0:00:05 > 0:00:08We're not coming back here again, are we?
0:00:11 > 0:00:13I saw your retaliation.
0:00:17 > 0:00:20Spirit, I command you leave here.
0:00:20 > 0:00:22- Aargh!- No, no...!
0:00:22 > 0:00:27- Christ compels you. - No! Please! No. I'm not ready!
0:00:27 > 0:00:29No, no...!
0:00:29 > 0:00:32No! No...!
0:00:38 > 0:00:41I don't know what's happened.
0:00:41 > 0:00:43Don't forget me, will you?
0:00:43 > 0:00:45I have to go.
0:00:45 > 0:00:47What do we do?
0:00:47 > 0:00:49We're going to get her back.
0:00:51 > 0:00:59This programme contains some strong language and some scenes which some viewers may find disturbing.
0:01:14 > 0:01:18..So she dies, and six months later, he dies. That's Catholics for you.
0:01:18 > 0:01:21So it goes to the son. I says to him, you want to get rid.
0:01:21 > 0:01:23He fancies himself as a landlord now.
0:01:23 > 0:01:26I says, you've been watching too much Property Ladder.
0:01:26 > 0:01:29He just shrugs and scratches himself with his keys.
0:01:29 > 0:01:32So, um, it was,
0:01:32 > 0:01:36- it was a bed and breakfast? - I saw their ad in the free paper.
0:01:36 > 0:01:38"A slice of heaven in Barry."
0:01:38 > 0:01:41I bet heaven doesn't have chemical toilets.
0:01:41 > 0:01:44- So it's the three of you, is it? - A friend will be joining us.
0:01:44 > 0:01:46Well, that's...
0:01:48 > 0:01:50Yeah, we hope so.
0:01:50 > 0:01:51It's not definite.
0:01:51 > 0:01:56No, no, she should be here pretty soon. I don't know what's taking her so long.
0:01:56 > 0:01:59Do what you want as long as the rent's covered.
0:01:59 > 0:02:02We've been trying to shift this place for months. I reckon it's haunted.
0:02:03 > 0:02:05No, there's nothing here.
0:02:05 > 0:02:07Do you know what really, really excited us?
0:02:07 > 0:02:11It was the, um, it was the basement gym.
0:02:11 > 0:02:14- Oh, yeah.- See, she's excited.
0:02:14 > 0:02:16Could we have a have a look?
0:02:16 > 0:02:18Depends how good you are at handling disappointment.
0:02:20 > 0:02:22- Come on.- I'll just go this way.
0:02:27 > 0:02:28"Basil!"
0:02:32 > 0:02:35'..Four weeks since the attack in Box Tunnel
0:02:35 > 0:02:39'that left 20 people dead, and the police have yet to make an arrest.
0:02:39 > 0:02:41'However...'
0:02:41 > 0:02:43'Mitchell? Mitchell?
0:02:43 > 0:02:45'Can you hear me?'
0:02:45 > 0:02:48- Annie!- 'Help, Mitchell, I'm so scared.'
0:02:48 > 0:02:52Annie, can you see me? Are you OK?
0:02:52 > 0:02:55Oh, God, Annie...!
0:02:55 > 0:02:58I think "gym" was more a statement of intent.
0:03:00 > 0:03:02Is it sound...?
0:03:02 > 0:03:03Is it soundproof?
0:03:03 > 0:03:06It's just, I can get pretty...
0:03:06 > 0:03:09Rarrr! Rarrr!
0:03:09 > 0:03:13..when I'm, er, working out. "Feel the burn." "Who's your daddy?"
0:03:13 > 0:03:16"Say what you see."
0:03:16 > 0:03:19- Oh, God.- Do you want me to get his nibs from upstairs?
0:03:19 > 0:03:22Oh, no, you're fine, we're cool.
0:03:22 > 0:03:24They're looking at it now.
0:03:25 > 0:03:30I don't know, English or something. Working at the hospital, apparently.
0:03:34 > 0:03:36Isn't it brilliant?. We can transform in here.
0:03:36 > 0:03:40Not at the same time obviously but you can have it for the full moon tomorrow.
0:03:40 > 0:03:42I thought we were transforming in the country.
0:03:42 > 0:03:45Yeah, at a last resort.
0:03:45 > 0:03:49We don't know the area, we'd have to find two separate places, miles apart.
0:03:49 > 0:03:51No, this is ideal.
0:03:54 > 0:03:57I thought this is what you wanted - a place of our own.
0:03:57 > 0:03:59But it isn't, is it?
0:03:59 > 0:04:03It's you, me and Count Dupree upstairs.
0:04:03 > 0:04:05He saved our lives.
0:04:05 > 0:04:07He's changed.
0:04:07 > 0:04:10Something's, something's happened to him. You must have noticed.
0:04:10 > 0:04:15We've lost Annie, we're all over the place.
0:04:16 > 0:04:18'They call this the waiting room.
0:04:18 > 0:04:24'We wait here until...they know where they want us to go.'
0:04:24 > 0:04:26Have they told you where?
0:04:26 > 0:04:30'They're going to build a special room, just for me,
0:04:30 > 0:04:34'they're going to lock the door and they're going to burn the key.'
0:04:34 > 0:04:36- What, what does THAT mean?! - 'It's Hell, Mitchell.
0:04:36 > 0:04:39'They're going to take me to Hell.'
0:04:39 > 0:04:42Annie, Annie, listen to me. I'm coming to get you.
0:04:42 > 0:04:44- We just need to find out what... - Ta-ra now.
0:04:44 > 0:04:49I know. There's tit all on these days. Thank God for Terry Pratchett, is all I'm saying.
0:04:52 > 0:04:55Annie was there. She was on the screen.
0:04:55 > 0:04:59- What? You're kidding. - Is she OK? What did she say?
0:04:59 > 0:05:01We're running out of time.
0:05:04 > 0:05:07Um, it's our friend, she's in...
0:05:08 > 0:05:10..Midsomer Murders.
0:05:14 > 0:05:18OK, look. I've had a pow-wow with my boss, and how's this?
0:05:18 > 0:05:21Sign now and we'll give the place a spruce.
0:05:21 > 0:05:26Lose the swirly carpet, get some stripped floorboards, blinds and stuff. Make it look all catalogue-y.
0:05:26 > 0:05:29OK, how long will that take?
0:05:29 > 0:05:31Two weeks, tops.
