0:00:02 > 0:00:05- I'll do it. But it has to be done. - In the kitchen...you agreed to murder.
0:00:05 > 0:00:08- Move! - I'm not letting you do it.
0:00:08 > 0:00:10ANNIE: I'll do it.
0:00:10 > 0:00:12- Do what? - Stake him.
0:00:12 > 0:00:14Let me deal with it.
0:00:14 > 0:00:16- We must keep this to ourselves. - It's not proof.
0:00:16 > 0:00:18I'm going to make you tell me everything.
0:00:18 > 0:00:23NINA: You need to come to Barry. You need to talk to a man called John Mitchell.
0:00:23 > 0:00:26It's going to be the most beautiful day.
0:00:26 > 0:00:31Contains some strong language and scenes which some viewers may find upsetting.
0:00:31 > 0:00:33SLOW JAZZ MUSIC
0:00:47 > 0:00:51Something, something, something, E, something, something, S?
0:00:51 > 0:00:55Ah... It's every time I open my mouth...and there's a dent.
0:00:55 > 0:00:57Something, something, something...
0:00:57 > 0:00:59Yeah, there's a definite dent.
0:00:59 > 0:01:02...E, something, something, S?
0:01:02 > 0:01:04Here, have a feel of this.
0:01:04 > 0:01:06Don't come any closer.
0:01:06 > 0:01:11- No, seriously, have a feel of it. - I said, do not come near me.
0:01:18 > 0:01:21And what? You want me to apologise?
0:01:21 > 0:01:24I'm the one who looks like I'm wearing my face inside out.
0:01:24 > 0:01:26- You're the one who should be apologising.- I told you to let her die.
0:01:26 > 0:01:29- I wanted some company! - You've got company.
0:01:29 > 0:01:33- Other company, Herrick! - I said no recruitment.
0:01:33 > 0:01:34And why not?
0:01:34 > 0:01:39- It doesn't matter any more. - No, no, why not, Herrick?
0:01:39 > 0:01:44Ah, did you have something special planned? Oh.
0:01:46 > 0:01:48Oh...
0:01:51 > 0:01:57You know, the old ones, they kill at will...but they don't recruit lightly.
0:01:57 > 0:02:00In fact, most of them only do it once.
0:02:00 > 0:02:02They choose a protege.
0:02:03 > 0:02:06It's an eternal bond.
0:02:06 > 0:02:08I don't need a protege.
0:02:08 > 0:02:10It isn't always about you.
0:02:12 > 0:02:18Why do you think some of us live for ever, and others are like...fireflies?
0:02:20 > 0:02:23Because some of us are smart and some of us are stupid.
0:02:27 > 0:02:29If you choose an heir,
0:02:29 > 0:02:31they inherit all your secrets.
0:02:33 > 0:02:37They become...a dark angel -
0:02:37 > 0:02:39your protector,
0:02:39 > 0:02:40your saviour.
0:02:40 > 0:02:43- Saviour from what? - Oh...
0:02:44 > 0:02:48...perhaps a fate we've been lead to believe
0:02:48 > 0:02:50there is no salvation from.
0:02:50 > 0:02:53So...
0:02:54 > 0:02:56...if something happens to you...
0:02:56 > 0:02:57They can bring you back.
0:03:00 > 0:03:01And that's possible?
0:03:03 > 0:03:04That and so much more.
0:03:07 > 0:03:09So you want me to be your heir?
0:03:09 > 0:03:13KNOCKING
0:03:13 > 0:03:14Oh, er...
0:03:19 > 0:03:21Ah...
0:03:21 > 0:03:23Tomb service.
0:03:23 > 0:03:26HERRICK LAUGHS
0:03:37 > 0:03:40- Hello. - I like watching you sleep.
0:03:40 > 0:03:44I look at you and I think, "She's mine.
0:03:44 > 0:03:46"She's all mine."
0:03:46 > 0:03:50Mmm...that's sweet.
0:03:50 > 0:03:54Creepy and slightly Ted Bundy-esque, but sweet.
0:03:56 > 0:03:57Me and you...
0:03:57 > 0:03:59Mum and Dad.
0:03:59 > 0:04:00Mmm.
0:04:00 > 0:04:04We're going to be the ones that have to teach them how to ride a bike,
0:04:04 > 0:04:07we're going to have to set their curfew.
0:04:07 > 0:04:08We're going to have to...
0:04:08 > 0:04:12Relocate to 1950s America, where they actually used the term "curfew"?
0:04:14 > 0:04:16That's hilarious.
0:04:16 > 0:04:19I'm sorry, but you're just too easy.
0:04:19 > 0:04:22I'm easy? You're the one that's knocked up.
0:04:22 > 0:04:24Oh! THUDDING
0:04:25 > 0:04:30It's not exactly the ideal baby-raising environment, though, is it?
0:04:31 > 0:04:33Well, what is?
0:04:33 > 0:04:37I don't know. Somewhere without a dementia-ridden vampire
0:04:37 > 0:04:39lurking in the attic, perhaps?
0:04:39 > 0:04:42You don't need to worry about Herrick.
0:04:42 > 0:04:44We'll work something out.
0:04:46 > 0:04:47Look...
0:04:47 > 0:04:51we have to start thinking about the future,
0:04:51 > 0:04:55our child and the little world we're going to create for him or her.
0:04:55 > 0:04:59I'd do anything to make sure that world was safe, George.
0:04:59 > 0:05:01Anything.
0:05:20 > 0:05:23- Did you miss me? - Oh, shit! Annie, you frightened me.
0:05:23 > 0:05:24Well, I'm a ghost - it's my prerogative.
0:05:24 > 0:05:26Oh...
0:05:26 > 0:05:30So, can I get you anything? Coffee?
0:05:30 > 0:05:32Tea?
0:05:33 > 0:05:34Me?
0:05:34 > 0:05:35Coffee'd be great.
0:05:35 > 0:05:37Oh.
0:05:39 > 0:05:41- What are you doing, anyway? - Nothing.
0:05:41 > 0:05:44- What's all this? - It's nothing. It's just...
0:05:44 > 0:05:46What's got into you?
0:05:46 > 0:05:48- Annie, don't... - Oh, my God.
0:05:51 > 0:05:53I don't...
0:05:54 > 0:05:56I can't believe it.
0:05:56 > 0:05:58- All right, look, I can explain. - Has he seen it yet?
0:05:58 > 0:06:02- Who? - "Who"? George! Does he know?
0:06:12 > 0:06:14I'm so sorry, George.
0:06:22 > 0:06:24Stop all the clocks.
0:06:24 > 0:06:26Cut off the telephone.
0:06:26 > 0:06:31Prevent the dog from barking with a juicy bone.
0:06:34 > 0:06:38But know that you are not in this thing alone.
0:06:38 > 0:06:42There's always a place in me that you can call home.
0:06:42 > 0:06:45When you feel like we're growing apart,
0:06:45 > 0:06:50let us just go back, back,
0:06:50 > 0:06:54back, back,
0:06:54 > 0:06:55back...
0:06:58 > 0:06:59...back to the start. You've got to fight...
0:06:59 > 0:07:03OK, then. Why don't we give George and Nina some space?
0:07:03 > 0:07:05- Yeah. - Mm-hm.
