0:00:02 > 0:00:06This programme contains some violent scenes, strong language
0:00:06 > 0:00:10and scenes which some viewers may find upsetting.
0:00:11 > 0:00:13I did know a Daisy.
0:00:13 > 0:00:16Did this girl ever say anything about Box Tunnel 20 to you?
0:00:16 > 0:00:18She seemed to know a lot about it.
0:00:18 > 0:00:20She could describe the scene and the bodies.
0:00:21 > 0:00:23My God!
0:00:23 > 0:00:26I suggest you give me back that book.
0:00:28 > 0:00:30Gotcha!
0:00:42 > 0:00:44(SOBBING)
0:00:54 > 0:00:56This doesn't often happen
0:00:56 > 0:00:57so...
0:00:59 > 0:01:02...I'm not quite sure what the protocol is.
0:01:03 > 0:01:09Usually we're hosing down the cage and giving young Alan here a blanket.
0:01:09 > 0:01:11Ugh!
0:01:11 > 0:01:15So you did something remarkable tonight.
0:01:16 > 0:01:19You walked unharmed from a plane crash.
0:01:21 > 0:01:24Only now I don't know what to do with you.
0:01:34 > 0:01:36It's a lot to take in, isn't it?
0:01:38 > 0:01:40You know, I think the biggest shock for me,
0:01:40 > 0:01:45more than the actual existence of vampires and werewolves and ghosts -
0:01:45 > 0:01:49there are ghosts too, you know, but we'll come to that -
0:01:49 > 0:01:54was knowing that until that point, I'd been allowed to live.
0:01:55 > 0:01:58Once the curtain was drawn...
0:01:59 > 0:02:02..and I'd seen the true nature of nature,
0:02:02 > 0:02:05I realised that these nightmare creatures
0:02:05 > 0:02:08had permitted us to mind the shop.
0:02:08 > 0:02:12The monsters were merciful.
0:02:13 > 0:02:15But it was a fragile detente...
0:02:17 > 0:02:20..like a tiger in a paper cage.
0:02:20 > 0:02:25Any moment they could break free and wreck the world.
0:02:27 > 0:02:32No, all in all, I think that was a bit of a blow.
0:02:35 > 0:02:37Tell me about yourself.
0:02:37 > 0:02:39You married?
0:02:42 > 0:02:44Kids?
0:02:44 > 0:02:46Maybe one day.
0:02:49 > 0:02:51What line of business are you in?
0:02:52 > 0:02:54I'm a surveyor.
0:02:54 > 0:02:55Ah! Don't tell me!
0:02:55 > 0:03:01Semi-detached house on a new-build estate, a car, the boss is a wanker.
0:03:01 > 0:03:03Sunday roast with the in-laws.
0:03:05 > 0:03:10Paddling pools and catalogues, five-a-side and Belgian beer.
0:03:10 > 0:03:13God, it sounds horrific!
0:03:15 > 0:03:17Well, that's all over now.
0:03:19 > 0:03:21I've set you free.
0:03:22 > 0:03:24I wasn't unharmed.
0:03:24 > 0:03:26I'm sorry?
0:03:26 > 0:03:28I wasn't unharmed.
0:03:28 > 0:03:33Please could I have a bandage or something?
0:03:33 > 0:03:34It scratched me.
0:03:38 > 0:03:39Oops!
0:03:52 > 0:03:55Look, I'm just saying this is vampire business.
0:03:55 > 0:03:59You start mixing it with human laws and courts and stuff,
0:03:59 > 0:04:01and God knows what could happen.
0:04:01 > 0:04:04Yeah, well, it's a bit late to worry about that, isn't it?
0:04:04 > 0:04:08All right, well, say you do lead the police to Daisy, OK?
0:04:08 > 0:04:12They arrest her, they process her, they take her photograph.
0:04:12 > 0:04:14And bam! That's it.
0:04:14 > 0:04:17The world knows about vampires and it's total...
0:04:17 > 0:04:21This is first contact. It's biblical.
0:04:21 > 0:04:26Religion, history, science, they lose everything.
0:04:26 > 0:04:27The trauma of that, could you imagine?
0:04:27 > 0:04:29We need more drawing pins.
0:04:29 > 0:04:30Annie!
0:04:30 > 0:04:33Vampires must have been arrested in the past.
0:04:33 > 0:04:36Yeah, but we used to have an infrastructure in place to sort it out.
0:04:36 > 0:04:39Oh, so what? Daisy should just get away with it?
0:04:39 > 0:04:44I'm saying the vampires take care of this sort of thing themselves.
0:04:44 > 0:04:46Like vampire police.
0:04:47 > 0:04:50Not actual. It's kind of self-regulating.
0:04:50 > 0:04:53Well, I thought you said there wasn't an infrastructure in place.
0:04:53 > 0:04:55Look, what I'm saying is...
0:04:55 > 0:04:58OK, look. What if it was me?
0:04:58 > 0:05:04Hm? Say I didn't die and I got on that train and so did Daisy,
0:05:04 > 0:05:08and, I don't know, it was my picture in that incident room, not Lia's.
0:05:08 > 0:05:09What would you do?
0:05:09 > 0:05:10I wouldn't have known you.
0:05:10 > 0:05:12Play my "what if" game.
0:05:14 > 0:05:16I'd tear the world apart.
0:05:19 > 0:05:21That's the correct answer.
0:05:33 > 0:05:35(KNOCK ON DOOR)
0:05:36 > 0:05:38Make this useful or quick - your choice.
0:05:38 > 0:05:41That name I pulled off the information line, John Mitchell?
0:05:41 > 0:05:45Yeah, I went to see him, and he's a bit nervy, but he gave me another name,
0:05:45 > 0:05:48Daisy Hannigan Spiteri, some ex-girlfriend of his.
0:05:48 > 0:05:51You should write this down.
0:05:51 > 0:05:55Apparently, she told him she saw the Box Tunnel massacre first-hand.
0:05:55 > 0:06:00But the only Daisy Hannigan Spiteri I could find died in an air raid in 1941.
0:06:00 > 0:06:02Yeah, see, this is where it gets complicated.
0:06:02 > 0:06:03So?
0:06:03 > 0:06:06So... why would he do that?
0:06:06 > 0:06:10Because relationships turn people into psychopaths, and that is fact.
0:06:10 > 0:06:14No, I mean why give a false name unless he's concealing something?
0:06:14 > 0:06:15Maybe she gave him the false name.
0:06:15 > 0:06:18Whatever. I went back there, and he's got a scrapbook full of clippings.
0:06:18 > 0:06:20- Clippings of what? - Clippings of what?
0:06:20 > 0:06:22The Box Tunnel 20.
0:06:22 > 0:06:24- What?- People are sick.
0:06:24 > 0:06:27Fact two. They watch documentaries about children with...
