The Longest Day

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0:00:02 > 0:00:03- Help with what?! - I'm pregnant!

0:00:03 > 0:00:04- We're kind of... - An item!

0:00:04 > 0:00:06That's amazing!

0:00:06 > 0:00:09Somebody's going to get you.

0:00:09 > 0:00:10Bang.

0:00:12 > 0:00:15Well, good or bad, it's what happens next.

0:00:16 > 0:00:18I am the beginning.

0:00:19 > 0:00:21There will be more after me!

0:00:23 > 0:00:24Do it!

0:00:24 > 0:00:27ROARS

0:00:27 > 0:00:28SCREAMING

0:00:28 > 0:00:34This land is ours, and we have all the time in the world.

0:00:34 > 0:00:40Aaarrrggghhh!

0:00:40 > 0:00:42This programme contains some strong language

0:00:42 > 0:00:45and some scenes which some viewers may find upsetting.

0:00:45 > 0:00:52# Johnny, remember me...

0:00:52 > 0:00:54# Well, it's hard to believe, I know

0:00:54 > 0:00:58# But I hear her singing in the sighing of the wind

0:00:58 > 0:01:01# Blowing in the treetops

0:01:01 > 0:01:05# Way above me

0:01:05 > 0:01:10# Johnny, remember me

0:01:10 > 0:01:17# Yes, I'll always remember

0:01:17 > 0:01:22# Till the day I die... #

0:01:28 > 0:01:30Oh, God.

0:01:54 > 0:01:57Georgio, how you doing, top gun?

0:01:57 > 0:02:01Yeah, I know, mental in here. Look.

0:02:01 > 0:02:03See that? Found it in the grounds.

0:02:03 > 0:02:07He was having a piss in a bush and it throws itself at me.

0:02:07 > 0:02:11Doo-twatting-lally. Won't even say its own name.

0:02:11 > 0:02:13The law's going to take its photo,

0:02:13 > 0:02:16put it on the news, see if anyone knows it.

0:02:16 > 0:02:21And probably, they'll be wanting to interview me, and all.

0:02:21 > 0:02:23Me on the telly!

0:02:23 > 0:02:27That'll show my bastard brother-in-law.

0:02:41 > 0:02:45Yeah, I've got a mate in imaging,

0:02:45 > 0:02:47she owes me a favour, so she brought me in earlier.

0:02:47 > 0:02:50I've still got some of that bloody jelly stuff.

0:02:50 > 0:02:52Aw!

0:02:52 > 0:02:56- You're holding it upside down. - Oh.

0:02:56 > 0:03:00Aww, that's so sweet.

0:03:00 > 0:03:04- Still there. - Yep. Still there.

0:03:06 > 0:03:10- I thought I'd lost it. - But you didn't.

0:03:10 > 0:03:12Nina, you didn't, it's all right.

0:03:12 > 0:03:16It's OK, it can survive a transformation. It...

0:03:16 > 0:03:20I hate calling it "it". The baby, the baby can survive!

0:03:21 > 0:03:24We're going to have to have a treat tonight.

0:03:24 > 0:03:28Big tea, major pudding and, oh, just happy times.

0:03:28 > 0:03:30Ooh, and Jenga!

0:03:33 > 0:03:34I'll see you back at the house.

0:03:36 > 0:03:38Pissing Jenga.

0:03:40 > 0:03:42MOBILE PHONE RINGS

0:03:44 > 0:03:45George...

0:03:45 > 0:03:49'Nina, it's him. I said it can't be him, but it's him, he's here...'

0:03:49 > 0:03:52You're babbling. Slow down, breathe.

0:03:52 > 0:03:55'It's definitely Herrick. He's here in the psych ward.'

0:03:55 > 0:03:56What?

0:04:00 > 0:04:02Look, it can't be, you've made a mistake.

0:04:02 > 0:04:05There is no reflection! It's him!

0:04:07 > 0:04:09This is the end. They take his photo,

0:04:09 > 0:04:11they find out, they find out what he is.

0:04:11 > 0:04:13This is the end.

0:04:13 > 0:04:18Well, then we make a break for it. Now, just the two of us.

0:04:18 > 0:04:22And go where? We will be hunted, every single one of us!

0:04:24 > 0:04:26What are you doing? What are you doing?

0:04:26 > 0:04:28I've no idea.

0:04:29 > 0:04:34No, Nina, Nina, Nina, Nina... Oh, dear God.

0:04:38 > 0:04:41MUFFLED CHATTER, TALK OVER RADIO

0:04:41 > 0:04:44HERRICK WHISPERS TO HIMSELF

0:04:48 > 0:04:52Mr Herrick? Do you know me?

0:04:55 > 0:04:58OK, but I know you. My name's Nina.

0:04:58 > 0:05:01Now, you want to get out of here, don't you?

0:05:03 > 0:05:05I can help you.

0:05:05 > 0:05:08I can help you get out of here, but you have to come now.

0:05:10 > 0:05:12- Oh, my God. Oh, my God... - George.

0:05:12 > 0:05:14Oh, my... What are you doing?

0:05:22 > 0:05:25- Nina, did anyone see you? - I don't think so, come on,

0:05:25 > 0:05:28before they figure it out. Come on!

0:05:30 > 0:05:32Doors opening.

0:05:34 > 0:05:35What floor?

0:05:35 > 0:05:38Penthouse suite(!) What do you think? The basement!

0:05:38 > 0:05:41- We can get out that way. Just hurry! - I'm trying.

0:05:41 > 0:05:43Bloody move, you arseing lift!

0:05:43 > 0:05:45Where are you taking me?

0:05:45 > 0:05:48Just... It'll be all right, just trust us.

0:05:48 > 0:05:49'Doors closing.'

0:05:50 > 0:05:52'Doors opening.'

0:05:54 > 0:05:57What the shite are you playing at, Brainiac?

0:05:59 > 0:06:02- Do you know him? - Me?

0:06:02 > 0:06:05Know him? Of course.

0:06:05 > 0:06:07George, I can't believe you didn't say...

0:06:07 > 0:06:09- Who is he, then? - This man?

0:06:09 > 0:06:12This man here? LAUGHS

0:06:12 > 0:06:16I will tell you exactly who this man is.

0:06:16 > 0:06:23This man is my Uncle Billy.

0:06:28 > 0:06:29'Doors closing.'

0:07:03 > 0:07:06SCREAMING

0:07:11 > 0:07:15You're going to be killed by a werewolf. A wolf-shaped bullet.

0:07:15 > 0:07:17GUNSHOT

0:07:17 > 0:07:19Mitchell?!

0:07:20 > 0:07:21Yeah, coming.

0:07:21 > 0:07:23Mitchell.

0:07:31 > 0:07:32Yeah? What's up?

0:07:35 > 0:07:37What's wrong?

0:07:37 > 0:07:40Good job we've got plenty of rooms.

0:07:45 > 0:07:48This will help with your dehydration.

0:07:55 > 0:07:57You'll feel better.

0:07:59 > 0:08:01Sip it very slowly.