0:07:05 > 0:07:07We'll be upstairs if you want anything.
0:07:07 > 0:07:08All right.
0:07:31 > 0:07:33Oh...
0:07:33 > 0:07:34What did I do?
0:07:34 > 0:07:36Oh...
0:07:36 > 0:07:40It's difficult to find the right words at times like this.
0:07:40 > 0:07:43Why not rely on those of the literary greats, like Auden...
0:07:43 > 0:07:46and Cheryl Cole?
0:07:48 > 0:07:51Did I...
0:07:51 > 0:07:53- Did I punch him? - Yeah.
0:07:53 > 0:07:55See, this is what happens, I panic.
0:07:55 > 0:07:58I'm not very good with death.
0:07:58 > 0:08:02- What was I thinking? - You were trying to make it better.
0:08:02 > 0:08:03That's what you do.
0:08:03 > 0:08:06You make things...
0:08:06 > 0:08:09You make people...better.
0:08:19 > 0:08:21What was he like?
0:08:23 > 0:08:24Boring.
0:08:26 > 0:08:30I'd look at the other kids at my school, and there was always drama.
0:08:30 > 0:08:34Someone's father was an alcoholic, someone else's gambled,
0:08:34 > 0:08:37someone's parents were getting divorced.
0:08:37 > 0:08:39I mean, from the outside, it almost seemed glamorous.
0:08:39 > 0:08:44But my dad...he worked hard, he never played away...
0:08:45 > 0:08:49I don't think I ever even heard him raise his voice.
0:08:49 > 0:08:52He's...
0:08:52 > 0:08:55He was...
0:08:56 > 0:08:59...ordinary,
0:08:59 > 0:09:01boring.
0:09:03 > 0:09:05I don't think I ever realised...
0:09:05 > 0:09:08just how wonderful that was.
0:09:15 > 0:09:17I need to go, Nina.
0:09:17 > 0:09:20- To the service? - Yeah. Do you think it's a bad idea?
0:09:20 > 0:09:23Well, no...
0:09:23 > 0:09:26but...I don't know, just you turning up there...
0:09:26 > 0:09:29Well, no-one need know I'm there if I'm discreet.
0:09:31 > 0:09:32OK.
0:09:32 > 0:09:34Er...
0:09:34 > 0:09:35we better get a move on.
0:09:35 > 0:09:37- Nina. - I need to call work.
0:09:39 > 0:09:43Nina...I think I need to do this alone.
0:09:45 > 0:09:46Alone?
0:09:49 > 0:09:51You understand, don't you?
0:09:52 > 0:09:55Mm, well...
0:09:55 > 0:09:58if there's anything you need,
0:09:58 > 0:10:01anything at all...
0:10:01 > 0:10:02I know.
0:10:10 > 0:10:14HE GROANS AND GASPS IN PAIN
0:10:34 > 0:10:36I know.
0:10:36 > 0:10:39I've felt it too.
0:10:39 > 0:10:42Right now you're praying to a God that you don't believe in,
0:10:42 > 0:10:46- begging for him to take the pain away...- Ah...!
0:10:46 > 0:10:48...or just let you die.
0:10:49 > 0:10:53But if God does exist, he doesn't listen to people like you and me.
0:10:54 > 0:10:57I can help you, Herrick.
0:10:59 > 0:11:02Do you want me to help you? Do you want me to make this go away?
0:11:02 > 0:11:05- Of course I do. - You know why you're suffering.
0:11:05 > 0:11:07- I don't. - You know.
0:11:07 > 0:11:11You might not understand it yet, but you know. It's an instinct.
0:11:14 > 0:11:19- You need to drink. - No.
0:11:20 > 0:11:21- No. - HE GASPS
0:11:21 > 0:11:24Not this insanity.
0:11:24 > 0:11:27That's what she said. That girl, when she found me.
0:11:27 > 0:11:32"Drink," she said. I wouldn't then...I wouldn't now.
0:11:32 > 0:11:37I can make you powerful again. I can make you strong again.
0:11:42 > 0:11:44And you never did give me my inheritance.
0:11:56 > 0:12:00We've had extremely long lives, Herrick, and finally,
0:12:00 > 0:12:02finally I feel complete.
0:12:02 > 0:12:05I feel happy. I'm not ready for this to end.
0:12:05 > 0:12:08I am not ready to leave her.
0:12:09 > 0:12:13A werewolf ripped you to pieces, yet you survived.
0:12:15 > 0:12:17I need you to tell me how.
0:12:24 > 0:12:26HERRICK COUGHS
0:12:32 > 0:12:35I'm not enough.
0:12:35 > 0:12:37I'm never gonna be enough.
0:12:40 > 0:12:42You need real blood.
0:12:42 > 0:12:46You need fresh, human blood.
0:12:47 > 0:12:53Man born of a woman has but a short time to live.
0:12:53 > 0:12:57Like a flower, he blossoms and then withers.
0:12:57 > 0:13:01Like a shadow, he flees and never stays.
0:13:01 > 0:13:05In the midst of life, we are in death.
0:13:05 > 0:13:09To whom can we turn for help but to you, Lord?
0:13:09 > 0:13:14We have entrusted our brother, George, to God's merciful keeping.
0:13:25 > 0:13:28GEORGE CLEARS HIS THROAT
0:13:34 > 0:13:36George?
0:13:36 > 0:13:39No...
0:13:39 > 0:13:43I don't... I can't... I...
0:13:43 > 0:13:45I don't dare believe it.
0:13:45 > 0:13:47My God...George?
0:13:50 > 0:13:52I thought you were dead.
0:13:53 > 0:13:55I thought I'd never see you again.
0:13:58 > 0:13:59I hoped,
0:13:59 > 0:14:02I prayed, I dreamt, but I never actually...
0:14:02 > 0:14:04Here you are.
0:14:04 > 0:14:06You've come back.
0:14:08 > 0:14:09You've come back to me.
0:14:11 > 0:14:13Say something to your old man.
0:14:13 > 0:14:15I've missed you, Dad.
0:14:19 > 0:14:26So you're telling me I'm a ghost, I'm dead, that's my funeral,
0:14:26 > 0:14:30that's my coffin, and I'm a ghost...
0:14:30 > 0:14:33and nobody can see me...
0:14:33 > 0:14:36- or hear me. - I know.
0:14:36 > 0:14:39It does take a little bit of getting used to.
0:14:39 > 0:14:42You'll be fine, Dad.
0:14:42 > 0:14:44I wish I thought so.
0:14:44 > 0:14:46You will. I promise.
0:14:46 > 0:14:49Three years, and then you finally come back,
0:14:49 > 0:14:53and it's like this, under these circumstances.
0:14:53 > 0:14:58I mean, don't get me wrong, I'm grateful, but, um,
0:14:58 > 0:15:00I just feel so...
0:15:00 > 0:15:02What?
0:15:02 > 0:15:03Guilty.
0:15:03 > 0:15:06Because now I know why you left.
0:15:06 > 0:15:09Why you stayed away, what made you run and hide.
0:15:09 > 0:15:14Now you know? You know?
0:15:14 > 0:15:16You know what I am?
0:15:18 > 0:15:19Yeah.
0:15:20 > 0:15:24- Do you think I'm a freak? - Of course I don't, son.