0:06:27 > 0:06:29an elbow for a face or something.
0:06:29 > 0:06:31A scrapbook? Really?
0:06:31 > 0:06:33Let me go back there with a warrant.
0:06:33 > 0:06:37OK. This is the last time we ever have this conversation.
0:06:37 > 0:06:40We have a list of suspects with a history of violence and mental illness,
0:06:40 > 0:06:45and if we don't make an arrest this week, everyone in that room gets replaced.
0:06:45 > 0:06:48This... clippings and ex-girlfriends, this is gossip.
0:06:48 > 0:06:52This isn't even a fingerprint or anything even approaching proof.
0:06:52 > 0:06:55It's a waste of time and you are not going to pursue it any further.
0:07:06 > 0:07:08Do you trust Mitchell?
0:07:10 > 0:07:14If Mitchell told me the sky was blue, I'd have to go outside to check.
0:07:17 > 0:07:19He says I'm a vampire.
0:07:20 > 0:07:22Like the story by Byron.
0:07:23 > 0:07:28Those wretches who tormented me, they said so too.
0:07:29 > 0:07:33It's... bewildering, isn't it?
0:07:40 > 0:07:43That woman who came to the house...
0:07:45 > 0:07:50..I could hear her blood throb and pound through her veins...
0:07:51 > 0:07:56..yet I don't hear that with you or George or the girl or...
0:07:56 > 0:07:58Why is that?
0:07:58 > 0:07:59Look...
0:08:00 > 0:08:04..whatever you are, it doesn't have to define you.
0:08:04 > 0:08:06Take it from me.
0:08:06 > 0:08:07Define me?
0:08:08 > 0:08:11I'm... I'm hunger.
0:08:12 > 0:08:14That is what defines me.
0:08:14 > 0:08:18Hunger is the length and breadth of me now.
0:08:18 > 0:08:19That will pass.
0:08:19 > 0:08:22But... how?
0:08:22 > 0:08:25I... I... I...
0:08:25 > 0:08:30These images in here are really dark, dark desires and...
0:08:30 > 0:08:33I can't sleep.
0:08:35 > 0:08:41If I am the victim of a conspiracy to drive me mad, I confess it is working.
0:08:46 > 0:08:48Listen to me.
0:08:48 > 0:08:50Hang onto that.
0:08:52 > 0:08:54You are not going mad.
0:08:54 > 0:08:57But any other reaction in this house would be insane.
0:08:57 > 0:09:00Don't let this become comfortable.
0:09:00 > 0:09:03Stay separate, stay... appalled.
0:09:05 > 0:09:06I...
0:09:06 > 0:09:09I showed her the journal.
0:09:10 > 0:09:12The policewoman?
0:09:13 > 0:09:15She found it mightily interesting.
0:09:19 > 0:09:21Was that the wrong thing to do?
0:09:29 > 0:09:32Fiat justitia ruat caelum, Nina.
0:09:33 > 0:09:37Let justice be done though the heavens fall.
0:09:37 > 0:09:39(DOORBELL RINGS AND KNOCKING ON DOOR)
0:09:39 > 0:09:41(KNOCKING CONTINUES)
0:09:41 > 0:09:43Yes, yes, yes, yes!
0:09:45 > 0:09:47Yes, hello?
0:09:48 > 0:09:52Oh. Oh, Nina! Nina!
0:09:55 > 0:09:57Do you think he needs to go to hospital?
0:09:57 > 0:09:59I will have to clean it out but it doesn't look too deep.
0:09:59 > 0:10:01See? Told you.
0:10:01 > 0:10:04But you really should have got it dressed earlier. Could be infected.
0:10:04 > 0:10:05See? I told you.
0:10:05 > 0:10:09Look, George, why don't you take Tom and get me some hot water
0:10:09 > 0:10:12and basically anything that's, you know, in another room?
0:10:12 > 0:10:16Yeah, gotcha. Come on, let's get some hot water.
0:10:20 > 0:10:22What's all this?
0:10:22 > 0:10:26Oh! Annie has started fighting crime.
0:10:26 > 0:10:28It's only a matter of time, really.
0:10:29 > 0:10:31Any news on the baby?
0:10:31 > 0:10:33Um... no.
0:10:33 > 0:10:35You're showing.
0:10:35 > 0:10:36It's just my jumper.
0:10:36 > 0:10:39How did you get this?
0:10:39 > 0:10:40Vampires.
0:10:40 > 0:10:42Got us this morning.
0:10:42 > 0:10:44Payback for the dog fight.
0:10:46 > 0:10:47I killed two.
0:10:47 > 0:10:48Tom killed two.
0:10:51 > 0:10:54I'm surprised they haven't gone for you and George yet.
0:10:56 > 0:10:58Maybe, um...
0:10:58 > 0:11:00..maybe they don't know where we are.
0:11:00 > 0:11:03Oh, trust me, they know.
0:11:04 > 0:11:08Me and Tom have lived under the radar for years. They still found us.
0:11:10 > 0:11:11You must be off limits.
0:11:13 > 0:11:17Probably because you got their poster boy looking after you.
0:11:23 > 0:11:24Something's changed.
0:11:24 > 0:11:29No. No, I mean it's just, well, the past few weeks have been...
0:11:30 > 0:11:34..well, pretty routine, actually.
0:11:34 > 0:11:36I mean here.
0:11:37 > 0:11:39Something's different.
0:11:44 > 0:11:46I mean, you're what? 19? 20?
0:11:46 > 0:11:50You shouldn't be killing vampires from a shitty campervan.
0:11:50 > 0:11:54You... You should have Chlamydia and a 24-hour hangover,
0:11:54 > 0:11:55because, trust me, Tom, you will look back,
0:11:55 > 0:11:57and they will be the best years of your life.
0:11:57 > 0:11:58We don't have a choice.
0:11:58 > 0:12:00Yeah, you do.
0:12:01 > 0:12:03You could stay here.
0:12:04 > 0:12:10- McNair would never agree to that. - Please screw bloody McNair!
0:12:10 > 0:12:13You people really do swear a lot, don't you?
0:12:13 > 0:12:15It's just an observation.
0:12:15 > 0:12:18McNair says it suggests a limited vocabulary.
0:12:18 > 0:12:21Oh, does he? Well, actually, I can speak six different languages,
0:12:21 > 0:12:23so McNair can just...
0:12:23 > 0:12:24piss off.
0:12:30 > 0:12:31Here you go.
0:12:31 > 0:12:33You know, I thought we'd stay for a while.
0:12:33 > 0:12:34ALL: Really?
0:12:34 > 0:12:39The leg is pretty painful, to be honest, and you said I should rest it.
0:12:39 > 0:12:41Suppose so.
0:12:41 > 0:12:42See? Doctor's orders.