0:08:05 > 0:08:06He was in the acute unit.

0:08:06 > 0:08:09The police were there, the bloody police!

0:08:09 > 0:08:13They would have taken his photo and then... This isn't possible.

0:08:13 > 0:08:15It can't be possible, but it's him.

0:08:17 > 0:08:19It's definitely him.

0:08:20 > 0:08:21Is it him, Mitchell?

0:08:28 > 0:08:29Mitchell. Mitchell?

0:08:31 > 0:08:32What are we going to do?

0:08:35 > 0:08:37Stake him.

0:08:37 > 0:08:39What did he say?

0:08:44 > 0:08:47It is him, isn't it? I mean, I know it's him.

0:08:47 > 0:08:50But it's not him, but it is him, isn't it?

0:08:50 > 0:08:51It's him.

0:08:53 > 0:08:55You're going to do it now? Mitchell, wait!

0:08:56 > 0:08:59- Come here, you prick! - Wait.

0:08:59 > 0:09:02Mitchell, wait. Mitchell!

0:09:03 > 0:09:06Mitchell, wait, no!

0:09:07 > 0:09:08Help me!

0:09:08 > 0:09:12Wait! George, please, do something! Just wait!

0:09:12 > 0:09:14THEY ALL SHOUT

0:09:15 > 0:09:17Come on!

0:09:18 > 0:09:22- Get up! Get up! - < Please, no!

0:09:23 > 0:09:25MAN SCREAMS

0:09:25 > 0:09:28Please, someone... George!

0:09:29 > 0:09:30No! No!

0:09:33 > 0:09:35Help me! Help me!

0:09:37 > 0:09:38Don't!

0:09:42 > 0:09:44DOORBELL RINGS

0:09:44 > 0:09:46Shit, there's somebody at the door! What do they want?

0:09:46 > 0:09:47Annie, would you mind?

0:09:48 > 0:09:51Yes. No. I mean, I'll look, but..

0:09:53 > 0:09:55Don't do anything.

0:09:56 > 0:09:59Just stay where you are.

0:10:01 > 0:10:03< Is it the Jehovah's?

0:10:03 > 0:10:05MOBILE PHONE RINGS

0:10:05 > 0:10:08Shit! Shit it!

0:10:08 > 0:10:12Barbara, yeah, I'm outside the house now.

0:10:12 > 0:10:15I it the Jehovah's? I knew I shouldn't have been nice.

0:10:15 > 0:10:17It's social services, it's got to be.

0:10:17 > 0:10:19She looks knackered and she has terrible hair.

0:10:19 > 0:10:24What? What? What? What? What? What? What?

0:10:24 > 0:10:27What, what, what do they want?

0:10:27 > 0:10:30At a wild guess, I'd say they'd like to know

0:10:30 > 0:10:36how my Uncle Billy from Bristol came to be in a Barry psych ward.

0:10:36 > 0:10:40Now, Mr Herrick, let's get you upstairs

0:10:40 > 0:10:42and we can run you a nice warm bath.

0:10:42 > 0:10:44What's happening? Why's he trying to hurt me?

0:10:44 > 0:10:47HE MOUTHS I'm sorry, it won't happen again.

0:10:47 > 0:10:49You promised me I'd be safe and he...

0:10:49 > 0:10:51Who are you people?

0:10:51 > 0:10:53I'll explain later, OK?

0:10:53 > 0:10:56But right now, I need to get you upstairs. OK?

0:10:56 > 0:10:58George, get the door, try and act normal.

0:10:58 > 0:11:02- I think I'm going to be sick. - Who's Uncle Billy?

0:11:04 > 0:11:06We had to think of something.

0:11:06 > 0:11:08There were police. They were going to take photos.

0:11:08 > 0:11:09DOORBELL RINGS

0:11:09 > 0:11:11KNOCK ON DOOR

0:11:11 > 0:11:13Oh, God. Oh, God.

0:11:13 > 0:11:17Just look normal. Look normal! Be normal!

0:11:19 > 0:11:22Sorry, I wasn't sure if the bell was working.

0:11:22 > 0:11:24- The bell, is it not working? - I don't know.

0:11:24 > 0:11:25That is completely unacceptable.

0:11:25 > 0:11:27Mitchell, this is...

0:11:27 > 0:11:31This is Wendy, and Wendy is a community psychiatric nurse!

0:11:31 > 0:11:34Isn't that something? Isn't that just...

0:11:34 > 0:11:37I mean, "Wow," is all I can say. "Mega wow!"

0:11:38 > 0:11:41Oh, the vista? I know. Oh, God!

0:11:41 > 0:11:44Sometimes, we pretend to surf in front of it.

0:11:44 > 0:11:46Don't we, Mitchell, don't we?

0:11:46 > 0:11:49Yeah, sometimes we do.

0:11:49 > 0:11:52It's the wind in your hair, the salt spray on your face,

0:11:52 > 0:11:55and it's just you and the ocean.

0:11:55 > 0:12:02Sometimes we have a barbie and beers on the beach. Crazy days, Wendy.

0:12:02 > 0:12:07Crazy days and crazy, crazy nights... Tea?

0:12:12 > 0:12:15Cocking hell.

0:12:17 > 0:12:22Oh, it's my lunch. I wondered what had happened to it.

0:12:23 > 0:12:26Oh, thanks, just what I need.

0:12:26 > 0:12:30Spitting feathers, I am. Bloody druids.

0:12:30 > 0:12:32Sorry?

0:12:32 > 0:12:34Why I wasn't able to meet you at the hospital

0:12:34 > 0:12:35and drive you home - it's the bloody druids.

0:12:35 > 0:12:39Having one of their bonanzas. All of them, on the ley lines.

0:12:39 > 0:12:40They're blocking off the road.

0:12:40 > 0:12:43There are queues going right back. Everyone's effing and jeffing.

0:12:43 > 0:12:45I'll take that for you, shall I?

0:12:45 > 0:12:46I mean, they call themselves druids,

0:12:46 > 0:12:49but I recognised quite a few faces from B&Q

0:12:49 > 0:12:51so I asked them, "Where's my sodding kitchen units?"

0:12:51 > 0:12:53Be with me Monday, apparently.

0:12:53 > 0:12:56They've been saying that for two weeks. Bastards.

0:12:58 > 0:13:00I hope a standing stone falls on them.

0:13:00 > 0:13:04- Excuse me if I'm talking a lot - I had three Red Bulls in the car.- Ah!

0:13:04 > 0:13:05- PHONE BEEPS - Anyhow...

0:13:05 > 0:13:08won't take up too much of your time, I know it's getting late,

0:13:08 > 0:13:10just got to dot the Is, cross the Ts.

0:13:10 > 0:13:12Then, if anything goes wrong,

0:13:12 > 0:13:14it won't be me doorstepped by the tabloids.

0:13:15 > 0:13:18Little social services in-joke for you there -

0:13:18 > 0:13:19never fails to crack me up.