0:05:31 > 0:05:34I know a couple of Polish fellas. Peasant stock. Very driven.
0:05:34 > 0:05:37- OK, right. No, we want to move in now.- Really?
0:05:37 > 0:05:40- Mmm. Please, can we?- Mitchell?
0:05:40 > 0:05:43Yeah, whatever.
0:05:43 > 0:05:47But it's... well, look at it!
0:05:47 > 0:05:50It's fine. We wouldn't want to change a thing, would we?
0:05:50 > 0:05:54We just can't wait to start...
0:05:54 > 0:05:56our Hawaiian dream.
0:05:58 > 0:06:02- And he's a werewolf? - Benicio del something.
0:06:02 > 0:06:04He's a Spanish actor.
0:06:04 > 0:06:08The special effects are amazing, Dad. I've seen the pictures.
0:06:08 > 0:06:09Anyway, there's an 11am screening for OAPs.
0:06:09 > 0:06:12I thought you'd feel at home.
0:06:13 > 0:06:15I don't know.
0:06:16 > 0:06:18Makes it seem trivial.
0:06:18 > 0:06:20You liked The English Patient.
0:06:20 > 0:06:23Because there weren't any werewolves in The English Patient.
0:06:23 > 0:06:25It had elegance.
0:06:26 > 0:06:28Is there nudity?
0:06:30 > 0:06:32We shouldn't go if there's nudity.
0:06:32 > 0:06:35In The Wolfman, Dad? I doubt it.
0:06:35 > 0:06:38There's a lady on the poster, but she's wearing a blouse.
0:06:39 > 0:06:41Ah, we can't afford two tickets.
0:06:41 > 0:06:43I'll sneak you in through the fire exit.
0:06:43 > 0:06:47We'd do that when I was a kid. Fine.
0:06:47 > 0:06:51But I want you to have a nap afterwards. And a proper lunch.
0:06:51 > 0:06:52Big day tomorrow.
0:06:52 > 0:06:55Where you going?
0:06:55 > 0:06:57Bit of window shopping.
0:06:57 > 0:07:02You know that funfair we passed? It's closed down.
0:07:02 > 0:07:04There might be copper wire in there.
0:07:04 > 0:07:07- Iron, maybe. Stuff we can sell. - You want me to cause a distraction?
0:07:07 > 0:07:09Tom. These people, they work for a living.
0:07:11 > 0:07:15- They're really going to show The Wolfman to a load of OAPs?- Mm-hm.
0:07:15 > 0:07:17Even old people are weird now.
0:07:19 > 0:07:22Hang about, here he comes.
0:07:28 > 0:07:30That's him.
0:07:30 > 0:07:32Yeah, that's got to be him, man.
0:07:55 > 0:07:58Let's roll. Ow-wooo!
0:08:25 > 0:08:26Come on, doggy!
0:08:58 > 0:08:59Where's the other one?
0:09:06 > 0:09:09Look...we heard there was two of you...
0:09:11 > 0:09:14..so...
0:09:15 > 0:09:16where...
0:09:16 > 0:09:18is...
0:09:18 > 0:09:20he?
0:09:31 > 0:09:32Dad!
0:09:35 > 0:09:36Dad!
0:09:38 > 0:09:40Dad!
0:09:53 > 0:09:56MUSIC: "Mad About The Boy" by Dinah Washington
0:09:56 > 0:09:59Ahem... What do you think?
0:10:03 > 0:10:07Mm? I had a little left over from the food shop,
0:10:07 > 0:10:12and I thought it might be nice to have something for, you know, us.
0:10:12 > 0:10:14Hence... and hence...
0:10:14 > 0:10:17It was either that or off-peak gym membership.
0:10:17 > 0:10:21- You made absolutely the right decision.- Really?- Mm.
0:10:30 > 0:10:32- Ow.- What? What?
0:10:32 > 0:10:34What is that?
0:10:35 > 0:10:37Pen.
0:10:38 > 0:10:40- Hello.- Hello.
0:10:45 > 0:10:48Ow! Hair stuck, glasses...!
0:10:48 > 0:10:51Oh, is it? Oh, shit, sorry. Oh, hang on, it's really tangled.
0:10:51 > 0:10:56- George! Ee, ow!- Wait, wait, wait. Sssh, don't pull away.- Quickly.
0:10:56 > 0:10:58Oh!
0:10:58 > 0:11:01- You all right?- Yeah, fine.
0:11:04 > 0:11:06Right, where were we?
0:11:08 > 0:11:10- Hello.- Hello.
0:11:10 > 0:11:13- Have you got a radio?.- What?!
0:11:13 > 0:11:15I need a radio. I have an idea.
0:11:15 > 0:11:18- Mitchell.- Ow! Mitchell.
0:11:18 > 0:11:20What are you doing?!
0:11:20 > 0:11:22Cheers.
0:11:24 > 0:11:27Just give me a bloody kiss.
0:11:30 > 0:11:32Oh, look, forget about it.
0:11:32 > 0:11:33He's ruined everything.
0:11:33 > 0:11:36Another night.
0:11:46 > 0:11:48Come on, Annie, come on.
0:11:53 > 0:11:56TRAIN HORN BLARES
0:12:01 > 0:12:04HORN BLARES
0:12:06 > 0:12:09MUSIC, THEN VOICES
0:12:17 > 0:12:21Sean Hancock. Diagnosed a year ago with malignant melanoma.
0:12:21 > 0:12:24Secondaries on the brain and lung. He's on a morphine infusion
0:12:24 > 0:12:28and maintenance fluids but his condition's deteriorating rapidly.
0:12:28 > 0:12:30- We're talking hours now.- Wait a sec,
0:12:30 > 0:12:33you're doing this now? It's a full moon, we've just moved into a new house.
0:12:33 > 0:12:36There's enough going on without you crossing over into the afterlife.
0:12:36 > 0:12:38We could wait weeks for another opportunity like this.
0:12:38 > 0:12:40There could be consequences.
0:12:40 > 0:12:43I don't care about the consequences, she's our friend and we lost her.
0:12:43 > 0:12:46- And I don't want to lose you as well!- I am doing this.
0:12:46 > 0:12:48I'll take everything they've got.
0:12:48 > 0:12:52Death, God, the Devil - none of it frightens me!
0:12:52 > 0:12:55- I feel totally reassured(!) - We all saw Annie on that screen in the cottage,
0:12:55 > 0:12:59we saw how terrified she is, and this is the only idea we've got.