0:15:26 > 0:15:28Annie knew too.
0:15:28 > 0:15:31She knew the moment she met me - it's supernaturals,
0:15:31 > 0:15:34they see the crosses others bear so clearly, the scars on their soul.
0:15:34 > 0:15:38- Annie? - She's my friend. She's a ghost too.
0:15:42 > 0:15:45When...did you start...?
0:15:45 > 0:15:49I mean, how did it, you-you-you know, begin?
0:15:49 > 0:15:51Well, it was in Scotland.
0:15:51 > 0:15:53That's when...
0:15:56 > 0:15:59It's still quite difficult to...
0:15:59 > 0:16:02I wish you'd come to me, talked to me.
0:16:02 > 0:16:05You couldn't have changed anything, Dad.
0:16:05 > 0:16:08It's not like there's a cure.
0:16:08 > 0:16:12For the rest of my life, I'm going to be howling at the moon.
0:16:12 > 0:16:14You poor thing.
0:16:14 > 0:16:18Besides, I didn't want to burden you with any of this, or Mum.
0:16:18 > 0:16:21She never gave up hope, you know.
0:16:21 > 0:16:23Well, she was right not to.
0:16:33 > 0:16:35What the hell is that prick doing here?
0:16:35 > 0:16:37- Who? - Him, Mr Logue.
0:16:37 > 0:16:40Taught me PE, remember? Made my life a bloody misery.
0:16:40 > 0:16:43Left me hanging from the high bars for 45 minutes once.
0:16:43 > 0:16:46Still can't watch the Olympics without having flashbacks.
0:16:48 > 0:16:52- You didn't even know him! - No, I didn't know him.
0:16:55 > 0:16:56What exactly is going on?
0:16:56 > 0:16:59SIGN SQUEAKS
0:16:59 > 0:17:00DOORBELL RINGS
0:17:19 > 0:17:21All right?
0:17:21 > 0:17:23Hi. Hold, please.
0:17:23 > 0:17:25Thanks.
0:17:26 > 0:17:29- Are you John Mitchell? - Yeah.
0:17:29 > 0:17:30DC Reid from CID.
0:17:30 > 0:17:32I just need to ask you a few questions.
0:17:32 > 0:17:34If you could try and answer them, that would be great.
0:17:34 > 0:17:39If you can't, that's fine too, because this is basically a barrel of balls.
0:17:39 > 0:17:42I'm from the major time-wasting unit.
0:17:42 > 0:17:45I just need to make sure I inconvenience
0:17:45 > 0:17:47as many people as possible today.
0:17:47 > 0:17:48Oh. My heel broke.
0:17:48 > 0:17:51I fell so ungraciously, it was borderline pornographic.
0:17:51 > 0:17:53And then I saw a homeless guy laugh at me.
0:17:53 > 0:17:56It's been a spectacular day thus far.
0:17:58 > 0:18:00I take it you don't like blood.
0:18:00 > 0:18:04I'm not a huge fan myself, which can be problematic in homicide.
0:18:04 > 0:18:06Is it all right if I clean myself up a bit, please?
0:18:06 > 0:18:09- Yeah, sure. Come on in. - Thanks.
0:18:12 > 0:18:15- So this is where you've been living?- Yeah.
0:18:16 > 0:18:20I-I-I can't get my head around this. What happened with you and Mum?
0:18:20 > 0:18:22When did she start seeing Mr Logue?
0:18:22 > 0:18:25Well, they both attended the same salsa dancing class.
0:18:25 > 0:18:27Salsa dancing?
0:18:27 > 0:18:31Yeah. And, well, they were partnered up for the cha-cha...
0:18:31 > 0:18:35No, wait, I tell a lie, it was the rumba.
0:18:35 > 0:18:36And basically...
0:18:37 > 0:18:39...it just went from there.
0:18:39 > 0:18:41Well, how does it go from "kick ball change"
0:18:41 > 0:18:43to suddenly walking out on a 25-year marriage
0:18:43 > 0:18:44and shacking up with a failed athlete?
0:18:44 > 0:18:48Kick ball change is a jazz step, isn't it?
0:18:48 > 0:18:52Um... No, no, they do use it in Latin American too.
0:18:52 > 0:18:53Oh, really?
0:18:53 > 0:18:55Yeah, I'm sure I've seen it on Strictly. This is not the point!
0:18:55 > 0:18:58Look, George, I was as surprised as you.
0:18:58 > 0:19:02The last thing I expected her to tell me was she had a lover.
0:19:02 > 0:19:03Oh, my God... Ugh!
0:19:03 > 0:19:05I don't know what's worse - the fact that you're a ghost
0:19:05 > 0:19:08or you just used the word "lover". What did you do when you found out?
0:19:08 > 0:19:09Well...
0:19:09 > 0:19:12Oh, whoa, whoa, relax there, Valentino(!)
0:19:12 > 0:19:14Look, she'd made up her mind!
0:19:14 > 0:19:16He makes her happy.
0:19:16 > 0:19:18I obviously couldn't.
0:19:19 > 0:19:22What?! Did you think time would stand still when you left?
0:19:22 > 0:19:26No, of course not. It's just him living in our house
0:19:26 > 0:19:30and you shacked up here like...king of the gypsies!
0:19:30 > 0:19:33HE LAUGHS
0:19:33 > 0:19:36- Yeah, that wasn't a compliment, Dad. - Come on, I'll make us a cup of tea.
0:19:36 > 0:19:39Oh, God, not another ghost who makes tea they can't drink.
0:19:41 > 0:19:43Oh, er, force of habit.
0:19:45 > 0:19:47So, what now?
0:19:49 > 0:19:52This passing over, what does it involve, exactly?
0:19:52 > 0:19:54It's not as daunting as it sounds.
0:19:54 > 0:19:57- Basically a door appears... - A door?
0:19:57 > 0:20:00Yeah, a door comes, and you walk through it.
0:20:00 > 0:20:02- What kind of door? - What do you mean?
0:20:02 > 0:20:05Well, what type of door is it?
0:20:05 > 0:20:09Wooden? Glazed? PVC? Panelled?
0:20:09 > 0:20:11What? This is what concerns you?!
0:20:11 > 0:20:15Not what lies beyond the door but the materials used to construct it?
0:20:15 > 0:20:20So you're saying, when I least expect it, a door will just pop up,
0:20:20 > 0:20:21and I'll walk through it,
0:20:21 > 0:20:25and you'll wake up one morning, and I'll be gone...for ever.
0:20:25 > 0:20:28It's not when you least expect it. You're hanging around for a reason.
0:20:28 > 0:20:30There's obviously something you still need to do.
0:20:30 > 0:20:33You do that thing, and the door comes.
0:20:33 > 0:20:35Here we are.
0:20:37 > 0:20:39Well, what happened? I don't understand.
0:20:39 > 0:20:41Oh, there was a fire.
0:20:43 > 0:20:44A fire?
0:20:46 > 0:20:48You died in a fire?
0:20:48 > 0:20:52- I didn't realise... - Well, it doesn't matter how I died.
0:20:52 > 0:20:56Of course it matters! A fire, that's...that's painful, it's frightening.
0:20:56 > 0:20:59Oh, George, no, it wasn't like that, honestly.