0:13:21 > 0:13:24You've got the details of your uncle's doctor,

0:13:24 > 0:13:25his medication, his care pathway?

0:13:25 > 0:13:30Yeah, I-I can't quite remember all of it.

0:13:30 > 0:13:32No, don't worry, because it'll all be in here.

0:13:32 > 0:13:36Once it plays ball. Just...work!

0:13:36 > 0:13:40Oh, work. Work or I'll bitchslap you!

0:13:40 > 0:13:42PHONE RINGS

0:13:42 > 0:13:47Not again. It's, yes, my line manager. I'm sorry.

0:13:47 > 0:13:49- No, it's... I'll... - Barbara.

0:14:07 > 0:14:09It's going to happen all over again.

0:14:09 > 0:14:12It's not. We get rid of him.

0:14:12 > 0:14:14We wait for her to do whatever she has to do

0:14:14 > 0:14:15and then we get rid of him.

0:14:15 > 0:14:17I don't understand - how is he here?

0:14:17 > 0:14:20Here, in bloody Barry, in the hospital where we work, how?

0:14:20 > 0:14:22I don't know. Stop asking me.

0:14:22 > 0:14:25I ripped him to shreds. I killed him.

0:14:25 > 0:14:27Let's keep our voices down, shall we?

0:14:27 > 0:14:28I ripped his head off and you said...

0:14:28 > 0:14:31you said that would be it, no-one survives werewolf attack.

0:14:31 > 0:14:34It's the end, there is no coming back, so you tell me -

0:14:34 > 0:14:36how has he survived?

0:14:36 > 0:14:39I don't know! I don't have all the answers!

0:14:39 > 0:14:41I just know that we need to get rid of him tonight.

0:14:41 > 0:14:45But he doesn't know us. Not you! Of all people, he should know you.

0:14:45 > 0:14:48And George and Nina.

0:14:48 > 0:14:51He's supposed to hate werewolves but he was holding Nina's hand.

0:14:51 > 0:14:54And what? What? You think he's all cured?

0:14:54 > 0:14:58He's better now? He's bluffing! Why can't anyone see that?!

0:14:58 > 0:15:01That noise that he made, that noise. He was so scared,

0:15:01 > 0:15:06It was horrible, it was so...so human.

0:15:06 > 0:15:09But he's not human. He's far from it.

0:15:09 > 0:15:14Couldn't we just give him some clothes and some money

0:15:14 > 0:15:18and drive him somewhere and just set him free?

0:15:18 > 0:15:21Oh, yeah, that's brilliant! Why didn't I think of that?

0:15:21 > 0:15:24Genius! Set him free?! For fuck's sake, Annie!

0:15:25 > 0:15:26Don't talk to me like that!

0:15:26 > 0:15:28Say something sensible, then! Jesus!

0:15:28 > 0:15:30George, you understand, don't you?

0:15:30 > 0:15:32You know there's only one way?

0:15:32 > 0:15:34I can't do it, I can't do it, I can't...

0:15:34 > 0:15:36Hey, hey, I'm not asking you to do anything. I'll do it.

0:15:36 > 0:15:39But it has to be done. Agreed?

0:15:43 > 0:15:44- WHISPERS:- Yes.

0:15:46 > 0:15:49- Yes. - Right. It's decided.

0:15:50 > 0:15:52- BUZZER RASPS - Bloody hell, what's that?

0:15:52 > 0:15:54It's the timer for the meringues.

0:15:54 > 0:15:57I was going to make Eton mess to celebrate.

0:15:57 > 0:15:59Celebrate? Celebrate what?

0:15:59 > 0:16:02Me still being pregnant, if you're interested.

0:16:02 > 0:16:04Of course I'm still interested.

0:16:04 > 0:16:07Of course I'm... That's wonderful, Nina.

0:16:07 > 0:16:11All done, phone call over.

0:16:11 > 0:16:13So, let's make a start, then I can get out of your hair.

0:16:31 > 0:16:34MAN SCREAMS

0:16:36 > 0:16:40If you wouldn't mind. A new face, it might scare him.

0:16:50 > 0:16:53SCREAMING CONTINUES

0:17:00 > 0:17:02George, wait, I don't want anybody going up there!

0:17:02 > 0:17:05You are making things worse. George, get him some clean clothes.

0:17:05 > 0:17:07George, get the man out of the attic, I don't want anybody going up there.

0:17:07 > 0:17:08What does it matter what room they're in?

0:17:08 > 0:17:10- It just does.- No, what matters is keeping him quiet,

0:17:10 > 0:17:13answering her questions, looking like "appropriate carers",

0:17:13 > 0:17:16and she goes, and we can... No, you. ...then you can do it.

0:17:16 > 0:17:17And it's done.

0:17:17 > 0:17:20- All right, Mr Herrick. - There was nothing in the mirror!

0:17:37 > 0:17:41You see, it was a trick mirror. A joke.

0:17:41 > 0:17:43It wasn't very funny!

0:17:43 > 0:17:46No, it was silly, we were silly. Weren't we, George?

0:17:49 > 0:17:50Yes, very silly.

0:17:50 > 0:17:57You see, the thing is, Mr Herrick, downstairs there's a lady

0:17:57 > 0:18:02and she'd like to talk with you, see if you're happy.

0:18:02 > 0:18:05I should tell her about him, the dark one, attacking me.

0:18:05 > 0:18:08No. No, you see, you can't do that. Um...

0:18:08 > 0:18:13You'd be taken away, there'd be police.

0:18:13 > 0:18:19- And would you get in trouble? - Yes, yes. A lot of trouble.

0:18:19 > 0:18:21So, you want me to lie?

0:18:21 > 0:18:27No, no. Not lie, exactly. Just not tell.

0:18:27 > 0:18:31Can you do that for me? Hmm?

0:18:32 > 0:18:34Please?

0:18:49 > 0:18:51I'd like to get dressed now.

0:19:18 > 0:19:20DOORBELL RINGS

0:19:21 > 0:19:23Tena Lady moment!

0:19:31 > 0:19:32DOORBELL RINGS

0:19:32 > 0:19:34Shall I get that?

0:19:44 > 0:19:45Can I help you?

0:19:46 > 0:19:49- Is Mitchell here? - < Mitchell!

0:19:49 > 0:19:50Er, is that the Irishman?

0:19:50 > 0:19:54Yes, yes, he's in. He's a bit busy at the moment but...

0:19:55 > 0:19:58- You have to invite me in. - No, don't invite her in.

0:19:58 > 0:20:01Proper manners! Oh, my mother would have loved you! Come in.

0:20:03 > 0:20:06< Shit! Mitchell!

0:20:10 > 0:20:11Been camping?

0:20:13 > 0:20:15Sorry, who are you?

0:20:15 > 0:20:18Cara! Here you are.

0:20:18 > 0:20:21The room's all ready for you, darling.

0:20:21 > 0:20:22I need to talk to you.

0:20:22 > 0:20:26Yeah, no worries, you just hang a left here, just head down there.

0:20:26 > 0:20:27Mr Mitchell?