0:12:42 > 0:12:44You do know it's a full moon tonight.
0:12:44 > 0:12:47I was thinking maybe I could use your basement?
0:12:47 > 0:12:51It's probably not a good idea to run round the forest in this state.
0:12:51 > 0:12:52Nina uses that, so...
0:12:52 > 0:12:53No, not so far.
0:12:53 > 0:12:57All right with you, Tom? It's just for a few days.
0:12:58 > 0:13:00You could probably watch some cartoons.
0:13:00 > 0:13:02Maybe George will take you for a pint.
0:13:06 > 0:13:08Yeah, I'd like that.
0:13:08 > 0:13:09Yeah, all right.
0:13:09 > 0:13:11Well, that's settled, then.
0:13:11 > 0:13:14And thank you for this. Much appreciated.
0:13:18 > 0:13:20I know what's happening here.
0:13:20 > 0:13:22I know why he's got the scrapbook.
0:13:22 > 0:13:24He was telling me about it this morning.
0:13:24 > 0:13:26He said that if there's a big crime or something,
0:13:26 > 0:13:29the vampires took care of it themselves.
0:13:29 > 0:13:30That must be what he's doing.
0:13:30 > 0:13:32Oh, God! He's...
0:13:32 > 0:13:35He's investigating this too.
0:13:35 > 0:13:40He knows it was Daisy and he wants to bring her to justice, just like we do.
0:13:40 > 0:13:44Phew! Thank God we cleared that up!
0:13:45 > 0:13:48Now, Nancy, we need to stay focussed.
0:13:48 > 0:13:51Never mind what shouty man says. Mitchell can lead us to Daisy.
0:13:51 > 0:13:54And I know he's worried about the repercussions but...
0:13:54 > 0:13:56there's something bigger at stake here.
0:13:56 > 0:13:59Whoever did this, someone's child,
0:13:59 > 0:14:00someone's...
0:14:00 > 0:14:03someone's lover.
0:14:03 > 0:14:05We can't think about that.
0:14:06 > 0:14:10There has to be justice, whatever the cost.
0:14:13 > 0:14:16John Mitchell... I'm coming to get you.
0:14:16 > 0:14:19Yes! Sort of.
0:14:19 > 0:14:21Now I'm talking to myself.
0:14:21 > 0:14:24No, you're not Nancy, it's fine. You're not, really.
0:14:24 > 0:14:27# Go tell the midnight rider
0:14:27 > 0:14:30# Go tell the long-tongue liar
0:14:30 > 0:14:34# Tell the rambler, the gambler Back-biter
0:14:34 > 0:14:37# Tell 'em that God's gonna cut 'em down
0:14:37 > 0:14:40# Tell 'em that God's gonna cut 'em down
0:14:45 > 0:14:48# Well, my goodness gracious Let me tell you the news
0:14:48 > 0:14:51# My head's been wet from the midnight dew
0:14:51 > 0:14:54# I've been down on a bended knee
0:14:54 > 0:14:57# Talkin' to the man from Galilee
0:14:57 > 0:15:01# He spoke to me in a voice so sweet... #
0:15:01 > 0:15:05- All right?- Yeah, I forgot to mention. We've got guests.
0:15:05 > 0:15:06# ...My heart stood still
0:15:06 > 0:15:09# When he said, "Go do My will!" #
0:15:09 > 0:15:10That's five.
0:15:10 > 0:15:12# Tell that midnight rider... #
0:15:12 > 0:15:14What?
0:15:14 > 0:15:15That's fine.
0:15:16 > 0:15:19# ...Tell the rambler, the gambler back-biter...
0:15:19 > 0:15:20Hi.
0:15:20 > 0:15:23What?
0:15:23 > 0:15:24Where are you going?
0:15:24 > 0:15:28- Upstairs. Why?- Nothing. Good.
0:15:28 > 0:15:30There's someone...
0:15:30 > 0:15:33Just make sure you don't go anywhere, OK?
0:15:33 > 0:15:37# ...Long time Run on for a long time
0:15:37 > 0:15:40# Sooner or later God'll cut you down
0:15:40 > 0:15:43# Sooner or later God'll cut you down. #
0:15:43 > 0:15:46OK, listen. It's a full moon tonight.
0:15:46 > 0:15:50And downstairs there's standing room only for bloody like us,
0:15:50 > 0:15:52so are you gonna tell me how you did it?
0:15:52 > 0:15:55How did you survive that werewolf attack, Herrick?
0:15:55 > 0:15:58You just keep asking me this, cos these are riddles!
0:16:02 > 0:16:04I haven't got time for this.
0:16:04 > 0:16:08The old Herrick knows the answers, so we need to find him now.
0:16:10 > 0:16:12Oh, I know you're in there.
0:16:12 > 0:16:16You old bastard! I can see you sniggering behind his eyes.
0:16:16 > 0:16:21- I know you can hear me. - Just stop this! Just stop this!
0:16:21 > 0:16:24I don't know what it is you want from me.
0:16:26 > 0:16:29There's only one way to bring you back.
0:16:29 > 0:16:32But I won't do that.
0:16:32 > 0:16:34Not yet.
0:16:42 > 0:16:44Get some rest.
0:16:45 > 0:16:47See you later.
0:16:54 > 0:16:59ANNIE: I know who killed the Box Tunnel 20. Mitchell told me.
0:16:59 > 0:17:01- He told you?- You're kidding!
0:17:01 > 0:17:05Daisy Hannigan Spiteri... something.
0:17:05 > 0:17:07What? Sh...
0:17:07 > 0:17:09Sorry, who?
0:17:09 > 0:17:12She confessed to Mitchell, more or less.
0:17:12 > 0:17:15But it's a bit complicated, cos she's a vampire,
0:17:15 > 0:17:19so Mitchell says that we have to, you know, tread carefully.
0:17:19 > 0:17:21Was there any proof?
0:17:21 > 0:17:22What do you mean?
0:17:22 > 0:17:25Well, you know, what with that policewoman sniffing around,
0:17:25 > 0:17:28you know what they're like, they find stuff.
0:17:28 > 0:17:30Yes. Well, no, yes.
0:17:30 > 0:17:34There was a scrapbook with clippings of the murders in it.
0:17:34 > 0:17:36And... and how did he explain that?
0:17:36 > 0:17:39Well, he has been investigating the case too.
0:17:39 > 0:17:41- The murders?- Yeah.
0:17:41 > 0:17:45Apparently that's what vampires do if one of them goes bad.
0:17:45 > 0:17:47Or badder.
0:17:47 > 0:17:53Yeah, so he's looking for Daisy. He's just trying to... gather all the clues.
0:17:53 > 0:17:55So he didn't do it?
0:17:55 > 0:17:58I mean, really didn't?
0:17:58 > 0:17:59No.