0:20:59 > 0:21:03- Don't lie to me, Dad. - No. I...I fell asleep. I did.
0:21:03 > 0:21:08Fell asleep and... when I opened my eyes, it was over.
0:21:08 > 0:21:11How did it even start?
0:21:12 > 0:21:14Um, I don't know.
0:21:16 > 0:21:18You must have some idea.
0:21:18 > 0:21:20I'd like to leave now, George.
0:21:20 > 0:21:22I don't know what possessed me to come back here, anyway.
0:21:22 > 0:21:25- Dad... - No, I'd like to leave now, George.
0:21:26 > 0:21:27A nurse.
0:21:27 > 0:21:33It seems I lucked out. So, are you going out, then, you and John?
0:21:33 > 0:21:34Mitchell? No.
0:21:34 > 0:21:40- NINA: God, no! No, no. No. - DC REID: You live here, though?
0:21:40 > 0:21:41Yeah, with my boyfriend.
0:21:43 > 0:21:47- The decor's quite...interesting. - It was like that when we moved in.
0:21:47 > 0:21:50- DC REID: Christ, you got shafted! - NINA: Just a bit.
0:21:54 > 0:21:57So, um, you want to speak with Mitchell?
0:21:57 > 0:21:59Yeah, I'm working on this murder investigation...
0:22:02 > 0:22:05It's not as interesting as it sounds.
0:22:05 > 0:22:09I'm basically working my way through the incident record books,
0:22:09 > 0:22:12which are anonymous tip-offs given by any nutter with an axe to grind.
0:22:12 > 0:22:15I couldn't be further away from real police work
0:22:15 > 0:22:17if I was straddling a pole in Spearmint Rhino.
0:22:17 > 0:22:19Although, saying that,
0:22:19 > 0:22:22I did know a detective who worked there once, undercover.
0:22:22 > 0:22:24She stayed on in the end. The money was better.
0:22:24 > 0:22:30So, um, someone...someone tipped you off about Mitchell?
0:22:30 > 0:22:32Nina, you can relax. It's just routine.
0:22:32 > 0:22:35Your friend doesn't have anything to worry about.
0:22:46 > 0:22:49Because I'm and I use this term loosely "investigating"
0:22:49 > 0:22:51this Box Tunnel 20 massacre...
0:22:51 > 0:22:52- Is that for me? - Yes.
0:22:52 > 0:22:55- Yeah, go ahead. - Thank you.
0:22:55 > 0:22:57...I've been sent out to follow up...
0:22:59 > 0:23:01My God, that's a good cup of tea.
0:23:02 > 0:23:05Seriously, I think I've shagged people for less.
0:23:05 > 0:23:06Do you have any biscuits?
0:23:06 > 0:23:09Nina, give the lady some biscuits.
0:23:09 > 0:23:10Jesus...
0:23:12 > 0:23:13DC REID: Er, sorry.
0:23:13 > 0:23:16I asked for a biscuit, not a kidney.
0:23:16 > 0:23:17Oh, sorry, I wasn't...
0:23:17 > 0:23:20I was... (CLEARS THROAT) ...I was talking to myself.
0:23:20 > 0:23:22You've been sent out to follow up...?
0:23:22 > 0:23:25Potential leads. Somebody said you might have some information for us.
0:23:25 > 0:23:27Me?
0:23:27 > 0:23:31Why would I have any information? Why would anyone say that?
0:23:31 > 0:23:35It's probably someone you've pissed off. Maybe an ex-girlfriend.
0:23:35 > 0:23:38Or one of the neighbours. Maybe they don't like your hair,
0:23:38 > 0:23:42or maybe they find that accent really annoying. You might never find out.
0:23:42 > 0:23:46I don't know anything about this. Nothing...at all.
0:23:50 > 0:23:55Thank you for your time and for a truly extraordinary cup of tea.
0:23:55 > 0:23:58Nancy, stop with the tea.
0:23:58 > 0:24:00- That's it? - That's it.
0:24:00 > 0:24:03Cool, I'll walk you to the door.
0:24:08 > 0:24:10Oh, God.
0:24:10 > 0:24:13Who do you think would give them Mitchell's name?
0:24:14 > 0:24:18Like she said, he'll probably never find out.
0:24:18 > 0:24:21This is Mitchell we're talking about. He'll find out.
0:24:30 > 0:24:33- Nina... - George, look, I really feel
0:24:33 > 0:24:36I should be with you at a time like this, so I think I'm going to come down.
0:24:36 > 0:24:40Listen, Nina, you're not going to believe this, I've met my dad again
0:24:40 > 0:24:42- and he's a ghost. - Come again?
0:24:46 > 0:24:48Are you joking?
0:24:48 > 0:24:52- I can't believe you've never seen it.- I didn't think I'd like it.
0:24:52 > 0:24:54What, so over 1,500 people drowning
0:24:54 > 0:24:57while Celine Dion wails like a banshee, what's not to like?
0:24:57 > 0:25:00Seriously, Dad, I don't think that's your unfinished business.
0:25:07 > 0:25:09RUSHING WATER
0:25:09 > 0:25:12BELL TOLLS
0:25:12 > 0:25:16SHOUTING AND SCREAMING
0:25:22 > 0:25:24Well, couldn't she have moved over a bit?
0:25:24 > 0:25:28That piece of wood she was floating on was massive.
0:25:28 > 0:25:29What else have I got?
0:25:31 > 0:25:34An unpaid newspaper tab.
0:25:34 > 0:25:38One, two, three, four, five, six, that's six.
0:25:38 > 0:25:40- Six sixty,
0:25:40 > 0:25:42sorry, six eighty.
0:25:42 > 0:25:43I'm ten pence short.
0:25:43 > 0:25:46No, no, no, you don't understand.
0:25:46 > 0:25:48You can't let me off, it has to be the correct, exact amount.
0:25:48 > 0:25:52Um...I must have 10p somewhere, wait a moment.
0:25:54 > 0:25:56Oh, thank you. Thank you very much.
0:25:56 > 0:26:01And the fact that you told Auntie Linda you could eat pasta on the Atkins diet.
0:26:01 > 0:26:06Could you tell Linda that you can't actually eat carbs on the Atkins diet?
0:26:07 > 0:26:09Yes, I am serious.
0:26:09 > 0:26:12That's pathetic.
0:26:14 > 0:26:15When I'm gone...
0:26:15 > 0:26:20and your mind's at rest
0:26:20 > 0:26:21and you know that I'm OK,
0:26:21 > 0:26:24well, then, then you can go and see your mum.
0:26:24 > 0:26:28Mum? Oh, no, no, no, Dad, I came back for your funeral, that's all.
0:26:28 > 0:26:32I need to keep all this, what I am, what I've become, away from her.
0:26:32 > 0:26:34She'd cope, George. I did.
0:26:34 > 0:26:39Dad, death gives you a great sense of perspective.
0:26:41 > 0:26:43I'm not going to see her.
0:26:44 > 0:26:45I can't ever do that.
0:26:45 > 0:26:48RAIN PATTERS
0:26:58 > 0:27:01So, your dad's a ghost.
0:27:01 > 0:27:03And a pikey.
0:27:06 > 0:27:08Hello.