0:20:27 > 0:20:29- Yeah? - Is she all right?

0:20:29 > 0:20:33Oh, yeah, yeah, yeah. She's a hard-core raver.

0:20:33 > 0:20:34Festival season.

0:20:34 > 0:20:37She looks like she's just fallen off a park bench now,

0:20:37 > 0:20:39but a hot shower and some beans on toast

0:20:39 > 0:20:42and she's back to the building society in her navy suit.

0:20:42 > 0:20:44Of course! Raving.

0:20:44 > 0:20:46Well, I was young once, too.

0:20:48 > 0:20:49Once.

0:20:49 > 0:20:52Of course you were. Why don't you take a seat in here?

0:20:52 > 0:20:53I'll be with you in a second.

0:20:53 > 0:20:54- WHISPERS:- Stay here.

0:20:58 > 0:20:59Pleased to see me, then?

0:21:02 > 0:21:05Nina, what if he says something? What if he tells?

0:21:05 > 0:21:06Then we'll be in deep shit.

0:21:08 > 0:21:09Hey, what is it?

0:21:10 > 0:21:14Just now, in the kitchen, you agreed to murder.

0:21:17 > 0:21:19It's not the same.

0:21:19 > 0:21:22No thought, no question, just agreed.

0:21:22 > 0:21:24I know this is really difficult for you to understand

0:21:24 > 0:21:27because you weren't really there, but Herrick is dangerous.

0:21:27 > 0:21:30He wasn't the one looking dangerous to me.

0:21:34 > 0:21:37In seven months' time, we're going to have a baby.

0:21:37 > 0:21:40I don't want our baby to have a father

0:21:40 > 0:21:42who sticks his fingers in his ears...

0:21:42 > 0:21:43I'm not listening to this.

0:21:43 > 0:21:45...and agrees to murder, like it's nothing!

0:21:54 > 0:21:55SIGHS

0:21:59 > 0:22:02Ages it's taken me to find you. Tracked the dogs.

0:22:02 > 0:22:04Knew you wouldn't be too far behind them.

0:22:04 > 0:22:05What are you doing here?

0:22:05 > 0:22:09Need your help. With Herrick.

0:22:09 > 0:22:10Oh, great(!) You know about him?

0:22:10 > 0:22:12Of course I bloody know! I brought him back!

0:22:12 > 0:22:15He run off from me at the hospital. I need to find him.

0:22:15 > 0:22:18You brought him back?

0:22:18 > 0:22:22Oh, well, aren't you the clever girl(?)

0:22:22 > 0:22:26He told me how to do it. He's our captain.

0:22:26 > 0:22:28He'd always find a way, and he told me, and I done it to the letter,

0:22:28 > 0:22:32but he don't know me, he don't know what he's for.

0:22:32 > 0:22:34- Bullshit! He remembers! - He doesn't!

0:22:34 > 0:22:37I've bled myself near enough out over and over,

0:22:37 > 0:22:41just so he can get a taste and realise, but he just screams.

0:22:41 > 0:22:45You're the only one who can make him how he's supposed to be.

0:22:45 > 0:22:46How did he come back?

0:22:46 > 0:22:48What's it matter to you all of a sudden?

0:22:48 > 0:22:52Cara, Cara, listen to me, I need to know, OK?

0:22:52 > 0:22:54I really need to know because...

0:22:56 > 0:22:58I've been told that I'm going to get got. All right?

0:22:58 > 0:23:02I don't know when, but one full moon, a werewolf is going to kill me, Cara,

0:23:02 > 0:23:05and I'm not willing to accept that...that...er...?

0:23:05 > 0:23:08- Prophecy?- Yeah. I won't have it.

0:23:08 > 0:23:11I don't want to die, sweetheart, so you'll have to tell me.

0:23:11 > 0:23:15I'll tell you, just as soon as you make my Herrick right.

0:23:15 > 0:23:18Tit for tat, Mitchell. Tit for tat.

0:23:21 > 0:23:23Hello?

0:23:24 > 0:23:25Hello?

0:23:26 > 0:23:29Can you hear me? Nina?

0:23:29 > 0:23:32Mr Mitchell?

0:23:41 > 0:23:43DOOR CREAKS AND CLOSES

0:23:52 > 0:23:54Hello?

0:24:02 > 0:24:04Mr Mitchell?

0:24:06 > 0:24:08CROCKERY SHATTERS

0:24:08 > 0:24:10Bollocks!

0:24:13 > 0:24:16You help me with my darling, we'll tell you the secret.

0:24:16 > 0:24:19And then me, you and Herrick,

0:24:19 > 0:24:20we'll be unstoppable!

0:24:22 > 0:24:25Wendy was calling you. She was going to come down here.

0:24:25 > 0:24:27What? What does she want?

0:24:30 > 0:24:33- Where are the others? - She's up there on her own.

0:24:34 > 0:24:35Don't leave this room.

0:24:35 > 0:24:37I'm going nowhere, Big Bad John.

0:24:49 > 0:24:53MITCHELL: Uncle Billy's welcome here. Whatever he needs is good with us.

0:24:53 > 0:24:56- WENDY:- That's so kind. Really generous.

0:24:56 > 0:24:58MITCHELL: The poor guy's been through so much.

0:24:58 > 0:25:01The least anyone can do is show a little compassion, you know?

0:25:04 > 0:25:06How's he doing?

0:25:06 > 0:25:10Much better, yeah, much, um... much calmer.

0:25:10 > 0:25:12Mmm. So, I'll need to look round the house

0:25:12 > 0:25:15and assess the suitability of the environment.

0:25:15 > 0:25:18Again, that's just ticking boxes.

0:25:18 > 0:25:20Yep. Er, cool, I'll leave you to it.

0:25:20 > 0:25:23No, no, I've got some more questions, so if we all go,

0:25:23 > 0:25:28then if any issues arise, we can chat through as a group.

0:25:36 > 0:25:39You and your uncle must be very close for him to want to follow you.

0:25:39 > 0:25:42- Is there no other family? - No, no, just us.

0:25:42 > 0:25:45It must have really upset him when you left Bristol.

0:25:45 > 0:25:48- What brought you here? - Work.

0:25:52 > 0:25:55It's like that Tracey Thingy.

0:25:55 > 0:25:57With the bed.

0:25:57 > 0:25:59It's a contemplation room.

0:26:01 > 0:26:05I tried that. Contemplation, meditation.

0:26:05 > 0:26:07Ended up boring myself.

0:26:08 > 0:26:13I was given the preliminary report from the hospital,

0:26:13 > 0:26:16what your uncle said when he was found.

0:26:16 > 0:26:19It's quite...distressing.

0:26:19 > 0:26:20Oh?

0:26:20 > 0:26:26He kept talking about a woman bleeding on him.

0:26:27 > 0:26:29Trying to make him drink her blood.

0:26:30 > 0:26:33I'm sorry, Nina, I mean, it's so ugly,

0:26:33 > 0:26:37but there are people out there who prey on the vulnerable,

0:26:37 > 0:26:40and if there's abuse, then we need to inform the police.