0:18:00 > 0:18:03Oh, my God! Nina!
0:18:03 > 0:18:04No.
0:18:04 > 0:18:06Daisy.
0:18:06 > 0:18:07Do you know her?
0:18:09 > 0:18:13Um... Well, yeah, kind of.
0:18:13 > 0:18:16Her and her husband attacked me and Mitchell a few months ago,
0:18:16 > 0:18:20but it does... it does kind of make sense, she was pretty wild.
0:18:20 > 0:18:25She's, um... she's very determined and tenacious.
0:18:27 > 0:18:29Surprisingly strong.
0:18:29 > 0:18:30Nimble.
0:18:30 > 0:18:33You do know you're saying all this out loud, don't you?
0:18:34 > 0:18:35Well, this is it.
0:18:35 > 0:18:37Nancy is on her way here.
0:18:37 > 0:18:42We are going to crack this and we are going to throw a book at Daisy.
0:18:45 > 0:18:47(DOORBELL RINGS)
0:18:52 > 0:18:56Hi, John. Just wondering if we could have another little chat.
0:18:56 > 0:18:57So...
0:18:58 > 0:19:00..here we are again.
0:19:00 > 0:19:02Yeah, suddenly got the urge.
0:19:02 > 0:19:04It's funny, that.
0:19:04 > 0:19:09John, why do you have a scrapbook full of clippings about the Box Tunnel 20
0:19:09 > 0:19:12if you have no connection to the crime?
0:19:12 > 0:19:14I don't know what you mean.
0:19:14 > 0:19:19Tell her that you're investigating the case too. We could all work together.
0:19:19 > 0:19:20It wasn't mine.
0:19:20 > 0:19:22It's complicated.
0:19:22 > 0:19:25There was this guy, Graham. He put it all together.
0:19:25 > 0:19:28He thought it was the kind of thing I'd be impressed by.
0:19:28 > 0:19:29I thought it was gross.
0:19:29 > 0:19:33Graham? Why didn't you just say?
0:19:33 > 0:19:36Anyway, it doesn't matter now. I burnt the bloody thing.
0:19:53 > 0:19:56(FAINT HEARTBEAT)
0:20:00 > 0:20:05OK, I want to talk to you about Daisy Hannigan Spiteri.
0:20:07 > 0:20:09Did you have any luck finding her?
0:20:09 > 0:20:13No, but then she did die in 1941.
0:20:13 > 0:20:15How are you finding Wales, by the way?
0:20:17 > 0:20:18Yeah.
0:20:18 > 0:20:20Yeah, it's good.
0:20:20 > 0:20:22- Hmm.- Are you from Cardiff yourself?
0:20:22 > 0:20:26Why have you given me the name of someone who died 70 years ago?
0:20:26 > 0:20:28It's the name she gave me.
0:20:28 > 0:20:31It's probably made up. She was a total fantasist.
0:20:31 > 0:20:33Even the things she said about the murder.
0:20:33 > 0:20:36She was always coming out with stuff like that.
0:20:36 > 0:20:39- People she'd met, things she'd done. - Mitchell, what are you saying?
0:20:39 > 0:20:43So now you think she didn't have anything to do with the murders?
0:20:45 > 0:20:47It's pretty unlikely, yeah.
0:20:52 > 0:20:56John, I know you're dicking me about.
0:20:56 > 0:20:58Do you want to know how I know?
0:20:59 > 0:21:00Yeah.
0:21:01 > 0:21:03Yeah, this should be good.
0:21:03 > 0:21:05It's all pretty basic.
0:21:05 > 0:21:08The muscles around your eyes don't move when you smile.
0:21:08 > 0:21:11Generally your body language is limited and stiff,
0:21:11 > 0:21:15the lack of direct statements, lots of "probably"s and "I think"s.
0:21:15 > 0:21:18Plus there's the willingness to change the subject,
0:21:18 > 0:21:21even though I just said a friend of yours died in World War II.
0:21:25 > 0:21:30Last thing, I'd like to speak to Nina's Uncle Billy again.
0:21:31 > 0:21:32I'm not sure that's a good idea.
0:21:32 > 0:21:34I don't bite.
0:21:38 > 0:21:39Sure!
0:21:39 > 0:21:41Why not?
0:21:42 > 0:21:45I'll just make sure he's presentable.
0:22:08 > 0:22:10Hey, it's OK.
0:22:11 > 0:22:14It's OK, it's all right. I'm not going to hurt you again.
0:22:14 > 0:22:16I swear.
0:22:18 > 0:22:20(WHIMPERS)
0:22:20 > 0:22:22That policewoman's back.
0:22:23 > 0:22:25She wants to talk to you.
0:22:30 > 0:22:32I cannot be trusted.
0:22:43 > 0:22:46The first time we met, we were soldiers.
0:22:49 > 0:22:52You know war's real.
0:22:53 > 0:22:55It's a different planet.
0:22:57 > 0:23:02Men have to do things that they'd never dream of.
0:23:03 > 0:23:06Things that seem terrible,
0:23:06 > 0:23:08heretical.
0:23:09 > 0:23:11But in a war...
0:23:12 > 0:23:14..these things can be heroic.
0:23:14 > 0:23:19Selfless. They can save lives.
0:23:20 > 0:23:22But we're not at war.
0:23:22 > 0:23:23Oh, we are.
0:23:24 > 0:23:28It's a secret war, but yes, we are.
0:23:29 > 0:23:32And sometimes we'll be asked to do things
0:23:32 > 0:23:34that seem to be bad, but they're not.
0:23:36 > 0:23:38And this is very important.
0:23:38 > 0:23:42They're not bad, they're brave.
0:23:45 > 0:23:48I don't know what you're talking about.
0:23:49 > 0:23:52Mitchell, I implore you.
0:23:52 > 0:23:54Keep that woman away from me.
0:23:54 > 0:23:58It's not being a coward and it's not failing.
0:23:59 > 0:24:02It's being brave enough to let nature take its course.
0:24:09 > 0:24:11Mitchell, what are you doing?
0:24:11 > 0:24:12What am I doing?
0:24:12 > 0:24:16What the hell do you think you're doing bringing that woman back here?
0:24:16 > 0:24:18She thinks you're the murderer.
0:24:18 > 0:24:20For God's sake, just give her bloody Daisy!
0:24:20 > 0:24:25What bit of this don't you understand? I give her Daisy and everything ends.
0:24:25 > 0:24:28You get arrested and everything ends anyway.
0:24:28 > 0:24:30I won't allow that to happen.
0:24:30 > 0:24:32What's that supposed to mean?
0:24:33 > 0:24:37I told you. I'll deal with this, all right?
0:24:38 > 0:24:40NINA: Nancy. Hi!
0:24:40 > 0:24:43Listen, are you here to talk to Mitchell again?