0:12:59 > 0:13:02- Thank you.- But I want one of us in there with you.- What?!
0:13:02 > 0:13:06Death is a personal, private moment and we're gate-crashing.
0:13:06 > 0:13:10I want that man treated with dignity and kindness.
0:13:12 > 0:13:15MONITOR BLEEPS
0:13:39 > 0:13:46# Shema Yisrael Adonai Eloheinu
0:13:46 > 0:13:50- # Adonai Echad... # - What's that you're doing?
0:13:50 > 0:13:52It's a prayer. It's Jewish.
0:13:52 > 0:13:56Yeah, I'm not great with religious rituals.
0:13:56 > 0:13:59Aw. ..Tough.
0:13:59 > 0:14:04- GEORGE RESUMES PRAYER Is he even Jewish?- It doesn't matter.
0:14:04 > 0:14:07His body's let him down, medicine's let him down. It's a gesture of sympathy.
0:14:07 > 0:14:09I'm trying to get in the zone here.
0:14:09 > 0:14:13I refer you to my earlier statement of "tough".
0:14:14 > 0:14:18# Shema Yisrael... #
0:14:22 > 0:14:24I can't remember the rest.
0:14:28 > 0:14:33Five letters. Something, 'A', something, something, something.
0:14:33 > 0:14:36The clue is just the letters H I J K L M N O.
0:14:36 > 0:14:37Mitchell!
0:14:40 > 0:14:43The answer's water.
0:14:44 > 0:14:48Yes, it's the letters H to O.
0:14:48 > 0:14:50H2O, it's the molecular formula for water.
0:14:52 > 0:14:53Get in.
0:15:04 > 0:15:06OK, give me another one.
0:15:06 > 0:15:07HE GASPS
0:15:11 > 0:15:17MONITOR EMITS CONSTANT TONE Is that it? Is he dead now?
0:15:18 > 0:15:20That's me.
0:15:20 > 0:15:23Shit, I look awful!
0:15:23 > 0:15:26Sean, isn't it?
0:15:27 > 0:15:30Sean, you've been very ill.
0:15:32 > 0:15:35I'm so sorry but I'm afraid you've just died.
0:15:38 > 0:15:43- What happens now? - You're going on a journey.
0:15:43 > 0:15:45No, it's OK, it's cool.
0:15:45 > 0:15:48I'm coming with you.
0:15:48 > 0:15:51Are you...Death?
0:15:52 > 0:15:54No!
0:15:54 > 0:15:56No, I'm not Death.
0:15:56 > 0:16:02Sean... Hi. This is John.
0:16:02 > 0:16:05He's going to make sure you get there safely.
0:16:06 > 0:16:09SINISTER WHOOSHING
0:16:12 > 0:16:14What's that?
0:16:14 > 0:16:15That's for you.
0:16:17 > 0:16:19That's what happens next.
0:16:19 > 0:16:22OK, boys,
0:16:22 > 0:16:23let's get going.
0:16:33 > 0:16:34Oh, yeah, you need to get it.
0:16:38 > 0:16:41When you're ready, take your time.
0:16:42 > 0:16:44Goodbye, Sean.
0:17:11 > 0:17:13Is this it?
0:17:14 > 0:17:16Is it all over now?
0:17:16 > 0:17:19Yeah.
0:17:19 > 0:17:21You did good, Sean.
0:17:22 > 0:17:24You can rest now.
0:17:41 > 0:17:47None of this was your fault. Anything that happened would have happened a lot sooner
0:17:47 > 0:17:50and a lot worse if I hadn't have met you.
0:17:54 > 0:17:56Just come back.
0:18:09 > 0:18:11Mitchell, isn't it?
0:18:11 > 0:18:13I'm Lia. How's it going?
0:18:15 > 0:18:17- Where's the guy I was with?- Sean?
0:18:19 > 0:18:21Well, I don't know. He'll have his own stuff to do.
0:18:25 > 0:18:28- You're my guide, then?- Yes.
0:18:28 > 0:18:32What's got two thumbs and just lucked out?
0:18:32 > 0:18:35Hello. No, I've always been lucky.
0:18:35 > 0:18:38You should rub me.
0:18:38 > 0:18:41I'm serious. Rub me.
0:18:41 > 0:18:44Do you know who I am, "Lia"?
0:18:44 > 0:18:46Well, I know you're a vampire.
0:18:46 > 0:18:49Can I say that? Or are you funny about the word?
0:18:49 > 0:18:51Because I've got this cousin who's in a wheelchair
0:18:51 > 0:18:53and I called him disabled once and he ran over my foot.
0:18:53 > 0:18:55What else?
0:18:56 > 0:18:59Just that you're really hot.
0:19:01 > 0:19:04Have we met...before?
0:19:05 > 0:19:08H12.
0:19:08 > 0:19:10H12?
0:19:10 > 0:19:12What does that mean?
0:19:12 > 0:19:16It's a riddle. I love riddles, don't you? Like the one about the midget.
0:19:16 > 0:19:19So there's this midget gets into a lift and...
0:19:19 > 0:19:22I've just given away the answer.
0:19:22 > 0:19:24Am I rambling?
0:19:24 > 0:19:26So this is Purgatory.
0:19:29 > 0:19:31I remember this.
0:19:31 > 0:19:35Well, strictly speaking it's YOUR purgatory.
0:19:35 > 0:19:39You know we've all got a corridor, filled with all the good things and the bad and...
0:19:41 > 0:19:42well, you've been busy.
0:19:45 > 0:19:49- So we choose a door?- Do we?
0:19:49 > 0:19:51I'm asking you.
0:19:53 > 0:19:55Yes. It's like a quiz show.
0:19:55 > 0:20:00And tonight's star prize - someone's soul. Frickin' weird quiz show.
0:20:03 > 0:20:08After you. And just so you know, I will be looking at your arse.
0:20:14 > 0:20:17MUSIC ON RADIO: "Keep The Home Fires Burning"
0:20:17 > 0:20:21- Why are we here? - I don't even know where here is.
0:20:21 > 0:20:25France. July 17th, 1917.
0:20:25 > 0:20:28Who's the guy?
0:20:28 > 0:20:30Corporal Arthur Hanley.
0:20:33 > 0:20:34Don't drink that.
0:20:34 > 0:20:36I wasn't going to.