0:26:40 > 0:26:42He hasn't said anything to you, has he?

0:26:42 > 0:26:44No.

0:26:44 > 0:26:46So where does that come from, then?

0:26:46 > 0:26:48I don't know.

0:26:48 > 0:26:50You have to wonder what kind of movies he's been watching.

0:26:52 > 0:26:54Poor Billy.

0:26:56 > 0:26:58Can I borrow your loo? I'm completely bursting.

0:27:02 > 0:27:06Think you're a proper princess, you. Looking down your nose at me.

0:27:06 > 0:27:09But I got something you daren't even dream of.

0:27:09 > 0:27:10What's that?

0:27:10 > 0:27:12A demon lover.

0:27:18 > 0:27:19How did it happen?

0:27:19 > 0:27:21You being made, I mean.

0:27:21 > 0:27:24He came for me at night. After my shift.

0:27:24 > 0:27:28I locked up and took the rubbish out the back, and there he was.

0:27:29 > 0:27:33He smiled at me and took me in his arms.

0:27:33 > 0:27:35He said I was his bride in glory.

0:27:35 > 0:27:38And the world was all sparkles and gold.

0:27:38 > 0:27:41Mm. A knee-trembler by the bins.

0:27:41 > 0:27:43That's enough to put stars in any girl's eyes.

0:27:43 > 0:27:46You wouldn't understand.

0:27:46 > 0:27:48Oh, I dunno.

0:27:48 > 0:27:51I think we've got quite a lot in common.

0:27:51 > 0:27:54I, er, loved my fiance,

0:27:54 > 0:27:57put my heart on a plate for him.

0:27:57 > 0:27:59And he killed me.

0:27:59 > 0:28:03Herrick didn't kill me. He chose me because I was special!

0:28:03 > 0:28:06He made me part of the master race!

0:28:06 > 0:28:09Everything I am is for him, and he loves me!

0:28:09 > 0:28:12But he doesn't know you, does he? He doesn't know any of us.

0:28:12 > 0:28:15So if he doesn't know you, doesn't remember,

0:28:15 > 0:28:18then it's all over, isn't it?

0:28:18 > 0:28:22What do you mean, he doesn't know you? He's up at that hospital.

0:28:22 > 0:28:26No, he's upstairs. But we could help you, I could help you.

0:28:26 > 0:28:28Cara, please, we all can help...

0:28:29 > 0:28:32- WENDY:- Barbara, can I call you back?

0:28:32 > 0:28:34No, it's just I'm actually on the toilet,

0:28:34 > 0:28:36doing an actual wee...

0:28:36 > 0:28:38RAPID FOOTSTEPS What the hell is that?

0:28:42 > 0:28:43Don't move. I'll deal with it.

0:28:45 > 0:28:46NINA: George!

0:28:46 > 0:28:48George!

0:28:48 > 0:28:50George!

0:28:54 > 0:28:55You!

0:28:55 > 0:28:58Darling, we have to go now. This isn't the place for you.

0:28:58 > 0:29:01Don't be scared. Not of me.

0:29:03 > 0:29:07What you doing, darling? They're not fit to lick your boots!

0:29:07 > 0:29:09I want her gone.

0:29:09 > 0:29:12- The disgusting things she's done to me!- Don't worry, don't worry.

0:29:12 > 0:29:14I won't let her hurt you.

0:29:14 > 0:29:16Cara, come on, let's go.

0:29:16 > 0:29:18You have to remember now.

0:29:18 > 0:29:20Tell 'em who we are.

0:29:20 > 0:29:22Because you know me, really, don't you?

0:29:22 > 0:29:25I'm your Cara, the chosen one.

0:29:25 > 0:29:28Together, we are divinity.

0:29:36 > 0:29:37That's it.

0:29:38 > 0:29:41That's it. See?

0:29:41 > 0:29:43Don't need your pity or your help.

0:29:45 > 0:29:48I have my Captain. Don't I, my love?

0:29:49 > 0:29:51You obscene bitch.

0:29:51 > 0:29:54You filth.

0:29:54 > 0:29:58I can smell your stink, and it turns my stomach.

0:29:59 > 0:30:01I'm nothing without you.

0:30:02 > 0:30:04Well, then.

0:30:04 > 0:30:05You are nothing.

0:30:09 > 0:30:11CARA SOBS

0:30:12 > 0:30:14Don't you look ugly when you're crying?

0:30:16 > 0:30:18Cara, come on.

0:30:19 > 0:30:21Come on. Let's get you out of here.

0:30:21 > 0:30:24Let's go. Let's have a little chat, yeah?

0:30:24 > 0:30:25Come on, let's go.

0:30:25 > 0:30:28- Cara, come on. Cara, Cara! - Get off!

0:30:30 > 0:30:31No!

0:30:33 > 0:30:36Argh!

0:30:49 > 0:30:50WENDY: Here you all are!

0:30:51 > 0:30:53What's going on in here, then?

0:30:57 > 0:30:58Are you smoking?

0:31:00 > 0:31:03Fantastic! Oh, thank you, Jesus!

0:31:03 > 0:31:07I'm supposed to be giving up, but...sod it!

0:31:07 > 0:31:09Always keep one for emergency.

0:31:15 > 0:31:17You must be Uncle Billy.

0:31:19 > 0:31:21Hello.

0:31:36 > 0:31:37Poor Cara, huh?

0:31:37 > 0:31:39Having all that love thrown back in her face.

0:31:39 > 0:31:41She killed...

0:31:41 > 0:31:43and killed and killed. Don't waste your time on her.

0:31:43 > 0:31:45You felt the same.

0:31:45 > 0:31:46I saw the way you looked.

0:31:48 > 0:31:50What did you want to talk to her about?

0:31:50 > 0:31:52What was so important that made you look like that?

0:31:54 > 0:31:56Mitchell?

0:31:56 > 0:31:57- What do you want from me? - Nothing.

0:31:58 > 0:32:00Don't change the subject.

0:32:00 > 0:32:03You want every little corner of me.

0:32:03 > 0:32:04But I just don't want to give it.

0:32:06 > 0:32:07Why are you being like this?

0:32:07 > 0:32:09Oh, come on. Don't tell me you haven't noticed.

0:32:09 > 0:32:13All the bright smiles and the chat.

0:32:13 > 0:32:15It doesn't make up for what just isn't there.

0:32:15 > 0:32:16No.

0:32:16 > 0:32:19No, you came and got me, you saved me and you said that you loved me.

0:32:19 > 0:32:22I was in love with the idea of being a hero,

0:32:22 > 0:32:25a rescuer, your saviour.

0:32:25 > 0:32:27That's what I was in love with. Not you.

0:32:27 > 0:32:29It's for the best. One day, you'll realise.

0:32:45 > 0:32:48SOBBING

0:32:55 > 0:32:58ELECTRICITY FIZZES AND CRACKLES

0:32:59 > 0:33:01And you walked all the way?

0:33:01 > 0:33:03You must be very tired.

