0:00:02 > 0:00:05- This is not me accepting.- Take him. - You and your bitch will regret this.
0:00:05 > 0:00:07Mark my words.
0:00:07 > 0:00:11I didn't fetch you back here to do anything. Just...just be here.
0:00:11 > 0:00:13All I've got is you.
0:00:13 > 0:00:15When we transformed, did...
0:00:15 > 0:00:18did we...?
0:00:18 > 0:00:21THIS PROGRAMME CONTAINS SOME STRONG LANGUAGE
0:00:21 > 0:00:25& SCENES WHICH SOME VIEWERS MAY FIND UPSETTING
0:00:25 > 0:00:29INDISTINCT SPEECH
0:00:29 > 0:00:31Blood pressure dropping.
0:00:34 > 0:00:36FLATLINE TONE
0:01:07 > 0:01:09LOW GROWL
0:01:30 > 0:01:32What the bloody hell do you think you're doing?!
0:01:32 > 0:01:34Aaah!
0:01:40 > 0:01:43HE SIGHS AND GRUNTS
0:01:52 > 0:01:54DOOR OPENS
0:01:54 > 0:01:56FOOTSTEPS George.
0:01:56 > 0:01:58- Mm-hm? - Where's Annie?
0:01:58 > 0:02:02Mm...er...probably off on one of her midnight rambles.
0:02:02 > 0:02:04She doesn't need sleep, unlike some of us.
0:02:04 > 0:02:06- Can I have a word? - But...oh.
0:02:06 > 0:02:10Can't it wait until the morning, or at least until after I've peed?
0:02:10 > 0:02:13Oh, yeah, yeah, yeah. After you pee.
0:02:16 > 0:02:18I can't go now.
0:02:18 > 0:02:21MUSIC PLAYS AND CHATTER
0:02:21 > 0:02:23SHE COUGHS
0:02:24 > 0:02:27NEARBY LAUGHTER
0:02:29 > 0:02:30- <- I want a go.
0:02:30 > 0:02:32HE SIGHS
0:02:32 > 0:02:34I think Annie might fancy me.
0:02:34 > 0:02:37- HE SIGHS - Finally.
0:02:37 > 0:02:39You knew?
0:02:39 > 0:02:43Oh, Mitchell, Annie is many things but subtle she is not.
0:02:43 > 0:02:45You've rescued her from hell.
0:02:45 > 0:02:48That kind of thing tends to turn a girl's head.
0:02:48 > 0:02:50How long have you known?
0:02:50 > 0:02:53I don't know. A couple of weeks. Pretty much since she came back.
0:02:53 > 0:02:55And, for future reference, no-one says "fancy" any more.
0:02:55 > 0:03:00- And you didn't think to tell me? - Um...no, because I'm not 12.
0:03:00 > 0:03:03Did you...did you seriously not pick up on any of this?
0:03:03 > 0:03:09- That whole guardian angel business. - OK, so she hasn't actually told you.
0:03:09 > 0:03:12Oh, wow. We are 12, aren't we?
0:03:12 > 0:03:16No, she hasn't told me she "fancies" you.
0:03:16 > 0:03:19She doesn't need to. Her body language is deafening.
0:03:19 > 0:03:22Jesus. What a mess.
0:03:22 > 0:03:24- MUSIC PLAYS - Get off me!
0:03:24 > 0:03:29Oh, yeah, you're the big man, aren't you? Hitting, pushing a woman!
0:03:29 > 0:03:33Arsehole! Yeah, and I wasn't stealing, by the way!
0:03:33 > 0:03:36Those drinks were dead! Clear off, love.
0:03:38 > 0:03:40Oh, why don't you take a picture, you nosy bitch?
0:03:40 > 0:03:43- You can see me? - What?
0:03:43 > 0:03:46Ah! You think you're better than me, do you?
0:03:46 > 0:03:49Little Miss Sodding High-And-Mighty, is it?
0:03:49 > 0:03:52- Is it? Come on, then! - No, not today, thank you.
0:03:52 > 0:03:58But who knows? You... you two could be good for each other.
0:03:58 > 0:04:02- She could be good for me. But... - And you'll be good to her.
0:04:02 > 0:04:05Of course. I'd never...
0:04:05 > 0:04:08If you're thinking about doing this, don't go into it lightly.
0:04:08 > 0:04:12This is no little thing. This is Annie we're talking about.
0:04:12 > 0:04:13George.
0:04:13 > 0:04:15You've got to know I would never hurt her.
0:04:15 > 0:04:17- HE CHUCKLES - Yeah, I know.
0:04:17 > 0:04:20Sure, I was just...
0:04:20 > 0:04:23So, are you... are you gonna ask her out?
0:04:23 > 0:04:25This could be so cool!
0:04:25 > 0:04:27I don't know. I mean, how would it even work?
0:04:27 > 0:04:30- With a ghost? - What do you mean?
0:04:30 > 0:04:31Er...
0:04:31 > 0:04:35Guys, I'm in trouble. There's a dead woman after me.
0:04:36 > 0:04:40What...what happened? Are you OK?
0:04:40 > 0:04:42I was walking past this club on Westland Street.
0:04:42 > 0:04:45You know, that... that down-market version of Ritzy's.
0:04:45 > 0:04:48Yeah, I know, like that's really possible.
0:04:48 > 0:04:53Anyway, this dead woman got thrown out of the club, but... but she could see me.
0:04:57 > 0:04:59- BANGING ON DOOR - And she followed me home!
0:04:59 > 0:05:01Why didn't you just "Rentaghost" home?
0:05:01 > 0:05:03That would be...that would be because...
0:05:03 > 0:05:07- BANGING ON DOOR - I was under a lot of pressure, OK?
0:05:07 > 0:05:10- BANGING ON DOOR - I just got up for a pee.
0:05:10 > 0:05:13- Slag! - DOG BARKS IN DISTANCE
0:05:13 > 0:05:16I know you're in there! Snobby cow!
0:05:16 > 0:05:18SHE SNARLS
0:05:18 > 0:05:20- All right, come on, then! - What have we got?
0:05:20 > 0:05:23- Get out here and show yourself! - A drunk dead woman, shouting.
0:05:23 > 0:05:25You! I know you're bloody in there!
0:05:25 > 0:05:28- That's not a ghost. I can smell her. - Come on!
0:05:28 > 0:05:30- You think you're so bloody... - What, from here?
0:05:30 > 0:05:32GIRL SHOUTS
0:05:32 > 0:05:35Oh, yeah, even without the whole wolf thing.
0:05:35 > 0:05:39Well, of course you can smell her. She's got a body.
0:05:39 > 0:05:42I'm sure I mentioned that.
0:05:42 > 0:05:47- So, she's dead but she's got a body? - Which is rotting.
0:05:47 > 0:05:49- This is not good. - That's why I'm so scared!
0:05:49 > 0:05:54If she was just dead dead, no problem. But that is just weird!
0:05:54 > 0:05:57No, hold on. Hold on a second here.
0:05:57 > 0:06:00I...I think she's gone.
0:06:02 > 0:06:04FLOORBOARDS CREAK
0:06:21 > 0:06:23SHE SCREAMS
0:06:23 > 0:06:26Oh! I thought we were supposed to be the scary ones.
0:06:26 > 0:06:28Go and check the window.
0:06:29 > 0:06:31Go!
0:06:32 > 0:06:34Go on.
0:06:46 > 0:06:49She's mental! Of course she is.
0:06:49 > 0:06:52There's a car slowing down. I think people can see her!