0:20:36 > 0:20:39- It's poisoned.- I wasn't going to.
0:20:40 > 0:20:42Poisoned?
0:20:43 > 0:20:46I didn't want him to feel any pain.
0:20:54 > 0:20:56You killed him?
0:20:57 > 0:21:00Shit, so you've been a vampire since...
0:21:02 > 0:21:05..since before my dad was born.
0:21:05 > 0:21:07DOOR RATTLES
0:21:07 > 0:21:11- What are you doing?- Look, Annie isn't here. This is a waste of time.
0:21:11 > 0:21:13But we must be here for a reason.
0:21:13 > 0:21:16Maybe we're meant to find a clue or something.
0:21:18 > 0:21:20Who was he?
0:21:20 > 0:21:22Mitchell.
0:21:22 > 0:21:24Tell me about the guy.
0:21:29 > 0:21:31He was my first.
0:21:31 > 0:21:35I was recruited by the vampires about four weeks earlier.
0:21:35 > 0:21:37But I ran away,
0:21:37 > 0:21:40found my regiment again.
0:21:40 > 0:21:43I didn't want to believe what had happened to me.
0:21:46 > 0:21:47But then the hunger came.
0:21:49 > 0:21:54I'd steal from the medical supplies, a little bit every day.
0:21:54 > 0:21:56When I had enough,
0:21:56 > 0:22:00I slipped it into his tea... GUNSHOT OUTSIDE, MAN SHOUTING
0:22:00 > 0:22:02Where are you now?
0:22:02 > 0:22:07Running away. That's my captain.
0:22:07 > 0:22:09He thought I was deserting, but...
0:22:09 > 0:22:12I was running to find Herrick.
0:22:12 > 0:22:15I was one of them now.
0:22:15 > 0:22:16How did it make you feel?
0:22:18 > 0:22:21How do you think?
0:22:21 > 0:22:24I killed my friend. The shame of that.
0:22:24 > 0:22:27The horror. Knowing what I was now.
0:22:28 > 0:22:30You know it's funny,
0:22:30 > 0:22:34because most people would've walked into a minefield
0:22:34 > 0:22:36and found a way to end it all.
0:22:38 > 0:22:41But you didn't.
0:22:41 > 0:22:42And I think that's really brave.
0:22:44 > 0:22:46Sorry, why didn't you do that?
0:22:48 > 0:22:50I wasn't going to let it win.
0:22:50 > 0:22:54Quite right. I'm sure that's what Arthur would have wanted.
0:22:54 > 0:23:00- You running round with lots of girls and stuff for another century.- What?
0:23:02 > 0:23:06Arthur wasn't the only victim, was he?
0:23:06 > 0:23:08I don't understand.
0:23:09 > 0:23:11You! You numpty!
0:23:11 > 0:23:15You're the other victim. You had your humanity ripped away from you.
0:23:15 > 0:23:18- Right. Yeah, yeah. - What did you think I meant?
0:23:18 > 0:23:19Nothing. I knew what you meant.
0:23:20 > 0:23:23Actually...I'm the victim.
0:23:24 > 0:23:28A minute ago, you were in here wearing a uniform and I missed it.
0:23:28 > 0:23:32- Will you stop?! - 'Mitchell? Mitchell?'
0:23:32 > 0:23:35- Annie, I'm here. - 'They're getting ready to move me.
0:23:35 > 0:23:37'They're taking me to the room.'
0:23:37 > 0:23:41Which room? There are all these doors... Which room, Annie?
0:23:41 > 0:23:43'There's going to be a parade.
0:23:43 > 0:23:46'They'll scatter ashes in front of me like petals, they said...'
0:23:46 > 0:23:48I'm coming to get you. I swear, I'm on my way.
0:23:48 > 0:23:51- ANNIE WHIMPERS Annie?- 'They're coming.
0:23:51 > 0:23:53'They've got drums. They're cheering.
0:23:53 > 0:23:56'I can hear children cheering.'
0:23:56 > 0:23:58Must be a concept album.
0:24:00 > 0:24:04Hey, look. Come on.
0:24:04 > 0:24:05Spit spot.
0:24:52 > 0:24:55What are you doing?
0:24:55 > 0:24:59Why have you got a chicken on a string?.
0:25:05 > 0:25:07No, no, wait. I want to talk to you!
0:25:07 > 0:25:10MUSIC: "Reason Is Treason" by Kasabian
0:25:10 > 0:25:14# But I don't turn around Cos the reason is treason
0:25:14 > 0:25:17# Here come the morning And I'll say goodbye to you
0:25:17 > 0:25:20# Here come the morning And I'll say goodbye
0:25:20 > 0:25:23# But I don't turn around Cos the reason is treason... #
0:25:31 > 0:25:33Whoah! Whoah, easy soldier.
0:25:33 > 0:25:35There was a young guy, he ran through here.
0:25:35 > 0:25:40No need to panic, nothing happens till it gets dark. Now, then, are you here to watch or play?
0:25:40 > 0:25:42- Sorry? Play? Play what? - See how the mood takes you.
0:25:42 > 0:25:47My sciatica's back, so I'm just going to watch Sue and Peter in the Volvo and touch myself.
0:25:47 > 0:25:50Um, no, sorry, there was a young guy, he came through here.
0:25:50 > 0:25:52Whoa, what's this?
0:25:52 > 0:25:55Listen, we don't do funny stuff here.
0:25:55 > 0:25:58- You'll have to go to Swansea for that.- Huh?
0:25:58 > 0:26:00You'll catch on.
0:26:00 > 0:26:03No, I like to think we're a friendly bunch. We're on MySpace,
0:26:03 > 0:26:06and last year all the fellas shaved their heads for Comic Relief.
0:26:06 > 0:26:08So, that is Alan and Judith.
0:26:08 > 0:26:13Now, Judith - and I hope she won't mind me telling you this - will give you a tit-wank you'll never forget!
0:26:13 > 0:26:18Look, she's blushing. Sorry, Ju, but credit where credit's due, eh, love?
0:26:18 > 0:26:21You don't understand. There was... I want a young guy...
0:26:21 > 0:26:22So men are your preferred brand?
0:26:22 > 0:26:25Well, in that case you'll be wanting Ian in the people carrier. Now...
0:26:25 > 0:26:27SIRENS WAIL
0:26:33 > 0:26:36Don't move! Just stop now.
0:26:38 > 0:26:40We hadn't started.
