nightclub,
0:17:42 > 0:17:45I'm going to show you a hot time in Tunisia.
0:17:45 > 0:17:48You ever met my friend Sidney?
0:17:48 > 0:17:50He's a real high cat!
0:17:50 > 0:17:51Yeah, that's right!
0:17:51 > 0:17:53Argh!
0:17:53 > 0:17:55Aargh...
0:17:55 > 0:17:58I'll get you back!
0:17:58 > 0:18:01You have no more messages.
0:18:01 > 0:18:03Goodbye.
0:18:05 > 0:18:08# Now from Tatooine is where Luke is came
0:18:08 > 0:18:10# All aboard the Millenium Falkay
0:18:10 > 0:18:13# Along with Obi-Wan A Princess Leia
0:18:13 > 0:18:15# Forget the Dark Side use the Force in the day
0:18:15 > 0:18:17# That's the Star Wars
0:18:17 > 0:18:19# This is the Star Wars
0:18:19 > 0:18:21# Is that the Star Wars?
0:18:21 > 0:18:23# This is the Star Wars
0:18:23 > 0:18:24# Right. #