0:33:03 > 0:33:06- Yeah. My...my feet hurt. - They must do.

0:33:06 > 0:33:10But you don't remember anything else, Mr Herrick? Nothing at all?

0:33:10 > 0:33:15Just that I was walking and I was scared.

0:33:17 > 0:33:19Really scared.

0:33:20 > 0:33:22And then, er, Nina was there.

0:33:24 > 0:33:27And how about here, Mr Herrick? Is this a good place for you to be?

0:33:28 > 0:33:31Do you feel happy, safe here?

0:33:36 > 0:33:37Of course.

0:33:38 > 0:33:40I feel safe.

0:33:40 > 0:33:42I'm not scared any more.

0:34:00 > 0:34:02I'd like to stay here.

0:34:02 > 0:34:04Just the...five of us.

0:34:04 > 0:34:07Well, no, there'd be... there'd be four of you.

0:34:09 > 0:34:11Is there another permanent resident here you haven't told me about?

0:34:11 > 0:34:12No.

0:34:20 > 0:34:21I meant you.

0:34:21 > 0:34:23You're my friend.

0:34:23 > 0:34:24Oh, that's so sweet!

0:34:24 > 0:34:29Of course I'm your friend, but I live somewhere else.

0:34:31 > 0:34:33Bless you, though. That's...

0:34:35 > 0:34:37HE MOUTHS

0:34:38 > 0:34:40That's...quite weird.

0:34:42 > 0:34:45Er... Nina. Could we talk on our own for a bit?

0:34:45 > 0:34:48Uh... Yeah, of course.

0:34:50 > 0:34:53Come on, Uncle Billy.

0:35:09 > 0:35:10Thank you for not saying anything.

0:35:13 > 0:35:15I didn't want anyone to get into trouble.

0:35:17 > 0:35:18You haven't done anything to me.

0:35:20 > 0:35:21But your friend,

0:35:21 > 0:35:22you want to watch him.

0:35:24 > 0:35:25WENDY: There's no record of him.

0:35:27 > 0:35:29Well, tha...

0:35:29 > 0:35:30that's ridiculous.

0:35:30 > 0:35:32CLACKING OF LAPTOP KEYS

0:35:32 > 0:35:35This isn't right. This is not right.

0:35:35 > 0:35:37There's something going on here.

0:35:37 > 0:35:40I'm sorry, I need to make a phone call.

0:35:40 > 0:35:43Yeah, well...so do I.

0:35:43 > 0:35:44What's your manager's number?

0:35:46 > 0:35:48I'm going to report you for negligence.

0:35:48 > 0:35:49I haven't been negligent.

0:35:53 > 0:35:55You arrive late,

0:35:55 > 0:36:00bombed on bloody Red Bull, talking a load of inconsequential guff

0:36:00 > 0:36:05about druids and kitchen units and now you accuse me of, what?

0:36:05 > 0:36:08Fraudulently inventing a vulnerable relative

0:36:08 > 0:36:11just to cover up the fact that you've deleted his records?

0:36:11 > 0:36:13- - I didn't delete... - Doorstepped by the tabloids

0:36:13 > 0:36:16is going to seem like a walk in the park when I'm done with you!

0:36:19 > 0:36:21What's your manager's number, Wendy?

0:36:21 > 0:36:23I'm going to unleash a shit storm!

0:36:26 > 0:36:27George?

0:36:27 > 0:36:30It is George, isn't it?

0:36:32 > 0:36:35Did I do something to you?

0:36:35 > 0:36:37Some...

0:36:37 > 0:36:40injustice, some injury?

0:36:40 > 0:36:43Just stop it, all right?

0:36:43 > 0:36:45Enough! You know.

0:36:45 > 0:36:47You know.

0:36:47 > 0:36:49- You remember.- I don't.

0:36:49 > 0:36:51I don't know even why I'm here.

0:36:51 > 0:36:54All I remember is...snow.

0:36:54 > 0:36:58And these women wiping their blood in my mouth.

0:36:58 > 0:37:00Yeah, well.

0:37:00 > 0:37:02What do you think of that?

0:37:05 > 0:37:06You're a Jew?

0:37:07 > 0:37:10But I'm not one of those sorts of people.

0:37:10 > 0:37:14Anti-Semites. I'm not one of those.

0:37:26 > 0:37:29WENDY: I've got 47 caseloads.

0:37:29 > 0:37:30I'm not coping.

0:37:33 > 0:37:34I don't sleep.

0:37:34 > 0:37:36MOBILE PHONE RINGS

0:37:38 > 0:37:39That'll be her again.

0:37:40 > 0:37:41Yep.

0:37:41 > 0:37:45Day and night, she's always picking holes in everything I do.

0:37:45 > 0:37:47She just doesn't let up.

0:37:48 > 0:37:49You'd better talk to her.

0:37:53 > 0:37:55SHE STOPS THE CALL

0:37:55 > 0:37:57Wendy...

0:37:57 > 0:38:00I'm going to do you a very big favour.

0:38:00 > 0:38:02OK?

0:38:02 > 0:38:06You write it up like nothing happened,

0:38:06 > 0:38:08sign it off.

0:38:08 > 0:38:11And we keep it between us.

0:38:15 > 0:38:18Oh, thank you. Oh, thank you, thank you.

0:38:18 > 0:38:21Oh, thank you so much.

0:38:21 > 0:38:22Thank you.

0:38:22 > 0:38:24WENDY SOBS

0:38:24 > 0:38:28- That's really... Thanks. - That's OK.

0:38:28 > 0:38:31WENDY SOBS AND THANKS NINA

0:38:43 > 0:38:45SHE SOBS

0:39:07 > 0:39:09What was it that I did to you?

0:39:10 > 0:39:12It's complicated.

0:39:12 > 0:39:17- And did you do something to me? - Yeah, you could say that.

0:39:20 > 0:39:22I apologise.

0:39:24 > 0:39:27Whatever it was, it must have been pretty serious.

0:39:27 > 0:39:30You don't seem the type to be violent.

0:39:30 > 0:39:32And you're going to be a father too?

0:39:32 > 0:39:34How do you know?

0:39:34 > 0:39:36I heard Nina say. I'm sorry, I shouldn't have been listening.

0:39:39 > 0:39:43But...new life? That's wonderful.

0:39:43 > 0:39:45Frightening, but wonderful.

0:39:49 > 0:39:53I don't know. I worry about it all the time.

0:39:53 > 0:39:56- Is it the right time? - It never is.

0:39:58 > 0:40:01I wonder if I'm right, if I'm going to be a good father.

0:40:01 > 0:40:05I don't know... I don't know anything, I don't know...

0:40:09 > 0:40:11You'll be a good father.

0:40:13 > 0:40:15You need to have more faith in yourself, George.

0:40:32 > 0:40:33Well done.

0:40:35 > 0:40:36I'm not proud of it.

0:40:36 > 0:40:38It can't be helped.

0:40:40 > 0:40:41You did what was necessary.

0:40:43 > 0:40:44Wait.