0:06:52 > 0:06:55Well, of course they can see her! She's got a body!
0:06:55 > 0:06:57- We've got to let her in. BOTH:- What?
0:06:57 > 0:07:00We have a shouting pissed corpse on our doorstep.
0:07:00 > 0:07:03Right, and you want a shouting pissed corpse inside?
0:07:03 > 0:07:06She's gonna draw attention to the house, Annie, to us.
0:07:06 > 0:07:10- What if somebody calls the police, huh?- Oh...!
0:07:10 > 0:07:11Come on!
0:07:14 > 0:07:17Well, she...she's stopped shouting.
0:07:19 > 0:07:21What's she doing now? GIRL SOBS
0:07:21 > 0:07:24Crying, I think.
0:07:24 > 0:07:26And then just sitting.
0:07:26 > 0:07:29- But she's still quite loud. - She stinks.
0:07:29 > 0:07:33SHE SOBS
0:07:37 > 0:07:39Um...um...
0:07:40 > 0:07:43Would...would you like some tea?
0:07:45 > 0:07:46Huh?
0:07:46 > 0:07:49DOOR SHUTS SHE SNIFFS
0:07:51 > 0:07:53SHE SNIFFS Oh!
0:07:55 > 0:07:57SHE SNIFFS Oh!
0:07:58 > 0:08:01- Straighteners! - Oh, God.
0:08:01 > 0:08:04- Straighteners! - What...?
0:08:04 > 0:08:07What...what can we get for you?
0:08:07 > 0:08:09Straighteners!
0:08:09 > 0:08:11- Straighteners? - Yeah.
0:08:11 > 0:08:13Oh, good. Great.
0:08:13 > 0:08:15- Because that will solve everything. - Mm-hm.
0:08:15 > 0:08:20Nina... um... can I borrow your straighteners?
0:08:20 > 0:08:21Yeah, sure, course.
0:08:21 > 0:08:24THEY GIGGLE
0:08:24 > 0:08:26Er...George?
0:08:26 > 0:08:31A dead woman with a body followed Annie home.
0:08:31 > 0:08:32Of course.
0:08:32 > 0:08:35- Here. - You do it, babe.
0:08:35 > 0:08:40- So, um...what do we call you? - Anything you like, sweetheart.
0:08:40 > 0:08:43- Ow!- Oh, sorry! Look, you got caught there.
0:08:43 > 0:08:46- Caught a little bit of your hair. Sorry.- Don't worry, babe.
0:08:46 > 0:08:48I can tell you're not used to a beauty regime.
0:08:48 > 0:08:51Well, um...I'm Mitchell.
0:08:51 > 0:08:54- Oh, hi, Mitchell. I'm Sasha. - HER BONES CRUNCH
0:08:54 > 0:08:56Like the Beyonce album.
0:08:56 > 0:09:00CRUNCHING AND SQUELCHING SASHA GIGGLES
0:09:00 > 0:09:01I'm Nina.
0:09:01 > 0:09:04Oh, my gran was called Nina.
0:09:04 > 0:09:07- Oh. - Oh! Aren't you short?
0:09:07 > 0:09:10Um...that's a... that's a beautiful dress, Sasha.
0:09:10 > 0:09:14What a wonderful cut. Have you, have you been to a hospital recently?
0:09:14 > 0:09:17OK. Confession time.
0:09:17 > 0:09:21I was involved in a car accident. But, you know, it wasn't my fault.
0:09:21 > 0:09:25I was texting while I was driving, but that's not making a phone call.
0:09:25 > 0:09:30In my Beemer, Prussian blue, heated seats, all the extras.
0:09:30 > 0:09:32I love my little extras.
0:09:35 > 0:09:37SASHA GIGGLES
0:09:37 > 0:09:39So, you died, did you?
0:09:39 > 0:09:43- SQUELCHY CRUNCH - Well, no. Obviously I didn't.
0:09:43 > 0:09:47Yeah, but apparently it was touch and go.
0:09:47 > 0:09:51Oh, and let me tell you, the doctors were very interested in me.
0:09:51 > 0:09:54Wouldn't leave me alone. Kept on prodding and poking me.
0:09:54 > 0:09:59And I said, "You'd better warm that up before you put it near me."
0:09:59 > 0:10:02SHE LAUGHS
0:10:02 > 0:10:05Ooh. I know, what is that smell?
0:10:05 > 0:10:09- I think someone's in denial. - How can she not know she's dead?
0:10:09 > 0:10:11It solves one mystery, anyway.
0:10:11 > 0:10:14The mortuary suddenly being off limits.
0:10:14 > 0:10:17No, that was a chemical leak. Or they were hiding a zombie.
0:10:17 > 0:10:19Oh, Christ. Are we really gonna call her that?
0:10:19 > 0:10:22Well, dead body moving about?
0:10:22 > 0:10:26Can I just take a little step back to point out how insane this is?
0:10:26 > 0:10:29- Mitchell, what the hell is she? - How should I know?
0:10:29 > 0:10:33At least she's not attacking us. Don't they usually attack people?
0:10:33 > 0:10:37No, they don't usually do anything, because they don't usually exist.
0:10:37 > 0:10:39What about eating brains?
0:10:39 > 0:10:44I don't know the rules. I know that she can be seen and she's rotten.
0:10:44 > 0:10:47Mm-hm, I can vouch for that.
0:10:47 > 0:10:53Do you think she'll continue rotting until she's, you know, soupy?
0:10:53 > 0:10:57Oh! We should take her back. Whatever she is, she's not our problem.
0:10:57 > 0:10:58She's the hospital's problem.
0:10:58 > 0:11:03- Oh, I hate to say it, but I agree. - Really?
0:11:03 > 0:11:06Well, medically, we can't do anything for her here.
0:11:06 > 0:11:09If anyone can help her, they're at the hospital.
0:11:09 > 0:11:11OK, so we're all agreed.
0:11:11 > 0:11:14Yeah, all of us but Annie.
0:11:14 > 0:11:17Sorry about all that earlier, calling you a bitch and that.
0:11:17 > 0:11:18It was out of order.
0:11:18 > 0:11:20Oh, no, don't worry about it.
0:11:20 > 0:11:21I was a bit pissed.
0:11:21 > 0:11:24I wanted to get a bit of Dutch courage before I went home.
0:11:24 > 0:11:26- Home? - Yeah, yeah.
0:11:26 > 0:11:29I thought, you know, bit of a drink, put on a bit of slap
0:11:29 > 0:11:31and then go and see my fella, Gethin.
0:11:31 > 0:11:34He's a scrum half for the Cardiff Blues, you know.
0:11:34 > 0:11:36Ah, that's nice.
0:11:38 > 0:11:41SQUELCHING
0:11:44 > 0:11:46Anyway, um...you got a mirror?
0:11:46 > 0:11:51Um...I don't actually think we do, no.
0:11:51 > 0:11:55- I don't...- I don't think your friends like me much.
0:11:55 > 0:11:58What? No! Don't be...don't be so silly.
0:11:58 > 0:12:00- They're just like that. - Oh, it's all right.
0:12:00 > 0:12:02Happens all the time, you know.
0:12:02 > 0:12:05Guys get awkward, start showing off, and the girls get jealous.
0:12:05 > 0:12:06I get it a lot.
0:12:08 > 0:12:13So, um...what's Mitchell's story? Is he single?
0:12:13 > 0:12:16No. No, he's my boyfriend.
0:12:16 > 0:12:19- Really? - Yep.
0:12:19 > 0:12:21- Really. - Wow!