0:24:43 > 0:24:45It's just that... The thing is...
0:24:45 > 0:24:47Here's the thing.
0:24:48 > 0:24:51I was the one that reported him to the helpline.
0:24:52 > 0:24:54Why did you do that, Nina?
0:24:54 > 0:24:56I got the wrong end of the stick about something,
0:24:56 > 0:24:57but now I've had time to reconsider
0:24:57 > 0:25:00and I really don't think he had anything to do with it.
0:25:00 > 0:25:02So what changed your mind?
0:25:03 > 0:25:05Has he spoken to you about someone called Daisy?
0:25:06 > 0:25:09- Daisy Hannigan Spiteri?- Yeah!
0:25:09 > 0:25:12I've been thinking about it and I think she might know something.
0:25:12 > 0:25:14Nina, maybe you can help me out here.
0:25:14 > 0:25:18Why has John, and now you, given me the name of someone
0:25:18 > 0:25:21who died before the cocking Coronation?
0:25:23 > 0:25:26Something's going on in this house.
0:25:26 > 0:25:30The people in it think that they can lie to me, and I don't like that.
0:25:33 > 0:25:34He's waiting for you.
0:25:34 > 0:25:37Helped myself to a glass of water. Hope you don't mind.
0:25:37 > 0:25:39Nope.
0:26:04 > 0:26:06Hi, Billy.
0:26:07 > 0:26:10I wanted to ask you a few more questions.
0:26:10 > 0:26:12(PANTING)
0:26:12 > 0:26:14I'll leave you to it.
0:26:31 > 0:26:38I wanted to talk to you about John, if that's OK.
0:26:38 > 0:26:40(BREATHES HEAVILY)
0:26:40 > 0:26:42I think he's...
0:26:43 > 0:26:44..giving you some...
0:26:44 > 0:26:48very big secrets to look after.
0:26:48 > 0:26:50And I don't think that's fair.
0:26:52 > 0:26:55(SPEECH NOT HEARD)
0:27:04 > 0:27:08(ECHOEY) Billy, I want you to take a step back.
0:27:08 > 0:27:12OK? I want this to be a nice chat, like we had before.
0:27:15 > 0:27:19Hang on a sec, it's a bit dark in here.
0:27:19 > 0:27:23You know, you should probably provide lights and heating and stuff.
0:27:23 > 0:27:26Billy? He likes to keep it all zen and shit.
0:27:26 > 0:27:28He won't even let me hook up a VCR.
0:27:28 > 0:27:31Do you know what? Can we do this another time?
0:27:31 > 0:27:36I think Billy's pretty tired and when he gets tired, he just...
0:27:39 > 0:27:42So just give us a bit of a heads up next time, yeah?
0:27:42 > 0:27:46Yeah, um... John, John, there are still questions...
0:27:46 > 0:27:48Oh, Jesus, I think I can hear Billy.
0:27:48 > 0:27:49- Look, I gotta run.- But...
0:27:49 > 0:27:52I'll speak to you really soon, OK? See you around.
0:28:06 > 0:28:08Softly, softly!
0:28:08 > 0:28:11MUSIC: "Hungry Like The Wolf" by Duran Duran
0:28:11 > 0:28:15# Dark in the city, night is a wire
0:28:15 > 0:28:17# Steam in the subway, earth is afire
0:28:17 > 0:28:24# Do do do-do do do-do do do-do do do-do do do
0:28:26 > 0:28:30# Woman you want me give me a sign
0:28:30 > 0:28:33# And catch my breathing even closer behind
0:28:33 > 0:28:39# Do do do-do do do-do do do-do do do-do do do
0:28:41 > 0:28:47# In touch with the ground I'm on the hunt, I'm after you
0:28:47 > 0:28:51# Smell like I sound I'm lost in a crowd
0:28:51 > 0:28:55# And I'm hungry like the wolf
0:28:55 > 0:28:58# Straddle the line in discord and rhyme
0:28:58 > 0:29:02# I'm on the hunt, I'm after you
0:29:02 > 0:29:06# Mouth is alive with juices like wine
0:29:06 > 0:29:10# And I'm hungry like the wolf
0:29:14 > 0:29:18# Stalked in the forest too close to hide
0:29:18 > 0:29:22# I'll be upon you by the moonlight side
0:29:22 > 0:29:26# Do do do-do do do-do do do-do do do-do do do
0:29:29 > 0:29:33# High blood drumming on your skin it's so tight
0:29:33 > 0:29:36# You feel my heat I'm just a moment behind
0:29:36 > 0:29:42# Do do do-do do do-do do do-do do do-do do do
0:29:44 > 0:29:50# In touch with the ground I'm on the hunt, I'm after you
0:29:50 > 0:29:54# Scent and a sound I'm lost and I'm found
0:29:54 > 0:29:58# And I'm hungry like the wolf
0:29:58 > 0:29:59# Strut on a line... #
0:29:59 > 0:30:00(SONG FADES)
0:30:02 > 0:30:04(ANNIE GASPS)
0:30:08 > 0:30:12My God, is that it? Is that the actual carriage?
0:30:19 > 0:30:21Hey, Cooper.
0:30:21 > 0:30:24What's so urgent it couldn't wait until tomorrow?
0:30:24 > 0:30:28I just wanted to talk to you in private before we take this upstairs.
0:30:28 > 0:30:32- I got the results on those prints. - Ooh! What prints?
0:30:32 > 0:30:36I've been doing this job for 16 years and I've never seen anything like this. Come on.
0:30:38 > 0:30:41So, the guy you got these prints from, John Mitchell, isn't it?
0:30:41 > 0:30:43Whoa! Whoa! How did you get those?
0:30:43 > 0:30:45Tell me he's about 85 or something.
0:30:45 > 0:30:48- Mid 20s? - Then I don't know what is going on.
0:30:48 > 0:30:50Basically, I've got this contact in Forensics.
0:30:50 > 0:30:52I wanted this done under the radar.
0:30:52 > 0:30:54And he's found a match. In fact, he found two matches.
0:30:54 > 0:30:56- You're kidding. - But this is where it gets weird.
0:30:56 > 0:30:58Look, Nancy, I think we should go.
0:30:58 > 0:31:00So, match one Sheffield, Sally Fenza.
0:31:00 > 0:31:02Severe head trauma, body found by her flatmate.
0:31:02 > 0:31:04- Jesus! He's done this before? - Check the date.
0:31:04 > 0:31:08- We really shouldn't be here. - 24th December...
0:31:08 > 0:31:101960?
0:31:11 > 0:31:13He used to be a very, very different person.
0:31:13 > 0:31:18- There's no way whoever did this could have the same prints as my guy? - Impossible.- Shit!
0:31:18 > 0:31:21Hang on. You said there were two matches for the prints.