0:27:09 > 0:27:11MITCHELL: Annie, can we just forget about it?
0:27:11 > 0:27:13ANNIE: Forget about it?!
0:27:13 > 0:27:17Someone is trying to link you to the murder of 20 innocent people, Mitchell.
0:27:17 > 0:27:20You heard what she said, it's probably nothing.
0:27:20 > 0:27:22I might believe that if you weren't so shaken by it.
0:27:22 > 0:27:24What? No, I'm not.
0:27:24 > 0:27:27- I know you, Mitchell. - Annie, really, I'm not.
0:27:27 > 0:27:30No, no, no, don't do that.
0:27:30 > 0:27:32Don't put your mask on.
0:27:32 > 0:27:34There's no point, I can see through it.
0:27:35 > 0:27:38Something is worrying you.
0:27:38 > 0:27:40Please, tell me what it is.
0:27:49 > 0:27:54There was this girl, this vampire girl I sort of knew.
0:27:54 > 0:27:56Her name was Daisy and she had this...
0:27:56 > 0:27:58I see.
0:27:58 > 0:28:03- D'you still have feelings for this girl?- No, no, it's not that...
0:28:05 > 0:28:07You won't understand.
0:28:07 > 0:28:08Try me.
0:28:09 > 0:28:14No matter what I think of her, of what she may or may not have done,
0:28:14 > 0:28:18talking to the police, it throws an unwelcome light on our world.
0:28:18 > 0:28:19It's a betrayal.
0:28:19 > 0:28:22So you'd rather be punished for something that you didn't do?
0:28:22 > 0:28:25- They don't suspect me! - How can you be so sure?
0:28:25 > 0:28:28Someone out there is trying to connect you to this.
0:28:28 > 0:28:31- You have to go to the police, Mitchell.- We have a code.
0:28:31 > 0:28:36It's not an honourable one, but we have to live by it, Annie. All right?
0:28:36 > 0:28:37- We? - Yeah.
0:28:37 > 0:28:40The only "we" is you and me.
0:28:41 > 0:28:44And if you won't protect yourself, then I will.
0:28:44 > 0:28:45Annie, don't...
0:28:47 > 0:28:50Jesus Christ.
0:30:04 > 0:30:06How was your journey, Nina?
0:30:06 > 0:30:08Yeah, yeah, it was good... it was fine.
0:30:10 > 0:30:12Oh, God... Go on!
0:30:12 > 0:30:15What do you think of this?
0:30:15 > 0:30:17Oh, it's a torch.
0:30:17 > 0:30:21It's a torch with a spoon. A spoon-torch.
0:30:21 > 0:30:23Sporch.
0:30:23 > 0:30:25It's amazing what they think of!
0:30:25 > 0:30:28But I suppose, when you live life on the open road,
0:30:28 > 0:30:30everything has to earn its place.
0:30:30 > 0:30:31No room for luxuries.
0:30:31 > 0:30:34DING Oh, that'll be our cupcakes.
0:30:35 > 0:30:39So, er...so you're, um...
0:30:39 > 0:30:44George tells me that you're... like him.
0:30:44 > 0:30:48That you...you and he have the same, er...?
0:30:48 > 0:30:50Ah. Yes. We are indeed.
0:30:50 > 0:30:52Is that how you met, then?
0:30:52 > 0:30:55You both had this...unique...
0:30:55 > 0:30:57Condition?
0:30:57 > 0:31:01Um... Well, yeah, we met at the hospital.
0:31:01 > 0:31:05We had an argument. Well, I say argument,
0:31:05 > 0:31:09it consisted of me ranting in his general direction.
0:31:09 > 0:31:13Sounds like the arguments I used to have with my wife.
0:31:13 > 0:31:15I'm trying to rein it in a bit.
0:31:15 > 0:31:16Oh, no, don't do that.
0:31:16 > 0:31:19- No? - No. It's good.
0:31:19 > 0:31:21It's spark. It's life.
0:31:22 > 0:31:25When George left, Ruth, that's his mum...
0:31:25 > 0:31:29well, she retreated into herself.
0:31:29 > 0:31:32And, um...I couldn't drag her back.
0:31:33 > 0:31:34I tell you something.
0:31:34 > 0:31:39When everything fades to silence, you miss those one-sided arguments.
0:31:39 > 0:31:41Mm.
0:31:41 > 0:31:45I don't know what else to do. I mean, he could be talking about strangers.
0:31:45 > 0:31:48I left, and everything just fell apart.
0:31:48 > 0:31:50Your dad said that too.
0:31:50 > 0:31:53- What? - Well, the reason they split up.
0:31:53 > 0:31:58It wasn't just because she was having an affair. Well, not really.
0:31:58 > 0:32:02It's just...when you went missing, it tore their world in two, George.
0:32:03 > 0:32:06What, he said that? That it's my fault?
0:32:06 > 0:32:09- He doesn't think that.- Well, it's the truth, though, isn't it?
0:32:09 > 0:32:13Look, he wanted me to ask you something.
0:32:13 > 0:32:14What?
0:32:14 > 0:32:17His unfinished business.
0:32:17 > 0:32:20He doesn't think it's something he needs to do.
0:32:20 > 0:32:24He thinks it's something that you need to do.
0:32:24 > 0:32:26If you could visit your mum.
0:32:26 > 0:32:29If you could be reunited, a family again...
0:32:29 > 0:32:32he knows that he'll be able to move on.
0:32:35 > 0:32:37Nina, I can't do that.
0:32:39 > 0:32:41I don't think you have a choice.
0:32:48 > 0:32:49I don't understand.
0:32:49 > 0:32:53I'm just passing on the message, Nancy Drew.
0:32:53 > 0:32:55Don't call me that. You know I hate it.
0:32:55 > 0:32:57- Come on, it's funny. - Oh, is it?
0:32:57 > 0:32:59Do you find it funny when people call you Closet Cooper?
0:32:59 > 0:33:01Who calls me Closet Cooper?
0:33:01 > 0:33:07No-one. Look, I just want to go and speak to the guy again. I just...
0:33:07 > 0:33:09- I just have a feeling about him. - Oh, I'm sorry. A "feeling"?
0:33:09 > 0:33:11You should have said. I'll get the cuffs.
0:33:11 > 0:33:15Look, I didn't just go down there and interview him willy-nilly.
0:33:15 > 0:33:18We were given his name. He was living in Bristol at the time of the murders.
0:33:18 > 0:33:23So was my Great-Aunt Mabel. It's a dead lead, Nancy, drop it.
0:33:23 > 0:33:27Anyway, it doesn't matter. You're office bound for the foreseeable.
0:33:27 > 0:33:29- What? - Boss's orders.
0:33:29 > 0:33:31He wants you to help out with the witness appeal.
0:33:31 > 0:33:34Cooper, Cooper! Wait, please.
0:33:34 > 0:33:37Look, I know I can be a pain in the arse sometimes,
0:33:37 > 0:33:39but I am barely clinging onto this investigation.
0:33:39 > 0:33:41And it matters.
0:33:41 > 0:33:43This one matters.
0:33:43 > 0:33:45I saw those men and women.
0:33:45 > 0:33:47Or what was left of them.
0:33:47 > 0:33:50All I want to do is help catch the bastard that butchered them.