0:40:45 > 0:40:47I didn't agree.

0:40:47 > 0:40:49Because, you know,

0:40:49 > 0:40:52if we're really going to execute an amnesiac psychiatric patient

0:40:52 > 0:40:55like we're the governor of shitting Texas, or something,

0:40:55 > 0:40:59then we should all have a vote. And I didn't get my vote.

0:40:59 > 0:41:02Nina, William Herrick has achieved something

0:41:02 > 0:41:06that nobody else has managed to do in over two millennia.

0:41:06 > 0:41:09He is a vampire at the very height of his power,

0:41:09 > 0:41:12and every second, he grows stronger.

0:41:12 > 0:41:16Now he can't hurt Annie. Not me, not now, things have changed.

0:41:16 > 0:41:18What things?

0:41:19 > 0:41:21Things. It's complicated.

0:41:21 > 0:41:23Oh, it always is with you.

0:41:23 > 0:41:25But here's something simple.

0:41:25 > 0:41:27You, George and the baby?

0:41:27 > 0:41:29Herrick will annihilate you.

0:41:29 > 0:41:33Oh, you're doing this for us? How selfless(!)

0:41:33 > 0:41:35Do you think I'm enjoying this?

0:41:36 > 0:41:38I think there's a poison in you

0:41:38 > 0:41:41which is nothing to do with being a vampire. So, yeah.

0:41:41 > 0:41:44I think you do enjoy it.

0:41:46 > 0:41:48Oh, my God!

0:41:49 > 0:41:50It's you!

0:41:52 > 0:41:55Of course, of course, it's going to be you.

0:41:55 > 0:41:58- What's going to be me?- Nina...

0:41:58 > 0:42:00a little bullet.

0:42:02 > 0:42:05I am going to make you so very happy.

0:42:05 > 0:42:07- What the fuck does that mean? - You'll see.

0:42:07 > 0:42:09And I'm going to do what needs doing,

0:42:09 > 0:42:11because I don't need your permission for anything.

0:42:15 > 0:42:17It's coming.

0:42:22 > 0:42:23No.

0:42:25 > 0:42:27No.

0:42:31 > 0:42:33What are you doing, George?

0:42:35 > 0:42:37Are you really going to use that?

0:42:37 > 0:42:40I don't think you have it in you.

0:42:40 > 0:42:42You know it.

0:42:42 > 0:42:43And I know it.

0:42:47 > 0:42:49Your hand is shaking, George.

0:42:49 > 0:42:52Your hand is shaking so hard.

0:42:56 > 0:42:58Who do you think you are, huh?

0:42:58 > 0:43:02Pointing the stick at me, you fucking dog! Get out of my way!

0:43:02 > 0:43:04I said no!

0:43:09 > 0:43:11Move.

0:43:11 > 0:43:12I'm not letting you do it.

0:43:12 > 0:43:15Oh, what do you even care? You killed him once already.

0:43:15 > 0:43:18What do I care? I never wanted to be a killer

0:43:18 > 0:43:20of anything or anybody, but I did it.

0:43:20 > 0:43:23I know! I know, and you did it for me.

0:43:23 > 0:43:26I did it for us. And I'm doing this for us.

0:43:26 > 0:43:29Herrick is a vampire, but he doesn't know he's one.

0:43:29 > 0:43:32He doesn't remember all the things he's done.

0:43:32 > 0:43:36When he did remember, he was punished, but now he doesn't.

0:43:36 > 0:43:38Now he's just ordinary.

0:43:38 > 0:43:40He was never ordinary, never!

0:43:40 > 0:43:43Listen to me, George. Listen to me really good.

0:43:43 > 0:43:45I'm not doing this on a whim.

0:43:45 > 0:43:47It's costing me.

0:43:47 > 0:43:50- You have no idea what it's costing me.- What are you talking about?

0:43:52 > 0:43:53It doesn't matter.

0:43:53 > 0:43:57If it's costing you so much, then don't do it.

0:43:57 > 0:44:03I have to. I have to for you, for my friends, for the good of humanity.

0:44:03 > 0:44:06- I'm not asking you to do anything. - You are.

0:44:06 > 0:44:11You are asking me to look away, and I can't look away any more,

0:44:11 > 0:44:14because I have looked away. With you.

0:44:14 > 0:44:16But that has to end now,

0:44:16 > 0:44:20because I have to stop you, because you can't stop yourself.

0:44:20 > 0:44:21All right.

0:44:21 > 0:44:25All right, fine. Stop me, but not with him, he's not worth it.

0:44:25 > 0:44:28- Just once he's gone... - You're like a drug addict.

0:44:28 > 0:44:31"One more hit and then I'll be done."

0:44:31 > 0:44:35No. No. It's now.

0:44:35 > 0:44:37You're making such a big mistake.

0:44:37 > 0:44:39I'm going to be a father soon.

0:44:39 > 0:44:42I have to teach my child the right way to live.

0:44:42 > 0:44:45I have to teach my son or daughter about humanity.

0:44:45 > 0:44:47And that someone is worthy of redemption,

0:44:47 > 0:44:48no matter what they've done.

0:44:48 > 0:44:53That someone can be forgiven their sins, no matter how unforgivable.

0:44:53 > 0:44:56That is the ultimate test.

0:45:12 > 0:45:16You really intrigue me, little lady.

0:45:18 > 0:45:20You're the best friend I've ever had...

0:45:22 > 0:45:23...and probably...ever will have.

0:45:23 > 0:45:26But I will turn my back on you.

0:45:26 > 0:45:30I will wipe you from my memory and I will never mention your name again.

0:45:30 > 0:45:34I will never tell my son or daughter that I had a friend called Mitchell.

0:45:34 > 0:45:36It will be...

0:45:36 > 0:45:38as if we'd never met.

0:45:40 > 0:45:42That's it.

0:45:43 > 0:45:45Now, you make your choice.

0:46:14 > 0:46:17She couldn't see you! I can see you.

0:46:17 > 0:46:19Those others, they can see you.

0:46:19 > 0:46:21But that idiot woman, she couldn't.

0:46:21 > 0:46:23- Why? - She's not an idiot.

0:46:23 > 0:46:25- She was nice. - Nice?

0:46:25 > 0:46:27Who wants to be nice?

0:46:27 > 0:46:29- I do. - Why?

0:46:29 > 0:46:34I mean, nice isn't really working for you, is it?

0:46:34 > 0:46:37You don't really fit in.

0:46:37 > 0:46:39Nobody really listens.

0:46:39 > 0:46:41You're a bit...

0:46:43 > 0:46:45...peripheral.

0:46:45 > 0:46:47Like a regimental mascot.

0:46:47 > 0:46:50I fit in just fine.

0:46:52 > 0:46:56And you are going to have to work a lot harder than that to get to me.

0:46:59 > 0:47:01Just tell me how you do it.

0:47:03 > 0:47:06- Guess. - Give me a clue, little lady.

0:47:06 > 0:47:09Chuck me a bone.

0:47:12 > 0:47:14What are you?