0:12:21 > 0:12:23You did well there, didn't you?
0:12:23 > 0:12:25- Didn't I? - Annie? Do you want to...
0:12:25 > 0:12:29Please, yes. Good. ..and I'll take over for, um...
0:12:31 > 0:12:34She has got to go.
0:12:34 > 0:12:36Wow! That was easy.
0:12:36 > 0:12:39Yeah, we thought we'd have to persuade you.
0:12:39 > 0:12:42What with you both being dead and all.
0:12:42 > 0:12:43She may well be dead,
0:12:43 > 0:12:47but that is pretty much all I have in common with that...
0:12:47 > 0:12:51that...chavalanche.
0:12:51 > 0:12:55Great. That's settled. I'll leave it all in your capable hands.
0:12:55 > 0:12:57- I'm going back to bed. - Whoa, whoa. What?
0:12:57 > 0:13:01Annie's invisible to normals. You can't be seen on CCTV.
0:13:01 > 0:13:04I think you can manage sneaking one zombie back into a hospital.
0:13:04 > 0:13:07Now, I am taking my lady friend back to bed.
0:13:08 > 0:13:10Good night.
0:13:11 > 0:13:15- What? - Aw.
0:13:15 > 0:13:17Good night. Night.
0:13:21 > 0:13:23SHE GIGGLES
0:13:29 > 0:13:31- Ooh. - What's that?
0:13:31 > 0:13:34That's the tag from her toe. It was stuck to her shoe.
0:13:34 > 0:13:36Oh.
0:13:36 > 0:13:38SHE HUMS A TUNE
0:13:38 > 0:13:42So, um...how are we gonna convince her to go back to the hospital?
0:13:42 > 0:13:44We're not.
0:13:44 > 0:13:47- Not yet. - What? Why?
0:13:47 > 0:13:50Check out the time and date of death.
0:13:52 > 0:13:55Let's pay a visit to the morgue.
0:13:55 > 0:13:57- HE URINATES - Oh.
0:13:57 > 0:13:59Oh.
0:14:00 > 0:14:02Oh.
0:14:08 > 0:14:09HE STOPS URINATING
0:14:12 > 0:14:14TOILET FLUSHES
0:14:23 > 0:14:25DOOR OPENS
0:14:26 > 0:14:28Nina. Nina?
0:14:28 > 0:14:30Mm-hm?
0:14:30 > 0:14:33Is this yours?
0:14:33 > 0:14:35I thought, it can't be Mitchell's because he's a man,
0:14:35 > 0:14:39nor Annie's cos she's dead, it can't be Nina's cos she's on the pill.
0:14:39 > 0:14:40You're on the pill.
0:14:40 > 0:14:43Why would you be needing a pregnancy test? Are you late?
0:14:43 > 0:14:45- When were you thinking about telling me?- Look...
0:14:47 > 0:14:51- I was looking for the right moment. - OK, I'm not busy now. Are you busy?
0:14:51 > 0:14:52Fine. I'm pregnant.
0:14:55 > 0:14:57- Oh, my God. But you're on the pill. - Yes. I am.
0:14:57 > 0:15:00But we had sex when we weren't exactly ourselves
0:15:00 > 0:15:03and apparently, the pill wasn't designed with werewolves in mind.
0:15:03 > 0:15:06But you know these tests can be wrong.
0:15:06 > 0:15:11Look... Oh, I've done three tests. I'm pregnant, George.
0:15:11 > 0:15:14It's happening.
0:15:14 > 0:15:17Or rather, it's not. I can't... I can't...
0:15:17 > 0:15:19I can't let this go any further.
0:15:19 > 0:15:21Um...I'm sorry.
0:15:22 > 0:15:25OK, so, um...let me get this straight.
0:15:25 > 0:15:27If I hadn't have found this,
0:15:27 > 0:15:32- would you have just had an abortion without telling me?- No.
0:15:32 > 0:15:35- I was planning... - God. You were just going to do it.
0:15:35 > 0:15:39- No discussion, no nothing. - Don't you dare judge me.
0:15:39 > 0:15:43This isn't some... some teenage mistake, George.
0:15:43 > 0:15:46This is a child of...monsters.
0:15:46 > 0:15:48I mean, who even knows what it could be?
0:15:48 > 0:15:51Just the idea is terrifying.
0:15:51 > 0:15:53It could be fine.
0:15:53 > 0:15:57We're both fine! Most of the time.
0:15:57 > 0:16:00- It's my body, George. - Yeah, well, part of it isn't.
0:16:00 > 0:16:03- Excuse me? - There is part of me in there.
0:16:03 > 0:16:05As the father, I have as much right
0:16:05 > 0:16:07as you to decide what happens to our child.
0:16:15 > 0:16:18HE HUFFS
0:16:19 > 0:16:21I only got up for a pee!
0:16:31 > 0:16:32DOOR HANDLE RATTLES
0:16:50 > 0:16:52Is that blood?
0:16:54 > 0:16:55Oh, that can't be good.
0:17:14 > 0:17:17- SHE PANTS:- I'm already dead. I'm already dead. I'm already dead.
0:17:17 > 0:17:19'I'm already dead.'
0:17:30 > 0:17:33- What's that? - Where?
0:17:33 > 0:17:35There.
0:17:41 > 0:17:43Hey.
0:17:44 > 0:17:45Bingo.
0:18:00 > 0:18:03I don't think it was just Sasha.
0:18:03 > 0:18:06I've got four subject sheets here.
0:18:07 > 0:18:10All came back to life all at the same time.
0:18:10 > 0:18:15I think they were testing them, trying to find out what they were.
0:18:15 > 0:18:18How they worked. If it could spread.
0:18:18 > 0:18:19SCREAMS ON CAMCORDER
0:18:19 > 0:18:21I think they were scared.
0:18:21 > 0:18:23'SCREAMS'
0:18:23 > 0:18:25I know the feeling.
0:18:28 > 0:18:31Does it say anything about anaesthetic in there?
0:18:31 > 0:18:33Yeah.
0:18:33 > 0:18:36Um...anaesthetic ineffective.
0:18:36 > 0:18:39- How did you know? - They did it anyway.
0:18:39 > 0:18:42SCREAMS ON VIDEO CAMERA
0:18:45 > 0:18:47What did they do...
0:18:47 > 0:18:50with them afterwards?
0:18:50 > 0:18:52Incinerated them...
0:18:52 > 0:18:54as a biohazard.
0:18:55 > 0:18:59Were they still alive when they burned them?
0:19:01 > 0:19:02I don't know.
0:19:03 > 0:19:07Well, doesn't matter anyway, does it?
0:19:07 > 0:19:10Because they weren't really alive, were they?
0:19:10 > 0:19:12And the dead don't feel real pain.
0:19:19 > 0:19:21HE SIGHS
0:19:24 > 0:19:26SASHA RASPS
0:19:28 > 0:19:31SHE WHEEZES
0:19:55 > 0:19:58SIREN IN DISTANCE
0:20:03 > 0:20:05Funny, somehow I thought you'd be taller,
0:20:05 > 0:20:06you know, close up, like.
0:20:06 > 0:20:09I'm sorry, do I know you?
0:20:09 > 0:20:13Oh, no. No, no, no. No. God, no.
0:20:13 > 0:20:16No, it's just that, um...
0:20:16 > 0:20:19well, um... it's just that I'm like you, you know.
0:20:21 > 0:20:23OK, all right, easy, easy.
0:20:24 > 0:20:28- So, you're a vampire?- Yeah, yeah, I am a brother of the blood.