0:33:50 > 0:33:53And you will...Nancy.
0:33:53 > 0:33:54You will.
0:34:00 > 0:34:03Did I just say "willy-nilly"?
0:34:05 > 0:34:07Don't beat yourself up about it.
0:34:09 > 0:34:12This place will be the death of me.
0:34:12 > 0:34:16Tell me about it, Reid. Tell me about it.
0:34:39 > 0:34:40Hi, Mum.
0:34:40 > 0:34:44Look, Reid, I know you didn't want me to,
0:34:44 > 0:34:45but I've had a word with the governor,
0:34:45 > 0:34:48asked him to get that Cooper prick off your back.
0:34:48 > 0:34:51He didn't say very much, but you know how he likes to keep his cards
0:34:51 > 0:34:53close to his chest. He's quite the...
0:34:59 > 0:35:01Lia?
0:35:02 > 0:35:06So hold on. I just want to make sure I have this right.
0:35:06 > 0:35:10You left home three years ago because you decided to...?
0:35:10 > 0:35:12To...
0:35:14 > 0:35:17- Join a cult. - Join a cult. Good.
0:35:17 > 0:35:19That's what I thought you said.
0:35:19 > 0:35:22And you made no attempt to contact your mother
0:35:22 > 0:35:24and put her out of her misery because...?
0:35:24 > 0:35:26Because it was like a prison.
0:35:26 > 0:35:28And we had to escape in the end, didn't we, Nina?
0:35:28 > 0:35:30I was in the cult?!
0:35:31 > 0:35:34- I was. I was in the cult. - She was in the cult.
0:35:34 > 0:35:37- You had to escape? - Mm-hm. Yeah, we, um...
0:35:37 > 0:35:41we secretly chipped away at this wall every day, then covered up the hole
0:35:41 > 0:35:44with this old poster of Raquel Welch.
0:35:44 > 0:35:48Until eventually we were able to tunnel our way out of there.
0:35:48 > 0:35:51Isn't that the plot of Shawshank Redemption?
0:35:51 > 0:35:55Well, that's where we got the frankly ludicrous idea from.
0:35:58 > 0:36:01- What was the name of the cult? - The name of the cult was called
0:36:01 > 0:36:04the, er, Church of Earth. The Church of Earth...
0:36:06 > 0:36:07- ...Wind and Fire. - Fire.
0:36:09 > 0:36:12- I can't believe this. - I'm so sorry, Mum.
0:36:12 > 0:36:15I thought you were going to tell me that...you'd had an accident.
0:36:15 > 0:36:17That you'd suffered memory loss.
0:36:17 > 0:36:21Yes, which arguably would have made more sense.
0:36:21 > 0:36:24I'm sorry, Ruthie, but you'll have to take some of the responsibility here.
0:36:24 > 0:36:26No. No, it's not Mum's fault.
0:36:26 > 0:36:28I mean, he couldn't have had much of a disciplined upbringing.
0:36:28 > 0:36:30And if you don't get the basics right,
0:36:30 > 0:36:33they are going to be screwed up, aren't they?
0:36:33 > 0:36:35You sound like an expert, Marcus.
0:36:35 > 0:36:38- I'm a teacher. - Of rounders.
0:36:38 > 0:36:40His dad wasn't very good at discipline.
0:36:40 > 0:36:44He wasn't very good at anything, apart from getting himself killed.
0:36:44 > 0:36:46Don't you dare!
0:36:46 > 0:36:49Oh, anger management issues as well. How lovely.
0:36:49 > 0:36:51Ignore him.
0:36:51 > 0:36:56Look, Mum, the important thing is that I'm OK. I'm fine.
0:36:56 > 0:37:00I didn't know that. Did I? I've been so scared.
0:37:00 > 0:37:05I've been scared for three whole years.
0:37:05 > 0:37:10Have you any idea how selfish, how cruel that was?
0:37:10 > 0:37:13I don't know you at all, George.
0:37:13 > 0:37:17Mum...please.
0:37:18 > 0:37:19I can't.
0:37:19 > 0:37:21I'm sorry.
0:37:25 > 0:37:27I mean, it's amazing, really, when you think about it.
0:37:27 > 0:37:30How everything is linked. Everything happens for a reason.
0:37:30 > 0:37:34- Without no this, there'd be no that... - Annie, Annie, slow down.
0:37:35 > 0:37:37Mitchell, look.
0:37:41 > 0:37:43Who's that?
0:37:43 > 0:37:45Surely you know.
0:37:45 > 0:37:48No. Why would I?
0:37:48 > 0:37:51In that place. Before you came to get me back,
0:37:51 > 0:37:53before you saved me, she was there.
0:37:53 > 0:37:56- I thought you might have met her. - No.
0:37:56 > 0:37:59Oh, OK, all right, then.
0:38:00 > 0:38:03- Why do you have her photograph? - She was murdered, Mitchell.
0:38:03 > 0:38:05In the Box Tunnel 20.
0:38:05 > 0:38:10This beautiful young girl, her whole life ahead of her.
0:38:11 > 0:38:15So you see, I... I need to help Nancy solve this case.
0:38:15 > 0:38:18Not just for your sake.
0:38:18 > 0:38:20For Lia's too.
0:38:39 > 0:38:41MUSIC BLARES OUT
0:38:41 > 0:38:45See? Told you it wouldn't work, he's still here.
0:38:45 > 0:38:47Dad?
0:38:47 > 0:38:49Dad...?
0:38:56 > 0:38:59Oh, my God! You're not dead!
0:39:00 > 0:39:02I can explain.
0:39:02 > 0:39:07I'd been promised one thing, and given something else.
0:39:07 > 0:39:09When Ruth said she was leaving,
0:39:09 > 0:39:13it was like the punch line of a really terrible joke.
0:39:13 > 0:39:17I thought, "Is that it? Is this how it ends?"
0:39:18 > 0:39:22One night, well, it was the early hours of the morning, I couldn't sleep,
0:39:22 > 0:39:25so I went down to the allotments.
0:39:25 > 0:39:28The place was a mess - smoke and ash everywhere.
0:39:28 > 0:39:32My shed had burnt to the ground. And Paul's there.
0:39:32 > 0:39:34- Who's Paul? - That's Dad's friend.
0:39:34 > 0:39:36He's a police officer.
0:39:36 > 0:39:38When he saw me, he nearly collapsed.
0:39:38 > 0:39:41He tells me they found a body in my shed.
0:39:41 > 0:39:43That it doesn't even look human any more.
0:39:43 > 0:39:45Who was it?
0:39:45 > 0:39:49Most likely some homeless guy looking for a bit of warmth.
0:39:49 > 0:39:51Everyone assumed it was me.
0:39:51 > 0:39:55So Paul hands me his phone, so I can let people know I'm OK.
0:39:55 > 0:39:59And, er...I'm just looking at it thinking,
0:39:59 > 0:40:02"Who do I call?
0:40:02 > 0:40:04"My wife?
0:40:04 > 0:40:05"My son?"
0:40:07 > 0:40:08That's when I got the idea.
0:40:08 > 0:40:11HE LAUGHS
0:40:11 > 0:40:15Paul thought it was insane, of course...