0:31:21 > 0:31:22What was the second?
0:31:22 > 0:31:23Box Tunnel massacre.
0:31:24 > 0:31:25Say that again.
0:31:25 > 0:31:29Prints from your suspect were found in the carriage of the Box Tunnel 20.
0:31:29 > 0:31:30No, that's not true.
0:31:30 > 0:31:32And they're everywhere.
0:31:32 > 0:31:35They were in blood too, meaning they were post mortem.
0:31:35 > 0:31:37Nancy, somehow your guy is... the guy.
0:31:37 > 0:31:40No, there must be a mistake.
0:31:40 > 0:31:42There must be.
0:31:42 > 0:31:45Oh, my God! This is it! We've got him.
0:31:45 > 0:31:46Not on this alone.
0:31:46 > 0:31:48If the defence lawyer gets hold of the 1960s evidence,
0:31:48 > 0:31:51it'll cast enough doubt to make the Box Tunnel prints invisible.
0:31:51 > 0:31:55So you're going to need something else. What other evidence have you got?
0:31:55 > 0:31:59He's got... He had a scrapbook full of clippings from the murders,
0:31:59 > 0:32:03plus he was based in Bristol but fell off the radar literally the day after.
0:32:03 > 0:32:06Mitchell! No!
0:32:06 > 0:32:09I suppose the concern is you'll find something else.
0:32:09 > 0:32:11What do you mean?
0:32:18 > 0:32:20Hello?
0:32:31 > 0:32:32Tom?
0:32:39 > 0:32:41McNair?
0:32:50 > 0:32:51Nina!
0:32:51 > 0:32:53It's me. Do you want anything?
0:33:19 > 0:33:22Prophecy, my arse.
0:33:33 > 0:33:36(LOUD MUSIC)
0:34:02 > 0:34:06Frankly, Mitchell couldn't have done more to implicate himself
0:34:06 > 0:34:08if he'd left a confession and diagrams.
0:34:08 > 0:34:10The work we've had to do covering this up, I swear.
0:34:10 > 0:34:12Apparently he found out
0:34:12 > 0:34:16his girlfriend was some nutty, vampire-killing Christian.
0:34:16 > 0:34:18That's what finally pushed him over the edge.
0:34:18 > 0:34:21Mitchell was never really a team player, but arresting him...
0:34:21 > 0:34:24Sorry, we can't let that happen. We like our privacy too much.
0:34:30 > 0:34:32Don't get me wrong. You're good.
0:34:33 > 0:34:37Tenacious, uncompromising. Qualities we really like.
0:34:39 > 0:34:41That and generally being a shit.
0:34:41 > 0:34:42Shit!
0:34:44 > 0:34:49Jonathan Cooper, I'm arresting you for assaulting a police officer
0:34:49 > 0:34:52and perverting the course of justice.
0:34:52 > 0:34:54You're not really getting this, are you?
0:34:54 > 0:34:56We can't be arrested.
0:34:56 > 0:34:58What are you? The bastard Masons?
0:34:59 > 0:35:01Hey, Casper!
0:35:02 > 0:35:04You still here?
0:35:04 > 0:35:06Looks like your friend left you.
0:35:06 > 0:35:08Yeah, what friend?
0:35:08 > 0:35:10You had a ghost following you around.
0:35:10 > 0:35:13Probably something to do with Mitchell.
0:35:13 > 0:35:15He always kept very odd company.
0:35:15 > 0:35:17Mad as a badger.
0:35:29 > 0:35:32Don't worry. This isn't how you're going to die.
0:35:32 > 0:35:35I just need to make you a little more receptive.
0:35:35 > 0:35:37I'm gonna give you a gift.
0:35:37 > 0:35:41You've been head-hunted, Nancy, for an exciting new opportunity.
0:35:41 > 0:35:43Think of it as evolutionary promotion.
0:35:43 > 0:35:45(SHE SCREAMS)
0:35:50 > 0:35:52She's not interested.
0:36:03 > 0:36:04Long as I live...
0:36:05 > 0:36:08..I'll never forget that scent.
0:36:09 > 0:36:10You remember me.
0:36:10 > 0:36:14I assume that you are the victim
0:36:14 > 0:36:18of another barbarity I'm supposed to have committed.
0:36:18 > 0:36:20Another barbarity?
0:36:21 > 0:36:23Fucking southerners!
0:36:25 > 0:36:27Let's see if this jogs your memory.
0:36:28 > 0:36:33You walked unharmed from a plane crash.
0:36:34 > 0:36:39Only now, I don't know what to do with you.
0:36:39 > 0:36:41Ring any bells?
0:36:41 > 0:36:48Now, I must warn you, Mitchell is very keen on keeping me alive.
0:36:48 > 0:36:50You so much as lay a finger on me,
0:36:50 > 0:36:56and I shall scream until the windows shake in their frames.
0:36:56 > 0:36:57That's the plan.
0:36:57 > 0:37:00He hears you, he runs up here...
0:37:03 > 0:37:06..and I get two new teeth.
0:37:06 > 0:37:10You see, I'd hate you to think I'd been idle since we last met.
0:37:12 > 0:37:14Meet your family.
0:37:17 > 0:37:20I remember every single one of them.
0:37:24 > 0:37:28Marco, he was a scrapper.
0:37:29 > 0:37:31While this one here...
0:37:32 > 0:37:33..Scottish girl.
0:37:35 > 0:37:36Very pretty.
0:37:38 > 0:37:39Daisy?
0:37:39 > 0:37:42Fought like a cat.
0:37:44 > 0:37:45And this space here...
0:37:48 > 0:37:49..is for you.
0:37:51 > 0:37:53Agh!
0:37:53 > 0:37:59Whatever his crimes, the man you knew is not the man before you now.
0:38:02 > 0:38:04Vampires don't reform.
0:38:31 > 0:38:33Yeah, look at me.
0:38:35 > 0:38:37I'm saved.
0:38:47 > 0:38:49(DOOR SLAMS)
0:38:49 > 0:38:52(GROWLING)
0:38:59 > 0:39:01(HOWLS)
0:39:03 > 0:39:04(LAUGHS)
0:39:14 > 0:39:17(HOWLS)
0:39:37 > 0:39:38(SCREAMS)
0:40:07 > 0:40:11We thought we could sneak in before your first appointment.
0:40:11 > 0:40:12We really appreciate it, Hayley.
0:40:12 > 0:40:14Have you had any pains or bleeding?
0:40:14 > 0:40:18Er... No, no, it's just for peace of mind really.
0:40:19 > 0:40:21You've got twigs and stuff in your hair.
0:40:21 > 0:40:24Oh, God! Oh! We... we went camping last night.
0:40:24 > 0:40:27Yeah, that's the other thing.
0:40:27 > 0:40:31I always get really worried after we've... gone camping.