0:20:29 > 0:20:32Name's Graham. Well, Graham was my mortal name.
0:20:32 > 0:20:35But when I was reborn to the night, I took the name of Siddion.
0:20:37 > 0:20:38Graham's fine.
0:20:38 > 0:20:42Siddion, I don't know what I was thinking. It's a shit name.
0:20:42 > 0:20:45Yeah, um...all right, Graham.
0:20:45 > 0:20:50Um...I'm kind of busy right now so can I help you with anything?
0:20:50 > 0:20:53Oh, God, I feel a little bit embarrassed now,
0:20:53 > 0:20:55but I am a little bit of a fanboy.
0:20:55 > 0:20:59- Or I could say fang boy. - Yeah, yeah, yeah, I get it.
0:20:59 > 0:21:01And I was a massive Neil Diamond fan.
0:21:01 > 0:21:03Do you know Neil Diamond?
0:21:03 > 0:21:06No, doesn't matter. But, um... that kind of gave me the idea.
0:21:06 > 0:21:09So, now I'm on a sort of pilgrimage, you know, like a star tour,
0:21:09 > 0:21:13and I'm visiting all the legends in our little world, so naturally...
0:21:13 > 0:21:15- You came to see me. - Oh, my God.
0:21:15 > 0:21:17You are up there with the greats.
0:21:17 > 0:21:20What you did in Bristol, it was just...
0:21:22 > 0:21:26- Remind me again.- No, wait. You don't need to be modest.
0:21:26 > 0:21:31You got a whole chapter of vampires to renounce blood. Amazing.
0:21:31 > 0:21:32Are those boots Paul Smith?
0:21:35 > 0:21:38- Excuse me?- Just wondering where you got your boots.
0:21:40 > 0:21:45Yeah, listen, um...Graham, I have stuff that I really need to do, so...
0:21:45 > 0:21:47Oh, God, yeah. No, of course. Of course.
0:21:47 > 0:21:51Well, it has been such a privilege to meet you, Mitchell.
0:21:51 > 0:21:56And, um...maybe I could catch you again some time?
0:21:57 > 0:22:00Yeah. Yeah, yeah, yeah, maybe. Maybe some time.
0:22:05 > 0:22:06- SOFTLY:- Brilliant.
0:22:14 > 0:22:17- CLUNK - Yaaah!
0:22:20 > 0:22:22SHE GROANS
0:22:25 > 0:22:26Oh.
0:22:26 > 0:22:28Hungover?
0:22:28 > 0:22:30- Yeah, yeah, just a bit. - BONES CRUNCH
0:22:30 > 0:22:33Er...where did you two disappear to last night?
0:22:33 > 0:22:34Oh, to the hospital.
0:22:34 > 0:22:37We went to find out what happened to you.
0:22:40 > 0:22:44We know about the others and we know about the experiments.
0:22:44 > 0:22:46I don't know what you're talking about.
0:22:46 > 0:22:48I think someone else has been drinking.
0:22:48 > 0:22:51Oh, look, it's OK.
0:22:51 > 0:22:53You're not alone.
0:22:53 > 0:22:57We're all a bit... different in this house.
0:22:57 > 0:23:00- How do you mean? - OK.
0:23:00 > 0:23:02Well...
0:23:02 > 0:23:04I'm a ghost,
0:23:04 > 0:23:09Mitchell's a vampire, and George and Nina are both werewolves.
0:23:09 > 0:23:11BOTH GIGGLE
0:23:11 > 0:23:13Fuck off!
0:23:16 > 0:23:18Werewolves!
0:23:18 > 0:23:20HE SNIFFS
0:23:24 > 0:23:26Oh, no.
0:23:34 > 0:23:37I'm ju... I've g...
0:23:40 > 0:23:42Mitchell, wake up.
0:23:42 > 0:23:44- She's still here. - Who?
0:23:44 > 0:23:50Who? Who do you think? She's a little bit mouthy, little bit dead.
0:23:50 > 0:23:51There have been developments.
0:23:51 > 0:23:55- What kind of developments? - Um...won't be a tick.
0:23:57 > 0:23:59Mitchell, is she still here?
0:23:59 > 0:24:01- Yeah, there's been developments. - I was asking Mitchell.
0:24:01 > 0:24:04Can you guys keep it down? She can hear you.
0:24:04 > 0:24:07Oh, great. Come on in. Apparently, we're having a house meeting.
0:24:07 > 0:24:09Look, so...so what's changed?
0:24:10 > 0:24:13There were others like her at the hospital.
0:24:13 > 0:24:16They were experimenting on them.
0:24:16 > 0:24:19Basically, they tested them to destruction. They burnt them up.
0:24:19 > 0:24:21Well, look, that's a really horrible story,
0:24:21 > 0:24:23but is this really the best place?
0:24:23 > 0:24:28- She's got nowhere else.- We do have a spare room. This was a B&B.
0:24:28 > 0:24:32Oh, what? We're a supernatural hostel now, are we?
0:24:32 > 0:24:33What next, a mummy?
0:24:33 > 0:24:37Look, I have had ghost friends before.
0:24:37 > 0:24:40This one just happens to be in a dead body.
0:24:40 > 0:24:44Oh, so you're friends now, are you? You bloody hated her last night.
0:24:44 > 0:24:47Shh! This is not about whether or not I like her.
0:24:47 > 0:24:49This is about trying to do the right thing.
0:24:49 > 0:24:53Look, she is rotting! She smells like off meat.
0:24:53 > 0:24:56- Don't be so deadist. - Excuse me?
0:24:57 > 0:24:59It's like racist, but for dead people.
0:24:59 > 0:25:02Have you just spent the whole night making up words?
0:25:02 > 0:25:04No, I have spent the whole night watching footage
0:25:04 > 0:25:06of screaming people being dissected.
0:25:06 > 0:25:10- We owe her, George. - We owe her? Why do we owe her?
0:25:10 > 0:25:12She came back to life two weeks ago.
0:25:12 > 0:25:15- All of them did, when I was on the other side.- Saving me.
0:25:15 > 0:25:20So, hang on, what are we saying? That death's door was engaged?
0:25:20 > 0:25:25Her spirit couldn't pass over because of me.
0:25:25 > 0:25:27We made her.
0:25:27 > 0:25:28We owe her. All of us do.
0:25:32 > 0:25:35Guys?
0:25:35 > 0:25:41OK, the address is 37, The Mount, Cyncoed CF23.
0:25:41 > 0:25:43WHEELS RATTLE
0:25:43 > 0:25:46Have you got it?
0:26:03 > 0:26:06Hey. Nice boots.
0:26:06 > 0:26:10Mitchell, this is brilliant, the two of us working together.
0:26:10 > 0:26:13Oh, my God. I wish I had a camera.
0:26:13 > 0:26:16Not that it would do me much good, because we don't show up on photos.
0:26:16 > 0:26:20Which is doubly ironic, considering what I used to do for a living.
0:26:20 > 0:26:21Go on, guess, Mitchell.
0:26:23 > 0:26:26- You can't work here. - Bingo, photographer.
0:26:26 > 0:26:28SEAGULLS CRY
0:26:28 > 0:26:32Hey. You gave us a bit of a scare there, wandering off like that.
0:26:32 > 0:26:34Oh, yeah, sure I did.
0:26:35 > 0:26:40You don't have to worry about me any more. I'm home. Do you like it?
0:26:40 > 0:26:42It's Gethin's money but my taste.
0:26:42 > 0:26:45- This is not happening. - Cara says hello.
0:26:48 > 0:26:49What did you say?