0:40:15 > 0:40:17but I convinced him to help me.
0:40:18 > 0:40:23We made sure George Sands died in that fire.
0:40:24 > 0:40:26Why would you even want that?
0:40:26 > 0:40:30I needed to...start over.
0:40:30 > 0:40:34Go somewhere else, be somebody else.
0:40:35 > 0:40:39By the time you turned up, well, it had all gone too far.
0:40:39 > 0:40:42But when you started talking about unfinished business, I thought,
0:40:42 > 0:40:46"Good, I can stall things for a bit."
0:40:46 > 0:40:48Spend some time with you.
0:40:48 > 0:40:51Why did you go? To your funeral, I mean.
0:40:51 > 0:40:54- I wanted to see Ruth before I left. - You still love her?
0:40:56 > 0:40:59You can't just walk away from her, Dad.
0:40:59 > 0:41:01She walked away from me.
0:41:01 > 0:41:03She still loves you too.
0:41:04 > 0:41:07- That's not true. - I know she does, she...
0:41:07 > 0:41:09She chose him.
0:41:09 > 0:41:14"Always in my thoughts, always in my heart, you're Ruth."
0:41:18 > 0:41:20That should be Y-O-U-R. There's no apostrophe if it's a possessive...
0:41:20 > 0:41:22Dad!
0:41:26 > 0:41:27You really think she still loves me?
0:41:27 > 0:41:32Yes, so for Christ's sakes, go and win her back!
0:41:35 > 0:41:38Ruth. Ruth, I need you to listen to me.
0:41:38 > 0:41:41That's much better. That's great. Very strong, very focused.
0:41:41 > 0:41:43- I'm the one you should be with. - Brilliant!
0:41:43 > 0:41:46- And the reasons for this are threefold. - Oh, again with the threefold!
0:41:46 > 0:41:48Dad, you're not trying to secure her vote for the local election.
0:41:48 > 0:41:51We need to nail this. She's expecting us soon.
0:41:51 > 0:41:53Trust me, we will. Look, just come on.
0:41:53 > 0:41:59Manly, macho. You know, the new George Senior has arrived.
0:41:59 > 0:42:02I'm taking you back, Ruth, whether you like it or not!
0:42:02 > 0:42:05No, no, we've tipped completely the other way now.
0:42:05 > 0:42:09Yeah, you're a bit rapey now. Can we make it lighter, you know, charming?
0:42:09 > 0:42:13- Yeah. Just be...funny. - Like funny butch.
0:42:13 > 0:42:15Yeah, witty, but tough.
0:42:15 > 0:42:17Like rugged, but quirky.
0:42:17 > 0:42:19Yeah. You know like...
0:42:19 > 0:42:20Like, um...
0:42:20 > 0:42:21- Like Popeye? - Yes.
0:42:21 > 0:42:24- No.- Popeye's not really what we're going for.
0:42:24 > 0:42:27- More Bluto? - What, the dog?
0:42:27 > 0:42:29The dog? No, that's Pluto.
0:42:29 > 0:42:33- Bluto was Popeye's rival, wasn't he? - That's riveting stuff.
0:42:33 > 0:42:37Why don't we leave Popeye and co to the side, and take it from the beginning.
0:42:37 > 0:42:39All right? Now remember,
0:42:39 > 0:42:42clear, confident,
0:42:42 > 0:42:43focused.
0:42:53 > 0:42:55- Let's do this properly, then. - Er, Mum...
0:42:55 > 0:42:58I think... I think there's something you should know.
0:43:12 > 0:43:13George?
0:43:17 > 0:43:21Oh, you're having a fucking laugh!
0:43:21 > 0:43:25CREAKING
0:43:29 > 0:43:30DOORBELL RINGS
0:43:49 > 0:43:51Don't look so pleased to see me.
0:43:52 > 0:43:53Come on in.
0:43:57 > 0:43:59I've only got five burgers on the grill,
0:43:59 > 0:44:03but if you're expecting any more dead relatives to drop by,
0:44:03 > 0:44:05do let me know, I'll put some more on.
0:44:05 > 0:44:07Why would anyone do that, George?
0:44:07 > 0:44:09- It's insane. - Do you like the cake?
0:44:09 > 0:44:11We couldn't lay our hands on
0:44:11 > 0:44:14a "welcome home, you're not actually dead" banner.
0:44:14 > 0:44:17Even though there's obviously a growing market for them.
0:44:17 > 0:44:20- I thought you didn't want me any more.- Oh, for God's sake, man!
0:44:20 > 0:44:23You could have joined Guardian Soulmates, or something.
0:44:23 > 0:44:25Oh, would you ever just shut up?
0:44:25 > 0:44:28You're not seriously going to listen to this, are you, Ruth?
0:44:28 > 0:44:29Oh!
0:44:29 > 0:44:31Well, I'm not.
0:44:31 > 0:44:34At the funeral, I saw you.
0:44:36 > 0:44:39You looked...you looked so upset.
0:44:39 > 0:44:43Of course I was upset. You were my husband, George.
0:44:43 > 0:44:46- I loved you. - Loved or love?
0:44:46 > 0:44:52You know, when I told you about Marcus, I thought, well, if nothing else,
0:44:52 > 0:44:54it'll shake him up a bit.
0:44:54 > 0:44:56If nothing else, I'll see some life in him.
0:44:56 > 0:45:01Be it disgust, regret, anger...
0:45:01 > 0:45:02anything.
0:45:02 > 0:45:04But do you remember what you said?
0:45:05 > 0:45:09You looked at me and you said, "That's a shame."
0:45:09 > 0:45:13You didn't fight for me...for us.
0:45:13 > 0:45:16- I'm fighting for you now. - Too much has changed.
0:45:16 > 0:45:20This could be a new beginning, Ruth. For both of us.
0:45:20 > 0:45:23- What do you say? - Actually, I'm not having any of it.
0:45:23 > 0:45:26Get out! All of you. Come on.
0:45:26 > 0:45:28Excuse me, don't touch him.
0:45:28 > 0:45:31- Please, stop it. What are you doing? - I'm putting an end to the madness.
0:45:31 > 0:45:34- You can't throw me out of my own home. - It's not your home any more.
0:45:34 > 0:45:38You might as well have gone up in a cloud of smoke, George,
0:45:38 > 0:45:40because you are dead to her.
0:45:40 > 0:45:44This is my house, that is my wife, and you, sir,
0:45:44 > 0:45:47you're nothing but a prick.
0:45:48 > 0:45:50Get in!
0:45:54 > 0:45:56I can't believe you did that.
0:45:56 > 0:45:59I came back from the dead for you, Ruth.
0:45:59 > 0:46:01How many men can manage that?
0:46:01 > 0:46:04I love you, George.
0:46:13 > 0:46:15Bye-bye!
0:46:15 > 0:46:17You take care now.
0:46:17 > 0:46:19I am well out of it!
0:46:19 > 0:46:21You're a bunch of weirdos.
0:46:21 > 0:46:23The lot of you.
0:46:25 > 0:46:28Ha-ha-ha! You don't know the half of it.
0:46:32 > 0:46:34Thank you. Both of you.
0:46:34 > 0:46:38Well, it's my fault we're in this mess in the first place.
0:46:38 > 0:46:41But you're back now. We're together again.