0:40:31 > 0:40:33You know, the cold and stuff.
0:40:33 > 0:40:35So don't go camping.
0:40:35 > 0:40:37George... makes me.
0:40:37 > 0:40:39George!
0:40:39 > 0:40:41So, anyway, while we're here,
0:40:41 > 0:40:44it would be good to see if there's anything abnormal or...
0:40:44 > 0:40:45Like what? A tail?!
0:40:45 > 0:40:48No, no, no!
0:40:48 > 0:40:49Yeah, yeah.
0:40:49 > 0:40:52Shit! How many weeks are you?
0:40:52 > 0:40:54Um... Eight weeks.
0:40:54 > 0:40:56And how long have you two been together?
0:40:56 > 0:40:59- A year?- Year, yeah.
0:40:59 > 0:41:02Thank God! I could see this getting very Jeremy Kyle.
0:41:02 > 0:41:05You must have got the dates wrong, cos there's no way you're eight weeks.
0:41:05 > 0:41:06Really?
0:41:06 > 0:41:08More like 16.
0:41:08 > 0:41:11Either that or you're giving birth to a giant!
0:41:11 > 0:41:13Which, let's be honest, is pretty unlikely.
0:41:13 > 0:41:17But it does mean we've missed out on a whole load of checks and stuff,
0:41:17 > 0:41:19so we've got some catching up to do.
0:41:24 > 0:41:26- OK?- OK.
0:41:26 > 0:41:27Yeah.
0:42:06 > 0:42:08He became a monster.
0:42:09 > 0:42:12He became a monster and attacked me.
0:42:20 > 0:42:24This is DC Nancy Reid. I'm outside 8 Coastview Road, Barry.
0:42:24 > 0:42:26I'm attempting to arrest John Mitchell
0:42:26 > 0:42:29in connection with the Box Tunnel 20 murders
0:42:29 > 0:42:32but have reason to believe he is armed. Please assist.
0:42:37 > 0:42:38I know.
0:42:39 > 0:42:41What?
0:42:42 > 0:42:47Annie, I haven't got time for this. There's been an accident.
0:42:48 > 0:42:50You know what?
0:43:02 > 0:43:04How did you find out?
0:43:04 > 0:43:05Nancy.
0:43:06 > 0:43:08And a vampire.
0:43:09 > 0:43:11Does that matter?
0:43:11 > 0:43:14Was Daisy even involved?
0:43:14 > 0:43:17Yeah, but it was my idea.
0:43:20 > 0:43:21Thank you.
0:43:21 > 0:43:26That's probably the first honest thing you've said to me in months.
0:43:28 > 0:43:30You let me love you.
0:43:32 > 0:43:36There was this... cancer between us,
0:43:36 > 0:43:39- and you let me fall in love with you.- Because I love you.
0:43:39 > 0:43:40Oh!
0:43:41 > 0:43:42Cos you love me?
0:43:44 > 0:43:48Do you have any idea how inadequate that sounds?
0:43:49 > 0:43:51And I killed a vampire.
0:43:54 > 0:43:59I've never even so much as swatted a fly...
0:44:00 > 0:44:03..and I've rammed a stake into his back.
0:44:03 > 0:44:05It spreads, Mitchell.
0:44:05 > 0:44:08What you've done, it's contaminated us all.
0:44:11 > 0:44:15I'm sorry. Oh, God, Annie, I'm so sorry!
0:44:24 > 0:44:26You turn yourself in.
0:44:27 > 0:44:30Give those families that comfort.
0:44:30 > 0:44:32I can't, Annie.
0:44:32 > 0:44:33I can't do that.
0:44:33 > 0:44:38You helped us with Sasha and Adam,
0:44:38 > 0:44:40and you saved McNair and Tom, so...
0:44:40 > 0:44:43so I know that there's still good in you.
0:44:43 > 0:44:46I know that the man I love is still in there.
0:44:47 > 0:44:50Everything will be torn apart.
0:44:50 > 0:44:53The entire world.
0:44:54 > 0:44:56They can't know. They can't.
0:44:57 > 0:45:00That's why I've decided I'm going to stay with you.
0:45:00 > 0:45:02No, no, no, no, no.
0:45:02 > 0:45:04OK. You needn't be frightened, Mitchell.
0:45:04 > 0:45:07Whatever they do to you, wherever they take you,
0:45:07 > 0:45:10I'll be with you and you won't be alone.
0:45:10 > 0:45:14Oh, it's not about fear or punishment. Jesus Christ!
0:45:14 > 0:45:18I want to be punished, but it can't happen like this.
0:45:19 > 0:45:22Mitchell, they were people's children.
0:45:22 > 0:45:25And you and Daisy...
0:45:25 > 0:45:29This has to stop, Mitchell, please, and this is how.
0:45:29 > 0:45:32(KNOCKING) Armed police! Open the door!
0:45:32 > 0:45:35Annie, you need to get me out of here. You need to help me, Annie.
0:45:35 > 0:45:37I asked you what you would do if it was me
0:45:37 > 0:45:40and what you'd want for my killer, please.
0:45:40 > 0:45:42If they arrest me, I'm going to have to kill them all.
0:45:42 > 0:45:44- No, I don't think you will. - Open the door!
0:45:44 > 0:45:47- I think you want the killing to stop.- Oh, why won't you understand?
0:45:47 > 0:45:49We can't be arrested.
0:45:49 > 0:45:52- Mitchell, please, if you love me... - (POLICE STILL SHOUTING)
0:45:52 > 0:45:54..if you have ever loved me, then you will do this.
0:45:54 > 0:45:57- (DOOR OPENS)- No!
0:45:57 > 0:45:58Armed police!
0:45:58 > 0:46:00Contact! Contact! He's heading for the kitchen.
0:46:00 > 0:46:05(POLICE SHOUTING)
0:46:05 > 0:46:06ALL: Get down! Get down!
0:46:09 > 0:46:15You get one chance. Let me go or I kill everybody in this room.
0:46:15 > 0:46:18Put the bottle down! Put it down! Drop it!
0:46:18 > 0:46:21Let this happen.
0:46:22 > 0:46:24For me.
0:46:24 > 0:46:26Please, Mitchell.
0:46:28 > 0:46:29Please, no more killing.
0:46:41 > 0:46:45Get on your knees! Get on your knees now!
0:46:57 > 0:47:01John Mitchell, I am arresting you on suspicion of murder.
0:47:01 > 0:47:03You do not have to say anything,
0:47:03 > 0:47:06but it may harm your defence if you do not mention when questioned
0:47:06 > 0:47:08something you later rely on in court.
0:47:08 > 0:47:11Anything you do say may be given in evidence.
0:47:11 > 0:47:13You've no idea what you've done.