0:26:49 > 0:26:53Yeah, she got over that whole pretending to kill
0:26:53 > 0:26:55and bricking her up thing.
0:26:55 > 0:26:56You'd have to ask her, though.
0:26:56 > 0:27:00- Where is she? - Don't know.
0:27:00 > 0:27:04She's around, though. Digging up trouble somewhere.
0:27:04 > 0:27:06What do you want?
0:27:07 > 0:27:10All I want to do is mop a few floors, Mitchell.
0:27:11 > 0:27:13Is that too much to ask?
0:27:19 > 0:27:22- Bring it on! - BEEPING AND THUDDING
0:27:25 > 0:27:27Oh, and the brilliant Welshman's dominated this round.
0:27:27 > 0:27:29Here comes the big finish. It's a straight right.
0:27:29 > 0:27:33GETHIN CHATTERS AND GAME BEEPS
0:27:33 > 0:27:38No, no, Gethin's got him. He's got him.
0:27:38 > 0:27:41Gethin's gonna finish.
0:27:41 > 0:27:43BEEPING
0:27:43 > 0:27:46Oh, he's got him. He's got him. He's got him again.
0:27:46 > 0:27:49- You bastard! - HE GASPS
0:27:49 > 0:27:52This is how you do grief, is it? Playing on your bloody video games?
0:27:52 > 0:27:55You should be in your bed, crying your eyes out!
0:27:55 > 0:27:59- Um... maybe we should...- Sasha! Jesus! God! That's you, innit?
0:27:59 > 0:28:00That's really you.
0:28:00 > 0:28:04What's happened to you? What's happened to you...?
0:28:04 > 0:28:07- They told me you died. - Yeah, well, plainly they were wrong.
0:28:07 > 0:28:10- I was suing them. They'd lost the body.- Consider it found.
0:28:10 > 0:28:14- Sasha, maybe we should...- Yeah, hang on! Did you mourn me at all?
0:28:14 > 0:28:17Course I did, course I did! We had a wake and everything.
0:28:17 > 0:28:20A lovely big party. You'd have been pleased as punch.
0:28:20 > 0:28:23Oh. Do you still love me?
0:28:25 > 0:28:27- Course I do. - Mm.
0:28:27 > 0:28:31- Stay back! - What? But it's just me, babes.
0:28:31 > 0:28:35Don't do that. I'm just the same as I always have been.
0:28:35 > 0:28:37Your little pumpkin.
0:28:38 > 0:28:40Get away from me!
0:28:40 > 0:28:45- Oh! - Eurgh. Eurgh.
0:28:45 > 0:28:47Gethin!
0:28:47 > 0:28:49Geth!
0:28:53 > 0:28:55Shall I, um...?
0:28:58 > 0:29:01SQUELCHING
0:29:01 > 0:29:03Uh. Oh.
0:29:03 > 0:29:05- Mm. - Oh.
0:29:07 > 0:29:10Wow.
0:29:13 > 0:29:14Oh.
0:29:15 > 0:29:18Right, I'm gonna just...
0:29:20 > 0:29:22SHE GASPS
0:29:22 > 0:29:27Um...we should probably go, Sasha, cos he's bound to call the police.
0:29:27 > 0:29:32No, he's not. What's he gonna say? "My dead girlfriend came back..."
0:29:32 > 0:29:34Oh, cos I am dead.
0:29:34 > 0:29:37Aren't I? I keep saying I'm not.
0:29:37 > 0:29:39But...oh, I can smell myself.
0:29:40 > 0:29:42Oh, God.
0:29:42 > 0:29:44Well, there are worse things than being dead.
0:29:44 > 0:29:47- Just look at me.- You can be seen and heard by others.
0:29:47 > 0:29:52- And I can't. - What, you're really a ghost?
0:29:52 > 0:29:55Yeah.
0:29:55 > 0:29:57But you've stayed so pretty.
0:29:57 > 0:30:00Like the dead stay pretty in our memories.
0:30:00 > 0:30:04You don't think of them like me. You never picture them rotting.
0:30:04 > 0:30:10But I can feel it happening inside me like heat, like a compost heap.
0:30:10 > 0:30:14And I know what happens when things rot. They don't last.
0:30:14 > 0:30:15No, no, you don't know that.
0:30:15 > 0:30:18I mean, who knows what the rules are to this?
0:30:18 > 0:30:22I thought when I died that would be it for everything and it wasn't.
0:30:22 > 0:30:24And it doesn't have to be for you.
0:30:24 > 0:30:28No, we can...we can help you find your way. It'll be fine.
0:30:28 > 0:30:31DOOR OPENS
0:30:35 > 0:30:37HE SIGHS
0:30:40 > 0:30:41Nina, I'm sorry.
0:30:41 > 0:30:44I really wish we were normal.
0:30:44 > 0:30:47I really wish we were having a nice normal argument
0:30:47 > 0:30:49about the pros and cons of unwanted pregnancy
0:30:49 > 0:30:51but...
0:30:51 > 0:30:53we are not normal.
0:30:54 > 0:30:59- And maybe...- It's not always about the wolf, George.
0:30:59 > 0:31:01So, what are you saying?
0:31:01 > 0:31:04I've got other stuff, old stuff, going on in my head.
0:31:04 > 0:31:07It's...
0:31:07 > 0:31:09SHE SIGHS: It's not you.
0:31:09 > 0:31:11It's not you, it's me.
0:31:11 > 0:31:15No, it's becoming a mother
0:31:15 > 0:31:18and, um...all that means.
0:31:19 > 0:31:21You see, um...
0:31:22 > 0:31:25...my mum used to hit me.
0:31:29 > 0:31:30All the time.
0:31:31 > 0:31:33For my own good, you know, and she...
0:31:33 > 0:31:35SHE SNIFFS
0:31:37 > 0:31:40...always reminded me that, um, I was a mistake
0:31:40 > 0:31:43and, er...I'd ruined her life,
0:31:43 > 0:31:46and I was worthless, and I would never amount to anything.
0:31:46 > 0:31:48She...
0:31:48 > 0:31:50she made me hate myself.
0:31:50 > 0:31:54I'm sorry. You've... you've never said.
0:31:54 > 0:31:57No, there's never really a good time to bring up that conversation.
0:32:01 > 0:32:07See, this...this thing inside me, whatever it is...
0:32:08 > 0:32:11..it's a baby...
0:32:11 > 0:32:13and I will become a mother,
0:32:13 > 0:32:18and that terrifies me more than any werewolf bullshit.
0:32:19 > 0:32:21SHE LAUGHS
0:32:21 > 0:32:27You see, I was...I was pretty messed up even before you scratched me.
0:32:27 > 0:32:29No, you're not.
0:32:32 > 0:32:35You are strong and you are beautiful.
0:32:35 > 0:32:39You are not in this alone. I will always be there.
0:32:40 > 0:32:42I'm sorry.
0:32:42 > 0:32:45It's not enough, George.
0:32:47 > 0:32:49MUSIC PLAYS ON RADIO
0:32:49 > 0:32:53- Are we having a party? - Er...not quite.
0:32:53 > 0:32:56It's getting-ready music. Girlie night out.
0:32:56 > 0:32:58Thought Sasha needed something to cheer her up,
0:32:58 > 0:33:02such as getting pissed in a loud, dark room that smells of sick.
0:33:02 > 0:33:05Yeah, it is a fine tradition, but, er...
0:33:05 > 0:33:08- Mm-hm? - ..won't she be seen?
0:33:08 > 0:33:10Ah. Make-up.