0:47:14 > 0:47:16What am I?

0:47:18 > 0:47:22Onto you...is what I am.

0:47:23 > 0:47:27I'm onto you...little man.

0:47:47 > 0:47:51Before you say anything, I haven't come in here to do the whole crying thing.

0:47:51 > 0:47:52And I'd rather not talk to you at all,

0:47:52 > 0:47:56because you have been a five-star dickhead tonight, but you...

0:47:58 > 0:47:59What's happened to your face?

0:47:59 > 0:48:01George hit me.

0:48:01 > 0:48:05Good. Good for George. Saves me the job.

0:48:05 > 0:48:08It was like being kicked by a bastard horse! And get this, right,

0:48:08 > 0:48:11he says, if I stake Herrick, he won't be my friend any more.

0:48:11 > 0:48:15Why is he allowed to forget, and I can't? Huh?

0:48:15 > 0:48:17Why him and not me?

0:48:17 > 0:48:24I feel like I'm losing my mind, I'm so tired and I'm losing everything!

0:48:24 > 0:48:26Yeah...yeah, it certainly looks like it.

0:48:29 > 0:48:30I'll do it.

0:48:30 > 0:48:32- Do what? - Stake him.

0:48:32 > 0:48:35That's what I came to tell you, that you were right about him.

0:48:35 > 0:48:37He is still who he is. So I will do it.

0:48:37 > 0:48:39You're not strong enough for him.

0:48:39 > 0:48:44I think about what and who I love, and I think about them in danger,

0:48:44 > 0:48:47and I could tear this bloody house down with my teeth!

0:48:47 > 0:48:50You have no idea how strong I am.

0:48:50 > 0:48:53So I will do it. Right in the heart, yeah?

0:48:53 > 0:48:55Annie, you can't, no!

0:48:56 > 0:48:59I don't want you to do it, I don't want you to go near him.

0:48:59 > 0:49:02I don't want George and Nina to go near him either, just...

0:49:02 > 0:49:05- I'll deal with it. - He's evil!

0:49:05 > 0:49:07I can manage him. I'll manage him.

0:49:07 > 0:49:10We just... We have to make sure he doesn't feed.

0:49:10 > 0:49:11Let me deal with it.

0:49:13 > 0:49:14OK?

0:49:32 > 0:49:33FLOORBOARD SQUEAKS

0:49:35 > 0:49:37SQUEAKING

0:49:45 > 0:49:46Let go of my hand.

0:49:47 > 0:49:49I said some things that I didn't mean.

0:49:49 > 0:49:51Then why the hell would you say them?

0:49:53 > 0:49:55Because...

0:49:57 > 0:49:58You and me...

0:49:59 > 0:50:01...it's for eternity.

0:50:02 > 0:50:04Really for ever.

0:50:04 > 0:50:08I was running scared - a typical, useless man.

0:50:10 > 0:50:12I don't want to live without you.

0:50:13 > 0:50:16I can't live without you.

0:50:17 > 0:50:18I can't.

0:50:19 > 0:50:22I can't.

0:50:51 > 0:50:53You're looking better.

0:50:59 > 0:51:01I've found something.

0:51:03 > 0:51:04I think you should see it.

0:51:06 > 0:51:09MUSIC: "Dirge" by Death In Vegas

0:51:18 > 0:51:20HERRICK: They were butchered.

0:51:21 > 0:51:25It's like some sort of macabre diary.

0:51:26 > 0:51:28Who would do such a thing?

0:51:30 > 0:51:32We had to leave.

0:51:34 > 0:51:36We ran.

0:51:38 > 0:51:41He didn't want anyone coming up here.

0:51:42 > 0:51:46- It's not proof. It's not proof. - Well, no, no.

0:51:46 > 0:51:49But we must be careful, very careful.

0:51:50 > 0:51:54The others, they don't see what sort of man he is.

0:51:54 > 0:51:56But you and I,

0:51:56 > 0:51:58we see.

0:52:03 > 0:52:06We must keep this to ourselves.

0:52:07 > 0:52:09Our secret.

0:52:11 > 0:52:12For now.

0:52:30 > 0:52:32Are you all right?

0:52:32 > 0:52:35I just... I'm fine, I just feel... I feel sick.

0:52:35 > 0:52:38- Nina... - I just feel sick, I'm fine...

0:52:38 > 0:52:40MITCHELL: George!

0:52:42 > 0:52:43George?

0:52:46 > 0:52:47Nina!

0:52:49 > 0:52:50SHE VOMITS

0:52:52 > 0:52:54- NINA:- I'm sorry. - ANNIE:- Don't be sorry.

0:52:56 > 0:52:58She's just a bit nauseous. George...

0:52:58 > 0:53:01All right, all right...

0:53:07 > 0:53:08George...

0:53:10 > 0:53:12I choose you.

0:54:20 > 0:54:22Where did you go?

0:54:23 > 0:54:26Um, I... I needed some air.

0:54:28 > 0:54:30You know what it is, don't you?

0:54:30 > 0:54:33- It's morning sickness. - Yeah.

0:54:35 > 0:54:36Come on, baby.

0:54:39 > 0:54:41Aw.

0:55:20 > 0:55:22OK.

0:55:22 > 0:55:25If this amnesia was a bluff, even you would be cracking by now.

0:55:25 > 0:55:27So let's take it from the top.

0:55:27 > 0:55:29William Herrick.

0:55:29 > 0:55:33Born 1843, made vampire in 1890.

0:55:33 > 0:55:35You survived a werewolf attack.

0:55:35 > 0:55:37If you don't mind me saying so, old son,

0:55:37 > 0:55:40I think you're a bit touched with the simple stick.

0:55:40 > 0:55:42You survived it and you found a way back.

0:55:42 > 0:55:44Which means you've got something I want.

0:55:44 > 0:55:48And if I have to dig that secret out of your skull with my nails, I'll do it.

0:55:50 > 0:55:52I'm going to make you tell me everything.

0:55:58 > 0:56:00PHONE RINGS

0:56:03 > 0:56:07'This is the anonymous hotline for the Box Tunnel incident room.

0:56:07 > 0:56:09'Please leave your message after the tone.'

0:56:09 > 0:56:11BEEP

0:56:11 > 0:56:13- NINA:- 'You need to come to Barry.

0:56:13 > 0:56:16'You need to talk to a man called John Mitchell.

0:56:16 > 0:56:20BEEPING

0:56:20 > 0:56:23It's going to be the most beautiful day.

0:56:30 > 0:56:33It's not exactly the ideal baby-raising environment.

0:56:33 > 0:56:37I'm dead. That's my funeral, and I'm a ghost.

0:56:37 > 0:56:40- Are you John Mitchell? - Yeah.

0:56:40 > 0:56:41DC Reid from CID.

0:56:41 > 0:56:43Who do you think would give them Mitchell's name?

0:56:43 > 0:56:47- HERRICK:- If you choose an heir, they inherit all your secrets.

0:56:47 > 0:56:50- If something happens to you... - They can bring you back.