0:26:42 > 0:26:44Move, move.
0:26:55 > 0:26:58MOBILE PHONE BUZZES
0:27:04 > 0:27:06- 'Please leave a message.'- Nina.
0:27:06 > 0:27:08I've been arrested.
0:27:08 > 0:27:12I don't know what to do. I've been arrested! Listen, no.
0:27:12 > 0:27:16You have to let me go. I have a very serious medical condition.
0:27:16 > 0:27:18A medical condition, it's serious.
0:27:18 > 0:27:20No!
0:27:20 > 0:27:22Tell me where Annie is.
0:27:22 > 0:27:26You're supposed to be my fucking guide, take me to her now!
0:27:26 > 0:27:28Oh, that's nice. Toilet talk.
0:27:28 > 0:27:30I'm missing Countryfile for this.
0:27:30 > 0:27:33Is this a joke to you? Jesus Christ...!
0:27:33 > 0:27:36There's no point, Mitchell, I'm already dead.
0:27:36 > 0:27:40You'll get yourself all hot and sweaty for no...
0:27:41 > 0:27:44Actually...try it.
0:27:44 > 0:27:46Who are you?
0:27:46 > 0:27:48- How do I know you?- H12.
0:27:48 > 0:27:50Why do you keep saying that?
0:27:50 > 0:27:53We'd better make tracks.
0:27:57 > 0:28:00Which door now for a Brucey Bonus?
0:28:00 > 0:28:03I so should have worn a leotard.
0:28:04 > 0:28:06OK.
0:28:09 > 0:28:11That one.
0:28:15 > 0:28:18BRASS BAND PLAYS A CAROL
0:28:18 > 0:28:21- Oh, God.- Where are we now?
0:28:22 > 0:28:24Sheffield.
0:28:25 > 0:28:30December 24th, 1960. This is ridiculous.
0:28:30 > 0:28:32We're supposed to be finding Annie.
0:28:32 > 0:28:34Well, maybe she's hiding. Yoo-hoo!
0:28:34 > 0:28:37- Annie!- Don't go around there.
0:28:39 > 0:28:41Oh.
0:28:43 > 0:28:47Guess you ran out of poison.
0:28:48 > 0:28:50What was her name?
0:28:50 > 0:28:52Sally.
0:28:52 > 0:28:55We met in a pub, came back here.
0:28:55 > 0:28:57We got pretty drunk.
0:28:57 > 0:29:01- It was quite chaotic.- Mitchell...
0:29:01 > 0:29:04it's very important that you tell me the truth.
0:29:04 > 0:29:08When it got chaotic with Sally,
0:29:08 > 0:29:11were you topless?
0:29:11 > 0:29:15I'm building up an image here that'll come in handy later, if you know what I'm saying!
0:29:18 > 0:29:20I'm kidding, I'm kidding!
0:29:20 > 0:29:22I'm not.
0:29:22 > 0:29:25You know, I'm a bit confused.
0:29:25 > 0:29:31With the soldier guy, you'd just become a vampire so it was all new and overwhelming...
0:29:31 > 0:29:36- I was a victim.- Yes, you were a victim, we agreed on that.
0:29:36 > 0:29:39But this is different somehow.
0:29:41 > 0:29:44You screwed her, I'm guessing.
0:29:46 > 0:29:48Then what did you use to kill her?
0:29:54 > 0:29:56Oh, my God,
0:29:56 > 0:30:00you used the pot of her little Christmas tree.
0:30:00 > 0:30:03So that's what people mean when they say, "Christmas does my head in!"
0:30:03 > 0:30:06- I was out of control.- You were in control enough to have sex.
0:30:06 > 0:30:09- The soldier guy? - His name was Arthur.
0:30:09 > 0:30:12Oh, sorry, sorry.
0:30:12 > 0:30:15I should be a bit more respectful about the people you kill.
0:30:15 > 0:30:20There was stuff in his room you could've taken, money, but you didn't.
0:30:20 > 0:30:24- It was all about the hunger. - What are you getting at?
0:30:24 > 0:30:26Nothing. I just think it's curious.
0:30:26 > 0:30:32With Arthur, it was kind for him and torture for you.
0:30:32 > 0:30:37But with Sally, there was drinks, there was sex...
0:30:39 > 0:30:43Someone could look at this and think you enjoyed it.
0:30:43 > 0:30:46Why are you bringing me to these places?
0:30:46 > 0:30:47To punish me? Is that it?
0:30:47 > 0:30:52You chose the door. Next time pick one where you're building an orphanage on the other side.
0:30:52 > 0:30:55It's a compulsion. It WAS a compulsion.
0:30:55 > 0:31:00- I'm not that man any more.- Brilliant. Then there should be nothing stopping you getting Annie back.
0:31:00 > 0:31:05'Mitchell! Mitchell, please! Mitchell, they're outside!'
0:31:08 > 0:31:10- Tell me where she is. - You know what to do.
0:31:10 > 0:31:14What are you...?! Of course I don't!
0:31:14 > 0:31:17What happens next is your choice.
0:31:17 > 0:31:19'Mitchell, they're coming for me now,
0:31:19 > 0:31:22'They're going to take me to the room.
0:31:22 > 0:31:24'Mitchell, please! I'm frightened... '
0:31:24 > 0:31:26Coming?
0:31:26 > 0:31:29'Mitchell, please! I'm so frightened.
0:31:29 > 0:31:32'Mitchell...!'
0:31:32 > 0:31:34PEOPLE SHOUT
0:31:37 > 0:31:41Good evening, ladies and gentlemen. SPECTATORS CHEER
0:31:41 > 0:31:45Are you all in for a mauling? CHEERS
0:31:45 > 0:31:49Do the children of the night want to see a fight?
0:31:49 > 0:31:51CHEERS
0:31:51 > 0:31:54So shall I introduce you to tonight's combatants? CHEERS
0:31:54 > 0:31:59Well, there ain't a lot I can tell you about our first noble warrior on account of the fact
0:31:59 > 0:32:03we picked him up yesterday and he ain't said a word fucking since.
0:32:03 > 0:32:08CHEERS AND LAUGHTER The silent but violent type,
0:32:08 > 0:32:12no doubt. We're going to welcome him into our bosom, ain't we?
0:32:12 > 0:32:14CHEERS
0:32:14 > 0:32:18Treat him like a member of the family.
0:32:18 > 0:32:21Our pet DOG!