0:33:10 > 0:33:12Works wonders. Mm-hm!
0:33:14 > 0:33:16HE SNIFFS
0:33:16 > 0:33:18- And how are you? - Me?
0:33:18 > 0:33:21- Uh-huh. - Oh, you know me.
0:33:21 > 0:33:23Always chipper.
0:33:23 > 0:33:27I never use the word chipper. I don't know why I used it then.
0:33:27 > 0:33:32And you? Yourself? You. Are you...are you great today?
0:33:32 > 0:33:36- Are you milking a cow in there? - Ha-ha-ha!
0:33:36 > 0:33:38So funny. Oh.
0:33:38 > 0:33:43I must say, Mitchell, your old friend is very, very interesting.
0:33:47 > 0:33:53- Two sugars, just like Mitchell.- Oh, cheers, love. All right, big fella?
0:33:53 > 0:33:56Graham was just telling me about the time you went skiing.
0:33:57 > 0:34:01Funny. I don't remember that at all.
0:34:01 > 0:34:05Well, it was more falling than skiing.
0:34:05 > 0:34:08We spent more time that week on our backs, with snow in our mouths,
0:34:08 > 0:34:10than on the skis.
0:34:10 > 0:34:12I don't remember it because it didn't happen.
0:34:12 > 0:34:15Yeah, he was tough back then too, when he was training me.
0:34:15 > 0:34:18Such a hard taskmaster. All he used to say was, train, train, train.
0:34:18 > 0:34:20Train, bloody train.
0:34:20 > 0:34:24You remember that, Mitchell? Bloody train?
0:34:25 > 0:34:27Yes!
0:34:27 > 0:34:30Yes, I do, now that you mention it.
0:34:30 > 0:34:32I don't know how I forgot about that. That's really weird.
0:34:32 > 0:34:36We don't want to bore Annie with that.
0:34:36 > 0:34:40- Why don't I give you the tour? - Tour?
0:34:43 > 0:34:46- Great. - We have a tour?
0:34:46 > 0:34:48- Yeah. - Oh.
0:34:48 > 0:34:50After you.
0:34:53 > 0:34:55Oh.
0:34:55 > 0:34:58And this is the cellar!
0:35:01 > 0:35:07You...are in my home with my friends. That is a big no-no.
0:35:07 > 0:35:10- They could be my friends, too. - No, they couldn't!
0:35:10 > 0:35:12And you've got a spare room. I could move in.
0:35:12 > 0:35:14Be nice to have Annie down the corridor.
0:35:14 > 0:35:17Don't you even think about it.
0:35:17 > 0:35:21That girl, she's really holding a torch for you.
0:35:21 > 0:35:27And I'm thinking she doesn't know, does she, about his greatest work.
0:35:27 > 0:35:29About all those people you ripped apart on that train.
0:35:31 > 0:35:33The Box Tunnel 20.
0:35:34 > 0:35:37And I think she needs to know.
0:35:38 > 0:35:41I think she needs to know about the real Mitchell.
0:35:41 > 0:35:43See how she feels about him then.
0:35:43 > 0:35:46Or we could maybe...
0:35:47 > 0:35:49..just maybe forget about the whole thing.
0:35:50 > 0:35:54Sit down, watch a bit of Wipeout. Have a biscuit.
0:35:56 > 0:35:59I think that'd be for the best, don't you?
0:36:08 > 0:36:09HE SIGHS
0:36:11 > 0:36:14Listen, er... I've got a lot of stuff on tonight.
0:36:14 > 0:36:17So, um...I'll catch you soon, yeah?
0:36:18 > 0:36:22Come on, shake hands. I'll teach you the cool one.
0:36:22 > 0:36:25Shake.
0:36:27 > 0:36:30OK, so first it's the normal one, then clasp the thumb,
0:36:30 > 0:36:34bit of that, bit of that, bump the fist, and we're done.
0:36:35 > 0:36:38Not really feeling the friendship, though.
0:36:38 > 0:36:40But we can work on that.
0:36:40 > 0:36:43Mitchell.
0:36:43 > 0:36:45All right, mate.
0:36:46 > 0:36:48See you later.
0:36:52 > 0:36:54MUSIC: Pretty Woman by Roy Orbison
0:36:57 > 0:37:01# Pretty woman Walking down the street
0:37:01 > 0:37:05# Pretty woman The kind I like to meet
0:37:05 > 0:37:07# Pretty woman
0:37:08 > 0:37:12# I don't believe you You're not the truth
0:37:12 > 0:37:15# No-one could look as good as you
0:37:21 > 0:37:26# Yeah, she's walking back to me
0:37:28 > 0:37:30# Yeah, oh... #
0:37:30 > 0:37:34SHE GIGGLES
0:37:34 > 0:37:35# Pretty woman. #
0:37:38 > 0:37:40- Wow. - Wow. Wow, look at that.
0:37:40 > 0:37:43- That is something else. - You'd better believe it, baby.
0:37:43 > 0:37:48- Let's go and shake our moneymaker. - BOTH LAUGH AND SQUEAL
0:37:48 > 0:37:50You look great.
0:37:52 > 0:37:54You all do.
0:37:54 > 0:37:57- Um...don't worry, I'm not drinking. - Uh-huh.
0:37:57 > 0:37:59Got to keep an eye on... Priscilla over there.
0:37:59 > 0:38:02I'm the designated woman with a pulse.
0:38:02 > 0:38:05I just thought it'd be good to, um... get out for a while, you know.
0:38:05 > 0:38:07- SASHA LAUGHS - Oh, yeah, no, no. No, it's great.
0:38:07 > 0:38:11It's just...it's just a nice, normal night out with the girls.
0:38:11 > 0:38:13Mm-hm. Or this.
0:38:13 > 0:38:15SASHA GIGGLES
0:38:15 > 0:38:18How's she coping, do you think? Has she come to terms with what she is?
0:38:18 > 0:38:21Say it loud, I'm dead and I'm proud! Deal with it!
0:38:21 > 0:38:22VEHICLE SOUNDS TOOTS
0:38:22 > 0:38:25Ooh! Right, come on, ladies.
0:38:25 > 0:38:29Those fellas aren't gonna shag 'emselves! Ha-ha!
0:38:29 > 0:38:31Shag 'emselves!
0:38:31 > 0:38:33Come on, Nina!
0:38:33 > 0:38:35OK.
0:38:35 > 0:38:37- VEHICLE MOTOR RUNS - See you.
0:38:37 > 0:38:39- Bye. - Good luck.
0:38:40 > 0:38:43Mitchell...
0:38:43 > 0:38:46Shall we get pissed?
0:38:46 > 0:38:49- You...are a genius, George. - Mm-hm.
0:38:49 > 0:38:54# ...Don't make a sound, voices in my head playing like an echo, echo... #
0:38:54 > 0:39:00Five years we were together. Gone, like that. That's men for you.
0:39:00 > 0:39:04Right, I am gonna show you how it's done.
0:39:04 > 0:39:08You stay there and watch the master at work.
0:39:08 > 0:39:11# Doo-doo-doo-doo, doo-doo-doo-doo
0:39:11 > 0:39:13# Bang, bang, bang, on the wall
0:39:13 > 0:39:15# From dusk till dawn
0:39:15 > 0:39:20# Doo-doo-doo-doo, doo-doo-doo-doo
0:39:20 > 0:39:22# Bang, bang, bang, on the wall
0:39:22 > 0:39:24# From dusk till dawn
0:39:24 > 0:39:28# Doo-doo-doo-doo Doo-doo-doo-doo... #
0:39:31 > 0:39:33Oh, this is so not healthy.