0:47:50 > 0:47:52(POLICE SIREN)
0:48:02 > 0:48:04Nice work.
0:48:16 > 0:48:18(LAUGHS)
0:48:23 > 0:48:26Oh, shit! Has anyone checked the attic?
0:48:26 > 0:48:30Billy? Get your coat, love, you've pulled.
0:48:35 > 0:48:37(SCREAMS)
0:48:40 > 0:48:43(STRANGLED SCREAMING)
0:49:02 > 0:49:06(GRUNTING)
0:49:11 > 0:49:13Here he is.
0:49:14 > 0:49:16All right, all right!
0:49:16 > 0:49:18- Name?- Please don't do this.
0:49:18 > 0:49:21- Name, sir.- Fuck you, listen to me!
0:49:21 > 0:49:24Date of birth, Mr Fuck You?
0:49:24 > 0:49:28You have to let me go. You're not ready, none of you are.
0:49:28 > 0:49:29Date of birth.
0:49:29 > 0:49:33July 29th 1893, but please, please let me go.
0:49:33 > 0:49:38It can't happen like this, not here, not in Wales.
0:49:38 > 0:49:41Where's DC Reid? This is her collar.
0:49:41 > 0:49:43MUSIC: History Repeating by Shirley Bassey
0:49:54 > 0:49:59# The word is about There's something evolving
0:50:01 > 0:50:07# Whatever may come The world keeps revolving
0:50:07 > 0:50:10# They say the next big thing is here
0:50:10 > 0:50:13# That the revolution's near
0:50:13 > 0:50:16# But to me it seems quite clear
0:50:16 > 0:50:21# That it's all just a little bit of history repeating
0:50:34 > 0:50:41# The newspapers shout a new style is growing
0:50:41 > 0:50:46# But it don't know if it's coming or going
0:50:46 > 0:50:50# There is fashion, there is fad
0:50:50 > 0:50:53# Some is good, some is bad
0:50:53 > 0:50:56# And the joke is rather sad... #
0:50:57 > 0:51:00We both know this baby was conceived eight weeks ago,
0:51:00 > 0:51:02so why the hell is it growing so fast?
0:51:02 > 0:51:05Wolf gestations are a lot shorter than humans'.
0:51:05 > 0:51:06Says who?
0:51:06 > 0:51:08- Wikipedia.- Mm.
0:51:08 > 0:51:11So maybe werewolves are the same too.
0:51:11 > 0:51:13Maybe you'll just have a shorter pregnancy.
0:51:13 > 0:51:18Yeah, or maybe I'll just keep, you know, growing and growing until I...
0:51:18 > 0:51:19What the hell?
0:51:23 > 0:51:25They've come for Mitchell.
0:51:25 > 0:51:27What? Why?
0:51:27 > 0:51:29Oh, God, George, I'm sorry, I'm so sorry.
0:51:29 > 0:51:30What are you talking about?
0:51:31 > 0:51:33I reported him.
0:51:33 > 0:51:37I gave his name to them about the Box Tunnel 20.
0:51:37 > 0:51:42You don't understand. I found this in his scrapbook that Annie was talking about.
0:51:42 > 0:51:44It was before we knew about Daisy.
0:51:44 > 0:51:47If they've arrested him, they will take his photo.
0:51:47 > 0:51:49They'll...
0:51:49 > 0:51:51Why? Why didn't you say something?
0:51:51 > 0:51:53Because I knew you would take his side.
0:51:53 > 0:51:55I knew you'd try to cover for him.
0:51:55 > 0:51:57Have you any, any idea what you've done?!
0:51:57 > 0:51:59The danger you've now put us all in?
0:52:00 > 0:52:02Where are you going?
0:52:02 > 0:52:04The police station. I've got to get him out of there.
0:52:04 > 0:52:06- I'm coming with you. - No, you stay there!
0:52:06 > 0:52:09You are not going anywhere near him.
0:52:10 > 0:52:11Fuck it!
0:52:23 > 0:52:25Agh! Agh!
0:52:29 > 0:52:32I don't know what's going on back at the house.
0:52:32 > 0:52:35They're all playing silly buggers and not answering their radios.
0:52:35 > 0:52:40Right, then, Gloria O'Swanson, time for your close-up.
0:52:43 > 0:52:44Hello?
0:52:46 > 0:52:48I live here. Is...
0:52:49 > 0:52:50Anyone there?
0:53:24 > 0:53:26(TAP RUNS)
0:53:28 > 0:53:30You don't know what you're doing!
0:53:30 > 0:53:32Come on.
0:53:32 > 0:53:38- It can't happen like this. - Sit still. Stay still.
0:53:38 > 0:53:42I have something of a dilemma, Nina. Perhaps you could help me.
0:53:42 > 0:53:44Christ, you made me jump.
0:53:44 > 0:53:46Look, what the hell happened here?
0:53:46 > 0:53:48And why are you wearing that?
0:53:48 > 0:53:53See, the thing is, your boyfriend tore me, literally, limb from limb.
0:53:53 > 0:53:55Now, aside from anything else,
0:53:55 > 0:54:00have you ever heard of anything so... undignified?
0:54:04 > 0:54:06Stay still.
0:54:06 > 0:54:08Drop his legs.
0:54:11 > 0:54:14- No, please. Please don't do this. No!- Stay still.
0:54:14 > 0:54:15But the pain...
0:54:16 > 0:54:19..was incredible.
0:54:19 > 0:54:21And I remember every moment,
0:54:21 > 0:54:25so now, not unreasonably I think you'll agree...
0:54:27 > 0:54:28..I want him to suffer.
0:54:28 > 0:54:30But not for moments.
0:54:31 > 0:54:34For days, weeks...
0:54:35 > 0:54:37..months.
0:54:37 > 0:54:40And the best way of doing that...
0:54:40 > 0:54:42is, um... is to kill you.
0:54:42 > 0:54:46Now, here's my dilemma.
0:54:50 > 0:54:51You were kind to me.
0:54:53 > 0:54:57Everyone else in the house wanted me dead except you.
0:55:00 > 0:55:04It's a knotty one, isn't it?
0:55:13 > 0:55:15No.
0:55:15 > 0:55:18You're right. My quarrel is not with you.
0:55:26 > 0:55:29Then people would say I was going soft.
0:55:38 > 0:55:40Stay still!
0:55:40 > 0:55:41Take the picture!
0:55:41 > 0:55:42Andy, take the picture!
0:55:45 > 0:55:48- Do it! - Andy, just take the bloody picture!
0:55:48 > 0:55:49Take the picture!
0:55:49 > 0:55:50Oh, God!
0:56:13 > 0:56:16This wasn't a game. This is revenge!
0:56:27 > 0:56:30Subtitles by Red Bee Media Ltd
0:56:30 > 0:56:33Email subtitling@bbc.co.uk