0:32:21 > 0:32:24CHEERS AND JEERS
0:32:25 > 0:32:29He's hairy, oh, he's scary.
0:32:29 > 0:32:33The mute most hirsute.
0:32:33 > 0:32:37The canine destined for the big time.
0:32:37 > 0:32:41The creature who's plea-ea-eased to meet ya!
0:32:49 > 0:32:51Ladies and gentlemen...
0:32:55 > 0:32:58..The Beast!
0:32:58 > 0:33:01CHEERS AND JEERS
0:33:25 > 0:33:28And facing him tonight...
0:33:28 > 0:33:32plucked from the streets a mere two and a half hours ago.
0:33:32 > 0:33:35He doesn't know where he is, bless him.
0:33:35 > 0:33:38The Children of Darwin's champion.
0:33:38 > 0:33:40The man with the plan.
0:33:40 > 0:33:41The spunky monkey.
0:33:50 > 0:33:52..Mr Paul Jameson.
0:33:52 > 0:33:55CHEERS AND JEERS
0:34:06 > 0:34:08SPECTATORS SHOUT
0:34:30 > 0:34:33..Serious medical condition. No, please!
0:34:34 > 0:34:39No. Please. Please, please, please, please you have to let me out.
0:34:39 > 0:34:41We'll be fine. We hadn't even started.
0:34:41 > 0:34:44It's a legal grey area. GEORGE SCREAMS
0:34:44 > 0:34:45You all right there, chum?
0:34:48 > 0:34:50It's coming.
0:34:56 > 0:34:59Oi, soon as he turns, stick him one right in the bollocks.
0:34:59 > 0:35:02I've got money on you to live for two minutes.
0:35:06 > 0:35:09I'm sorry, I'm sorry...
0:35:09 > 0:35:12A-a-argh!
0:35:13 > 0:35:16Hello? HE WHISTLES
0:35:16 > 0:35:18I think there's something wrong with this chap in here.
0:35:30 > 0:35:33- Kill me.- What did you say?
0:35:35 > 0:35:37It's the only way you'll survive.
0:35:38 > 0:35:40I'm not killing you!
0:35:40 > 0:35:45Kill me or I will tear your fucking head off!
0:35:59 > 0:36:04- Sorry, Miss, you shouldn't be down here.- Have you got someone in custody called George Sands?
0:36:04 > 0:36:08- Are you a friend of his? - As I said to the nine-year-old in reception, he's a patient of mine.
0:36:08 > 0:36:13He has a serious medical condition and needs constant supervision and medication.
0:36:13 > 0:36:15Did he tell you that he's got a medical condition?
0:36:15 > 0:36:17When we processed him, he might have mentioned something.
0:36:17 > 0:36:21And you still brought him in. You didn't think to contact the hospital or...?
0:36:21 > 0:36:25- Oh, man, we're going to have fun with you.- We found him in a well-known dogging location.
0:36:25 > 0:36:29- SCREAMING - That man has serious mental problems.
0:36:29 > 0:36:32He's a... Oh...!
0:36:33 > 0:36:37He's...basically nuts, OK?
0:36:37 > 0:36:41And it's, um, it's, it's...contagious.
0:36:41 > 0:36:46- Are you all right, Miss? - No, I am...really annoyed.
0:36:46 > 0:36:50Gareth, maybe we should...sort of let this lady have him.
0:36:50 > 0:36:55- Yeah, I think that would be a good idea... Argh!- Get his belongings.
0:36:57 > 0:37:00SCREAMING CONTINUES
0:37:05 > 0:37:09No, this isn't anything to do with...what was going on.
0:37:09 > 0:37:11Listen, I never...
0:37:13 > 0:37:15Ah, come on!
0:37:20 > 0:37:22Oh, good. All right, George?
0:37:22 > 0:37:24Right, let's get you ba-a-a-ack to the ward.
0:37:24 > 0:37:27But don't think for a moment that you've heard the last of this.
0:37:27 > 0:37:29Thank you.
0:37:33 > 0:37:37- Dogging? You were caught dogging?- We need to find somewhere to transform.
0:37:44 > 0:37:48I only got your message because I went upstairs to use the toilet.
0:37:52 > 0:37:55SPECTATORS SHOUT
0:38:09 > 0:38:11No. There is something down here.
0:38:13 > 0:38:15You can transform in here.
0:38:15 > 0:38:18- What will you do? - I don't know. But we can't be together, we'll kill each other.
0:38:18 > 0:38:20We haven't got a choice.
0:38:29 > 0:38:33Oh, God. I'm so sorry for all this.
0:38:33 > 0:38:36I know.
0:38:37 > 0:38:40A-a-a-agh!
0:38:40 > 0:38:43We could have had the house redecorated after all.
0:38:43 > 0:38:45Oh, shit, yes.
0:38:47 > 0:38:48I love you.
0:38:52 > 0:38:53I love you too.
0:38:56 > 0:38:58A-a-a-a-gh!
0:39:00 > 0:39:04..Four, three, two, one...
0:39:04 > 0:39:07full moon!
0:39:07 > 0:39:09CHEERS
0:39:09 > 0:39:12THEY SCREAM
0:39:28 > 0:39:30HOWLING
0:39:30 > 0:39:33GROWLING
0:39:41 > 0:39:43GROWLING
0:39:43 > 0:39:46SQUELCHING
0:40:02 > 0:40:05You don't have to do this. You could go back to George
0:40:05 > 0:40:09and your old life and say you tried to get Annie back but it was impossible.
0:40:18 > 0:40:22They'll understand. It was brave of you to even try.
0:40:22 > 0:40:23No.
0:40:26 > 0:40:28I need to do this.
0:40:29 > 0:40:30OK, then.
0:40:31 > 0:40:33End of the line.
0:41:29 > 0:41:33I've got to say I was kind of hurt that you didn't recognise me,
0:41:33 > 0:41:36given you remembered so much about the other two.
0:41:36 > 0:41:39I guess you were a bit preoccupied that night.
0:41:39 > 0:41:40HE MUMBLES
0:41:40 > 0:41:45- What? I didn't catch that. - I'm sorry.- Oh, you're sorry!
0:41:45 > 0:41:47I couldn't help it.
0:41:47 > 0:41:50I was angry and...
0:41:50 > 0:41:53- The hunger...- Yeah, yeah. No control.
0:41:53 > 0:41:56It's a compulsion. Blah, blah, blah.