0:39:34 > 0:39:37She's just flirting.
0:39:37 > 0:39:40She has every right to have fun.
0:39:40 > 0:39:42- Come on. - Oh, no.
0:39:42 > 0:39:43- Oh, come on. - No.
0:39:43 > 0:39:48- Nina, come on. It'll be good for you.- No, Annie. Please, no!
0:39:48 > 0:39:52# Bang, bang, bang, on the wall From dusk till dawn... #
0:39:54 > 0:39:56SHE SIGHS
0:39:56 > 0:39:59- They should be back by now. - They're all adults.
0:39:59 > 0:40:01And two of them are dead.
0:40:01 > 0:40:04I think they've seen the worst that life has to throw at them.
0:40:04 > 0:40:07If you're worried, call Nina's mobile.
0:40:07 > 0:40:10- I'm not worried. - Mitchell, it's OK to care.
0:40:10 > 0:40:16It's...it's just when we lost Annie, it's like that old cliche, isn't it?
0:40:16 > 0:40:20You don't miss someone until they're gone. And I missed her.
0:40:20 > 0:40:26I really missed her. And I've got this fear that I'll lose her again.
0:40:26 > 0:40:27So, tell her.
0:40:27 > 0:40:29Then I could really lose her.
0:40:29 > 0:40:32And it would just make our friendship weird.
0:40:32 > 0:40:36Or, just maybe, your friendship could become something else.
0:40:36 > 0:40:38Something better.
0:40:40 > 0:40:43MUSIC PLAYS
0:40:48 > 0:40:52# Do it, do it, do it Do it, do it, do it, do it now... #
0:40:52 > 0:40:56SHE GIGGLES
0:40:56 > 0:41:00# Do it, do it, do it Do it, do it, do it, do it now... #
0:41:02 > 0:41:04What? What?
0:41:04 > 0:41:06Was I a bet?
0:41:19 > 0:41:23BONES CRUNCH
0:41:26 > 0:41:27BONES CRUNCH
0:41:27 > 0:41:30SHE SOBS
0:41:33 > 0:41:36Oh! Aah! Ow!
0:41:36 > 0:41:39- Oh! Oh! - GLASS BREAKS
0:41:39 > 0:41:42Oh! Oh!
0:41:42 > 0:41:45Aah! Aah!
0:41:45 > 0:41:47Help me. Please.
0:41:47 > 0:41:50Help me!
0:41:50 > 0:41:52Oh! Aah!
0:41:52 > 0:41:55- BONES CRUNCH - Uh! Aah!
0:41:55 > 0:41:58SHE WAILS
0:41:58 > 0:42:00All right, Sasha.
0:42:00 > 0:42:03OK, you're OK.
0:42:03 > 0:42:04OK.
0:42:04 > 0:42:07MUSIC: "No Surprises" by Radiohead
0:42:07 > 0:42:12# No alarms and no surprises... # DOOR OPENS AND SHUTS
0:42:12 > 0:42:13A bit of help here, please!
0:42:13 > 0:42:16- What's happened? - Don't know. She just collapsed.
0:42:16 > 0:42:19- Nearly there. All right, onto the couch.- What's wrong with her hands?
0:42:19 > 0:42:21Oh, my goodness.
0:42:21 > 0:42:24We don't know.
0:42:29 > 0:42:31SHE WHEEZES
0:42:37 > 0:42:40None of the others lived long enough for this to happen.
0:42:40 > 0:42:41Her body's still decaying.
0:42:41 > 0:42:45Maybe whatever it was that was keeping her moving
0:42:45 > 0:42:48just can't fight the decay any more.
0:42:49 > 0:42:54- I think we may have another problem. - OK, Mitchell.
0:42:54 > 0:42:56I need you to go back to the hospital
0:42:56 > 0:42:58and borrow a little wheelchair.
0:42:58 > 0:42:59- Why? - For Sasha.
0:42:59 > 0:43:02I'm gonna take her on a little jolly to the Millennium Stadium.
0:43:02 > 0:43:05And then we may well go on to the bay. It's lovely around there.
0:43:05 > 0:43:09- All the restaurants and boats and stuff.- This is...
0:43:09 > 0:43:12Mitchell, I know what you're gonna say and I don't want to hear it.
0:43:12 > 0:43:16She has as much right to live a full and active life as the rest of us,
0:43:16 > 0:43:18and her condition should not be an issue,
0:43:18 > 0:43:21frankly, I'm a little disappointed in you for even bringing it up.
0:43:21 > 0:43:23- Annie, it's OK. - I don't... What are you doing?
0:43:23 > 0:43:26- I don't want a hug. - It's OK, it's OK.
0:43:26 > 0:43:28Shh.
0:43:28 > 0:43:30Mm.
0:43:30 > 0:43:33You know, I hated her when we first met.
0:43:33 > 0:43:35It seems weird now.
0:43:35 > 0:43:37You're doing all you can for her.
0:43:37 > 0:43:39- You're a good friend. - DOOR CLOSES
0:43:39 > 0:43:42- Annie? - Oh, hey, Mitchell.
0:43:42 > 0:43:47Graham just popped by and wanted to know if we wanted anything.
0:43:48 > 0:43:49What?!
0:43:49 > 0:43:52- Mitchell, what are you doing? - No, no, no, it's fine!
0:43:52 > 0:43:55It's fine. It's just a... it's a long-running joke we have.
0:43:55 > 0:43:58Ha-ha! The neck-grab game.
0:43:58 > 0:44:02- He loves it! Isn't that right, Graham?- Yeah, he got me!
0:44:02 > 0:44:06Oh, ho-ho, ho-ho! You little monkey!
0:44:06 > 0:44:10Why don't me and you have a nice long chat about the good old days?
0:44:10 > 0:44:12You'd like that!
0:44:13 > 0:44:16It's a vampire tradition. Chill out.
0:44:16 > 0:44:19- Look at him go! - Oh, I don't know.
0:44:19 > 0:44:22Vampires.
0:44:25 > 0:44:27It's over. We are done here.
0:44:27 > 0:44:32- You forgotten what I know about you? - Screw it! Tell her.
0:44:32 > 0:44:34- I don't think you want me to talk. - I don't care any more.
0:44:34 > 0:44:36Maybe it's time they knew what I really am.
0:44:36 > 0:44:39I don't deserve them as friends. I never have.
0:44:39 > 0:44:42So, how about this, right? You tell them what I did, or I will.
0:44:42 > 0:44:45- You're bluffing. - Oh.
0:44:45 > 0:44:48If you think that, then you really don't know me at all, do you?
0:44:48 > 0:44:50I will not be your puppet any more.
0:44:50 > 0:44:53You are just a fat, pathetic wannabe
0:44:53 > 0:44:56with no friends and no personality of your own.
0:44:56 > 0:44:58You are nothing.
0:45:01 > 0:45:03SHE MOANS
0:45:08 > 0:45:10SHE SIGHS
0:45:16 > 0:45:18SASHA WHIMPERS
0:45:18 > 0:45:21Annie.
0:45:21 > 0:45:24- OK, I'm here. - Annie.
0:45:24 > 0:45:27Don't let them take me, Annie.
0:45:27 > 0:45:30Don't let them burn me. Promise me you'll bury me.
0:45:30 > 0:45:32I promise. Promise.
0:45:35 > 0:45:40Oh, Mitchell. I, er... I met your oddball friend.
0:45:40 > 0:45:42- What? - Graham?
0:45:42 > 0:45:45He's been looking for you.