0:46:41 > 0:46:44A family again. That's all that matters.
0:46:51 > 0:46:53Listen, Mum...
0:46:54 > 0:46:56I wasn't really in a cult.
0:46:56 > 0:47:01Your father told me... about your illness.
0:47:01 > 0:47:03Oh, I'm not ill, either.
0:47:03 > 0:47:06Well, not exactly. Look, the reason I left...
0:47:09 > 0:47:11- The reason... - George, are you sure about this?
0:47:14 > 0:47:16It's hard to...
0:47:16 > 0:47:19actually say the words.
0:47:19 > 0:47:21You take your time, son.
0:47:23 > 0:47:24I'm...
0:47:33 > 0:47:34I'm a werewolf.
0:47:39 > 0:47:43Now...you are taking some form of medication at the moment,
0:47:43 > 0:47:44aren't you, George?
0:47:47 > 0:47:49Mm-hm.
0:47:51 > 0:47:54You're going to get better, son. Me and your mum, we'll make sure of that.
0:47:54 > 0:47:56I know you will.
0:48:01 > 0:48:05I mean, I did know a Daisy, but...
0:48:05 > 0:48:07No, Mitchell, tell her, tell her.
0:48:07 > 0:48:10She needs to know. Leave out the vampire bits, but tell her.
0:48:10 > 0:48:13Do you know Daisy's surname?
0:48:13 > 0:48:16Um...oh...
0:48:16 > 0:48:18Hannigan...Hannigan...
0:48:19 > 0:48:21Hannigan-Spitteri.
0:48:22 > 0:48:24- Unfortunate. - Yeah.
0:48:24 > 0:48:25So, did this girl...
0:48:25 > 0:48:29woman ever say anything about the Box Tunnel 20 to you?
0:48:29 > 0:48:32- Would you like a drink? - I'm good.
0:48:32 > 0:48:33Mitchell, what's wrong with you?
0:48:33 > 0:48:35Did she mention the Box Tunnel 20 to you?
0:48:39 > 0:48:40Yeah.
0:48:40 > 0:48:41SHE MOUTHS
0:48:41 > 0:48:44Yeah, she did. Um...
0:48:45 > 0:48:48- Shortly after it happened. - What did she say?
0:48:51 > 0:48:53I can't remember exactly.
0:48:56 > 0:48:59- Great. - She just...
0:48:59 > 0:49:01She seemed to know a lot about it.
0:49:01 > 0:49:05She could describe the scene and the bodies.
0:49:05 > 0:49:08It was as if she'd been there.
0:49:09 > 0:49:11Have you any idea where I might find her?
0:49:11 > 0:49:13No, I don't. I'm so sorry.
0:49:16 > 0:49:19Fantastic. Can I use your bathroom, please, John?
0:49:19 > 0:49:21Yeah, yeah, sure, it's upstairs.
0:49:28 > 0:49:30Well, I told them.
0:49:30 > 0:49:34I mean, they're probably going to try and have me sectioned,
0:49:34 > 0:49:38- but I did tell them. - You did, and I'm very proud of you.
0:49:42 > 0:49:44- Are you off, then? - Yeah.
0:49:46 > 0:49:49- You take care of each other now. - We will do.
0:49:50 > 0:49:52Enjoy Cornwall.
0:49:52 > 0:49:55I'm going to fly, Jack. I'm going to fly!
0:50:00 > 0:50:05- Did your dad just misquote Titanic? - Yeah, just...don't ask.
0:50:05 > 0:50:07OK.
0:50:07 > 0:50:08Bye.
0:50:09 > 0:50:11Bye.
0:51:05 > 0:51:07Can I help you?
0:51:07 > 0:51:09Sorry, didn't mean to disturb you.
0:51:09 > 0:51:12That's OK. Do you live here?
0:51:13 > 0:51:15I'm staying with my niece.
0:51:15 > 0:51:19Nina. I met her, she's lovely.
0:51:21 > 0:51:24- You smell nice. - Thank you.
0:51:26 > 0:51:29And John. I've met John.
0:51:29 > 0:51:31I know you have.
0:51:31 > 0:51:33He's lovely too.
0:51:33 > 0:51:35HE SNEERS
0:51:35 > 0:51:37You don't think so?
0:51:39 > 0:51:41You wouldn't either, if you knew.
0:51:42 > 0:51:43Knew what?
0:51:50 > 0:51:53What lies beneath the surface.
0:51:53 > 0:51:55What's that?
0:51:57 > 0:51:59I can't tell you.
0:51:59 > 0:52:00WHISPERS: It's a secret.
0:52:02 > 0:52:04WHISPERS: I'm very good with secrets.
0:52:06 > 0:52:08There's nobody here.
0:52:10 > 0:52:11You can whisper it if you like.
0:52:17 > 0:52:19You'll have to come closer.
0:53:04 > 0:53:06I can't tell you,
0:53:06 > 0:53:08but I can show you.
0:53:11 > 0:53:13Show me what?
0:53:15 > 0:53:18Where he buries his nightmare.
0:53:36 > 0:53:37My God...
0:53:43 > 0:53:45- Everything OK? - Yeah.
0:53:45 > 0:53:50Sorry. I was just...talking to Billy, Nina's uncle.
0:53:50 > 0:53:51Sweet man.
0:53:53 > 0:53:55- I'll be on my way, then. - Right.
0:53:56 > 0:53:59If I hear anything from Daisy...
0:53:59 > 0:54:02- I'll let you know. - Thanks.
0:54:02 > 0:54:04You know...
0:54:04 > 0:54:09I thought you were supposed to solve crimes, not commit them.
0:54:12 > 0:54:14I don't know what you're talking about.
0:54:14 > 0:54:15Oh...
0:54:16 > 0:54:19That's not true, is it, Nancy?
0:54:20 > 0:54:24You've taken something that doesn't belong to you.
0:54:25 > 0:54:27I think you should give it back.
0:54:30 > 0:54:33- It's quite the collection, John. - It interests me, that's all.
0:54:33 > 0:54:35- Bit of a sick hobby. - So's taxidermy,
0:54:35 > 0:54:37but there's no law against that either.
0:54:37 > 0:54:41Now, unless you're going to produce a warrant from that ridiculous bag,
0:54:41 > 0:54:43I suggest you give me back that book.
0:54:45 > 0:54:47I won't ask you again.
0:54:59 > 0:55:01You really shouldn't have done that, Nancy.
0:55:17 > 0:55:19SHE PANTS
0:55:22 > 0:55:24Gotcha!
0:55:55 > 0:55:57What's all this?
0:55:57 > 0:55:59Annie has started fighting crime.
0:55:59 > 0:56:02The old Herrick knows the answers, so we need to find him, now!
0:56:02 > 0:56:04Something's different.
0:56:04 > 0:56:07I'd like to speak to Nina's Uncle Billy again. I don't bite.
0:56:07 > 0:56:12Mitchell, I implore you, keep that woman away from me.
0:56:12 > 0:56:16John Mitchell...I'm coming to get you.
0:56:16 > 0:56:17Yes! Sort of.
0:56:35 > 0:56:39Subtitles by Red Bee Media Ltd
0:56:39 > 0:56:42Email subtitling@bbc.co.uk