0:41:56 > 0:42:00Anyway, let me introduce you to the guys.
0:42:00 > 0:42:02Your "twelve good men and true",
0:42:02 > 0:42:08although there is twenty of us, and nine are women. But I'll crack on.
0:42:08 > 0:42:11So this is Donna. She was a primary school teacher.
0:42:11 > 0:42:15All the kids in her class have been having nightmares since you killed her.
0:42:15 > 0:42:18Some have even needed counselling.
0:42:18 > 0:42:22Funny, isn't it - the ripples of your actions?
0:42:22 > 0:42:26That's Glenn, the driver. Your first victim, remember him?
0:42:26 > 0:42:30Five kids, can you believe it?
0:42:30 > 0:42:31And that's Mary.
0:42:31 > 0:42:34She'd just recovered from breast cancer.
0:42:34 > 0:42:37She was given a whole new lease of life, she was.
0:42:37 > 0:42:42Until you tore her throat out, obviously. Next to her is Dean...
0:42:42 > 0:42:45Please... please stop.
0:42:46 > 0:42:48I don't know what I can say.
0:42:48 > 0:42:53Don't say anything. Because every word that comes out of your mouth
0:42:53 > 0:42:56is a fucking excuse. It's misdirection.
0:42:56 > 0:43:00- I'm not trying to trick you.- Not us.
0:43:00 > 0:43:03- You're lying to yourself. - I'm trying to change.
0:43:06 > 0:43:09How's that working out for you?
0:43:09 > 0:43:12- It wasn't just me, anyway, it was Daisy.- You're doing it again.
0:43:14 > 0:43:16I was 22.
0:43:16 > 0:43:19I had a peanut allergy. I wanted to be a vet.
0:43:19 > 0:43:22I had a little brother that I loved more than anything in the world.
0:43:22 > 0:43:26Those are the things that make a human being.
0:43:26 > 0:43:28Do you taste THEM in our blood?
0:43:29 > 0:43:33The arrogance, to call yourself the victim!
0:43:33 > 0:43:35- How dare you insult us like that! - I didn't mean to insult you.
0:43:35 > 0:43:38- You were flirting with me. - I just wanted you to like me.
0:43:38 > 0:43:40And there we have it!
0:43:41 > 0:43:44You want forgiveness, every day.
0:43:44 > 0:43:47You get a smile from me, and it proves you're not completely evil.
0:43:47 > 0:43:51You do a thousand small nice things and you put them against the bad.
0:43:51 > 0:43:54You actually do the sums in your head, don't you?
0:43:57 > 0:44:00Why did you come here?
0:44:02 > 0:44:06- For Annie or for you?- For Annie.
0:44:07 > 0:44:10Crossing into Purgatory.
0:44:10 > 0:44:13That's a big deposit in the 'good' account.
0:44:13 > 0:44:18- No, I just want Annie back.- Which one of us does that wipe off the slate?
0:44:18 > 0:44:20Donna? Glenn? Me?
0:44:20 > 0:44:22None of you.
0:44:23 > 0:44:26- I don't know what you want me to do. - I want you to stop hiding.
0:44:26 > 0:44:30- I'm not hiding.- "I'm a victim. I'm better now. Daisy made me do it."
0:44:30 > 0:44:32- I'm not... - You're not what?- I'm not a victim.
0:44:32 > 0:44:35So you're what? What, misunderstood?
0:44:35 > 0:44:40I'M AN ANIMAL! I don't deserve mercy or forgiveness. I'm a murderer.
0:44:40 > 0:44:43I couldn't help myself.
0:44:43 > 0:44:45I loved it.
0:44:45 > 0:44:49The sensation, the power.
0:44:49 > 0:44:54I was dead but I'd never felt so alive.
0:44:56 > 0:44:58I wasn't human any more.
0:44:59 > 0:45:03I'd lost my conscience, I was free and that's what I was addicted to.
0:45:06 > 0:45:09I hacked my way through the world.
0:45:09 > 0:45:14I left a trail of blood a thousand miles long.
0:45:14 > 0:45:15And I loved it.
0:45:21 > 0:45:23I'm a disease.
0:45:23 > 0:45:25I'm a plague.
0:45:27 > 0:45:29I'm sorry.
0:45:31 > 0:45:33I'm so sorry.
0:45:43 > 0:45:45Budge up.
0:45:57 > 0:46:00You can have Annie back.
0:46:00 > 0:46:03But there's a price.
0:46:03 > 0:46:05I'll stay.
0:46:05 > 0:46:08I want you to take me to all my victims.
0:46:08 > 0:46:10I want to feel it.
0:46:10 > 0:46:14I want to suffer. I don't want to hide any more.
0:46:14 > 0:46:16I just want her back.
0:46:16 > 0:46:18It's not that simple.
0:46:19 > 0:46:23The time and cause of your death have already been set
0:46:23 > 0:46:26but there are things that need to happen first.
0:46:26 > 0:46:30You see, you're the final piece in someone else's story.
0:46:31 > 0:46:35And they need to complete their journey, and in order to do that...
0:46:37 > 0:46:39..they have to kill you.
0:46:40 > 0:46:42What?
0:46:42 > 0:46:45You're going to be killed by a werewolf.
0:46:47 > 0:46:49A wolf-shaped bullet.
0:46:51 > 0:46:52Bang.
0:46:52 > 0:46:54Who?
0:46:54 > 0:46:56SHE CHUCKLES
0:46:56 > 0:46:59- We'll see you soon, Mitchell. - You're letting me go?
0:46:59 > 0:47:02Well, as punishments go,
0:47:02 > 0:47:07it's pretty cruel and interesting, isn't it?
0:47:19 > 0:47:22HE SPITS
0:47:23 > 0:47:26Loving that arse!
0:47:26 > 0:47:29Oh, oh, oh!
0:47:29 > 0:47:32- Hey, what's all this?- Oh!
0:47:32 > 0:47:35- Are you OK?- Yeah.
0:47:35 > 0:47:37For a second I thought...
0:47:37 > 0:47:40No. It's OK, baby, we're OK.
0:47:42 > 0:47:47- Oo...!- Oo! Someone needs a Tic-Tac. - Wolf breath!- Oo!
0:47:47 > 0:47:49Come on, let's get going.
0:47:54 > 0:47:57When we transformed, did we...?
0:48:02 > 0:48:04Oh.
0:48:11 > 0:48:12Nice.