0:45:45 > 0:45:48He seemed in a bit of a weird mood.
0:45:48 > 0:45:50What did he say?
0:45:50 > 0:45:55Um...he said, "Tell Mitchell I'm going to make him proud."
0:45:55 > 0:45:59Like you were his dad or something. What's that about?
0:45:59 > 0:46:03Oh, it's nothing. It's just a running joke we have. Forget about it.
0:46:05 > 0:46:07Bye.
0:47:35 > 0:47:37# You're bad, you know... #
0:47:41 > 0:47:43MITCHELL PANTS
0:47:46 > 0:47:49- You don't have to do this. - You think I can't.
0:47:49 > 0:47:51You think I haven't got it in me.
0:47:51 > 0:47:54It isn't hard to do.
0:47:54 > 0:47:57The hard part is not doing it.
0:47:57 > 0:48:02And I failed, and I've regretted that every minute of every day since.
0:48:02 > 0:48:04Then you are weak.
0:48:05 > 0:48:08Who shall I do first?
0:48:08 > 0:48:09Maybe I'll take the child.
0:48:12 > 0:48:15Make the father watch.
0:48:16 > 0:48:18I killed my own children, you know.
0:48:18 > 0:48:20Ripped out their little throats.
0:48:20 > 0:48:23Drained 'em dry.
0:48:24 > 0:48:26Nothing's quite seemed real since then.
0:48:28 > 0:48:31I'm sorry for what's happened to you, I really am.
0:48:31 > 0:48:34I'm sorry I rejected you.
0:48:34 > 0:48:37But...
0:48:37 > 0:48:38this isn't the way.
0:48:38 > 0:48:40You don't get it, do you?
0:48:40 > 0:48:45I want to be the new legend that vampires whisper about in the night.
0:48:47 > 0:48:49The new king of blood.
0:48:50 > 0:48:52Starting from now.
0:48:55 > 0:48:58Apologies, ladies and gentlemen! Undercover ticket inspector!
0:48:58 > 0:49:00- Get your tickets out! - Get off me!
0:49:00 > 0:49:03- He didn't have the right ticket! - Bitch!
0:49:03 > 0:49:05Shut up, shh.
0:49:05 > 0:49:08GRAHAM GASPS
0:49:12 > 0:49:15So, what now, eh? You gonna kill me?
0:49:15 > 0:49:19Cos you don't kill other vampires, Mitchell. Cara proves that.
0:49:19 > 0:49:22D'you wanna throw me off the train? Go on, that's fine.
0:49:22 > 0:49:25Cos there's plenty of other trains. There's plenty of other targets.
0:49:25 > 0:49:27And I swear to you,
0:49:27 > 0:49:29what I am gonna do will make your little massacre
0:49:29 > 0:49:31look like a fucking paper cut.
0:49:31 > 0:49:36How messed about are we, huh, are vampires as a species,
0:49:36 > 0:49:39that my story can be seen as inspirational?
0:49:39 > 0:49:41It has to end.
0:49:41 > 0:49:45This story...has to die.
0:49:48 > 0:49:50And it's gonna hurt.
0:49:54 > 0:49:56I'm sorry.
0:49:58 > 0:50:00I'm so sorry.
0:50:06 > 0:50:11Tell...tell people that you liked me.
0:50:11 > 0:50:13I will.
0:50:37 > 0:50:39SASHA WHEEZES
0:50:45 > 0:50:47Do you know what I wish?
0:50:47 > 0:50:50I wish I'd done more.
0:50:50 > 0:50:53You know, of everything.
0:50:53 > 0:50:55Even the stupid stuff.
0:50:55 > 0:51:01Like, every night that I went home early cos I was a bit tired,
0:51:01 > 0:51:06I just wish I'd stayed out and danced and laughed
0:51:06 > 0:51:08and lived.
0:51:09 > 0:51:12Cos nights like that won't come your way again.
0:51:13 > 0:51:16Even Gethin.
0:51:16 > 0:51:19I just wish I'd loved him more.
0:51:19 > 0:51:22And kissed him more.
0:51:22 > 0:51:23And held him more.
0:51:26 > 0:51:30We talked about having a baby. I just kept on putting it off.
0:51:30 > 0:51:35Saying, you know, can't afford to this year. We're going to Belize.
0:51:35 > 0:51:39We're buying a new rug. A new car.
0:51:39 > 0:51:42What does any of that matter now?
0:51:44 > 0:51:48You got to promise me you won't let those chances pass you by.
0:51:48 > 0:51:51I promise.
0:51:51 > 0:51:54Cos it all goes. It all falls away.
0:51:55 > 0:51:57The looks.
0:51:57 > 0:51:59Money.
0:51:59 > 0:52:01Lovers, friends.
0:52:01 > 0:52:02Not all your friends.
0:52:02 > 0:52:04No.
0:52:05 > 0:52:06Not all your friends.
0:52:08 > 0:52:15And the ones that are there at the end are the real ones, aren't they?
0:52:15 > 0:52:17Yeah... Yeah.
0:52:20 > 0:52:22Thank you...
0:52:22 > 0:52:24for being my friend, Annie.
0:52:26 > 0:52:28It's easy.
0:52:35 > 0:52:37SHE SNIFFS
0:53:03 > 0:53:06Live, Annie.
0:53:06 > 0:53:09Seize the day.
0:53:09 > 0:53:10I will.
0:53:32 > 0:53:34- How is she? - She's gone.
0:53:39 > 0:53:40Sorry.
0:53:48 > 0:53:49George.
0:53:49 > 0:53:52SHE SIGHS
0:53:52 > 0:53:55Would you like to have...
0:53:55 > 0:53:57a little...
0:53:57 > 0:54:00hairy baby with me?
0:54:05 > 0:54:06Yes, I would.
0:54:17 > 0:54:19HE CHUCKLES
0:54:35 > 0:54:37Are you OK?
0:54:42 > 0:54:43No.
0:54:45 > 0:54:47No, I'm not.
0:54:50 > 0:54:52Listen, I need to...
0:54:56 > 0:54:57I need to tell you something.
0:55:03 > 0:55:06I've done such things, Annie.
0:55:08 > 0:55:10I've done such terrible...
0:55:12 > 0:55:13..unforgivable things.
0:55:16 > 0:55:19- And I need to tell you. - No, you don't.
0:55:19 > 0:55:22- I need to do this. - No, you don't.
0:55:23 > 0:55:26Mitchell, listen.
0:55:26 > 0:55:28I know what you are.
0:55:28 > 0:55:30I've known since day one.
0:55:32 > 0:55:34But all those things you've done, they're in your past, right?
0:55:34 > 0:55:37It's who you are now that counts.
0:55:37 > 0:55:40And...and what you've done for me,
0:55:41 > 0:55:44..for George, for all of us...
0:55:45 > 0:55:48..that's the man I know.
0:55:48 > 0:55:50That's the man I trust.
0:55:54 > 0:55:55And...
0:55:56 > 0:55:59..that's the man I want.
0:56:05 > 0:56:06Do you forgive me?
0:56:50 > 0:56:53We need to know if the baby will survive the transformation.
0:56:53 > 0:56:56I've been such a bad girl.
0:56:56 > 0:56:59You can't outrun me. Definitely can't outfight me.
0:56:59 > 0:57:01You can't even outlive me.
0:57:04 > 0:57:05HE SNARLS
0:57:11 > 0:57:14Subtitles by Red Bee Media Ltd
0:57:14 > 0:57:17E-mail subtitling@bbc.co.uk