0:48:17 > 0:48:19Annie, isn't it?
0:48:19 > 0:48:21I'm Lia.
0:48:22 > 0:48:26Sorry about all this palaver. It's been chaos here.
0:48:26 > 0:48:30Lots of people turning up early, everyone's in a bit of a tizz.
0:48:30 > 0:48:33You're going to take me to the room now?
0:48:33 > 0:48:37Oh, the train station. Oh, sorry, this was for my three o'clock.
0:48:37 > 0:48:41No, you're free to go.
0:48:41 > 0:48:43- I... I can go? Really?- Yeah.
0:48:43 > 0:48:47You will still be dead. I should make that clear.
0:48:47 > 0:48:49Your body...you know...
0:48:49 > 0:48:52it's been over two years, nobody really wants to see that.
0:48:52 > 0:48:54And, um...
0:48:56 > 0:48:58..will I come back here one day?
0:48:58 > 0:49:00Well, we all end up here eventually.
0:49:00 > 0:49:03The problem with you was, you came through the wrong door.
0:49:03 > 0:49:09But next time, you'll come through the right one and it'll be Boggle and pina coladas 24/7.
0:49:12 > 0:49:16Well, spit-spot. Mitchell's waiting.
0:49:18 > 0:49:21Is anything going on between you guys?
0:49:21 > 0:49:24I mean, he came to Purgatory to find you.
0:49:24 > 0:49:28Puts my ex-boyfriend's tattoo into perspective.
0:49:28 > 0:49:31We're just friends.
0:49:31 > 0:49:34You'd be so adorable, you two.
0:49:34 > 0:49:36I could eat you up.
0:49:36 > 0:49:38- I'm dead.- So is he.
0:49:40 > 0:49:42I think it's meant to happen.
0:49:42 > 0:49:46I think it's... fate.
0:49:57 > 0:49:59What happened to you, Lia?
0:50:01 > 0:50:03A very bad thing.
0:50:07 > 0:50:09But it's OK.
0:50:09 > 0:50:11We play the long game here.
0:50:29 > 0:50:30Mitchell?
0:50:33 > 0:50:35Mitchell!
0:50:40 > 0:50:41You saved me.
0:50:41 > 0:50:43You saved me too.
0:50:44 > 0:50:47And what happened? Did you...?
0:50:47 > 0:50:51- Was there like, I don't know, some kind of trade-off?- Nothing.
0:50:51 > 0:50:54There was nothing. Mind games, that's all.
0:50:54 > 0:50:56I don't believe a word of it.
0:51:20 > 0:51:24Um...where are we? This isn't Bristol.
0:51:24 > 0:51:27No. That's the, um, the other thing.
0:51:27 > 0:51:30We've sort of moved to Wales.
0:51:30 > 0:51:31- Wales?!- Yeah, Barry Island.
0:51:33 > 0:51:35I want to go back.
0:51:35 > 0:51:38- To Bristol?- No, to Purgatory!
0:52:28 > 0:52:33'My name is Annie Claire Sawyer and two years ago I died.
0:52:35 > 0:52:39'But in so many ways, that's when my life began.
0:52:44 > 0:52:49'In the company of horrors, I learnt about friendship and loyalty,
0:52:49 > 0:52:51'sacrifice and courage.
0:53:03 > 0:53:07'Humanity isn't a species, it's a state of mind.
0:53:09 > 0:53:14'It can't be defeated - it moves mountains, it saves souls.
0:53:16 > 0:53:19'We were blessed as much as we were cursed.
0:53:23 > 0:53:26'In this little enclave of the lost...
0:53:30 > 0:53:33'..I witnessed the very best of being human.
0:53:38 > 0:53:41'We were safe here...
0:53:43 > 0:53:45'..while outside,
0:53:45 > 0:53:48'the monsters prowled.'
0:53:52 > 0:53:54You lost me 50 quid.
0:53:57 > 0:53:59But am I cross? No.
0:53:59 > 0:54:03No, I'm not, as it goes, cos it's clear to me you've got exceptional talent.
0:54:05 > 0:54:08You're what's known in the trade
0:54:08 > 0:54:09as a real animal.
0:54:20 > 0:54:23I'm going to look after you.
0:54:24 > 0:54:26Get you a chewy toy...
0:54:27 > 0:54:30..a bowl?
0:54:31 > 0:54:33Are you hungry? Hm?
0:54:34 > 0:54:36No?
0:54:36 > 0:54:38Well, you had a late supper, didn't you?
0:54:43 > 0:54:44Hmm.
0:54:58 > 0:55:00My name...
0:55:02 > 0:55:04..is McNair.
0:55:05 > 0:55:08McNair.
0:55:08 > 0:55:13McNair the Bear would be a good name if you were a bear, but you're not, you're a dog!
0:55:16 > 0:55:18You're MY dog,
0:55:18 > 0:55:23my mad dog,
0:55:23 > 0:55:25Mad Dog McNair.
0:55:25 > 0:55:28Oi, did you hear me? Mad Dog McNair.
0:55:30 > 0:55:33No, you misunderstand.
0:55:33 > 0:55:36You see, I told you my name...
0:55:37 > 0:55:40..because I want it to be the last thing you ever hear.
0:55:41 > 0:55:44A-a-a-rgh!
0:55:50 > 0:55:53Stake and chips, anyone?
0:56:18 > 0:56:21- How did you know I was here? - Spidey sense, Dad.
0:56:25 > 0:56:28- It wasn't your fault. - Right, come on.
0:56:30 > 0:56:32There's more coming.
0:56:34 > 0:56:36Tom.
0:56:38 > 0:56:42Dad, I saw another one.
0:56:46 > 0:56:49There's another one of us.
0:56:52 > 0:56:55You're a worringly easy man to find.
0:56:55 > 0:56:58I'm here to discuss the Box Tunnel twenty.
0:56:58 > 0:57:01Do you want to know what I am feeling, George?
0:57:01 > 0:57:02Hungry.
0:57:02 > 0:57:06There's a wolf-shaped bullet with his name on it.
0:57:06 > 0:57:09- Mitchell's going to get got.- How am I going to manage if he's all...?
0:57:09 > 0:57:12Let's go out with the lads, find some women, drink them dry.
0:57:27 > 0:57:31Subtitles by Red Bee Media Ltd.
0:57:31 > 0:57:34E-mail subtitling@bbc.co.uk